25-26 FGO Program Book

The World´s Stage

SEASON

T Cultu Pr ecco

Board Members

OFFICERS

Tina Vidal-Duart

Chair

Robert B. Glick

CPA, Treasurer

Lawrence Kamin

Secretary

DIRECTORS

Giacomo Bossa

Ravneet R. Chowdhury

Shannon Curran

Nancy Jean Davis

Marcelo De Santis

Robert Dinerstein

Patricia L. Guinn

Robert C. Gang

Joseph Gulino, Esq.

John Keeler

Laurent Germain

Dr. Narendra Kini

Elliot Krowe

Radmila Lolly

Per-Olof Lööf

Arlene H. Mendelson

Victor H. Mendelson

Lissete Hermida, Msc., MBA

Patrice Tedescko, Esq.

Chang Oh Turkmani

Dr. Claes Wahlested

Laurans “Larry”

Adam Mendelson

1938 – 2025

Florida Grand Opera proudly dedicates its 2025–2026 Season to the memory of Laurans “Larry” Mendelson, a visionary leader, philanthropist, and lifelong supporter of the arts whose passion for culture and community helped shape Miami’s story.

A man of remarkable integrity and foresight, Mr. Mendelson served for more than three decades as Chairman and CEO of HEICO Corporation, guiding it to international prominence while remaining deeply committed to philanthropy, education, and the arts. His leadership extended far beyond business; he believed that success carried a responsibility to uplift others.

Larry’s generosity and love of giving back to his community were constant sources of inspiration to all who knew him. Through his steadfast support of Florida Grand Opera, he helped ensure that opera—an art form he cherished—would continue to enrich lives and elevate our community for generations to come.

We extend our heartfelt condolences to the Mendelson family—his beloved wife Arlene, his sons Eric and Victor, his grandchildren, and all who were touched by his kindness. We are especially grateful to Victor Mendelson, a valued member of the FGO Board of Directors, whose continued dedication carries forward his father’s legacy of leadership and generosity.

May this season stand as a testament to a life lived with purpose, grace, and enduring love for the organizations he supported.

As Chair of the Florida Grand Opera Board, I’m honored to welcome you to a season that reminds us why the arts matter more than ever. In a time when government support for culture grows increasingly uncertain, the legacy of opera now rests in the hands of those who believe in its power: our patrons, donors, and community.

Every gift, every sponsorship, every gesture of support ensures that the music continues. Philanthropy is not only how we sustain the art form today, it is how we protect its future. Your commitment allows us to invest in the next generation of artists, commission bold new work, and keep opera accessible to all who seek inspiration, belonging, and beauty.

This season, I invite you to join us in shaping the legacy of Florida Grand Opera. Together, we can ensure that this treasured institution, the oldest performing arts organization in Florida, continues to thrive for generations to come.

On behalf of our Board of Directors, thank you for believing in the transformative power of the arts and for standing beside us as we build the future of FGO with purpose, resilience, and love.

Tina Vidal-Duart Chair, Board of Directors

Florida Grand Opera is entering a new era of reflection, renewal, and responsibility.

For 84 years, FGO has been a cultural cornerstone in South Florida, bringing people together through one of humanity’s most enduring art forms. With that legacy comes a responsibility to make sure opera remains relevant and accessible, not just as entertainment, but as something that continues to reflect who we are and where we’re headed.

Opera is more than a performance. It’s one of the world’s first immersive art forms, where music, design, architecture, and storytelling come together to express the full range of human experience. The word opera literally means “work,” and it truly is—more than 250 different skills and disciplines combine to make each production happen. It’s a reminder that creativity thrives through collaboration, and that art, at its best, belongs to everyone. Every great city needs its hospital, its university, its museum, and its opera house. Together, they shape the culture and spirit of a community.

Florida Grand Opera represents that civic role. We are both a local treasure and an international stage. This year marks a turning point that highlights our artistic independence, our growing leadership team, and our expanding board. At the center of this renewal is the launch of FGO’s new in-house orchestra, a major step that strengthens our artistic foundation and brings every aspect of performance under one vision.

Our upcoming season reflects this momentum. The Pulitzer Prize–winning Silent Night, presented with The Atlanta Opera and Opera Carolina, arrives with a refreshed score and new set design. Die Fledermaus will bring Miami’s energy to life on a beautifully restored 1920s Art Deco set. And Turandot, Puccini’s final masterpiece, celebrates its 100th anniversary with stunning AIenhanced visuals. The opera holds special meaning for FGO: it was through Turandot that Luciano Pavarotti, who began his U.S. career with us, brought “Nessum Dorma” to worldwide fame during the 1990 World Cup. As Miami prepares to host the tournament for the first time, we’re reminded of how music connects us across cultures.

Beyond the stage, FGO is deeply committed to its role as a cultural ambassador.

We take seriously our duty of cultural diplomacy, representing South Florida as a center of creativity, diversity, and collaboration. Through international partnerships, visiting artists, and community initiatives, we use opera to build bridges across cultures and generations.

Our mission is carried out through five key pillars: Artist Development, Artistic Innovation and Legacy, Education and Access, Community Engagement, and Wellness and Resilience. Together, these programs create opportunities for people of all ages to experience opera, whether it’s students discovering it for the first time, artists developing their careers, or community members finding inspiration through music in hospitals, classrooms, and public spaces.

We invite you to be part of this next chapter to help us keep this legacy strong and ensure that opera continues to inspire, connect, and thrive in South Florida and beyond.

Maria Todaro

General Director & CEO

January 24, 2026

Experience the dazzling Opening Night of Die Fleder maus, then step into the party of the year—Prince Orlofsk y’s palace itself! A roaring 1920s masked ball and speakeasy s et upon FGO’s glamorous Art Deco set on the stage of the Ad rienne Arsht Center.

Silent Night

MIAMI

Adrienne Arsht Center for the Performing Arts of Miami-Dade County / Ziff Ballet Opera House

Nov 15, 2025, at 7:00pm

Nov 16, 2025, at 3:00pm Nov 18, 2025, at 8:00pm

FORT LAUDERDALE

Broward Center for the Performing Arts Au-Rene Theater

Dec 4, 2025, at 7:30pm Dec 6, 2025, at 7:30pm

War and music may seem like opposites, but in Silent Night, they collide in the most extraordinary way. Composer Kevin Puts and librettist Mark Campbell’s Pulitzer Prize–winning opera brings to life the true story of a spontaneous ceasefire on Christmas Eve during World War I when soldiers on opposite sides of the battlefield found humanity in each other through song.

Based on the 2005 film Joyeux Noël, this powerful opera transports us to the trenches of 1914, where Scottish, French, and German soldiers are caught in the brutality of war. But on one remarkable night, their weapons fall silent. Moved by the voice of a German opera singer conscripted into battle, they step out of their trenches to share songs, stories, and even a game of soccer. It’s a fleeting moment of peace, one that defies orders, risks everything, and reminds us of the profound power of music to unite us, even in our darkest hours.

Puts’s sweeping score blends everything from simple folk tunes to grand, cinematic orchestration, capturing the raw emotion of both battle and brotherhood. Originally conceived by stage director Tomer Zvulun, this production has won multiple awards, including the Irish Times Theatre Award for Best Opera, and has captivated audiences across the world.

We couldn’t think of a more fitting way to open our season than with Silent Night, especially in November, when we honor our veterans and wartime heroes on Veteran´s Day.

This season also marks the launch of Voices of Wellness, a new Florida Grand Opera initiative that invites first responders, veterans, military personnel, and medical professionals to experience the magic of opera.

“They shall grow not old, as we that are left grow old: Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning. We will remember them.”

Laurence Binyon

Opera in 2 Acts

Silent Night by Christian Carion for the motion picture produced by NordOuest Production.

Director

Tomer Zvulun

Music By Kevin Puts

Libretto By Mark Campbell

Original stage direction by Eric Simonson

Commissioned by Minnesota Opera

A Minnesota Opera New Works Initiative Commission

First performed: 2011, Ordway Music Theatre, St. Paul First time on stage at FGO

Sung in English, French, German, Italian and Latin

DIRECTOR´S NOTES

Tomer Zvulun

From the first moment that I listened to Silent Night; it deeply touched a personal side in me. Kevin Puts’s music along with Mark Campbell’s libretto uniquely captures the dichotomy of love and WAR and creates a world that is both specific and universal at once. It captures the humanity of the characters and the comforts that friendship and music bring to the bloodiest and most inexplicable of all human experiences — WAR. WAR, whether today in Iraq, Israel, or a century ago all over Europe, evokes a chaotic, surreal world. The characters that inhabit this world are completely lost in it. As often is the case in WAR. Our production was conceived as an entangled nightmare that progresses vertically. The structure of the opera is extremely intricate and complicated. The space is the key to the concept: It allows for the fluidity that the storytelling requires. Frequently, the vertical nature of the set allows for simultaneous action on different levels. As an Israeli, I know WAR very intimately. From the Lebanon WAR in my childhood in the 1980s through the intifada and the suicide bombings in the streets of Tel Aviv in the 1990s to the endless battle at the Gaza Strip, WAR is a state of being in Israel. In the early ‘90s, I entered the most surreal situation possible for a carefree teenager: I served in the army for three years as a medic in a combat infantry unit. As a young 18-year-old, I learned a thing or two about violence, fear, loss, and the constant brush with death. I learned to shoot, fight, run, hide — not only physically, but also emotionally. Hide the fear of dying young. What got me through that time and stayed with me forever was the humanity that I found in every daily situation with the members of my unit. I remember the strong friendships we formed, the coffee we would share on endless nights, the music we listened to in sentry, and the stories I heard from my comrades about their girlfriends, mothers, loves, lives, homes ... most of all, we were recognizing that we all hid the same fear: that we may never see them again. That is the most fundamental aspect of being a soldier: missing the ones you love, your family, your home, your innocence, your youth. Those may be lost forever as soon as you put on uniforms and walk out the door. That’s why I found the story of Silent Night so moving, personal, and yet universal at the same time. Each one of the characters is acutely aware of his mortality, fears, and loves. In the midst of this unimaginable time of terror, the music, friendship, and humanity emerge to provide a momentary solace from the horrors of that futile WAR. www.fgo.org

