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First American Art Magazine No. 36, Fall 2022

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FırstAmericanArt ANCESTRAL, HISTORICAL & LIVING ARTS by INDIGENOUS PEOPLES of the AMERICAS

MAGAZINE

OSAGE RIBBONWORK EITELJORG MUSEUM HERRING PROTECTORS FIELD MUSEUM

DYANI WHITE HAWK LILLIAN PITT GOLGA OSCAR ROY BONEY JR.

NO. 36, FALL 2022

DISPLAY UNTIL JAN. 9, 2023


Enjoy an enriching, shared experience exploring centuries of Chickasaw history and traditions. The vibrant, vivid, living expression of Chickasaw culture unfolds through a 1700s tribal village, dance demonstrations, traditional gardens and engaging exhibits.

OPEN TUE–SAT 10 AM to 5 P M

L IVE STOM P DANCE DEMONSTRATIONS 11 AM and 2 P M

S u l p h u r, O k l a h o m a | 5 8 0 - 6 2 2-7 1 3 0 | C h i c k a s a w C u l t u r a l C e n t e r. c o m


NOW OPEN! Join us for the new permanent exhibition, Here, Now and Always. Explore how culture illuminates the past and informs the future of Native art and lifeways.

Join us as we celebrate a century of Santa Fe’s Indian Market with more than 200 works of art, historic and contemporary photographs, and interviews with the artists and collectors.

NOW opeN!

On the Santa Fe Plaza · 113 Lincoln Avenue 505-476-5200 · nmhistorymuseum.org Figurine, Mary Evangeline “Vangie” Suina (Cochiti Pueblo), 1984, Bequest of Sarah Crane, 58157/12. Sponsored by Ann Parker and Angelo Joaquin, Jr.

left: Tyler Dingee, Maria Martinez holding finished pottery, ca. 1950. Palace of the Governors Photo Archives, NMHM #073452 right: Kitty Leaken, Jaylina Rain Loretto, 10, Hoop Dancer from Nambe Pueblo, 2019


TERRAN LAST GUN Circular Above Power, 2021, ink and colored pencil on antique ledger paper, 17.5 x 11.25

HECHO GALLERY

129 W Palace Ave, Santa Fe, NM www.hecho.gallery 505.455.6882


309 W. Muskogee Ave. Sulphur, OK | MahotaTextiles.com


ON VIEW THROUGH JANUARY 7, 2023

ON DISPLAY OCTOBER 8, 2022 — MARCH, 12, 2023

Pablita Abeyta, 1953–2017 (Navajo) Untitled (Mudhead), c. 2000s; Clay, paint, leather, turquoise, corn husk; Photography by Addison Doty

Wheelwright Museum

Mary Morez, 1946–2004 (Navajo) Study of a Navajo Woman, 1968–69 (Detail); Charcoal on paper; Heard Museum Collection Gift of Mr. Byron Harvey III, IAC904; Photo courtesy of the Heard Museum, Phoenix, Arizona

704 Camino Lejo, Santa Fe NM 87505

OF THE AMERICAN INDIAN


The Indian Arts and Crafts Board offers a Source Directory of American Indian and Alaska Native Owned and Operated Arts and Crafts Businesses that sell authentic Indian art and craftwork, which is available at doi.gov/iacb. Under the Indian Arts and Crafts Act (Act), it is unlawful to offer or display for sale, or sell, any art or craft product in a manner that falsely suggests it is Indian produced, an Indian product, or the product of a particular Indian or Indian tribe or Indian arts and crafts organization. For a free brochure on the Act, including how to file a complaint, please contact: U.S. Department of the Interior Indian Arts and Crafts Board Toll Free: 1-888-ART-FAKE or 1-888-278-3253 Email: iacb@ios.doi.gov Web: doi.gov/iacb

Kathy Dickerson, Kiowa, Kiowa Women’s Boots, ©2005


www.dragonflystrail.com your path to fine zuni art 505.280.3197 dragonflys_trail@icloud.com


“The work stands not for me, but for all those who came before us and all whose faces we have yet to see.”

Karen Ann Hoffman is a Haudenosaunee (Iroquois) Raised Beadworker from the Oneida Nation of Wisconsin. Raised beadwork is an artform born of the Eastern Great Lakes. Her contemporary artworks feature modern materials in traditional styles. For Hoffman, her creations stand for all those who came before us and all whose faces we have yet to see. Visit FieldMuseum.org to learn more

Portrait by Wisconsin Public Radio / J. Potter, artwork captured by © Field Museum


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First American Art Magazine No. 36, Fall 2022 by First American Art Magazine, LLC - Issuu