Skip to main content

FAB Magazine: Style

Page 1


Table of Contents

Why Fashion? ------------------------- p2

What is Style Anyway? -------------- p4

Dressing for Your Body Type ------- p6

Style Different Necklines ------------ p9

King Princess & Dyke Camp -------- p10

Spring Colors to Wear --------------- p26

Dresscode Chart ---------------------- p27

Upgrade: Versatile Pieces ------------ p28

Thrifting Tips ------------------------- p32

The Journal ---------------------------- p14

Credits & Thank Yous --------------- p6

Why Fashion?

Fashion is a language we all speak, even unknowingly. When we meet somebody for the first time, we have two sources on information on them: their facial expressions and their clothes. These both provide context on who they are as a person. For example, someone dressed in suit we subconsciously assume to be a serious and hardworking person, while someone in a light and flowy outfit we assume to be more easygoing or even whimsy. Fashion is as much a form of artistic expression as playing bass guitar or painting a mural is. But the magic of fashion comes from the fact that it is an everyday exclamation of identity. When you pick out your clothes in the morning, you are choosing how the world will see you that day. If you have an important meeting you want to seem smart and collected. If you are getting coffee with a friend you want to seem exciting and fun. We all speak clothes, but in an endless amount of ways, showcasing our personality, goals, and countless other aspects of identity. Fashion is a language with a thousand different accents, so lets find yours.

What is Style Anyway?

As said previously, fashion has accents, meaning countless ways of expressing yourself via the clothes you wear. Your accent, aka style, is a beautiful combination of who you are. It showcases where you come from, where you are going, the influence of your loved ones, and countless other facets of your identity. It is important to note however, that style is not fixed. Your identity is

constantly changing, and thus so is your style. Many people feel the need to fall neatly into a box, such as an aesthetic, when it comes to their style, but it is essential that you do not. No two people are perfectly alike, so why should their style be? Allow yourself to break from the mold you feel compelled to follow. Do not be afraid to be yourself. Be loud with your clothes if that is what makes you happy. Never water yourself down to try to be more palatable for someone else. - Stay fabulous, Fashion Club

Styling Your Body Type

Have you ever wondered why certain clothes look better or worse on you? Why certain outfits look just a bit off? You try on something that looks great on your friend or style icon but it just doesn’t look the same? The same outfit can look different person to person because clothing interacts uniquely with shape, structure, and balance. You’re not the problem—fashion isn’t meant to be one-size-fits-all because we all have different proportions and shapes.

However, dressing for your body isn’t about weight. It’s about the natural shape of your body, and finding silhouettes that balance your proportions. These are the outfits you think look good.

The goal of this article is to teach you how to construct balanced outfits. Oftentimes, resources attempt to put people in the rigid boxes of body types: apple, pear, rectangle, hourglass and inverted triangle. These are tricky because they can be confused with weight when they are more about shape.

Instead, we are going to think about what features we want to highlight and how to make outfits look proportionate. It’s not that certain bodies “can’t” wear certain things—it’s that different silhouettes create different effects.

Structure/shape:

Clothing creates shape: it can soften, define, widen and accentuate.

To add definition and create sharper lines, try blazers, tailored pants, or cinching jackets to emphasize shoulders and waist. These have rigid structure meaning that they hold shape and can create a strong and bold look.

For a softer look, draped and flowy pieces create movement and soften body lines. Materials like silk, mesh, and linen are great. These kinds of outfits have a relaxed and casual vibe. Examples: maxi skirts, oversized t-shirts, babydoll silhouettes, etc.

Length:

Where clothing hits your body can change visual proportion. Think about the length of your torso and legs, and the width of your shoulders and hips. This is not just about height or weight.

Cropped tops:

Visually lengthens legs and makes waist seem higher (shortens torso)

Longer tops:

Elongates torso,

High rise vs. Low rise:

High rise pants lengthen legs and shorten torso, low rise does the opposite.

Before abandoning an outfit, try tucking or tying a top, or rolling the waistband of pants. Small adjustments make a big difference!

Volume Balance:

You’ve probably seen all those videos about small top big bottom or baggy vs. loose clothing. Here are how the different combinations can impact the visual of your outfit:

Despite the trends and ideals slathered all over social media, there is no ideal body type and no body type is better than another. While dressing for your body type is a helpful tool, it’s not a rulebook. The best outfits are the ones where you feel confident and comfortable, balanced or not.