Cast & Crew

Conductor Christopher Allen

Scenic & Projection Design

Erhard Rom

Costume Designer

Vita Tzykun **

Lighting Designer

Robert M. Wierzel

Hair/Makeup Designer

Brittany Rappise

Hair/Makeup Assistant

Designer

Phoebe Bock **

Fight Choreographer

Rick Sordelet & Christian

Kelly-Sordelet **

Chorus Master

Jared Peroune

Collaborative Pianist

Anna Fateeva

Associate Director

Conor Hanratty **

Assistant Conductor

Felix Jarrar

Associate Lighting Designer

Eric Norbury **

Projection Programmer

Erin Teachman

Fighters Sourced

Miami Action Design

English titles by

Mark Campbell

Spanish titles by Florida Grand Opera

Director Tomer Zvulun

4

1

5

CAST IN ORDER OF APPEARANCE 9 12 13

2

6

3

7

10 8 11

* FGO Studio Artist ** FGO Debut

14

SEASON 84

Synopsis for Silent Night

ACT I 70 MINUTES

Summer 1914: At a Berlin opera house the performance is disrupted by the announcement of war. The life and career of the singers Anna Sørensen and Nikolaus Sprink change, as Nikolaus has to go to war. In Scotland, William urges his younger brother Jonathan to enlist. In Paris, pregnant Madeleine is angry as her husband Audebert departs for war.

December 23, 1914: An attack by French and Scottish soldiers on the German line fails. Nikolaus stabs a man and despairs at the violence. William is shot and dies. In the bunker later, the soldiers are shocked by the slaughter.

December 24, 1914: In the morning, little Christmas trees are delivered to the German soldiers, a gift of the Kronprinz, who is camping in a chalet nearby. Nikolaus is ordered to sing for him later and looks forward to reuniting with Anna on that occasion. The French soldiers receive wine, sausages, and chocolates. The Scottish soldiers get crates of whisky. Later, in the evening, Anna and Nikolaus perform for the Kronprinz. Nikolaus has to return to the front, and Anna follows him. At night, a French soldier moves out with some grenades to infiltrate the German line. Some Scottish soldiers start singing. Nikolaus responds with a Christmas song; soon the Scottish bagpiper starts to accompany him, and Nikolaus raises a Christmas tree on the bunker. The Christmas truce starts as the lieutenants agree to stop fighting until the morning. The soldiers come out and the French soldier returns without using his grenades. The soldiers intermingle, talk, and exchange provisions. Anna appears. Father Palmer conducts a mass. Anna sings of peace. Jonathan, however, finds the body of his brother and vows to take revenge.

ACT II 50 MINUTES

December 25, 1914: In the morning Jonathan buries his brother. A decision is made to extend the truce to allow for the burial of other soldiers. Later in the morning Father Palmer delivers the last rites as the bodies are carried away. During the day, the news of the truce reaches the British, French, and German headquarters. It is received with disbelief, anger, and the determination to punish the soldiers. In the evening Horstmayer wants to arrest Nikolaus for insubordination, but Anna takes his hand and leads him across the noman’s land toward the French side. Horstmayer’s order to shoot him is ignored. Nikolaus and Anna ask the French for asylum.

December 26, 1914: The British Major punishes the Scottish soldiers by transferring them to the front lines. On his order, Jonathan shoots a German soldier crossing the battlefield. The soldier is actually the Frenchman Ponchel in a German uniform who was disguised to cross the lines and visit his mother. The French General orders Audebert to Verdun and disbands his unit. The Kronprinz transfers the German soldiers to Pomerania. The no-man’s land is empty at the end; as the German company departs, a soldier begins playing the Scottish tune on his harmonica.

INTERMISSION 25 MINUTES

Die Fledermaus

MIAMI

Adrienne Arsht Center for the Performing Arts of Miami-Dade County / Ziff Ballet Opera House

Jan 24, 2026, at 6:30pm

Jan 25, 2026, at 3:00pm

Jan 27, 2026, at 8:00pm

Get ready for a night of glamour, laughter, and irresistible melodies as we bring Johann Strauss II’s Die Fledermaus to life—South Florida style! Inspired by the vibrancy and energy of our city, this production is more than just an opera; it’s a celebration. We’re transforming the grandeur of the Viennese courts into a dazzling spectacle, packed with surprises, special guest appearances, and a party you won’t want to miss.

Step into a world of high society, masked revelry, and mischievous intrigue, where mistaken identities and playful deception set the stage for a whirlwind of comedy and sumptuous Viennese waltzes. At the heart of it all is Dr. Falke’s grand scheme for revenge on his friend Eisenstein—an elaborate prank that unfolds at an extravagant masquerade ball, where champagne flows freely, secrets spill, and the unexpected is always around the corner.

Featuring a brilliant cast, opulent costumes, and an atmosphere infused with South Florida’s dynamic spirit, this production is designed to transport you to a world where the music sparkles, the laughter never stops, and the party never ends!

Florida Grand Opera proudly presents Die Fledermaus on its newly acquired and restored Art Deco set by designer Benoît Dugardyn, a reflection of Miami’s vibrant Art Deco heritage and FGO’s commitment to preserving operatic artistry.

Opera in 3 Acts

Original production of Glyndebourne Festival performed by Grand Théâtre de Genève in German and French

Director

Stephen Lawless

Music By

Johann Strauss II

Libretto By

Karl Haffner and Richard Genée

First Performed: 1874, Theater an der Wien, Vienna

Last performed at FGO in 1998

Sung in German with English and Spanish projected translations

DIRECTOR´S NOTES

Stephen Lawless

Die Fledermaus has occupied a large proportion of my professional life. I first directed the operetta in the United Kingdom in 1982 and then directed a new production at Glyndebourne in 2003 and 2006 [this is the production that you will see at Florida Grand Opera. That production was sold to Geneva and rented to the opera house in Graz in Austria. I have also directed new productions for the opera companies in Seoul and Beijing. All told, I have directed it in German, English, French, Mandarin, and Korean!

Operetta grew out of the Singspiel [i.e. a play with music] tradition and flourished in Europe from the middle of the nineteenth century until just before the Second World War [where it was subsequently supplanted by the American Musical]. It was distinguished from its older cousin, Opera, by its use of dialogue to progress the plot along and by its irreverent mockery of political institutions and the people who rule us, as well as its salacious content and nostalgia for a bygone, happier age. Each country had its own particular brand — Offenbach in France, Gilbert and Sullivan in Great Britain, and the Strauss family, Lehar, and Kalman in Germany and Austria.

Die Fledermaus remains the pinnacle of this operetta tradition. Strauss’s score contains one blockbuster tune after another that whizz along with champagne-fueled speed. Yet all is not pure frivolity. The piece premiered in 1874, a year after the devastating financial crash of 1873 that rocked Austria and resulted in economic depression. It provided a form of escapism from these financial woes by presenting a nostalgic world where money [in the form of Prince Orlofsky] was no object. Beneath the frivolity, it deals with one man’s revenge on another for a practical joke that was perpetrated on him, causing social ridicule. And as Freud pointed out, jokes are serious things.

We have taken the liberty of moving the piece forward by thirty or forty years to the start of the Twentieth Century. Our visual references become Klimt and Art Deco. Falke becomes a disciple of Freud and Orlofsky his patient.

I am delighted that Florida Grand Opera will give this production its American Premiere.

Enjoy!

Cast & Crew

Conductor Pablo Mielgo **

Scenic Design

Benoit Dugardyn

Costume Designer

Ingeborg Bernerth **

Lighting Designer

Simon Trottet **

Choreographer

Nicola Bowie

Hair/Makeup Designer

Brittany Rappise

Hair/Makeup Assistant

Designer

Phoebe Bock

Chorus Master

Jared Peroune

Collaborative Pianist

Anna Fateeva

Assistant Conductor

Felix Jarrar

1

Director Stephen Lawless

5 4

2

6

10 9 8 CAST IN ORDER OF APPEARANCE ?

3

7

* FGO Studio Artist ** FGO Debut

SEASON 84

Synopsis for Die Fledermaus

ACT I

50 MINUTES

Gabriel von Eisenstein, a Viennese man-abouttown, has been sentenced to eight days in prison for insulting an official, partially due to the incompetence of his attorney, Dr. Blind. Adele, Eisenstein’s maid, receives a forged letter, allegedly from her sister who is in the company of the ballet, but actually written by Eisenstein’s friend Falke, inviting her to Prince Orlofsky’s ball. She pretends the letter says that her aunt is very sick and asks her mistress Rosalinde (Eisenstein’s wife) for an evening off. Falke arrives to invite him to the ball. Together, they recall a practical joke which Eisenstein played on Falke a few years ago, for which Falke is secretly planning a light-hearted revenge in kind. Eisenstein bids farewell to Adele and his wife Rosalinde, pretending he is going to prison but really intending to postpone jail for one day and have fun at the ball.

After Eisenstein leaves, Rosalinde is visited by her former lover, the singing teacher Alfred, who serenades her. Frank, the governor of the prison, arrives to take Eisenstein to jail, and finds Alfred instead. In order not to compromise Rosalinde, Alfred agrees to pretend to be Eisenstein and to accompany Frank.

ACT II

45 MINUTES

It transpires that Falke, with Prince Orlofsky’s permission, is using the ball as a way of getting revenge on Eisenstein. Sometime before, after a costume-party, Eisenstein had abandoned Falke, very drunk and dressed in a bat-costume, in the center of town, exposing him to ridicule the next day. As part of his scheme, Falke has invited Frank, Adele, and Rosalinde to come to the ball, all concealing their identities as well. Rosalinde pretends to be a masked Hungarian countess, Eisenstein goes by the name “Marquis Renard,” Frank is “Chevalier Chagrin,” and Adele, who has borrowed one of Rosalinde’s dresses without permission, pretends she is an actress. The ball is in progress, and the prince welcomes his guests. Eisenstein is introduced to Adele but is confused as to who she really is because of her striking resemblance to his maid. Frank arrives. He and Eisenstein, who are both posing as Frenchmen, attempt to conceal their identities by repeating common French phrases to each other, to Orlofsky’s great amusement. Since neither knows French, both are fooled. As the party progresses, they both experience alcohol-induced good-feeling and manly camaraderie for each other.

