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I N T E R N AT I O N A L H OT E L D E S I G N

PEOPLE

PLACES

PROJECTS

ISSUE 62

PRODUCTS

EDITOR’S SP

W E L C O M E

T O

T JESS MILES Editor j.miles@forumevents.co.uk

SOCIAL Q @spacedesignmagazine C SPACE design magazine spacedesignmagazine.net

spacedesignmagazine.net

he deeper you dive into a niche, the more you realise how much there still is to learn. When I NSMRIH XLI QEKE^MRI E PMXXPI YRHIV ǻZI ]IEVW EKS XLI [SVPH SJ LSXIP HIWMKR ERH HIZIPSTQIRX WIIQIH JEV QSVI FPEGO ERH [LMXI XLER MX HSIW XSHE] [LIVI XLI PMRIW FIX[IIR [SVO LSQI TPE] ERH WXE] EVI MRGVIEWMRKP] FPYVVIH 8LI KSSH RI[W JSV SYV MRHYWXV] MW XLEX LSXIPW LSPH XLI OI] &W TISTPI WTIRH PIWW SR XLMRKW ERH QSVI SR QIQSVMIW XVEZIP ERH QIERMRKJYP I\TIVMIRGIW LSWTMXEPMX] LEW FIGSQI XLI TVSHYGX IZIV]SRI [ERXW E WXEOI MR +VSQ JEWLMSR EGXMZEXMSRW GS [SVOMRK WTEGIW QIQFIVW GPYFW XS VIWMHIRXMEP VIEP IWXEXI Ƴ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ǼIGX SR LIV JEQMP] W PSRK PIKEG] MR LSWTMXEPMX] ERH XLI I\LMPEVEXMRK HMVIGXMSR XEOIR [MXL RI[ ǻZI WXEV PY\YV] FVERH :MWXE 4RGI EX XLI LIPQ SJ SLS -SYWI W HIWMKR XIEQ &EVSR (PEVOI JSYRHIH &)( 8YRIY XSKIXLIV [MXL LMW TEVXRIV MR PMJI ERH FYWMRIWW 2EVXE 8YRIY [LS WTIRX E HIGEHI [SVOMRK MR XLI JEWLMSR MRHYWXV] FIJSVI VIXYVRMRK XS MRXIVMSVW 8LI] WLEVI LS[ IEGL SJ XLIMV HMWGMTPMRIW MRJSVQ ERH GVIEXI XIRWMSR MR XLIMV [SVO WLETMRK LSXIP MRXIVMSVW that are ever evolving. +SV SYV 5&(* [I XEOI E PSSO EX WSQI SJ XLI QSWX GSQTIPPMRK HIWMKR TVSNIGXW SJ XSHE] JVSQ XLI XVERWJSVQIH &VX )IGS MGSR -¿XIP 5EPEMW HI PE 2³HMXIVVER³I MR 3MGI F] 1MRHE 'SVSROE] XS XYHMS &WLF] W GSPSYVJYP 8EQSHM *WXEXI 5SPS 7IWIVZI MR SYXL &JVMGE W ;IWXIVR (ETI 2ERHEVMR 4VMIRXEP 8LI 1ERHQEVO -SRK 0SRK KIXW E QIERMRKJYP QEOISZIV F] /S]GI ;ERK [LMPI +PEGO XYHMS W -ERREL X -SXIP FIGSQIW E RI[ QIGGE SJ GVIEXMZMX] MR 2IPFSYVRI *PWI[LIVI [I GLIGO MR EX X[S SJ 1SRHSR W LSXXIWX STIRMRKW X (PIQIRX 3MGO /SRIW W ǻVWX ZIRXYVI WMRGI PIEZMRK SLS -SYWI [LIVI LI MW VI[VMXMRK XLI GSHIW SJ LSWTMXEPMX] ERH M\ IRWIW EX 8LI ;LMXIPI] [LIVI E FVERH ORS[R JSV WYWXEMREFMPMX] ERH WIVIRMX] WXE]W XVYI XS MXWIPJ MR XLI 'MK QSOI +MREPP] EJXIV E PSRK LSX WYQQIV WLS[ WIEWSR MW YTSR YW ;I LEZI VSYRHIH YT XLI FIWX SJ [LEX MW WXMPP XS GSQI EGVSWW XLI VIQEMRHIV SJ Ƴ [LIVI [I [MPP FI QEOMRK XLI VSYRHW SYVWIPZIW XLMW MWWYI MR XS[ II ]SY XLIVI

Jess

Jess Miles, Editor

I N T E R N AT I O N A L H OT E L D E S I G N

Front cover: 2ERHEVMR 4VMIRXEP 8LI 1ERHQEVO -SRK 0SRK HIWMKRIH F] /S]GI ;ERK XYHMS 5LSXSKVETL] F] (SQQSR XYHMS 7IEH XLI WXSV] JVSQ TEKI

PEOPLE

PLACES

September/October 2026

PROJECTS

ISSUE 62

PRODUCTS

IN SP

CONTENTS THE BRIEF 6

122

Preciosa lights the way at Mandarin Oriental Mayfair

Shorts on the people, moments and ideas shaping modern hospitality

H E A D S PA C E | L E A D E R S F U T U R E S PA C E

Bianca Passera, President, Lario Hotels

Trevor Horwell, CEO, Nobu Hospitality

A look into future hotel developments

S P E C I A L F E AT U R E S

H E A D S PA C E | V I S I O N A R I E S

Rising Stars: Who to look out for in 2026

Destination Report: Portugal

NEWH UK: Dual Perspectives

106

From runway to check-in: fashion meets hotel design

Aaron Clarke and Marta Tuneu, Founders, ADC & Tuneu

S PA C E S

September/October 2026

Hannah St Hotel, Melbourne

spacedesignmagazine.net

IN SP

Six Senses at The Whiteley, London

114

Shoreditch Design Week Preview

Mandarin Oriental The Landmark, Hong Kong

116

HIX Preview

Hôtel Palais de la Méditerranée, Nice

118

From Ambiente: trade fairs as sites of connection

St. Clement, London

Tamodi Estate, South Africa

PRODUCT FOCUS 112

The SPACE Edit: Bathrooms

AREA FOCUS 98

Guestrooms & Suites

OBJECTS OF DESIRE 134

Objects of Desire: Lee McNichols, Studio Sixty7

132

AD Index

SHOWTIME 110

SPACE Events Diary

112

FOCUS26 Preview

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September/October 2026

5th November 2026 Ministry of Sound, London

Celebrate the best in British design, architecture, and hospitality. Book your tickets to the hottest event in London

Our Sponsors

THE BRIEF SHORTS ON THE PEOPLE, MOMENTS AND IDEAS SHAPING MODERN HOSPITALITY

September/October 2026

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THE BRIEF

I N N O VAT I O N

Turning the Tides Explora Journeys has welcomed its third WLMT *<5147& ... XS XLI ǼIIX Ƴ ERH [MXL MX E WMKRMǻGERX WLMJX MR LS[ XLI FVERH ETTVSEGLIW SGIER XVEZIP &W XLI ǻVWX 13, powered vessel in the Explora Journeys ǼIIX XLI WLMT VITVIWIRXW E QIERMRKJYP WXIT JSV[EVH MR WYWXEMREFPI QEVMRI XIGLRSPSK] HIWMKRIH RSX NYWX JSV RS[ FYX JSV [LEX GSQIW RI\X 'YMPX XS XVERWMXMSR XS[EVHW FMS 13, ERH W]RXLIXMG 13, EW EZEMPEFMPMX] KVS[W ERH IUYMTTIH [MXL WLSVI TS[IV GETEFMPMX] XS W[MXGL IRKMRIW SǺ entirely while in port, EXPLORA III is as QYGL EFSYX XLI JYXYVI SJ GVYMWMRK EW MX MW the present. 8LI WLMT EPWS QEVOW XLI LEPJ[E] TSMRX MR XLI FVERH W ZMWMSR SJ WM\ WLMTW ERH MXW QSWX generous expression to date. Measuring 19.2 metres longer than its sister ships, *<5147& ... SǺIVW WUYEVI QIXVIW SJ TYFPMG WTEGI TIV KYIWX Ƴ SRI SJ XLI LMKLIWX ratios in the industry. Design remains central to the proposition, with a redesigned PSFF] JIEXYVMRK E WGYPTXYVEP WXEMVGEWI MR 5IVPEXS HM MGMPME ERH ELEVE 3SMV QEVFPI FIRIEXL LERH FPS[R 2YVERS KPEWW GLERHIPMIVW F] :IRMRM & WIGSRH 4[RIV W 7IWMHIRGI HIWMKRIH MR GSPPEFSVEXMSR [MXL 5EXVMGME 9VUYMSPE FVMRKW LIV WMKREXYVI [EVQXL XS )IGO Ƴ FVSR^I (MTSPPMRS ERH 8VEZIVXMRS QEVFPI VMFFIH [SSH HIXEMPMRK ERH ER SGIER JEGMRK XIVVEGI [MXL E TVMZEXI whirlpool.

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September/October 2026

THE BRIEF

TREND

Join the Club 8LI TVMZEXI QIQFIVW GPYF MW ǻRHMRK E RI[ LSQI Ƴ MRWMHI XLI LSXIP &W LSWTMXEPMX] FVERHW PSSO FI]SRH XLI VSSQ VEXI JSV [E]W XS FYMPH GSQQYRMX] ERH PSRK XIVQ PS]EPX] QIQFIV only spaces are emerging as a compelling proposition: the I\GPYWMZMX] SJ E GPYF [MXL XLI MRJVEWXVYGXYVI SJ E LSXIP FILMRH MX &X &RHE^ 2MEQM 'IEGL 7IWSVX TE XLI & ƴ > (PYF SGGYTMIW E VIWXSVIH W FIEGL LSYWI SR XLI LSXIP W KVSYRHW VIHIWMKRIH F] -'& 2MEQM .RXIVMSVW FPIRH +PSVMHMER IEWI [MXL E VSQERXMG MRXIVTVIXEXMSR SJ TERMWL (SPSRMEP 7IZMZEP WX]PI Ƴ WEKI GSVEP ERH FPYI LERH TEMRXIH GIMPMRK QSXMJW WGYPTXYVEP FVEWW GLERHIPMIVW ERH TERMWL XMPI ǼS[MRK JVSQ PMZMRK VSSQ XS FEV 4YXWMHI EQFIV PMKLXMRK [EW HIZIPSTIH MR GSPPEFSVEXMSR [MXL 2MEQM 'IEGL W GSEWXEP [MPHPMJI KYMHIPMRIW TVSXIGXMRK nesting sea turtles along the adjacent shoreline. +SV LSXIPW XLI QIQFIVW GPYF MW FIGSQMRK EW IWWIRXMEP EW XLI restaurant or the spa.

TREND

8±ųĵŸƋ±ƼŸ Ņƴåų ĀƴåěŸƋ±ų The luxury traveller is changing direction. Increasingly, the draw MW RSX XLI GLERHIPMIV SV XLI GSRGMIVKI FYX XLI [SSH JMVIH WEYRE XLI STIR JEVQPERH ERH XLI WIRWI SJ WSQI[LIVI KIRYMRIP] WMRKYPEV 8LI JEVQWXE] MW FIMRK VIMQEKMRIH EW E WIVMSYW HIWMKR and wellness destination. MFFN®RW WIX SR [IHIR W MWPERH SJ ,SXPERH QEOIW E GSQTIPPMRK GEWI 8LI JSVQIV XL GIRXYV] LSVWI JEVQ LEW FIIR XVERWJSVQIH SZIV JSYV ]IEVW F] X[S GSYTPIW MRXS E FSYXMUYI VIXVIEX SJ individually designed rooms. A holistic design philosophy runs XLVSYKLSYX Ƴ PMQI[EWLIH [EPPW WLIITWOMR XLVS[W ERH VEVI XVEHMXMSREP FYMPHMRK XIGLRMUYIW EX IZIV] XYVR 8LI [IPPRIWW SǺIVMRK MW EVGLMXIGXYVEPP] I\XVESVHMREV] 8LI ]SKE FEVR VIMRXIVTVIXW E XVEHMXMSREP ,SXPERHMG GMVGYPEV XLVIWLMRK FYMPHMRK MXW HV] PEMH PMQIWXSRI [EPPW VMWMRK XS E WSEVMRK RMRI QIXVI TSMRXIH GIMPMRK FIRIEXL ER EK XLEXGL VSSJ LERH PEMH F] E ]IEV SPH QEWXIV XLEXGLIV 8LI WEYRE WMXW FIWMHI E REXYVEP VEMR[EXIV TSSP TYVMǻIH F] EUYEXMG TPERXW ERH [EXIV PMPMIW 3S[ IRXIVMRK MXW ǻVWX JYPP WIEWSR MFFN®RW MW UYMIXP] WIXXMRK E RI[ FIRGLQEVO JSV [LEX E JEVQWXE] GER FI

September/October 2026

spacedesignmagazine.net

THE BRIEF

NEW OPENING

A new Chapter for Tuscany 8LI 8YWGER GSYRXV]WMHI VIXVIEX LEW PSRK JSPPS[IH E JEQMPMEV WGVMTX Ƴ ERGMIRX WXSRI VSPPMRK LMPPW YRLYVVMIH HE]W (LETXIV (LMERXM XLI PEXIWX STIRMRK JVSQ (LETXIV .XEPME WIX [MXLMR E VIWXSVIH XL GIRXYV] FSVKS MR XLI LIEVX SJ XLI (LMERXM VIKMSR MW RSX MRXIVIWXIH MR XLEX WXSV] 8LI WIGSRH TVSTIVX] JVSQ 2EVGS (MPME W (LETXIV .XEPME TSVXJSPMS Ƴ JSPPS[MRK XLI WYGGIWW SJ (LETXIV 7SQE Ƴ FVMRKW XLI FVERH W YVFER IRIVK] ERH HIWMKR PIH WIRWMFMPMX] MRXS XLI GSYRXV]WMHI JSV XLI ǻVWX XMQI .RXIVMSVW F] SYXL &JVMGER EVGLMXIGX 8VMWXER HY 5PIWWMW PE]IV RIYXVEP tones with rich greens and earthy hues, preserving original stone WXEMVGEWIW ERH ZEYPXIH GIMPMRKW [LMPI MRXVSHYGMRK GYWXSQ PMKLXMRK JVSQ )(; *HMXMSRW ERH 2EVWIX LERHGVEJXIH JYVRMXYVI JVSQ RIMKLFSYVMRK EVXMWERW ERH FIWTSOI GIMPMRK EVX[SVOW F] 0SOIOMX 8LI SPH ERH XLI RI[ EVI MR HIPMFIVEXI HMEPSKYI XLVSYKLSYX 8LI OI] TVSTIVX] SǺIVW E 3IETSPMXER PIH GYPMREV] TVSKVEQQI EX MXW WMKREXYVI VIWXEYVERX 4WWS E 7SQER FEXLLSYWI MRWTMVIH TSSP GMVGYMX ERH E WUQ WTE EPSRKWMHI I\TIVMIRGIW VERKMRK JVSQ XVYǾI LYRXMRK ERH JEPGSRV] XS LSX EMV FEPPSSR I\GYVWMSRW SZIV XLI (LMERXM LMPPW Dolce vita, on its own terms.

READING LIST

A Few Interiors, Studio KO +I[ TVEGXMGIW IQFSH] XLI XIRWMSR FIX[IIR QMRMQEPMWQ ERH E HIIT WIRWI SJ TPEGI UYMXI PMOI XYHMS 04 0EVP +SYVRMIV ERH 4PMZMIV 2EVX] PEYRGLIH XLIMV 5EVMW ERH 2EVVEOIGL FEWIH WXYHMS FIJSVI ǻRMWLMRK WGLSSP Ƴ E FSPHRIWW XLEX LEW WMRGI XVERWPEXIH MRXS SRI SJ GSRXIQTSVEV] EVGLMXIGXYVI W QSWX HMWXMRGXMZI ERH UYMIXP] MRǼYIRXMEP FSHMIW SJ [SVO EXXVEGXMRK GPMIRXW JVSQ &RHV³ 'EPE^W XS 5MIVVI 'IVK³ [LS IRXVYWXIH XLIQ [MXL XLI =ZIW EMRX Laurent Museum in Marrakech. 5YFPMWLIH F] 7M^^SPM 3I[ =SVO & +I[ .RXIVMSVW WLS[GEWIW RMRI projects across three continents: a traditional riad renovation in 2EVVEOIGL ZMPPEW SR XLI +VIRGL 2IHMXIVVERIER GSEWX XLIMV S[R 5EVMW ETEVXQIRX XLI WYR HVIRGLIH +PEQMRKS *WXEXI MR 1SW &RKIPIW ERH ƴ MR XLI ITMPSKYI ƴ XLI (LMPXIVR +MVILSYWI MR 1SRHSR +VER±SMW -EPEVH W TLSXSKVETL] ǻRHW XLI WSYP SJ XLI design, his lens as unhurried as the spaces themselves. 8SKIXLIV XLI] QEOI E GEWI JSV EVGLMXIGXYVI XLEX ORS[W I\EGXP] where it is.

September/October 2026

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THE BRIEF

INDUSTRY

a±ƼÆŅƚųĹå ŸŞĬĜƋŸ ĜƋŸ ƚĬƋų±ěĬƚƻƚųƼ ŞŅųƋüŅĬĜŅ 7IKMW 2E]FSYVRI 90 1XH ERH (SRWXIPPEXMSR -SXIPW LEZI EKVIIH E RI[ S[RIVWLMT WXVYGXYVI WITEVEXMRK SRI SJ XLI QSWX GIPIFVEXIH TSVXJSPMSW MR YPXVE PY\YV] LSWTMXEPMX] 8LI EKVIIQIRX [LMGL XSSO IǺIGX MR /YP] [EW TEVX SJ E PSRKWXERHMRK JVEQI[SVO FIX[IIR XLI X[S WLEVILSPHIVW Ƴ ERH QEVOW E WMKRMǻGERX QSQIRX SJ GLERKI EX XLI ZIV] XST IRH SJ XLI MRHYWXV] 7IKMW 2E]FSYVRI FIGSQIW WSPI S[RIV SJ XLI 2E]FSYVRI KVSYT VIXEMRMRK (PEVMHKI W MR 1SRHSR 8LI 2E]FSYVRI 7MZMIVE MR XLI SYXL SJ +VERGI ERH 8LI 2E]FSYVRI 'IZIVP] -MPPW MR (EPMJSVRME (SRWXIPPEXMSR -SXIPW XEOIW MRHITIRHIRX S[RIVWLMT SJ 8LI (SRREYKLX 8LI 'IVOIPI] ERH 8LI *QSV] MR 1SRHSR [MXL E RI[ EMRX ,IVQEMR LSXIP MR 5EVMW E HIZIPSTQIRX MR 2EVVEOIGL ERH -EGO[SSH 5EVO ER *RKPMWL GSYRXV] IWXEXI EPVIEH] MR XLI pipeline. 2EVG SGOIV VIQEMRW (*4 SJ 2E]FSYVRI ,MERPYGE 2Y^^M WXITW JVSQ GS (*4 SJ 2E]FSYVRI XS PIEH (SRWXIPPEXMSR -SXIPW EW MX IWXEFPMWLIW MXWIPJ EW ER MRHITIRHIRX STIVEXSV Ƴ ERH LEW [EWXIH RS XMQI (SRWXIPPEXMSR LEW ETTSMRXIH 3IMP /EGSFW TMGXYVIH EW (*4 SJ MXW RI[ LSWTMXEPMX] QEREKIQIRX FYWMRIWW [LMGL [MPP STIVEXI XLI 1SRHSR TSVXJSPMS ERH ER I\TERHMRK MRXIVREXMSREP GSPPIGXMSR /EGSFW JSVQIVP] (*4 SJ M\ IRWIW Ƴ [LIVI LI KVI[ XLI FVERH JVSQ IMKLX XS TVSTIVXMIW Ƴ FVMRKW [MXL LMQ E VITYXEXMSR JSV TYVTSWI PIH HIWMKR GSRWGMSYW PY\YV] 8LI RI[ GSPPIGXMSR [LMGL [MPP WMX EFSZI XLI MRHMZMHYEP LSXIP MHIRXMXMIW MW WIX XS FI YRZIMPIH PEXIV XLMW ]IEV

spacedesignmagazine.net

September/October 2026

THE BRIEF

NEW OPENING

URBANJOBS redesigns the Bodrum EDITION's restaurants ;LIR .WXERFYP FEWIH WXYHMS 97'&3/4' [EW ETTSMRXIH XS VIHIWMKR XLVII VIWXEYVERXW EX 8LI 'SHVYQ *).8.43 MR =EP·OEZEO XLI FVMIJ TVIWIRXIH E WTIGMǻG XIRWMSR XLVII 2MGLIPMR WXEVVIH GLIJW XLVII HMWXMRGX GYPMREV] XVEHMXMSRW XLVII HMǺIVIRX TL]WMGEP WTEGIW Ƴ ERH SRI KPSFEPP] GSRWMWXIRX FVERH MHIRXMX] XS LSPH XLIQ XSKIXLIV 0.8(-*3 F] 4WQER I^IRIV MW XLI QSWX EVGLMXIGXYVEP SJ XLI XLVII ;LMXI WXSRI PMKLX [SSH ERH E [MHI GSPSRREHI STIR directly towards the sea, the space as restrained and precise EW XLI GLIJ W &IKIER VSSXIH GYMWMRI & WIQM STIR OMXGLIR FVMRKW XLI GLIJ MRXS XLI VSSQ 8LI 8VEXXSVME F] XIJERS (MSXXM PIERW MRXS [EVQXL Ƴ ZIVXMGEP XMQFIV WPEXW FPEGO ERH [LMXI TLSXSKVETL] ERH ER SPMZI XVII GSYVX]EVH IZSOMRK XLI IRXVERGI SJ ER .XEPMER JEQMP] VIWXEYVERX LIPH MR HIPMFIVEXI XIRWMSR [MXL *).8.43 W VIǻRIH tone. )&-& F] 2ILQIX &OHEK MW IRXMVIP] STIR EMV ;MXLSYX XLI TSWWMFMPMX] SJ E WXVYGXYVEP GERST] 97'&3/4' VIWSPZIH XLI WTEXMEP GLEPPIRKI XLVSYKL SZIVWM^IH GYWXSQ ǼSSV PEQTW Ƴ XEPP KVSYRH ǻ\IH IPIQIRXW XLEX MRXVSHYGI LIMKLX ZSPYQI and scale where architecture could not.

