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Musical Instruments - 13th March 2026

Page 1


Friday 13th March 2026 at 11am

VIEWING

Friday 6th March 2026 - 9:15am - 5pm

Monday 9th March 2026 - 9:15am - 5pm

Tuesday 10th March 2026 - 9:15am - 5pm

Wednesday 11th March 2026 - 9:15am - 5pm

Thursday 12th March 2026 - 9:15am - 5pm

Friday 13th March 2026 - 9:15am - 11am

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OTHER BIDDING METHODS

Absentee commission bids may be left with us to bid on your behalf

Telephone bids may be possible on lots estimated £300 and above subject to availability

PAYMENT DETAILS

All lots must be paid and cleared within seven days after the sale. Goods will not be released until full payment is received and cleared. We are pleased to accept payment by the following methods: direct bank payment, debit card, credit cards (chip and pin only, see below), cash to a maximum of £8500.

Deposit payments made direct at the bank or via telephone banking will need to be confirmed as 'cleared funds' before any goods are released.

CONDITION GUIDANCE

Comments on condition and originality in descriptions are our opinion only and not necessarily fact. Buyers that cannot view in person are encouraged to ask for a condition report and/or images before placing any kind of bid.

ENQUIRIES

01225 812912 or email: auctions@gardinerhoulgate.co.uk

We are on view at the Royal Overseas League (ROSL), Brabourne Room, 6 Park Place, St James's, London SW1A 1LR, as follows:

Saturday 28th & Sunday 29th March -10am-5pm Monday 30th March - 10am-4pm

We will also be on view at this Corsham Music Auction by private arrangement

Day four

Antique & Classical Guitars

Friday 13th March 2026 at 10am

Antique & Classical Guitars

1901.

Antique guitar by Guiot, made in London, England, 1847, signed on the neck block; Back and sides: rosewood, repaired hairlines, refinished; Top: natural spruce, repaired cracks and infills, refinished; Neck: mahogany, refinished, replacement head; Fretboard: rosewood, wear to first position; Frets: good, refret; Hardware: good quality engraved brass tuning strips with shaped ivory buttons; Overall condition: good/ restored

*IvoryexemptionsubmissionreferenceWHWSTRGD

*A.Guiot,alsoknownasJ.GuiotorGuyot,wasaFrenchluthierwho workedinLondonduringthemid-19thcentury.Hewasassociated withtherenownedguitarmakerLouisPanormo,havingworkedfor himaround1830beforesettinguphisworkshoparound1840.The Panormoinfluenceisclear,producinghigh-qualityguitarsinthe Spanishstyle.MadameSidneyPrattenalsousedaGuiotguitar. £800-1200

1902.

Raimundo Model 123 classical guitar; Back and sides: mahogany; Top: natural cedar; Neck: cedar; Fretboard: rosewood; Frets: light tarnishing; Hardware: good; Overall condition: good

£80-120

1903.

Ryoji Matsuoka 20 classical guitar, made in Japan; Back and sides: rosewood, a few light marks; Top: cedar, minor dings and play marks throughout; Neck: cedar with ebony reinforcement; Fretboard: rosewood; Frets: good; Case: period hard case; Overall condition: good

£100-200

1904.

Late 1970s Bjarton Rosita nylon string classical guitar, made in Sweden; Back and sides: mahogany, minor dings; Top: natural spruce, minor dings and play wear, a few surface hairlines; Neck: mahogany; Fretboard: rosewood; Frets: good; Overall condition: good for age

£80-120

1905.

1971 José Luis Romanillos classical guitar, made in Semley, Wilts; Back and sides: Brazilian rosewood, surface hairline to treble side of centre back; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: light wear to first position; Hardware: good; Case: fitted Roca Vidal hard case; Nut width: 52mm; Scale length: 650mm; Overall condition: good

*Soldwithnon-transferabledomesticCITESA10certificateno.

26GBA100132C5

£17,000-20,000

1906.

Takamine G Series EG522SC left-handed electro-acoustic classical guitar, with Rok Sak gig bag

£150-250

1907.

1967 Oscar Teller classical guitar, made in West Germany; Back and sides: figured maple, stable hairline to bass side rib and shoulder, lacquer checking throughout; Top: natural spruce, lacquer checking, slight parting to centre, light play wear to treble side; Neck: two piece, various dings and marks; Fretboard: ebony; Frets: good; Hardware: good, upgraded tuners; Case: period semirigid fibreboard case; Overall condition: good for age

£80-120

1908.

2020 Kenny Hill Guitar Company New World Guitar Co Player Series P6505 cutaway classical guitar, made in China; Back and sides: rosewood; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: light edge sprouting; Hardware: good; Case: fitted hard case; Overall condition: good

£300-500

1909.

Suzuki nylon string classical guitar, mahogany back and sides, cedar top, cedar neck, rosewood fretboard, with soft bag

£80-120

1910.

19th century French Mirecourt guitar by and labelled Coffe Goguette; Back and sides: Brazilian rosewood, repaired cracks to lower back, further minor marks; Top: fine grained natural spruce top, refinishing with bridge work evident, various expected play marks; Neck: ebonised; Fretboard: rosewood, wear to first position; Frets: good; Hardware: Jerome brass plate tuners with shaped bone buttons; Case: Kinsman gig bag; Scale length: 650mm (635mm to inner nut); Nut width: 46mm; Overall condition: good for age

*Ivoryexemptionsubmissionreferenceno.Q2MCCK6Q £800-1200

1911.

1973 Di Giorgio Amazonia number 30 classical guitar, made in Brazil; Back and sides: maple, heavy checking and marks throughout; Top: various hairlines, slight belly lift and rippling; Neck: cedar, heavy lacquer checking and other marks; Fretboard: rosewood; Frets: minor wear and tarnishing; Hardware: replacement tuners; Overall condition: fair

£80-120

1912.

1860 George Louis Panormo guitar, made in England; Back and sides: coromandel four piece back, many repaired cracks to the sides - some of which are opening, revarnished; Top: fine grain spruce, a few minor cracks, revarnishing, bridge restorations; Neck: cedar, age related wear throughout; Frets: worn, tarnished and in need of some attention; Hardware: Baker engraved brass tuners with shaped buttons; Nut width: 48mm; Scale length: 630mm; Overall condition: fair

*IvoryExemptionreferencenumberX5MBPJ8D

£800-1200

1913.

1975 Francisco Santiago Marin classical guitar, made in Grenada, Spain; Back and sides: rosewood; Top: natural cedar, light play wear and other minor dings; Neck: cedar, light wear and dings; Fretboard: ebony; Frets: light tarnishing with minor oxidisation to upper frets; Hardware: good; Case: fitted hard case; Scale length: 660mm; Nut width: 52mm; Overall condition: very good

*Soldwithdomesticnon-transferableCITESA10certificate(Please note:InternationalexportwillrequirefurtherCITESpaperworkat buyercost)

£1500-2500

1914.

2010 Martinez MCG-40S classical guitar, with compressed foam case

£100-200

1915.

1989 Michael Gee classical guitar, made in England; Back and sides: Indian rosewood, a few light marks; Top: satin finished cedar, a few light marks; Neck: cedar; Fretboard: ebony; Frets: good; Scale length: 650mm; Nut width: 52mm; Case: Hiscox hard case; Overall condition: good

£1000-1500

1916.

Antique French Mirecourt guitar in need of restoration, probably by Parizot, circa 1830; Back and sides: Brazilian rosewood, large open cracks to back and sides; Top: fine grained spruce, hairlines, bridge partially missing; Neck: head/neck join in need of attention, veneer partially missing at neck heel; Fretboard: ebony; Frets: heavily tarnished and require replacing; Hardware: brass tuning strips with oval buttons; Case: period ebonised case; Scale length: 650mm; Nut width: 46mm; Overall condition: in need of restoration

*IvoryexemptionsubmissionreferenceQKWDN6FT

£1000-2000

1917.

Cuenca 40R classical guitar, rosewood back and sides, cedar top, rosewood fretboard, within hard case

£150-200

1918.

Yamaha CGX-101 electro-classical guitar, within Taylor gig bag

£100-200

1919.

1970s Yamaha G-100 classical guitar, made in Japan

£80-120

1920.

1977 Manuel Conde classical guitar, made in Madrid, Spain; Back and sides: solid rosewood; Top: solid spruce; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good, upgraded tuners; Case: hard case; Scale length: 665mm; Nut width: 54mm; Overall condition: good

£300-500

1921.

Admira Soledad classical guitar, within compressed foam case

£80-120

1922.

Admira Espana EC electro-classical guitar within TGI hard case; together with a Suzuki SCG-30 classical guitar and a JHS Encore

ENC50N classical guitar (3)

£80-120

1923.

Antoria G974 classical guitar, with rosewood back and sides and cedar top, within damaged semi-rigid fibreboard case

£50-100

1924.

Valencia CG190CE electro-classical guitar, with TGI gig bag; together with a Carlsbro Kickstart 25 amplifier stand and tuner; also with harmonica

£50-100

1925.

1987 Vicente Sanchis Model 28 classical guitar

£80-120

1926.

Raimundo y Aparicio Model 112 classical guitar

£80-120

1927.

Casa Sors classical guitar, made in Barcelona, Spain; Back and sides: rosewood; Top: natural cedar, minor dings, larger blemish to bass side upper bout; Neck: cedar; Fretboard: ebony; Frets: light tarnishing; Hardware: good; Case: TGI hard case; Overall condition: good for age

£150-250

1928.

1995 Ricardo Sanchis Carpio 2A classical guitar, made in Valencia, Spain; Back and sides: Indian rosewood; Top: natural cedar; Neck: cedar; Fretboard: ebony; Frets: generally good, a few minor tarnishing spots; Case: hard case; Scale length: 650mm; Nut width: 54mm; Overall condition: very good

£300-400

1929.

Michael P Nalysnyk Parlour guitar, made in England; Back and sides: mahogany; Top: spruce; Neck: mahogany with ebony friction tuning pegs; Fretboard: ebony; Frets: good; Case: fitted Kingham MTM hard case; Scale length: 630mm; Nut width: 48mm; Overall condition: very good

£800-1200

1930.

Asturias Model SB.630 short scale classical guitar, made in Japan; Back and sides: rosewood; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: Bam hard case; Scale length: 630mm; Nut width: 50mm; Overall condition: very good

£200-400

1916 1929

1931.

1994 Antonio Sanchez 1010 classical guitar, with mahogany back and sides, cedar top, rosewood fretboard, with hard case

£150-250

1932.

Almansa CS CW SR E2 electro-acoustic nylon string guitar, made in Spain; Back and sides: Indian rosewood; Top: natural spruce; Neck: cedar; Fretboard: ebony; Frets: good; Electrics: working; Hardware: good; Case: Cibeles hard case; Overall condition: excellent

£500-800

1933.

BM Ronda classical guitar, with soft bag

£10-20

1934.

2002 Amalio Burguet 3-M electro-classical guitar, made in Spain; Back and sides: Indian rosewood, a few light marks; Top: natural cedar; Neck: cedar with ebony reinforcement; Fretboard: ebony; Frets: good; Case: Hiscox hard case; Overall condition: very good

£300-500

1935.

Interesting 19th century Stauffer style small body guitar; Back and sides: birds eye maple, light marks; Top: fine grain spruce, light play wear, evidence of bridge work; Neck: ebonised, worn to first position, Stauffer style head with engraved tuning plate; Fretboard: ebonised with pearl position markers, light wear; Frets: light wear; Case: tooled leather case (at fault); Scale length: 620mm; Nut width: 42mm; Overall condition: good

*Ivoryexemptionreferenceno.GCDGRB42

£800-1200

1936.

1970 Masaru Kohno 7 classical guitar, made in Japan; Back and sides: Indian rosewood, minor scratches; Top: natural cedar, light play wear to treble side of table and other minor marks; Neck: cedar; Fretboard: ebony, light wear; Frets: mild wear; Hardware: good; Case: Just In Case fitted hard case; Scale length: 660mm; Nut width: 52mm; Overall condition: good

£800-1200

1937.

Condé Hermanos classical guitar, made in Madrid, Spain; Back and sides: Indian rosewood, a few light marks; Top: natural cedar, light play wear to treble side; Neck: cedar, minor dings; Fretboard: ebony; Frets: good; Hardware: upgraded Rodgers tuners; Case: Freestyle fitted hard case; Scale length: 650mm; Nut width: 52mm; Overall condition: very good

*Singleownerfromnew,purchasedbythevendordirectlyfromthe HermanosWorkshop

£700-1000

1938.

Alhambra 8C classical guitar, made in Spain; Back and sides: Indian rosewood, a few light marks; Top: natural cedar, a few minor dings; Neck: cedar with ebony reinforcement; Fretboard: ebony; Frets: good; Case: fitted hard case; Scale length: 665mm; Nut width: 52mm; Overall condition: very good

£200-400

1939.

Alvarez CC7HCE electro-acoustic nylon string guitar, made in China, with Tourtech gig bag

£100-200

1940.

Alhambra Mengual y Margarit Serie C classical guitar, made in Spain; Back and sides: rosewood; Top: natural cedar, blemish to top behind bridge plate and treble side of centre top; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: Thomann hard case; Overall condition: very good

£1000-1500

1941.

Asturias by Masaru Matano John Mills Model classical guitar, made in Japan; Back and sides: rosewood, minor dings to edges; Top: natural spruce, hairline parting to centre seam; Neck: mahogany with ebony reinforcement; Fretboard: ebony; Frets: good; Hardware: good; Case: fitted hard case; Overall condition: good

£250-350

1942.

Asturias by Masaru Matano John Mills Model classical guitar, made in Japan; Back and sides: rosewood, a few minor dings; Top: natural spruce, minor dings and light play wear to treble side; Neck: mahogany with ebony reinforcement, light dings; Fretboard: ebony, light wear to first position; Frets: good; Case: compressed foam case; Overall condition: good for age

£200-400

1943.

