GG Magazine 02/26 (US)

THE HANDMADE EDITION

A tribute to human expression and to those who create lasting value and truly unique works with dedication and care.

Kelly Wearstler

Maybach

Zeus+Dione

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Not just custom. Considered. Italian craftmanship guided by your vision.

Dear Reader,

In an age in which almost everything comes into being quickly and automatically, our longing grows for things that endure. We seek objects not produced by machines, but created through imagination, craftsmanship and honest materials.

Such pieces bear traces: small irregularities that are not flaws, but signs of life. In a world of perfect surfaces, it is precisely these subtle distinctions that give us joy.

Few people know: Actor Pierce Brosnan has been drawing since 1987, creating expressive, often richly colored works and portraits. His collaboration with German designer Stefanie Hering, renowned for her handcrafted porcelain, shows what becomes possible when personal artistic expression meets exquisite craftsmanship. He brings the art; she brings the form. Together, something truly unique emerges.

True mastery takes time. No algorithm can replace the experience gained through practice, patience and passion. Real quality is found in what grows slowly.

The same principle applies to our own work in real estate. Good advice is a craft in itself. It requires knowledge, intuition and the commitment to deliver quality that is never accidental.

This issue is devoted to the art of making. It is a tribute to all those who work with patience and precision, reminding us that every meaningful creation begins with a simple yet decisive gesture: a hand setting something in motion.

That is how one-of-a-kind pieces come to be. Beauty that lasts. Value that resonates.

Yours sincerely,

Christian Völkers Publisher

Pierce Brosnan

PLAYGROUND

Cool City 12

House 14

Interview 16

Art & Design 20

Look 22

Books & More 24

AT HOME

Pierce Brosnan 28

In an interview, the Hollywood star talks about his second passion: painting.

Kelly Wearstler

Personal 145 Look

Kelly Wearstler 38

A peek into the U.S. designer’s world and the vibrant, tactile spaces she creates.

Maybach 48

Custom-made to perfection — how an automobile became a collector’s item.

Zeus+Dione 56

The Greek luxury label interprets the art of weaving to craft a contemporary collection.

SALE

Interview New Home

Engel & Völkers News 68 New Home 72

Residential & Commercial 80

NORTH & CENTRAL AMERICA 88 – 104

SOUTHERN AFRICA 105 EUROPE 80 – 87, 106 – 143

Welcome 6

Masthead 144

BACKBONE

The Wempe Glashütte Iron Walker from Wempe is the essence of a timelessly modern yet sporty watch. Reduced to the essentials and uncompromising in terms of quality and workmanship, it meets the highest standards because it is manufactured at a place that stands like no other for fine German watchmaking: Glashütte in Saxony.

Headquarter: Alexander - Bretz - Straße 2 D-55457 Gensingen bretz.de Flagships: Kantstr. 17, Living Berlin Hohe Str. 1, Dortmund Wilsdruffer Str. 9, Dresden Grünstr. 15, Düwell Düsseldorf Schäfergasse 50, Frankfurt Große Elbstr. 68, Stilwerk Hamburg Hohenstaufenring 62, Köln Reudnitzer Str. 1, Leipzig Hohenzollernstr. 100, München Hallplatz 37, Nürnberg Königsbau Passagen, Stuttgart Salzgries 2, Wien

When shapes, colors and upholstery tell a

true mastery is revealed in all of its facets. A look at objects with unmistakable character, and reinterpreted traditions.

PARISIAN SAVOIR FAIRE

BY FEMKE MALEEN FRITZ

Paris is known as an outstanding source of the beautiful things in life, like haute couture, jewelry and perfume. The Louvre, with its glass pyramid, and the Eiffel Tower – two famous city landmarks – embody the French capital’s cultural preeminence.

rom its creative studios to its prestigious fashion houses, Paris brings its cultural heritage to bear, mixing luxury and savoir faire in an exceptional way. La Galerie Dior preserves the heritage of the maison and stands as a testament to the free-thinking and visionary achievements of Christian Dior and his six successors. This is where the Dior collections were designed over the course of 70 years. For those interested in fashion history, there’s more to be found at the Palais Galliera, whose collection comprises an estimated 200,000 items of clothing reflecting French styles from the 18th century to today.

Louis Vuitton, Prada, Saint Laurent: The Avenue Montaigne is where the major French fashion houses have their headquarters. The street also connects the Pont de l’Alma bridge with the famous and luxurious Avenue des Champs-Élysées, at the end of which the Arc de Triomphe rises in all its glory.

For exquisite jewelry and fine watches, pay a visit to the Place Vendôme, where high jewelry is at home. Characterized architecturally by classical French style and urban planning rigor, the representative square was commissioned in 1699 by Louis XIV and is the work of his court architect Jules Hardouin-Mansart. The uniform façade design, newly stipulated at the time, gives the elegant square the appearance of an octagon.

Not far away is the iconic Hôtel Ritz, which was the cherished home of Coco Chanel for over 30 years. Her studio and shop, dressmaking workshops, salons and apartment were located

right around the corner on the Rue Cambon 31, where the Chanel boutique can be found to this day. When the fashion designer moved in, she took her own furniture and other things with her, so the suite at the Ritz ended up reflecting her style.

From her window, she looked directly on to the Place Vendôme, whose shape she eternalized in the octagonal cap of the Chanel Nº 5 bottle – a symbol of her devotion. The current Coco Chanel suite, decorated in her trademark black and beige, has stood as a tribute to the famous designer ever since the luxury hotel reopened some years ago.

To preserve and further develop artisanal knowledge, the le19M Cultural Center and Institute unites some 700 craftspeople and time-honored craft businesses under one roof. Among them is Maison Lesage, which has been cultivating a unique handcraft for more than a century and producing exquisite embroidery for haute couture, prêt-à-porter and accessories – a craft that requires many hours of meticulous work. The le19M is also a creative space with a gallery hosting exhibitions, workshops and events dedicated to art, fashion and craftsmanship.

Paris is a fascinating blend of history and craftsmanship infused with a creative spirit. Wandering through the city streets, you can’t help feel that this time-honored center of fashion and design is also a vibrant studio in which past and present merge into one.

170 rue du Faubourg

Saint-Honoré

75008 Paris, France

HAKUBA

The Michelin-starred restaurant at the luxurious Cheval Blanc hotel serves omakase meals that combine Japanese culinary art with delicacies from the French coast. Traditional table settings, linen aprons and a dark wood interior create a warm, authentic atmosphere.

LA GALERIE DIOR

The double exhibition by La Galerie Dior and the Azzedine Alaïa Foundation, which is showcasing over 100 designs by Dior from Alaïa’s collection, will be running through early May. A great admirer of Dior, the Tunisian-born designer was particularly fascinated by how the dresses were made.

HÔTEL RITZ

Famous designers like Elsa Schiaparelli and Gianni Versace are known to have stayed at this fashionable French grand hotel, which hosted various events during Haute Couture Week.

FRÉDÉRIC MALLE

In 2000, the founder of Éditions de Parfums Frédéric Malle revolutionized the perfume industry. He turned the spotlight on perfumers, acknowledging their work by putting their names on the bottles.

DISTINCTIVE LIVING

No single piece is the same. Produced with the greatest care in workshops and studios, they attest to the highest quality and individuality. The expertise passed from generation to generation is reflected in every detail, resulting in objects that are truly timeless.

1 ELEGANT UPGRADE

To celebrate its 70th anniversary, Fritz Hansen has reinterpreted the iconic Series 7 chair. Upholstered in robust harness leather, the new model also features contrasting stitching.

2 NATURAL ORIGIN

By Nature and Knopp produces table tops made from tree trunks, which ensures that each table is entirely unique, like the Monolith pictured here.

3 UNIQUE AMBIENCE

The Pagode Table Lamp by Daniel Heilig, made of untreated oak and fine, handmade washi paper, exudes a warm light that invites you to linger.

4 CAPTIVATING LOOK

The versatile ceramic tiles from Karak combine contemporary design with raku, the traditional Japanese firing method, to create a highly exclusive aesthetic.

The cc-tapis brand came into being as a result of love, friendship and collaboration. How has this personal dynamic shaped the company’s DNA?

Fabrizio Cantoni: cc-tapis was born from a deeply personal story, a shared adventure between my wife and me. Nelcya is of Persian origin, so rugs are virtually in her blood. I come from a hospitality background in the Italian Alps – a world that, at first glance, couldn’t be further from rug-making. And yet our paths crossed quite naturally. Friendship entered the equation with Daniele, who became our third partner. The sense of lightness, trust and collaboration that ensued became the foundation for what we do. From the very beginning, the company carried within it a special energy – a mixture of love and curiosity.

cc-tapis has become a name that is recognized worldwide. What does it mean to you, personally?

Over the past 15 years, everything we’ve achieved has been the result of true teamwork – a collective effort made possible by the dedication, passion and creativity of everyone involved. But what I love most about cc-tapis is that it has become a platform that allows me to connect with some of the most inspiring and

ART ON THE FLOOR

The Milan-based rugmaker cc-tapis brings a modern aesthetic to a centuriesold tradition. Knotted by hand in workshops in Nepal and India, the rugs reflect the brand‘s vitality and cultural depth in every fiber.

BY MERLE WILKENING

creative minds of our time. Every collaboration adds a new layer to our story.

How would you describe the philosophy behind your production of handmade items? We’re a mono-product company: We only make rugs. But our true style lies less in what we make than in how we make it. For every project, the technique becomes our way of interpreting the design; it becomes our personal signature. The process changes every time because every gesture, every artisan, every fiber gives life to something new and unique. That’s the beauty of craftsmanship. It’s never identical, always alive. We work with colors, fibers and knotting methods – an entire vocabulary that lends a rug its particular identity. For me, that’s where the essence of craftsmanship lies: in the constant experimentation and the dialogue between tradition and creativity that defines our work.

Fabrizio Cantoni established cc-tapis together with his wife, Nelcya. Their friend Daniele

completed the entrepreneurial trio.

The rug Soft Wood by Bethan Laura Wood is reminiscent of a kaleidoscope.

Experience your personal Ospa moment. Enjoy exceptionally natural pool water thanks to the gentle Ospa disinfection based on pure salt. Ospa-SmartPool technology allows you to conveniently control your pool from anywhere – easily via the WebApp. www.ospa.info

Rug or wall hanging? The textile artworks embody the creative identity of the brand.