Then Falke introduces the masked Rosalinde to the company. She convinces everyone that she is Hungarian by singing the “Csárdás,” a sentimental dancing-song. During an amorous tête-àtête, Eisenstein tries unsuccessfully to persuade the mystery-woman to unmask. She succeeds in extracting a valuable watch from her husband’s pocket, something which she can use in the future as evidence of his impropriety. In a rousing finale, Orlofsky makes a toast to champagne, and the company celebrates. Eisenstein and Frank dash off as the clock strikes six in the morning.

ACT III

40 MINUTES

The next morning, they all find themselves at the prison, where the confusion increases and is compounded by the jailer, Frosch, who has profited from Warden Frank’s absence to become gloriously drunk. Alfred, still in jail in Eisenstein’s place, irritates the other prisoners by singing operatic arias. Adele arrives to ask the Chevalier Chagrin (Frank in disguise) to sponsor her career as an actress, but Frank is not wealthy enough to do this. Meanwhile, Alfred asks Frosch to summon Dr. Blind to help get him released; Frank agrees to allow this, and Dr. Blind arrives. Eisenstein enters and says he has come to serve his sentence. He is surprised when Frank tells him that his cell is already occupied by a man who claims to be Eisenstein and whom Frank had arrested in Eisenstein’s apartment. Frank further tells Eisenstein that the man he arrested was singing amorous songs to Rosalinde at the time of his arrest and warmly kissed her goodbye. Enraged, Eisenstein takes Dr. Blind’s wig and glasses in order to disguise himself and confront the impersonator Alfred, who Eisenstein now believes has cuckolded him. Rosalinde enters. Eisenstein takes off his disguise and accuses her of being unfaithful to him with Alfred.

Eisenstein, Rosalinde, and Alfred sing a trio in which Eisenstein angrily claims the right of vengeance. However, Rosalinde produces his watch, and he realizes that the Hungarian mystery-woman he tried to seduce at Orlofsky’s party was Rosalinde in disguise and that he, not she, is at fault. Falke enters with all the guests from the party and explains that the whole thing was payback for Eisenstein’s practical joke on him three years before. Eisenstein is delighted by the prank, and he begs Rosalinde to forgive him for his attempted infidelity. Rosalinde refuses at first and threatens to divorce him, but Eisenstein tells her that his misbehavior was caused by the champagne. She accepts this explanation and immediately forgives him unconditionally. Orlofsky promises to finance Adele’s acting career, and the company joyfully reprises the “Champagne song” from Act 2.

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Giacomo Puccini

Turandot

MIAMI

Adrienne Arsht Center for the Performing Arts of Miami-Dade County / Ziff Ballet Opera House

Mar 7, 2026, at 7:00pm

Mar 8, 2026, at 3:00pm Mar 10, 2026, at 8:00pm

FORT LAUDERDALE

Broward Center for the Performing Arts Au-Rene Theater

Mar 26, 2026, at 7:30pm Mar 28, 2026, at 7:30pm

This production takes Turandot to new heights, merging opulent costumes and lavish sets with cutting-edge stagecraft to transport audiences into a world of mystery, romance, and spectacle.

Get ready for an opera of high-stakes drama, breathtaking spectacle, and one of the most legendary scores ever composed. Puccini’s final masterpiece, Turandot, comes to life in a production that honors the grandeur of its 1926 La Scala premiere while pushing boundaries with stunning visual technology. Seamlessly blending innovation with tradition, this epic tale is more immersive and electrifying than ever.

At the heart of the story is the cold and enigmatic Princess Turandot, who tests her suitors with three impossible riddles—failure means death. But when the fearless Prince Calaf succeeds, the real challenge begins—not of intellect, but of love. Will he melt Turandot’s icy heart, or will fate take yet another victim?

This production takes Turandot to new heights, merging opulent costumes and lavish sets with cutting-edge stagecraft to transport audiences into a world of mystery, romance, and spectacle.

From the electrifying power of “Nessun dorma” to sweeping orchestral landscapes, Puccini’s score pulses with passion, intensity, and grandeur.

in 3 Acts

Directed by Jeffrey Marc Buchman

Music By

Giacomo Puccini, posthumously completed by Franco Alfano

Libretto By

Giuseppe Adami and Renato Simoni

First Performed: 1926, Teatro alla Scala, Milan

Last performed at FGO in 2010

Sung in Italian with English and Spanish projected translations

DIRECTOR´S NOTES

Jeffrey Marc Buchman

The moment the curtain rises in Turandot, we feel ourselves being propelled towards something monumental and transformative. Puccini’s final gift to us is filled with dazzling spectacle and riddles whose answers carry the most severe consequences; yet, at its core lies something deeper — a profound exploration of transformation and change. Turandot herself embodies the opera’s most striking metamorphosis. At the outset, she is a figure of icy vengeance, defined by her refusal of love and her entrapment in the trauma of her ancestor’s tragic story. Her change comes about not by brute conquest, but by the persistence of vulnerability and human connection. Calaf, too, evolves from an impulsive, reckless suitor into one who recognizes the necessity of surrendering power in order to truly claim love. Even the people of Peking, complicit in the cycle of cruelty, undergo their own collective shift, longing for an end to fear and for the rebirth of compassion. In Turandot, transformation is not merely a theme assigned to a single character but is at the very heart of the drama.

Puccini’s own artistic journey played out against a backdrop of monumental change in opera. He is widely celebrated for creating some of the most emotionally immediate and theatrically gripping works in the operatic canon, works that have become fixtures of opera houses across the globe.

Yet around him, Wagner’s vast mythic dramas and revolutionary harmonic language, Debussy’s impressionistic soundscapes, and Stravinsky’s bold rhythmic modernism were reshaping the operatic landscape. Puccini, in the midst of these seismic shifts, faced the pressing question of how to preserve his distinctive voice while still engaging with a rapidly evolving art form. Rather than rejecting the traditions that had secured his popularity, Puccini deepened and expanded them. In what would turn out to be his final opera, Turandot, he did not abandon the lyric realism that had defined La Bohème, Tosca, and Madama Butterfly. Instead, he refined his style into something more psychologically nuanced, able to carry both intimate human drama and sweeping spectacle, weaving in an atmosphere of epic myth and ritual, infusing the score with exotic colors and harmonies.

Yet the opera’s theme takes on an additional layer of poignancy, as the climactic moment of Princess Turandot’s transformation was never completed by Puccini. For this pivotal scene, we have only his sketches, fragments of a vision he did not live to complete. In 1924, Puccini lost his battle with throat cancer, leaving Turandot suspended between promise and fulfillment. The opera’s ending was entrusted to Franco Alfano, who shaped it from Puccini’s notes. The story of Turandot, though wrapped in legend, ultimately confronts timeless ideas: how fear can harden us, how love can break through cruelty, and how transformation remains possible even in the harshest of circumstances. Puccini’s masterpiece endures not because it offers easy answers, but because it insists that change, though difficult, is always possible.

Cast & Crew

CAST

IN ORDER OF APPEARANCE

Conductor Jonathan Brandani **

Scenic & Costume Design

Allen Charles Klein

Lighting Designer

Robert M. Wierzel

Projection Designer

Keith Lissner **

Hair/Makeup Designer

Brittany Rappise

Hair/Makeup Assistant

Designer

Phoebe Bock

Choreographer

Rosa Mercedes

Chorus Master

Jared Peroune

Collaborative Pianist

Anna Fateeva

Associate Director

Ian Silverman **

Assistant Conductor

Felix Jarrar

Associate Lighting Designer

Eric Norbury **

Projection Programmer

Erin Teachman **

English titles by

Florida Grand Opera

Director Jeffrey Marc Buchman

1

2

5

4 Ping Raymond Diaz ** Baritone

8

9

6

10

3

7

11

FGO Studio Artist

FGO Debut

SEASON 84

Synopsis for Turandot

ACT I

35 MINUTES

Peking, in the mythic past. Outside the Imperial Palace, a mandarin reads an edict to the crowd: Any prince seeking to marry Princess Turandot must answer three riddles. If he fails, he will die. The most recent suitor, the Prince of Persia, is to be executed at the moon’s rising.

Among the onlookers are the slave girl Liù, her aged master, and the young Calaf, who recognizes the old man as his long-lost father, Timur, vanquished King of Tartary. Only Liù has remained faithful to him, and when Calaf asks her why, she replies that once, long ago, Calaf smiled at her. The mob cries for blood but greets the rising moon with a sudden fearful silence. As the Prince of Persia goes to his death, the crowd calls upon the princess to spare him.

Turandot appears in her palace and wordlessly orders the execution to proceed. Transfixed by the beauty of the unattainable princess, Calaf decides to win her, to the horror of Liù and Timur. The three ministers of state, Ping, Pang, and Pong, appear and try to discourage him, but Calaf is unmoved. He reassures Liù, then strikes the gong that announces a new suitor.

ACT II

45 MINUTES

Within their private apartments, Ping, Pang, and Pong lament Turandot’s bloody reign, hoping that love will conquer her and restore peace. Their thoughts wander to their peaceful country homes, but the noise of the crowd gathering to witness the riddle challenge calls them back to reality.

In the royal throne room, the old emperor asks Calaf to reconsider, but the young man will not be dissuaded. Turandot arrives. She recounts the story of her beautiful ancestor, Princess Lou-Ling, who was abducted and killed by a conquering prince. In revenge, Turandot has turned against men and determined that none shall ever possess her. Trumpets then herald the beginning of the riddles.