Yamaha GC-3D classical guitar, made in Japan, circa 1970; Back and sides: rosewood, minor scratches to centre back; Top: natural cedar, a few minor marks; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: compressed foam case; Overall condition: good for age

£400-600

1944.

1973 Masaru Kohno no. 10 classical guitar, made in Japan; Back and sides: Indian rosewood, minor surface scratches and dings; Top: natural cedar, minor dings including string blemishing behind bridge plate and minor play wear to treble side; Neck: cedar with ebony reinforcement; Fretboard: ebony; Frets: good; Hardware: good; Case: compressed foam case; Overall condition: good £1000-1500

1945.

Yamaha GC-3D classical guitar, made in Japan, circa 1970; Back and sides: Indian rosewood, a few light marks; Top: natural cedar, minor dings and scuffs; Neck: cedar; Fretboard: ebony; Frets: good; Hardware: good; Case: compressed foam case; Overall condition: good £400-600

1946.

1980 Yamaha Grand Concert GC-10A classical guitar, made in Taiwan; Back and sides: Indian rosewood; Top: natural cedar, a few minor dings and minor play wear; Neck: cedar; Fretboard: ebony; Frets: good, minor fret sprouting throughout; Hardware: good; Overall condition: good for age

£150-250

1947.

Asturias John Mills Model JM15 classical guitar, made in Japan; Back and sides: rosewood, minor finish clouding; Top: natural cedar; Neck: cedar with ebony reinforcement; Fretboard: ebony; Frets: good; Hardware: good; Overall condition: good

£200-300

1948.

1989 Juan Salvador 6AR classical guitar, made in Spain; Back and sides: rosewood, impact damage to back treble edge, various surface scratches; Top: natural cedar; Neck: cedar with ebony reinforcement; Fretboard: ebony; Frets: good; Case: hard case; Scale length: 645mm; Nut width: 52mm; Overall condition: good

£150-250

1949.

Three classical guitars to include a Vicente Sanchis Model 29, an Admira Clasico and a José Ferrer 5207A (3)

£100-200

1950.

1970 Manuel Condé classical guitar, made in Madrid, Spain; Back and sides: Indian rosewood, light scratches and marks throughout; Top: varnished spruce, refinishing at edges of neck and bass side lower bout; Neck: cedar, minor dings; Fretboard: ebony; Frets: tarnishing throughout; Case: hard case; Scale length: 655mm; Nut width: 54mm; Overall condition: fair

£200-300

1951.

Asturias classical guitar; Back and sides: cypress, various marks and scuffs; Top: natural spruce, play wear to treble side and further dings; Neck: cedar, wear to edges; Fretboard: rosewood, light wear; Frets: good; Case: hard case; Scale length: 650mm; Nut width: 52mm; Overall condition: fair

£200-300

1952.

2015 Granodos Luthier Series 7CE electro-classical guitar, made in Bulgaria, with soft bag

£100-200

1953.

Ricardo Sanchis short scale 530mm scale nylon string guitar, within original hard case

£100-200

LOTS 1954-2500 NO LOTS

Friday 13th March 2026 at 11am

Musical Instruments

2501.

Mexican six string small Jarana type guitar, 19th century, bearing a repair label to the inner back, scale length 29cm

£80-100

2502.

Levin model 40 'Aristocrat' mandolin, sunburst finish, circa 1969, serial no. 492013, hard case

£300-500

2503.

Soprano ukulele, unlabelled; together with a Russian balalaika bearing a trade label to the inner back (2)

£40-80

2504.

Pair of Vic Firth American Classic 7AN hickory drumsticks, as new; together with 12 x XCG 5B and 6 x XCG 2B drumsticks with nylon tips, as new

£20-40

2505.

Pair of K&M folding metal music stands; together with a pair of Manhasset Symphony metal music stands; also a pair of Wittner music stand shelf extenders

£40-60

2506.

Nine interesting ethnographic instrument bows (9)

£50-80

2507.

Decorative musical metal sculpture, a treble clef within a spiral musical stave, mounted upon a square polished stone plinth, 27" high

£30-40

2508.

Denis Stevens - The Treasury of English Church Music, volume 1: 1100-1545; together with a small quantity of music reference books and sheet music books; also ten Ray Swinfield vinyl LP albums (five Angel Eyes and five The Winged Cliff) and six Ray Swinfield 'Reprise' CDs

£20-30

2509.

Good pair of Latin Percussion Patato Model conga drums (11.5" and 12.5" skins), white finish, with tripod folding stand upon locking castors, both bearing the manufacturer's trademark name plate, 30" high (2)

£200-300

2510.

Paiste 502 Plus 20" ride cymbal

£30-50

2511.

Collection of ukulele music; also licensed charts and sheet music, professional transcriptions and teaching materials, including an album of Eric Clapton Unplugged charts, Bob Dylan etc.; also an old Piano-Chord zither

£15-30

2501
2502
2507

2512.

Crafter steel strung classical guitar, Model no. D6/N, serial no. 03092493, labelled, soft case; also a Ross Fame Series Model 10 amplifier

£40-80

2513.

Set of five Paiste cymbals, to include 14" hi-hat top and bottom, 16" power crash, 18" crash/ride and 20" power ride, cased

£100-200

2514.

Unusual set of five Sabian cymbals, to include pair of 14" AA regular hi-hats, 16" AA rock crash, 18" AA medium thin crash and 20" AA medium ride, cased (5)

**Eachofthecymbalshasasecondcymbalrivetedunderneath £100-200

2515.

Set of five Istanbul Agop Alchemy Series cymbals, to include pair of 14" hi-hats top and bottom, 16" crash medium, 18" crash rock and 20" ride rock, cased (5)

£100-200

2516.

Good and rare Guarnierius Receveur four string tenor banjo circa 1930, the wooden back inlaid with a geometric mother of pearl circular design, with 8.5" skin and geometric mother of pearl inlay to the fretboard and open peg box inscribed Guarnierius Luthier, case

£400-600

2517.

Hohner soprano melodica, with box and spare mouthpiece; together with five harmonicas by Hohner (Super Vamper, Pro Harp, Echo, Blues Harp and Chromonika III), and a Lee Oskar harmonica by Tombo; also a Jetel Midget Swanee/slide whistle

£40-60

2518.

Anvil bar effect on stand with a pair of mallets; together with a pair of popgun effects

£10-20

2519.

Premier concert pedal timpani drum, with six tension screws and 25" Remo Weatherking skin, copper finish

£150-250

2520.

Liberty 'Vox' style plectrum four string banjo, decorated to the resonator back with an eagle with outstretched wings standing on an American shield within foliate banded borders, with stylised engraved metalwork, stylised mother of pearl inlay to the fretboard and jewelled shaped head, 11" resonator and 26.25" scale length, hard case

£220-280

2521.

Good H. Webb zither banjo, with ebony sunray back bearing the Windsor Patent trademark badge to the centre, with 8.75" skin, stamped H. Webb, W. Hampton to the heel of the laminated rosewood neck, with geometric mother of pearl inlay to the fretboard and foliate engraved machine heads, soft case

£35-55

2522.

J.G. Abbott no. 2 Model five string zither banjo, stamped J. Abbott, Maker to the side of the heel, with 9" skin, geometric mother of pearl inlay to the fretboard and open peg box, case

£35-55

2523.

A.Weaver four string plectrum banjo, with rosewood resonator, stamped A.Weaver Maker to the neck and to the perch pole, 11.5" skin, 26.5" scale length

£150-250

2524.

Modern Cuatro by and labelled David Oddy, Luthier, Exeter, signed to the label and signed David Oddy in abalone inlay to the head

£200-400

2525.

Good modern Mandocello by and labelled David Oddy, Luthier, Exeter UK, made for Mike Cohen, serial number 1011562, also signed on the label, the body having parquetry inlaid chevron borders, signed David Oddy in abalone inlay to the head, with Grover tuners and within a Hiscox hard case

£800-1000

2516
2520

2526.

W.G. Coker & Son four string banjo, with satinwood and ebony banded inlaid concave resonator, mother of pearl dot and geometric inlay to the fretboard and a shaped head with raised brass star boss, inscribed on the perch rod W.G. Coker & Son, Banjo Makers, 41 Melville..., 10.5" diameter skin, 26.5" scale, Calton hard case

£300-500

2527.

Five string banjo by Abbott & co. number 2 model, serial no. 4944, with detachable resonator, Grover tone ring, 11" diameter skin, hard case

£200-300

2528.

Fine 22 fret plectrum banjo by Clifford Essex, serial no. 2003, bearing a name plate on the perch pole, 12" diameter skin, archtop tone ring, with hard case

£180-250

2529.

Tenor banjo by Gretsch, with cast aluminium patented pot, 11" diameter skin, 22.5" scale length

£80-120

2530.

Tenor English guitar, in the manner of William Gibson of Dublin, Circa 1770, with early machine tuners, 14" across lower bout

**Ivorysubmissionreference6K9ABF3M

£1800-2500

2531.

Godman left-handed electro-acoustic mandolin, cherry burst finish, hard case

£40-80

2530
2523 (See page 11)
2524 (See page 11)
2525 (See page 11)
2526

2532.

Deering Banjo Company left-handed five string banjo, stamped E907 to the back of the head, with mahogany banded resonator, 11" skin and mother of pearl position dot markers to the fretboard, hard case

£400-600

2533.

Good Weber F14 F-style 'Bitterroot' mandolin, labelled 'Sound To Earth, This Fine Instrument Model Bitterroot, no.6262604, Carries a Limited Lifetime Warranty, Bruce D Weber, Hand Crafted in Logan, Montana', original Weber hard case

£800-1200

2534.

Hondo five string banjo, with American Eagle graphic to the resonator back, hard case; together with a Gear4Music MA01VS model mandolin (2)

£50-80

2535.

Kala U-Bass travel bass ukulele, model no. KA-UBASS-FS, serial no. 1108248, compressed foam case

£80-120

2536.

Ludwig four piece drum kit, red finish; kick drum, 16" floor tom, 14" tom and 12" tom, bearing pre-1970 keystone badges with all serial numbers starting 3232***; also a John Grey & Sons 'Broadway' snare drum; with a small group of cymbal stands and hardware, all drums with Le Blonde rigid cases

£200-400

2537.

Vintage banjo mandolin, unlabelled, 8" diameter skin and 12.5" scale, case; together with a Chinese Erhu fiddle with snakeskin membrane, bow and case (2)

£40-60

2538.

Chinese Erhu fiddle with snakeskin membrane, bow and spare strings

£20-40

2539. Stagg five string banjo

£50-80

2540.

Trinity College Dublin octave mandola, stamped with the manufacturer trademark to the inner back and to the back of the head, soft case

£150-250

2541.

Regency style mahogany and brass duet music stand, having a brass ball finial to the central support, the hinged adjusting ledges raised on a tapered turned column and three reeded outswept supports

£200-300

2542.

Eleven assorted folding music stands; together with three shelf extenders (most boxed); also with assorted guitar and other tuners (some new/old stock); and a group of assorted violin shoulder rests and pads

£50-80

2532
2533

2543.

Kala KA-ASOV-C ukulele

£40-60

2544.

Group of ten harmonicas; including Hohner Golden Melody, Hohner Marine Band etc

£50-80

2545.

Gibson five string banjo, serial no.16121 stamped to the back of the head, with 11" diameter skin, 26.5" scale, with Bacon type internal resonator with f holes, case

£600-800

2546.

Fine piccolo mandolin, unlabelled, with a faceted boat shaped back, hard case

£250-350

2547.

Epiphone Gibson MB-200 model five string banjo, 11" Remo skin, 27" scale, the resonator with an American Eagle graphic, leather strap and hard case

£100-200

2548.

Italian teardrop mandolin labelled Gioacchino Gallesi, fabricante de mandolini, mandole e chitare, 45 Via Salare 45, also signed to the label, with decorative mother of pearl inlay and dot markers and with faux toprtoiseshell scratchplate

£100-200

2549.

Neapolitan mandolin labelled Luigi Salsedo...1906; together with another Neapolitan mandolin labeled Bratti & Co...Firenze... (2)

£60-80

2550.

Neapolitan mandolin labelled ...Vinaccia... pl S.M La Regina d'Italia Rua Catalana No.53 Napoli Anno 18**; together with another Neapolitan mandolin labelled Giuseppe Vinaccia...No.466 Napoli Anno 1893 (2)

£50-80

2551.

Neapolitan mandolin labelled... Pasqle Angara and Pasqle D'Isanto, Allievi di Vinaccia... Anno 1899; also another Neapolitan mandolin labelled F. De Mureda...Anno 1898 and another labelled Carlo Rinaldi, Napoli J.W.S.L (3)

£60-100

2552.

Scandalli Scott Wood Model 120 bass button accordion, case

£50-80

2553.

Group of assorted reference books relating to British organs and organ makers, including Audsley 'The Art Of Organ Building'; John Norman 'Organs Of Britain; The Freeman-Edwards Directory of British Organ Builders volumes 1-3 etc.

£50-100

2554.

Group of assorted reference books primarily relating to early keyboard instruments; the piano-forte, harpsichord etc. including John Paul 'Modern Harpsichord Makers'; David Wainwright ' Broadwood By Appointment', Mactaggart 'Musical Instruments In The 1851 Exhibition' etc.

£40-80

2555.

Violoncello stool, upholstered shaped stud seat on three turned legs united by stretcher supports; together with an oak music stand with pierced lyre ledge (2)

**ThemusicstandwashandmadebyBillPiper

£60-100

2556.

Deering Goodtime Leader five string plectrum banjo, no. 111224-16, with 11" diameter skin and 26" scale length, gig bag

£100-150

2557.

Five string open back banjo, stamped 4102 to the perch pole and pot, with 11" skin and 24.75" scale length, old leather case

£50-100

2558.

Mahogany adjustable tripod music stand

£50-80

2559.