V neck -> pendant or chain necklace and a ponytail or half up

scoop, square, & sweetheart -> medium pendant necklace or dainty stack and a half up or low ponytail

hoodie or any other high neck -> semi statement earrings and an updo

Styling Necklines

crew neck -> medium or statement stack and half up

King Princess & The Dyke Camp Aesthetic

Picture this: lesbian strip club purgatory. This is the setting of the music video for “RIP KP,” the debut single of Girl Violence, the latest album by talented genderqueer singer-songwriter Mikaela Straus, better known by their stage name, King Princess. The video, filmed in one day at the Bronx Community College, finds Straus in lesbian purgatory, which, in the world of Girl Violence, is a strip club in a women’s restroom. Strippers clad in leopard print pour martinis through their toes and a bathroom attendant accepts tips via muppet merkin puppet in what Straus calls, “a Gilgameshian journey through the limbo between heaven and hell. A purgatory full of evil women.” Beyond being fabulously unhinged, the “RIP KP” music video is the perfect example of a style and sensibility that has historically been forgotten: dyke camp.

Dyke camp is similar to but distinctly different from camp, the main difference being that it is specific to and guided by lesbian identity. In order to understand the difference between dyke camp and "traditional camp," we first need to define what “camp” means. The word “camp” stems from the 17th-century French phrase “se camper,” meaning “to pose in an exaggerated fashion. Since then, camp has evolved into a style that has been incorporated into pop culture in everything from film to fashion. In her seminal 1964 essay, “Notes on Camp,” author Susan Sontag defines camp as an aesthetic sensibility characterized by “love of the unnatural, (...) artifice, and exaggeration,” with an emphasis on style over content. Camp is all about artifice and irony; as Sontag states, “Camp sees everything in quotation marks. It’s not a lamp, but a “lamp”; not a woman, but a “woman.””

Dyke camp is not the opposite of traditional gay male camp, nor is it exactly the same. Lesbian camp is similar to camp in some areas, but is also its own unique entity entirely separate from gay male camp. Where traditional camp is all about love of the unnatural, dyke camp is love of the “ultra-natural.” In the words of Mikaella Clements, “dyke camp takes the real and magnifies it, so that it becomes absurd or funny or simply attractive in its own right.” If camp sees everything in quotation marks, dyke camp spells everything out in bold font with an exclamation point at the end. Dyke camp is bold, unapologetic, and exaggerated, totally unafraid to make a spectacle. Since dyke camp is characterized by the love of the ultra-natural, dyke camp clothing is all about highlighting the body underneath - the body is maximized, boldly announced. Dyke camp is leg hair through fishnet tights, it’s Chappell Roan in a suit of armor at the VMAs, it’s a suit jacket with nothing on underneath. Dyke camp amplifies realness, “creating an artificial physicality via exaggeration" (Clements).

Dyke camp is all about character, much like traditional camp. It is “the glorification of character (...) [it] appreciates (...) the unity, the force of a person” (Sontag). Dyke camp is confident, brash, and cocky - it doesn’t care about being palatable to straight people; it is completely comfortable with its own identity and visibility.

The style of dyke camp is not inherently masculine or feminine, butch or femme, though it can certainly exploit these labels for its own benefit. When it does make use of gender roles, dyke camp pokes fun at them, exaggerating them in order to highlight their futility. But this is not just a way of challenging misogynist or patriarchal gender standards; by playing with gender, dyke camp allows lesbians to construct new meaning out of their identity. Dyke camp is a “gesture of self-legitimization (...) a kind of love, love for human nature” (Sontag). It is a mode of empowerment, a way of celebrating and loving the lesbian identity.

Unfortunately, dyke camp has been omitted from much of history. If you google “camp style,” you’ll be greeted with thousands of articles, shows, books, art, and more. But search up “dyke camp” or “lesbian camp” and a scant few articles pop up. Another example of this is the essay “Notes on Camp/Anti Camp” by queer photographer, writer, and artist Bruce LaBruce, in which he describes the ways camp has been commercialized by the heteronormative mainstream. At the beginning of the essay, LaBruce outlines numerous sub-categories of camp, covering everything from classic gay camp, to bad straight camp, to quasi camp, to conservative camp (a category which includes Fox News). However, there is one glaring omission: dyke camp. In a society where camp has been so integrated into mainstream media, why is dyke camp never acknowledged or represented?

The answer is: the capitalist patriarchy. Who gets exposure in the media is controlled by societal systems of power, which means that, historically, when queer people were represented in the media, those people were often cis white gay men. Because of their identities, they had more power and influence to create media that reflected them, rather than lesbians, trans people, queer people of color, etc.