Turandot poses her first question to Calaf: What is born each night and dies each dawn? “Hope,” Calaf answers correctly. Turandot continues: What flickers red and warm like a flame, yet is not a flame? “Blood,” Calaf replies after a moment’s thought. Shaken, Turandot delivers the third riddle: What is like ice but burns, and if it accepts you as a slave, makes you a king? Tense silence prevails until Calaf triumphantly cries “Turandot!” The crowd erupts in joy, and the princess vainly begs her father not to give her to the stranger. Hoping to win her love, Calaf offers Turandot a challenge of his own: If she can learn his name by dawn, he will forfeit his life.

ACT III

At night in the Imperial Gardens, Calaf hears a proclamation: On pain of death, no one in Peking shall sleep until Turandot learns the stranger’s name. Calaf is certain of his victory, but Ping, Pang, and Pong try to bribe him to leave the city. As the fearful mob threatens him to learn his name, soldiers drag in Liù and Timur. Calaf tries to convince the crowd that neither of them knows his secret.

When Turandot appears, commanding Timur to speak, Liù replies that she alone knows the stranger’s identity and will never reveal it. Soldiers torture her, but she remains silent. Impressed by her fortitude, Turandot asks what gives Liù the strength to resist. It is love, she replies. When the torture intensifies, Liù tells Turandot that she, too, will know the joys of love. Then she snatches a dagger and kills herself.

The crowd forms a funeral procession, and Timur follows as they take away her body. Turandot remains alone to confront Calaf, who impetuously kisses her. Knowing emotion for the first time, Turandot weeps. Calaf, now sure of winning her, reveals his identity.

Once again before the emperor’s throne, Turandot declares she knows the stranger’s name: It is Love.

40 MINUTES INTERMISSION

25 MINUTES

Let us introduce you to...

2025 / 2026 CANTO

The FGO CANTO program, a pioneering initiative designed to cultivate the next generation of opera talent. In partnership with local college music training programs, including the University of Miami – Frost School of Music and the Florida International University’s (FIU) Herbert and Nicole Wertheim School of Music & Performing Arts, CANTO stands as a beacon of opportunity for students embarking on a career in music performance.

Government Support

MIAMI-DADE COUNTY DEPARTMENT OF CULTURAL AFFAIRS

Over $12,120,000 granted since 1991

We extend our deepest gratitude to the Miami-Dade County Department of Cultural Affairs, the Cultural Affairs Council, the Mayor, and the Board of County Commissioners for their steadfast support through the Major Cultural Institutions Grant Program. For more than three decades, this extraordinary partnership has sustained and advanced our artistic mission across Miami-Dade.

BROWARD COUNTY CULTURAL DIVISION

Over $7,000,000 granted since 1995

Recognized locally as The Opera Guild of Fort Lauderdale, Florida Grand Opera proudly acknowledges the Broward County Cultural Division, the Cultural Council, and the Board of County Commissioners. Since 1995, their enduring support has enriched Broward County’s cultural life through world-class opera.

FLORIDA ARTS AND CULTURE

Over $5,000,000 granted since 1992

We are honored to recognize the support of Florida Arts & Culture, sponsored in part by the State of Florida’s Division of Arts and Culture and the National Endowment for the Arts. For over 30 years, this partnership has preserved Florida’s cultural heritage and expanded access to the performing arts statewide.

NATIONAL ENDOWMENT FOR THE ARTS

Over $1,218,000 granted since 1991

We are profoundly grateful to the National Endowment for the Arts for its visionary leadership and generous support. For more than three decades, the NEA has championed America’s cultural heritage and ensured equitable access to the arts, allowing us to share opera’s universal language with audiences across South Florida.

MIAMI BEACH CULTURAL ARTS COUNCIL

Over $234,000 granted since 1999

We extend our sincere thanks to the Miami Beach Cultural Arts Council, the Mayor, and the City Commissioners for their meaningful support as a Cultural Presenter. Their partnership continues to foster the growth and visibility of the arts in Miami Beach.

CITY OF CORAL GABLES – “THE CITY BEAUTIFUL”

Over $58,000 granted since 2011

Florida Grand Opera warmly thanks the City of Coral Gables Cultural Development Board and the City Commission for their support. Since 2011, their dedication has enriched cultural life in Coral Gables and strengthened its reputation as a beacon of culture and elegance.

STATE OF FLORIDA’S DEPARTMENT OF EDUCATION

With heartfelt gratitude, we thank the State of Florida’s Department of Education for their generous contribution to our community education programming. Your support plays a vital role in expanding access to the arts and enriching the lives of students and families across our region. Together, we are building a stronger, more inspired future through education.

Foundation & Trust Partners

S. Leiser*

*Deceased

JOHN S. AND JAMES L. KNIGHT FOUNDATION

We extend our sincere thanks to the John S. and James L. Knight Foundation for its enduring partnership. Their generosity enables Florida Grand Opera to create innovative, impactful performances and programs that enrich our community’s cultural landscape.

THE MIAMI FOUNDATION – GIVE MIAMI DAY

Florida Grand Opera is honored to participate in Give Miami Day, The Miami Foundation’s signature annual event. This extraordinary day of giving highlights our community’s generosity, mobilizing support for more than 1,000 nonprofits and strengthening a thriving Greater Miami.

COMMUNITY FOUNDATION OF BROWARD

We are deeply grateful for the Community Foundation of Broward’s steadfast investment in our Education and Outreach programs. With support from the Knight Foundation Fund, the Frederick W. Jaqua Fund, and The Frederick A. DeLuca Foundation Broward Community Fund, opera continues to inspire and educate new generations.

JANET TRAEGER SALZ CHARITABLE TRUST

Trustees: Carlyn McCaffrey and William Robbins

We gratefully honor the legacy of Janet Traeger Salz, an accomplished interior designer whose passion for the arts left a lasting impact. Today, through the stewardship of the Janet Traeger Salz Charitable Trust, her vision endures—ensuring future generations experience the beauty of opera.

BEATRICE SNYDER FOUNDATION

We extend our heartfelt thanks to the Beatrice Snyder Foundation for its generous and inspiring support. As Renée Fleming so eloquently notes, “The performing arts connect people on a deeper level, encourage empathy, and provide a shared space to explore complex emotions and stories.” Florida Grand Opera is honored to bring this vision to life through the Foundation’s generosity.

JOSEPHINE S. LEISER FOUNDATION, INC.

We warmly thank the Josephine S. Leiser Foundation for its longstanding commitment to our Opera Season in Broward County. This enduring partnership sustains the presence of world-class opera in our community and celebrates the transformative role of the performing arts.

ARTHUR F. AND ALICE E. ADAMS SUPPORTING FOUNDATION TRUST

Florida Grand Opera gratefully acknowledges the Arthur F. and Alice E. Adams Supporting Foundation Trust. In honor of true guardians of opera, whose vision preserves its magic, we thank you for inspiring present and future generations through your unwavering dedication.

FUNDING ARTS NETWORK, INC.

We extend our heartfelt thanks to Funding Arts Network, Inc. for their steadfast support of our programming. Your continued generosity empowers Florida Grand Opera to present enriching and engaging performances that uplift and inspire our community.

FUNDING ARTS BROWARD

We are deeply grateful to Funding Arts Broward for their ongoing support of our programming. Your commitment to the arts enables Florida Grand Opera to deliver outstanding performances that resonate with audiences across our region.

THE ROSENSTIEL FOUNDATION

We extend our heartfelt gratitude to The Rosenstiel Foundation for their generous support and continued commitment to our mission. Their dedication helps make a lasting impact in our community, and we are deeply appreciative of their partnership.

Corporate Support

SEASON PRODUCER

SALUDARTE FOUNDATION

We gratefully acknowledge the Saludarte Foundation for their generous support and enduring commitment to the arts. Their partnership has been instrumental in uplifting our orchestra, allowing our musicians to thrive and share the transformative power of music with our community. We are deeply thankful for their belief in our mission and their dedication to cultural enrichment.

SongFest

MIAMI AND FORT LAUDERDALE

A NIGHT AT THE CABARET

November 21/23

LOVE SONGS: A MUSICAL ROMANCE

February 13/15

VOICES OF A NATION: AN OPERATIC TRIBUTE

April 10/12

FINAL SING

May 2/3

FIRST MIAMI

PRESBYTERIAN CHURCH

FIRST PRESBYTERIAN CHURCH OF FORT LAUDERDALE

The World's Stage. South Florida's Heart.

TICKET OFFICE: 800 741 1010

Tickets - fgo.org

NEXT GEN O P E R A C I R C L E

JOIN MIAMI’S

NEXT GENERATION OF OPERA LOVERS

The Next Gen Opera Circle brings together Miami’s rising leaders, young professionals, creatives, and visionaries who believe in opera’s power to shape the soul of a city. Members enjoy world-class performances, exclusive gatherings, and meaningful connections with peers who see Miami as a global cultural capital in the making

If you’re between 21 and 45, join us and celebrate the beauty, music, and vitality that define life in a city on the rise

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Bach Motets

November 13-16, 2025

Naples | Coral Gables | Fort Lauderdale | Boca Raton

’Twas The Night Before Christmas

December 6-16, 2025

Fort Lauderdale | Coral Gables | Miami | Boca Raton

Cutler Bay | Naples

Gospel

January 15-18, 2026

Boca Raton | Coral Gables | Fort Lauderdale | Naples

American Folk

February 19-22, 2026

Naples | Coral Gables | Fort Lauderdale | Miami Beach

Candlelight

March 19-22, 2026

Naples | Coral Gables | Fort Lauderdale | Boca Raton

Surround Sound

April 9-12, 2026

Boca Raton | Coral Gables | Fort Lauderdale

Miami Beach

Donor Acknowledgement

Mr. Carlos Duart and Ms. Tina Vidal-Duart Silent Night, Die Fledermaus, Turandot

Ms. Tina Vidal-Duart is the Board Chair of Florida Grand Opera. She and her husband, Carlos Duart, own and operate CDR Maguire, Inc., a disaster health, emergency management, and engineering firm. Founded in 1938, CDR Maguire has been awarded multiple accolades, including two Presidential Design Awards and being ranked among the nation’s Top 500 Engineering Firms. Their firm has led major disaster response efforts, such as Hurricane Ian and the COVID-19 pandemic, providing medical services, field hospitals, and testing/vaccination sites across Florida. Additionally, CDR Maguire has been involved in significant infrastructure projects and responded to other national disasters like the Oregon wildfires and hurricanes Michael, Irma, and, most recently, Helene and Milton. Both Tina and Carlos are passionate advocates for the arts, especially opera, and support expanding cultural initiatives in South Florida.