The “Rebus” collection bears the signature of IranianFrench architect India Mahdavi (top right).

You have production workshops in Nepal, India and Milan. How do the craft traditions in each of these places differ from one another?

cc-tapis was formed based on the Tibetan hand-knotting technique, which we carry out on our premises in Kathmandu. We source the fibers locally, dye them, knot them and handle all of the finishing ourselves. This way, we can control the process from beginning to end and ensure the utmost quality. In India, the richness and variety of handmade techniques is astounding. When we launched our ready-tobuy collections in 2024, we paired each product with a specific production technique. Then we embarked on a kind of grand tour of northern India to find the villages where each technique was executed best. In Italy, our approach was different: We wanted to create a product that was genuinely “Made in Milan.” Our prototyping machine allows us to create one-of-a-kind pieces for installations and bespoke projects.

Time plays a very important role when crafting by hand. How do you communicate the value of slowness to your customers?

For us, time is a measure of quality, care and a human approach. The knotting process cannot – and should not – be hurried along. Every knot takes its own time, guided by the artisan’s

hands, by their breath and by their concentration. To interfere with that natural rhythm would mean losing the essence of what we do.

Many of your collections are collaborations with international designers. How do you decide whom to work with?

When we established cc-tapis back in 2011, we designed everything in-house. It was as if we first had to decide who we were and define our own language before we could open up and collaborate with others. The wonderful city of Milan offered us countless opportunities once we were ready. One of the first designers we worked with was Patricia Urquiola. Collaborations have been an integral part of cc-tapis ever since. Everything we do is based on instinct; it’s decided at the gut level. And things often materialize spontaneously. Our approach is consciously unorthodox: Alongside major stars of the design world, we collaborate with students, artists, stylists and architects – anyone, in fact, who has something to say and whose vision, we feel, can be expressed through the cc-tapis language.

Which cc-tapis rugs do you have at home?

Since we established the label, I have moved house five times. My wife and I love creating new interiors, so each house has had different rugs. I’d almost say the rugs chose the house rather than the other way around. In our current home, we have rugs from the Chateau Orlando collection by Luke Edward Hall. Their classical spirit blends wonderfully with the aesthetic of the space. In the small apartment we have in Paris, the approach was more rock ’n’ roll – and since the cost of wood flooring was prohibitive (he laughs), we decided to go for a wall-to-wall leopard carpet instead.

Would you like to know more?

DEVOTION TO DETAIL

Plates, glasses, cutlery and wine bottles; flowers and flickering candles – these things naturally belong on a beautifully laid table. At the Oeuvres Sensibles textile studio, run by artist and designer Sarah Espeute, these objects decorate the tablecloth itself. Inspired by her southern French roots, the Mediterranean light and the cultural richness of Provence, Espeute creates minimalist, poetic designs that celebrate traditional techniques and modern aesthetics in equal measure. Her tablecloths, placemats, cushions, bedspreads and curtains are crafted from high-quality natural materials sourced in France and Europe, like linen, hemp and cotton, and brought to life through fine embroidery in her Marseille studio. In place of standardized, soulless everyday objects, Espeute offers vibrant works of art that evoke emotion, awaken nostalgia for moments past, and simply bring a sense of joy to the everyday.

MASTERPIECES

Whether it’s ceramics glazing, leatherwork, perfumery or textile-making, skilled craftsmanship informs a broad variety of disciplines. Each item here, created with a deep understanding of material, technique and form, exudes a personal vibe

1 STACKABLE Stylish and functional: The plates and bowls in the spherical La Boule dinner set from Villeroy & Boch are both.

2 HONEST Originally handmade, the vases from Knabstrup Keramik x Eric Landon alias Tortus maintain their design language despite being mass produced.

3 CONTRASTING For L’Entropiste, Bertrand Duchaufour creates harmony out of chaos. Dawn Whispers is a fragrance with notes of milk, amber and rare woods.

4 CLASSIC Quality at a glance: The Sartre sunglasses from Jacques Marie Mage feature a sculptural acetate brow and a finely engraved titanium frame.

5 ELABORATE The Loom bag L25 pays tribute to Loro Piana’s textile origins by featuring a metal bar draped with leather – like fabric over a loom.

6 COMFY The rubber-soled Lorenzo Drive Loafer from Berluti is made of soft, hand-stitched suede – lightweight and long-lasting.

7 LUXURIOUS Inspired by Gustav Klimt, this silk square scarf from Freywille makes a striking statement with its bright, colorful patterns.

8 SURREAL Wouters & Hendrix combine materials and techniques in surprising ways: the Voyages Naturalistes ring is made of Labradorite and feathery silver.

9 GEOMETRIC The hand-tufted rugs in the Court Series by Pieces recall the sharply delineated graphics and shape of a tennis court.

COFFEE TABLE BOOK

Santoni Meraviglia

Santoni shoes have long been synonymous with the excellence of Italian craftsmanship. To mark the brand’s 50th anniversary, this book celebrates the passion, precision and artistry invested in every pair. Much like the shoes themselves, this volume was handmade in Italy –a tribute to technical mastery and timeless style.

Luke Leitch & Oliver Pilcher, Assouline

LUX

The visionary Spanish artist Rosalía remains one of the most influential voices of our era. With LUX, she transcends boundaries, offering a multi-layered work that seamlessly fuses avant-garde, classical and contemporary influences. The album takes listeners on a sonic journey through light, spirituality and transformation, with Rosalía singing in thirteen different languages.

Rosalía, www.rosalia.com

Brunello: The Gracious Visionary

Known for its high-quality cashmere and timeless designs, the Cucinelli brand stands for craftsmanship, quality and care. This documentary, with Brunello Cucinelli himself as narrator, offers an intimate look at how every seam and every fabric is fashioned. The result is a poetic portrait of responsibility, dedication and passion.

Director & screenplay: Giuseppe Tornatore

BOOK

Tong Yang-Tze

Taiwanese artist Tong Yang-Tze is regarded as one of the most distinguished figures in contemporary Chinese calligraphy. This work documents her more than fifty years of dedication to the tradition and highlights her unique fusion of classical Chinese forms of expression and literature.

Lesley Ma (Ed.), publication in June 2026 by Rizzoli

Athens Reimagined: A Sanctuary for the Senses

Where architectural heritage meets modern luxury: The new F ZEEN ATHENS is an exclusive hideaway in the heart of the Greek capital.

In the vibrant Perikleous Street, named after the visionary statesman of the Golden Age, history is being brought back to resplendent life. F ZEEN ATHENS is far more than a new boutique hotel; it is an architectural journey through time and an exclusive ‚Residents-Only‘ sanctuary in the historic heart of the city, just 600 metres from the Acropolis.

The ensemble of five meticulously restored historic buildings, dating back to the 1800s, whispers tales of its past as a bustling hub for textile and jewelry trading. Where craftsmanship once flourished in the historic ‚Stoas‘ (arcades), discerning travellers will now find 51 suites that form a masterful symbiosis. Here, Neoclassical grace meets the geometric elegance of Art Deco and the functional clarity of Bauhaus. Every de -

tail, from the preserved original wall paintings to the hand-forged steel staircases, has been retained to honour this cultural heritage.

F ZEEN ATHENS redefines the concept of a city retreat. As an ‚Adults-Only‘ property, it guarantees absolute privacy and tranquillity amidst the renowned ‚Athenian buzz‘. The concept places a central focus on wellness and historical heritage. After a visit to the spa or a session in the gym, the path inevitably leads upwards. The rooftop terrace, complete with pool and bar, offers a stunning view of the Parthenon. Here, high above the rooftops, the ancient panorama and contemporary sophistication merge to create the very feeling that lends the hotel its name: ‚F Zeen‘ – the ancient Greek philosophy of the good life.

For more information, please visit www.fzeenretreats.com

AT HOME

Craftsmanship emerges where time and dedication meet. We take a look at the people and brands that preserve this moment – as Pierce Brosnan does with his art.

“MY ART HAS MADE ME WHO I AM TODAY.”

BY MERLE WILKENING

Famous worldwide for his legendary roles in film and television, Pierce Brosnan has an equally great, though quieter, passion: painting. A conversation about finding inspiration and equilibrium –and how art has always been part of his life.

nyone wishing to interview Pierce Brosnan is served a lesson in spontaneity. “Would tomorrow work for you?” the voice on the other end of the phone asks, before saying: “He’ll give you a call.” Given that the man you want to talk to played an iconic secret agent as if the role had been designed with him in mind, you immediately assume that he’s a “don’t call me, I’ll call you,” kind of person who doesn’t intend to return your call.

Pierce Brosnan keeps his word. The time difference between his home on the island of Kauai and GG’s editorial offices in Hamburg, Germany, is twelve hours. When the phone rings shortly after 7 am Hawaiian time, it’s obvious that he’s up early. “Hello, this is Pierce Brosnan,” his deep voice murmurs unannounced through the receiver. We haven’t arranged this call to speak about James Bond – the charming daredevil role so suited to him that Brosnan is fondly remembered for decades later. We want to talk about his other passion: art.

Born and raised in Ireland, Brosnan trained as a commercial artist after leaving school, fully prepared to spend the rest of his life making art. But then acting came along, and the TV show “Remington Steele” brought him international success. Painting remained his private passion until a few years ago, when it began moving center stage.

Mr. Brosnan, you began to paint long before you became one of the most well-known actors of your generation. How did this early foundation in art shape your view of the world?

I think I have always looked at the world with a creative and romantic eye. I love the romance of being an actor and I love the romance of being an artist. I can make a living from my work as an actor, which permeates and fuels my artistic intentions and actions.

I left school when I was 16. All I had, really, was a homemade artist’s folder of drawings and

paintings, but I found a job as a trainee commercial artist. In retrospect, that was my passport to creative life – to fulfilling my wish, my dream, to become an artist. Then acting came along. So, my dedication as an artist goes hand in hand with being an actor. The one feeds off the other.

Looking back, can you remember the first thing that you ever drew?

I can still see the portrait I drew of a young boy that I was at school with. I still draw that way today, to an extent. The spaces, the characters... I suppose they are all self-portraits in a way. I can recognize the early stages in what I drew then.

But I really started painting when my late wife Cassandra was ill with cancer. She enjoyed the artwork I created, and I still have those pieces. “So Many Dreams,” the exhibition that I did in L.A. in 2023, was a retrospective, in a sense. It consisted of 50 paintings and 100 drawings that together made up a single art piece. I still have paintings that I did in 1995, in 1985 – they’re all in storage. One of the great joys of my life was coming home from abroad one year to discover that my sons had gone into my studio and each taken seven paintings, which they put up in their rooms. It was a great honor to have my sons celebrate my work.