I N N O VAT I O N

ZHA Turns waste into form 8LI *(-4 (LEMV HIZIPSTIH F] >-& JSV HMKMXEP JEFVMGEXMSR WXYHMS 3EKEQM MW EW QYGL E WXEXIQIRX EFSYX QEXIVMEP VIWTSRWMFMPMX] EW MX MW EFSYX HIWMKR 5VSHYGIH XLVSYKL PEVKI WGEPI ) TVMRXMRK YWMRK VIG]GPIH TPEWXMGW XLI GLEMV XVERWJSVQW [LEX [SYPH SXLIV[MWI FI MRHYWXVMEP [EWXI MRXS E WMRKPI YRMRXIVVYTXIH WGYPTXYVEP SFNIGX Ƴ KISQIXV] WXVYGXYVI ERH JEFVMGEXMSR IQIVKMRK WMQYPXERISYWP] VEXLIV XLER XLVSYKL EWWIQFP] 8LI HIWMKR PSKMG MW GLEVEGXIVMWXMGEPP] >-& ,IRIVEXIH JVSQ X[S GSRXMRYSYW WYVJEGIW WLEVMRK E WMRKPI WXVYGXYVEP IHKI SRI WYVJEGI FIGSQIW ER IGLS SJ XLI SXLIV Ƴ IZSPZMRK JVSQ XLI WEQI YRHIVP]MRK KISQIXV] [LMPI EWWYQMRK E HMǺIVIRX VSPI IEX FEWI FEGOVIWX ERH WYTTSVX EVI RSX WITEVEXI GSQTSRIRXW FYX I\TVIWWMSRW SJ SRI GSRXMRYSYW W]WXIQ 8LI QEXIVMEP TEPIXXI QSZIW JVSQ XVERWPYGIRX ERH VIǼIGXMZI ǻRMWLIW XS [EVQ QMRIVEP XSRIW ERH HIIT STEUYI FPEGO IEGL E HMǺIVIRX I\TVIWWMSR SJ XLI WEQI JSVQ 8SKIXLIV XLI] VIEH EW E WTIGXVYQ Ƴ ER MHIE EFSYX GSRXMRYMX] EW QYGL EW GSPSYV

September/October 2026

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Design without compromise E XC E P T I O N A L I N T E R I O R S PAC E S

— Visit us at Decorex WXERH %ăĀ ´

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FUTURE SP

September/October 2026

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FUTURE SP

FA I R M O N T N I S E KO , J A PA N Operator Fairmont Hotels & Resorts as part of Accor, Developer J-Will Partners Co. Ltd., Architect Daiken Sekkei, Interior Design Steve Leung Design Group, Keys 165, Opening Early 2028

airmont Hotels & Resorts has unveiled plans for Fairmont Niseko, a new luxury mountain resort in Japan's premier alpine destination, with the 165-key property scheduled to open in early 2028. Developed in partnership with J-Will Partners Co., Ltd., the resort will occupy a nine-acre forest site between Mount Yotei and Mount Annupuri, offering panoramic views across one of Hokkaido's most celebrated landscapes. Architecture has been designed by Daiken Sekkei, while Steve Leung Design Group has been appointed as lead interior designer. The resort will combine year-round leisure experiences with luxury hospitality, providing convenient access to Niseko's internationally renowned ski slopes and golf courses, alongside nearby dining and entertainment in Niseko Village and Hirafu. Facilities will include two restaurants, a spa and wellness centre, authentic Japanese onsen experiences, a kids' club, and a range of guest amenities designed to appeal to both domestic and international travellers. Fairmont Niseko will become the brand's second property in Japan, following the opening of Fairmont Tokyo, further strengthening Accor's presence in XLI &WME 5EGMǻG PY\YV] LSWTMXEPMX] QEVOIX 8LI TVSNIGX EPWS EPMKRW [MXL WMKRMǻGERX infrastructure investment in the region, including the future extension of the Hokkaido Shinkansen high-speed rail network, which is expected to improve connectivity between Niseko and Sapporo, supporting the destination's continued growth as an international year-round resort.

spacedesignmagazine.net

September/October 2026

FUTURE SP

T H E S T. R E G I S M I R FA B E A C H R E S O R T, ABU DHABI Operator St Regis as part of Marriott International, Developer Rashed Darwish Al Ketbi (RDK) Commercial Investments, Keys 63 private beachfront and floating villas, Opening

ocated on the shores of Mirfa, approximately 150km west of Abu Dhabi, the waterfront resort will comprise 63 private beachfront ERH ǼSEXMRK ZMPPEW HIWMKRIH XS maximise uninterrupted views of XLI &VEFMER ,YPJ [LMPI SǺIVMRK E secluded luxury retreat. Developed through a partnership between Rashed Darwish Al Ketbi (RDK) Commercial Investments and Marriott International, the

September/October 2026

project will introduce the St. Regis brand to one of the UAE's emerging coastal destinations. Each villa will feature generous indoor-outdoor PMZMRK WTEGIW TVMZEXI ǼSEXMRK TSSPW YTTIV ERH PS[IV XIVVEGIW WO]PMKLX ǼSSVMRK WLEHIH canopies and private lifts. The wider resort will include a selection of restaurants and bars, multiple swimming pools, a spa and wellness GIRXVI ǻXRIWW JEGMPMXMIW E GLMPHVIR W GPYF ERH padel court, alongside the brand's signature Butler Service and renowned St. Regis rituals.

The development forms part of wider investment in Abu Dhabi's western coastline, with Mirfa recognised for its natural beaches, cultural heritage and outdoor recreation STTSVXYRMXMIW MRGPYHMRK OE]EOMRK ERH ǻWLMRK Combining contemporary luxury with the area's tranquil coastal setting, the resort is intended to create a distinctive destination while celebrating the region's environmental and cultural character. The St. Regis Mirfa Beach Resort is I\TIGXIH XS [IPGSQI MXW ǻVWX KYIWXW MR

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Balcoon DESIGN BY PATRICIA URQUIOLA

Every layer tells a story Natural colour shades and the layering of materials and textures create a long-lasting, warm aesthetic. duravit.co.uk

FUTURE SP

September/October 2026

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FUTURE SP

THE DUBAI BEACH EDITION, DUBAI Operator EDITION as part of Marriott International, Developer Shamal Holding, Keys 165 apartments, 185 room hotel, Opening

hamal Holding and Marriott International have announced TPERW XS MRXVSHYGI XLI ǻVWX EDITION branded residences in the Middle East as part of a landmark mixed-use development at Dubai Harbour,

WGLIHYPIH JSV GSQTPIXMSR MR The Dubai Beach EDITION will combine a

luxury hotel with the region's first EDITIONbranded residences, creating a new beachfront destination that blends hospitality, residential living and lifestyle amenities. Developed by Shamal Holding in partnership with Marriott International, the project will feature 165 branded residences alongside a 185-room hotel, further expanding Dubai Harbour's growing portfolio of luxury developments. 8LI VIWMHIRXMEP SǺIVMRK [MPP GSQTVMWI X[S XLVII and four-bedroom apartments designed around EDITION's signature aesthetic of understated contemporary luxury. Residents will have access to a range of hotel-style services and resort amenities, while the adjoining hotel will include sea-facing guestrooms and suites together with a curated selection of restaurants and hospitality experiences synonymous with the EDITION brand. Located on a prime waterfront site at Dubai Harbour, the development will sit close to a private beach within one of the city's most significant

mixed-use

districts,

combining

residential, hospitality, retail and leisure uses. The project continued

represents expansion

development

while

Marriott in

International's

branded

residential

introducing

EDITION's

lifestyle-led residential concept to the Middle East for the first time. Construction is expected to GSQTPIXI MR

spacedesignmagazine.net

September/October 2026

FUTURE SP

SIX SENSES BANGKOK, THAILAND Operator Six Senses Developer Narai Hospitality Group Architect Heatherwick Studio, Interior Design BAR Studio, Joyce Wang, Keys 100 guestrooms and suites, Opening 2028

ix Senses has announced plans JSV E ǼEKWLMT LSXIP MR 'ERKOSO W historic Silom district, with the luxury property set to open in 2028 as part of the landmark Hatai mixed-use development. Developed in partnership with Narai Hospitality Group, the project will transform the site of the iconic Narai Hotel, which has been a ǻ\XYVI SJ 'ERKOSO W LSWTMXEPMX] WGIRI WMRGI 8LI new hotel will feature around 100 guestrooms and suites, combining Six Senses' wellness-led approach with sustainable design and a strong connection to the city's cultural heritage. Architecture for the development has been designed by Heatherwick Studio, whose concept draws inspiration from the craftsmanship of traditional Thai lanterns, helping establish Hatai as Bangkok's new ‘lantern quarter’. BAR Studio has been appointed to lead the hotel's interior design, while renowned designer Joyce Wang will create the 700sqm signature suite and rooftop restaurant. Alongside guestrooms, the hotel will include a Six Senses Spa, rooftop swimming pool, wellness facilities, sky garden, signature restaurant and a range of dining experiences integrated within the wider mixed-use scheme, which will also feature retail, restaurants and community spaces. The development is targeting both LEED Gold and WELL ,SPH GIVXMǻGEXMSR [MXL XMQFIV JVSQ XLI SVMKMREP 3EVEM Hotel being repurposed throughout the interiors as part of the project's sustainability strategy. Scheduled to open shortly after the original Narai Hotel's 60th anniversary in 2028, Six Senses Bangkok will become the brand's latest urban destination, joining a growing portfolio of city hotels alongside properties in Rome and Kyoto.

September/October 2026

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RISING STARS 2026

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It takes an army of design talent to create some of the world’s best-loved luxury hotels, restaurants, and resorts. In each issue, SPACE shines a spotlight on some of the industry’s most exciting up-and-coming designers and architects making waves in XLIMV ǻIPH SJ I\TIVXMWI

September/October 2026

RISING STARS

LUCIA BARLOW Interior Designer Studio Moren studiomoren.co.uk Lucia is a Sydney-born interior designer currently based in London and specialising in hospitality design. She holds a Bachelor of Design in Interior Architecture from the University of Technology Sydney and began her career working across hospitality, retail, and aged care projects in Australia. With early training in textiles and fashion design, Lucia brings a strong focus on materiality, detail, and spatial experience to her work. She now works at Studio Moren, contributing to large-scale hotel projects and GSRXMRYMRK XS VIǻRI LIV ETTVSEGL XS thoughtful, guest-centred design. Selected project (pictured): Lucia worked as Interior Designer for the Hotel Indigo and Voco, Waterloo – one of the ǻVWX QENSV TVSNIGXW WLI [EW MRZSPZIH [MXL at Studio Moren, and in London.

Lobby, restaurant, suite, or spa - which space is your playground and why? For me, the hotel lobby is the ultimate creative TPE]KVSYRH .XƶW XLI ǻVWX WTEGI XLEX GETXYVIW E KYIWXƶW attention and sets the emotional tone for their entire stay. I love the challenge of crafting that initial moment of impact, where materiality, lighting, colour, texture, and form all converge to express the hotel’s identity. The lobby is where storytelling begins Tell us about your dream design project. Coming from Sydney, one of my dream projects growing up was the refurbishment of the White Bay Power Station. It’s an iconic piece of industrial architecture, and I’ve always been drawn to the idea of giving new life to a building with such a strong history. The scale and rawness of the structure, combined with the challenge of merging heritage with contemporary design, is incredibly inspiring. I especially admire how the project was transformed into a home for the arts, cultural, and creative industries, with a restoration that respected the past while creating new opportunities for the future. One overused trend that you think it’s time to retire The mass application of design details without enough thought or purpose. Often, great ideas, QEXIVMEPW SV ǻRMWLIW EVI MRXVSHYGIH [MXL WXVSRK intent, but once they become widely replicated, they’re overused and compromised in quality. Vertical

September/October 2026

ǼYXIH XMQFIV ERH XMQFIV FEXXIR HIXEMPMRK EVI KSSH examples, frequently seen across retail, hospitality, and workplace interiors, often applied without considering context, craftsmanship, or longevity. If you could have been credited for any invention in the world, what would it be? The camera – it completely changed how we document, communicate, and share design. The way spaces are photographed shapes how they are perceived, remembered, and experienced beyond their physical location. Photography has become a powerful storytelling tool, allowing design to inspire, connect, and reach audiences across the world. Which global city is your ultimate source of design inspiration? Barcelona inspires me because design there feels IǺSVXPIWW ERH HIITP] GSRRIGXIH XS IZIV]HE] PMJI Architecture, art, and culture blend naturally, and there’s a warmth to the city that makes even bold design feel inviting. From Gaudí’s organic forms to contemporary Catalan interiors, the city shows how strong ideas can still feel human and liveable. I’m especially inspired by Barcelona’s use of light, GSPSYV ERH QEXIVMEPMX] TEGIW JIIP GSRǻHIRX layered, and responsive to the climate and culture. It’s a reminder that great design doesn’t need to shout, it just needs to feel considered and alive.

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RISING STARS

What’s your favourite part of the design process and why? Building unique narratives for each project and then translating that story into reality through colours, JEFVMGW ERH WTIGMEP ǻRMWLIW 8LI KSEP MW E XSXEPP] immersive experience, where every detail – from custom furniture to a restroom sink – helps transport the guest. It has to be a holistic vision.

LORRAINE YIM Senior Designer Joyce Wang Studio joycewangstudio.com Lorraine is a senior designer with a full-spectrum skillset. While she specialises in curating furniture and finishes, she’s actively involved in every phase – from initial space planning and concept design straight through to construction. Her path to design is unique. After years in corporate communications, she successfully pivoted to a global hospitality design career, proving it’s never too late to build a space you love.

What’s been the biggest learning curve of your career so far? Starting as an intern in my mid-30s, it was a challenge to grasp the full design process and adapt to each project’s unique approach. But that’s exactly what keeps you learning – especially at a smaller studio where you’re hands-on through every stage. Where do you see hotel design heading in the next five years? . XLMRO LSXIPW [MPP JSGYW QSVI SR YRMUYI GERƶX ǻRH anywhere-else experiences, as travellers seek something beyond the ordinary. That shift gives us designers an amazing chance to get creative, push boundaries, and build something truly special. If budget weren’t an issue, what’s the most extravagant feature you’d add to a hotel design? Art, thoughtful accessories and stylish foliage/ greenery.

What’s your favourite material or texture to work with? Fabrics! A simple change in texture or pattern can completely change the emotion of a space, right down to the way it feels to the touch. ĘŅ Ƶ±Ÿ ƋĘå ĀųŸƋ ÚåŸĜčĹåų Ņų ±ųÏĘĜƋåÏƋ ƼŅƚ discovered that made you think, “This is what I want to do”? 8LI ǻVWX HIWMKRIV [LS MRWTMVIH QI [EW /S]GI ;ERK I attended a talk hosted by my school where she spoke about her creative process behind the Mandarin Oriental Hyde Park. Her approach is the perfect blend of what I love: she’s a master of immersive storytelling and tactile materiality. She doesn’t just design a space; she builds a whole narrative world. Every project feels like a set for an YR[VMXXIR ǻPQ Ƴ PE]IVIH [MXL LMWXSV] GLEVEGXIV ERH drama. But what really inspires me is how she translates that story into tangible details. She uses raw, textural, and often industrial materials – like aged brass, rough-hewn stone, and patinated leather – in a way that feels incredibly rich and experiential. It’s that powerful combination of a strong concept executed through fearless, handsSR ǻRMWLIW XLEX QEHI QI XLMRO Ƶ8LMW MW XLI PIZIP SJ holistic, sensory design I want to do.’

Selected project (pictured): Working on Mandarin Oriental The Landmark, Hong Kong was one of Lorraine’s first end-to-end hotel projects. She designed and led the implementation of the lobby/reception and refresh of the guestrooms. Read more on the project from page 74.

Spotted emerging emerging talent talent in hotel design? design? Help us discover the future leaders in hotel design. Nominate a Rising Star for SPACE magazine by contacting our editorial team at s.shipton@forumevents.co.uk. j.miles@forumevents.co.uk. Use the subject line ‘RISING STARS’ to learn more about nomination criteria and key dates.

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September/October 2026

RISING STARS

MARIA FERNANDA ORIZAGA Mid-Weight Interior Designer Bell&Swift bellandswift.com Born and raised in Mexico City, Maria studied Interior Architecture and worked as a residential designer before moving to the UK to pursue a Master’s Degree in Interior Design at the Glasgow School of Art. During LIV WXYHMIW WLI I\TPSVIH EǺIGXMSR as a form of connection and care for objects and spaces. She believes XLEX XLMW EǺIGXMSR QEXIVMEPMWIW through the spaces we create, an MHIE WLI WXVMZIW XS VIǼIGX MR LIV professional projects. Since December 2024, she has been working with Bell&Swift as a hospitality interior designer.

Selected project (pictured): Maria worked as a designer on the Escapade Silverstone project. She chose this because “it demonstrates strong concepts executed with a fresh perspective on colour palette and materials”

Spotted emerging talent in hotel design? Help us discover the future leaders in hotel design. Nominate a Rising Star for SPACE magazine by contacting our editorial team at s.shipton@forumevents.co.uk. Use the subject line ‘RISING STARS’ to learn more about nomination criteria and key dates.

Where do you see hotel design heading in the next five years? As the world becomes increasingly digital and artificial, I believe we’re seeking experiences and spaces that feel authentic, places where we can genuinely connect with our surroundings and with one another. Design mirrors community, and in hospitality especially, we’ll be looking for spaces where these connections can flourish and where the concept becomes key. Tell us about your dream design project. How can interior design use fiction as an alternative method to interpret our reality? This is a thought I’ve explored over the past few years, and as a hospitality designer, I’ve been questioning it even more. My dream project would explore this concept and transport the guest experience to a completely new dimension. I imagine drawing from surrealist paintings and films like Poor Things, (where the set design was an absolute dream for me) and bringing materials, colours, textures and lighting that makes ]SY JIIP EW TEVX SJ XLI ƵHVIEQ [SVPHƶ If budget weren’t an issue, what’s the most extravagant feature you’d add to a hotel design? Lighting transforms a space, but it’s often one of the most expensive elements. If budget weren’t an issue, I would incorporate the Flora Chandelier from In Common With – an exquisite piece that bridges classic elegance with contemporary design. Its

September/October 2026

HIPMGEXI KPEWW ǼS[IVW EHH TIVWSREPMX] ERH E ZMFVERX colourful dimension to any environment. I would imagine this as a central piece for a reception or restaurant area. What’s your favourite material or texture to work with? Fabric is my favourite material. It can become the protagonist of a space, bringing personality, texture, and colour that makes any FF&E piece feel special and unique. With countless options available, it’s also a highly effective, budgetfriendly material for creating impactful interiors. One overused trend that you think it’s time to retire? *ZIV]XLMRK VIPEXIH XS XLI Ƶ2MPPIRRMEP ,VI]ƶ XVIRH spaces where flat, white, and artificial materials make everything feel soulless. I think it’s a trend where the senses are completely absent from the space experience, creating environments that feel unatmospheric and uninhabitable. Which global city is your ultimate source of design inspiration? Mexico City, it’s where I was born and what keeps me connected to my identity. It’s also a place rich with culture, history, and folklore. I love the depth and meaning of pre-hispanic culture, which has inspired many new design proposals in recent years, from architecture to objects.