Neapolitan mandolin labelled Fabbrica Di Strumenti Armonici, Fra.lli

Nicola E Raffaele Calace, Fu Antonio, Universita Ni 9 e 10, Napoli 1892 £80-120

2560.

Marsha Hammel (b.1949) - “In the Groove 1937 - Mary Lou Williams & Sax”, signed, oil on gesso, 35.5” x 23.75”, framed and behind glass 37" x 49" overall

**Soldwithacertificateofauthenticitytotheoriginalvalueof£3500 fromCharlesPhillipsofScotlanddatedNovember2013

£150-200

2561.

Marsha Hammel (b.1949) - “In the Groove 1937 - In the Groove 1937Sidemen”, signed, oil on gesso, 35.5” x 23.75”, framed and behind glass 37" x 49" overall

**Soldwithacertificateofauthenticitytotheoriginalvalueof£3500 fromCharlesPhillipsofScotlanddatedNovember2013

£150-200

LOTS 2562-2700 NO LOTS

Brass & Woodwind

2701.

Conn USA gold lacquered alto saxophone, serial no. G78486, mouthpiece and case

£80-120

2702.

Sebastian Buckley "Aquae Sulis" gold lacquered alto saxophone outfit, no.002068, gig bag

£50-80

2703.

Louis Standard for Rudall Carte & Co. Limited bassoon, made in Czechoslovakia, serial no. 3112, crook and case; together with a vintage Rudall Carte & Co. plush lined leather bassoon case (2)

£100-200

2704.

Selmer Bundy bassoon, model 132, made in USA, crook and plush lined fitted case

£100-200

2705.

Lark model m4010 bassoon, crook and fitted case

£100-200

2706.

Cocuswood Carte system Bb clarinet with German silver keywork with eight rollers on touches, signed (crown), Rudall, Carte & Co, 23 Berners Street, Oxford Street, London, 5648, made circa 1880, 66.8cm; together with a cocuswood simple system Bb clarinet, signed Jerome, Thibouville, Lamy, ..., London, Made in Paris, made circa 1900, 65.0cm (2)

£60-100

2703 2704 2705

2707.

Cocuswood Bb clarinet with German silver keywork, signed K.A. Hansing, Hannover, made early 20th century, 66.8cm; together with a Silver plated Boehm system flute, unsigned, made circa 1900, 66.7cm (2)

£40-80

2708.

Cocuswood Boehm system Bb clarinet with German silver keywork, signed Pruefer, Mfr, Prov.R.I., made in USA, circa 1930, 65.6cm; together with an ebonite Oehler system Bb clarinet with German silver keywork, signed Amati, Graslitz, Made in, Czechoslovakia, Bb, made circa 1950, 67.0cm (2)

£50-80

2709.

Two similar turned wooden end blown flutes, longest 30"; also with a smaller end blown flute (3)

£50-80

2710.

Henry Wylde cocuswood flute stamped Wylde from Rudall & Rose, 25 Villiers St. Strand, London with eight nickel keys on wooden blocks, case (flute incomplete, missing head joint and barrel)

£200-300

2711.

Good Tobaldo Monzani rosewood flute stamped Monzani & Co, 28 Regent St, Piccadilly, London, no. 1786, with eight silver square keys and foliate engraved silver ferrules, sounding length 22.75", overall length 26"; also with a Corps de Rechange spare tuning head and barrel stamped Rudall & Rose, London (two open cracks to Monzani head joint and open cracks through the embouchure of the spare head joint)

£500-750

2712.

Early 20th century Palisander soprano recorder stamped; G. Herrensdorf/D.G.R.M./Alleinvertreitung C/Hug & Co; also another German fruit wood soprano recorder stamped Herwiga, Hamlin (2)

£25-45

2713.

D. Deschamps of Paris nickel silver flute, within a fitted case stamped A. Robert, 14, Rue d'Hautavills, Paris

£100-150

2714.

Rudall Carte cocuswood flute stamped Rudall Carte & Co Ltd, 23 Berners Street, Oxford Street, London, no. 8027, with nickel keys, sounding length 59.50cm, overall length 68cm, modern pitch A=440, case

**Thisflutewasmadein1939byAlbertAtkins

£250-350

2715.

Part Rudall Carte flute stamped Rudall Carte & Co Limited, London, with nickel keys, the body and head joint good modern replacements, sounding length 59.60cm, overall length 68cm, modern pitch A=440, in Leslie Sheppard case

**ThekeyworkisCarteandhasbeentransplantedtoanewbody, andanewreplacementheadjointadded.Probablytheoriginalshad cracked.

£250-350

2716.

Unnamed rosewood flute with nickel keys, sounding length 60.4cm, overall length 69cm, case

£100-150

2717.

R.J. Lees of Birmingham cocuswood flute stamped R.J. Lees Birmm, with nickel keys, sounding length 57.6cm, overall length 65cm, case

£100-150

2718.

J & M Dolmetsch descant recorder stamped Dolmetsch J & M, Made in England, no. 2989, modern pitch A=440, within original case

**ThisrecorderwasdesignedandvoicedbyJeanneandMargueriti Dolmetsch

£150-250

2719.

Single key brass trumpet stamped Ditta. Prov. Romeo Orsi, Milano-Italia, MOD 1948

£20-40

2720.

Good silver plated Bb trumpet by and stamped Selmer, 'Radio Improved Grands Prix, Geneve 1927 Barcelone 1929 Liege 1930, Made In France, Nat.Gonella Special', serial no. 1349 circa 1936, FB Balanced, original Selmer case, two mouthpieces and three various mutes

£500-800

2721.

Buescher Aristocrat Series I alto saxophone, brass lacquered with 'art deco' engraving, serial no. 282999, circa 1937, crook, Selmer S80 mouthpiece and soft case

£250-350

2722.

Selmer Super Action 80 Series II soprano saxophone, gold lacquer, serial no. 388261, circa 1986, Lawton mouthpiece, original

£1200-1500

2723.

Yamaha YTS23 tenor saxophone, serial no. 016533, gold lacquer, with crook and a Lawton mouthpiece, original hard case

£200-300

2724.

Rudall Carte 'Guard's Model' flute, the cocuswood body and footjoint stamped Rudall Carte & Co. 23 Berners Street, Oxford Street London 249, with ebonite headjoint, having the closed G#, overall length 65cm, case

£150-250

Selmer hard case
2720
2722
2721 2725 (See page 18)
2727 (See page 18)
2730 (See page 18)

2725.

Yanagisawa 902 alto saxophone, gold lacquered, serial no. 00249628, circa 2012, with crook, three mouthpieces including Yanagisawa and Selmer Concept, case

£600-800

2726.

Buffet Crampon & Cie B12 Bb clarinet, stamped Buffet Crampon & Cie, Paris, case; together with a hsinghai clarinet, made in china, case (2)

£50-80

2727.

Selmer Mk VI tenor saxophone, brass lacquer, stamped 'Henri Selmer Paris, Made in France, M.180955', (1970), Selmer crook and Berg Larsen mouthpiece, original case

£3500-4000

2728.

Karl Meyer tenor saxophone, brass lacquer, the engraved bell inscribed Karl Meyer, stamped Foreign, serial no. A8126, crook and Henri Selmer mouthpiece, case

£100-200

2729.

Vintage King alto saxophone, brass lacquer, the bell engraved 'King made by H N White Cleveland Ohio', stamped 'low pitch 20119', crook and Lafleur mouthpiece, Hawkes & Son case

£200-300

2730.

Rare Selmer Mark VI Low A alto saxophone, gold lacquered, engraved Henri Selmer Paris, made in France, serial no. M.210339, 1973, with Selmer crook and Meyer mouthpiece, case £3000-4000

Lots2731-2753arefromthecollectionofalocalflute collector,performerandteacher,himselfastudentof JamesGalway

2731.

Good silver flute stamped L.L. Louis Lot Breveté, no.3246, made in 1882 by Henri Villette and with his makers mark stamped to the foot joint, overall length 67.5cm, original case bearing impressed initials P.B

**oneofonly68flutesmadeintheworkshopofLouisLotin1882**VillettetookoverthecompanyafterLotretiredin1876and wentontowinsilvermedalformusicalinstrumentmanufactureat theParis1878UniversalExhibition

**thisfluteisknowntohavebeenretunedtoWilliamBennett's scaleinJune1990

£3000-4000

2732.

American silver flute stamped Haynes-Schwelm Co. Boston-31Mass 9159, 1920, each part marked Sterling, 66.5cm overall, case

**AlbertCoopersuppliedthefollowinginformationinNovember 1973whenrestoringandre-tuningtheinstrumenttohisfamous 'CooperScale',thetuningsystemdevelopedforJamesGalway. ThisflutewasmanufacturedinBostoninabout1920andmade byGeorgeWHaynes,thebrotherofWilliamSHayneswhowas theworksmanager,thesebrothersseparatedafteradisputeand GeorgewentintopartnershipwithSchwelm,aBostonclarinet maker.AllofGeorge'sflutesareoftheGerman-Americanstyle, tendtolookalike,andalwaysplaywell

£1000-1500

2733.

Silver flute inscribed Rudall Carte & Co. 20 Charing Cross, London, Boehms System, Rockstros Model, stamped ASA to the underside, 64.5cm overall, case

£250-350

2731
2732
2733
2734 (See page 19)

2734.

Silver Carte's 1851 patent flute inscribed Council & Prize Medals, Rudall, Rose & Carte, Patentees, 100 New Bond Street, London, Boehm's Parabola, Carte's Mechanism, 1874, further stamped RRM to the body, 64.5cm overall, case

£300-500

2735.

Silver Boehm system piccolo inscribed Rudall, Carte & Co. Ltd, 23 Berners Street, London, W, no. 55097, hallmarks for London Assay Office, London 1963, case

£400-600

2736.

Rudall, Carte & Co cocuswood flute stamped Rudall, Carte & Co, 23 Berners Street, Oxford Steet, London, 4122, 1867 Patent, 1909, with plated nickel keys, overall length 65.5cm, case

£250-350

2737.

Rudall, Carte & Co 1867 system cocuswood flute stamped Rudall, Carte & Co Ltd, 23 Berners Street, Oxford Steet, London, 4558, 1911, with plated nickel keys, overall length 67.5cm; together with accompanying cocuswood piccolo stamped Rudall, Carte & Co Ltd, 23 Berners Street, Oxford Steet, London, 5064, both in a single fitted combination case

£300-500

2738.

Rudall, Carte & Co. Rockstro's model ebonite flute stamped Rudall, Carte & Co Ltd, 23 Berners Street, Oxford Steet, London, 4856, 1913, with plated nickel keys, overall length 68.5cm, Rudall, Carte & Co. case with outer leather cover

£150-200

2739.

Rudall & Rose Cocus wood eight keyed flute faintly stamped Rudall & Rose, 1 Tavistock Street, 5929, with plated nickel keys, overall length 66cm, case with engraved plaque to the cover 'T E Thorpe'

£400-600

2740.

Hill, Late Monzani & Co cocuswood and silver 8 keyed flute stamped Hill, Late Monzani & Co, 28 Regent STt, Piccadilly, London, 3173, further stamped crown mark and Monzani & Co, the footjoint stamped Patent, circa 1835/36, each key and ring bearing 1835 hallmarks, overall length 68cm, original case

£250-350

2741.

Pearson cocuswood eight keyed flute stamped Pearson, 36 Bishopgate Within, London, 1169, with plated nickel keys, each part stamped Pearson London, overall length 66cm, leather case

£120-180

2742.

Rudall, Carte & Co. cocuswood flute stamped Rudall Carte & Co, 23 Berners Street, Oxford Street, London, 3528, 1867 Patent, with plated nickel keys, (lacking a head joint)

£150-200

2743.

Henry Potter & Co. rosewood fife stamped Hy Potter & Co, 36 & 38 West St, Charing + Road, London, with five plated nickel keys, overall length 38.5cm; together with a Boosey & Hawkes six keyed piccolo, no. 24475, 29cm overall (2)

£70-100

2744.

19th century cocuswood piccolo stamped with crown, Improved London D,; together with a six keyed blackwood piccolo, unmarked, and a single keyed blackwood fife, unmarked (3)

£50-80

2745.

Rudall, Carte & Co Boehm system cocuswood flute stamped Rudall, Carte & Co. Ld, 23 Berners Street, Oxford Street, London, 1258, 1887, with plated nickel silver keys, overall length 66cm

£150-200

2746.

Rudall, Carte & Co Radcliffe's Model cocuswood flute stamped Rudall, Carte & Co, 23 Berners Street, Oxford Street, London, 150, inscribed Radcliffe's Model, with plated nickel silver keys (lacking a headjoint)

£180-220

2747.

Rudall, Carte & Co. ebonite five keyed flute stamped Rudall, Carte & Co Ltd, 23 Berners Street, Oxford Street, London, 8822, with five plated nickel silver keys, overall length 49cm

£150-200

2748.

Rudall, Carte & Co. ebonite five keyed flute stamped Rudall, Carte & Co Ltd, 23 Berners Street, Oxford Street, London, 8823, with five plated nickel silver keys, overall length 50cm

£150-200

2749.

Rudall, Carte & Co. Guards model cocuswood flute stamped Rudall, Carte & Co Ltd, 23 Berners Street, Oxford Street, London, 7**6, with plated nickel silver keys, overall length 68cm

£100-150

2750.

Rosewood flageolet/piccolo, with alternate headjoints, with six nickel silver salt spoon keys, case

**IvorysubmissionreferenceFMR7UMGP

£70-100

2751.

English rosewood flute by and stamped Fentum, 29 Queens Row, Walworth, London, with eight silver salt spoon, lacking head joint; together with a Cocuswood eight keyed flute, unmarked, with plated nickel silver keys, overall length 66.5cm (2)

£150-250

2752.