Harmful stereotypes also play a role in the omission of dyke camp. As stated by Elly-Jean Nielsen in the Journal of Lesbian Studies, “persisting stereotypes occlude the vision of the lesbian woman as campy.” She asks, “how did it come to be that lesbian women are better known for camping in the woods than having a camp sensibility?” Lesbians are often associated with seriousness or being opposed to frivolity; it is usually gay men who are more associated with theatricality and humor, and therefore camp is assumed to be a gay male sensibility rather than a lesbian one.

King Princess has had first hand experience with this. In an interview on the Zach Sang show, she describes moving back to New York after living for LA for seven years and searching for queer community, specifically a queer party scene. However, when they went out, Straus recalls feeling uncomfortable: “a lot of these parties were like, you know, this kind of like masc vibe of who can out carabiner each other. And I was like, ew. Like (...), that’s just not who I am.” So Straus decided, if you want something done right, do it yourself. And thus, Bazongas was born. Bazongas is a “gay, queer, dress up party, different themes every time, and mandatory dress up. Fun,” Straus says. “It becomes this haven of community (...) and for expression. (...) I think that people want to be silly, but they just don’t always know how to.” The semi-monthly party has featured past themes like Sopran-hoes, Harry Pee-Pee, and Black Plague. This past June, the theme was “slut funeral.” Whose funeral? Straus’s own, of

After releasing Girl Violence’s lead single, “RIP KP,” King Princess hosted a show on June 4th at Market Hotel in NYC, where they debuted their new album. They also died. Lisa Rinna, the news anchor for King Princess’s fake news outlet, C.U.N.T (Cherry Universal News Television), which promoted the release of Girl Violence, states that “after drinking what appeared to be a rat poison, cough syrup, and red nail polish, all disguised in a goblet,” KP allegedly “died” and had to be carried out in a stretcher by two nurses in drag. Soon after, the slut-funeral themed Bazongas party was held as both an album release party and KP’s own funeral. For the entire duration of the party, Straus laid in a coffin on a raised platform; they said they wanted “to get more into the (...) Maria and Bravavik performance art side of party throwing.” KP was of course, eventually resurrected, with Lisa Rinna dubbing her “seemingly immortal” and “our very own gay Jesus.”

Aside from hosting costume parties and being lesbian Jesus, King Princess is also a singer-songwriter, actress, and dyke camp fashion icon. Her style is an androgynous mixture of masculine tailoring combined with feminine flair, incorporating vintage, streetwear, high-fashion, and custom designer, always complemented by her signature, self-proclaimed “gorgeous mullet.” They’ve been featured in everything from magazine covers, to Calvin Klein campaigns, to Ralph Lauren commercials, to fashion shows. Most recently, they made a surprise runway appearance at the Jane Wade Spring/Summer 2026 show during New York Fashion week in September 2025. Walking in “The Fulfillment” show, which explored “the grit of labor [and] the ubiquity of modern technology” (Claxton), KP wore a washed-out denim set with a tearaway maxi-to-mini skirt, complete with Nothing earbuds.

Another of their most iconic looks is a tailored red leather Gucci suit that they wear in their “PAIN” music video, which features, among other things, King Princess getting beat up by hot women and thrown through a sheet of breakaway glass by model Stella Maxwell. In her cover for the Wonderland Autumn ‘19 issue, Straus rocks a variety of outfits with designer pieces from Burberry, Celine, Balenciaga, as well as my personal favorite, an outfit consisting of a red Moschino top over a vintage plaid dress, complete with archive Dior knee-high boots.

Drag is also an important part of King Princess’s dyke camp aesthetic. “Drag is a home,” KP says, “It’s playful femininity, and I’d always felt like an observer to femininity and less of a participant - and this allowed me to be a participant.” On their debut album “Cheap Queen”, KP inhabited their drag persona of the same name, appearing on the album cover done up in full drag makeup, as well as in the “Cheap Queen” music video. King Princess returns to drag in Girl Violence with her equally campy “Jaime” music video, which they co-star in along with Gio of Giovanni’s kitchen, a viral Brooklyn-based trans line cook, who plays KP as a guy. Rather than playing herself, KP inhabits the persona of “a demonically seductive, maniacal [woman],” the likes of which they have spent their album rollout being tormented by. “In the “Jaime” music video, she finally embodies that feminine figure” (Hashtag Magazine). Drag is deeply ingrained in the traditional camp sensibility, but, like camp, has historically been performed by gay men. Here, King Princess demonstrates drag as a universally queer mode of expression, as well as an essential piece of their personal dyke camp aesthetic.