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Oliver Hemming

niu niu

PROFESSIONAL STYLING IONIC HAIR DRYER

RISING STARS

SHIRLEY LAM Interior Designer Shepherd& shepherdand.com Shirley studied architecture at the Bartlett School of Architecture, followed by a Master’s in Interior Design at the Royal College of Art. Her ǻVWX TVSJIWWMSREP I\TIVMIRGI [EW MR cultural programming (assistant curator), where she helped activate a VIWMHIRXMEP KVSYRH ǼSSV WTEGI F] supporting an artist residency with RCA alumni. This developed into a successful initiative, culminating in a public programme in partnership with Wandsworth Council, including exhibitions, workshops, and panel HMWGYWWMSRW XLEX EQTPMǻIH PSGEP voices. Alongside this, she has worked as a freelance spatial designer and contributed graphic design for a property branding agency.

What’s been the biggest learning curve of your career so far? 9RHIVWXERHMRK XLEX XLIVI MW VEVIP] E WMRKPI ƵVMKLXƶ concept. When I was studying architecture, I approached design with the mindset that one solution would always stand above the rest. Over time, however, I’ve come to appreciate the value of exploring multiple directions, and I’ve grown to see XLI ƵYRORS[Rƶ EW E TS[IVJYP TSWWMFMPMX] MR MXWIPJ Alongside this, I’ve also been developing the GSRǻHIRGI XS WXERH F] Q] S[R HIWMKR HIGMWMSRW .ƶZI realised that it is just as important to articulate why something works and when necessary, advocate it! Lobby, restaurant, suite, or spa - which space is your playground and why? The suite is where I can play comfortably, as it’s often where design becomes the most personal and GSRRIGXIH XS MRLEFMXEXMSR .X SǺIVW ER MRXMQEXI WGEPI to explore how people truly live within a space, from the overall layout down to the smallest details.

Selected project (pictured): The Shepherd Mayfair is design studio Shepherd&’s latest project in London, the design reflecting Mayfair’s rich heritage, coded in story and layered in detail.

Tell us about your dream design project. Wetherspoons – love it or hate it, a bit like Marmite – has always stood out to me for its approach to MRHMZMHYEPMX] MR HIWMKR =SYƶPP VEVIP] ǻRH X[S [MXL XLI same carpet, many feature bespoke patterns that reference the history of the building or its local

September/October 2026

surroundings, rather than relying on a uniform GSVTSVEXI MHIRXMX] 8LEX PIZIP SJ WTIGMǻGMX] embedding narrative into something as easily SZIVPSSOIH EW ǼSSVMRK VIEPP] VIWSREXIW [MXL Q] own interest in weaving historical references into design. Beyond the storytelling, there’s also a practical honesty to it: these carpets are designed to endure constant use, spilled drinks, and stand the test of time while still retaining character. A dream project for me would be to build on that same idea of layered storytelling through materiality, but expand on a much larger scale. ĘŅ Ƶ±Ÿ ƋĘå ĀųŸƋ ÚåŸĜčĹåų Ņų ±ųÏĘĜƋåÏƋ ƼŅƚ discovered that made you think, “This is what I want to do”? Henry Steiner – although he is a graphic designer, rather than someone working directly within the built environment, his work has had a lasting MRǼYIRGI SR LS[ . XLMRO EFSYX HIWMKR -I MW responsible for identities such as the HSBC logo ERH XLI -SRK 0SRK /SGOI] (PYF MHIRXMX] EQSRK many others. I’m particularly drawn to his design principles: intelligent, articulate, and succinct, and LMW FIPMIJ MR ƵGVIEXMRK MHIRXMXMIW XLEX IRHYVIƶ 8LEX approach – distilling complexity into something precise and lasting – continues to resonate with how I think about design today.

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INTRODUCING THE NEW CRYSTAL STRONG SURFACES. STRENGTH WITH STYLE

Discover the latest additions to the REHAU RAUVISIO Crystal Strong collection. Inspired by the beauty of natural stone and marble, these striking designs are available in luxurious matt and high-gloss ﬁnishes, combining premium aesthetics with the practical beneﬁts of a smart glass laminate. Decorative Panels Lamination supplies RAUVISIO Crystal Strong laminated to MDF in 2800 x 1300mm panel sizes, available in low MOQs through the dp-limitless range.

SHOWTIME

T H E D E S T I N AT I O N R E P O R T

PORTUGAL Beach holidays on the Algarve, weekend breaks in Lisbon and Porto – Portugal’s appeal has never been in question. With a lull in new developments over the last decade, its hotel pipeline is now proving stronger than ever. WORDS BY SIENNA SHIPTON

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T H E D E S T I N A T I OSNH OR W E PT O IM RE T

ravel trends come and go, but Portugal has never depended on them. Its fine wine, storybook castles, endless beaches and cultural cities have made it one of Europe's most reliably appealing places to holiday. As demand only grows, Portugal is building to keep pace. Investment in the property market reached €915 million in Q1 2026 – a year-on-year increase of nearly 32%, according to Colliers' latest snapshot on real estate investment in Portugal. Retail and hotel led this activity, together accounting for 75% of its total volume, with global operators like IHG, Hyatt, and Hilton, anchoring major plans across Lisbon Porto and the Algarve, where investor appetite shows little sign of slowing. Attracting both local and large-scale international investors in recent years, Portugal is no longer an emerging opportunity but instead, an established, mature market commanding serious attention. According to Howarth’s Portugal Hotel & Chains Report, with 32.5 million guests in 2025 alone (+3.0%), racking up a total of 82.1 million overnight stays (+2.2%), Portugal’s lodging market is only

sh p o at ec lesdpeasci eg on nml a i ngea. zc ionm e.net

going from strength to strength. Total accommodation revenue landed around €7 billion, with occupancy holding steady in the 6263%. Domestic overnight stays climbed by 5.4%, while internationally, the UK remained Portugal’s biggest fans with Germany, the US, Spain and France not too far behind. Portugal's hotel pipeline is keeping pace with the tourism increase – the luxury segment of hospitality having its own moment, with international operators turning their focus to more exclusive, high-end properties and experiences. Though overall a positive shift, some projects are running into delays – with licensing, financing and construction hold ups all playing a part. Putting that into numbers, there is approximately 115 projects in the pipeline, projected to add 13,915 rooms to the country. This is concentrated in Lisbon, where there is a recordhigh of 40 projects in development, totalling at 4,476 rooms. Trailing behind is the north of Portugal with 25 hotels, and the Algarve at 22 hotels. On the ownership side, Davidson Kempner remains the largest institutional player, followed by Arrow Global, Azora, and Square Asset. SPACE takes a look at the steady demand that is being built to last.

N So ev p e tme bmebr e / rD/eOccetm ober 2026 5

THE DESTINATION REPORT

Na Praia

Wilde, Lisbon Liberdade

RECENT OPENINGS The headline opening of the recent cycle is Lenscape Coterie, Porto. Lenscape is the first hotel of Coterie Collection, a new brand created by the owners of Torel Boutiques, a luxury boutique hotel group. Opened in March 2026, with just 39 rooms, the interior design and architectural concept of the rooms at Lenscape were conceived by STUDIO Christian Haas. The vision was to create an atmosphere that feels both refined and relaxed – a space where guests can experience a contemporary expression of Portugal’s creative spirit. Similarly, along Portugal’s coast, just over an hour from Lisbon is Na Praia. The hotel opened Spring 2026 and has been developed by the landscape architect Thomas Doxiadis,

September/October 2026

alongside Karl Fournier and Olivier Marty of Studio KO. The Studio KO team designed Na Praia’s architecture to emerge from the land itself, with unimposing buildings thoughtfully designed to protect the delicate landscape. Located on 340 hectares of preserved wilderness, hosting a total of 113 keys, including a mix of rooms, suites, houses and villas. Na Praia is the second hotel project from José António Uva, eighth-generation steward of São Lourenço do Barrocal. In Lisbon, Wilde, Lisbon Liberdade can be found on the Rua Castilho, steps from Avenida da Liberdade. The nine-storey aparthotel features 95 apartments, including studios with fully equipped kitchens and ninth-floor rooms with private terraces overlooking the city.

Interiors designed by Stephanie Barba Mendoza, blending playful, functional design with Lisbon’s maritime heritage. Also in Lisbon, Studio Urquiola delivers the first Andaz property in Portugal. The hotel, which opened its doors in March 2026, reflects Lisbon’s rich cultural heritage and artistic spirit. Set within the hills of the Algarve countryside, Viceroy at Ombria Algarve opened its doors to a side of Portugal most travellers miss entirely. Designed by WATG and Wimberly Interiors, EPSRKWMHI 1MWFSR FEWIH EVGLMXIGXYVI ǻVQ Promontorio, the architecture and interior design honour the history and culture of authentic Algarvian style. The property opened MR PEXI SǺIVMRK VSSQW WYMXIW ERH residences all set within 5.2 hectares.

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T H E D E S T I NPAI P T EI O EPO L INN ER AT A RGTL A N C E

I N TOTAL

115 PROJECTS

13,915 ROOMS

+4% YOY PROJECTS

THE PI PELI N E PORTUGAL

115 Projects 13,915 Rooms +4% YoY Projects AREA SPLI T LI SBON

40 Projects N O RT E 4,476 Rooms N25 ORTE

Projects Projects 25

2,960

2,960 Rooms ALGARV ROOMSE

22 Projects 4,100 A LGARooms RV E

Sources: Lodging PROJECTS Econometrics (LE) Q2 2026 Hotel Construction Pipeline Trend Report for Europe, Howarth Portugal Hotel Chains Report 2026.

4,100 ROOMS

September/October 2026

THE DESTINATION REPORT

Six Senses Lisbon render

IN THE PIPELINE Slated for 2026, debuting as the Maison’s first residential development in Portugal and Lisbon’s first luxury branded residence, is the KARL LAGERFELD Residences Lisboa. The One Atelier, an international design and architecture studio specialising in branded projects, has led the project, bringing together fashion and real estate. As the Portuguese capital is becoming a common denominator across the country’s latest luxury developments, scheduled to open imminently, is Six Senses Lisbon. Adding a second prime destination to its Portuguese portfolio after Six Senses Douro

September/October 2026

Valley, the Lisbon property is set to offer 114 guestrooms and suites across two heritage buildings within the historic centre – the converted 17th century Palácio Lavra and the remarkable Palácio de Pedrosas. Ikos Resorts have announced a €520 million expansion plan with new properties in Greece, Spain and Portugal, including Ikos Cortesia, slated to open in 2028, with 448 rooms, suites, bungalows and villas. Shanti-Som Wellbeing Retreat Algarve, is opening late 2027, just 20 minutes from Faro, on Portugal’s golden Atlantic coast, another addition to the country’s growing luxury

wellness and lifestyle scene. The upcoming Nobu Hotel and Restaurant in Portugal will be situated in the heart of Lisbon, on the famed Avenida da Liberdade. The brand has also announced plans to launch a hotel, a restaurant, and residences in Eastern Algarve in Portugal. The new offerings will be located within the luxury Monte Rei resort and are scheduled to welcome visitors from 2029. As the pipeline continues to unfold particularly within Lisbon, Aethos Portugal is slated to open early 2027, in the neighbourhood of Penha de França - one of Lisbon's most vibrant and authentically local districts. S

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INDUSTRY NETWORKING

Dual Perspectives DESIGNING FOR CONNECTION Through candid conversations, Dual Perspectives brings together emerging voices and established professionals to explore the ideas shaping the industry. A feature exclusive to NEWH UK and SPACE magazine, this issue we explore why social spaces are shaping the future of hospitality. WORDS BY NICOLA KENT

n today's hospitality landscape, exceptional design extends far beyond creating beautiful bedrooms or striking reception areas. Increasingly, it's the shared spaces within hotels, restaurants and leisure destinations that define the guest experience, shaping how people interact, unwind and create lasting memories. As travellers seek more meaningful experiences, hospitality venues are evolving into destinations in their own right, with thoughtfully designed social spaces becoming an essential part of their appeal. Whether a welcoming lounge that encourages conversation, a flexible co-working café, a vibrant bar or a beautifully landscaped terrace, these communal environments invite guests to linger, connect and feel part of something larger than their stay. We discuss social space with DV8 Design’s Lee Birchall and NEWH UK Student Scholar Sofia Calestru to hear their perspectives on what constitutes communal space within hospitality design.

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INDUSTRY NETWORKING

THE PROFESSIONAL

THE NEWH SCHOLAR

Lee Birchall is Founder and Managing Director of DV8 Designs, an award-winning interior design studio established in 2006.

Sofia Calestru, a winner of the NEWH UK Interior Design Student Scholarship 2025, is now an Interior Designer at Foster + Partners and an emerging voice in the industry.

What does the term "social space" mean to you?

LB: A social space is somewhere that brings people together; the best social spaces feel comfortable, welcoming and intuitive. They give people a reason to stay longer!

SC: To me, a social space is an environment that encourages people to interact in a natural and enjoyable way. It should encourage interaction while making people feel comfortable, relaxed, and welcome. Whether guests are dining, meeting, waiting, or simply unwinding, the space should create a positive experience that encourages them to return or pause and enjoy the space.

What are the key design principles you’d consider when creating a space that naturally encourages people to gather, connect and spend time together?

LB: I think the most successful social spaces offer people choice. That starts with providing a variety of seating arrangements that cater to different ways of gathering - whether someone is looking for a quiet moment alone, meeting a friend or joining a larger group. Equally important is creating a clear and intuitive journey through the space, while allowing moments of discovery that encourage people to explore and engage with their surroundings. A careful balance between openness and intimacy is essential. Thoughtful zoning creates distinct atmospheres, giving guests the freedom to choose between vibrant communal settings and quieter, more private corners. Flexibility is another key consideration, allowing spaces to evolve throughout the day to suit changing patterns of use, from morning coffee to evening socialising. Finally, comfort is often what determines whether people choose to linger. Good acoustics, considered

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SC: Creating a successful social space starts with understanding how people move through and use the environment. A well-planned layout should provide clear circulation while offering a variety of seating arrangements for both small and large groups. Comfort is essential, supported by appropriate lighting, acoustics, and furniture. The space should feel welcoming and accessible while incorporating flexibility to accommodate different activities throughout the day without compromising the overall experience.

September/October 2026

INDUSTRY NETWORKING

lighting and a well-regulated indoor climate all contribute to an environment that feels welcoming and effortless to spend time in. When these elements work together, the space becomes somewhere people naturally want to return to.

What materials, colours and textures would you consider incorporating to create a welcoming space that encourages social interaction?

LB: Typically I’d look at natural materials such as timber, stone and textured fabrics because they create warmth and authenticity. Soft upholstery, layered textiles and tactile finishes make people feel more comfortable and encourage longer dwell times.

SC: I would choose natural, earthy materials such as timber, stone, linen, clay, and textured fabrics to create an inviting atmosphere. A neutral colour palette with soft greens, terracotta, and warm beige tones would provide a timeless feel, while layered textures such as woven fabrics, timber grain, and indoor planting would add depth and character. These elements help create spaces that feel comfortable, authentic, and visually appealing.

What current interior design trends do you think are having the biggest impact on the way we design spaces for entertaining, relaxing and spending time?

LB: I think people increasingly expect spaces to be multifunctional. A venue may operate as a coffee shop during the day, become a workspace in the afternoon and transform into a social destination in the evening.

SC: One of the biggest trends is designing spaces that focus on the overall guest experience rather than appearance alone. Flexible layouts allow spaces to adapt for different uses throughout the day, while natural materials, greenery, and daylight create welcoming environments that promote comfort and wellbeing. Sustainability also continues to influence design through durable, responsibly sourced materials, and many interiors now reflect the local culture and identity to create a more memorable experience.

As lifestyles continue to change, what features do you think will define the next generation of social spaces?

LB: Future social spaces will need to be increasingly adaptable. We'll probably see greater emphasis on flexible furniture systems, movable partitions and spaces that can quickly change function throughout the day. Ultimately, successful future social spaces will blend hospitality, wellbeing, flexibility and community into one seamless experience.

SC: I think we'll see a greater focus on designing spaces that support people's wellbeing while responding more thoughtfully to their surroundings. Biophilic design, improved indoor air quality, natural materials and carefully considered lighting will become increasingly important as expectations around comfort and sustainability continue to evolve. Technology will also play a larger role, but in an almost invisible way, enhancing the user experience through smart environmental controls and seamless

September/October 2026

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INDUSTRY NETWORKING

digital integration rather than becoming a feature in itself. Ultimately, the most successful social spaces [MPP FI XLSWI XLEX JIIP IǺSVXPIWW XS YWI GVIEXMRK environments that are both environmentally responsible and genuinely enjoyable to spend time in.

If you had to design your own social space, what would be in it, and why?

LB: If I had to design my own social space, it would be centred around sport and wellbeing. I'd create a welcoming hub where people can grab a coffee before an activity and stay afterwards for a juice or beer while comparing match results and catching up. The space would combine comfortable lounge seating, communal tables and a relaxed atmosphere; large screens could show live sport without dominating the environment, using natural materials and warm lighting to encourage people to stay longer. For me, the best social spaces are those that build a sense of community before and after the activity itself.

SC: My ideal social space would create a calm and welcoming atmosphere where people feel comfortable spending time together. I would use natural materials such as oak timber, stone, linen, and clay, combined with earthy colours and plenty of indoor planting to create a strong connection with nature. The space would include a mix of comfortable lounge seating, communal tables, and quieter corners XS WYMX HMǺIVIRX X]TIW SJ WSGMEP MRXIVEGXMSR 1EVKI windows would maximise natural light, while layered lighting and carefully selected textures would create a warm and inviting atmosphere throughout the day.

Finally, what are your plans for the future?

LB: We’re currently working on multiple airport lounges in the UK & abroad, some really cool gastro bars, and a multimillion-pound centre for the homeless. A new exciting food hall in Cheshire, a Grade 1 listed hotel in Wales. That diversity is something I really value. Every project has its own story, context and set of challenges, and it's that variety that continues to make the work so rewarding.

SC: In the future, I hope to grow both personally and TVSJIWWMSREPP] F] KEMRMRK I\TIVMIRGI EGVSWW HMǺIVIRX types of interior design projects. I want to expand my knowledge of sustainable materials, innovative design solutions, and emerging technologies. My long-term KSEP MW XS FIGSQI E GSRǻHIRX HIWMKRIV [LS GVIEXIW spaces that are functional, visually appealing, and positively impact the people who use them.

NEWH, THE WORLD’S BIGGEST ORGANISATION FOR NETWORKING IN THE INTERNATIONAL HOSPITALITY DESIGN INDUSTRY, HAS CHAPTERS AROUND THE WORLD. TO FIND OUT MORE ABOUT US, AND TO JOIN YOUR LOCAL CHAPTER, LOOK US UP ON SOCIAL MEDIA OR VISIT OUR WEBSITE.

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POINT OF

PHOTO GRAP HY COU RTESY OF L A R IO H OTEL S

September/October 2026

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VISTA

As she contemplates ceding control of the family business to another generation, Bianca Passera, President of Lario Hotels, sits down with SPACE on the roof terrace of their latest STIRMRK MR 5YKPME XS VIǼIGX SR LIV JEQMP] W PSRK PIKEG] MR LSWTMXEPMX] ERH XLI I\LMPEVEXMRK HMVIGXMSR XEOIR [MXL XLI RI[ WXEV PY\YV] FVERH :MWXE ;47) '= AND R EW H A R R IS

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140+ SHOWROOMS OVER 700 INTERNATIONAL BRANDS ONE ADDRESS

Design Centre, Chelsea Harbour London SW10 0XE +44 (0)20 7225 9166

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Render of what's to come in Egypt for Nobu

September/October 2026

I M A G E S C O U R T E S Y O F N O B U H O S P I TA L I T Y

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FROM PLATE Restaurants, hotels, resorts and residences are no longer separate worlds. Trevor Horwell, CEO of Nobu Hospitality, talks to SPACE about the blurring lines of hospitality, and why moving between them is second nature to Nobu

TO PROPERTY

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September/October 2026

or years, luxury hospitality brands have sold the stay. Now, they are selling the address. For Nobu, residential was never a trend to follow, but rather a natural evolution. As a brand that began at the table, it has been building on its cult following ever since – I\XIRHMRK XLI I\TIVMIRGI ǻVWX MRXS LSXIPW ERH more recently into branded living. This summer, Nobu and Egyptian developer SODIC gathered media and industry guests at Nobu Hotel London Portman Square to reveal three developments across Egypt's North Coast and Cairo – one of the brand's most ambitious regional expansions to date, and one XLEX FVMRKW XLI JYPP SǺIVMRK SJ LSXIP VIWXEYVERX and residences together on each site. Behind the brand are three names most people know: Chef Nobu Matsuhisa, Robert De Niro and Meir Teper. The face seen less often is Trevor Horwell, who joined as CEO in 2009 and has led the company's expansion from restaurant group into a 360 hospitality brand. Following the Egypt announcement, he spoke to SPACE about the brand’s journey to this moment, a shifting market, and what’s next for Nobu.