That must have made you proud...

Very much so. In fact, my son Paris is in the process of becoming a painter too. He was just touring Germany last fall. His work is really strong.

Ever since the 1980s, Brosnan has painted at every opportunity. He has drawn in his trailer during breaks in filming, and there’s art everywhere in his studio at home.

“I love the world of surrealism. I love the word surrealism.”

PIERCE BROSNAN

Do you recognize any similarities between his style and what you do?

Yes, there is a certain recognizable influence. There are emblems in his work that I have used in mine. We also paint together, which gives me great satisfaction and joy.

How does painting help you through difficult times – or even in happy periods of your life?

Some of the best work comes from inward reflection, from places of suffering or pain. That’s when painting can be a great comfort. And also, of course, there’s just the joy of painting. Of going into your studio without knowing what you’re going to do, and then creating something spontaneously out of the joy of life at that moment. So it works on both levels, always with a strong emotion behind it.

I draw constantly, and I always have my sketchbooks with me when I travel – paints, watercolors. When you make movies, you have time off, or have to wait between setups, so what do you do with all that time? If I don’t have a lot of demanding dialogue to learn, I paint or draw in my trailer. Most of the time, my drawings end up going in my paintings; so there’s a constant doing, constant artistic activity. Over the years, it has developed into more and more of a passion.

Could you choose, if you had to, between acting and art?

That would be very hard. I love the work of an actor. It poses great challenges, but finishing a movie that audiences can see fills me with great satisfaction. It’s very gratifying. I also like creating something that has emotion and power. Sometimes, it’s timeless. I really wouldn’t like to have to make a choice. It would probably be wiser to stick to acting, though. It makes you more money (He laughs)

What do you turn to for inspiration?

Well, the life of an actor is sometimes pretty solitary. When I’m studying a script for several days, there often comes a moment when I begin to draw. Usually a still life. I have a series of works called “From Where I Sit.” It can be a landscape or a particular window that I sit in. I also have a series of paintings of chairs, most of which come from drawings before they go into a painting. Vincent van Gogh is one of my all-time favorite painters, I take great inspiration from his work. The inspiration comes from quiet reflection. It soothes me in the agitation of life. It’s a meditation, a way of calming oneself, of grounding oneself in a certain moment of time.

How would you describe your art to someone who can’t see it?

I find that a difficult question to answer. Color, movement and surrealism. I love the world of surrealism. I love the word surrealism. One of the first artists who really captured my imagination was Salvador Dalí. This allowed me to express myself freely as an artist and abandon positions of shapes and colors. One dark night when my first wife was very ill, I just started to paint. I walked up to the canvas without any experience of holding a paintbrush or painting with a brush, and out came color. Color that filled me with hope and a sensation of ease and comfort.

You say you still have those pictures, created during a time of great intimacy and connection to your late wife. Would you ever consider selling them?

No, I think not. My wife Keely and I have been together for 31 years. I have been blessed in life with amazing women who have supported me and nurtured me. It was Keely who said: “You must show these works; they can’t just stay in storage. You should do an exhibition.” And so she curated the work. It took three years to put together, letting things ferment, and finding a gallery. Then we hung them up and put price tags on them. Keely put the prices on. It was quite a bit of money (laughs). Consequently, I still have them. My original works are very precious to me, very meaningful and very personal. But that show was the springboard for my collaboration with Stefanie.

You and Stefanie Hering, the German designer and ceramicist from Hering Berlin, collaborated on a limited edition of exclusive ceramic vases bearing your art. The collection has the same name as your solo show: So Many Dreams. My wife Keely was always saying: “You should go to Art Basel Miami.” Well, we finally went and ended up having lunch with a group of about 40 people. One of them was Stefanie. Keely, who was sitting next to her, grabbed my arm at one point and said: “You must meet this woman, come, sit here.” So I went and sat beside Stefanie. That’s how we became friends and created these sculptural vases together.

Making art is a meditative activity for Brosnan in dark moments and amid everyday life as an actor. It helps him find peace.

“From Where I Sit” is a series of still lifes depicting what the artist sees. Chairs are a recurring motif in his work (left)

Was it challenging to work in an entirely new medium?

Well, it wasn’t so much of a challenge, really, because the work was already there: the line drawings that I’m constantly making anyway and which I have many, many folders of. It was mostly a matter of showing Stefanie my work, sending her the drawings. She chose and I agreed, and we said things like “yes, this one looks good,” and “let’s do that.” It all went very smoothly. Stefanie is such a master craftswoman, a great artist and wonderful ceramicist. Her work is beautiful, elegant and cool. I very much enjoyed her company and we got on with a kind of easy grace. The results are absolutely elegant; they tell a story. There’s something quietly emotional about them.

Do you have any of those vases standing at home? What do you feel when you look at them?

Yes, I have some at my home in Malibu. I’m very proud of them. When I look at them, I feel the joy of friendship, of doing and of life – and that I created something with another artist whom I admire.

Have you ever done pottery yourself?

No, but I want to! We bought my son Paris a pottery wheel, but so far, it’s just been sitting in storage. One of these days, I’ll find it and have a go at pottery. I’d really like to create my own pots.

Is your focus more on art than on acting these days?

Right now, I’m thinking about my next show, but I’m not sure where I want to have it. I’d very much like to do a show with Paris. It would be really nice to work together. That’s all I know, and in the meantime, I shall carry on with my acting

You’re a self-taught artist. Did you ever panic while standing in front of a blank canvas?

Oh yes, of course. But I usually know what I’m going to paint. What used to scare me was having to fill an entire canvas. I would begin, get the foundation down, and everything would look beautiful.

But then, something would happen and I wouldn’t know where to go next. I’d be lost, start to think, and feel paralyzed with fear because I loved it so much and didn’t want to mess it up. There are also times when you don’t have any passion for your work. You have to allow yourself to feel that way and not worry. Because one day you’ll wake up and know exactly what you want to do.

What does painting do for you that acting doesn’t?

Acting is a collaboration between you, the author, the director and the other actors. So, you’re in the company of others and constantly interacting, which means you have to listen and react. Painting is solitary. It’s just me, the brushes, the canvas and the colors – I’m alone in my space of doing. Painting is very introspective; it’s very quiet, an internal movement of creative impulses. Acting and painting nurture me in different ways. They both feed the desire, need and want to be doing. Both are very much part of my life and make me who I am.

BY DOYA KAROLINI

At the intersection of art and design, Kelly Wearstler champions the tactile and the timeless. A reminder that true luxury is built through intention.

She designs with the belief that imagination and intention can turn any space into a world of its own.

here are designers who shape objects, and designers who shape worlds. Kelly Wearstler belongs firmly to the latter. Since founding her studio, she has spent nearly three decades cultivating a visual language that expands across interior design, architecture, product development and art direction.

Today, her influence is global. With six published books and a digital audience of 2.2 million followers, she is considered one of the most recognizable figures in contemporary design – a testament to the way her aesthetic vocabulary resonates across cultures. In 2019, the Financial Times described her as “the woman who brought West Coast style to the world,” a framing that captures both her reach and her singular voice.

Across her body of work, from residences and hotels to furniture and product design, one principle remains constant: a deep commitment to the handmade. Craft, in her universe, is not an embellishment but the origin of an idea, the emotional anchor of a space and the lens through which she understands materiality.

Born and raised in Myrtle Beach, South Carolina, she grew up surrounded by objects with histories: vintage ceramics, flea-market finds, stitched textiles. Her mother, an antique dealer, taught her to read surfaces with reverence. Wearstler often reflects on her mother’s favorite reminder: nothing worthwhile is easy – a phrase that mirrors the tenacity and curiosity that define her practice. Observing objects treated with ritual-like care shaped her belief that materials hold memory and emotion, and that the handmade carries an authorship impossible to replicate through industrial processes.

This early initiation into the world of craft became the foundation for her studio. Wearstler has always gravitated toward artisans: stoneworkers, metal sculptors, ceramists, textile weavers. She believes that the human hand leaves a presence on every object, a subtle energy that becomes the spark for spatial storytelling. A glaze experiment may inspire a palette; a cast-metal prototype may define a silhouette; a textile technique may become the soul of a hotel’s identity.

Her interiors are tactile compositions. She embraces variation, irregularity and natural inconsistency as signatures of authenticity. Wearstler describes herself as obsessed with nuance and often refers to her approach as “mixology,” the intuitive blending of materials, eras and textures. Raw meets refined, vintage meets contemporary, angular meets organic. This layered sensibility gives her work an atmospheric quality: spaces that feel discovered rather than arranged. Unsurprisingly, she often credits Peggy Guggenheim and Doris Duke as style icons who helped shape her understanding of boldness, eclecticism and cultural layering.

Wearstler’s own 1950s beachfront cottage in Malibu expresses this philosophy vividly: It is hand-crafted, rustic and raw, a vessel for material honesty. After being tragically impacted

A sculptural stone vase from Wearstler’s new collection, where organic form and raw materiality meet quiet refinement (above).

Texture, geometry and contrast take center stage: Kelly Wearstler crosses a Crescendo rug, her tenth collaboration with The Rug Company. Here, wool, silk and nettle meet sculptural softness in a piece hand-knotted in Nepal (right)

Her spaces are not arranged, but revealed, shaped by instinct, nuance and a devotion to atmosphere.

Kelly Wearstler surrounded by pigmented rubber stools from Nynke Koster’s 90210 collection in her redesigned pool house, where “Again, Differently,” the debut exhibition from Side Hustle, is currently on view.

For her, luxury begins in the emotional charge of materials: the grain, the patina, the human trace.

by wildfires last year, the home is now being rebuilt. For the designer, reconstruction becomes creative renewal, a chance to deepen her dialogue with place, history and craft.

Wearstler’s aesthetic is defined by the emotional charge of materials and the power of juxtaposition. Whether through textures, colorways, materials or eras, her design philosophy is rooted in a firm commitment to contrast. This interplay creates the tension and depth characteristic of her interiors. She does not chase uniformity; she composes atmospheres.

Her understanding of luxury departs from spectacle. Luxury, to her, is more of a feeling than a specific, tangible quality. It is intimacy: the sensation of patinated metal, the grain of carved stone, the softened edges of vintage wood. She believes that powerful interiors invite a dialogue between objects. The most luxurious spaces can bring together unique pieces with their own history, essence and character, and encourage an elegant conversation between them.

