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20260310_Khemia

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THE FLORIDA STATE UNIVERSITY

COLLEGE OF MUSIC

Presents HOUSEWRIGHT VIRTUOSO

SERIES:

“All the Lives We Lived”

KHEMIA ENSEMBLE

Amy Petrongelli, soprano

Mary Matthews, flute

Andy Hudson, clarinet

Francesca Anderegg, guest violin

Eli Lara, cello

Annie Jeng, piano

Shane Jones, percussion

Chelsea Tinsler Jones, percussion

Tuesday, March 10, 2026

Seven-thirty in the Evening

Opperman Music Hall

and all the lives we lived*^

PROGRAM

I will not be sad in this world

Don’t Beat a Word*

Anuj Bhutani (b. 1993)

Text from “To The Lighthouse” by Virginia Woolf

Eve Beglarian (b. 1958)

Nina Shekhar (b. 1995)

Praying by Yanchen Ye (b. 1992) animation by Paige Douglas*^

Jane Doe*^ Fernanda Aoki Navarro

Thoughts Fleeting by Brittany Green (b. 1991) animation by Paige Douglas*^

moves*^

Niko D. Schroeder INTRO (b. 1994)

1. OPENINGS: Quiet Game

2. OPENINGS: Spanish Game INTERLUDE

Improbable Places 1* by Kevin Good (b. 1992) animation by Paige Douglas*^

Still Life

NO one To kNOW one

Emma O’Halloran (b. 1985)

Text and Video by Annie Saunders

Improbable Places 2* by Kevin Good animation by Paige Douglas*^

Andy Akiho (b. 1979)

*Khemia Ensemble Commission ^World premiere

The Anuj Bhutani commission has been made possible by the Chamber Music America Classical Commissioning Program, with generous funding provided by the Mellon Foundation.

Please refrain from talking, entering, or exiting while performers are playing. Food and drink are prohibited in all concert halls. Please turn off cell phones and all other electronic devices. Please refrain from putting feet on seats and seat backs. Children who become disruptive should be taken out of the performance hall so they do not disturb the musicians and other audience members.

transformative power of chamber music” (Chamber Music America CEO), Khemia Ensemble embraces broad perspectives in contemporary classical music. With its dynamic instrumentation (soprano, flute, clarinet, violin, cello, piano, and two percussion), Khemia’s unique sound world encompasses the presentation of new classical music with a mix of acoustic chamber works, multimedia, and multi-genre influences.

Khemia has been featured in venues and festivals including National Sawdust, the Wunsch New Music Festival, Mizzou International Composers Festival, Crystal Bridges Museum of American Art, and Argentina’s Biennial New Music Festival. Passionate artist educators, Khemia has held residencies at more than a dozen universities in North and South America. The ensemble’s eight members also hold faculty positions at academic and arts institutions across the U.S. including University of Georgia, Florida State University, University of Missouri, University of North Carolina-Greensboro, Utah Valley University, and the Moab Music Festival.

Committed to expanding the chamber music repertoire, Khemia has commissioned and premiered over 130 works by professional and student composers and has two studio albums: Voyages (Bandcamp, 2016) and Intersections (Ravello Records, 2022) featuring seven Khemia-commissioned works.

Khemia Ensemble is Amy Petrongelli (soprano), Mary Matthews (flute), Thiago Ancelmo (clarinet), Francesca Anderegg (guest violin), Eli Lara (cello), Annie Jeng (piano), Shane Jones (percussion), & Chelsea Tinsler Jones (percussion).

Note: Khemia’s name is derived from the Greek word χημεία (chemistry) and is pronounced KEM-ee-uh.

Mary Matthews, Chelsea Tinsler Jones, Co-Artistic Directors

Chelsea Tinsler Jones, Director of Operation | Shane Jones, Director of Production Eric Dluzniewski, audio engineer | Andy Hudson, guest clarinet

NOTES ON THE PROGRAM

Khemia Ensemble’s “All the Lives We Lived “program is rooted in nostalgia and the eclectic musical influences we grew up loving. Fusing our contemporary chamber music sensibility with a nod to rock, pop, theater, and folk genres, you’ll be drawn into the wide-ranging soundscape of classical music of today, including a Chamber Music America sponsored commission by Anuj Bhutani, whose work inspired our program’s theme.