Gene

Dr. Eugene and Jean Stark have been longtime and generous supporters of Florida Grand Opera, bringing with them a deep appreciation for opera and Hispanic culture that began during their time in Santa Fe, New Mexico. After returning to Miami in the 1990s, following Dr. Stark’s distinguished career in science, economic development, and banking, the couple became passionate advocates for FGO’s mission. Their enthusiasm for the company’s first zarzuela production led them to sponsor the initiative, helping to expand FGO’s artistic reach and cultural offerings. Florida Grand Opera is deeply grateful for their continued support and recent contributions, which have played a meaningful role in sustaining and enriching our programming.

SEASON PRODUCER

Barbara C. Copanos

Silent Night, Die Fledermaus, Turandot

Barbara C. Copanos has dedicated her life to the arts, education, and philanthropy. Raised in Maryland, where her father helped found the Baltimore Opera Company, she began her music studies at Peabody Preparatory and later earned her degree from the University of Miami under the guidance of FGO founder Dr. Arturo di Filippi. She continued her training in Italy and performed internationally before transitioning into arts administration and education. Barbara has served on the boards of Florida Grand Opera and the Opera Society of Fort Lauderdale, receiving numerous honors including FGO’s Founders Award and the Partners in Excellence Award. She founded the Diva/ Impresario Awards Luncheon and has been a generous supporter of FGO. Beyond the arts, Barbara has championed cystic fibrosis research through the Kirk Copanos Cystic Fibrosis Foundation, earning national recognition for her advocacy. Her volunteer work spans institutions in both Maryland and Florida, reflecting a lifelong commitment to enriching communities through culture and compassion.

DOUBLE CO-PRODUCER

Mr.* and Mrs. Laurans A. Mendelson

Silent Night, Turandot

Arlene and Laurans (Larry) Mendelson moved to Miami in 1969 and have been dedicated supporters of Florida Grand Opera’s Co-Producer Society since 1997, becoming the first sponsors of a Young Artist. They are also consistent supporters of the opera’s galas and events. Arlene serves on FGO’s Board of Directors and has held key roles with organizations such as the Adrienne Arsht Center Foundation and the Institute of Contemporary Art. She has been honored with multiple awards for her contributions to the arts, including the Opera Society Diva Award and the Temple Israel Joseph R. Narot Award. Larry, chairman and CEO of HEICO Corporation, has served on numerous prestigious boards, including Columbia University and Mount Sinai Medical Center.

*Deceased

Robin and Per-Olof Lööf

Robin and Per-Olof Lööf are significant supporters of Florida Grand Opera. Per-Olof, Former Chairman of the Board, has extensive experience leading NYSE-listed companies and recently retired as Sweden’s Honorary Consul for Florida. He remains active in various organizations.

CO-PRODUCER

Victor and Lisa Mendelson

Victor Mendelson has led the NYSE-listed aerospace and electronics technologies company, HEICO Corporation, while Lisa Mendelson served on United Way Miami’s Board of Directors for nine years, including six on the Executive Committee. As a family, the Mendelsons have been recognized for their philanthropic work throughout the years. Rooted in strong family values, they exemplify the true meaning of community and service. We are deeply grateful for their ongoing support and leadership as part of our Board of Directors.

Nancy Jean Davis

Nancy Jean Davis is Chairman of McArthur Management Company, overseeing dairy, citrus, cattle, and commercial properties in Florida. She also leads the J.N. McArthur Foundation, which supports philanthropic grants. In resort development, her projects include McArthur Golf Club in Florida and French Leave Resort in the Bahamas. Passionate about the arts, Nancy is a trustee of the Florida Grand Opera, founding director of the Miami City Ballet, and serves on the Kennedy Center International Committee. She’s also an investor in Broadway hits like Chicago and Spamalot. A graduate of Southern Methodist University, she resides in Miami and Washington, DC.

Mr. and Mrs. Brent L. Gephart, Sr.

Brent and Sarah Gephart are parents of a combined family of five children, all grown and all raising children of their own. From childhoods in Ohio and Wisconsin, the Gepharts raised their family in Michigan and now split their time between Colorado, where one son and his wife run a children’s bookstore (named Second Star to the Right), and Florida. Another son, who is a professional photographer, lives in Brooklyn. Mrs. Gephart studied piano under Ella Neuhs, a student of Theodor Leschetizky, who was a student of Carl Czerny, who in turn studied with Ludwig van Beethoven. The Gepharts contribute via their charitable foundation to the Metropolitan Opera, especially to the high definition broadcasts, and to the Central City Opera House in Colorado.

Mr. and Mrs. Lawrence Kamin

Larry and Jackie Kamin have been passionate opera fans and residents of Miami Beach since 2005. Larry, a retired partner from Willkie Farr & Gallagher LLP, is now a Certified Financial Planner and Registered Investment Advisor. Jackie, also a retired lawyer, served as an administrative law judge in New York City and is currently president of the Funding Arts Network, supporting arts programs in Miami-Dade County. The Kamins have enjoyed and supported Florida Grand Opera since moving to Florida.

Robert and Florence* Werner

Florence Werner’s love for opera inspired her husband, Robert, to share her passion. They attended performances together for decades, with Florence participating as a supernumerary in A Masked Ball and Carmen. After her passing in 2020, Robert dedicated significant time and support to Florida Grand Opera in her memory, for which FGO is deeply grateful. Robert, retired senior vice president of Werner Co., has a long history of philanthropy, serving on the boards of numerous organizations, including the Greater Miami Jewish Federation and various charities in Florida and Israel. He joined FGO’s Board in 2016, chairing its Development/Marketing and Audit Committees. He has since stepped down from FGO’s Board. However, he will always be part of the FGO family. His support and guidance are priceless. The Werners’ devotion to opera translated into steadfast support for FGO, contributing to annual campaigns, galas, and affiliate events, leaving a lasting legacy on the organization.

*Deceased

Legacy

Mr. Carlos Duart and Ms. Tina Vidal-Duart

Founder Jean and Gene Stark

Season Producer

Barbara C. Copanos

Double Co-Producer

Anonymous

Mr.* and Mrs. Laurans A. Mendelson

Janet Traeger Salz

Charitable Trust

Co-Producer

Nancy Jean Davis

Mr. and Mrs. Brent L.

Gephart, Sr. R. Angel and Alba González

Mr. Joseph Gulino

Mr. and Mrs. Lawrence Kamin

Mr. Jared Lilienstein and Ms. Patricia Guinn

Robin and Per-Olof Lööf

Olga and David* Melin

Mr. and Mrs. Victor H. Mendelson

Stephen A. and Ethel L. Keller Fund

Robert and Florence* Werner

Impresario

Carlos and Martaligia Lopez-Cantera

Ms. Maria Todaro

Grand Benefactor

Dr. Rachael M. Bloomfield

Giacomo Bossa

Mr. and Mrs. John Dasburg

Mr. Marcelo De Santis

Robert and Karen Dinerstein

Dr. Carlos J. Dominguez*

Patrice Tedescko and Bob Ferencik

Mr. Robert Glick

Dr. and Mrs. Philip Glogover

Ms. Lissete Hermida

Radmila Lolly

Mr. and Mrs. David Mantay

Dr. and Mrs. Lewis N.

Michaels

Mr. Mike Osceola

Sally Robbins

Dr. Joel and Adele Sandberg

Judith Rood Traum and Sydney S. Traum*

Benefactor

Maria C. Bechily and Scott Hodes

Mr. Joshua Benaim

Dr. Dahlia Blake

Mrs. Isis R. Carrera-Justiz

Mr. Moises Cosio

Mr. Juan and Milagros Fernandez-Barquin

Robert and Adrienne Gang

Dr.* and Mrs. Lucien Gordon

Lydia Harrison

Ricardo y Dayva Jimenez

Dr. Deepak Kapoor

Mr. and Mrs. Harold* D. Klebanoff

Dr. Teddi Litman

Mrs. Åsa-Lena Loof

Ms. Elisabeth Lycke

John J. Mann, Jr. and Sandi Mann

Ms. Smilka Melgoza

Richard Milstein and Eric Hankin

Mrs. Kayelynne Northcutt, In memory of Thomas J. Northcutt*

Ms. Roxana Zedan

Joseph S. and Louise B. Rambaugh Fund

Contributor

Mr. Porter W. Anderson, Jr.

Ms. Maria Del Carmen Beeck

Mr. and Mrs. Joel Chrycy

Dr. Alfred and Leatrice Damus

Hon. Norman S. Edelcup

Margo and Philip Evans

Ms. Nancy S. Fleischman and Mr. Robert R. Brinker

Mr. and Mrs. Hashu Gidoomal

Mr. John Haley

Mr. Lee Goldsmith* and Mr. Jeffery Haller

Eeva and Harri Kulovaara

Ms. Amada Lopez-Cantera

Leslie Lott and Michael Moore

Ms. Smita Mehta

Mr. and Mrs. Eric Mendelson

Samuel Mowerman M.D. and Mrs. Charlotte Mowerman

Mr. John Planz and Ms. Anna Caruso

Dr. and Mrs. Pedro Portal

Dr. and Mrs. Alan S. Rapperport

Dr. Joseph Reinhardt

Joseph S. and Louise B. Rumbaugh Fund

Mr. Scott Ryan and Mr. Emmanuel Fajardo

Jay and Lucie Spieler

Mr. and Mrs. LaVerle J. Vust

Drs. Claes R. and Gaby

Wahlestedt

Mr. Allan Yudacufski

Patron

Mrs. Carla and Mr. Ricardo Albarran

Ms. Snezana Anderson

Dr. Erick Andreu and Mr. Lazaro Valdes

Mrs. Carina Barcelo

Mr. and Mrs. José M. Barja

Dr. George Bishopric, Jr.