One of her most consistent strategies is the interplay between past and present. Mixing vintage and antique items with contemporary pieces is central to her pursuit of atmosphere. Vintage objects bring depth; contemporary ones bring clarity. Together they form a layered narrative. In a design landscape that has often leaned toward minimalism and reduction, Wearstler offers something more expansive, an aesthetic of eclectic grandeur anchored in material authenticity.

Her work merges design history with modernity, allowing architectural rigor to coexist with sculptural forms, nuanced palettes and organic texture. Each project, from hospitality to residential commissions, carries her multifaceted style, yet retains a distinct identity. This ability to shape character rather than formula is one of the reasons her work resonates across cultures.

A textural study from Wearstler’s hotel project Santa Monica Proper, where carved wood panels and sculptural furniture express her commitment to material experimentation (top).

An upholstered chair from Kelly Wearstler’s Pacific Collection, crafted with her signature commitment to tactile geometry and expressive woodwork (above).

“The new tonal combinations – the muted taupes, creams, soft grays and warm browns – they‘re about subtlety. They let the geometry do the talking. But there‘s depth there, complexity.”

Her studio operates as an interdisciplinary atelier. Architects work beside industrial designers, digital artists beside ceramists, textile specialists beside sculptors. Materials are tested, reconsidered, pushed and refined, reflecting her belief that creativity thrives through collaboration. She sees artisans as co-authors, and encourages exploratory making: discovering what the human hand can achieve beyond the realm of machines.

Although her practice is deeply rooted in traditional craft, she is equally open to contemporary tools. She firmly believes it is the responsibility of designers to push the boundaries of their craft and to create spaces that reflect the world around us. She views innovation and craftsmanship not as competing forces but as complementary ones. AI and digital platforms can expand creative potential, but tactility remains the emotional center of her work. Wearstler’s own residences embody this philosophy. Her Beverly Hills home, originally a 1926 Spanish Colonial, remodeled in 1934 as a Georgian by architect James E. Dolena, is a living archive of influences. Purchased in 2005 from the Broccoli family, the house holds its own cinematic narrative. Inside, the furnishings form a curated mix of contemporary designers, significant vintage pieces and finds gathered from her travels. Her work stands out because she religiously follows her gut. A sentiment that explains the instinctive complexity of her spaces. Each new project is an invitation to embark on a unique journey, aiming to create interiors filled with texture, pattern and emotional resonance.

Looking ahead, the evolution of the Kelly Wearstler studio is defined not by scale but by diversification and cross-disciplinary expansion.

She continues to cultivate new forms of collaboration through initiatives such as Side Hustle, a curatorial platform dedicated to experimentation and creative risk-taking. Its inaugural exhibition, “Again, Differently,” reflects her belief that traditional craft is both timeless and perpetually open to reinterpretation. She also publishes a newsletter, Wearsterworld, on Substack. Furthermore, she is exploring how physical craftsmanship can coexist with digital innovation. Whether through virtual installations, digital-craft partnerships or materials developed with sustainable technologies, her work remains anchored in tactility. She envisions a future in which digital culture amplifies the handmade, offering artisans new tools, extending the reach of their work and ensuring the continuity of craft in a rapidly evolving world.

Her perspective is unmistakable: For design to remain meaningful, it must remain human. And for design to remain human, it must remain shaped, quite literally, by the hand. Her work suggests a simple truth: When imagination meets intention, design becomes a way of seeing the world anew. Wearstler reminds us that design’s greatest power lies in its ability to reshape how we feel, long before we understand why.

“What looks like basic geometry starts creating all this visual depth and movement across the surface. It‘s the same architectural precision, but now with these optical effects that make flat surfaces feel threedimensional. It‘s about taking those timeless patterns and making them do more, making them richer and more visually complex,” says the designer about her Liaison by Kelly Wearstler mosaic series for Ann Sacks.

A CLASS OF ITS OWN

BY MERLE WILKENING · PHOTOS MERCEDES-MAYBACH

GG accompanied the limited-edition V12 Mercedes-Maybach to its world premiere in Italy – a journey that brought the magic of customization to life and revealed how bespoke perfection elevates handcrafted engineering into the realm of fine art.

he journey began not on the road, but under white sails. Departing from the port of Naples, guests embarked on a four-day voyage aboard the the Sea Cloud Spirit. It was a deliberate choice by Maybach to invite the exclusive circle of international VIP customers and media representatives to enjoy the slow-paced route from the Italian coast to Saint-Tropez on the French Côte d’Azur. As the three-masted ship cut through the Mediterranean, it served as a metaphor for the Maybach itself: timeless elegance and craftsmanship that refuses to be rushed. It’s a philosophy where the destination is secondary to the journey – a credo perfectly mirrored in a vehicle where comfort is the ultimate luxury.

The Sea Cloud Spirit served as the centerpiece for the curated Maybach experience. The 138-meter vessel is the third addition to the Sea Cloud Cruises fleet. Like its sister ships, it combines the luxury of a modern private yacht with the character of a traditional sailing ship. It is a contemporary tribute to a legend born in the 1930s when American heiress Marjorie Merriweather Post commissioned the original Sea Cloud, the “Grande Dame of the Ocean.”

The Sea Cloud Spirit continues to honor this legacy. Spanning 138 meters with a total of 28 sails, it can accommodate up to 136 passengers. Although just four years old, the ship exudes the elegance of a bygone era, with its sails all still operated by hand in the traditional way.

Following a night of heavy seas, the ship docked in the Port of Civitavecchia, where the historic Forte Michelangelo provided a

dramatic backdrop for the voyage’s main event: the world premiere of the limited Maybach Edition. Against the fortress walls, the unveiling unfolded as a choreographed production set to the sounds of Vivaldi performed by star violinist Ray Chen. Mercedes-Maybach CEO Daniel Lescow personally introduced the new V12 Edition, describing it as the definitive showcase of Manufaktur studio craftsmanship.

Under the Italian sun, the sedan’s striking paintwork revealed a depth achieved only through painstaking precision. The upper section is finished in Olive Metallic – an exclusive Manufaktur shade – while Obsidian Black Metallic defines the lower half. The two are divided by a sharp pinstripe in High-tech Silver Metallic. Specialists dedicate up to ten working days to this finish alone, doubling the time required for Maybach’s signature twotone paintwork.

Distinctive hallmarks further define the edition: The Maybach double M emblem in the C-pillar is set into a solid 24-carat gold medallion, while the center console features a brilliant golden inlay with a kaleidoscopic graphic inspired by the brand’s signature pattern. Drivers and passengers alike immediately sense what Paloma Cury, Head of Manufaktur, later explains in conversation: “It’s about making the magic of craftsmanship tangible.”

To understand the origins of this meticulous attention to detail, you have to turn away from the Italian coast and look toward Sindelfingen in Germany. Here, in the heart of the Mercedes-Benz plant, the Manufaktur studio brings customization to life. For over a century, expertise has been passed down through generations – often within the same family.

Virtually every S-Class is ordered with at least one Manufaktur configuration. One of the latest colors in the interior portfolio is Lake Green – a rich, dark shade that impressively accentuates the new floral leather design.

“Innovation in processes, tradition in execution. For me, that is the future.”

PALOMA CURY, HEAD OF MERCEDES-BENZ MANUFAKTUR

The steering wheel alone requires around eight hours of precision work. In the final stage of production, the leather is finished with the “Indianapolis stitch,” a hand-sewing technique named after the legendary Indianapolis Motor Speedway.

With its sails set, the Sea Cloud Spirit reveals her full glory. Designed with modern luxury in mind, nearly half of her 69 cabins feature private balconies or windows that open. The three-masted ship launched in 2021.

A golden inlay adorns the rear center console of the V12 Edition (right). The Maybach double M emblem, complete with its chrome and gold medallion, is framed with twelve golden circles. It takes up to seven working days to create this intricate inlay.

“It is not uncommon for a father to work here, followed by his daughter after completing her training,” Paloma Cury explains. For her, this personal pride is the heartbeat of the operation: “Sindelfingen is a place where tradition meets cutting-edge research.” In the studio, customers can witness the transformation of a vision into reality, from the selection of flawless leathers to the programming of complex embroidery with up to 24,000 stitches.

For Cury, the Manufaktur is a labor of love. Having grown up among sewing machines and fabrics in her parents’ business in Brazil, she understands the value of true craftsmanship. In Sindelfingen, details are created that transcend standard solutions. It is this synergy of human passion and technological precision that defines the Maybach spirit: “Innovation in processes, tradition in execution,” she says. “For me, that is the future.”

The value of the Mercedes-Maybach V12 Edition is not measured by the first kilometer. Even before a single one of these strictly limited models touches the asphalt, their status as coveted collector’s pieces is already assured. With only fifty examples worldwide, the Edition offers the rare privilege of owning a piece of contemporary history – a legacy inextricably linked to the heritage beneath its long hood. These roots reach back to the legendary Maybach Zeppelin models of the early 20th century. In a striking historical parallel, Karl Maybach’s debut of the first series-produced V12 engine in his Zeppelin model coincided with the maiden voyage of Marjorie Merriweather Post’s Sea Cloud. At the time, the model represented the ultimate fusion of technical mastery and supreme elegance. Building on this lineage, the new V12 Edition redefines modern automotive luxury. At its core remains the V12, widely considered the pinnacle of internal combustion engines. Its perfect balance cancels out vibrations, shielding the cabin from the outside world. What remains is pure tranquility – the signature silent glide that has defined the Maybach experience for nearly a century.

The following day, we were ready to experience this legendary refinement firsthand. After a few nautical miles, we disembarked by tender in the Ligurian city of La Spezia, where a waiting Maybach fleet stood ready: the elegant S-Class, the spacious GLS, the electric SUV and the sleek SL Roadster. The test route wound along the coast, through picturesque villages with the glittering Italian Riviera as a constant companion. It was not an easy choice: drive yourself or –for the ultimate luxury experience – be chauffeured in the limousine’s executive seat behind the front passenger. Those who chose the driver’s seat were able to experience the effortless power and poised handling. If you chose to leave the driving to someone else, you could immerse yourself in the bespoke details and absolute tranquility of the passenger cabin. It was a journey that demonstrated a simple truth: In a Maybach, even the longest distances are stress-free.