September/October 2026

Could you tell us about your earlier career in luxury hospitality, and any key moments that shaped your journey to Nobu? TREVOR HORWELL: I began my career at Hyatt in the 1980s, which is where I met Struan McKenzie. We went on to work together at COMO and Hard Rock before joining Nobu in 2009, so we have now worked alongside one another for more than 30 years. That kind of longevity comes down to trust. Nobody achieves success alone, and you should never forget the partners, teams and support system around you. Our relationship with Nobu goes back to 1997, when we brought Nobu Restaurant to London as part of the launch of the Metropolitan Hotel. That was when we first worked with Chef Nobu, Robert De Niro and Meir Teper, and the restaurant and hotel continue to thrive together today. What became very clear was the power of Nobu as the social heart of a property. The restaurant brought energy, attracted the local community and created an identity that extended far beyond the rooms. When the partners, Struan and I came together in 2009, we shared a vision to take what Nobu had created in restaurants and develop it into a complete hospitality

experience. In many ways, the Metropolitan showed us what that relationship between food and hotels could become. ;EW XLIVI E WTIGMǻG QSQIRX ]SY H GEPP XLI pivot from restaurant group to hospitality brand? TH: We had known Chef Nobu, De Niro and Meir for over a decade before Struan and I joined the company, so there was already a strong foundation of trust and a shared understanding of the brand. By 2009, we all had recognised that Chef Nobu had created an incredible platform from which we could build something much broader. Nobu Restaurants were increasingly being invited to open within hotels, and it became a natural question for us: if the restaurant was already bringing credibility and value to a property, why wouldn’t we extend that thinking to the rest of the guest experience? We then agreed on the vision to take what made Nobu special in restaurants and apply it to hotels without diluting the brand. The restaurant would remain the core, but around it we could create rooms, suites and social spaces that carried the same sense of Kokoro and connection.

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Left and below, The Nobu shareholders from left to right, Trevor Horwell, Struan McKenzie, Robert De Niro Nobu Matsuhisa, Meir Teper. Nobu Los Cabos.

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The three partners, yourself and Struan McKenzie are all distinctive leaders in your own right. How do you make decisions without TYPPMRK MR ǻZI HMVIGXMSRW$ TH: It comes down to trust, mutual respect and a shared vision. Our three shareholders are not simply names associated with the brand – they remain actively involved in its direction. Chef Nobu is the heart of the business. He protects the food, the culture and the principles on which the brand was built on. Bob has a strong creative instinct and an instinctive understanding of what feels right for Nobu. Meir brings a strong entrepreneurial perspective, with a deep understanding of strategy, partnerships and how the brand can grow in the right way. Struan and I then work closely with all three of them to turn that creative vision into an operating business across our restaurants, hotels and residences. Each of us approaches an

STTSVXYRMX] JVSQ E HMǺIVIRX TIVWTIGXMZI [LMGL is one of our strengths. We do not believe in a heavy corporate structure because that can become a handbrake to creativity. Ideas are discussed openly, challenged when necessary and ultimately measured against a very simple question: is this right for Nobu? We may not always begin with the same viewpoint, but we are aligned on the values of the brand and our responsibility to protect what has made it special The branded residences market is growing at an exponential rate. What prompted this expansion for Nobu? TH: We started with restaurants, then hotels, and residences became the next step because our guests wanted to engage with the brand in a deeper, more permanent way. We saw early on that people had a genuine emotional

September/October 2026

All images on this page and opposite, Nobu Barcelona

connection with Nobu, and projects like Nobu Hotel & Residences Toronto reinforced that. The residences sold out within three months, demonstrating that buyers were investing not only in real estate, but in the Nobu lifestyle itself. We wanted to create somewhere people genuinely wanted to live because they already loved the Nobu experience. If you can combine exceptional homes with the restaurant and the hotel services people already know and trust, you create something far more meaningful than just another residential development. Why are branded residences a good business case for hotel brands? How does the IGSRSQMGW SJ VIWMHIRGIW HMǺIV JVSQ LSXIPW JSV a brand like Nobu? TH: Nobu has always been an asset-light company. We don't own real estate; we build brands and manage hospitality experiences.

September/October 2026

Residences complement that model by creating value early in the development cycle while also reinforcing the long-term success of the hotel, restaurant and wider destination. The economics are slightly different to hotels. Hotels are operational businesses that generate value over time through guest experience and repeat visitation. Residences, on the other hand, create value much earlier, but their long-term success still depends on protecting the integrity of the brand. That's why we never view residences as simply a real estate project. For us, the most successful developments are those where the residences, hotel and restaurant work seamlessly together. Each element strengthens the other, creating a destination that delivers long-term value for homeowners, developers and the local community alike.

And for the buyers, why is it worth the investment? Are they paying for the brand, the service, or the resale value? TH: Many of our residence owners have already built a relationship with Nobu through our restaurants or hotels, so they know the standards of the lifestyle they're buying into. Service is a huge part of the appeal. The ability to enjoy the same hospitality and sense SJ GSQQYRMX] IZIV] HE] GVIEXIW E ZIV] HMǺIVIRX ownership experience. You're not simply buying an apartment; you're becoming part of a brand and a way of living that people already know and trust. Our focus has always been on creating places where people genuinely want to live, and I believe that's ultimately what drives lasting value. In terms of the Egypt projects, three developments with one partner is unusual.

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“We started with restaurants, then hotels, and residences became the next step because our guests wanted to engage with the brand in a deeper, more permanent way." Trevor Horwell

What did SODIC show you that made you commit at that scale? TH: For us, it always comes back to the people behind the project. We look for partners who think long term, share our standards and are focused on creating destinations that will still be successful many years from now. That's exactly what we found with SODIC. From the outset, there was a shared ambition to build something much bigger than a single hotel or restaurant. Together, we saw the opportunity to introduce Nobu EGVSWW XLVII ZIV] HMǺIVIRX HIWXMREXMSRW IEGL [MXL MXW own identity. Rather than treating them as separate projects, we saw them as part of a long-term vision for the brand in Egypt, and that's what gave us the GSRǻHIRGI XS QEOI XLEX GSQQMXQIRX Could you share a little more on the vision for Egypt in terms of design? And what makes it a great destination for a landmark Nobu development like this? TH: Design has always been a core foundation of the Nobu brand, and we never approach a project with a ǻ\IH XIQTPEXI .RWXIEH IEGL PSGEXMSR XIPPW E HMǺIVIRX story, and we respond to that context in a very considered way. The North Coast naturally lends itself to a relaxed, Mediterranean feel, while Cairo has a more contemporary urban energy. Although each development will have its own character, they'll all share the understated design, craftsmanship and attention to detail that people associate with Nobu. Egypt itself is a very exciting market. It has extraordinary history and culture, but it's also evolving rapidly as a destination for international hospitality and investment. We believe it's the right time to be part of that journey. A restaurant you visit, a hotel you stay in, a home you live in. Which is hardest to get right? Has each vertical prepared you for the next? TH: A home is probably the hardest part to get right because it’s the most personal. A guest might visit a restaurant for an evening or stay in a hotel for a few nights, but a residence has to work every day. People

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September/October 2026

Above, Render of the Nobu developments in Egypt

are not simply buying square footage – they are buying into the Nobu way of life and a cultural connection with the brand. Each vertical has naturally prepared us for the next. The restaurant taught us how to create energy, community and memorable experiences around food. The hotel allowed us to extend that relationship into a complete 24-hour experience, and the residences take it one step further by brining Nobu into people’s everyday lives. The foundation remains the same across all three: exceptional service, thoughtful design and Kokoro – doing everything from the heart.

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Finally, what has Nobu still not done that you want to see in the future, if there were no limits? TH: Everything we do is driven by mindset and execution strategy. The foundation years of Nobu set the scene for future growth. Today, Nobu has a well-oiled brand machine. Nobu will continue to take the hospitality brand to even greater levels. But at the core of our success has always been execution. The power of collaboration, both internally and externally. The culture of Nobu. Now, with solid foundations for growth, it is

essential that we enhance our resources and teams and ensure we have the right infrastructure in place for our next phase. Resources can run SYX FYX SYV ZMWMSR MW MRǻRMXI Nothing is impossible. It’s all about mindset. When we started Nobu Hotels, we faced skepticism - from lawyers, consultants and billionaires alike. Everyone said it wouldn’t work. Yet we had immense faith in our shareholders, our partners and our loyal teams. We are protected. We have held our own. The Nobu revolution will never cease. There is no turning back. S

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PARTNER 56

September/October 2026

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Between meeting at MBDS and forming ADC & 8YRIY ]SY XSSO UYMXI HMǺIVIRX GEVIIV TEXLW ;LEX [IVI ]SY IEGL HSMRK MR XLSWI ]IEVW$ MARTA TUNEU: I had always wanted to go into fashion, but I ended up studying Architecture. Spain was still quite conservative at the time, and the thinking was: if you have the grades to get into Architecture, you don’t hesitate – you do it. But my curiosity for fashion never went away. Eventually, I decided to apply to Istituto Marangoni in Milan, was accepted, and that’s really where my fashion career began. After graduating, I went on to work with luxury fashion houses including Louis Vuitton Paris and Calvin Klein, New York, under the creative direction of Nicolas Ghesquière and Raf Simons, I specialised in accessories. At that time, fashion brands were increasingly PSSOMRK JSV L]FVMH TVSǻPIW Ƴ TISTPI [LS GSYPH FVMRK E HMǺIVIRX TIVWTIGXMZI XS HIWMKR &VGLMXIGXW REXYVEPP] LEZI E HMǺIVIRX ETTVSEGL XS JSVQ proportion and volume, and I found that this translated very well into accessories. Accessories require a strong understanding of volume, shape and three-dimensionality. They need to be designed almost like small pieces of architecture, and that was an area where my architectural FEGOKVSYRH KEZI QI E HMǺIVIRX TIVWTIGXMZI

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AARON CLARKE: Meanwhile, I had become close to Nick Jones and, in particular, his creative team [at Soho House]. They decided to build an in-house design and development team, and I joined initially to oversee the European projects. From there, my role grew and I was eventually asked to oversee the US expansion – not only the interior design, but also the project management and the development of selfǻRERGIH TVSNIGXW ;LEX HSIW IEGL SJ ]SY FVMRK XS XLI WXYHMS XLEX XLI SXLIV HSIW RSX ERH [LIVI HS ]SY QEXGL YT$ AC: My vast experience gave me quite a unique perspective: I understand not only the creative

ambition of a project, but also the realities behind it – construction, budgets, project management and, importantly, how a property ultimately needs to operate. It means I’m often thinking about how we turn an idea into something that can actually be built, lived in and endure. Sometimes that pragmatism challenges my own creative instincts, but ultimately it makes the work stronger. MT: My background in fashion taught me almost the opposite: to begin without boundaries. Working alongside extraordinary creative visionaries and within established fashion houses taught me to approach a brief with curiosity and instinct, to question what is expected and explore possibilities that might not be

September/October 2026

immediately obvious. I bring that freedom into our design process – the desire to push an idea further ERH ǻRH WSQIXLMRK YRI\TIGXIH That tension is probably where the studio becomes most interesting. One of us is constantly asking, “How can we make this possible?” while the other is asking, “What else could this become?” We meet in our shared obsession with detail, quality and creating something with a strong identity. ADC & Tuneu is the perfect combination of both TIVWSREPMXMIW Ƴ TERMWL ǻVI ERH *RKPMWL understatement, all in one. 'EVGIPSRE ERH 1SRHSR LEZI ZIV] HMWXMRGX ERH HMǺIVIRX HIWMKR WGIRIW Ƴ LS[ HSIW XLI GYPXYVI SJ IEGL MRǼYIRGI ]SYV [SVO$ The juxtaposition between these two very HMǺIVIRX HIWMKR GYPXYVIW MW JYRHEQIRXEP XS SYV WXYHMS ERH MR QER] [E]W HIǻRIW SYV ETTVSEGL London has always had a wonderful GSRǻHIRGI MR PE]IVMRK Ƴ GSPSYV TEXXIVR XI\XYVI

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art and objects coming together to create interiors with richness, depth and a strong sense of personality. There is an embrace of complexity and eclecticism that gives spaces a feeling of having evolved over time. London has the knowhow and beauty for details. 'EVGIPSRE SǺIVW E HMǺIVIRX WIRWMFMPMX] 8LIVI MW a clarity and purity to its design language: We take Gaudí and Catalan modernism as our highest reference. Spaces are often bright, sculptural and beautifully restrained, with an emphasis on natural light, materiality and form. There is an ease to it that feels intrinsically Mediterranean. 'EVGIPSRE MW JSVIZIV IǺSVXPIWW GSSP ERH IQFVEGIW artesian craftsmanship. We are constantly moving between these two worlds. We love the depth and character of London and the lightness and fun of Barcelona. 'VMRKMRK XLSWI MRǼYIRGIW XSKIXLIV EPPS[W YW XS create spaces that are layered without feeling LIEZ] ERH VIǻRIH [MXLSYX FIGSQMRK QMRMQEP Ƴ spaces that have both richness and clarity.

eĬĬ Ĝĵ±čåŸ ŅĹ ƋĘĜŸ ŸŞųå±Ú ±ĹÚ ŞųåƴĜŅƚŸØ The Shelborne by Proper, Miami. Images courtesy of ADC & Tuneu

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;LEX WSVX SJ [SVO HS ]SY [ERX XS FI ORS[R JSV$ &VI XLIVI ER] LEPPQEVOW SV XIPP XEPIW SJ E &)( 8YRIY HIWMKR$ We are very sensitive in our approach, as we often work with historical buildings. We feel a huge responsibility to embrace their history and make sure we preserve the key features and soul of every project we work on. We love classic design, history and culture. At the same time, we need to ensure that each building functions properly and adapts to today’s needs. For us, designing spaces that are timeless and of the highest quality is key. We want our work to have the highest impact on society. We want to improve people’s lives, restore existing elements and create interiors that are made to last. Cheap solutions often become expensive in the long run, as they need to be replaced quickly. By investing in a beautiful, well-made project, you create something more enduring and meaningful.

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Also, we love to create a design community around the project, we love to work with local artist, artisans, local suppliers that bring the knowhow and DNA of how things are done in the region we work on. +SV 8LI LIPFSVRI F] 5VSTIV MR 2MEQM [LEX [EW ]SYV ETTVSEGL ERH [LIVI HMH ]SY WXEVX$ 8LI ǻVWX XLMRK [I HS [LIR [I EVI KMZIR E TVSNIGX like this is immerse ourselves in its story. We study the history of the building, its background, who SVMKMREPP] FYMPX MX XLI HMǺIVIRX MRXIVZIRXMSRW MX LEW undergone over the years, the economic and social context of the time, and everything that can help us understand the place. For The Shelborne, we looked at countless Miami references, particularly the Art Deco movement. We try to be creative with the research process as well. We buy books, look through EVGLMZIW ERH WSGMEP QIHME ERH ǻRH MRWTMVEXMSR MR

September/October 2026

“One of us is constantly asking, 'How can we make this possible?' while the other is asking, 'What else could this become?' We meet in our shared obsession with detail, quality and creating something with a strong identity.” a±ųƋ± ƚĹåƚ

fashion, photography, cinema and television – even series like 2MEQM :MGI 2MEQM SǺIVW ER IRHPIWW EQSYRX SJ MRWTMVEXMSR ERH researching it was incredibly exciting. We then combine all this research with the technical requirements and realities of the project, looking for ways to translate the references into fabrics, patterns, materials, lighting, GSPSYVW ERH EVGLMXIGXYVEP HIXEMPW ;I EVI MRXIVIWXIH MR ǻRHMRK elements that evoke a particular time and place without simply copying it – details that are recognisable as belonging to a WTIGMǻG HIWMKR IVE FYX XLEX GER FI VIMRXIVTVIXIH MR E contemporary way. We wanted everyone who entered The Shelborne to feel special – to create a sense of arrival and transport people back to the golden era of Miami, while giving that atmosphere a fresh and contemporary energy. The Shelborne is an incredible building, with a very strong personality and soul, and we wanted to preserve that character while bringing it back to life. ,MZIR &EVSR [EW EX SLS -SYWI XLVSYKL E TIVMSH SJ IRSVQSYW KVS[XL LS[ LEW XLI QIQFIVW GPYF QEVOIX GLERKIH WMRGI$ AC: The members’ club landscape has transformed completely. When I first started working in this world, clubs were concentrated in key cities such as London and New York, and the traditional model was largely built around exclusivity and status. Bringing Soho House – with its very different, creative and community-led philosophy – to cities such as Barcelona and Berlin was challenging because, at the time, the idea of a contemporary members’ club was still relatively unknown in those markets. Fast-forward to today and the landscape is almost unrecognisable. Clubs are opening in cities all over the world, including places where the concept barely existed a decade ago. Interestingly, while the market has expanded, much of it has gravitated back towards the traditional language of exclusivity ERH WXEXYW ;LEX [I ǻRH QSVI GSQTIPPMRK MW XLI MHIE SJ E GPYF built around a genuine community – whether connected by culture, profession, interests or a shared way of seeing the world. As the sector becomes more commercial, there is a temptation to broaden the audience in order to maximise membership, but in doing so, clubs can risk losing the very sense of belonging that QEHI XLIQ VIPIZERX MR XLI ǻVWX TPEGI

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eĬĬ Ĝĵ±čåŸ ŅĹ ƋĘĜŸ Ş±čå ±ĹÚ ŅŞŞŅŸĜƋåØ LIVEXSR XSGOLSPQ 5LSXSKVETL] LIVI ERH &)( 8YRIY TSVXVEMX SR ǻVWX TEKI F] 'IR &RHIVW

We have been fortunate because designing a QIQFIVWƶ GPYF MW ER MRGVIHMFP] WTIGMǻG discipline. It is not a hotel, a restaurant or simply a beautiful interior – it is an ecosystem that needs to create connection, evolve throughout the day and make people want to return again and again. Having designed 15–20 clubs across HMǺIVIRX GMXMIW ERH GYPXYVIW [I LEZI HIZIPSTIH an understanding that goes far beyond aesthetics: how these places operate, how members move through them, where communities naturally form, and ultimately what makes a club feel alive. That experience has become an important part of what we bring to our clients. We are not simply designing the spaces; we are helping shape the culture that will exist within them. .R XIVQW SJ LSXIP HIWMKR [LEX EVI ]SY HIWMKRMRK JSV RS[ XLEX ]SY [IVI RSX XLMROMRK EFSYX ǻZI ]IEVW EKS$

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MT: Hotel design has become much more GSRǻHIRX MR XIVQW SJ MXW YWI SJ GSPSYV MR XLI PEWX ǻZI ]IEVW ERH [IƶZI HIǻRMXIP] PIERIH MRXS XLEX .X was fun to play with bold colour in our latest project, Sheraton Stockholm, where red and W MRǼYIRGIW JIEXYVI LIEZMP] &W IHYGEXSVW EX *PMWEZE MR 'EVGIPSRE [LEX WLMJXW EVI ]SY WIIMRK GSQMRK XLVSYKL [MXL XLI RI\X KIRIVEXMSR SJ HIWMKR$ We love teaching at Elisava. We learn as much from our students as they learn from us. Young KIRIVEXMSRW WII XLI [SVPH MR E ZIV] HMǺIVIRX and often very interesting way, and being exposed to their ideas, perspectives and ways of thinking keeps us constantly questioning and learning ourselves. The biggest shift we are seeing is that the new generation is much more open to hybridising disciplines. They don't necessarily see interior design, architecture, fashion, product design,

technology or art as separate worlds. That is very exciting for us as educators at Elisava, where the programmes themselves encourage interdisciplinary thinking and respond to increasingly complex ways of living and working. +MREPP] [LEX HSIW XLI JYXYVI LSPH JSV &)( 8YRIY$ 8LMW GSYPH FI SR XLI VIEPMWXMG WMHI SV GSQTPIXIP] EWTMVEXMSREP ERH PMQMXPIWWƾ MT: We are incredibly passionate about what we do, and we hope to continue learning, leading and contributing to the creation of beautiful buildings around the world. We would also love to explore opportunities beyond interior design, particularly in fashion and furniture. We see these disciplines as a natural extension of our creative approach and would be excited to collaborate with brands and develop projects where we can bring our experience with materials, colour, craftsmanship, JSVQ ERH WXSV]XIPPMRK MRXS E HMǺIVIRX GSRXI\X S