Mr. and Mrs. Ignacio H. Boladeres

Mr. and Mrs. Carlos Borja

Jim Tillett and Mary E. Burke

Ms. Alicia Celorio, Do Unto Others Trust

Alfred and Trisha Ciffo

Drs. Manuela and Alex Constantinescu

Mr. Cean Cruz

Dr. Charles and Laura Dale

Jane and Rafael de Guzman

Mr. and Mrs. Ralph H. Doering, Jr.

Dr. and Mrs. Alan Drexler

Lawrence and Nina Epstein

Mr. Elias Esber

Mr. Malcolm Farrel and Ms. Pamela Flaherty

Mr. and Mrs. George Feldenkreis

Mr. and Mrs. Bennett Feldman

Dr. Lawrence E. Feldman

Mr. and Mrs. Bruce Fischler

Pamela Garrison

Sonia and Michael Gleit

Drs. Paul and Joan Gluck

Mr. Wilfredo Gonzalez

& Mrs. Maria I. Gonzalez

Kevin and Amy Gould

Captain* and Mrs. James Hairston

Mr. David Hannigan

Dr. and Mrs. Jacob J. Harris

Dr. and Mrs. Mark Hauser

Lisa Heller Green

Ms. Carol Hitselberger

Dr. Leonard I. Jacobson and Dr. Antonio Hernandez

Dr. Sarah Jernigan

Carolina Johnson

Ms. Esther Jurado

Mr. Norman Keller

Rakesh and Sandra Khilnani

Ms. Younghee Kim-Wait

Ms. Dagmar Kress

Ms. Alejandra Lamas

Berliner and Fred Berliner

Mrs. Christine L. Lambertus

Wendy G. Lapidus

Mr. and Mrs. Charles Lipcon

Mrs. Maria Conchita Lopez

Mr. and Mrs. Alberto G. Manrara

Mr. and Mrs. Paul R. Marcus

Ms. Maria Maspons

Lesleen Mileham

Mr. and Mrs. Douglas S. Miska

Dr. Moises and Lidia Mitrani

Mr. Eduardo Montserrat

Ricardo and Josefina Morán

Danny and Ariella Moskovitz

Ms. Pamela Newman

Dr. Robert Olson and Mr. Mark Baurr

Cruz and Julio Otazo

Mr. and Mrs. Andrew and Carol Parsons

Dr. and Mrs. Carlos Peña

Douglas J. Pew and Donald K. Croxton LGBT Trust at Our Fund

Dr. and Mrs. Julio C. Pita, Jr.

Dr. and Mrs. Charles B. Radlauer

Mr. Ron Raymond

Mr. Raul R. Rodriguez

Mr. Carlos Romero and Mrs. Sherri Wilson-Romero

Richard and Lisa Roselli

Mr. and Mrs. James M. Ross III

Mr. John Rozendaal

Ms. Shelley Rubin

John D. “Jack” Ryan

Mr. and Mrs. Bernard J. Schinder

Ms. Irene Schyberger

Mrs. Barry G. Seidel

Joanne and Joel Shapiro

Mr. Omar Sharam

Mr. Everett A. Sheslow

Charles* and Sandra Simon

Dr. Joe Leigh Simpson

Dr. Sharon Smith

Adam Sochet and Alejandro Zaldivar

Martha and Stephen Sullivan

Mr. Phillip and Leah Sylvester

Ms. Ingrid Vanthuyne

Ms. Jennifer Villa

Dr. Robert H. Warren

Doug and Sue Wartzok

Mr. S. Dennis Winstead and Mr. Edwin Foster

Mr. Francesco Zincone and Mrs. Laura Zincone

Ms. Martine Zinn

Associate

Two anonymous donors

Mr. and Mrs. Claudio Almeida

Drs. Laurentiu M. and Marinela Boeru

Mr. Bruce Bolton

Ms. Melanie Camp and Ms. Jan Solomon

Ms. Beverley Cardona

Harvey and Roberta Chaplin

Michael F. Chenoweth and Pamela B. Pierce

Mr. James Cohen

Mr. Gregory Connelly

Ms. Francesca D’Agata

Dr. and Mrs. David D’Alessandro

Mr. and Mrs. George Darnell

Dr. Wilson DuMornay

Ms. Gail P. Fels

Mr. Sebastian Fiore

Ms. Beth Folic, In memory of my parents

Joann and Jacov Folic

Mr. Steven Gaillot

Sergio and Elizabeth Garcia-Granados

Ms. Martha Ginory

Ms. Angela Gittens

Rosa-Rita T. González

K. Lawrence and Maureen Gragg

Renée S. Gross

Mr. Helmar Hecht

Mr. Steven Hefner

Mr. James Hitch

Mr. Christopher Hitt

Mr. Timothy Ingham and Ms. Julie Pabst

Ms. Ildelina Izquierdo

Merrilee A. Jobes, Esq.

Dr. Thomas E. Johnson

Mr. Jack Jones

Mr. and Mrs. Antonio Jonusas

Mr. Robert Judd

Ms. Lourdes C. Lima

Dr. and Mrs. Richard E. Litt

Mr. Gene Lomando

Dr. George Marakas

Joel and Susan Martin

Drs. Alvaro and Rosa

Maria Mayorga

Dr. Kathryn and Mr. Laurence Means

Ana and Cecil Milton

Mr. Paulo Miranda

Dr. Enrique Monasterio

Mr. Armando Morales

Mr. Gary Neuman

Mr. John Neuman

Dr. Brian Noga and Dr. Eva

Widerstrom-Noga

Dr. Bobbi Ann Ossip

Ms. Anna Pestell

Graciela and Martin

Alberto Pinilla

Dr. John Pinnella

The Ricordi Family

Mr. and Mrs. Frederick

C. Ruhoff

Mr. and Mrs. Luigi Salvaneschi

Mr. Donald Schumann

Mr. Gordon H. Silver

Natasha and Angelos Singh

Mr. and Mrs. Richard R.

Spado

Ms. Noel Stillings

Mr. Edward Thrall

Ms. Maria A. Tucci

Richard A. Turici

Dr. Clayton A. Varga

Mr. Tom Worrell

Sponsor

Ms. Faye Albert

Ms. Beatriz Amendola

Rafael Andreu and Monica Melamid

Mr. John Arrastia

Mr. and Mrs. Nicholas Babzien

Dr. Diane V. Baker

Ms. Isa Barzana

Joseph and Nina Botta

Mr. Lloyd Bowein

Mr. Ruben Bravo

Ms. Susana Callau

Mr. Roger Carrillo

Ms. Olga Constantine

Mr. Steven Cook

Henry and Margarita

Courtney

Mr. George Cuesta

Enrique and Luz-Elena Davila

Mr. Jeffrey Davis

Ms. Cristina Duenas

Mr. and Mrs. David Eisenstadt

Dr. and Mrs. George Emerson

Nancy Jo and Alan Feinberg

Mr. and Mrs. Raul Fernandez

Mr. Seymour Fertig

Mr. J. Walker Field, Jr.

Ms. Olga M. Figueras

Mrs. Mariana Gadala-Maria

Mr. José García

Isaac and Perla B. Gilinski

Perla C. de Gilinski

Mr. Roberto Gregori

David and Penny Gubbay

Ms. Christine A. Gudaitis

Dr. Jorge Guerra

Mr. Edward Hammatt

Dr. JC Hayward

Mrs. Leisa Hopman

Elizabeth Hopwood

Mr. Dwayne A. House

Mr. Christopher Hunt

Mr. Anthony Jarrett

Mr. and Mrs. T. Mitchell Kelly

Ms. Christine Kircher

Sylvia Kopkin

Ms. Adrienne Kutner

Ms. Evelyn La Russe

Mr. Scott Lackey

Mr. Leonardo Lanaro and Mr. Thierry Adam

Dr. and Mrs. Cornel Lupu

Dr. and Mrs. Martin Marenus

Ms. Lauren Marsicano

Mr. Jose Martinez

Mr. Manuel Martinez

Ms. Joan T. Mischo

Ms. Alicia Morales

Mr. Michael J. Moriarty

Mr. William S. Morton

Ms. Margarita P. Muina Esq.

Dr. and Mrs. William Muinos

Ms. Sandra Mullen

Capt. and Mrs. Stephen

E. Nadeau

Mr. Danilo Nanni

Mr. and Mrs. Eric Nemiroff

Mr. Murray Newman

Mrs. Martha Norelid

Mrs. Frances V. “Betsy” Owen

Eva and Kirk Palmquist

Mr. Joseph Pappacoda and Mrs. Cary Carlin

Mr. Edward Pascoe and Mr. Lawrence Ray Hyer

Mr. Joseph A. Quagliata and Dr. Sheila D’Nodal

Mr. Edward Raiburn

Dr. Carlos Ramirez-Mejia

The Reverend Jennie Lou Reid and Benjamine Reid

Mr. Moran

Dr. Paul Richman and Mrs. Elaine Richman

Ms. Barbara Riesberg

Dr. Miriam Rodriguez and Dr. Julia Garcia

Dr. Ricardo Rodriguez

Ms. Dafne Sanchez

Mr. Gary and Mrs. Cathryn Santarcangelo

Mr. and Mrs. John Sauvigné

Mark Schnitzer

Mr. Robert Schoenthal

Mr. Douglas Shaeffer

Mr. Dimitri Sidney

Craig Singer and George Garmer

Mr. Robert Smith

Mr. Thomas C. Teper

Ms. Lori Thomas

Ms. Clemencia de Tobon

Clara and Juan Toro

Morris and Judy Tuchman

Alberto and Marielena Valdes

Esther M. Vidaurreta

Ms. Letty Villa

Ms. Karin Von Arx

Ms. Susan Wennergren

Dr. Nelson Zide and Ms. Patricia Zide

Studio Artist Donors

Anonymous

The Estate of Rosemary Duffy Larson*

James M Rosenberg Giving Account

John D. “Jack” Ryan

The Estate of Linda T. Smith

The Estate of Curtis and Grace Panvini Rice

In Appreciation

“I think a life in music is a life beautifully spent, and this is what i have devoted my life to.”