On the final day of the trip, it was time to set sail again. It was an impressive sight, as twenty crew members climbed up the rigging to release the ropes by hand. As the sails unfurled, the Sea Cloud Spirit was revealed in all its glory – a fitting finale to our journey. Stepping back onto land, we can only hope the return trip proves just as seamless. Our journey confirmed a striking parallel: What the windjammer is to the sea, the Maybach is to the road – a master of silent, majestic refinement.

Would you like to know more?

THREADS OF FORCE

Dimitra Kolotoura , founder and CEO, and Marios Schwab, creative director of the Greek fashion brand Zeus+Dione, on the quiet power of heritage, form and emotion – and the architecture of craft.

BY DOYA KAROLINI · FASHION PHOTOGRAPHY PANOS DAVIOS

Dimitra Kolotoura and Marios Schwab are the complementary forces shaping Zeus+Dione through balance, restraint and meaning (facing page). Ηandmade is their language of truth. It is visible and tangible in the Spring/Summer 2026 collection.

Strong as a fiber, delicate as a surface. This is silk, the fundamental material signature of Zeus+Dione. And this is also, in many ways, the spirit that defines the encounter between Dimitra Kolotoura and Marios Schwab. Two distinct forces that meet at the fragile intersection of memory and form, of strategy and intuition, of cultural depth and visual discipline. Two deeply complementary perspectives that shape the strong identity of Zeus+Dione as a living organism rather than a fixed idea. Together, they articulate a shared language of restraint, sensuality and meaning, where Greek heritage is not treated as a static symbol but as a continuous, evolving source of energy that flows through fabric, silhouette and emotion.

At the heart of this dialogue lies the idea of contemporary Hellenic identity as a distillation, not a quotation of the past. “It is defined as the intersection of heritage and modern sensuali-

Architecture, proportion and movement: a contemporary statement of soul.

“The golden ratio and the clean lines of the Doric rhythm form the foundation of my understanding of the body.”

MARIOS SCHWAB

ty, a living expression of Greece’s architectural purity, cultural depth and sunlit ease,” says Dimitra Kolotoura. This identity finds its way into collections shaped by sculptural silhouettes, Doric minimalism and flowing silks, with craftsmanship elevated into contemporary luxury. Its international resonance, she explains, comes from clarity, authenticity and emotional truth, certainly not from visual excess.

The notion of the handmade stands as a central pillar in this world. “Handmade is our language of truth,” she continues, describing it further as respect for time, mastery and the human touch; as a discipline that requires patience and devotion, and as a form of modern luxury that stands for rarity and meaning in an era driven by speed. The deliberate nature of weaving, the sculptural quality of jacquards and the precision of hand-finished details are all presented not as nostalgic gestures, but as contemporary statements of value and soul.

Form, structure and proportion enter this universe through a distinctly architectural gaze. “The golden ratio and the clean lines found in the Doric rhythm form the foundation of my understanding of the body and of the aesthetic that defines Zeus+Dione,” says Marios Schwab. These principles guide the balance and quiet strength of the brand, shaping silhouettes that speak through restraint and not volume.

Schwab’s return to his Greek roots is not described in sentimental terms, but through contrast and tension. “The energy of this place, with all its contradictions, is what moves me most,” he explains. Craftsmanship, in this sense, does not begin as a technical exercise but as an emotional impulse.

When silhouette and space balance each other to perfection, the result is a quiet study in presence, proportion and light.

“For me, craftsmanship begins with fluidity. The sensuality of silk jacquard is always the first impulse,” he adds. Shape and surface exist in constant dialogue, influencing one another as woven graphic lines set the tempo that guides drape and ultimately defines silhouette. Slowness itself becomes a principle. “I protect the rhythm of handmade work by treating it as a discipline. Creating space for observation, experimentation and refinement allows handcrafted work to breathe.” In this way, the handmade process becomes a counterbalance to speed and an integral part of the final result.

Authenticity in a fast and automated global market is not framed as resistance to change but as a conscious anchoring to origin. From the beginning, the ambition was never to follow fast fashion cycles but to craft pieces that genuinely endure. “We protect this by remaining anchored to the communities and craftspeople who give life to our vision,” says Kolotoura. “We grow intentionally, ensuring that every piece carries the integrity of its origin. Cultural integrity is preserved not by resisting evolution, but by elevating craft into a modern context where its value is understood and desired.”

Looking back at the origins of the brand, Kolotoura recalls the moment she realized that Zeus+Dione carried a responsibility beyond fashion, when she witnessed traditional crafts disappearing along with the livelihoods of the artisans who safeguarded them. “It became clear that Zeus+Dione could be more than a fashion brand. It could be a cultural bridge, honoring heritage while giving it new relevance,” she adds. From that point on, the responsibility to preserve, elevate and evolve Greek craftsmanship became foundational. Meanwhile, business strategy and emotional depth are not treated as opposing forces but as interdependent. “Intent and sensibility are not opposing forces. They are

Authenticity is protected not by resisting evolution, but by elevating craft into a modern context. A study in balance, structure and restrained sensuality is in quiet dialogue with the body (facing page).

“For me, craftsmanship begins with fluidity. The sensuality of silk is always the first impulse.”

MARIOS SCHWAB

Silk jacquard combines structure and sensation; graphic lines guide the body in motion.

The material at the core of Zeus+Dione’s contemporary design language has its own unparalleled rhythm.

interdependent. The cultural depth of the brand is what gives approach its meaning.” Creative direction emerges not from rigid concepts but from regular impulses.

Schwab draws deeply from the contradictions of Greece itself, which he describes as “raw and refined, ancient and modern, grounded and untamed.” These tensions constantly feed the emotional core of his design language. “Color, composition and shape are informed by daily impulses. The coexistence of urban energy with heritage,” he adds.

Among the most meaningful creative risks is the modernization and expansion of the brand’s signature woven patterns. “Modernizing and adapting the trademark jacquards to engage a younger, more fashion-oriented audience was one of the most meaningful creative risks I have taken,” he explains. Yet evolution is always anchored to origin. “Because every collection begins with raw material, fabric

“Everything is stripped back to what truly matters: light, purity, integrity, tactility and craftsmanship.”

DIMITRA KOLOTOURA

and movement, the brand’s core aesthetic remains constant.” Craftsmanship is described not as the past of the brand but as its engine for innovation. “It is envisioned evolving through collaborations, experimentation and the integration of traditional know-how with contemporary technology. The essence remains, but its expression expands,” says Kolotoura. Internationally, the brand resonates with audiences that value design, materiality and cultural storytelling. “Our audience is curious, well traveled and values authenticity over logos. They seek objects with narrative value and emotional resonance,” she adds.

When asked to imagine Zeus+Dione as a place in Greece, they both smile. The image that appears is that of a simple Cycladic island. “Everything is stripped back to what truly matters: light, purity, integrity, tactility and craftsmanship,” Kolotoura stresses, with unmistakable warmth.

And when asked what emotional atmosphere one should feel when wearing their creations, Schwab answers decisively “effortless sensuality.” These two words quietly define the brand’s entire philosophy. As for the legacy, the aspiration is precise. It is for Zeus+Dione to be the fashion house that redefined Greek luxury for the modern world. A brand that preserves artisanal heritage while elevating it to global relevance. “Ultimately, our legacy would be to inspire future creators to see Greece not just as history, but as a continuous source of innovation and creative power,” Kolotoura adds.

In that vision, tradition is not preserved as memory, but released as movement, a promise to be carried forward.

SOTOGRANDE THE ANDALUSIAN SANCTUARY OF DISCREET LUXURY

If Marbella is the ostentatious showman of the Spanish coast, Sotogrande is its sophisticated sibling. Tucked away in Cádiz, where the Mediterranean kisses the Atlantic, lies an enclave that defines European luxury living. It is not just a place to visit; it is a diverse ecosystem of leisure designed for longevity.

A Mosaic of World-Class Sport. While the region is famous for its „Golden Triangle“ of golf—featuring the legendary Real Club Valderrama (host of the ’97 Ryder Cup), Real Club Sotogrande, and La Reserva—the sporting narrative here is far broader. The pulse of the summer beats just as strongly at the Santa María Polo Club. A global epicenter for the „Sport of Kings,“ it transforms the season into a social phenomenon. Here, families and VIPs gather in the pavilions, sipping champagne while watching the world’s elite players in an atmosphere of electric, yet refined glamour.

The Evolution of Leisure. Sotogrande has redefined downtime beyond the fairways. At La Reserva Club, the lifestyle shifts from competition to pure relaxation at The Beach. This inland oasis, with its man-made lagoon and white silica sand, brings the tropical resort experien-

ce into the hills. It is a hub for wellness and family life, where you can enjoy racquet sports, yoga, or simply fresh sushi on the terrace while children play in complete safety.

A Safe Haven for Families. This sense of security is Sotogrande’s true luxury. It is a community built for peace of mind, where children cycle freely between activities. This family focus is anchored by the renowned Sotogrande International School. With over 1,400 students, it is one of Spain’s leading educational institutions, turning this holiday retreat into a viable, year-round home for global families who prioritize a wholesome environment.

Maritime Life & Gastronomy. The lifestyle flows naturally towards the Marina, dubbed „Little Venice.“ Unlike transient tourist ports, this is a genuine community hub. With its strategic location and top-tier facilities, it is the ideal year-round base for captains wishing to leave their boats in secure waters. But even without a yacht, the Marina enthralls: the canals are lined with vibrant boutiques and restaurants, offering a gastronomic scene where the rhythm is slow, intentional, and deeply Andalusian.

THE ART OF CREATING VALUE THAT ENDURES

True craftsmanship combines tradition, innovation and sustainability to create things whose intrinsic value and timeless character are shaped by true passion and a love of excellence – qualities that Engel & Völkers embodies as well.

THE DREAM OF OWNING A VINEYARD

From Napa Valley in California to the Chianti region in Italy – many high-net-worth individuals supplement their international real estate portfolio by investing in a property class that combines exclusive country living with producing something of their very own: wineries or estates with vineyards attached where you can grow your own grapes and make your own wine. Client preferences vary greatly. Some buyers are looking for a working vineyard with a commercial focus. Others are more interested in a change of lifestyle for themselves and may prefer a residential estate where they can realize the long-held dream of mastering the sophisticated art of winegrowing.