Rudall, Carte & Co. ebonite flute headjoint stamped with a crown over Rudall, Carte & Co London; together with another Rudall, Carte & Co. ebonite headjoint and an unmarked ebonite headjoint (3)

£60-100

2753.

Three cocuswood flute headjoints stamped Rudall, Carte & Co, London; together with another stamped Boosey & Co. and another stamped Hawkes & Son, Makers London 6696 (5)

£70-100

2755.

Box of assorted saxophone reeds; to include Selmer Soloist, Rico baritone reeds, Roy Maier signature, Berg Larson etc.

£40-80

2756.

Adolphe Edouard Sax silver plated alto saxophone, the bell engraved Medaille D'or 1900, Adolphe Sax... 84 Rue Myrha, Paris, Made In France, 15099, circa 1908-1909, crook and mouthpiece, original fitted case

£500-700

2757.

F. Besson Bb silver plated baritone horn by and engraved "Prototype", 198 Euston Road, London, early 20th century, Blessing 18 mouthpiece, case

£200-250

2758.

Boosey & Co. Ltd silver plated cornet, the bell engraved "Solbron", Class A, Trade Mark Boosey & Co Ltd Makers London, 124470, British Throughout, further stamped with trademark and no. 96717, mouthpiece, old wooden box case; also another brass double cornet case

£100-150

2754.

Jaques Albert Fils silver plated alto Saxosolophone, no. 417, crook, mouthpiece and case

£40-80

2759.

Boosey & Co English tuba, the bell engraved "Solbron", Class A, Compensating Pistons, Boosey & Co, Makers London 119169, British Throughout, mouthpiece, old wooden box case

£100-150

2756
2748 2751

2760.

Besson & Co silver plated Bb tuba, the bell stamped Class A New Standard "Prototype" Compensator, Besson & Co, 198 Euston Road, London, England, further stamped Besson & Co Brevete 123436, Boosey & Co mouthpiece, case

£200-250

2761.

Jupiter K.H.S Musical Instrument Co. Ltd. trombone, no. 63154

SSL-432 mouthpiece, case

£25-35

2762.

Bb continental baritone horn, bearing the logo Bao Jie D, brass lacquered, mouthpiece, case

£500-600

LOTS 2763-3000 NO LOTS

Part I Violins & Violas

3001.

Modern English viola by and labelled Angela Styles, 1999, set up to Baroque specifications, 15 15/16", 40.50cm £200-400

3002.

Maidstone three-quarter size violin, 13 5/16", 33.80cm

£80-120

3003.

Early 20th century violin labelled Guarini..., 14 3/16", 36cm £100-140

3004.

German half size violin, 12 3/4", 32.40cm £60-100

3005.

Late 19th century German quarter size violin, 10 7/16", 26.50cm £60-100

3006.

French three-quarter size violin, 12 13/16", 35.10cm; also a later 19th century German half size violin, 12 3/4", 32.40cm (2) £100-140

3007.

German violin circa 1900, 14 1/8", 35.90cm; also another violin circa 1930, labelled Supplied by Boosey & Hawkes Ltd, 295 Regent Street, London W1, 14 1/8", 35.90cm and another modern full size violin (3)

£100-150

3008.

German three-quarter size violin circa 1920, 13 3/16", 33.50cm, bow

£60-100

3009.

Early 20th century German three-quarter size violin, 13 3/16", 33.50cm

£40-80

3001
3004
3011 (See page 22)
3012 (See page 22)

3010.

Rectangular bodied violin, probably English circa 1900, overall length 23 3/4", 60.30cm

£40-80

3011.

German violin circa 1900, 14 1/16", 35.70cm

£150-200

3012.

Early 20th century violin, 14 1/8", 35.90cm

£100-150

3013.

English violin by and labelled George Temple, Maker, Broom Hill, Northumberland, 1929, 14 1/4", 36.20cm

£100-150

3014.

Mid 19th century English violin stamped Goulding over a lyre below the button; also illegibly inscribed and dated to the inner back ...1868, 13 15/16", 35.40cm

£100-150

3015.

Mid 20th century half size violin labelled B. & S., Student Violin, 12 7/16", 31.60cm

£60-100

3016.

German violin circa 1900, 14 3/16", 36cm

£100-150

3017.

Three-quarter size Maggini copy violin, labelled, 13 1/8", 33.30cm

£120-180

3018.

German violin circa 1900, 14 3/16", 36cm

£50-80

3019.

19th century violin, possibly English, 14 3/16", 36cm, bow

£120-160

3020.

19th century violin labelled Amati, Deutiche Arbeit, 1886, 14 1/4", 36.20cm, bow

£150-200

3021.

Late 19th century violin stamped Conservatory Violin, Straduari to the back of the peg box, 14 1/8", 35.90cm, bow

£200-300

3022.

English violin by Walter Mayson and labelled 'Deus Adsit Obsit Mundus', Guaiterus Maysonus, Fecit Manrunii A.D. 1879 and signed on the label, 13 15/16", 35.40cm

£150-250

3023.

19th century double wooden fitted violin case with brass fittings; also a similar double wooden fitted case (2)

£20-40

3024.

19th century German full size violin in need of restoration; also another full size violin, two modern violins, small bundle of bows (some stamped), two viola cases and three violin cases

£80-150

3025.

Rare and interesting early Italian violin case in need of restoration

£40-80

3026.

John & Arthur Beare leather violin case; also another leather violin case and seven various wooden violin cases (9)

£40-80

3027.

From the Workshop of W.E. Hill & Sons: two similar wooden planes 22.25" long, one stamped Ed Wayland, the other Edwd Preston & Sons, a smaller plane 17" long stamped I. Sorb; also a wooden clamp stamped W.E.H. and bearing the trademark patent of Jorgensen...U.S.A., metal string making kit in the form of a cello tailpiece inscribed 'S.A. Forster, inventor, 34 Frith Street, Soho Square, London', and an old violoncello scroll and neck (6)

**AllthesetoolshavecomefromtheworkshopofW.E.Hill& SonsinLondon

£60-100

3028.

Good Nick Gordge luxury version red leather plush lined fitted full size oblong violin case with provision for four bows, outer zipper cover

£300-400

3029.

Good Nick Gordge luxury version red leather plush lined fitted full size oblong violin case with provision for four bows, outer zipper cover

£300-400

3030.

German Stradivari copy child's violin circa 1920, 11 3/8", 29cm, bow, case

£50-80

3031.

20th century amateur English violin, unpurfled, 14", 35.60cm, two bows, case; also a German three-quarter size violin circa 1910, 13 1/16", 33.20cm, bow (2)

£40-80

3032.

Late 19th century German Stradivari copy violin bearing the A/S logo beneath the button and labelled Andreas Guarnerius..., 14", 35.60cm, bow, case

**ThisviolinissoldwithareceiptfromStringersinLondonfor newsetupfittings

£100-150

3033.

German violin circa 1930, 14 1/16", 35.70cm; also an early 20th century three-quarter size violin, 13 1/8", 33.30cm (2)

£60-100

3034.

One string long neck fiddle stamped Douglas & Co, 7 South St, London E.C. on the lower neck above the heel, 14", 35.60cm

**Thisinstrumentissoldwithanickelmountedviolabowfaintly stamped

£50-80

3035.

Good pigskin coloured fitted violin case with provision for two bows; also a Paul Voigt faux crocodile skin shaped violin case (2)

£50-80

3036.

Good Gewa Optima Etui oblong violin case, with green plush lined fitted interior and outer zipper cover

£50-80

3037.

Early 20th century violin, probably French, 14 3/16", 36cm, two bows, case; also another early 20th century German violin labelled Sebastien Klotz..., 14 1/16", 35.70cm, case (2)

£200-250

3038.

Early 20th century violin, 14", 35.60cm, bow, case

£100-150

3039.

Violin circa 1930, 14 1/8", 35.90cm, bow, case

£40-60

3040.

Early 20th century half size Stradivari copy violin, 11 13/16", 30cm, bow, case (hairline sound post crack on the table); also a modern three-quarter size violin, 13 1/4", 33.70cm, bow (2)

£40-80

3041.

German violin circa 1900, 13 15/16", 35.40cm

£200-250

3042.

German violin labelled Copy of Stradivarius, Manufactured in Saxony by C. Schuster & Sohn, 14 1/8", 35.90cm

£150-200

3043.

Late 19th century German violin, 14 1/16", 35.70cm

£200-250

3044.

Early 20th century Stradivari copy violin, 14 1/4", 36.20cm

£200-250

3045.

Hill style oak violin case; also another mahogany boxwood banded violin case and a satinwood ebony banded violin case (3)

£30-60

3046.

Decorative French Art Nouveau style composition figure after A Rucho 'La Musique', 12.5" high; together with a further decorative Art Nouveau style spelter figural study of a violinist 20" high (2)

£50-80

3047.

Good Hill style rosewood shaped violin case

£30-50

3048.

Twenty versatile woodworkers' Klemsia clamps in four different sizes (20)

£40-80

3049.

French three-quarter size violin labelled Made Expressly for Beare, Goodwin & Co., 186, Wardour St, London W. 1894, 13 3/16", 33.50cm, bow, case; also a late 19th century over-varnished Stradivari copy violin, 14 1/8", 35.90cm, bow, case (2)

£60-100

3050.

Early 20th century Stradivari copy quarter size child's violin, 10 1/8", 25.70cm, bow, associated case

£40-70

3041
3042

10th, 11th, 12th & 13th March 2026

3051.

Mute violin, the table of pine, unsigned, made in England circa 1900, 58.6cm long

£50-150

3052.

Mute violin 'Form wie nebenstehend abgebildet', unsigned, made in Germany circa 1910, 59.3cm long

**Reference:'StummeStudier-Violinen'from'MATTH.HOHNER,AG.KATALOGC'1911

£50-150

3053.

40 x Mute violin of guitar form, unsigned, made in England or Germany in the second half of the 19th century, 59.2gm long

£50-150

3054.

40 x Mute violin, unsigned, made in Germany circa 1900, 60.5cm long

**Reference:'IllustrirterHaupt-Catalog',PAULSTARK/ MARKNEUKIRCHENM,SACHSEN,DEUTSCHLAND.1893

£50-150

3055.

Mute violin with integral chin rest permanently fixed to the body, 'without back or belly, registered model', unsigned, made in France in the early 20th century

**Reference:Catalogue'JeromeThibouville-Lamy&Co,LONDON

E.C.1.1926'Entryfor'LouisEmileJeromeThibouville-Lamyfrom UniversalDictionaryofViolinandBowMakers'1960byWHenley

£50-150

3056.

Mute violin 'anchor form' model, unsigned, made in Germany circa 1900, 60.2cm long (repaired crack across top part of body)

**Reference:'DumbViolinsforbeginners'fromCatalogue'H. LINDERMANN,KLINGENTHAL,SAXONY'circa1910

£50-150

3057.

Mute violin, the body of oak, unsigned, probably made by an amateur in England in the second half of the 19th century, 59.0cm long

£50-150

3058.

Mute violin branded in ink 'GEBRUDER WOLFF / CREUZNACH', made in Germany circa 1890, 59.5cm long, with original branded badge

**Reference:Entryfor'WolffBrothers'from'UniversalDictionaryof ViolinandBowMakers'1960byW.Henleywhereitstates'Inventors ofamuteviolin,1888,consistingofamahoganyframewithouttopor bottomplates,otherwisesimilartotheordinaryviolin,apracticing article,notabsolutelysilentbutsoft-tonedandsufficientforthe playertotesthistoneandbowing'

£50-150

3059.

Mute violin with a hollow body made of maple with slot sound holes in the ribs, unsigned, perhaps made in England in the second half of the 19th century, 57.4cm long

£50-150

3060.

Mute violin labelled 'CHAS F ALBERT'S / PATENTED / APRIL 17TH 1877 / STUDIO VIOLIN', made in USA circa 1880, 59.3cm long (small repair to top part of body)

**Reference:Entryfor'CharlesFrancisAlbert'from'TheViolin MakersoftheUnitedStates'1986byT.J.Wenberg.**USPatentNo. 189677datedApril17,1877'ViolinsforPractice'takenoutbyC.F. Albert

£50-150

3061.

Mute violin, the body of dark stained pine with a transfer 'ONE OF THE 'ETTE' INSTRUMENTS / Fiddl-ette / PAT. APPLIED FOR / GAMBLE HINGED MUSIC CO. CHICAGO' made circa 1930, 58.2cm long with adjustable chin rest allowing the length of the instrument to be changed

**Reference:USPatentNo.1841398datedJanuary19,1932 'PracticeViolin'takenoutbyE.H.BerghandassignedtoGamble HingedMusicCo.(AppliedforOctober7,1929)'EdwinHarrisBurgh andtheFiddlette'fromtheVanderCookCollegeofMusicArchives http://www.vandercook.edu/archives/collections/hvbergh.html

£50-150

3062.

Mute violin, the body of maple, the chin rest of pine glued to the body, unsigned, made in France circa 1900, 58.5cm long

**Reference:averysimilarinstrument(probablybythesamemaker) isintheMuseumofFineArts,Boston,MA,USA.AccessionNumber 1981.766

£50-150

3063.

Mute violin, the body cut from a single piece of mahogany with the chin rest permanently fixed, unsigned, made in Germany circa 1900, 59.0cm long

**Reference:AsimilarmuteviolinisintheNationalMusicMuseum CollectioninVermillionSDUSA http://orgs.usd.edu/nmm/Violins/1850-1899/muteviolins.html

£50-150

3064.

Mute violin, unsigned, made in Germany circa 1900, 59.0cm long

** Reference: Catalogue 'F. & R. Enders Markneukirchen' circa 1920

£50-150

Mute violin, the body of pine with drawn purfling, the neck of maple, unsigned, probably made in England in the first half of the 19th century, 58.0cm long

**Thethickeningofthebodyforthechinrestisunderthetable,notaboveasisusual £50-150

3066.