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PHOTOGRAPHY BY ANSON SMART

September/October 2026

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HANNAH ST HOTEL MELBOURNE, AUSTRALIA Part grand hotel, part neighbourhood hangout and part cultural clubhouse, Hannah St Hotel brings a spirited new hospitality address to Melbourne’s Southbank

here is something appropriately Melbourne about -ERREL X -SXIP VIJYWMRK XS ǻX RIEXP] MRXS E WMRKPI category. Located in Southbank’s Arts and Entertainment precinct, at the meeting point of the CBD, Yarra River, South Melbourne and the city’s cultural quarter, the hotel has been conceived as much for locals as for overnight guests. The AUD$150 million, 188-room property was developed by Time & Place in partnership with Hickory, MaxCap and operator TFE Hotels, and forms part of the mixed-use Queensbridge precinct. Fraser & Partners shaped the architecture, while David Flack and his Melbourne-based Flack Studio were responsible for the interiors. Occupying the 10-storey podium of the 65-storey Queensbridge building on a triangular plot, the building channels the iconic silhouette of New York’s Flatiron Building. Rather than disguising the HMǽGYPX KISQIXV] XLI EVGLMXIGXYVI GIPIFVEXIW MX Ƴ TVSHYGMRK ERKYPEV rooms, panoramic corner views, and intimate nooks. The exterior façade features metallic tablature that steps in and out around windows, acting like a sundial that catches shifting sunlight throughout the day. Anchoring the building’s entrance is a

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September/October 2026

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sculptural portal frame made of 274 precast aerated concrete panels designed to evoke FPYIWXSRI Ƴ E QEXIVMEP MRXIKVEP XS 2IPFSYVRIƶW built environment since the 1830s. The design pays homage to the site’s deep history near the Birrarung (Yarra River), incorporating native grasslands into the landscaping to reference the pre-colonial wetlands. At street level, arrivals are welcomed by the ‘Queensbridge Owl’, a bronze guardian sentinel by Melbourne artist Joelle Mayberry perched above the clock on Queensbridge Street. Stepping inside, reception is deliberately integrated into the ground-floor social spaces rather than presented as a dominant feature. The lobby establishes Flack Studio’s material language immediately: 200x200 terrazzo flooring in a warm latte tone meets burnished brown Venetian plaster

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walls, Grand Constantine and Carrara marbles, aged brass, and deep burgundy banquettes. A fluted brass reception desk sits above a playful black-and-white marble ‘piano key’ kicker, set beneath a Calm Green high-gloss gridded ceiling. Furniture blends bespoke Flack Studio pieces with a Martin Eislerdesigned Reversivel armchair by Tacchini, upholstered in Kvadrat’s Divina Melange, and a Fontana Arte Luminator floor lamp. It encapsulates Flack’s approach: less a rigid, coordinated scheme than a carefully orchestrated conversation between materials, periods, and objects. Inspirations draw on French and Italian modernism of the 1920s, 1930s elegance, 1950s curves, and 1980s blush tones. The intention, Flack explains, was to create something “part grand hotel, part underground bar, part cultural clubhouse”.

Art is integral to the architecture rather than decorative. Justene Williams’ monumental WGYPTXYVI Ƶ2MVVSV LIMPEƶ Ƴ GVEJXIH JVSQ VIWMR ǻFVIKPEWW KPMXXIV &YWXVEPMER TIRRMIW ERH GSRZI\ WEJIX] QMVVSVW Ƴ KVIIXW EVVMZEPW MR XLI foyer. Wiradjuri poet and artist Jazz Money’s WMXI WTIGMǻG TSIQ Ƶ8LIWI .RǻRMXI 'IKMRRMRKWƶ EGXW EW FSXL ER EVX[SVO ERH E [E]ǻRHMRK system. Its words glow in neon across the Upper Ground lobby, are heard in Money’s voice inside the lifts, and appear in text fragments along KYIWX ǼSSV GSVVMHSVW .RWMHI (SYTIXXI 2MOEPE Dwyer’s suspended sculpture ‘Warning’ directly bookends Williams' entrance piece. -SWTMXEPMX] ERH GYPXYVI GSRZIVKI EGVSWW ǻZI distinct F&B experiences operated by The Mulberry Group, led by founder Nathan Toleman. Bar Hannah reimagines the classic lobby bar with black Vixel glass tiles, antique

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T H E S PAC E Developer Time & Place Operator TFE Hotels Keys 188 PROJECT TEAM Architecture Fraser & Partners Interior design Flack Studio Construction Hickory and MaxCap Art curation David Flack ;E]ǻRHMRK Studio Ongarato KEY SUPPLIERS Fabric Kvadrat, Sahco Furniture Thonet, Tacchini, Grazia and Co, Santa & Cole, Feelgood, Tecno Lighting Gubi, Fontana Arte, Santa & Cole, In Common With Paint Porter’s Paints, Haymes Flooring MAFI, Australian Terrazzo

brown granite, ribbed brushed stainless steel, and a hand-painted Burnt Umber bar, furnished with custom walnut and Calacatta Viola stone tables alongside Featherston Re chairs by Grazia & Co. Then there’s The Carriage Lounge Ƴ ER MRXMQEXI PMZMRK VSSQ WX]PI WTEGI Ƴ HSYWIH in high-gloss Buckskin paint, furnished with pale-green leather Banana chairs by Thonet, Grazia & Co Reeno armchairs, and contemporary artworks by Mia Boe and Kat Shapiro Wood. Elsewhere, serving an all-day menu by Executive Chef Andrew Beddoes, the Coupette Corner Bistro & Bar is a European-inspired neighbourhood bistro featuring travertine, timber, and leather accents. Tucked beside (SYTIXXI XLIVIƶW -ERREL X (SǺII E 2IPFSYVRI LSPI MR XLI [EPP GSǺII [MRHS[ ERH ǻREPP] 8LI Terrace Lounge is an elevated indoor/outdoor rooftop space with sweeping Southbank views,

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running from daytime spritzes and long lunches to evening cocktails and private events. Upstairs, Flack Studio custom-designed virtually every FF&E element across the 188 rooms and suites. The notable exception is a WMRKPI SǺ XLI WLIPJ MXIQ Ƴ E WMQTPI FPEGO 8IGRS W[MZIP HIWO GLEMV Ƴ [LMGL RSHW XS XLI project’s rule-breaking spirit. Soft blush New Zealand wool carpets bring warmth to the bedrooms, complemented by custom daybeds, tapered-leg tables, and Kvadrat Maharam-upholstered ottomans. Bathrooms turn moodier with deep navy tiles and terrazzo ǼSSVW [LMPI NSMRIV] VIJIVIRGIW (LEVPSXXI Perriand’s 1920s furniture using polished stainless steel, aged brass mesh, caramel timbers, and Carrara marble. Accessibility has been integrated as an essential design feature. Time & Place

provided 14 DDA-compliant Traveller Rooms Ƴ I\GIIHMRK XLI REXMSREP VIUYMVIQIRX SJ RMRI Ƴ WTERRMRK QSFMPMX] VSSQW LIEVMRK rooms), and vision (3 rooms) needs. Public spaces feature level access, high-contrast signage, and IR hearing augmentation, while Level 9’s wellness facilities include a 20-metre indoor pool equipped with a compliant pool access lifter. SYRH JSVQW XLI ǻREP PE]IV SJ XLI LSXIPƶW spatial identity. Michael Kucyk of WAT Artists has curated distinct music programming across the lobby, dining venues, pool, and gym, adjusting tempos dynamically from morning through night to mirror the city’s energy. Architecture, interiors, art, and music overlap to create a hotel that feels less like a conventional new build and more like a place assembled over time. S

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PHOTOGRAPHY COURTESY OF SIX SENSES

September/October 2026

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SIX SENSES AT THE WHITELEY LONDON, UK

Six Senses has made its long-awaited UK debut inside the former Whiteley's emporium on Queensway, where AvroKO and EPR Architects LEZI GEVVMIH 1SRHSR W ǻVWX HITEVXQIRX WXSVI MRXS its next life. ;47) '= JESS MILES

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T H E S PAC E Operator Six Senses, part of IHG Hotels & Resorts Joint venture investment partners MARK and C C Land Development Valouran Keys 109 rooms and suites, 14 branded residences PROJECT TEAM Interior design ArvoKO Hotel architect EPR Architects Architect, The Whiteley Foster + Partners

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All Change For Europe’s connected, curated campus of hotel interiors

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PHOTOGRAPHY BY COMMON STUDIO

September/October 2026

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MANDARIN ORIENTAL THE LANDMARK H O N G KO N G Mandarin Oriental The Landmark, Hong Kong enters a new era through Joyce Wang Studio's thoughtful reimagining of one of the city's most celebrated luxury hotels, creating interiors that draw inspiration from Hong Kong's architecture, artistry and enduring spirit.

uxury hotels have long sought to immerse guests in the destinations they visit, yet few cities present a richer source of inspiration than Hong Kong. Defined by dramatic contrasts between heritage and modernity, dense urban energy and moments of unexpected tranquillity, the city offers a complex identity that extends far beyond its famous skyline. Increasingly, designers are looking beyond familiar cultural references to create hospitality experiences that feel genuinely rooted in place, allowing architecture, materials and craftsmanship to tell the story of a destination as powerfully as its views. That philosophy underpins the reopening of Mandarin Oriental The Landmark, Hong Kong, where Joyce Wang Studio has completed a comprehensive redesign that reimagines the hotel as an elegant urban residence rather than a conventional luxury property. Situated within the LANDMARK development in

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Central, itself undergoing transformation as part of Hongkong Land's Tomorrow's CENTRAL masterplan, the hotel introduces a renewed arrival experience, refreshed guestrooms and suites, expanded dining destinations and a revitalised wellness offering, while strengthening its connection to the city that has shaped its identity for decades. Charged with giving the property a new streetside statement, Neri&Hu took on the transformation of the façade – solidity and mass in a district that has settled on glass. The former Harvey Nichols wedge is kept and recovered in custom cast terracotta, laid in a staggered bond across shallow scallops that pick up the pleat of the old curtain wall without repeating it. Bronze shelves carry each row; cast glass tiles, set sparingly, light the surface after dark.

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Inside, for Hong Kong-based Joyce Wang – who returns to the project a decade on from her original design – the latest renovation represents an opportunity to deepen that relationship with Hong Kong itself. Rather than adopting an overtly decorative approach, the studio looked to the city's historic mansions and colonial residences, drawing inspiration from landmark buildings such as Yu Yuen and Tai Fu Tai. Rich terracotta, deep green and natural timber reference the gardens, brickwork and architectural detailing of these historic homes, while stone, textured wallcoverings and handcrafted finishes create interiors that feel warm, layered and unmistakably residential. Guests now arrive through a new entrance on Queen's Road Central before ascending a sweeping stone staircase that unfolds like the entrance hall of a grand private residence.

Sculptural alcoves display specially commissioned artworks, while gilded glass, bespoke tapestries and custom carpets abstract the familiar silhouette of Hong Kong's skyline into subtle artistic interventions that continue throughout the hotel. Rather than simply decorating the interiors, art becomes an integral part of the narrative, encouraging moments of curiosity and reflection as guests move through the building. The residential philosophy continues across the hotel's 109 guestrooms and suites, where lightened timber floors, cracked gesso finishes, Fromental silk wallcoverings and bespoke rugs inspired by historic Hong Kong brickwork establish a calm counterpoint to the city's fast pace. Larger suites retain the property's signature curved glass-walled bathrooms centred around seven-foot circular bathtubs, while the 167sqm Entertainment

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T H E S PAC E Owner Hong Kong Land / Mandarin Oriental Hotel Group Operator Mandarin Oriental Hotel Group Developer Hong Kong Land Location LANDMARK, Central, Hong Kong Keys 109 guestrooms and suites PROJECT TEAM Interior Design Joyce Wang Studio Architecture Neri&Hu Design and 7IWIEVGL 4ǽGI JE±EHI Project Manager Hong Kong Land 5YFPMG &VIEW ERH TE 'PYI XSRI 2EREKIQIRX ,YIWXVSSQW Graphic Design, branding, visual identity DEAIdesign Limited MKREKI Art Consultant VISTO Lighting Spectrum Design and &WWSGMEXIW MRXIVMSVW .WSQIXVM\ 1MKLXMRK )IWMKR JE±EHI LDI &IHEW JE±EHI Masterplan Context Tomorrow's CENTRAL by Hongkong Land Civil engineering SYW & &WWSGMEXIW JE±EHI M&E consultant J. Roger Preston JE±EHI Engineering - & JE±EHI Quantity surveyor consultant &VGEHMW JE±EHI Contractors +EV *EWX +E±EHI JE±EHI KEY SUPPLIERS Wallcoverings Fromental Fabric & soft furnishing Fromental, Lalacurio, Long River, Ausara Lighting installation Cox London Metal balustrade Rathbanna Rugs Pinton

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Suite introduces a private dining room, Gaggenau kitchen and climate-controlled FreshBed sleep system, further blurring the line between luxury hotel and sophisticated city residence. Beyond accommodation, Mandarin Oriental The Landmark continues to strengthen its reputation as one of Asia's leading culinary destinations. Under Culinary Director Richard Ekkebus, the hotel now brings together seven Michelin stars and one Michelin Green Star beneath one roof, anchored by the three-Michelin-starred Amber and complemented by Sushi Shikon, Kappo Rin, SOMM and the newly introduced champagne bar BLANC DE NOIRS. Elsewhere, COMMUNE, designed by /S]GI ;ERK XYHMS EW E GSRXIQTSVEV] GSǺII EXIPMIV and social hub, reinterprets the warmth of a family gathering space through richly patinated metals, jade-toned tiles and domestic-style lighting inspired by historic Hong Kong homes.

Wellbeing forms the final chapter of the redesign. Scheduled to reopen shortly after the hotel, the new spa takes its conceptual inspiration from the rhythm of breathwork and the expressive gestures of Chinese calligraphy. Custom flooring, layered textures and carefully curated artworks create spaces intended to slow movement and quiet the mind, while dedicated yoga, Pilates and Gyrotonic studios, thermal experiences and holistic treatments establish a contemporary urban sanctuary at the heart of Central. Rather than imposing a new identity, Joyce Wang Studio has distilled the character of Hong Kong into an environment that feels both deeply familiar and quietly luxurious. The result is a hotel that celebrates the city's past while embracing its future: one that offers guests not simply a place to stay, but a genuine sense of belonging within one of Asia's most dynamic destinations. S

September/October 2026

PHOTOGRAPHY BY MATTHIEU SALVAING

September/October 2026

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HÔTEL PALAIS DE LA MÉDITERRANÉE NICE, FRANCE Boronkay Studio has reimagined Hôtel Palais de la Méditerranée in Nice, creating a contemporary interpretation of one of the Côte d'Azur's most celebrated Art Deco landmarks through light, craftsmanship and a renewed sense of place.

ew stretches of coastline have shaped the visual language of luxury hospitality quite like the Côte d'Azur. For more than a century, the French Riviera has inspired architects, artists and designers with its extraordinary quality of light, glamorous social history and enduring connection to the Mediterranean landscape. Yet as many of its landmark hotels approach their second century, the challenge is no longer one of preservation alone. Instead, designers are increasingly being asked how these icons can evolve for a new generation of travellers while remaining faithful to the character that made them legendary. Nowhere is that challenge more apparent than at Hôtel Palais de la Méditerranée in Nice. Occupying a commanding position on the Promenade des Anglais since 1929, the Art Deco landmark has welcomed generations of artists, musicians, aristocrats and international visitors. Following an extensive redesign by Boronkay Studio, the hotel begins its next chapter as part of The Unbound Collection by Hyatt, demonstrating how contemporary hospitality can coexist with architectural heritage without diminishing either.

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Rather than recreating the decorative language of the Jazz Age, Boronkay Studio’s Founder and Creative Director Linda Boronkay chose to reinterpret the optimism that defined the Art Deco movement. Extensive archival research informed the design process, allowing the studio to understand not simply what the building once looked like, but why it held such significance within Riviera society. The result is an interior that references the hotel's rich past while speaking confidently in a contemporary design language. "There are certain buildings that carry an extraordinary emotional weight," she says. "It was a true honour to work on such a special project – listening carefully to its history and

September/October 2026

then continuing the story in a way that feels relevant today. The most successful interiors are never static; they evolve while remaining true to their essence. We’re delighted to share this project with the world and to be a part of the hotel’s evolving story.” Central to the scheme is the idea of light. Inspired by the distinctive Mediterranean luminosity that captivated artists including Picasso, Matisse, Bonnard and Chagall, the MRXIVMSVW YWI VIǼIGXMZI WYVJEGIW GSPSYVIH glass, subtle tonal shifts and sculptural forms to capture the ever-changing atmosphere of the coastline. Soft blues, warm terracottas, muted golds and pastel hues echo both the sea and the surrounding landscape, creating

spaces that feel simultaneously elegant and deeply connected to Nice itself. Throughout the hotel, Boronkay Studio balances moments of theatricality with an unexpected sense of intimacy. The monumental geometry of the original façade informs contemporary furniture, lighting and bespoke detailing, while curved forms soften public spaces and guestrooms alike. French artist Olivia Cognet created abstract sculptural pieces inspired by Art Deco ornamentation, while visual artist Marion Flament was commissioned to produce bespoke stainedKPEWW MRWXEPPEXMSRW XLEX ǻPXIV REXYVEP HE]PMKLX creating shifting patterns across the interiors as the sun moves throughout the day.

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T H E S PAC E Operator Hyatt Hotels Corporation (The Unbound Collection by Hyatt) Keys 145 guestrooms and 28 suites Amenities Restaurant, panoramic terrace, bar, indoor and outdoor swimming pools, wellness and ǻXRIWW JEGMPMXMIW SZIV WU JX SJ IZIRX ERH QIIXMRK WTEGI PROJECT TEAM Design Boronkay Studio Architecture (original building) Charles Dalmas and Marcel Dalmas (1929) Procurement The Great Hospitality – TGH Lighting design Artin Lighting Art curation Antoine Py Project manager Arcadis Graphic design/ branding/ visual identity Sense of Place KEY SUPPLIERS Fabrics and soft furnishings Dedar, Pierre Frey, Lizzo, Zimmer and Rhode (EVTIXW ERH ǼSSVGSZIVMRKW Alaarwool Artist Collaborations 4PMZME (SKRIX (sculpture), Marion Flament (stained glass), Garance Dupont (mosaic bar), Gergei Erdei, Louis Cane, Pablo Grand Mourcel, Charlotte Colt, Jean-Baptiste Bernadet and Benoît Barbagli Vautier.