Dyke camp is important not only for personal expression, but also for broader queer and lesbian representation. It breaks down stereotypes and boundaries, giving gay women a space to explore, to be playful, expressive, and exuberant, contradicting stereotypes and social ideas that would try to prevent this. Dyke camp is both a method of resistance against the heteronormative society that seeks to repress the lesbian community and a portal for personal stylistic liberation. It is a mode of self expression and a powerful tool of social visibility that is crucial for all queer people.

Works Referenced

Bennet, Willa. "King Princess: Free to Be." them, 19 June 2019, www.them.us/ story/king-princess-free-to-be. Accessed 5 Feb. 2026.

"Breaking News!" Instagram, uploaded by Kingprincess69, 7 June 2025, www.instagram.com/reel/DKmvBQmOji2/. Accessed 5 Feb. 2026.

"Breaking News - The People's Princess has fallen." Instagram, uploaded by Kingprincess69, 5 June 2025, www.instagram.com/reel/DKhfmwJON0o/?hl=en. Accessed 5 Feb. 2026.

"Camp (style)." Wikipedia, en.wikipedia.org/wiki/Camp_(style). Accessed 5 Feb. 2026.

Claxton, Christopher. "Jane Wade on SS26 NYFW, Tech-Forward Workwear, and the Culture of Attention: 'Clout is Currency.'" billboard, 19 Sept. 2025, www.billboard.com/culture/lifestyle/ jane-wade-ss26-nyfw-tech-forward-workwear-clout-currency-1236070014/. Accessed 6 Feb. 2026.

Clements, Mikaella. "Notes on dyke camp." The Outline, theoutline.com/post/4556/ notes-on-dyke-camp. Accessed 5 Feb. 2026.

Deshler, Kira. "'Bottoms' Draws on a Legacy of Lesbian Camp." Paging Dr. Lesbian, 3 Sept. 2023, www.pagingdrlesbian.com/p/ bottoms-draws-on-a-legacy-of-lesbian. Accessed 5 Feb. 2026.

GQ Style Magazine. "King Princess: 'I could never wake up and put on a dress and walk outside.'" GQ Style Magazine, 29 Mar. 2020, www.gq-magazine.co.uk/ fashion/article/king-princess-interview. Accessed 5 Feb. 2026.

Harris, Tiffany. "The Keys to (Lesbian) Camp." Ebony Tomatoes Collective, ebonytomatoescollective.com/lesbian-camp/ #:~:text=Lesbian%20Rapper%20Young%20M.A.%20for,as%20a%20form%20of %20critique. Accessed 5 Feb. 2026.

Horn, Katrin. "The Great Dyke Rewrite: Lesbian Camp on the Big Screen." Women, Camp, and Popular Culture. ResearchGate, Nov. 2017, https://doi.org/10.1007/978-3-319-64846-0_3. Accessed 5 Feb. 2026. "King Princess." Wonderland, 2019, www.wonderlandmagazine.com/2019/10/02/ king-princess-autumn-cover-interview/. Accessed 5 Feb. 2026.

King Princess Breaks Down Her "PAIN" Music Video. Performance by Mikaela Straus, Bazzar, 2020. Bazzar, www.harpersbazaar.com/culture/art-books-music/ a34932523/king-princess-music-video-playback/. Accessed 5 Feb. 2026.

"King Princess on Drag, Drugs, Parasocialism, and Leaving the Major-Label System." Last Donut of the Night, 9 Sept. 2025, last-donut-of-the-night.ghost.io/ king-princess-on-drag-drugs-parasocialism-and-leaving-the-major-label-syste m/. Accessed 5 Feb. 2026. Interview.

"King Princess Shared Video For 'Jaime' + Kicks Off North American Tour This Weekend." Hashtag Magazine, 3 Oct. 2025, hashtagmagazine.net/home/2025/10/3/ king-princess-shares-video-for-jaime-kicks-off-north-american-tour-this-week end. Accessed 5 Feb. 2026.

"King Princess Talks RIP KP, 1950, Lesbian Drama, and New Album 'Girl Violence.'" Performance by Mikaela Straus, hosted by Zach Sang. Zach Sang Show, created by Zach Sang, Sangasong, LLC, 11 Sept. 2025. Apple Podcasts. Accessed 5 Feb. 2026.