Mute violin with traditional outline, unsigned, made in France in the early 20th century, 59.2cm, the metal plaque on the heel engraved 'T.W.P./7', (probably an owner's mark)

**Reference:AninstrumentwithasimilaroutlineisinleMuséedelaLutherie(Mirecourt),AccessionNo.2006.6.1 £50-150

3058

3065 (See page 27) 3066 (See page 27) 3067

3067.

Mute violin branded on the upper back 'ALPH VAN HOOF / ANTWERPEN', made circa 1910, 59.0cm long, the purfling scribed and inked (short crack in upper and lower back)

**Reference:Entryfor'AlfonseVanHoof'from'DictionnaireUniverseldesLuthiers'1975byR.Vannes.HisworkinginMarkneukirchen,before Antwerp,istheexplanationforthedistinctlyGermanlionhead

£50-150

3068.

Mute violin, the body of unusual skeletal construction, unsigned, probably made in Germany in the early 20th century, 59.8cm long

**AsimilardesignwaspatentedintheUS

**Reference:USPatentNo.358542,'DiminishedToneViolin'datedMarch1,1887,takenoutbyCharlesF.Chew £50-150

3069.

Mute three-quarter size violin stamped in ink 'G.P.MCQUEEN / PROPRIETER / 49 GT MARLBORO / STREET / LONDON' and 'C.KNIGHT'S / PATENT / NO. 3545', made in England circa 1880, 54.2cm long

**Reference:EnglishPatentno.3545'MuteorPractisingViolin'(Provisionalprotectiononly)datedSept3,1879,takenoutbyC.Knight £50-150 3070.

Mute violin branded 'A.METZNER-LEBLANC / ANGERS', made in France circa 1900, 53.0cm long, a most unusual model

**Reference:Entryfor'Metzner-Leblanc'from'UniversalDictionaryofViolinandBowMakers'1960byW.Henley **Entriesfor'A.Metzner'&'LouisMartin'from'DictionaireUniverseldesLuthiers'1975byR.Vannes £50-150

3071.

Mute viola, unsigned, made in Germany circa 1900, 64.5cm long £50-150

3072.

19th century Mittenwald violin labelled Jacobus Stainer and stamped Stainer below the button, 14", 35.60cm, bow

£80-140

3073.

Interesting early violin bearing pencilled repairer's inscriptions to the inner back and table, one dated 1757, also stamped indistinctly below the button, in need of extensive restoration, 13 13/16", 35.40cm

£200-400

3074.

Mid 20th century Bohemian violin, 14 1/8", 35.90cm

£50-80

3075.

Early 20th century violin labelled Francois Salzard, 14 1/4", 36.20cm

£150-250

3076.

Interesting 19th century violin in need of extensive restoration, 14 1/16", 35.70cm

£80-140

3077.

German three-quarter size Dresden violin labelled Copy of Antonius Stradivarius, Fecit Dresdae Anno, 13 3/16", 33.50cm

£80-120

3078.

German three-quarter size Stradivarius copy violin, 13 1/4", 33.70cm

£50-80

3079.

Violin labelled Ewald Glaesel, Markneukirchen, 14", 35.60cm

£120-180

3080.

Four various oblong viola cases (4)

£40-80

3081.

Four various oblong viola cases (4)

£20-40

3082.

Two shaped viola cases and eight various shaped violin cases (10)

£25-50

3083.

Viola/violin oblong case; also three various oblong double violin cases (4)

£40-80

3093 (See page 30)

3084.

3094 (See page 30)

Good modern quad plush lined fitted violin case with outer zipper cover

£40-80

3085.

Late 19th century violin labelled Lucas & Pyne, 14 1/4", 36.20cm

£70-100

3086.

Early 20th century Dresden violin, 13 15/16", 35.40cm

£60-90

3087.

Violin labelled W.E. Hill & Sons, Violin Makers, 140 New Bond Street London, W., 14 3/16", 36cm

£200-300

3088.

Late 19th century violin, 14 1/16", 35.70cm

£30-50

3089.

Modern quad violin case, with brown suede style cover

£40-80

3090.

NO LOT

3091.

Late 19th century German violin, 14 1/16", 35.70cm

£120-180

3092.

Good modern violin, 14 1/16", 35.70cm

£60-100

3093.

Early 20th century violin, unlabelled, 14 3/16", 36cm

£200-400

3094.

German viola circa 1910, 15 5/8", 39.70cm

£200-300

3095.

19th century violin labelled Jacobus Stainer..., 14 3/16", 36cm; also another late 19th century German violin, 14 1/16", 35.70cm, with nickel mounted violin bow stamped Homa-Ideal

£80-140

3096.

Large quantity of various violin chin rests

£20-40

3097.

Oblong viola case; also two oblong violin cases (3)

£30-50

3098.

Seven various violin shaped cases (7)

£20-40

3099.

Good Gewa double violin case with fitted burgundy velvet interior and hydrometer, black outer zipper cover

£60-100

3100.

NO LOT

Books

3101.

Sotheby's - The Sam & Rie Bloomfield Foundation, London, catalogue of the auction, Wednesday 23rd November 1988; also Sotheby's - Musical Instruments London auction Thursday 14th November 1985 (both hardback) and Martin BrinserDictionary of 20th Century Italian Violin Makers (3)

£40-80

3102.

Large quantity of standard stringed instrument and other musical reference books (over 25); also a small quantity of old 'The Strad' magazines from the 1970s

£30-60

3103.

Hotel de Ville de Paris/Salle Saint-Jean - Les Violons, Venetian Instruments, Paintings and Drawings; also Arnoldo MondadoriCapolavori di Antonio Stradivari, with foreword by Charles Beare and a large quantity of other stringed instrument related books (over 40)

£40-80

3104.

William Henley - Universal Dictionary of Violin & Bow Makers, 1973 edition; also David Rattray - Violin Making in Scotland, 1750-1950, Albert W. Cooper - Benjamin Banks, the Salisbury Violin Maker, 1727-1795 and W.E. Hill & Sons - Gio: Paolo Maggini, His Life and Work (4)

£60-100

3105.

Peter Benedek - Violin Makers of Hungary; also Andrew Dipper & David Woodrow - Count Ignazio Alessandro Cozio di Salabue, Technical Studies in the Arts of Musical Instrument Making, limited edition 435/995, David Rattray - Masterpieces of Italian Violin Making, 1620-1850, Karel Jalovec - The Violin Makers of Bohemia and Les Tresors de la Lutherie Francais du XIXe, limited edition 951/2000 (5)

£80-120

3106.

Florian Leonhard & Stefan-Peter Greiner - Jean-Baptiste Vuillaume, limited edition 50/2000; also four other standard reference books relating to French violin making and interest (5)

£60-100

3107.

William Henley - Universal Dictionary of Violin & Bow Makers, reprinted 1997 edition

£50-80

3107
3109 (See page 31)

3108.

Giovanni Accornero, Ivan Epicoco and Eraldo Guerci - Liuteria Piemontese, Annibale Fagnola; also Gakken Co. Ltd - Antonio Stradivari in Japan (2)

£60-100

3109.

Jorge Pozas - The Golden Age of Violin Making in Spain, copy no. 447-R/1000

£100-150

3110.

Kevin Coates - Geometry, Proportion and the Art of Lutherie, published 1985; also David Rattray - Masterpieces of Italian Violin Making, 1620-1850 and eight other standard stringed instrument reference books (10)

£80-150

LOTS 3111-3200 NO LOTS

Bows

*PleasecheckCITESregulationsregardingexportsofbows containingelephantivorypriortopurchasing

3201.

Good Pedi cylindrical brown leather stitched bow case with provision for twelve bows

£50-80

3202.

Five lidded oblong plastic bow storage/transport boxes, 6" high, 10" wide, 31" long

£30-50

3203.

Bow carrying case to accommodate twenty-four bows

£50-80

3204.

Bundle of bows

£25-45

3205.

Bundle of bows

£25-45

3206.

Bundle of bows

£25-45

3206A.

Bundle of bows

£20-40

3207.

Nickel mounted violin bow, unstamped; also two broken French violin bows, one silver mounted and stamped Laberte, the other of the Maire School circa 1850 (3)

£150-250

3208.

German nickel mounted double bass bow by and stamped W. Seiffert, the stick round, the ebony frog inlaid with nickel rings enclosing pearl eyes and the ebony adjuster with two nickel bands, 132gm

£250-350

3209.

Nickel mounted violin bow stamped Lavest, the stick round, the ebony frog inlaid with nickel rings enclosing pearl eyes and with a nickel overlaid ebony adjuster, 62gm

£300-400

3210.

Nickel mounted violin bow stamped L. Piernot á Paris, the stick round, the ebony frog inlaid with nickel rings enclosing pearl eyes and with a nickel overlaid ebony adjuster, 59gm (without hair)

£500-800

3211.

Swiss nickel mounted viola bow stamped Allegro, the stick round, the ebony frog plain and the ebony adjuster with two nickel bands, 70gm

**IvorysubmissionreferenceEFA6URJ5

£120-160

3212.

Silver mounted violoncello bow stamped A. Voirin Fils, the stick octagonal, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 75gm (without hair)

**IvorysubmissionreferenceSBG8F568

£400-600

3210
3212

3213.

Silver mounted violin bow, unstamped, the stick round, the ebony frog inlaid with pearl eyes (one missing) and with a silver overlaid ebony adjuster, 61gm

**Ivorysubmissionreference6ALDKDY7

£150-200

3214.

Silver mounted violin bow stamped Martin, the stick octagonal, the ebony frog plain and with a silver overlaid ebony adjuster, 58gm

**IvorysubmissionreferenceVF1A7SVA

£200-300

3215.

German silver mounted violin bow by and stamped Bausch, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 50gm (without hair and lapping)

£200-250

3216.

French nickel mounted violoncello bow stamped E. Marchand á Paris, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 69gm

£200-250

3217.

Nickel mounted violin bow, unstamped, the stick octagonal, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 59gm

**Ivorysubmissionreference2AS86UBT

£80-140

3218.

Nickel mounted violin bow stamped Vuillaume á Paris, 58gm

£100-150

3219.

Silver mounted violin bow stamped Hart & Sons, the stick round, the associated ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 59gm

**ThisbowwasprobablymadebyW.E.Hill&SonsforHart&Sons inthe1920s.Thefrogisassociatedandtheslideisdamaged £500-700

3220.

(See page 33)

(See page 33)

Silver mounted violin bow stamped Ch. Husson á Paris, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 59gm

£200-300

‘The following bow lots (3221-3266) are from recently-retired Hamilton Caswell’s Bristol BOWSPEED showroom and nearly all therefore appear to be in ready-to-play condition’ 3221.

French silver mounted violin bow by Jerome Thibouville-Lamy, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 61gm**ThisbowissoldwithacertificateofauthenticityfromTheCabinetJean-FrancoisRaffindated15th September2025,no.EAXI-BZN-4896-C250910

£600-1000

3219
3221
3222
3223

3222.

French silver mounted violoncello bow by Charles Nicolas Bazin, unstamped, circa 1900, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 72gm

**Ivorysubmissionreference4BYNBQS4

£600-1000

3223.

German silver mounted violin bow by H.R. Pfretzschner stamped Lupot, circa 1965, the stick round, the ebony frog inlaid with pearl eyes and stamped with the makers trademark crest, the ebony adjuster with two silver bands, 59gm

**Ivorysubmissionreference6FQ21K6X

£600-1000

3224.

French silver mounted viola bow by Jerome Thibouville-Lamy stamped Sarasate Maitre, circa 1920, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 72gm

£500-900

3225.

German silver mounted violin bow by Albert Nurnberger stamped Ferron & Kroeplin, Markneukirchen, circa 1935, the stick octagonal, the ebony frog plain and the ebony adjuster with two wide silver bands, 62gm

**Ferron&KroeplinweretheAmericanagentsappointedtosell AlbertNurnberger'sbows

£600-1000

3226.

German silver mounted violin bow by a member of the Penzel family stamped Penzel, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 62gm

**IvorysubmissionreferenceG9NL8H28

£500-750

3227.

French silver mounted violin bow by André Vigneron Fils and faintly stamped, circa 1910, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 59gm (repair)

**IvorysubmissionreferenceADBHKQPY

**Theheadhasbeenwellrepairedwithareplacementlowersection seeimagesforguidance,personalviewingadvised

£700-1000

3228.

French silver mounted three-quarter size violin bow, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 57gm

**ThisbowhashistoricallybeenattributedtoVoirin

£500-750

3229.

Good gold mounted violin bow by The Bowspeed Workshop of Bristol, the stick round, the ebony frog inlaid with gold rings enclosing pearl eyes and the ebony adjuster with two gold bands, 62gm

£600-1000

3230.

English silver mounted violin bow stamped W. Fletcher, the stick octagonal, the ebony frog plain and the ebony adjuster with two silver bands, 61gm

£500-800

3224
3225
3227
3229

3231.

English silver mounted violin bow by and stamped Jas Tubbs, the stick round, the ebony frog plain and with a silver overlaid ebony adjuster, 59gm (spliced repair in need of further attention); also two silver mounted Tubbs frogs (one with screw adjuster) and an original James Tubbs & Son stained wooden bow box bearing the maker's trademark label inside the lid (4)

£400-700

3232.

English silver mounted violin bow by and stamped J. Dodd, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 61gm (professional repairs)

**Seepages336&337of'TheBritishViolin'publishedbythe B.V.M.A.

£700-1200

3233.

French silver mounted violoncello bow by and stamped E.A. Ouchard á Paris, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 81gm

£300-500

3234.

Contemporary English nickel mounted violoncello bow stamped W. Fletcher, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 82gm

**IvorysubmissionreferenceVYQN2BMA

£300-500

3235.

Contemporary English nickel mounted violoncello bow stamped W. Fletcher, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 81gm

£300-500

3236.

Nickel mounted violoncello bow, unstamped, 84gm

£80 -140

3237.