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The collaborative approach continues throughout the hotel. At Zouzou Riviera, Parisian artist Garance Dupont designed an 18-metre mosaic bar that references the nearby Baie des Anges through subtle nautical motifs. Elsewhere, curator Antoine Py worked alongside Boronkay Studio to assemble an impressive collection of contemporary artists, including Gergei Erdei, Louis Cane, Pablo Grand Mourcel, Charlotte Colt, Jean-Baptiste Bernadet and Benoît Barbagli Vautier, ensuring that art becomes an integral part of the guest experience rather than a decorative afterthought. The guestrooms adopt a quieter expression of the overall concept. Here, sweeping curves inspired by the Mediterranean coastline are

September/October 2026

paired with tactile fabrics, natural stone, timber and stainless steel, while bespoke rugs in warm earth tones subtly anchor each space. The layouts remain deliberately open, directing the eye towards the horizon and allowing sea views to become an active part of the interior composition. The result is a collection of rooms XLEX JIIP VIWXSVEXMZI [MXLSYX WEGVMǻGMRK XLI glamour synonymous with the Riviera. Beyond the interiors, the hotel continues to GIPIFVEXI XLI WSGMEP WTMVMX XLEX LEW HIǻRIH XLI Palais for nearly a century. Zouzou Restaurant, led by Executive Chef Sébastien Roux, champions seasonal Mediterranean cuisine, while the rooftop terrace, indoor and outdoor swimming pools, wellness facilities and event spaces reinforce the property's position as one

of Nice's leading hospitality destinations. With 145 guestrooms, 28 suites and more than 18,000 square feet of meeting and event space, the hotel balances contemporary luxury with the grandeur expected of one of the 7MZMIVE W HIǻRMRK EHHVIWWIW Rather than preserving the hotel as a nostalgic monument, Boronkay Studio has allowed it to continue evolving, creating interiors that honour the building's remarkable legacy while embracing the expectations of contemporary travellers. In doing so, Hôtel Palais de la Méditerranée demonstrates that the most successful heritage projects are not those frozen in time, but those that understand history as something living, capable of inspiring new stories while remaining unmistakably rooted in place. S

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ST. CLEMENT LONDON, UK

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n a blue skied afternoon, as gusts of waterfront air provide some respite from the summer heat, a debate in my mind is settled – this really is the most captivating view of London. Peering out across the Thames from the wraparound terrace of the penthouse at the city’s chicest new hotel, St. Clement, you’re HIEPX E VS]EP ǼYWL SJ 1SRHSR PERHQEVOW TIVJIGXP] JVEQIH F] XLI leafy green streets and water below. Set on a bend of the river across from Southbank to the left you’ll catch both St Pauls and The Shard with a glimpse of Tower Bridge, whilst views on the right stretch out to Westminster, Big Ben, and The London Eye. Captivating as the view is, the more time spent at St. Clement, the more you realise that it is really the least interesting thing about the hotel, which has been in soft launch through the summer and SǽGMEPP] STIRW MXW HSSVW ER] HE] RS[ IX [MXLMR 8LI 8LEQIW X Clement completes the riverside residential and hospitality evolution SJ XLI [MHIV 6YEVXIV HIZIPSTQIRX XLI SXLIV LEPJ QEHI YT F]

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8LI XVERH Ƴ [LMGL LEW EPVIEH] IWXEFPMWLIH itself as a creative mecca drawing the capital’s coolest professionals, artistic community and innovative companies to its doors. An ultra-curated mix of bars, restaurants, galleries, studios, health clubs, workspaces, libraries, retail, deli, and now, a hotel and VIWMHIRGIW QEOI YT 6YEVXIV XVERWJSVQMRK an area people would otherwise have passed through on their way to somewhere more LETTIRMRK 8SKIXLIV 8LI XVERH ERH The Thames make everything and anything seem possible under one address, and guests of St. Clement need not look further than the hotel's own doorstep to be part of the new creative pulse of the city. Behind St. Clement is none other than Soho

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-SYWI JSYRHIV 3MGO /SRIW MR LMW ǻVWX independent hospitality venture since parting [E]W [MXL XLI GSQTER] MR -EZMRK WTIRX the past three decades shaping the way the members’ club market has evolved, for St. Clement he has stripped back the formalities and formulas of traditional hospitality to start anew, creating an unexpected proposition that London never knew it needed. Working with London-based interior design studio Eagle + Hodges, Jones’s new codes of hospitality translate into laid-back luxe interiors that feel more home than hotel, albeit a very sophisticated someone’s home. Walking into the lobby is like turning up to a HMRRIV TEVX] KVIIXIH F] WXEǺ XLEX JIIP QSVI PMOI friends, swapping suited uniforms for more

relaxed tailoring paired with clean trainers and edgy accessories. Eclectic artwork on large scale gives the space a gallery-like feel, with 7MGLEVH -SV[SSHƶW TPER SJ XLI (MX] SJ London across eight panels, the head turning piece. Check-in is refreshingly not obvious; instead, clusters of seating and vintage furniture, set like a series of living and drawing rooms dressed with books, scented candles ERH WGYPTXYVEP JVIWL ǼS[IVW KMZI XLI VIWMHIRXMEP edge without feeling timeworn or cluttered. *EKPI -SHKIW WSYVGIH TMIGIW SJ HMǺIVIRX eras like a George Nakashima table or a Jean Royère sofa suite, creating visual contrast to WXIT E[E] JVSQ ER] HIǻRMXMZI WX]PI Peeling away from the lobby are St. Clement’s drinking and dining destinations each with an

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identity distinct from the hotel and fast becoming new city hotspots. Non-staying visitors will need to form an orderly queue for Café Clement, the all-day restaurant and bar from former River Café head chef Danny Bohan, where reservations have already become scarce. A breezy terrace out front and a garden at the back sandwich the glossy interior – low-lit and intimate, exuding the sophisticated ease of a classic Parisian café, with minimalist touches of Art Deco glamour. Half-moon booths are dressed in soft butter-toned leather against crisp white tablecloths, styled out with vintage 2EVMS 'IPPMRM (&' JSV (EWWMRE GLEMVW MR statement red. Underfoot, bespoke tilework named ‘The River Floor’ – perhaps a play on its wavy formation and on where Bohan built his culinary reputation – is a collaboration between Thurstan and Jones himself.

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Slip through an unassuming door across the lobby and you’ll stumble across Bobbi’s Bar, the lesser-known counterpart to Café Clement and every bit as discreet as Jones presumably intended. Smaller and more casual, the gloss burl wood bar anchors the room around a couple of nooks ideal for hushed conversation or solo a nightcap. A statement sound system by Devon Turnbull draws the eye to a wall of vinyl records, a guitar and a piano, positioned more for jamming between friends late into the night than for formal performance. 9T EFSZI XLI VSSQW ERH 7MZIV 1SJXW WXEVXMRK EX WUQ EVI WSQI SJ XLI PEVKIWX ERH FIWX GSRǻKYVIH VSSQW MR XLI GMX] )IXEMPW XLEX seem obvious, like a separate cupboard to hide away luggage by the door, or the ‘Stretch Box’ inside the bench at the end of the bed (complete with yoga mat, cork blocks, and hand weights),

are small gestures that go a long way to give guests that ‘at home but better’ feeling. Taking it one, or maybe two, steps further, minibars stocked with Jones's favourite snacks are included in the room rate, as are all the grooming products in the pleasingly excessive vanity cabinet, stocked with the best of British up-and-coming brands including You're Looking Well, AKT and Laro London. Aesthetically, the rooms are most visually connected with Eagle + Hodges lobby design, with a clean neutral base creating a blank GERZEW JSV YRMUYI JYVRMXYVI ǻRHW ERH EVX SFNIXW to bring their own pops of colour and rhythm. In the larger River Lofts, set up in one, two and XLVII FIHVSSQ GSRǻKYVEXMSRW ERH MR XLI WMRKPI WUQ HYTPI\ VMZIV TIRXLSYWI XLIVI MW more room to make a show of the open-plan kitchen, lounge and dining layouts, where,

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though minimal, every corner can’t help but spark some curiosity. Perhaps the best way to describe Eagle + Hodges' design, is to call it an assemblance of exceptionally nice things. Amongst many magpie moments, standout details throughout include verdantly painted glass screens by Brian Clarke, design classic lighting such as Noguchi’s Akari rice paper lamps or Bauhaus counterweight and Daphine lamps, and bespoke Eagle + Hodges seating in a sumptuous mix of materials, from almond milk linen to caramel shearling. Andrianna Shamaris's cube side tables in teak and cracked VIWMR [LMGL ǻVWX GEXGL I]IW MR XLI PSFF] QEOI E NS]JYP VIETTIEVERGI LIVI XSS 8LI TVMZEXI residences will follow the same design narrative as the hotel, making living here an extended experience of St. Clement's hospitality. Though already being dubbed the buzziest new address of the city, there’s still more to be revealed. Set to open by the end of the year, the Health Club & Spa will include a comprehensive list of wellness facilities for staying guests and members – from a longevity practice to reformer Pilates, complete with a QIXVI TSSP PSSOMRK SYX SZIV XLI 8LEQIW Cementing St. Clement as the place to be, a TVMZEXI HMRMRK ERH IZIRX WTEGI SR ǼSSV [MXL VSSQ JSV WXERHMRK SV WIEXIH ERH panoramic views, will no doubt host many a talked-about party, while a private screening VSSQ WIEXMRK SRP] TVSZMHIW E QSVI MRXMQEXI alternative. Last but not least, Lunette will open late September as the hotel’s crown jewel at XLI KPMXXIVMRK LIMKLXW SJ ǼSSV EW GLIJ +PSVIRGI 0RMKLXƶW ǻVWX WSPS VIWXEYVERX EJXIV Sessions Arts Club. As the time comes to leave, I know I'm not the only guest plotting my return, and with so much still to come there's all the more reason. Granted, Eagle + Hodges' design is refreshingly bright, beautifully minimal and particular in all the right ways, but there is something else so wonderfully alluring about St. Clement that is LEVHIV XS TYX E ǻRKIV SR ;LEXIZIV MX MW /SRIW has always known how to bottle it. And he has never done it better. S

8 - * 5&( * Development partners 3MGO /SRIW ERH 2EVO ;EHL[E Interior design *EKPI -SHKIW Location at 8LI 8LEQIW EW TEVX SJ XLI [MHIV 6YEVXIV HIZIPSTQIRX Keys VSSQW VMZIV PSJXW TVMZEXI VIWMHIRGIW

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TAMODI ESTATE & POLO RESERVE WESTERN CAPE, SOUTH AFRICA At Tamodi Estate & Polo Reserve in South Africa's Western Cape, Studio Ashby has created interiors where craftsmanship, landscape and quiet luxury GSQFMRI XS SǺIV E RI[ ZMWMSR SJ GSRXIQTSVEV] countryside hospitality

uxury hospitality has long been associated with grandeur, but a new generation of boutique retreats is redefining the experience through something far more understated: calm. Across the world's most sought-after destinations, designers are moving away from spectacle in favour of spaces that encourage guests to slow down, reconnect with nature and experience a stronger sense of place. Few recent openings embody this philosophy more completely than Tamodi Estate & Polo Reserve, an intimate ten-suite retreat nestled within the landscapes of South Africa's Western Cape. Situated between the Robberg Peninsula and the protected wilderness of the Garden Route, Tamodi occupies an enviable setting beneath the Tsitsikamma Mountains, where ocean breezes, indigenous vegetation and an equestrian tradition shape the identity of the estate. Rather than competing with its surroundings, the project embraces them, creating a destination where architecture,

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PHOTOGRAPHY COURTESY OF TAMODI ESTATE & POLO RESERVE

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interiors and landscape exist in quiet harmony. Central to that vision is Studio Ashby, whose founder Sophie Ashby (raised between South Africa and the UK) has brought a deeply personal understanding of the region to the interiors. Working from the studio's London and Cape Town offices, Ashby has developed spaces that balance refined contemporary design with the warmth and authenticity of local craftsmanship, avoiding unnecessary ornament in favour of natural materials, generous proportions and tactile detail. The estate is organised around a central clubhouse conceived less as a traditional hotel lobby than as a private country residence. A library and reading room, terraces overlooking the landscape and a swimming pool encourage guests to linger throughout the day, while the boundaries between interior and exterior are softened through expansive openings, timber

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decks and carefully framed views. Stone, XMQFIV GPE] ERH XI\XYVIH ǻRMWLIW VIMRJSVGI E palette rooted in the surrounding landscape, creating interiors that feel both timeless and unmistakably connected to place. Within the guest suites, Studio Ashby has deliberately resisted wholesale reinvention, MRWXIEH VIǻRMRK XLI I\MWXMRK PE]SYXW XLVSYKL furniture, colour and craftsmanship. Each suite spans more than 100 square metres and JIEXYVIW E ǻVITPEGI JVIIWXERHMRK FEXL ERH panoramic views across the reserve, while bespoke furniture, layered textiles and carefully considered lighting create a residential atmosphere rather than a conventional luxury hotel aesthetic. Bang & Olufsen audio systems and movable decorative lamps allow guests to tailor the ambience to their own rhythm, reinforcing the estate's emphasis on personal comfort over technological wow factors.

Materiality plays an equally important role in establishing Tamodi's identity. Large handwoven rugs, crafted in Cape Town on looms developed specifically for the project, introduce texture and warmth beneath a colour palette inspired directly by the Western Cape landscape: olive greens, terracotta, lavender, sky blue and deep earth tones. Bespoke timber furniture sits alongside South African antiques, including traditional riempie pieces, while handcrafted ceramics and locally produced accessories further strengthen the connection between design and place. Nearly 80 per cent of the furnishings have been sourced locally, complemented by carefully selected European vintage pieces. Art is treated as another layer of storytelling rather than decoration. Curated by Sophie Ashby in collaboration with Reservoir Projects, the collection brings together works by

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T H E S PAC E Owner Tamodi Estate & Polo Reserve Operator Tamodi Estate & Polo Reserve Keys 10 suites (each exceeding 100sqm) Amenities Library & Reading Room, Library Bar with honesty bar, swimming pool, wine cellar, polo facilities, stables, training tracks, gardens and nature trails. Planned expansion includes a spa, wellness café, restaurant, lounge and additional suites PROJECT TEAM Interior Design Studio Ashby Creative Director Sophie Ashby Art Curation Sophie Ashby in collaboration with Heinrich Groenewald and Shona van der Merwe, Reservoir Projects KEY SUPPLIERS Object curation Thatch Furniture and statement pieces Lemon, BoFred Textiles Frances VH Rugs Coral + Hive Other collaborators Inova, Storm Ross, Brisago

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emerging and established South African artists whose compositions echo the palette and materiality of the interiors. Elsewhere, an underused corner of the clubhouse has been transformed into the Library Bar – complete with an honesty bar, games table and shelves dedicated to South African culture, travel and design – creating an informal social hub that feels closer to a private home than a hotel lounge. That residential quality extends throughout the guest experience. Seasonal menus celebrate ingredients from the estate's own gardens and neighbouring producers, while an extensive South African wine collection reflects centuries of regional viticulture. Beyond the interiors, polo remains an integral part of Tamodi's identity, with stables, training facilities and invitation-only tournaments complementing walking trails, vineyard visits, wildlife encounters and horseback excursions across the surrounding landscape.

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Looking ahead, the estate will continue to evolve through the addition of a spa, wellness café, restaurant and further guest suites, alongside an environmental rehabilitation programme focused on restoring indigenous fynbos vegetation and wider biodiversity. Together with community initiatives supporting local education, the expansion reflects an approach to hospitality that considers sustainability and social responsibility as intrinsic elements of the guest experience rather than separate initiatives. Tamodi Estate & Polo Reserve demonstrates that the most memorable hospitality experiences often emerge from restraint. Through Studio Ashby's thoughtful interiors, locally rooted craftsmanship and an unwavering connection to the Western Cape landscape, the estate SǺIVW E GSQTIPPMRK I\EQTPI SJ LS[ HIWMKR GER WPS[ XLI pace of modern life, creating spaces that invite guests not simply to visit, but to truly inhabit their surroundings. S

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GUESTROOMS & SUITES This issue, SPACE rounds up the exceptionally designed hotel guestrooms and suites that our editorial team are endlessly swooning over. From a Montana wilderness lodge to London’s only all-suite hotel, these are the rooms that set the bar for the most memorable stays.

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O N E & O N LY M O O N L I G H T B A S I N M O N TA N A , U S A Flanked by the mountains and meadows of Montana, One&Only is situated within the Moonlight Basin master planned community in 'MK O] 2SRXERE 8LI VIWSVX SǺIVW FSXL VSSQW and suites, as well as freestanding cabins, HIWMKRIH F] VIRS[RIH EVGLMXIGXYVI ǻVQ 4PWSR Kundig. The entire aesthetic of the rooms is rooted in the surrounding landscape, focusing on mountainous views outside the windows, scattered with earthy accents of blue and burgundies. Making the most of the breathtaking setting, the Big Sky Suite includes a wraparound terrace with an outdoor soaking tub and panoramic views.

Pictured here and left One&Only Moonlight Basin, designed by Olson Kundig

AMANGIRI U TA H , U S A Conceived collaboratively by architects Rick Joy, Marwan Al-Sayed and Wendell Burnett, &QERKMVM MW E VIǼIGXMSR SJ XLI WYVVSYRHMRK pristine Utah desert landscape it inhabits. In true Aman style, the resort carries a bold yet architecturally sensitive design which honours the magic and mystery of the region’s monumental rock formations and its ancient Navajo heritage. The structures were created MR WMXY GEWXMRK GIQIRX [MXL WTIGMǻG QIXLSHW to appear as frozen sand rising up from the HIWIVX ǼSSV +SV XLI VIWSVXƶW WYMXIW XLI narrative is as much about the exterior as the interior, with the journey via an external walled lane, designed as an abstraction of a slot canyon complete with the sound of trickling water. Guests enter through rock archways where a series of private courtyards unfold to reveal a raised stone island in the centre of each suite housing the main sleeping area, lounge and bathroom. Each suite has an SYXHSSV PSYRKI ERH ǻVITPEGI [MXL I\TERWMZI desert views, while some additionally feature a private pool or roof terrace.

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THE EMORY LONDON, UK 8LI *QSV] MW 1SRHSRƶW ǻVWX EPP WYMXI LSXIP LS[GEWMRK modern architecture led by Richard Rogers and Ivan Harbour of RSHP, this luxury destination features just 61 suites. The Emory brings a new standard of contemporary design and discreet luxury to London, delivering a feeling of intimacy and calm which is drawn particularly XLVSYKL MXW YRMUYIP] HIWMKRIH WYMXIW IX SZIV ǼSSVW the distinctive architectural feel of the building is anchored by a central staircase in a shade of bright pink dubbed ‘Richard Rogers Pink’, complimented by ǼSSV XS GIMPMRK KPEWW [MRHS[W XLVSYKLSYX &XST WMXW E spectacular 300sqm wraparound glass penthouse HIWMKRIH F] 7MKF] 7MKF] [MXL IEGL X[S ǼSSVW WLS[GEWMRK XLI GVIEXMZI EIWXLIXMG SJ E HMǺIVIRX [SVPH class design studio including Champalimaud Design, Andre Fu, Pierre-Yves Rochon, and Patricia Urquiola.

ZANNIER ÎLE DE BENDOR PROVENCE, FRANCE A collaboration between Société Paul Ricard and Zannier Hotels, the Zannier Île de Bendor project honours the enduring vision of Marseille-born pastis pioneer Paul Ricard. Set SR E TVMZEXI MWPERH SǺ XLI GSEWX SJ 'ERHSP MR 5VSZIRGI XLI TVSTIVX]ƶW ǻZI ]IEV VIWXSVEXMSR has been led by Hardel Le Bihan Architects, with interiors by Zannier Design Studio. The resort has multiple destinations including, Delos, evoking 1960s Riviera glamour; Soukana, built around wellbeing; and 2EHVEKYI ǻZI GSRZIVXIH ǻWLIVQIRƶW LSYWIW with private gardens near the harbour. Natural materials and Provençal charm run throughout the guestrooms – understated, sun-warmed, unmistakably Mediterranean.

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CORINTHIA ROME I T A LY Set within the former Bank of Italy, on Piazza del Parlamento, Corinthia Rome’s six signature suites complete GA Design’s restoration and reimagination of the heritage property. Each of the suites hold a distinctive identity in dialogue with the building’s architectural features and history. The Campo Marzio Suites are designed EW X[S WXSVI] XS[RLSYWIW [MXL E PMZMRK EVIE FEXLIH MR PMKLX ǻPXIVIH XLVSYKL WXEMRIH glass windows that frame views of the Parliament, the city centre streets or the internal garden lounge. The Chigi Suite is guided by a spiral staircase leading to a 90-square-metre private panoramic terrace, furnished with a dining area and lounge zones, with a view sweeping over the Roman rooftops to parliament. Though all spectacular, the standout signature suite is The Theodoli Heritage Suite. Once the bank’s Council Chamber it preserves early-20th-century frescoes by Giulio Bargellini, a hand-painted ceiling tracing Italy’s currency history by Guglielmo Janni, and views that overlook Montecitorio directly.