TEXTS

and all the lives we lived - Anuj Bhutani

Text from “To The Lighthouse” by Virgina Woolf

“But what after all is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, ...or a faint green quickens, like a turning leaf, in the hollow of the wave. Night, however, succeeds to night. The winter holds a pack of them in store and deals them equally, evenly, with indefatigable fingers. They lengthen; they darken. Some of them hold aloft clear planets, plates of brightness.”

II. Time Passes

“The autumn trees gleam in the yellow moonlight, in the light of harvest moons... and brings the wave lapping blue to the shore.”

“’and all the lives we (ever) lived, and (all) the lives to be are full of trees and changing leaves.’”

Don’t Beat a Word - Nina Shekhar

Text by Nina Shekhar

hush my heart don’t beat a word don’t let it burn still my lung don’t breathe the bait don’t let it brown

murmur unheard a lethal whisper to your ghostly drum pounding away how can I stay when I’m round on a flat earth

I peel it off this dirty shell rip the threads hair by hair bald and bare the way you want to see

I wash the grit and bleach the stains shrink the fit my color fades zip my lips this is who I ought to be

Jane Doe - Fernanda Aoki Navarro

Text by Fernanda Aoki Navarro

I. Private

Wake up, wake up, wake up, wake up!

Wake up, stand up, pee, cook, Eat, poo, wash, shower,

Get dressed?

No, too short (undress, fold)

Get dressed?

No, too formal (undress, fold)

Get dressed?

No, too casual (undress, fold)

Get dressed?

No, too sexy (undress, fold)

Get dressed.

Cover, hide, compress, repress, Blow, brush, spray, hair, Curl, flatten, comb, fair, Cream, concealer, blush, highlight, Mascara, eyeliner, eyelash, eyebrow, Pluck, brush, blend, smile, Lipstick? Too formal. No lipstick? Too casual. Dark brown? Too bossy. Bright red? Too sexy. Light pink? Too silly. Nude, cover, hide, repress, Shiny, glossy, matte, repress, Teeth, grind, hide, repress, – Womb: mine or yours? Regress. – Life: mine or yours? Digress. Mice, maze, scapegoat, twist, Knife, face, throat wrist, Fight, fate, float, fist, fist, fist, fist, fist!

II. Public

Door, open, close, go.

Donkey, carrot, stick, hoe, Walk, trot, tip, toe.

Keep going, Jane Roe!

Donkey, carrot, stick, hoe.

Keep going, Donkey Doe!

– Follow the carrot, forget all your dreams and go with the flow!

Keep going, Donkey Doe! Light, gas, food, rent, Water, sewage, trash, event, Fines, tax, credit card.

C’mon, Donkey, another yard!

Keep going, Jane Roe!

Attitude: Rock’n’Roll.

Keep going Donkey Jane! Carrot stick, paycheck, fame, Drive, thrive, here’s the map.

Don’t mind the gender gap, Don’t be angry, don’t be mad. – Carrot stick, please don’t snap.

Snap, snap, snap, snap!

Don’t be angry, don’t be mad

Snap, snap, snap, snap!

Don’t mind the gender gap

Snap, snap, snap, snap!

Clap, clap, clap, clap!

Smile, smile, smile, smile!

– This will take a longer while.

Still Life - Emma O’Halloran

Text by Annie Saunders

I can’t stop

I can’t stop being distracted I’m like glitter someone dropped on the floor

All over the place

Places you wouldn’t even think to look

I’m finding ways to go on

Even though I make mistakes

I play just to move my fingers again

So they do what my mind is saying

It’s been a real pleasure for me

Getting kind of caught up in the rhythm

And no matter if I slow down

And no matter if I have to repeat or something

I don’t feel guilty

And you can’t stop me

It’s noise

It’s machines and it troubles my sleep

It’s strange

Nobody will tell me what they are

I don’t know the question or the person to ask

It keeps me awake at night

It keeps me awake

I can remember the pictures in my mind

This is what it looked like

This was what this

So that’s nice

I can remember the pictures in my mind

But I can’t remember the words

NO one To kNOW one - Andy Akiho

No one to…

No one. One, two. I know no one. One..two. No one to lose my sense of direction. I know…I know one too. I falleN Tw0. I am no one too. I am no one to give my two cents, since I lost my direction. You know when to…know one. No way to know one way. No way to win when there’s no one to lose.

C.R.A.F.T…when dreams interrupt this dark reality. Quand les rêves interrompent cette réalité sombre…

I can sense my direction. Can you find my way? I remember. I don’t know my direction since you lost it. Correction…I can sense your way. Lost a sense of direction. Since I have no direction, whenever you say go…I follow. I follow…and every time I follow you, I fall in two. Now I’ve fallen too. Now I know. I know you.