German nickel mounted viola bow stamped J. Stohr, 71gm

£120-180

3238.

German nickel mounted violoncello bow stamped K. Braun, 79gm

£60-90

3239.

German three-quarter size nickel mounted violoncello bow stamped O. Spengler, the stick octagonal, the ebony frog inlaid with pearl eyes and with a nickel overlaid ebony adjuster, 78gm

£60-90

3240.

Two German nickel mounted half size violin bows, unstamped, both 60gm (2)

£40-80

3241.

Good brown leather bound twelve division bow case, with gold plush interior

£40-80

3242.

French style nickel mounted double bass bow, 132gm

£30-50

3243.

Bohemian French style nickel mounted double bass bow, 132gm

£40-60

3244.

German style nickel mounted double bass bow, 125gm

£30-50

3245.

German style nickel mounted half size double bass bow, 122gm

£20-40

3246.

Good German gold mounted violoncello bow by and stamped Harald Wonner, the stick round, the ebony frog inlaid with gold rings enclosing pearl eyes and the ebony adjuster with two gold bands enclosing a mother of pearl faceted central band, 83gm

**HaraldWonnerwastheheadbowmakerfortheRoderich PaesoldWorkshopsduringthelate1900s

**Thisbowisinanexcellentstateofpreservation

£800-1400

3247.

German gold mounted violoncello bow by and stamped Horst Schicker***, the stick round, the ebony frog plain and the ebony adjuster with two gold bands, 83gm

£800-1400

3248.

German gold mounted violin bow by and stamped Conrad Glaesel, Bruxelles, circa 1930, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two gold bands, 61gm

**Ivorysubmissionreference86AHTDGX

£500-800

3249.

Swiss silver mounted viola bow by and stamped F.C. Neuveville on the player side and Swiss Made on the audience side, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 72gm

£500-800

3250.

German silver mounted violin bow by and stamped A. Herm Monnig, circa 1920, the stick octagonal, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 59gm

**IvorysubmissionreferenceL4S4U349

£500 £750

3251.

German silver mounted violin bow by and stamped E. Herrmann, circa 1920, the stick octagonal, the ebony frog bearing the maker's crest and inlaid with pearl eyes, the ebony adjuster with two wide silver bands, 60gm

**Ivorysubmissionreference28L5QCL7

£500-700

3252.

German silver mounted violin bow probably by H.R. Pfretzschner, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 63gm

£300-500

3253.

Old nickel mounted violin bow faintly stamped Chanot & Chardon.Paris on both sides of the handle, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 60gm

£300-500

3254.

Silver mounted viola bow circa 1930, probably French, unstamped, the stick octagonal, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 70gm

**IvorysubmissionreferenceZRTNSU5Y

£400-600

3255.

French silver mounted violin bow by and stamped P.R. Leblanc, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two wide silver bands, 62gm

£200-300

3256.

Silver mounted violin bow circa 1920, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 59gm

**Ivorysubmissionreference2U7K8TU3

£250-350

3248
3250

3257.

English silver mounted violin bow by W.E. Hill & Sons and stamped Hill, the stick round, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 63gm (repaired head)

£300-500

3258.

Nickel mounted violin bow by C.A. Reichel stamped Techler, 56gm

£60-100

3259.

Nickel mounted viola bow stamped J. Stohr, 72gm; also another nickel mounted viola bow stamped W.S. Luby, 79gm (2)

£80-120

3260.

Nickel mounted three-quarter size violin bow circa 1950, 58gm

**Thisbowisexceptionallystrong

£30-50

3261.

Interesting early nickel mounted violin bow, possibly English and by an early member of the Tubbs family, the stick round, the later nickel mounted frog inlaid with pearl eyes stamped Cerpi and the ebony adjuster with two nickel bands, 60gm

£30-50

3262.

Five assorted bows in good playing condition; violin bow: 66gm, viola bow: 69gm, three-quarter size viola bow: 63gm, threequarter size violin bow stamped J. Channing: 55gm and a one sixteenth size Seoul violin bow: 40gm (5)

£50-100

3263.

Three nickel mounted full size double bass bows; two Seoul and one Czechoslovakian, all in unused condition (3)

£60-100

3264.

Three nickel mounted full size double bass bows, all in unused condition (3)

£40-80

3265.

Five nickel mounted double bass bows; two full size Seoul, two three-quarter size Seoul and three-quarter size Czechoslovakian bow, all in unused condition (5)

£80-120

3266.

Three nickel mounted double bass bows; one full size, one threequarter size Seoul and one Czechoslovakian three-quarter size, all in unused condition (3)

£40-80

‘Thefollowinglots(3267-3279)arefromHamilton’s “MuseumCuriosities”Collection

3267.

Rare German nickel mounted violin bow stamped Gezetzlich Geschutz, 56gm

**Thehaironthisbowhasbeenespeciallyslantedtotheplaying edge

£60-90

3268.

Rare German nickel mounted violin bow stamped Gezetzlich Geschutz, 60gm

**Thehaironthisbowhasbeenespeciallyslantedtotheplaying edge

£60-90

3269.

French classical (transitional) period double bass bow with original French brass key adjuster, 123gm (adjuster seized)

**FromHamiltonCaswell's"MuseumCuriosities"collection.

£40 £80

3270.

Interesting transitional double bass bow circa early 1800s, stamped Joh. O. Pfretzschner, 103gm (without hair)

£40-80

3271.

Handsome snakewood stick blank, semi-shaped for a Baroque violin bow

**FromHamiltonCaswell's"MuseumCuriosities"collection.

£60-100

3272.

John Grey's English Patent 14241/2 hollow steel violin bow with aluminium head, frog and adjuster, circa 1940s, 62gm

**ThisbowissoldtogetherwithacopyofJohnGrey'soriginal advertisementandinstructionleaflet

£80-150

3273.

John Grey's English Patent 14241/2 hollow steel violin bow with aluminium head, frog and adjuster, circa 1940s, 65gm

**ThisbowissoldtogetherwithacopyofJohnGrey'soriginal advertisementandinstructionleaflet

£80-150

3274.

John Grey's English Patent 14241/2 hollow steel violin bow with aluminium head, frog and adjuster, circa 1940s, 64gm

**ThisbowissoldtogetherwithacopyofJohnGrey'soriginal advertisementandinstructionleaflet

£80-150

3275.

John Grey's English Patent 14241/2 hollow steel violin bow with aluminium head, frog and adjuster, circa 1940s, 61gm

**ThisbowissoldtogetherwithacopyofJohnGrey'soriginal advertisementandinstructionleaflet

£80-150

3276.

Solid aluminium violin bow stamped E.G. Helmore Som, 96gm

£80-150

3277.

T.S.'s Patent Excelsior violin bow, the hinged face inscribed D.R. Patent 66269 and stamped Excelsior on the handle and on the slide beneath the frog, 66gm

£50-100

3278.

T.S.'s Patent violin bow, inscribed D.R. Patent 66269 on the hinged face and again on the handle, also inscribed on the brass slide under the frog Patent I.A.JNDUST.ST.a., 63gm

£50-100

3279.

Three novelty violin bows: one with unusual rounded frog, 51gm, another with 'A' pitchpipe incorporated in the adjuster, 58gm and one with an extremely wide ferrule and hair-width, 58gm (3)

£50-100

3280.

Good English silver mounted violin bow stamped Dodd, the stick round, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 58gm

**ThisbowwaspossiblymadebyThomasandJamesTubbs £1500-2500

3281.

German silver mounted violin bow of the Knopf family, the stick round, the ebony frog plain and with a silver overlaid ebony adjuster, 55gm (without hair and with partial lapping) £200-300

3273
3276
3280
3284
(See page 38)

3282.

Interesting nickel mounted violin bow of the Peccatte School, unstamped, the stick octagonal, the ebony frog inlaid with nickel rings enclosing pearl eyes and the ebony adjuster with two nickel bands, 65gm

£300-500

3283.

Silver mounted violin bow, unstamped, 60gm

**Ivorysubmissionreference4LJJ5B1S

£100-150

3284.

Good French nickel mounted violin bow by Eugene Cuniot-Hury, Mirecourt, circa 1900, stamped Tourte, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 60gm

**ThisbowissoldwithacertificateofauthenticityfromJeanFrancoisRaffindated17thJuly2001,no.5181

£1200-1800

3285.

German silver mounted violoncello bow by and stamped A. Herrmann***, the stick octagonal, the ebony frog inlaid with pearl eyes and with a silver overlaid ebony adjuster, 71gm

**IvorysubmissionreferenceLBUE2J8K

£300-400

3286.

Nickel mounted violin bow stamped Maestro Archetier on the frog, 59gm

£100-150

3287.

Good modern maple seven drawer bow cabinet, each drawer with provision for fifteen bows (total 105 bows), supported upon square tapering legs, 34.75" high, 38.75" wide, 16.25" deep (max)

£400-600

3288.

Silver mounted violoncello bow stamped Vtor Fetique á Paris, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 79gm

£1200-1600

3289.

Large hank of bow hair

£30-60

3290.

Silver mounted violin bow stamped C. Thomassin á Paris, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands

£1000-1400

3291.

Good German nickel mounted violin bow by and stamped Albert Nurnberger, the stick round, the ebony frog plain and with a nickel overlaid ebony adjuster, 63gm

£500-800

LOTS 3292-3400 NO LOTS

Part II Violins & Violas

3401.

Violin bearing a handwritten label inscribed Fagnola Annibale...1937; also bearing the signature of H. Fagnola 1926 inscribed on the inside upper rib, the two piece back of medium curl carved with a foliate design to the middle of the lower bouts, the sides and head of similar curl, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm

£1200-1600

3288
3290
3401

3402.

Interesting 18th century violin in need of restoration, the two piece back of faint broad curl with geometric purfled inlay below the button and faint medium curl to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a golden-brown colour, 14", 35.60cm

£1200-1600

3403.

Good French violin attributed to Jules Grandjon circa 1870, labelled Antonius Stradivarius..., the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm

**ThisviolinissoldwithacertificateofauthenticityfromBernard Sabatierdated7thNovember2024

£1600-2000

3404.

Late 19th century violin, unlabelled, 14 1/8", 35.90cm

£500-700

3405.

German violin by and labelled Arnold Voigt, Geigenmacher, Markneukirchen, Sachsen, the two piece back of medium/broad curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm

£2000-3000

3406.

Good French violin labelled Modele de Nicolas Aldric, Pere, Luthier á Nantes, Rue de la Gare, no. 71, an 1928, the two piece back of very faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£2000-3000

3407.

German violin circa 1900, 14", 35.60cm

£300-400

3408.

Violin of the Neuner & Hornsteiner School circa 1900, 14 3/16", 36cm

£200-250

3402
3403
3405
3406

3409.

German violin circa 1900, 14 3/16", 36cm

£200-250

3410.

Interesting 18th century violin, unlabelled, the two piece back of medium/fine curl with similar faint curl to the sides and head, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 14", 35.60cm

£400-600

3411.

Early 20th century French half size violin circa 1900, 12", 30.50cm

£200-250

3412.

Seven-eighth size violin of the Klotz School, 13 3/4", 34.90cm

£200-300

3413.

Good English violin by and labelled Walter H. Mayson, Manchester, A.D. 1883; also inscribed on the label Made at Windermere, 'Isolde', and signed on the label, the two piece back of broad curl with similar wood to the sides and head, the table of a broad width grain and the varnish of a light reddish-brown colour on a golden ground, 13 7/8", 35.20cm

£600-800

3414.

Interesting French violin in the manner of Del Gesu, 14", 35.60cm

£250-450

3415.

Good 20th century German violin labelled Gustave August Ficker no. 185, Anno 1968, Gagliano Model, The Spohr, Made in Germany Exclusively for William Lewis & Son, Chicago, Illinois; also stamped G.A.F. above the label, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish colour on a golden ground, 14 1/16", 35.70cm

£500-750

3416.

Good late 19th century Mittenwald seven-eighth size violin, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 13 11/16", 34.80cm

£700-1000

3417.

Early 20th century French half size violin circa 1900, 12", 30.50cm

£200-300

3418.

page 41)

Small German three-quarter size violin of the Neuner School circa 1900, 12 3/4", 32.40cm

£300-400

3413
3416
3419 (See

3419.

Good violin labelled Francois Barzoni, fecit - anno 1902, Manufacture Speciale de la Maison, Beare & Fils á Londres, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddishbrown colour on a golden ground, 14 3/16", 36cm

£800-1200

3420.

Good violin labelled Antonio Monzino & Figli, Premiato Stabilimento Strumentale, Milano - Via Rastrelli, 10, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm

£2000-2500

3421.

Good French violin labelled Audinot-Mourot, Mirecourt, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm

£1000-1400

3422.

19th century French Mirecourt violin, unlabelled, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm

**Thisviolinissoldwithaninsurancevaluationcertificatefrom MoseleyViolinsdated7thJune2013for£3000

£400-600

3423.

French seven-eighth size violin labelled Copie de Nicolaus Amatius...,; also labelled Violin Ecole Grandini, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 13 11/16", 34.80cm

£400-600

3428

(See page 42)

3424.

Good French violin by and labelled Chenantais & Le Lyonais, Nantes, 1938, the two piece back of fine curl with medium curl to the sides, the head of plainish wood, the table of a fine width grain and the varnish of an orange-brown colour on a golden ground, 14", 35.60cm

£300-500

3425.

French violin labelled Concerto.Hercul, Victor Joseph Charotte, fecit Mircurtice Anno 1926, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium wavy grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm

£500-800

3426.

Interesting English early 19th century violin with original neck and set up, unlabelled, the one piece back of very faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light reddish colour on a golden ground, 14 3/16", 36cm, case

£400-600

3427.