In a world becoming ever more digital and fast-paced, true craftsmanship stands out as a symbol of authenticity, individuality and excellent quality. It marries exceptional skill and in-depth knowledge with carefully chosen materials to produce works that are both sustainable and long-lasting. Unlike shortlived trends, the value of such works lies in their ability to endure. The fact that outstanding examples of traditional craftsmanship are part of UNESCO’s Intangible Cultural Heritage underscores their cultural importance and the need to preserve skills and know-how for future generations.

Craftsmanship is intimately invested in sustainability – in using materials with a long lifespan and treating resources with responsibility and care. Craftsmanship is also characterized by a high degree of innovation: It couples traditional techniques with modern technologies, unites proven and novel materials and employs a contemporary approach to design.

For our customers too, craftsmanship is not just something that is visually pleasing, but incorporates far more. It represents the finest quality, timeless character and a personal touch – along with emotional value and devotion to detail, all of which are impossible to obtain through standardized, industrial methods of production.

At Engel & Völkers, we combine traditional craftsmanship with modern design. Throughout our global network of offices, our careful choice of interiors, materials and design elements reflects the high standards and premium quality of our brand. The result: visually appealing spaces that fill our values of excellence, exclusivity and passion with life. True craftsmanship is not a matter of chance but the result of practiced precision, care and attentiveness at every stage and an understanding of how detail can be used to create an overall picture and make all the difference. In a world increasingly shaped by automation, exquisite work masterfully carried out by hand sets a piece of real estate apart. It conveys character and identity – qualities that endure far beyond short-lived fads to create lasting value.

In our understanding, craftsmanship is a symbiotic combination of tradition, excellence and innovation. For properties, this means not just building but conscientiously creating something for people and for future generations. It reflects a lifestyle that appreciates how quality and responsibility together shape a sustainable vision for the future.

Yours cordially,

Jawed Barna Group CEO

That’s the number of things recognized as intangible cultural heritage by UNESCO worldwide – including various different type of traditional craftsmanship.

What do mechanical watches from Switzerland and France, Japanese timber architecture and violins made in Cremona, Italy, all have in common? Each is an example of traditional craftsmanship listed by UNESCO as part of our Intangible Cultural Heritage because of the specific cultural knowledge and acquired skills involved in their production that shape a particular identity and need safeguarding for the future.

ATTENTION TO DETAIL

The offices of the Engel & Völkers global network feature a wealth of artistic elements influenced by traditional craftsmanship; for instance, the gracefully curved and expertly executed helical staircase at company headquarters in Hamburg, (1), the intricately worked, ornate wooden ceiling at our office in Como in Northern Italy (2) or the beautifully designed art-deco mosaic made of pale gray and black marble at our office in Paris (3). Engel & Völkers’ appreciation for handcrafted detail is evident almost everywhere.

Edited

by Inken Becker &

Merle

Wilkening. Ad section on pages 72–143.

AN ODE TO LIGHT

In Saint-Jean-Cap-Ferrat on the French Riviera, the acclaimed architect Jean Nouvel has created a masterpiece in steel and glass with all the hallmarks of his unmistakable signature style. Properties of this calibre are exceptionally rare on the market.

BY MERLE WILKENING ·

The master bedroom opens onto the garden through a semicircular construction of glass and stainless steel, creating a cave-like atmosphere. A private sanctuary infused with natural beauty, architectural highlights and tranquillity.

hen it comes to architecture that looks to the future, Jean Nouvel is a name that cannot be overlooked. The winner of the Pritzker Prize has created icons around the globe – from the Louvre Abu Dhabi to the Institut du monde arabe and the Philharmonie de Paris. In the autumn of 2025, Nouvel further cemented his status as a worldclass architect with another landmark project in his home country: the Fondation Cartier opened its new location in the historic building on the Place du Palais-Royal.

One of his extraordinary designs, Villa Grand Cap on the Côte d’Azur, is now for sale. Its location is as spectacular as its architecture. Saint-Jean-Cap-Ferrat is considered one of the most exclusive coastal addresses in Europe. Situated between Monaco and Nice – an area long defined by history, wealth and culture – the villa is almost hidden from sight within lush greenery and barely visible from the road. It is only up close that Jean Nouvel’s creation fully reveals itself. It is a building that does not impose itself, instead blending discreetly into the terrain and capturing the light of the French Riviera. The villa follows the natural slope of the land: five west-facing levels unfold like a sequence of modern greenhouses overlooking the bay of Villefranche. Glass, stainless steel and concrete form a unified architectural language – modern, yet vibrant. Everywhere one looks, nature abounds.

The grand entrance begins in the expansive underground garage, which could have come straight out of a James Bond film. A long hallway leads deeper into the house. Step by step, natural light washes over the passageway –making for an arrival choreographed like a theatrical scene. An elevator connects the various levels, but to truly experience the villa, one should walk: along the staircases and across the footbridges that weave together the indoor and outdoor spaces of this home.

“I always make architecture somewhere – certainly for someone, but always for everyone. I refuse to limit architecture to a stylistic field.”

JEAN NOUVEL

d’Azur, France

Price EUR 35 mill.

Interior approx. 545 m²

Land approx. 4,077 m²

E&V ID W-0261KQ

ENGEL & VÖLKERS Côte d’Azur MMC (FR)

Tel. +33 4 93 54 93 42

E-mail cotedazur@engelvoelkers.com

On the main level of the villa, the kitchen, dining area and terrace all flow into one single open living space. A glass roof hovers overhead, crisscrossed by fine steel cables on which air plants grow, providing natural shade. The kitchen itself resembles a stainless steel sculpture, its surfaces reflecting the daylight. The minimalist dining area is brought to life by the large glass doors that slide aside to open onto the terrace. Once outside, the view extends across the bay, where yachts lie at anchor. A staircase leads up to the central living area, where the true leading star of this home once again reveals itself: the panorama, sweeping across the sea, sky and hills. Its omnipresence feels almost like a part of the interior. All technology recedes quietly into the background – air conditioning concealed in the floor, as is the television. From here, an external staircase continues upward to the infinity pool, passing beautiful terraces and

peaceful gardens that accompany each level.

The guest rooms and bedrooms are connected by a long corridor. Wood-panelled built-in wardrobes, stainless steel bed frames, and minimalist en suite bathrooms create a paredback yet sensual living environment. The master bedroom suite occupies its own separate floor. A semi-circular window opens out onto a small, intimate patio facing the garden, complete with a second private pool.

Stone steps connect the outdoor spaces, leading through a Mediterranean garden with citrus trees and vegetable beds. A boules court serves as a reminder that the Côte d’Azur is not just a stage, but a place to cherish everyday life. With 545 square meters of living space set on a 4,000-square-meter plot, six bedrooms and six bathrooms, the fully furnished Villa Grand Cap stands as a manifesto to life that can be inhabited. Acquiring this villa means not merely buying a house, but owning a work of art.

VENICE

Palazzo Dario – A Rare Opportunity to Own a True Italian Work of Art from the 15th Century

Veneto, Italy

Price on request

Interior approx. 1,055 m²

No. of rooms 15

E&V ID W-047ED4

ENGEL & VÖLKERS Venice (IT)

Tel. +39 041 267 52 22 E-mail venezia@engelvoelkers.com

MAJORCA

Balearic Islands, Spain

Price on request

Interior approx. 848 m²

Land approx. 50,292 m²

E&V ID W-030AB2

DIETRAMSZELL

Country Living in Style – On Expansive Estate with Ample Space for Horses

Bavaria, Germany

Price EUR 3.6 mill.

Interior approx. 480 m²

Land approx. 5,639 m² E&V ID W-02ZATM

ENGEL & VÖLKERS Grünwald (DE)

Contact Heike Ewald

Tel. +49 89 649 88 60 E-mail muenchen@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

Engel & Völkers Immobilien Deutschland GmbH – Südliche Münchner Straße 6a – 82031 Grünwald / Real estate company License Partner of Engel & Völkers Residential GmbH

MUNICH

Prime Location in Lehel – Exclusive

Living Just Next to the English Garden

Bavaria, Germany

Price on request

Interior approx. 391 m²

No. of rooms 7

E&V ID W-046RXW

ENGEL & VÖLKERS München City Center (DE)

Contact Katarina Gudbjoernsson

Tel. +49 89 23 70 83 00

E-mail muenchen@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

GREAT CAMANOE

Indigo Point: Exclusive Living with Exceptional Views

Atlantic Ocean, British Virgin Islands

Price USD 5.5 mill.

Interior approx. 3,970 square feet

Land approx. 4.4 acres

E&V ID AM-5502470

ENGEL & VÖLKERS British Virgin Islands (VG)

Tel. +1 284 494 2507 E-mail britishvirginislands@engelvoelkers.com

Exceptional Waterfront Villa in the Marina

Caribbean, Dominican Republic

Price USD 14 mill.

Interior approx. 39,826 square feet

Land approx. 61,350 square feet

E&V ID AM-5096078

ENGEL & VÖLKERS Punta Cana (DR)

Contact Manuel Higuera

Tel. +1 809 501 9628

E-mail manuel.higuera@engelvoelkers.com

BOSTON

Echelon Living with Harbor & Skyline Views

Massachusetts, United States of America

Price USD 2,449,000

Interior approx. 1,384 square feet

No. of rooms 5

E&V ID AM-5067981

ENGEL & VÖLKERS Boston (US)

Contact Post Advisory Group

DRE number 9519946-RE-B

Tel. +1 617 908 4000

E-mail postadvisorygroup@engelvoelkers.com

BLUE

Georgia, United States of America

Price USD 4,599,999

Interior approx. 5,103 square feet

Land approx. 1.5 acres

E&V ID AM-5061805

ENGEL & VÖLKERS

North Georgia Mountains (US)

Contact Lh Group

Tel. +1 706 514 1042

E-mail lhgroup@engelvoelkers.com

ISLAMORADA

Florida, United States of America

Price USD 4.9 mill.

Interior approx. 3,772 square feet

Land approx. 25,000 square feet

E&V ID AM-5500990

ENGEL & VÖLKERS Islamorada (US)

Contact Stephany Duvall

Tel. +1 305 587 3663

E-mail stephany.duvall@engelvoelkers.com

TUCSON

Historic 11.1-Acre Guest Ranch & Mini Resort

Arizona, United States of America

Price USD 9 mill.