UNIVERSITY MUSICAL ASSOCIATES

2025-2026

Dean’s Circle

Les and Ruth Ruggles Akers

Dr. Pamela T. Brannon

Richard Dusenbury and Kathi Jaschke

CarolAline Flaumenhaft

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Gold Circle

Bob Parker

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Sustainer

Stan and Tenley Barnes

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James Clendinen

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David and Joanne Rasmussen

Edward Reid

Mark and Carrie Renwick

Stephen and Elizabeth Richardson

Lawrence and Lisa Rubin

Patrick J. Sheehan

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Sustainer

cont’d

Richard Stevens and Ron Smith

Marshall and Nell Stranburg

William and Ma’Su Sweeney

Martin Kavka and Tip Tomberlin

Steve Moore Watkins and Karen Sue Brown

Stan Whaley and Brenda McCarthy

Kathy D. Wright

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Jonathan Klepper and Jimmy Cole

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Patron

Keith Ledford

Donna Legare

Joan Macmillan

Patrick Malone

Victoria Martinez

Stephen Mattingly

Ann and Don Morrow

Joel and Diana Padgett

Karalee Poschman

Mary Anne J. Price

Carol Ryor

Ken and J.R. Saginario

Magda Sanchez

Jill Sandler

Paula S. Saunders

Jeanette Sickel

Susan Sokoll

George Sweat

Ed Valla

Scott and LaDonna Wagers

Sylvia B. Walford

Diana Wang

Geoffrey and Simone Watts

Natalie Zierden

Patricia C. Applegate

Sarah and John Bender

The Boyett Family

Michael Buchler and Nancy Rogers

Judy and Brian Buckner

Kasia Bugaj and J. Renato Pinto

Robby Bukovic

Darren and Peyton Cassels

Marian Christ

David and Julie Detweiler

Katie and Daniel Elliott

Sarah Eyerly

Cynthia Foster

Gene and Deborah Glotzbach

Sue Graham

Laura Gayle Green

Miriam Gurniak

Donna H. Heald

Carla Connors and Timothy Hoekman

Jane A. Hudson

Jayme and Tom Ice

Stephanie Iliff

William and DeLaura Jones

Jane Kazmer

Paige McKay Kubik

Joe Lama

Jane LeGette

Eric Lewis

James J. Logue

Dr. Lynne Y. Lummel

Cindy Malaway

Lealand and Kathleen McCharen

Dr. Linda Miles

Drs. Linda O’Neil and Sebastian Alston

Becky Parsons

Michelle Peaceman

William and Rebecca Peterson

Adrian and Rachel Puente

George Riordan and Karen Clarke

Sanford A. Safron

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Sudarat Songsiridej and Mary Schaad

Susan Stephens

Allison Taylor

C. Richard and Phrieda L. Tuten

Steve Urse

Janie W. Weis

Karen Wensing

Drs. Christopher and Heidi Louise Williams

Lifetime Members

Willa Almlof

Florence Helen Ashby

Mrs. Reubin Askew

Tom and Cathy Bishop

Nancy Bivins

Ramona D. Bowman

André and Eleanor Connan

Russell and Janis Courson

J.W. Richard Davis

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Hilda Hunter

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Fred Kreimer

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Mike and Judy Pate

Laura and Sam Rogers

Dr. Louis St. Petery

Sharon Stone

Donna C. Tharpe

Brig. Gen. and Mrs. William B. Webb

Rick and Joan West

John L. and Linda M. Williams

Sallie and Duby Ausley

Beethoven & Company

Corporate Sponsors

Ron Erichson/Beth Frederick

Business Sponsors

WFSU Public Broadcast Center

The University Musical Associates is the community support organization for the FSU College of Music. The primary purposes of the group are to develop audiences for College of Music performances, to assist outstanding students in enriching their musical education and careers, and to support quality education and cultural activities for the Tallahassee community. If you would like information about joining the University Musical Associates, please contact Kim Shively, Director of Special Programs, at kshively@fsu.edu or 850-645-5453.

The Florida State University provides accommodations for persons with disabilities. Please notify the College of Music at 850-644-3424 at least five business days prior to a musical event if accommodation for disability or publication in alternative format is needed.

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20260310_Khemia by Florida State University College of Music - Issuu