Good Scottish violin by and inscribed to the upper bouts of the inner back 'John Robertson, Aberdeen, 3 January 1868', the two piece back of plainish wood with faint medium curl to the sides and head, the table of a fine width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 1/4", 36.20cm, case

**Thetableofthisviolinhasbeenbrokenintothreesections.The breaksarecleanwhichshouldmakerestorationverystraightforward, seeimagesforguidance

£800-1200

3428.

Violin labelled Max Mockel, Charrottenburg, 1921 on the treble side, the two piece back of faint medium fine curl with similar wood the sides, the head of plainish wood, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 13 7/8", 35.20cm

£700-900

3429.

French violin labelled Ch.J.B. Collin-Mezin, Luthier á Paris, Rue du Faub G Poissonniere no. 10, 1889; also signed to the inner back of the lower bout on the treble side, the two piece back of faint medium/ broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/4", 36.20cm

£800-1200

3430.

Interesting violin bearing a handwritten label inscribed John Furber Maker, 13 St. John's Row Old Street, St Luke, London 1825, also branded Furber, London below the top button, and indistinctly branded below the end button on the bottom rib, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 13 15/16", 35.40cm

£300-500

3431.

Late 19th century Lowendall violin stamped Imperial Violin Stradiuarius behind the peg box, 14 1/8", 35.90cm

£250-350

3432.

German violin signed Hermann Dolling to the inner back, with unusual single purfled border, 14 1/16", 35.70cm

£300-400

3433.

German violin by and labelled Wilhelm Nurnberger, Geigenmacher in Mittenwald an der Isar, no. 136, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£2000-3000

3434.

Violin labelled Carolus Maurizi, Fece in Bologna, anno 1955, the one piece back of fine curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a golden-brown colour, 14 1/8", 35.90cm

£2500-3500

3435.

French violin labelled Copie de Joseph Guarnerius..., 14 1/4", 36.20cm, bow, case

£300-400

3436.

French violin by and labelled Paul Didier...no. HS, An 1935, 14", 35.60cm, bow, chevron banded rosewood fitted case

£300-400

3437.

Jay Haide viola labelled and dated 2003, 15 3/4", 40cm

£250-350

3438.

19th century Mittenwald violin, 14 1/16", 35.70cm

£200-300

3439.

Interesting and experimental violin labelled James Hewitt & W.JBowman, 1909, 13 15/16", 35.40cm

**Thisviolinisfittedwithtwocircularplugswhichcanbeinsertedinto holeslocatedinthemiddlebouts

£200-400

3440.

19th century violin labelled Nicolaus Amatus..., 14 1/4", 36.20cm

£250-350

3441.

Good Scottish violin bearing an illegible label, the two piece back of faint medium/fine curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14", 35.60cm

£1500-2000

3442.

Good French violin by and labelled Ch.J.B. Collin-Mezin, Luthier, Grand Prix-Exposition Universelle 1900, Paris, 1937, no. 24; also signed to the inner back of the lower bouts on the treble side, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 3/16", 36cm

£2500-3500

3443.

French violin by and labelled Buthod, Luthier, Eleve du St Vuillaume, á Paris, 14 3/16", 36cm

£400-600

3444.

French violin labelled Ch.J.B. Collin-Mezin, Luthier, Grand PrixExposition Universelle 1900, Paris, 1904; also signed to the inner back of the lower bouts on the treble side, the two piece back of faint medium curl with similar wood to the head, the sides of broad curl, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£1500-2000

3445.

Early 20th century French viola by and labelled Mansuy á Paris, the two piece back of very faint medium curl with similar wood to the sides, the head of plainish wood, the table of a broad width grain narrowing to the flanks and the varnish of a plum red colour on a golden ground, 16 1/8", 41cm, case, bow

£600-800

3441
3442
3444

3446.

Late 19th century French violin of the Caussin School, 14 1/16", 35.70cm

£200-300

3447.

English violin by and labelled J.H. Longson, London 1899, 'The Renascent Violin', 14 1/16", 35.70cm

£250-450

3448.

Interesting late 18th century English violin of the Lockey Hill School and bearing an Italian label, the one piece back of faint medium irregular curl with finer curl to the sides and faint broad curl to the head, the table of a medium/broad width grain and the varnish of a reddish-brown colour on a golden ground, 13 7/8", 35.20cm (at fault)

£400-800

3449.

Interesting 19th century violin, unlabelled, the two piece back of plainish wood with similar wood to the sides and head, the table of a broad width grain and the varnish of a plum red colour on a golden ground, 14 1/16", 35.70cm

£600-1000

3450.

Good French violin labelled Joseph Vautrin fecit, Chaumont anno 1924, the one piece back of medium irregular curl with similar wood to the sides and head, the table of a medium width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14", 35.60cm

£2500-3500

3451.

French violin labelled Ch.J.B. Collin-Mezin, Luthier á Paris, Rue du Faubg Poissonniere, no. 29, 1929; also signed to the inner back of the lower bouts on the treble side, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

£1200-1600

3452.

French violin labelled fait par G. Apparut, en 1929, no. 304, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 14", 35.60cm

£1200-1600

3449
3450
3451
3452

3453.

French violin attributed to and labelled Paul Bisch luthier, no. 237, A 1949, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/8", 35.90cm

**Thisviolinissoldwithacertificateofauthenticityfromthemaker dated...1948

£700-1000

3454.

Early 20th century violin labelled Jacobus Stainer..., 14 1/8", 35.90cm

£300-400

3455.

French violin by and branded Nicolas Bertholini to the inner back, the one piece back of faint broad curl with similar wood to the sides and head, the table of a medium width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 14 3/16", 36cm

£500-700

3456.

Good early 20th century viola, the two piece back of medium/broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 15 1/2", 39.40cm, bow, case

£700-1000

3457.

Interesting viola labelled Ferdinand Rolla, Fiesole 1917, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 17", 43.10cm, case

**ThisviolaissoldwithacertificatefromE.R.Voigt&SonLtd.dated 11thSeptember1968,attributingittobeofItalianworkmanship

£3000-4000

3458.

Early 20th century French violin labelled Dominicus Montagnana..., 14 1/8", 35.90cm

£400-600

3459.

French violin circa 1910 labelled Copie de J. Bte Vuillaume, Paris, 14 1/8", 35.90cm

£400-600

3460.

Early 19th century violin, possibly French, 14 1/8", 35.90cm

£300-400

3461.

French Stradivari copy violin circa 1920, 14 1/8", 35.90cm

£300-400

3462.

Early 20th century French violin, the one piece back of faint broad curl with faint medium curl to the sides and head, the table of a medium/fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm

£500-700

3453
3456
3457

3463.

Decorative double purfled violin circa 1900, the two piece back with looping stylised geometric purfled inlay and inscribed JN SILVIS VIVA SILUI, CANORA, JAM MORTUA CANO, 13 7/8", 35.20cm

£300-400

3464.

Early 20th century French violin, 14 1/8", 35.90cm

£400-600

3465.

Violin circa 1900, probably French, 14 1/8", 35.90cm

£300-400

3466.

Early 20th century German violin, 14 1/8", 35.90cm

£200-300

3467.

Late 19th century German violin, 14 1/8", 35.90cm

£200-300

3468.

Early 20th century violin labelled Joseph Guarnerius..., 14 1/16", 35.70cm

£300-400

3469.

French violin labelled Sarasate Maitre d'apres Nicolaus Amatus..., also stamped Sarasate Maitre on the button, 14 1/16", 35.70cm

£250-350

3470.

Late 19th century German Lowendall three-quarter size violin, 13 1/4", 33.70cm

£200-250

3471.

French three-quarter size violin labelled Copie de J.B. Vuillaume á Paris, 13 11/16", 34.80cm

£200-300

3472.

Good violin bearing the retail label of Thomas Craig of Aberdeen, 1899, the two piece back of broad curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm

£400-600

3473.

19th century French violin of the Derazey School, labelled Antonius Stradivarius..., the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14", 35.60cm

£800-1200

3474.

Good modern Italian violin by and labelled Claudio Perversi, fatto in Alessandria, 2000, also signed by the maker on the label, the one piece back of fine curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a reddish-brown colour on a golden ground, 13 15/16", 35.40cm

**Thisviolinissoldwiththecertificateofthemakerdated24th November2001

£3000-4000

3475.

Good French violin by and labelled Lutherie Artistique, D. Soriot, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a golden-brown colour, 14 1/8", 35.90cm, case

£2000-3000

3476.

Interesting late 18th/early 19th century violin stamped Duke, London below the button, unlabelled, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 13 13/16", 35.10cm, case (sound post cracks in the back and front)

£400-800

3473
3474

3477.

19th century violin labelled Piqué rue de Grenelle, St. Honore, au coin de celle des 2 Ecus, á Paris 1791., the one piece back of plainish wood with similar wood to the sides and head, the table of a broad width grain and the varnish of a plum red colour on a golden ground, 14 1/8", 35.90cm, case

£300-500

3478.

Good modern English violin by and labelled Robin C. Hamilton, London 1984, the one piece back of faint narrow curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/16", 35.70cm, case

£500-800

3479.

Good modern English violin by and labelled Martin J: Hilsden, Maker, Oxford, Anno 1986; also signed on the label and stamped M.J. Hilsden above the label, the two piece back of fine curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a golden-brown colour, 14", 35.60cm, case

£700-1000

3480.

Late 18th/early 19th century English viola attributed to Perry & Wilkinson, unlabelled, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 15 1/2", 39.40cm

£1000-1500

LOTS 3481-3500 NO LOTS

Violoncellos

3501.

The Vektor Electric Upright Bass, fitted with four Thomastik-Strings, 41" string length, three piece maple body, ebony fingerboard and tailpiece block, telescope end pin with body support attachment, within a professional metal fitted flight case; also a spare soft case and music stands etc

£600-1000

3475
3479
3480

3502.

NS Design NXT electric violoncello, 37.25" high overall, with folding stand and soft carrying-case

£700-1000

3503.

Good Yamaha SLB300 silent bass outfit, within a semi-rigid fitted case

**ThisinstrumentissoldwithapurchasereceiptfromAckermanMusic dated12thFebruary2024for£3600.Alsosoldwiththeownersmanual £1200-1800

3504.

Three full size hard violoncello cases (3)

£30-60

3505.

Six various size violoncello soft covers; also four silk covers (10)

£20-40

3506.

Five semi-rigid violoncello cases (5) £20-40

3507.

Pair of satinwood and green felt lined violoncello stands; also a long ash multiple violoncello stand, 105" long (3)

£60-100

3508.

Two full size violoncello fronts and a violoncello back (3) £40-80

3509.

Primavera three-quarter size violoncello; also another full size modern violoncello (at fault) (2) £30-60

3510.

Late 19th century German violoncello labelled Sold by W. Norman, 29 3/4", 75.60cm £150-250

3511.

Late 19th century German half size violoncello, the two piece back of faint medium curl, with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown on a golden ground, 24 3/16", 61.90cm

£600-800

3512.

Early 20th century German violoncello in need of restoration, 29 3/8", 74.60cm

£400-600

3513.

Early 20th century French half size violoncello, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain slightly widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 26 3/4", 68cm

£500-800

3501 (See page 47)
3502
3503

3511

(See page 48)

3514.

English violoncello by and labelled Alan E. Miles, Luthier, London, 1981 and signed on the label, 29 1/2", 74.80cm, soft case

£250-450

3515.

19th century violoncello indistinctly inscribed in pencil to the inner back, the two piece back of very faint medium curl with similar wood to the sides and head, the table of a medium/fine width grain and the varnish of a golden-brown colour, 29 1/8", 74cm

**ThisvioloncellohasbeensetuptoBaroquespecifications

£500-800

3516.

19th century violoncello, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of an orange-brown colour on a golden ground, 29 1/4", 74.30cm

£1000-1400

3517.

English violoncello by and labelled Colin Nicholls Maker, London, Anno 1989 and signed on the label, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 29 3/4", 75.60cm

£3000-4000

3518.

Modern full size violoncello body in the white, including the ribs, back and front in need of finishing, 29 1/2", 74.90cm (bridge and sound post but no neck and scroll)

£100-200

3519.

Interesting 19th century English violoncello body of the W.E. Hill & Sons School, in need of restoration, 29 1/2", 74.90cm

£400-800

3520.

Early 20th century German three-quarter size violoncello, unlabelled, 27 1/4", 69.20cm

£200-400

3521.

Early 20th century German violoncello in need of restoration, unlabelled, 30", 76.20cm

£200-400

3522.

Modern German violoncello by and labelled Horst Grunert, Penzberg, anno 1979, also stamped Grunert below the button, 29 3/4", 75.60cm

£300-500

3523.

Late 19th century German violoncello, unlabelled, the jointed back of plainish wood with similar wood to the sides and head, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 29 7/8", 75.60cm

£600-900

(See page 49)

(See page 49)

3524.

Early 20th century German violoncello, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain narrowing to the flanks and the varnish of a golden-brown colour, 29 7/8", 75.60cm

£700-1000

3525.

Early 20th century French violoncello labelled Copie de Antonius Stradivarius..., the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine/medium width grain and the varnish of a light reddish-brown colour on a golden ground, 30", 76.20cm

£800-1200

3526.

German violoncello circa 1880, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 29 7/8", 75.90cm

(See page 49)

£1000-1500

3516
3517
3523
3524
3525

(See page 50)

3527.

Violoncello attributed to and labelled Laberte-Humbert Freres, Mirecourt..., N.7608, 1934 and signed on the label, the two piece back of medium curl with similar wood to the sides and head, the table of a medium width grain slightly widening to the flanks and the varnish of a golden-brown colour, 30 1/8", 76.50cm, nickel mounted violoncello bow stamped Alfred Knoll, hard case

**ThisvioloncelloissoldwithaCertificatdeGarantiefromLaberte Magniedated28thApril1934;theinstrumentisalsoaccompanied withpurchasereceiptsfromPeterVoigtLtd dated17thand24thNovember2011

£1000-1500

LOTS 3528-3530 NO LOTS

Double Basses

3531.