Total surface area approx. 13,257 square feet

No. of living units 14

E&V ID AM-5503288

ENGEL & VÖLKERS Tucson (US)

Contact Curt Stinson

DRE number BR104646000

Tel. +1 520 954 5800

E-mail curt.stinson@engelvoelkers.com

HENDERSON

Luxury Redefined in the Anthem Country Club

Nevada, United States of America

Price USD 2.19 mill.

Interior approx. 4,163 square feet

Land approx. 0.35 acres

E&V ID AM-5093064

ENGEL & VÖLKERS Las Vegas Spring Valley (US)

Contact Mariah Templeton

Tel. +1 702 338 5094

E-mail mariah.templeton@engelvoelkers.com

Colorado, United States of America

Price USD 33.75 mill.

Interior approx. 6,898 square feet

No. of bedrooms 6

E&V ID AM-5503813

ENGEL & VÖLKERS Vail (US)

Contact Jenifer Shay & Tyra Rudrud

Tel. +1 970 376 2752 & +1 970 376 2258

E-mail jenifer.shay@engelvoelkers.com & tyra.rudrud@engelvoelkers.com

VAIL VILLAGE

Luxury Ski-In/Ski-Out Penthouse Condominium

Colorado, United States of America

Price USD 17.2 mill.

Interior approx. 3,787 square feet No. of bedrooms 4

E&V ID AM-5500407

ENGEL & VÖLKERS Vail (US)

Contact Teri Lester & Joanna Kerwin

Tel. +1 970 376 0779 & +1 970 471 1852

E-mail teri.lester@engelvoelkers.com & joanna.kerwin@engelvoelkers.com

Colorado, United States of America

Price USD 13.2 mill.

Interior approx. 6,170 square feet

Land approx. 5.01 acres

E&V ID AM-5096286

ENGEL & VÖLKERS Vail (US)

Contact Steve Stavisky & Gary Pesso

Tel. +1 970 390 9203 & +1 970 331 6927

E-mail steve.stavisky@engelvoelkers.com & gary.pesso@engelvoelkers.com

BOZEMAN

Refined Mountain Living with Panoramic Gallatin Views

Montana, United States of America

Price USD 3,195,000

Interior approx. 3,963 square feet

Land approx. 1,245 acres

E&V ID AM-5501388

ENGEL & VÖLKERS Bozeman (US)

Contact PollyAnna Snyder

Tel. +1 406 600 2477

E-mail pollyanna.snyder@engelvoelkers.com

DARBY

Modern 80-Acre Riverfront Home with Mountain Views

Montana, United States of America

Price USD 10,175,000

Interior approx. 4,496 square feet

Land approx. 80.4 acres

E&V ID AM-5500533

ENGEL & VÖLKERS Missoula (US)

Contact Dawn Maddux

Tel. +1 406 550 4131

E-mail dawn.maddux@engelvoelkers.com

UXBRIDGE

Luxury Equestrian Estate on 10 Private Acres

ENGEL & VÖLKERS Barrie (CA)

Contact Scott Cooper

Tel. +1 705 796 5478

E-mail scott.cooper@engelvoelkers.com

GUELPH

Modern Elegance Rises at Edgewater Guelph

Price CAD 1,099,000

Interior approx. 1,635 square feet

No. of bedrooms 2

E&V ID AM-5500708

ENGEL & VÖLKERS Kitchener Waterloo (CA)

Contact Tabitha Rourke

Tel. +1 519 800 0080

E-mail tabitha.rourke@engelvoelkers.com

KNYSNA

Western Cape, South Africa

Price ZAR 37.9 mill.

Interior approx. 888 m²

Land approx. 8,426 m² E&V ID ENV169010

ENGEL & VÖLKERS Knysna (ZA)

Tel. +27 44 302 5708

E-mail knysna@engelvoelkers.com

IBIZA

Contemporary Villa with Guesthouse in Roca Llisa

Balearic Islands, Spain

Price EUR 3.6 mill.

Interior approx. 288 m²

Land approx. 1,465 m²

E&V ID W-030VMC

ENGEL & VÖLKERS Ibiza (ES)

Tel. +34 971 80 71 80 E-mail ibiza@engelvoelkers.com

Engel & Völkers Ibiza, S.L. – Avenida Santa Eulalia, 17 – 07800 Ibiza / Real estate company – License Partner of BalearEV GmbH

MAJORCA

Neoclassical Designer Villa with Sea Views in Son Vida

Balearic Islands, Spain

Price EUR 27.5 mill.

Interior approx. 2,012 m²

Land approx. 6,138 m²

E&V ID W-02JSKX

ENGEL & VÖLKERS

Mallorca Palma Surroundings & Son Vida (ES)

Tel. +34 971 60 91 41

E-mail sonvida@engelvoelkers.com

SAN PEDRO DEL PINATAR

Modern Luxury Chalet with Private Pool

Price EUR 950,000

Interior approx. 400 m²

Land approx. 521 m²

E&V ID W-02ZJUP

ENGEL & VÖLKERS Torrevieja-Orihuela (ES)

Tel. +34 96 570 45 83

E-mail torrevieja@engelvoelkers.com

Tel. +34 952 83 20 40 E-mail marbellaeast@engelvoelkers.com

WHERE THE JOURNEY BEGINS

Explore captivating stories about personalities, lifestyle, dream destinations and the finest real estate worldwide.

Enjoy four inspiring issues per year, plus exclusive content on our website.

The next issue of GG is published June 5, 2026 www.engelvoelkers.com/de/en/gg-magazine

Majorca

Porto

Lagos

Pedro del Pinatar

Lisbon

Quinta do Lago

Llanes

Comporta

Exclusive Indian-Style Villa in Nueva de Llanes

Tel. +34 984 04 13 64

E-mail orienteasturias@engelvoelkers.com

PORTO

Charming Villa with Swimming Pool

Porto, Portugal

Price EUR 2.1 mill.

Interior approx. 360 m²

Land approx. 330 m²

E&V ID W-046P0J

ENGEL & VÖLKERS Porto Foz (PT)

Tel. +351 225 32 36 90

E-mail portofoz@engelvoelkers.com

LISBON

Price

Interior

Land

ENGEL

Tel.

COMPORTA

Luxury Development Designed by Jacques Grange

Comporta, Portugal

Price EUR 1,871,500

Interior approx. 120 m²

Land approx. 790 m²

E&V ID W-046KOK

ENGEL & VÖLKERS Comporta (PT)

Tel. +351 265 49 75 69 E-mail comporta@engelvoelkers.com

Círculo Comum - Mediaçáo Imobiliária Lda. – Avenida 18 de Dezembro, 7 – 7570-779 Carvalhal / Real estate company

License Partner of Engel & Völkers Residential GmbH

LAGOS

Modern Villa with Sea Views in Palmares Golf Resort

Algarve, Portugal

Price EUR 4,125,000

Total surface area approx. 523 m²

Land approx. 2,755 m²

E&V ID W-02W2OQ

ENGEL & VÖLKERS Lagos (PT)

Tel. +351 282 24 95 17 E-mail lagos@engelvoelkers.com

SOPC 3 - Actividades Imobiliárias, Lda. – Rua da Barroca, 64 – 8600-688 Lagos / Real estate company License Partner of Engel & Völkers Residential GmbH

FERRAGUDO

Zen-Inspired Luxury Living with River Views

Algarve, Portugal

Price EUR 2,395,000

Interior approx. 488 m²

Land approx. 1,065 m² E&V ID W-0473ED

ENGEL & VÖLKERS Portimão (PT)

Tel. +351 282 071 131 E-mail portimao@engelvoelkers.com

QUINTA DO LAGO

Architectural Masterpiece with Ocean Views

Algarve, Portugal

Price EUR 24.5 mill.

Interior approx. 1,481 m²

Land approx. 2,880 m²

E&V ID W-047PJA

ENGEL & VÖLKERS Quinta do Lago (PT)

Tel. +351 289 39 51 65

E-mail quintadolago@engelvoelkers.com

PARIS VI

Exceptional Apartment with Panoramic Views

Île-de-France, France

Price EUR 5.99 mill.

Interior approx. 183 m²

No. of rooms 6

E&V ID W-04775V

ENGEL & VÖLKERS Paris MMC (FR)

Tel. +33 1 86 65 81 76 E-mail paris@engelvoelkers.com

SAINTE-MAXIME

Contemporary Villa with Views of the Gulf of Saint-Tropez

Provence-Alpes-Côte d‘Azur, France

Price EUR 5.35 mill.

Interior approx. 369 m²

Land approx. 4,040 m²

E&V ID W-046NOI

ENGEL & VÖLKERS Côte d‘Azur MMC (FR)

Tel. +33 4 81 68 33 90 E-mail cotedazur@engelvoelkers.com

OFTRINGEN

Modern Living with a View & Building Land Reserve

Aargau, Switzerland

Price CHF 2.85 mill.

Interior approx. 229 m²

Land approx. 1,133 m²

E&V ID W-03018C

ENGEL & VÖLKERS Aarau (CH)

Tel. +41 62 825 27 90

E-mail aarau@engelvoelkers.com

COLOGNY

Stunning Manor House with Lake View & Private Access

SALZBURG

Outstanding Mansion in a Prime Position

Salzburg, Austria

Price EUR 14.9 mill.

Total floor space approx. 790 m²

Land approx. 1,025 m²

E&V ID W-02U67U

ENGEL & VÖLKERS Salzburg (AT)

Tel. +43 662 20 90 06

E-mail salzburg@engelvoelkers.com

MILAN

Exquisite Design & Elegance on Via Mauro Macchi

Lombardy, Italy

Price EUR 1.3 mill.

Interior approx. 142 m² No. of bedrooms 2 E&V ID W-046PUH

ENGEL & VÖLKERS Milano Centro Storico (IT)

Tel. +39 02 94 43 33 31 E-mail milanocentrostorico@engelvoelkers.com

MAZZÈ

Exclusive Villa with 360° Views

E-mail cuneo@engelvoelkers.com

LIVORNO

Villa Tiberini: 19th Century Elegance on Livorno Seafront

Tuscany, Italy

Price EUR 3.95 mill.

Interior approx. 835 m²

Land approx. 2,500 m²

E&V ID W-02ZDUA

ENGEL & VÖLKERS Pisa (IT)

Tel. +39 327 317 89 60 E-mail pisa@engelvoelkers.com

SARDINIA

Sea Access Villa Immersed in Porto Rafael‘s Timeless Charm

Sardinia, Italy

Price EUR 5.5 mill.