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MAISON HELER METZ, FRANCE &X 2EMWSR -IPIV 5LMPMTTI XEVGO LEW FYMPX ER IRXMVI LSXIP EVSYRH E ǻGXMSREP GLEVEGXIV SJ LMW S[R MRZIRXMSR .RWMHI XLI VSSQW WTVIEH EGVSWW ǼSSVW X[S XS IMKLX EVI WXVMTTIH FEGO XS [LEX XEVGO GEPPW ƸER EPQSWX TEVXER WTMVMX WXVMTTIH SJ ER] WYTIVǻGMEPMX] [LIVI IEGL QEXIVMEP EWWIVXW MXW own colour: the white of cotton, the grey of concrete on the ceiling and walls.” Throughout he draws together expansive marble panels and sliding mirrors, while plush carpets and natural leather armchairs soften hard edges – all of which seem to be hallmarks of a Starck design story. Building upon the textural base, scattered through the rooms and corridors are the story’s props – ancient coins, quotations, a secret alphabet to decipher, archival photographs from the National &VGLMZIW ERH XLI (37 SJ MRZIRXMSRW XLEX RIZIV PIJX XLI QMRH SJ XEVGOƶW ǻGXMSREP GLEVEGXIV

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FA M I LY- RU N S I N C E 19 7 8

Discover our unparalleled Contracts offering contracts@westonebathrooms.com |

S P E C I A L F E AT U R E | H Y P N O S

One Constant in an Ever-Changing Hospitality Landscape: Sleep

Ickworth Hotel & Spa

ospitality doesn’t stand still. Always staying ahead of the curve, introducing innovative experiences: quality hotels, boutique properties, capsule stays, serviced apartments, branded residences. Whilst the ways we travel and stay are ever evolving, one need remains constant. Sleep. Wherever guests lay their head, they need a restorative night’s sleep. It’s a need that Hypnos, Britain’s foremost handcrafted contract bed maker, has spent over 120 years perfecting. That expertise spans an entire spectrum of accommodation. At The Ickworth in Suffolk, a family-focused estate owned by Luxury Family Hotels, Hypnos’ crafted collections support a reimagined guest experience built for multigenerational stays and slow, restorative breaks. In contrast, The July London Victoria with its blend of serviced apartments and lifestyle hospitality, has also partnered with Hypnos for durable, considered comfort – sleep matters just as much on a one night-city break as on an extended trip. 104

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The July

London’s long-stay market tells its own story. For families settling in for longer, Cheval offers the space and comfort to make an extended stay feel like home. For solo guests and the capital’s fast growing flexible living sector, the Mason & Fifth’s Westbourne Park development partnered with Hypnos to create a sleep experience that is both luxurious and sustainable. Grand estates, city studios, or somewhere in between: the accommodation may change

Cheval

but the sleep standard never wavers. Every Hypnos contract mattress is handcrafted with responsibly sourced materials, and carries the same promise: comfort with integrity, wherever guests choose to stay. See that promise in person at HIX 2026, Stand E20, where Hypnos brings to life this year’s theme of Changes. For more information, visit www. hypnoscontractbeds.com or call 01332 497111. spacedesignmagazine.net

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FROM RUNWAY TO CHECK-IN Fashion brands are increasingly partnering with hotel groups, or opening properties of their own. SPACE charts the move into hospitality, and what is driving it WORDS BY SOPHIE HARPER

Here and right Palazzo Versace Dubai

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ver the last couple of decades, the hospitality industry has seen a shift in consumer behaviour when it comes to luxury travel: a large sector of the market decided the traditional signs of wealth – crystal, gold and marble in palatial settings – weren't really what they were looking for from a luxury hospitality experience, and so the industry took note, recognising the need to reposition itself as a more authentic, natural, and locationfocused offering to guests inspired by the intrepid adventures of their favourite social media influencers. But amidst the rebranding and getting to grips with sustainable etiquette, we forgot that there is indeed still demand for glitzy, glamorous hospitality experiences, and while our attention was averted, major fashion brands have seized an opportunity to swoop in and remind us all that traditional luxury hasn't faded – it's simply evolved. 5EZMRK XLI [E] MR :IVWEGI [EW XLI ǻVWX JEWLMSR LSYWI to dip its toes into the hospitality world, and in untested territory, it was a bold move – especially being in Queensland,

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Australia, but the pilot concept, which brought a slice of Italian exuberance to the Southern Hemisphere, was a success and allowed the brand to branch out later to Dubai and Macau. Next on the scene, Bulgari stepped into hotel operations with its Milan property opening in 2004 and has been exceptionally successful in this market – helped by its partnership with Marriott International. The luxury jewellery brand has since become a master in hospitality operations, boasting nine hotels across Europe and Asia, and more in the pipeline with openings set for Ranfushi (2027), Bodrum (2028), Miami Beach (2029), Cave Cay (2029) and Abu Dhabi (2030). Missoni also flirted with the idea of its own branded hotels, with a brief takeover in Edinburgh and Kuwait in the late noughties, but after five years ended its contract with Rezidor Hotel Group, choosing instead to work on collaborations with a number of hotel groups to launch beach clubs and branded pop-ups. Armani was next to follow suit, opening as part of the Burj Khalifa development with Armani Hotel Dubai in 2010, quickly followed by Armani Hotel Milano in 2011, and four years ago signed another agreement for a new hotel development in

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Here clockwise and opposite Gucci suite at The Savoy in London, Bulgari Tokyo pool, Armani Hotel Dubai guestroom, Palazzo Versace Dubai

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Riyadh, Saudi Arabia. Notably, Giorgio Armani himself oversaw all the interior design, which is typically modern and minimalist. More recently, we've seen the development SJ JEWLMSR FVERHW ǼI\MRK XLIMV GVIEXMZI QYWGPIW in hospitality with more big names taking the TPYRKI Ƴ JVSQ ǼSVEP HIGEHIRGI MR 8LI ,YGGM Suite at London's Savoy to the super sleek and modern Fendi Private Suites in Rome. Elsewhere, Vermelho Melides, Christian 1SYFSYXMR W ǻZI WXEV FSYXMUYI LSXIP SR Portugal's Alentejo coast, is a clever take on hospitality that appeals to both the authentic travel market and luxe-hunting fashionistas. With just 13 rooms, hand-picked artworks, local Alentejo tiles and a restaurant built around seasonal Portuguese produce, Vermelho is less like a branded hotel and more like an extension of Louboutin's personal aesthetic – intimate, red-hued and unapologetically maximalist. Meanwhile, KARL LAGERFELD is pursuing something closer to traditional Lisbon city-living with its KARL LAGERFELD Residences, part of a wider push by the house into branded real estate that also includes a $1.4 billion beachfront residential project on Ras Al Khaimah's Al Marjan .WPERH Ƴ FEHKIH EW XLI ǻVWX JYPP] QEREKIH fashion-house-branded residential development in the region. Essentially, fashion and hospitality are both businesses of identity and aspiration. Luxury travellers already buy into a fashion brand's aesthetic through their wardrobe, so letting them sleep inside that aesthetic is a natural next step, and one that deepens loyalty in a way a single handbag purchase cannot. For fashion LSYWIW LSWTMXEPMX] SǺIVW WSQIXLMRK QSVI XLER a shopping experience: sustained, immersive time with the customer, with guests spending a weekend or more inside the brand, rather than ǻZI QMRYXIW EX E GSYRXIV +EWLMSR FVERHW EVI MRGVIEWMRKP] HMZIVWMǻIH STIVEXSVW ERH LSWTMXEPMX] SǺIVW LMKL QEVKMR experience-led revenue that reinforces brand equity rather than diluting it, provided it's executed with genuine design integrity rather than a logo bolted onto an existing property. So you can expect the pipeline to keep growing. As younger luxury consumers prioritise experiences over acquisitions, and as fashion houses look for new categories to extend brand storytelling, hospitality is one of the few sectors that serves both. S

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Events Diary '26

SPACE brings you the best in show this year from design and architecture fairs to industry conferences, and award ceremonies around the globe

LONDON DESIGN FESTIVAL 12-20 SEPTEMBER Across London, UK London Design Festival returns for its 24th edition, transforming the capital into a citywide celebration of design, creativity and innovation. The 2026 programme brings together Landmark Installations, Special Projects, the Global Design Forum, London Design Medals, fairs and events across 11 Design Districts. Highlights include ‘The Pangolin Shield’ by Studio Saar and Atelier One, MADE x Barbican, international craft collaborations and the V&A’s ‘Awakenings’ programme. Exploring global exchange, craft revival and future-facing technologies, this year’s Festival considers the connections between heritage and innovation, physical and digital, while foregrounding sustainability and circularity. londondesignfestival.com

MAISON&OBJET PULSE 2026

FOCUS/26 ON DESIGN

10-14 SEPTEMBER

14-18 SEPTEMBER

Paris Nord Villepinte exhibition centre, Paris, France

Design Centre Chelsea Harbour, London, UK

Maison&Objet’s September edition returns with a new identity as Maison&Objet Pulse, celebrating bold, sensitive and sustainable “design in motion”. Under the theme ‘Pulse in Motion’, the show explores design as a catalyst for connection, creativity and positive change. Highlights include seven sectors spanning décor, craft, wellness, fragrance, fashion, food and gifting, alongside immersive installations and emerging talent. Creative duo Masquespacio will serve as ambassadors, presenting two installations, while the Design District spotlights experimental studios, start-ups and rising designers. Running alongside, Paris Design Week extends the celebration across the city from 10–19 September. maison-objet.com

Focus/26 on Design brings the interiors industry together at Design Centre, Chelsea -EVFSYV JSV ǻZI HE]W SJ RI[ PEYRGLIW showroom events, inspiring talks, business sessions and creative discovery. For a more detailed preview of the activations and events XS GSQI WII SYV ǻVWX PSSO SZIV XLI RI\X couple of pages. dcch.co.uk

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SHOWTIME

INDEPENDENT HOTEL SHOW 5-6 OCTOBER Olympia exhibtion centre, London, UK

THE BRIT LIST AWARDS 2026 5 NOVEMBER Ministry of Sound, London, UK

The Independent Hotel Show is dedicated to the luxury, boutique, and independent hotel sector. Inspirational and practical stage sessions address industry concerns and exciting developments for hoteliers to stay ahead in this fast-changing sector. Independenthotelshow.co.uk

Powered by SPACE’s sister publication Hotel Designs, The Brit List is an annual celebration of excellence in British and international hospitality and design. The awards recognise top interior designers, architects, hoteliers, and suppliers, with the event honouring innovation, sustainability, and standout talent across 15 award categories, including the new ‘For The Love of Art’ category and the Outstanding Contribution Award. A cornerstone of the hospitality and design industry calendar, The Brit List Awards will celebrate is 10th year with a masquerade-themed extravaganza this year at London's Ministry of Sound. Expect to join a guest list of over 600 individuals for an evening of glittering entertainment and dazzling creativity. hoteldesigns.net/the-brit-list-awards

DECOREX 2026 11-14 OCTOBER Olympia exhibtion centre, London, UK Decorex returns to the newly transformed Olympia London, bringing together hundreds of suppliers, emerging makers and established names across furniture, lighting, surfaces, fabrics and accessories. The 2026 edition combines product discovery with expert-led Design Talks and a series of immersive designer collaborations. Highlights include the Decorex Bar, ‘A Seat at the Table’, created by AEVEN co-founders Alex Dauley and Grant Pierrus; Claudia Dorsch’s 1970s-inspired ‘The Chalet Reimagined’ VIP 1SYRKI ERH E FSXERMGEP ǼSVEP GVIEXMZI GSPPEFSVEXMSR [MXL EVXMWX (PEMVI (SPIW 8SKIXLIV XLI TVSKVEQQI SǺIVW MRWTMVEXMSR RIX[SVOMRK ERH JVIWL TIVWTIGXMZIW JSV XLI MRXIVMSVW GSQQYRMX] decorex.com

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Focus/26 on Design 14-18 SEPTEMBER LONDON, UK

ocus/26 on Design returns to Design Centre, Chelsea Harbour this September, bringing five days of new launches, creative collaborations, industry insight and design discovery

to London. Taking place from September 14th-18th, the event will showcase autumn/winter 2026 collections from more than 700 international brands alongside a programme of over 100 talks, workshops, demonstrations and events. This season, pattern, colour and texture take centre stage, with major collaborations including American designer Michael S. Smith x Zoffany, Ken Fulk’s fabric and carpet collections with Perennials Sutherland Studio, Paul Smith x The Rug Company and Rita Konig’s new collection for Oficina Inglesa Furniture. The Design Centre’s seasonal Design Directions point towards rich claret, gold and teal alongside verdigris, saccharine pink and warm metallics. Natural stone finishes and pleated, papery textures add tactility, while damasks, corduroy and wool bring heritage appeal. Expect geometric patterns, flamestitch, tropical motifs and curvaceous silhouettes to feature strongly across the new collections. Beyond product launches, Focus/26 offers extensive opportunities to hear from the people shaping contemporary interiors. Conversations in Design returns to the main stage with speakers including Michael S. Smith, India Hicks, Lorenzo Castillo and Paolo Moschino. Topics range from blending history, art and modern living to ‘The Art of Gathering in the Age of AI’ and lessons learned from careers in interior design.

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For design professionals looking to develop the commercial side of their practice, Grow Your Business sessions will combine masterclasses, seminars and Designer Toolkits. Discussions will explore subjects including neuroscience and interiors, building a desirable brand and creating trusted professional connections. Visitors can also get closer to craft and creativity through the Access All Areas programme. Highlights include a metalfinishing workshop inspired by Loom Furniture, a discussion of Rubelli’s collaboration with Ai Weiwei, an exploration of the Gainsborough archive and a session on sensitively restoring period properties. New for 2026 are two initiatives within the Design Emporium Collective. The Learning Lounge will host intimate professionaldevelopment sessions covering subjects such as specifying rugs, lighting and fabrics, while Emporium Live will offer the chance to meet product designers and discover more about the making process. Four new showrooms will also open in time for the event: Corston, Armac Martin, The Vale London and Spanish fabric specialist Alhambra. Meanwhile, a curated group of pop-up House Guests will take up residence in Design Avenue for the week, adding independent and emerging names to the mix. With design tours, installations, hospitality spaces and opportunities to meet designers and makers throughout the week, Focus/26 once again promises to turn Chelsea Harbour into one of London’s busiest destinations for the international interiors community. Focus/26 on Design takes place at Design Centre, Chelsea Harbour from September 14th-18th. S

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SHOWTIME All images courtesy of Design Centre, Chelsea Harbour, 2026 campaign photography by Natalie Dinham

Left page ‘Summer Fireworks’ fabric by Mulberry Home, ‘Balloton Fiori’ large vase by Venini at Source at Personal shopping, ‘Cubio’ side table by Formarkivet at Tollgard, cobalt blue rug by Obeetee Top left ‘Seaside Singerie’ wallcovering by Aux Abris at George Spencer Designs, ‘Olivia’ sofa by Kingcome upholstered in ‘Maris’ fabric in soft red/ beige by Jane Churchill at Colefax and Fowler, ‘Rannoch Brae’ fabric in coral by Osborne & Little, multicolour rug by Obeetee Top right ‘Waterford’ wallcovering by Sequana at Pierre Frey, ‘Sophie’ fabric in lin de la lys by Sophie Dries for Issé at Casamance, ‘Faun’ entry table by Arteriors, ‘Studio Art’ glass vases by Eccotrading Design London, ‘Kaylee’ rug in golden by Stark Carpet

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Shoreditch Design Week 15-20 SEPTEMBER LONDON, UK

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horeditch Design Week returns this September with an expanded programme placing material innovation, emerging talent and inclusive design firmly in the spotlight. Running from September 15th-20th as part of London Design Festival, the event will bring together more than 100 showrooms, exhibitions, installations and events across one of the capital’s most creative districts. New for 2026 is Material Matters at Unlocked, bringing together designers, manufacturers and researchers exploring the future of materials. Highlights include

FRONT and Biomason’s Mimmik Tile, grown using bacteria rather than fired in a kiln; Carbon Cell’s biomaterial alternative to plastic foams; and acoustic products created by The Or Foundation using postconsumer clothing waste. Neve Beill Ceramics will present its Thames Matter collection, made using clay sourced from the River Thames, while Phyta Biodesign explores how façade and wall systems can provide habitats for wildlife. Also making its debut is ND Selects at Kachette, a curated showcase from graduate design show New Designers. Focusing on independent businesses in their first one to five years of trading, it offers a first look at names including This is

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Images courtesy of Broadway Malyan, Lead Masterplanner

Oink, Rosie May Ceramics, Riolab Ceramics, Phil Berczuk Design and E.L.S Designs. For those focused on commercial interiors, Design at Work by OnOffice returns to Protein Studios, examining how workplace design can support wellbeing, efficiency and comfort. Sharing the venue is Neuroplaces, billed as the UK’s first B2B exhibition and conference dedicated to neuroinclusive and accessible design. Bringing together researchers, designers, workplace experts and industry leaders, it will consider more inclusive environments across workplaces, hospitality, public spaces and transport. Elsewhere, Design Burger will launch its first publication, The Product Design 100, alongside a six-day exhibition featuring

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realised products spanning furniture, lighting, consumer electronics and transport. Sustainability continues across the programme. AHEC, Mitre & Mondays and Benchmark will present Wood for the Trees at the Tab Centre, an immersive exploration of responsible forestry, sustainable timber and the future role of forests in construction and design. International platform Isola Design also returns with emerging designers and independent studios focusing on innovation, sustainability and biomaterials. At House of Icon, 2LG Studio’s You Can Sit With Us returns for a fourth edition. Entitled ‘Messy Heart’, this year’s installation rejects perfection in favour of emotion, individuality and human connection, combining emerging

makers with established designers. Raw Collaborative will also present ‘Design Intelligentsia’, bringing together collectible objects, sustainable materials and creative voices rooted in tradition, culture and history. Binding the programme together is Voices of Shoreditch, a cohort of local designers and creatives including Bethan Laura Wood, Jasper Morrison, Lee Broom, Martino Gamper, Donna Wilson, Raw Edges and Rio Kobayashi, reinforcing the district’s distinctive crossdisciplinary creative character. The main exhibition programme runs from September 15th-17th, with the wider Shoreditch Design Week district continuing until 20 September. Admission is free, with visitor registration required. S

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SHOW PREVIEW

HIX Europe 25-26 NOVEMBER LONDON, UK

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IX Europe returns this November with a new home, an expanded format and a theme that reflects an industry in constant evolution. Taking place on November 25th26th, Europe’s dedicated hotel design event is moving to Excel London, bringing together the brands, designers, products and ideas shaping the next generation of hospitality interiors. Appropriately, the theme for 2026 is ‘Changes’. From evolving brands and changing guest expectations to refurbishment, technology and new approaches to the way hotels look, feel and function, change touches

every aspect of hospitality design. HIX will explore how the industry both responds to and creates that change through talks, installations, activations and products across the exhibition. The move to Excel marks a significant new chapter for the show. Conceived as a connected, curated campus, the venue will become a blank canvas for an immersive hotel design experience, with installations, activations and talks woven throughout the show floor rather than sitting separately from the exhibition. At the heart of HIX remains its extensive product showcase, spanning the complete

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hotel interiors ecosystem – from furniture and FF&E to lighting, fabrics, bathrooms, surfaces, technology and objects. Returning exhibitors for 2026 include Laufen, Hypnos Contract Beds, Panaz, Hansgrohe Group, Julian Chichester and Porta Romana, joined by newcomers including Libra Interiors, Nalesso, Contract Chair Company and Porter Bathroom. The wider line-up brings together names including BAULMANN, Brintons Carpets, Chelsom, Elstead Lighting, Franklite, Heathfield & Co, LedsC4, Marset, Omio Atelier & Design, Pooky Lighting, Secto Design, Sensio Lighting, Zonca Lighting, alongside many more. Collectively, they will offer a

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curated edit of products and collections spanning everything from the considered details of a guestroom to larger concepts for hotels, restaurants and public spaces. Product discovery, however, is only one part of the programme. HIX describes itself as an event designed to be experienced rather than simply visited. Across two days, visitors can expect thought-provoking talks from leading hospitality figures, immersive installations by design studios, product launches and opportunities to connect with the wider design community. The event is aimed at the full hotel design ecosystem, including interior designers,

architects, developers, investors, operators, independent hoteliers, project managers, procurement teams and specifiers. Previous attendees have represented the likes of Accor, Four Seasons, Hilton, Hyatt, IHG, Marriott, Six Senses, WATG, HBA, David Collins Studio, Conran and Partners, G.A Group, Studio Mica and Goddard Littlefair. With a new venue and a theme that embraces transformation, HIX Europe 2026 promises a timely snapshot of where hospitality design is heading next. HIX Europe takes place at Excel London on November 25th-26th. Visitor registration is free. S

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Yvonne Engelmann: “International connections don’t happen by chance” As the global interiors and furniture industry navigates a changing market, Ambiente is putting international connections, curated matchmaking and contract business firmly at the heart of its next chapter. We speak to Yvonne Engelmann, Director of Ambiente Living & Giving, about why the future of trade fairs is as much about who you meet as what you see.