Mid 20th century double bass, length of back 43 1/2", stop length 24", vibrating string length approximately 42 1/2", £100-200

3532.

Good modern and attractive three-quarter size double bass, the two piece back of medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a golden-brown colour, length of back 44", stop length 24", vibrating string length 42"

£1000-1500

3533.

German double bass labelled Stefano Scarampella..., with swell viol outline and hatpeg machines, length of back 109cm, vibrating string length 106cm, stop length 61cm

£650-950

3526
3527
3532
3533

3534.

German three-quarter size double bass labelled R. Paesold Schroetter..., with swell back and viol outline, length of back 110cm, vibrating string length 105cm, stop length 61cm

£650-950

3535.

Early 20th century German double bass with swell back and viol outline; also with a purfled shield beneath the button on the back, length of back 109cm, vibrating string length 107cm, stop length 61cm

£650-950

3536.

German three-quarter size double bass circa 1950s, probably by Hofner, with swell back and viol outline, alternating coloured diamond inlay to the sides, length of back 106cm, vibrating string length 105cm, stop length 59cm

£650-950

3537.

German flatback double bass with viol outline circa 1920, with purfled inlaid section to the back of the neck, length of back 105cm, vibrating string length 104cm, stop length 60cm

£1200-1600

3538.

German flatback double bass circa 1880 with viol outline, later French head and machines, length of back 110cm, vibrating string length 101cm, stop length 58cm

£1200-1600

3539.

German three-quarter size double bass labelled Copy of Antonius Stradivarius..., with swell back and viol outline, length of back 109cm, vibrating string length 106cm, stop length 61cm

£1200-1600

3534
3535
3536

3540.

Flatback German double bass circa 1870 with viol outline, length of back 111cm, vibrating string length 108cm, stop length 65cm £1500-2000

3541.

Good modern English Viennese style double bass by Karl Joseph Kemper circa 2010, with slab cut five piece back, possibly cherry wood, length of back 110cm, vibrating string length 105cm, stop length 62cm £2000-3000

End

of sale

3537 3538
3540
3541

CONDITIONS OF SALE

The Auctioneer acts only as agent for the Seller (unless otherwise specifically declared). Lots sold are likely to have been subject to wear and tear caused by user or the effects of age and may therefore have faults and imperfections. Buyers are given ample opportunity at viewing times to examine lots to be sold and will be assumed to have done so. They must rely solely on their own skill or judgement as to whether lots are fit for any particular purpose.

1. Bids

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2. Ascertainment of the Buyer

The Buyer shall be the person making the highest bid which is acceptable to the Auctioneer as signified by the fall of the hammer. No bid may be retracted. In the case of a dispute the Auctioneer may either declare the purchaser or put the lot up again.

3. Auctioneer’s discretion

The Auctioneer has sole discretion, (a) to refuse any bid, (b) to advance the bidding as he may decide, (c) to withdraw or divide any lot or combine one lot with another or others, (d) to exclude any person from the auction rooms, and (e) to require pre-payment in full.

4. Reserves and Seller’s right to bid

Lots put up for sale are subject, (a) to any reserve price imposed by the Seller, (b) the right of the Auctioneer to bid on behalf of the Seller, and (c) where no reserve has been imposed (but in no other case) for the Seller to bid personally or through any one agent. It is the responsibility of the Seller to ensure any reserves are received by the Auctioneer.

5. Buyer’s Duties

The Buyer shall forthwith or as soon as possible after the sale, (a) supply his name and address, (b) supply, if so required, bank or other suitable references, (c) pay the full purchase price in a way acceptable to the Auctioneer, notwithstanding any prior arrangement for advance payment required by the Auctioneer, and (d) on proof of payment clear the lots purchased by the times specified. Lots may not be cleared during the sale except by permission of the Auctioneer.

6. Payments ALL LOTS ARE TO BE PAID & CLEARED WITHIN 7 DAYS OF THE AUCTION

Methods of payment include direct bank transfer, debit card, credit card, cash to a maximum of £8,500, Cheque payments are no longer accepted. For fraud protection we no longer accept payments by credit or debit cards for ‘Customer not Present’ transactions. Card payments at the saleroom will be accepted but must be supported by Chip and PIN. Card payments for live internet bidding will only be accepted if they have been AVS and 3D Secure authorised via our online platform with a maximum transaction limit of £1000 for Watch & Jewellery auctions; £2000 limit for all other auctions unless previous authorisation has been agreed. Deposit payments made direct at the bank or via telephone banking will need to be confirmed as 'cleared funds' before any goods are released.

6A. Anti-Money Laundering Policy

New clients spending over £5000 on an individual transaction must be verified, by supplying a current form of ID confirming their name and address to match the invoice. This must be supplied to complete the transaction before the release of goods

7. Liability of the Auctioneer and Sellers

Subject to Condition 8: (a) faults and imperfections (if any) are not stated in the catalogue and neither the Seller nor the Auctioneer is responsible for any defects whatsoever, (b) no warranty is given or authorised to be given by the Seller or the Auctioneer with regard to any lot other than the Seller’s right to sell it, (c) any express or implied conditions or warranties relating to description or quality, are hereby excluded.

8. Catalogue Descriptions

Descriptive statements contained in the advertisements or catalogues or made up by the Auctioneer or any member of his staff should be taken as matters of opinion only and shall not be taken as statement of fact.

i) Items in the catalogue are sold as seen. Where possible significant damage is mentioned, but this does not include all faults and imperfections. The absence of such reference does not imply that the lot is in good condition or free from restoration or repair. Condition reports are available upon request

ii) ’Inscribed’ or ‘Signed’ does not imply that the lot is wholly or partly by that maker

9. Forgeries

Notwithstanding Conditions 6 and 7, if the Auctioneer receives notice in writing from the Buyer WITHIN 7 DAYS OF THE SALE that in his opinion a lot is a forgery (as defined in Condition 12) and on giving such notification the lot in question is returned to the Auctioneer at his working premises in the same condition as when bought, then if on considering such evidence as the Buyer supplies to prove his assertion, the Auctioneer decides that the lot is a forgery the sale of the lot will be rescinded and the purchase price repaid to the Buyer.

10. Property in lots and risk

The Buyer shall not become the owner of any lot, and the Auctioneer shall have a lien thereon, until the Buyer has discharged the purchase price in full together with any other charges due, but after the fall of the hammer the risk of damage or loss shall nevertheless be the Buyer’s.

11. The Premium

The Buyer shall pay to the Auctioneer a premium of 22% of the hammer price together with VAT. (26.4% inclusive of VAT)

12. Default by Buyer If the Buyer fails to make payment in a way acceptable to the Auctioneer or to remove any lot or lots bought by him within 7 days of the auction or in any other material respect fail to comply with these conditions, the Auctioneer shall have the right, (a) to resell the lot or lots by public auction or otherwise without notice to the Buyer, and if any deficiency arises on such resale, after deducting the Auctioneer’s full costs and expenses, the Buyer shall be responsible to the Auctioneer therefore (but any net surplus to be the Seller’s) or, alternatively, (b) to store the lot at the Auctioneer’s premises or elsewhere and to release the lot to the Buyer only after payment in full of the purchase price together with any other charges due. The Auctioneer reserves the right to charge storage of 50p per lot per day on any lot or lots uncleared by the time specified together with any removal expenses. In addition, interest will be charged at 2.5% per month or part thereof (34.4% APR) on any accounts that remain unpaid in part or full 1 week after the sale. Interest and storage will be charged from the date of sale. In addition, the Buyer shall be liable for all legal and court costs incurred by the Auctioneers in pursuit of payment from the Buyer. The Auctioneer reserves the right to refuse any cheques and will not release lots purchased until evidence has been received that any cheque accepted has been cleared.

13. Release of Goods

Payment and clearance should be made within seven days after the sale. Goods will not be released until full payment has been cleared and a paid invoice produced. For clients arranging courier or third-party collection: written instruction must be received by the purchaser; identification will be requested from the courier and their vehicle’s registration number taken. For security purposes our premises are monitored by 24-hour CCTV

14. Definitions and interpretation

In these conditions: (a) Reference to the ‘the Auctioneer’ shall be taken to mean the firm of Gardiner Houlgate or any director, partner or employee thereof at the time of sale; (b) Buyers shall be deemed to be the principals unless to the prior knowledge of the Auctioneer they are acting as agent on behalf of a named principal; (c) ‘Forgery’ means a lot (i) which is so constituted as deliberately to deceive when considered in the light of its catalogue description, and (ii) whose value as such is materially less that if it had complied with the catalogue description; (d) The Interpretation Act 1978 shall apply to the general construction of terms and expressions used in these Conditions as if contained in a statute.

15. Law and Jurisdiction

These Conditions of sale are subject to English law, which shall apply to their construction as well as their effect. The Seller and Buyer agree to submit to the exclusive jurisdiction of the English courts.

16. What is Temporary Importation?

Temporary Importation is a system that applies to lots which have been imported for sale from outside the EU. It allows the point of importation to be delayed until after the sale at auction. These lots are indicated in catalogues by the use of the following symbol * Only the Hammer Price will be treated as the import price and the Buyer’s Premium will be subject to UK domestic VAT at 20%. So whilst the Hammer Price will continue to be charged with Import VAT at 5% or 20” as appropriate, the Buyer’s Premium will always be charged with domestic VAT at 20% Lots subject to Temporary Importation will be offered under the Auctioneer’s Margin Scheme and will be subject to import VAT of either 5% or 20% on the buyer’s Premium. Anyone who wishes to buy outside the Margin Scheme should notify us immediately. An invoice under the normal VAT rules and charging VAT at 20% on both Hammer and Premium will then be issued

Temporary Importation should affect only private individual buyers who are resident within the EU. Anyone who is registered for VAT in the EU should be able to recover the VAT on the Buyer’s Premium either on their VAT returns or through the 8th Directive Refund Scheme. Any non-EU buyer who exports the lots from the EU will be able to have the VAT refunded provided the appropriate export regulations are complied with

17. Property sold with a * Symbol These items have been imported from outside the EU to be sold at auction under temporary importation. When Gardiner Houlgate releases such property to buyers in the UK, the buyer will become the importer and must pay Gardiner Houlgate import VAT at 5% on the Hammer Price These lots will be invoiced under the Auctioneer’s Margin Scheme. Gardiner Houlgate must bear VAT on the Buyer’s Premium and hence charge an amount in lieu of VAT at 20% on this Premium. This amount will form part of the Buyer’s Premium on our invoice and will not be separately identified VAT registered buyers from the EU should note that the import VAT charged on property released in the UK cannot be cancelled or refunded by Gardiner Houlgate VAT registered buyers from the UK should note that the invoice issued by Gardiner Houlgate for these items is not suitable evidence in respect of import VAT VAT registered buyers from the EU countries may be able to seek repayment of the import VAT paid by applying to HM Revenue and Customs. On request, immediately after the sale, the office can either ask HM Revenue and Customs to generate a C79 certificate (for UK buyers), or obtain a copy of the import C88 (for other EU VAT registered buyers), which may be used to claim recovery of the VAT. Otherwise Gardiner Houlgate may re-invoice the lot and charge VAT at 20% on both the Hammer Price and the Premium and provide a tax invoice to the buyer

18. CITES Restrictions

Any lots containing any amount of Brazilian rosewood and endangered species may be subject to restrictions when exporting outside of the EU. It will be the buyer’s responsibility to make sure that the relevant paperwork is in place before shipping. Some lots are sold with CITES article 10 certificates, allowing the commercial use of an item containing an endangered species. Lots subject to this are marked in the catalogue

Import/Export

It is the buyer’s responsibility to obtain the correct import/export licenses and CITES licenses for items which they have purchased. Gardiner Houlgate take no responsibility for the export of goods.

19. Gemstones

Many gemstones have been treated in various ways to enhance their appearance. For example, sapphires and rubies are routinely heat treated and emerald treated with oils and resins. Some stones may require re-treating or oiling periodically. Enhancement affects market value, and all Gardiner Houlgate estimates assume that gemstones may have been enhanced.

20.Artists Resale Rights (or Droit de Suite)

On certain lots marked in the catalogues and which are sold for a hammer price of £1000 or greater (converted into the currency of the sale using The Design and Artists Copyright Society threshold calculator on the date of the Sale) the Additional Premium will be the percentage of the amount of the Hammer Price calculated as follows:

£0-£50,000 4%

£50,000.01 to £200,000 3%

£200,000.01 to £350,000 1%

£350,000.01 to £500,000 0.5%

Exceeding £500,000 0.25%

* Gardiner Houlgate is a trading name of Bath Auction Rooms Limited, registered in England and Wales No. 5228635.

G ARDINER H OULG ATE

THE SPECIALIST AUCTIONEERS

DIRECTIONS TO OUR CORSHAM HEADQUARTERS

On the A4 from Bath or Chippenham turn off at the mini roundabout by the Hare & Hounds Pub towards Corsham town centre, turn immediately right at the next mini roundabout into Valley Road. After one mile cross narrow railway bridge and round right angle bend. Turn left after 600 yards into Leafield Industrial Estate.

Go straight through the estate and take the last turning on the right beforemeeting the public road again, just past Linpac and opposite Corsham Print. The Bath Auction Rooms are at the end of the road facing you.

Total time from Junction 17 - 10-15 minutes

Total time from central Bath - 15 minutes

Travelling by Train - we recommend Chippenham Station

Gardiner Houlgate, 9 Leafield Way, Corsham, Nr Bath SN13 9SW

Telephone: 01225 812912

Fax: 01225 811777

E-mail: auctions@gardinerhoulgate.co.uk

www.gardinerhoulgate.co.uk

G ARDINER H OULGATE

THE SPECIALIST AUCTIONEERS

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Musical Instruments - 13th March 2026 by Gardiner Houlgate - Issuu