Interior approx. 170 m²

Land approx. 7,500 m²

E&V ID W-02ZW4K

ENGEL & VÖLKERS Porto Cervo (IT)

Tel. +39 0789 941 83

E-mail portocervo@engelvoelkers.com

GLÜCKSTADT

Rare Historic Watch House on Banks of the River Elbe

Schleswig-Holstein, Germany

Price EUR 885,000

Interior approx. 105 m²

Land approx. 1,833 m²

E&V ID W-02X6C4

ENGEL & VÖLKERS Elmshorn (DE)

Contact Janne Bugtrup

Tel. +49 4121 262 47 77

E-mail elmshorn@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

GLÜCKSBURG

Exclusive Waterfront Mansion

Schleswig-Holstein, Germany

Price EUR 9.5 mill.

Interior approx. 985 m²

Land approx. 8,734 m²

E&V ID W-030G7S

ENGEL & VÖLKERS Flensburg (DE)

Contact Alexandra von Hobe-Gelting

Tel. +49 173 518 72 29

E-mail flensburg@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

OSTSEEBAD AHRENSHOOP

Thatched Semi-Detached Home with Exquisite Finishes

Mecklenburg-Western Pomerania, Germany

Price EUR 1.2 mill.

Interior approx. 152 m²

Land approx. 597 m²

E&V ID W-02NLUF

ENGEL & VÖLKERS Fischland/Darß (DE)

Tel. +49 38220 66 99 88

E-mail darss@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

HAMBURG

A Home Like a Work of Art

Hamburg, Germany

Price EUR 7.9 mill.

Interior approx. 542 m²

Land approx. 4,316 m²

E&V ID W-047JDO

ENGEL & VÖLKERS Hamburg Blankenese (DE)

Contact Nicola Labatz

Tel. +49 40 987 63 53 33

E-mail elbe@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

EAST FRISIA

Idyllic Retreat in the Heart of Leer-Loga

Lower Saxony, Germany

Price EUR 1.85 mill.

Interior approx. 486 m²

Land approx. 1,736 m²

E&V ID W-046IPF

ENGEL & VÖLKERS Leer (DE)

Contact Andreas Baum

Tel. +49 491 202 400 60

E-mail leer@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

HANOVER

Exclusive Bauhaus-Style Bungalow with Vacation Flair

Lower Saxony, Germany

Price EUR 1.39 mill.

Interior approx. 300 m²

Land approx. 1,469 m² E&V ID W-030J5V

ENGEL & VÖLKERS Hannover MC (DE)

Contact Frank Roitzheim & Claudia Sieck

Tel. +49 177 787 70 68 & +49 176 20 81 63 37 E-mail frank.roitzheim@engelvoelkers.com & claudia.sieck@engelvoelkers.com Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

WEISSENFELS

Elegance Meets History: Luxury Residence with Pool

Saxony-Anhalt, Germany

Price EUR 745,000

Interior approx. 317 m²

Land approx. 2,537 m²

E&V ID W-02YDS1

ENGEL & VÖLKERS Leipzig Land (DE)

Contact Marcel Otte

Tel. +49 173 154 03 11

E-mail marcel.otte@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

BERLIN

Exclusive Living – Waterfront Home with Boat Dock in Tegel

Berlin, Germany

Price EUR 2.42 mill.

Interior approx. 240 m²

No. of rooms 6

E&V ID W-0473AH

ENGEL & VÖLKERS Berlin-Tegel (DE)

Contact Jolanta Kraft

Tel. +49 30 89 73 09 00

E-mail jolanta.kraft@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

DORMAGEN

Where Clarity & Design are a Way of Life

North Rhine-Westphalia, Germany

Price EUR 3.95 mill.

Interior approx. 411 m²

Land approx. 5,000 m²

E&V ID W-046BTE

ENGEL & VÖLKERS Neuss (DE)

Contact Susanne Bachmann

Tel. +49 2131 20 94 40

E-mail susanne.bachmann@engelvoelkers.com Commission fee split between buyer and seller in accordance with legislation from 23.12.2020. Engel & Völkers Immobilien Deutschland GmbH – Sebastianusstraße 11 – 41460 Neuss / Real estate company License Partner of Engel & Völkers Residential GmbH

MEERBUSCH

Spectacular Villa with Garden, Pool & Private Garage

North Rhine-Westphalia, Germany

Price EUR 6.9 mill.

Interior approx. 420 m²

Land approx. 6,344 m²

E&V ID W-0306T4

ENGEL & VÖLKERS Rheinland MMC (DE)

Contact Birgit Pfeiffer

Tel. +49 211 557 18 88

E-mail birgit.pfeiffer@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

Engel & Völkers Immobilien Deutschland GmbH – Dominikanerstraße 6 – 40545 Düsseldorf / Real estate company License Partner of Engel & Völkers Residential GmbH

SCHWERTE

Luxury Penthouse Overlooking the Ruhr Meadows

North Rhine-Westphalia, Germany

Price EUR 718,000

Interior approx. 176 m²

No. of rooms 5

E&V ID W-02YROI

ENGEL & VÖLKERS Schwerte (DE)

Contact Phillip Stricker

Tel. +49 2304 468 64 24

E-mail schwerte@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

DORTMUND

Exclusivity & Privacy in Equal Measure

North Rhine-Westphalia, Germany

Price EUR 1.95 mill.

Interior approx. 241 m²

Land approx. 1,036 m²

E&V ID W-02ZZM9

ENGEL & VÖLKERS Dortmund Süd (DE)

Contact Pascal Wood

Tel. +49 231 950 29 00 E-mail dortmund@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

COCHEM

Villa on the Moselle River with Panoramic Castle View

Rhineland-Palatinate, Germany

Price EUR 1,248,000

Interior approx. 391 m²

Land approx. 1,118 m²

E&V ID W-02ZYF7

ENGEL & VÖLKERS Koblenz (DE)

Contact Nicole Schmidt

Tel. +49 261 96 09 83 00

E-mail koblenz@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

STUTTGART

Architectural Marvel in a Prime Location

Baden-Württemberg, Germany

Price EUR 4.5 mill.

Interior approx. 336 m²

Land approx. 747 m²

E&V ID W-047MGQ

ENGEL & VÖLKERS Stuttgart-Mitte (DE)

Tel. +49 711 227 24 70

E-mail stuttgart@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

ELLINGEN

Elegant Gem in the Franconian Lake District

Bavaria, Germany

Price EUR 1,275,000

Interior approx. 245 m²

Land approx. 1,200 m²

E&V ID W-030BWG

ENGEL & VÖLKERS Schwabach (DE)

Tel. +49 9122 99 99 60

E-mail schwabach@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

ESCHENRIED

Superlative Elegance Set Behind Majestic Gates

Bavaria, Germany

Price EUR 11 mill.

Interior approx. 479 m²

Land approx. 12,000 m²

E&V ID W-04766R

ENGEL & VÖLKERS Dachau (DE)

Contact Celine Intlekofer

Tel. +49 8131 996 00 93

E-mail celine.intlekofer@engelvoelkers.com

Commission fee split between buyer and seller in accordance with legislation from 23.12.2020.

is published four times a year by GRUND GENUG Verlag und Werbe GmbH

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TRANSLATION & PROOFREADING (editorial & real estate)

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An annual subscription of four issues costs €43 in the U.S., €32 in Europe and €24 in Germany. Subscriptions will be renewed for a further year unless cancelled in writing six weeks prior to expiry. Reproduction of any content requires written permission from the publisher. Care has been taken to produce this magazine with as much accuracy as possible, but no liability shall be accepted for factual errors, inaccuracies or misprints should they occur. Furthermore, no liability shall be accepted for the accuracy or completeness of property descriptions and specifications, as these are not produced in-house. Nor shall liability be accepted for non-availability of properties featured in this magazine.

A commission shall be charged on all properties with the exception of those marked with a “P.”

ISSN 0941-5203, GG · No. 2/26 · 38th year

MANAGEMENT

Klaus Manzel und Dr. Rainer Klipp

The next issue of GG comes out June 5, 2026 www.gg-magazine.com

PIECE BY PIECE

With the UCCA Clay Museum, China’s ceramics capital Yixing has gained a new landmark. The spectacular building blends modern architecture with the heritage of local craftsmanship.

BY MERLE WILKENING

esigned by the prestigious architectural firm Kengo Kuma & Associates, the 2,400-square-meter museum is the Japanese firm’s first project in which clay plays a leading role. The museum’s location is a conscious tribute to its heritage. Situated in the new Creative and Cultural Ceramic Avenue in Yixing in the eastern Chinese province of Jiangsu, it serves as a striking architectural landmark in the heart of the historic pottery district. Widely regarded as the cradle of

The design of the UCCA Clay Museum draws inspiration from the traditional dragon kiln, mirroring the form of the ancient kilns that once scaled the hillsides of Yixing. Its pointed roof echos the lines of nearby Shushan Mountain, blending into the landscape.

Chinese pottery, Yixing’s ceramic heritage spans thousands of years. To this day, Yixing produces world-renowned ceramics, most notably the famous teapots made of iconic purple clay that have become enduring symbols of China’s traditional tea culture. Honoring this rich heritage, the museum provides a dedicated space for workshops and studios while also hosting exhibitions by local and international artists.

The exterior façade of the building is particularly impressive. Thousands of high-fired ceramic tiles, handmade by local artisans and finished in a subtle glaze, transform with the shifting light and the viewer’s perspective. Several passageways cut through the building, opening it up to the adjacent river and the neighborhood’s historic and industrial past. These openings do more than just divide the volume; they knit the building into its surroundings and create the impression of a complex emerging organically from the site. They also create transitions between light and shadow, narrowness and spaciousness, interior and surroundings. Visitors leaving the subdued, almost cave-like interior arrive directly at spacious plateaus where art, nature and history come together. Here, Kengo Kuma’s architectural philosophy becomes tangible: He envisions architecture as a sensory experience capable of creating a deep bond to a building through sight, touch, sound, scent, and even taste. The UCCA Clay Museum thus becomes an experiential realization of his “architecture of the five senses.”

The Clay Museum is an offshoot of the UCCA Center for Contemporary Art, one of China‘s leading art institutions. Originally established as the Ullens Center for Contemporary Art by passionate art collectors and philanthropists Guy Ullens and his wife Myriam, the museum is a testament to the couple’s commitment to international cultural exchange and the advancement of Chinese art – a legacy that continues following Guy Ullens’ passing in April 2025.

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