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he business of interiors is changing. Brands are looking beyond familiar markets, seeking new audiences and increasingly international opportunities, while architects, designers, hospitality groups and buyers are looking for distinctive products and the right people to bring projects to life. Against this backdrop, Frankfurt’s Ambiente is I\TERHMRK MXW SǺIV JSV XLI MRXIVMSV HIWMKR ERH contract sectors. At the centre of that strategy is Interior Looks, the curated area for premium interior and furniture design, which is being developed into a more international matchmaking platform for contract business. For Yvonne Engelmann, Director of Ambiente Living & Giving, the ambition is straightforward: XS QEOI MX IEWMIV JSV XLI VMKLX TISTPI XS ǻRH one another. Building a global meeting place “Companies are looking for new international business opportunities and reliable networks,” Engelmann says. “That is why we are GSRXMRYSYWP] I\TERHMRK SYV SǺIVMRK JSV

international contract business and bringing these activities together under Ambiente Projects.” The initiative encompasses dedicated programmes for architecture and interior design, alongside formats designed to encourage personal exchange and targeted networking. The intention is to create stronger links between manufacturers, retailers, hospitality businesses, architects and interior designers, and to strengthen Ambiente’s position as an international meeting place for the sector. It is a timely move. As the interiors industry becomes increasingly global, the value of a trade fair is no longer simply about showcasing the latest collections. It is also about facilitating conversations that might otherwise take months, or even years, to happen. “International connections don’t happen by chance,” Engelmann says. “In challenging times, personal encounters and targeted networking are becoming more important than ever.” From inspiration to opportunity That philosophy is shaping Ambiente’s investment in formats that bring manufacturers and key

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decision makers together. Among them is the Interior Design & Architecture Hub, alongside partnerships with international organisations including World Architects and the European Council of Interior Architects, ECIA. The aim is to combine inspiration and knowledge with something more tangible: commercial opportunity. The industry response suggests there is appetite for the approach. Bielefelder Werkstätten, Ethnicraft and Studio Höllental have EPVIEH] GSRǻVQIH XLIMV TEVXMGMTEXMSR [LMPI German furniture brand Bretz is set to exhibit at &QFMIRXI JSV XLI ǻVWX XMQI More details are expected to be announced at the fair’s press conference in early September, including the identity of the Ambiente Designer 2027. The value of the right introduction Matchmaking has become something of a buzzword across the global trade fair landscape,

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but Engelmann sees it as a practical response to the pressures facing businesses. Ambiente’s advantage, she argues, is the international breadth of both its exhibitors and visitors. Frankfurt attracts a wide range of decision makers, from architecture and planning practices to hotel groups, hospitality companies, furniture and home furnishing retailers and international trading businesses. Names such as HPP Architekten, Ippolito Fleitz Group, Marriott International, Hilton, Wayfair and Harrods Group illustrate the breadth of the audience. For exhibitors, that diversity can be just as valuable as footfall. A carefully targeted introduction to an architect specifying a hotel project, a hospitality group seeking new suppliers or an international retailer exploring a new category can have far greater commercial WMKRMǻGERGI XLER E GSRZIRXMSREP XVEHI JEMV encounter. That, ultimately, is the thinking behind

Ambiente’s evolving approach: less emphasis on simply being seen, and more on making the right connections. What comes next Ambiente, Christmasworld and Creativeworld return to the Frankfurt exhibition grounds in January 2027. The programme begins with the Compass Talks on 28 January, followed by the main trade fair dates. Ambiente/Christmasworld: 29 January to 2 February 2027 Creativeworld: 29 January to 1 February 2027 For the international interiors industry, the message is clear. In a market where brands are searching for growth and projects increasingly cross borders, the most valuable XLMRK E XVEHI JEMV GER SǺIV QE] RSX FI another trend, product or collection, but the opportunity to meet the person who can take an idea somewhere new. S

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SEE US AT

SHOREDITCH Design Week

15-20 Sept Stand S40

OR SEE US AT

DECOREX 11-14 Oct Stand G64

LUXURY CORDLESS LIGHTING DOWNLOAD THE QUINTIESSE CATALOGUES enquiries@quintiesse.com | quintiesse.com Quintiesse is part of the Elstead Lighting Group Scan for PDF Catalogue

SPACE STUDY

Preciosa lights the way at Mandarin Oriental Mayfair Many a designer will argue that the hotel lobby is where the biggest design impact can be made. Nowhere makes the case better than Mandarin Oriental Mayfair, where a bespoke light installation by Preciosa makes a memorable entrance. WORDS BY JESS MILES

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PRECIOSA | SPECIAL FEATURE

he first new build in Mayfair for over a decade, Mandarin Oriental Mayfair sees Rogers Stirk Harbour + Partners create a contemporary statement, while drawing a connection to the heritage architecture of its locale. The result is a modern yet elegant townscape façade, clad with burnt red brick “baguettes”, inspired by the Georgian terraces that surround the hotel. A Vierendeel structure, among the first in the UK, gives the interior wide spans and few interruptions, setting the scene for an interior design concept that embraces expanse to create moments of awe and wonder. Inside, the guest rooms, suites and residences were imagined by Studio Indigo, with the public spaces by Tokyo-based studio Curiosity. Combined, their concepts draw Mandarin Oriental’s Asian heritage together with nature-inspired local references to create

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a distinct East-meets-West identity, using colour, lighting schemes and scale to great atmospheric effect. Nowhere is this clearer than in the lobby and reception, where guests are stopped in their tracks as soon as they arrive. Rare green Ming marble – selected for its rich shade that mimics the leafy Hanover Square, Berkeley Square and Green Park nearby – wraps the walls to meet a grounding stone underfoot. Overhead, a bespoke installation by Preciosa lights the length of the arrival, floating above from the front door through to the reception desk – its sea of 851 hand-crafted crystal components dancing glimmers of light across the marble, glass and mirrored surfaces. Czech-based luxury lighting design company Preciosa brings three centuries of glassmaking heritage together with modern technology to its projects, with nearly all its manufacturing done by hand under one roof in Crystal Valley. For Mandarin Oriental Mayfair, Preciosa

collaborated with Clivedale company and their in-house team on a lighting display not only to accentuate key design features, but to transform how a guest feels within the space, shaping the atmosphere and subliminal journey. The brief was that it had to feel organic, rooted in the natural elements Curiosity had used throughout the hotel, while connecting the main entrance with the reception. Václav Och, the Preciosa designer on the project, chose earth as the guiding element. “My inspiration came from the language of natural elements – fire, air, water, and earth – already embedded in the original concept of the property,” says Och. “I was particularly drawn to earth, translating its raw, grounded character into light through our Signature Design, Raw Crystal.” Raw Crystal is one of Preciosa’s Signature Designs, made from components crafted by hand using materials and skills found only in Crystal Valley – which is why Preciosa has

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both trademarked and patented them. Each holds an LED diffuser, so the light glows from within the crystal rather than behind it. No two are the same shape, and no two catch the light the same way. The beauty of Raw Crystal is that it is an entirely customisable concept to specify – offering infinite possibilities for composition so interior designers can transform even the most complex of spaces. Preciosa describes Raw Crystal as inspired by the wonder and vastness of the universe, brought to Earth for a touch of magnificence – a concept already rooted in the natural world, and one that gave Och the perfect foundation to create a composition that brought Curiosity’s vision to life. Bespoke to the space, Och and the team crafted an ethereal display, settling on two sizes and three colours of crystal components curated across an undulating span of 16 metres. “The realised composition of Raw Crystal unfolds in an organic rhythm – at times the crystals gather into denser formations, elsewhere they loosen and drift apart. This movement reflects the slow, subtle shifting of rock over long periods of time,” says Och. Installations of this scale demand as much ingenuity in execution as they do in design. Above the lobby, a mirror-polished stainless steel ceiling spanning the full width of the space had to be installed around existing HVAC systems, fire detection, speakers and cameras, all while the hotel remained fully operational. The structure was also required to support the Raw Crystal installation, which stretches across more than 50 square metres and weighs 1,640 kilograms. When site conditions proved different from the original drawings, Preciosa adapted the design and technical solution as the project progressed, ensuring seamless delivery without compromising the concept. The result is a mirrored plane that returns the whole installation to the room, making a far more immersive experience than a plain ceiling ever would. “It amplifies both the scale of the installation and the number of Raw Crystals,” says Och. Whether passing the hotel from the street, checking in for the first time, or dining in the double-height restaurant below, Preciosa’s mesmerising installation provides a moment of respite from reality, allowing minds to get lost in the infinite galaxy that’s been brought down to the doorstep of Mandarin Oriental Mayfair. S

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W H I T E T U L I P B Y P H I L I P P E S TA R C K , D U R A V I T In hospitality, the bathroom is where a guest's day begins and ends – a private retreat that shapes how a stay feels. Duravit shows how form, light, colour and material work together to create calm. Philippe Starck's White Tulip collection, with its gentle radii, organic contours and well-coordinated materials, lends spaces a balanced, precise character. Creating a space the room needs to incorporate bright light to energise; indirect light to sooth, whilst warm tones and soft greens instil serenity. Clearly structured washing areas support åýŅųƋĬåŸŸ ųŅƚƋĜĹåŸØ å±ŸĜĹč čƚåŸƋŸ ĜĹƋŅ ƋĘåĜų Ú±Ƽţ Ęå ųåŸƚĬƋ× Æ±ƋĘųŅŅĵŸ ƋĘ±Ƌ ±ųå visually compelling, quietly composed and genuinely restorative for every guest. duravit.com

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The Editor’s pick of bathroom products to know right now

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C O P P E R B AT E A U C O L L E C T I O N C AT C H P O L E & R Y E +MRMWLIH [MXL E [EVQ QMVVSV FVMKLX TSPMWL MRWMHI ERH SYX XLI 5SPMWLIH (STTIV 'EXIEY MW GVEJXIH JVSQ LMKL KEYKI GSTTIV LERH ǻRMWLIH EX (EXGLTSPI 7]I W 0IRX [SVOWLST &ZEMPEFPI MR QQ QQ ERH QQ PIRKXLW [MXL E VERKI SJ ǻRMWLIW ERH XLI STXMSR XS GYWXSQMWI ]SYV GSTTIV FEXL [MXL E HIHMGEXIH TPEUYI TSWMXMSRIH SR XLI TPMRXL SJ XLI FEXLXYF XLI (STTIV 'EXIEY LEW XLI ZIVWEXMPMX] XS WYMX ER] FEXLVSSQ WX]PI JVSQ XVEHMXMSREP XS QSHIVR catchpoleandrye.com

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THE HUDSON COLLECTION DRUMMONDS 8LI -YHWSR (SPPIGXMSR MW E RI[ FVEWW[EVI VERKI JVSQ )VYQQSRHW HIZIPSTIH MR GSPPEFSVEXMSR [MXL XLI EGGPEMQIH 3I[ =SVO FEWIH HIWMKR ǻVQ 5IQFVSSOI .ZIW (SRGIMZIH EW E GSRWMHIVIH I\GLERKI FIX[IIR 'VMXMWL QERYJEGXYVMRK LIVMXEKI ERH GSRXIQTSVEV] &QIVMGER HIWMKR MXW HIWMKR PERKYEKI MW HIPMFIVEXIP] FEPERGIH ERKYPEV GVSWWLIEH LERHPIW MRXVSHYGI GPEVMX] ERH HIǻRMXMSR [LMPI PIZIV STXMSRW SǺIV E UYMIXIV TEVIH FEGO EPXIVREXMZI 8LVSYKLSYX XLI VERKI WLEVTIV KISQIXV] MW SǺWIX F] WSJXIRIH GSRXSYVW Ƴ ER MRXIVTPE] XLEX KMZIW XLI GSPPIGXMSR WXVIRKXL GSQTSWYVI ERH ZIVWEXMPMX] drummonds-uk.com

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ONDULA CESAR 0RS[R JSV MXW SVREXI OMXGLIR HIWMKRW (* &7 LEW I\TERHIH MXW VERKI XS RS[ MRGPYHI E FEXLVSSQ GSPPIGXMSR HIWMKRIH JSV XLI PY\YV] WIGXSV 4RHYPE HIWMKRIH F] ,EVG¸E (YQMRM HVE[W MRWTMVEXMSR JVSQ REXYVI MR MXW QSWX MQQIHMEXI ERH TSIXMG JSVQ XLI QSZIQIRX KIRIVEXIH [LIR E HVST XSYGLIW XLI WYVJEGI SJ [EXIV (SRGIRXVMG GMVGPIW KIRXPI VMTTPIW ERH I\TERHMRK IRIVK] FIGSQI HIWMKR GYIW XVERWPEXIH MRXS H]REQMG LEVQSRMSYW WYVJEGIW GETEFPI SJ FVMRKMRK E WIRWI SJ ǼYMHMX] XS XLI FEXLVSSQ IRZMVSRQIRX cesar.it/en

AQUALISA S RANGE AQUALISA &UYEPMWEƶW 7ERKI SǺIVW LSXIP KYIWXW XLI YPXMQEXI WLS[IV I\TIVMIRGI [MXL TVIGMWI HMKMXEP XIQTIVEXYVI GSRXVSP ZSMGI EGXMZEXMSR ERH QSSH PMKLXMRK EPP FEGOIH F] &UYEPMWE W VIRS[RIH QEVX:EPZIǝ XIGLRSPSK] ERH ǻZI ]IEV [EVVERX] ;MXL MRXYMXMZI GSRXVSPW KYIWXW [MPP EP[E]W WXIT MRXS E WLS[IV EX I\EGXP] XLI VMKLX XIQTIVEXYVI Ƴ RS GSPH WXEVXW RS WGEPHMRK WYVTVMWIW RS [EWXIH [EXIV [LMPI XLI XIQTIVEXYVI WXEFMPMWIW 8LI 7ERKI MW EZEMPEFPI MR JSYV QIXEP ǻRMWLIW IREFPMRK WIEQPIWW MRXIKVEXMSR [MXL ER] MRXIVMSV WGLIQI aqualisa.co.uk

LU D OV I CA GESSI *QFSH]MRK XLI IWWIRGI SJ ,* .ƶW Ƶ-EYXI (YPXYVIƶ XLI 1YHSZMGE GSPPIGXMSR [EW MRWTMVIH F] XLI GVEJX SJ ǻRI NI[IPPIV] ERH XLI WSJX KISQIXV] SJ ǼSVEP JSVQW LS[GEWMRK ,* .ƶW I\TIVXMWI MR QIXEP[SVO XLI GSPPIGXMSR W HIǻRMRK JIEXYVI MW MXW I\GPYWMZI MRXEKPM HM PYGI PMKLX IRKVEZMRKW WSTLMWXMGEXIH QIGLERMGEP QMGVS IRKVEZMRKW YWYEPP] VIWIVZIH JSV XLI QEOMRK SJ XLI ǻRIWX NI[IPPIV] ERH PY\YV] [EXGLIW .RXVMGEXI TEXXIVRW SJ I\XVESVHMREV] TVIGMWMSR VYR EGVSWW XLI QIXEP GVIEXMRK HITXL FVMPPMERGI ERH ER IZIV GLERKMRK MRXIVTPE] SJ PMKLX gessi.com

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LILIUM ANTONIOLUPI (VEJXIH EW E JSGEP TSMRX JSV XLI FEXLVSSQ 1MPMYQ MW E TIVJIGXP] TVSTSVXMSRIH JVIIWXERHMRK FEWMR XLEX XEOIW MXW REQI JVSQ XLI IPIKERX GEPPE PMP] 2EHI SJ REXYVEP WXSRI XLI FEWMR GVS[RW E G]PMRHVMGEP SEO FEWI REXYVEP QEXIVMEPW XLEX [SVO MR LEVQSR] XS GVIEXI E WIRWI SJ [IPPFIMRK ERH GSRRIGXMSR XS REXYVI 1MPMYQ [MPP IPIZEXI ER] FEXLVSSQ WGLIQI Ƴ ERH SǺIVW HIWMKRIVW XLI STTSVXYRMX] XS GVIEXI E YRMUYI PSSO [MXL HMǺIVIRX QEXIVMEP WIPIGXMSRW JSV XLI FEWI Ƴ [LMPWX VIQEMRMRK E TVEGXMGEP FEXLVSSQ ǻ\XYVI antoniolupi.it/en

AXOR ONE AFFUSION PIPE AXOR 8LI &<47 4RI &ǺYWMSR 5MTI LIPTW FVMRK XLI TVMRGMTPIW SJ 0RIMTT [EXIV L]HVSXLIVET] Ƴ E XL (IRXYV] [IPPRIWW TLMPSWSTL] GIRXVIH SR XLI YWI SJ GSPH [EXIV XVIEXQIRXW Ƴ MRXS GSRXIQTSVEV] LSWTMXEPMX] MRXIVMSVW [MXL IEWI &ZEMPEFPI MR E VERKI SJ &<47 +MRMWL5PYW ǻRMWLIW MRGPYHMRK 'VYWLIH 7IH ,SPH 'VYWLIH 'VSR^I ERH 'VYWLIH 'VEWW MX EPPS[W LSXIPMIVW ERH HIWMKRIVW XS MRXIKVEXI XLI TVSHYGX WIEQPIWWP] [MXLMR [MHIV FEXLVSSQ TEPIXXIW ERH QEXIVMEP WGLIQIW XS LIPT GVIEXI E GSLIWMZI IRH VIWYPX XLEX MRWTMVIW XLI WIRWIW axor-design.com/uk

GINZA BAGNODESIGN '&,34)* .,3ƶW ,MRÊ GSPPIGXMSR FVMRKW FSPH GVIEXMZMX] YVFER IRIVK] ERH I\TVIWWMZI MRHMZMHYEPMX] XS ER] TVSNIGX .RWTMVIH F] 8SO]S W MGSRMG ,MRÊ HMWXVMGX XLI GSPPIGXMSR GETXYVIW XLI WTMVMX SJ E GMX] HIǻRIH F] QSZIQIRX GYPXYVI ERH HIWMKR &X XLI LIEVX SJ XLI GSPPIGXMSR MW XLI GSRGITX SJ ƵXLI EVX SJ TPE]JYP PMZMRKƶ MRXVSHYGMRK E JVIWL ERH ]SYXLJYP ETTVSEGL XS FEXLVSSQ HIWMKR 2SZMRK E[E] JVSQ GSRZIRXMSREP RIYXVEP WGLIQIW ,MRÊ IQFVEGIW GSPSYV GSRXVEWX ERH TIVWSREPMX] QEOMRK MX WYMXIH XS FSYXMUYI PMJIWX]PI PIH ERH HIWMKR GSRWGMSYW LSWTMXEPMX] WTEGIW bagnodesign.it

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THE S RANGE T HE N EXT GE N E R AT I O N O F S M ART S H OW E R S

www.aqualisa.co.uk

AD INDEX ABI Interiors ...........................................................................37

Hamilton Litestat ................................................................ 17

Oliver Hemming ..................................................................29

Aqualisa ................................................................................. 131

Hector Finch .............................................................................2

Preciosa .................................................................................125

Catchpole & Rye ................................................................. 13

HIX...............................................................................................73

Sanipex .....................................................................................85

Design Centre, Chelsea Harbour ..............................47

Hypnos .................................................................................. 105

Shoreditch Design Week ...............................................97

Decorative Panels .............................................................. 31

James Latham ...................................................................133

8LI 'VMX 1MWX &[EVHW ............................................................ 8

Duravit....................................................................................... 21

La Bottega ............................................................................135

Ulster Carpets ......................................................................55

Elstead Lighting ................................................................ 121

Lemi Group .............................................................................. 6

West One Bathrooms ................................................... 103

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Email us at info@lathams.co.uk or visit our website at lathamtimber.co.uk. Get in touch today to order your sample!

PERSONAL SPACE

OBJECTS OF DESIRE Lee McNichol, CEO and Creative Director of Studio Sixty7, shares his latest obsessions and inspirations; from inspiring design reads and ZMRXEKI JYVRMXYVI ǻRHW XS XLI YPXMQEXI XVEZIP EGGIWWSV]

4. 2.

1. WHAT I’M READING 12 Projects by Christian Liaigre. A constant source of inspiration! His unique way of blending materials to create heightened spaces is like the work of a magician! 2. MATERIAL OF THE MOMENT

The rich colours and textures you can get from Moroccan plaster elevate any design and allow you to do it in a calm and inviting way. 3. LISTEN UP

‘Dish’ podcast with Angela Hartnett and Nick Grimshaw. I like to think of myself as a mini chef, and I love the relaxed conversations they have with some really interesting guests. Miriam Margolyes is my icon, and she was incredible on it! But when isn't she! One day I hope for Angela to cook me some good old Northern spirited food! I hope she’s reading! 4. TRAVEL COMPANION Rimowa luggage – I travel a lot for work and I like to feel organised and chic at the same time! 5. VINTAGE WISHLIST One day I will be able to get my hands on an original Pierre Jeanneret piece of furniture - I hope sooner rather than later!

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THE GUEST EXPERIENCE CURATORS

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