King Princess - The Making of 'RIP KP' | Vevo Footnotes. Performance by King Princess, 2025. Youtube, www.youtube.com/watch?v=ul6PoBVbQIE. Accessed 5 Feb. 2026.

LaBruce, Bruce. "Notes on Camp/Anti-Camp." Nat. Brut Archive, 2014, www.natbrutarchive.com/essay-notes-on-campanti-camp-by-bruce-labruce.ht ml. Accessed 5 Feb. 2026.

Manatakis, Lexi. "How @BUTCHCAMP is defining a lesbian camp aesthetic." Dazed, 13 Aug. 2018, www.dazeddigital.com/art-photography/article/ 40608/1/ instagram-account-amassing-lesbian-images-from-across-herstory-butchcamp Accessed 5 Feb. 2026.

Mitchell, Matt. "COVER STORY | King Princess: Part-Time Woman, Full-Time Icon." Paste Magazine, 4 Sept. 2025, www.pastemagazine.com/music/king-princess/ cover-story-king-princess-part-time-woman-full-time-icon. Accessed 5 Feb. 2026.

Nielsen, Elly-Jean. "Lesbian camp: An unearthing." Journal of Lesbian Studies, vol. 20, no. 1, 2016, pp. 116-35, https://doi.org/10.1080/ 10894160.2015.1046040. Accessed 5 Feb. 2026.

Seidlitz, Holden. "King Princess's Homecoming." The New Yorker, 5 Aug. 2025, www.newyorker.com/culture/persons-of-interest/king-princess-homecoming. Accessed 5 Feb. 2026.

Strauss, Mikaela. "King Princess on Where to Get a Tank Top and How to Have a 'Gorgeous Mullet.'" Interview by Emilia Petrarca. The Cut, 2 May 2022, www.thecut.com/2022/05/king-princess-style-thom-browne.html. Accessed 5 Feb. 2026.

Toledo, Isabela, and Rosie Eveleigh. "What is Butchcamp? An Explainer by Way of 10 Past Met Gala Looks." Teen Vogue, 2 May 2019, www.teenvogue.com/story/ what-is-butchcamp-explainer-past-met-gala-looks. Accessed 5 Feb. 2026. ."..20 Years...." Thom Browne, www.thombrowne.com/blogs/archive/ 20-years?srsltid=AfmBOop9-VCHrimryPLdTtl29Du9eKSEfg7N0RACbGJCud6jy_ HQRtYh. Accessed 5 Feb. 2026.

Veitch, Mara. "King Princess Rips Open the Last Seams of a Buttoned-Up Industry." W Magazine, 11 Dec. 2020, www.wmagazine.com/story/ king-princess-new-album-pain-video-interview. Accessed 5 Feb. 2026.

Xu, Sylvie. "King Princess Delivers A Powerful Message Of Acceptance With Her New Album 'Cheap Queen.'" University of California, Irvine Official Campus Newspaper, 26 Nov. 2019, newuniversity.org/2019/11/26/ king-princess-delivers-a-powerful-message-of-acceptance-with-her-new-albu m-cheapqueen/. Accessed 5 Feb. 2026.

Zemler, Emily. "King Princess Debuts New Single 'RIP KP' On 'Colbert.'" Rolling Stone, 4 June 2025, www.rollingstone.com/music/music-news/ king-princess-rip-kp-single-performance-colbert-1235354745/. Accessed 5 Feb. 2026.

Decisions

Dresscode

Jeans?

nice pants & blouse / simple/causal dress?

Versatile Pieces to Upgrade Your Wardrobe

We all know the struggle of picking an outfit for the day, but it gets a lot easier when your closet is built on strong basics. Trends come and go, but quality staples will always have your back. Basics are the foundation of a great outfit, but which kinds are worth investing in?

Black or White Long Sleeve

The groundwork of elevating an outfit with basics is the same concept as layering, and a simple long sleeve is the perfect piece for that. You can wear it by itself with a pair of jeans or pair it with a graphic tee, colorful button down, or heavy jacket. As a bonus, it’ll keep you warmer in colder weather!

Sweatshirts and Sweatpants

It’s always good to invest in plain sweatshirts and sweatpants as they go with so many outfits. They’re a comfy option you can throw on in a rush especially if you don’t know what else to wear. For sweatshirts, it's also good to have both a pullover and a zip up variation to have more versatility. There are also many different styles of sweatpants like cuffed, wide-leg, and low-rise, so pick the type that flatters you the most.