Luciano Pavarotti

Thank

you to the individuals

Marta Alfonso

Irene Arditi

Karim Aryeh

Jorge Arauz

Diana Bartomeu

Megan Belmondo

Corinne Benhamou

David Bittan Obadia

Donna Blythe

Nora Bulnes*

Harvey J. Burstein

Christofer Burger (Consul General of the Federal Republic of Germany)

Christian Cameron

Mayra Capriles Lopez

Eileen Carpenter

Kathi and Cecil Carl

Emilmar M. Colmenarez

Thank

Tammy Couture

Francesca D’Agata

Ada da Silva

Mary Anne Danguillecourt

Marcelo De Santis

Alberto Diez

Robert and Karen Dinerstein

April Irene Donelson

April Donnelson

Glenn Downing

Suzette Fandino

Mauricio Ferrazza

Sheriff Juan Figueroa

Michael G. Foeller

Dr. Rebecca Friedman

Andrew Frey

Fabian Garcia Diaz

Adam Georgianna

Oscar Gonzalez

Nick Green

Renée Gross

Shannon H. Eisenhut

Lissete Hermida

Laura Leon

Keith Lissner

Bobbi Litt

Radmila Lolly

Marile Lopez

Oscar Lopez

Gianluca Macheda

David and Sarah Mantay

Maestro Eduardo Marturet

Michele Misto (Consul General of Italy)

Alberto Navarro

Radhika Paul

Magita Rojas

Zachary Scott

you to the businesses, academia, media and non-profits

Adrienne Arsht Center for the Performing Arts

Baptist Health

Baptist MCI

BCPS

Behind The Scenes Miami

Big Brothers Big Sisters

Big Dog Ranch Rescue

Bloomingdales

Boys and Girls Clubs

Bravo TV

Breakthrough Miami

Brickell Magazine

Broward Branches

Broward Center for the Performing Arts

B.Wright Leadership Academy

Caliber Awards (BCPS)

Camp Live Oak

Casa Valentina

Chapman Foundation

Children’s Voice Chorus

Constellation

Cuban Hebrew Congregation of Miami

Department of Real Estate & Asset Management (DREAM)

Dude Wipes

EPIC

Evita Med Spa

Film Gate

First Alarm Foundation

First Miami Presbyterian Church

Florida Atlantic University

Florida International University

Gang Alternative

Handy Inc.

Haute Living

Hispanic Unity

Hola!

Iris Photo Collective

JetBlue

Junior Opera Guild

Knock Inc.

LA County Fire

Lafayette

LEAP

LMNT

Luneoir Tequila

Miami and Broward

Private Schools

Miami Beach Bandshell

Miami Children’s Chorus

Miami Children’s Museum

Miami City Ballet

Miami Dade College

Miami Design District

Miami Fashion Institute

Miami Symphony Orchestra

Miami Womens Club

Miami-Dade Fire Rescue

MIAMY

MISO

Mood Fabrics

Movie Prop Rentals, LLC

Mr. C

Mr. Hospitality

OIC of South Florida

OYC

Estrellita S. Sibila

Michelle F. Solomon

Battalion Chief Chad Sourbeer

Lucie and Jay Spieler

Nina Stark

Andy Terra

Vivi Terra

Dr. Jonathan Tolentino

Amy Tuohy

Raphaël Trapp (Consul General of France)

Rachel and Marc Umlas* (in Memory)

Afo Verde

Bob Werner

Tom Worrell

Francesca Zambello

(*Deceased)

Public Humanities

Lab Podcast (Wolfsonian)

Qube Film

Rhythm Foundation

S Revista

Social Miami

Steinway

Tag Media

The Opera Society

The Real Housewives of Miami

Traditional Medicinals

UNA Vodka

Valdo

Vet Tix

Vizcaya Museum & Gardens

Washington Opera

Winn-Dixie

Wolfsonian Public Humanities

Lab Podcast

Youth Impact Center

Young Patronesses of The Opera

The Opera Society 2025-2026

Executive Board Members

Shannon Curran

VP, Ways & Means

Claire Crawford

VP, Membership

Bonnie Pearl

VP, Public Relations

Pamela Flaherty

Corresponding Secretary

Matthew Dreger

Treasurer

Rakesh Khilnani

Recording Secretary

Advisors: Barbara Copanos and Isobel Sturgeon

Constance Ruppender

Parliamentarian

The Opera Society

An Affiliate of Florida Grand Opera

I am excited, honored, and deeply humbled by the privilege of becoming the president of this extraordinary organization. Opera is not simply an art form—it is an experience that reaches beyond boundaries and reminds us of our shared humanity. The Opera Society stands as a true embodiment of this profound power.

Dahlia Ann Blake, MD, MBA President

Our Mission

Supporting the Florida Grand Opera is at the heart of our mission. Together with The Opera Society’s elected officers, board members, dedicated volunteers, and the FGO team, we have developed programs that are not only innovative but also inclusive, engaging, and relevant. These efforts ensure that our mission is accomplished in ways that inspire and entertain our entire community.

Our Commitment

I pledge that no one will ever be excluded from the beauty and magic of opera. Our promise is that everyone—from long-time members and supporters to those discovering opera for the first time—will always find a place with us at The Opera Society. Here, you are invited to belong, to be heard, and to feel deeply.

MEMBERSHIP INQUIRIES

If you are interested in becoming a member of The Opera Society or would like more information about membership opportunities, please contact us by email at membership@theoperasociety.org.

Fostering a Love for Opera

YOUNG PATRONESSES OF THE OPERA

Founded in 1956, Young Patronesses of the Opera (YPO) is a women’s nonprofit organization dedicated to supporting opera and music education in South Florida. To date, YPO has contributed over $2 million to Florida Grand Opera and continues to inspire the community through programs like:

• In school Opera

• Opera Funtime Booklets

• Teachers’ Workshop

• Girl Scouts Workshop

• Opera Previews

• Educator of Note Award

• Biennial Voice Competition, Saturday, May 2, 2026

MEMBERS

Karen Mathieson, President

Georgia McLean,Vice President

Josie Alvarez, Recording Secretary

Maria Fernandez Gomez, Corresponding Secretary

Maria Elena Perez, Treasurer

Jan Sauvigné, Financial Secretary

To learn more about us, our events, or how to join, visit our website at www.ypo-miami.org

JUNIOR OPERA GUILD

The Junior Opera Guild is a community service organization created in 1968 by the Young Patronesses of the Opera for the purposes of stimulating knowledge and appreciation of opera by high school students. The members are dynamic, enthusiastic, intelligent young men and women in grades 9/12.

Christopher Tsialis, Veronica Luzine, Mason Shirk, Tosh Curtin, Camille Stromeyer, Anna Sophia Pinzon

MIAMI WOMAN’S CLUB

Since 1900, the Miami Woman’s Club has been a beacon of leadership, service, and empowerment in Miami. As we celebrate 125 years of community engagement, we continue our mission of supporting arts, education, and social welfare initiatives that uplift and inspire. Our partnerships with cultural organizations like the Florida Grand Opera exemplify our dedication to enriching lives through the arts. Together, we are making a difference, one project, one community at a time.

GONZALO GARCIA

Artistic Director

GEORGE BALANCHINE’S

THE NUTCRACKER ®

(Tchaikovsky)

DEC 12-28

INTO THE MAGIC CITY

Serenade (Balanchine/Tchaikovsky)

Tarantella (Balanchine/Gottschalk)

World Premiere (Ratmansky/Strauss)

In Celebration of our Founder, Toby Lerner Ansin

FEB 20-MAR 1

ACROSS THE RIVER OF LIGHT

This Bitter Earth (Wheeldon/Richter, Washington, Otis)

Tarantella (Balanchine/Gottschalk)

Nous Sommes (Gamonet de los Heros/Canteloube)

Sentimiento (Verzola/Lecuona)

MAR 7-8

CARMEN

(Lopez Ochoa/Bizet and Acosta)

MAR 26-APR 5

JEWELS

(Balanchine/Fauré, Stravinsky, Tchaikovsky)

MAR 27-APR 3

YOUR PERFECT GOLDEN HOUR

Resplendent Fantasy (Garner/Davis, Dove, Komitas)

The Moor’s Pavane (Limón/Purcell)

Chaconne (Limón /Bach)

Following the Subtle Current Upstream (King/Hussain, Frasconi, Makeba)

APR 11-12

¡VAMOS! TO THE BEACH

Company B (Taylor/The Andrews Sisters)

World Premiere (Verzola/Gershwin)

Deuce Coupe (Tharp/The Beach Boys)

MAY 1-10

MIAMI | FORT LAUDERDALE | WEST PALM BEACH

TICKETS & SUBSCRIPTIONS

GrandSEASON OPENING

ADRIENNE ARSHT CENTER - KNIGHT CONCERT HALL

CATHERIN MEZA - Soprano

(in collaboration with Florida Grand Opera)

ANNA LITVINENKO - VIOLONCELLO

EDUARDO MARTURET - CONDUCTOR

SCAN AND BUY YOUR TICKETS!

16TH

SUNDAY NOVEMBER 2025 6:00 PM

Florida Grand Opera welcomes our new community partner

Honoring the legacy of Lt. Alex Acosta

Florida Grand Opera’s Voices of Wellness initiative harnesses the healing power of music to support the mental health and emotional well-being of those who serve — including first responders, military members, veterans, healthcare professionals, and their families.

Through this partnership, the First Alarm Foundation helps bring awareness and outreach to the first responder community, fostering connection, understanding, and healing through the arts.

Together, we honor those who protect and serve with courage, compassion, and heart.