Jeans

This is a piece I think everyone might have in their wardrobe. They range from baggy to flared, high or low waisted, black or blue, raw, and selvedge denim. Jeans are super easy to style making them one of the most versatile pieces of clothing you can have. It’s a good idea to invest in a high quality pair so all your outfits look put together.

Denim, leather, or any kind of heavy jacket

Outerwear might be the most important layer, as this is usually the piece that makes or breaks the outfit. Examples like a denim or leather jacket can easily elevate your outfit. A heavy jacket is also good for layering and keeping you warm while also adding shape to your outfit. It can help give your upper body more visual weight if you want to balance a bigger pair of pants.

A well-fitting white tee

About as basic as you can get, a white tee is an essential closet staple. However, the fit of it truly changes how it looks and wears on your body.. Well-fitting clothing makes a huge difference in the quality of an outfit, so make sure to get a well-tailored shirt, or your outfit won’t look as put together. This can be a baby tee, boxy tee, oversized tee, etc.

Trends are fun, but basics are timeless. When you master layering and invest in well-fitting staples, you create a wardrobe that works for you. No matter what style you prefer, these pieces are reliable and versatile. The strongest outfits don’t start with bold statements, they start with a solid foundation.

some of my favorite fashion influencers

"What is Christmas Without the Goodwill?"

Thrifting Tips to Level Up Your Wardrobe

“What is Christmas without the Goodwill?”

These were the words written by Vivian Meader (my grandmother, for whom I was named), to her friend Rhoda in one of the many letters they exchanged over their friendship. In this letter, Vivian, an avid thrifter, was extolling the virtues of holiday shopping at the thriftstore. Many years later, these same words were passed down to me by her daughter, my mom Sasha.

Thrifting has become a family tradition in my household: every other Saturday we make our pilgrimage to the San Rafael Goodwill for their twice-monthly 50% off sale, and whenever we’re in a new town, the local thrift store is the first thing we look for. Our frequent thrift store runs are a way for me to connect with my family over love of fashion, as well as an inexpensive and easy way to expand my wardrobe.

These days, clothes are expensive. With tariffs and inflation at play, prices have been rising across the fashion industry, leaving consumers paying a much higher price when they want to go shopping.

Thrifting offers an economic and sustainable alternative - you can purchase gently used clothing for much less than its retail price, as well as vintage finds that you won’t get elsewhere. Sometimes you’ll even find brand new items, tags and all. For example, my sister recently purchased several pairs of brand new, tags-on American Eagle jeans from the LA Goodwill. We paid around ten dollars for each pair, which is around fifty dollars cheaper than they’d have been if we had bought them at retail price.

Thrift stores carry more than just downpriced jeans, though - there are often higher end finds hidden in the racks of your local thrift store. Some of the more luxury items we’ve found over the years include a brand new pair of Autry sneakers (bought for $9.99), a tags-on Zimmerman dress, and a vintage Tarek egg head “stash jar” from 1958, which now sells

Whether you’re new to thrifting or a seasoned veteran, here are a few thrifting tips to help you upgrade and expand your wardrobe:

1. Thrift during the week - It’s not always the most convenient, but you’ll usually find better items on the weekdays, since the stores will be less busy and picked-over.

2. Look in all size categories and sectionsthings are often misplaced, so it’s worth it to look through everything. You never know what you might find!

3. Don’t buy crap - don’t spend your money on cheap brands like Target at the thrift store. You won’t be saving much, and it’s not worth it.

4. Check the caps of the clothing racks - many people go through their haul before checking out, and will leave their unwanted items on the caps of the clothing racks.

5. Be open to new fashion possibilities - most items are relatively cheap (depending on the thrift store you go to), so don’t be afraid to buy something that might be different than what you’re used to.

In terms of where to thrift, there are limitless options! For a lower-priced selection, check out your local Goodwill; if you’re looking for some slightly more upscale vintage finds, try shopping around Haight Street in San Francisco (I personally recommend Wasteland).

Thrifting is one of the best ways you can level up your wardrobe - it’s cheap, it’s easy, and it’s sustainable. Not only does it help the planet, it also helps your closet! So next time you go

The Journal

Photos from the Shoot & BTS

Vivi Portia. Riley

Thank you so much to our amazing team!

Portia Pflaum

Vivi Macomber

Riley Gu

Mika Chow

Coco Macomber

Otelia Speece

And everyone else who worked to make our vision come true

See you next time <3

Turn static files into dynamic content formats.

Create a flipbook
FAB Magazine: Style by fabmagazine - Issuu