Chorus & Orchestra

REGULAR CHORUS

Soprano

CJ Baik*

Ana Maria Conte-Silva+

Donna-Lane Downey+

Danielle Krause*

Ravenna Maer*

Corine Shelley*

Alto

Emilia Acon+

Linda Ann Deighan+

Veronica Fink-Menvielle*

Joanne Martinez*

Heather McLeod*

Lucia Minervini*

Khrista Orantes*

Tenor

Lievens Castillo*

Alexander

Damian

Thomas

Ismael

Katrina

Silent Night

Anneliese

Josue

Otto Montenegro

Tobias Nobigrot

Martin Poock

Cees Postema

Rohan Smith

Christina Hutcheson

Beatriz Menendez

*Regular Chorus, over 10 years +Regular Chorus, over 20 years ^Regular Chorus, over 30 years

Flute/Piccolo

Erin Gittelsohn

Principal

Karen Trujillo

Oboe/English

Molly Wyrick-Flax Principal

Nataniel Farrar

Clarinet/E-flat/Bass

BASSOON

Christina Bonatakis

Principal

Carlos Garcia

Bassoon/Contrabassoon

FRENCH HORN

Hector J. Rodriguez Principal

Megan Riccio

Anna Kucia

Devin Salazar

TRUMPET

Stefan Filip

Juan Diaz

Amy Batchelder TROMBONE

Gilberto Cruz Principal

Thomas McKee

Jose Leonardo Leon Bass Trombone

TUBA

Benjamin Liberti Principal TIMPANI

Juanmanuel Lopez Principal

PERCUSSION

Guillermo Ospina

Principal

Andrey Kovalenko

Asst. Principal

Anna Dunford HARP

Giuseppina Ciarla Principal PIANO/CELESTA

Anna Fateeva

BAGPIPES David Lairson HARMONICA Ivan Conrad ORCHESTRA ARTISTIC MANAGER

Nagin

Felix Jarrar ASSISTANT LIBRARIAN Zaria Graves

Die Fledermaus

VIOLIN

Avi Nagin

Concertmaster

Alexandra Gorski-Rabi

Associate Concertmaster

Nicholas Tavani

1st Asst. Concertmaster

Monica Cheveresan

2nd Asst. Concertmaster

Misha Vitenson

Principal

Alexander Zhuk

Asst. Principal

Liana Branscome

Adriana Fernandez

Harris Han

Michelle Skinner

Haoge Wang

Michael Wu

VIOLA

Michael Klotz

Principal

Mujan Hosseinzadeh

Asst. Principal

Modesto Marcano

Alexandra D’Amico

CELLO

Jason Calloway

Principal

Reenat Pinchas

Asst. Principal

Abraham Bonilla

Anthony de Peña

DOUBLE BASS

Luis Luna

Principal

Paola Garcia

Asst. Principal

Douglas Ferreira

FLUTE

Elizabeth Lu

Principal/Piccolo

Emilio Rutlland

Flute/Piccolo

OBOE

Elias Medina

Principal

Karen Trujillo

Oboe/English Horn

CLARINET

Molly Wyrick-Flax

Principal Nataniel Farrar

BASSOON

Christina Bonatakis

Principal

Carlos Garcia FRENCH HORN

Hector J. Rodriguez

Principal

Michelle Haim

Anna Kucia

Devin Salazar

TRUMPET

Omar Lateef

Principal

Stefan Filip TROMBONE

Salvador Saez

Principal

Thomas McKee

Jose Leonardo Leon

Bass Trombone

TUBA

Benjamin Liberti

Principal TIMPANI

Guillermo Ospina

Principal

PERCUSSION

Andrey Kovalenko

Principal

Anna Dunford

Asst. Principal ORCHESTRA ARTISTIC MANAGER

Avi Nagin

ORCHESTRA

ADMINISTRATOR/ LIBRARIAN

Felix Jarrar

ASSISTANT LIBRARIAN

Zaria Graves

Turandot

VIOLIN

Avi Nagin

Concertmaster

Alexandra Gorski-Rabi

Associate Concertmaster

Nicholas Tavani

1st Asst. Concertmaster

Monica Cheveresan

2nd Asst. Concertmaster

Misha Vitenson

Principal

Alexander Zhuk

Assistant Principal

Anne Chicheportiche

Adriana Fernandez

Ekaterina Gorkhover

Harris Han

Kaitlin Richardson

Gabriela Timofte

Haoge Wang

Michael Wu

VIOLA

Mujan Hosseinzadeh

Principal

Modesto Marcano

Asst. Principal

Alexandra D’Amico

Jeanie Hwang

Jerome McCoy CELLO

Jason Calloway

Principal

Shea Kole

Asst. Principal

Abraham Bonilla

Anthony de Peña

Natalie Van Winkle

DOUBLE BASS

Luis Luna

Principal

Amy Nickler

Asst. Principal

Jeffrey Kipperman FLUTE

Elizabeth Lu

Principal/Piccolo

Emilio Rutlland

Alyssa Mena

Flute/Piccolo

OBOE

Elias Medina

Principal

Ellen Dahlstrom

Karen Trujillo

English Horn

CLARINET

Molly Wyrick-Flax

Principal

Stojo Miserlioski

Nataniel Farrar

Bass Clarinet

BASSOON

Christina Bonatakis

Principal

Lilian Vo

Shawn Karson

Contrabassoon

FRENCH HORN

Hector J. Rodriguez

Principal

Megan Riccio

Anna Kucia

Devin Salazar

TRUMPET

Craig Morris

Principal

Stefan Filip

Luis Pulido

TROMBONE

Salvador Saez

Principal

Thomas McKee

Jose Leonardo Leon

Bass Trombone

CIMBASSO

Benjamin Liberti

Principal

TIMPANI

Juanmanuel Lopez

Principal

PERCUSSION

Guillermo Ospina

Principal

Andrey Kovalenko

Asst. Principal

Anna Dunford HARP

Giuseppina Ciarla

Principal ORGAN/CELESTA

Anna Fateeva

ORCHESTRA ARTISTIC MANAGER

Avi Nagin ORCHESTRA ADMINISTRATOR/ LIBRARIAN

Felix Jarrar

ASSISTANT LIBRARIAN

Zaria Graves

Seasonal Staff

IATSE

PROPERTIES

Marqies

CARPENTERS

Gary

Head

Head Flyman

TBD

Mark Susany

Landa Cimitier

Key Electrician, Board Operator/Programmer

Carla Iparraguirre

Key Electrician, Archivist

David Dukes

Key Electrician

Paul

Key Electrician

TBD

Key Audio

Russel Vesely

Key Video, Titles

Key Electrician

WARDROBE

ARSHT CENTER HEADS

DANCERS

Kyra

Clara Zander

Turandot

Reshma Anwar

Sara Hirsch

Rachael

Shavonne

SUPERNUMERARIES

Humberto Gomez

Timothy Smirnov

Vujovic

CHILDREN’S CHORUS FOR TURANDOT

Miami Children’s Chorus, Directors

Liana Salinas and Sophia Miller

No edits. No filters. Just the purest sound ever made.

FLORIDA GRAND OPERA

Staff

ADMINISTRATION

Maria Todaro

General Director and CEO

Lourdes Solorzano

Executive Assistant to the General Director

MUSIC ADMINISTRATION

Pablo Mielgo

Music Director

Avi Nagin

Orchestra Artistic Manager

Felix Jarrar

Assistant Conductor

Vocal Coach

Orchestra Administrator

MARKETING

Joanna Black

Chief Marketing Officer (Fractional)

Chaquira Moreno

Social Media Associate

DEVELOPMENT

Emilio J. Vazquez

Director Of Development and Major Gifts

Danielle Krause

Development Associate

Sabryna Bendana

Executive Assistant to the Director of Development

Catherine Largo

Development Operations & Database Associate

PRODUCTION

ARTISTIC OPERATIONS

Kevin G. Mynatt

Senior Director, Production /Artistic Operations

Jared Peroune

Artistic Development Director/

Samuel M. Townsend Studio

Artist Program Manager/ Chorus Master

Jennifer Tipton

Company Manager/ Artistic Operations Manager

Victoria Mejia

Production/Artistic

Operations Associate

Camilla Haith,

Costume Director

Rebecca Jardine

Resident Properties Coordinator

Aneil Rampersad

Resident Lighting Director

Jon Wangsgard

Production Stage Manager

Rachel Dane

Assistant Stage Manager

Marta Hamilton

Assistant Stage Manager

Anna Fateeva

Collaborative Pianist

Arturo Chacon-Cruz

Artist Training and Development Consultant

Louis Otey

Artist Training and Development Consultant

Liana Estenoz

Production/Artistic Intern

EDUCATION

Lauren Frick

Education and Social Entrepreneurship Director

Kali Fong

Education and Social Entrepreneurship Associate

Matthew Reber

Education & Social Entrepreneurship Associate

OPERATIONS / IT

Susana Diaz

Director of Finance and Operations

Marco Franceschi

Operations and IT Manager

Lucie Spieler

IT Development and Training Manager

Cristina Castilla

IT Consultant

AUDIENCE SERVICES

Gary Herman

Director of Audience Services

We are immensely grateful for the many interns who have supported FGO. Their dedication and hard work have been invaluable, and we couldn’t have achieved our goals without their contributions.

Luca Espinosa

Rafaela Ochoa

Camila Fernandez

Frantz Blanc Alejandra Font Shanglin Li

Baptiste Nicholas

Liana Estenoz

Wooldjina Present

Andrea Baca

Lucy Xu Kaitlin Padron

Brunella Meini

Maria Briceno

Jiayi Wang

Gabriella Sierra

Jared Baly

Tirsa Fernandez

Jessica DeLeon

Trinity Davis

IN MEMORIAM

In grateful memory of those whose passion for opera ensures that its song will never fade.

Dr. Carlos J. Dominguez

Nancy McDermott Herstand

Susanne S. Kayyali

R. Duff Masterson

Laurans A. Mendelson

Barry G. Seidel

Nancy Stavis

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Mathieu Massa CEO and Founder

Proud Sponsor of Florida Grand Opera