DAWN | World Premiere

WELCOME

FOUNDER, ARTISTIC DIRECTOR

VINCENT M. LANCISI

Welcome,

When I first read playwright Tuyết Thị Phạm’s play Dawn, I was so moved by this deeply personal story taking place in a period of history so little talked about in my world and lifetime. The trauma that was experienced by many during the Khmer Rouge is not found in many plays, that’s for sure. For those of you who came to see Tuyết’s first play, Dinner and Cake, you will find a very different kind of play in Dawn showcasing the playwright’s versatility and interest in different styles of writing. Here we get a deeply personal accounting of a mother and daughter trying to connect over events experienced long ago, but carried with them. It’s a story of grief, of family, of coping and finding a way forward together. It’s been a real privilege to produce such an original and gripping play for our audience. Creating and developing world premiere plays is so important to the future of the artform.

The process for the development of Dawn has been rich and rewarding. Dawn had staged readings at “Sigworks,” a new play program offered by Signature Theatre in Arlington, Virginia, and “Script Tease,” right here at Everyman. Then the esteemed Colorado New Play Festival hosted the cast and creative team for a one-week workshop and performance in Steamboat Springs. All the time, Tuyết was writing and re-writing, honing her script. Then came the full production you are about to see. After four weeks of rehearsal and tech, adding in the scenic elements and designs for the show, the play receives a fully staged run of 38 performances. The playwright and cast will learn from you and every audience gauging your reactions to scenes, moments in the story, and the way you respond to certain lines. They will discover if you were moved by a poignant section of the play and whether you find humor where it is intended. You become an important part of the development process.

Thank you for coming to see Dawn. Thank you for being the first to bear witness to this brand-new play. Please spread the word so as many people as possible get to experience it. They can join you in being in on the ground floor with a new play. I hope to see you at our next play, a little comedy called Vanya and Sonia and Masha and Spike. The play is a charming and funny piece that I think you’ll fall in love with.

Enjoy the show.

Vincent M. Lancisi Founder, Artistic Director

OUR MISSION

Everyman Theatre provides transformative experiences through professional theatre that are welcoming, relevant, and affordable to everyone, featuring a Resident Company of Artists.

MANAGING DIRECTOR

MARISSA LAROSE

Welcome to Everyman,

I am grateful you’ve joined us for the world-premiere of Dawn—a beautiful story about love, resiliency, and a family's remarkable journey of reconnection and healing. A play like Dawn reminds us of the way live theater can foster profound connections and inspire real-world compassion, and I am so proud of the journey our Associate Artistic Director Tuyết Thị Phạm has taken to see her script now fully produced.

In my own life, I am fortunate to have welcomed our second daughter into the world in December! As I navigate the joys and challenges of mothering a newborn and two-yearold, I am reminded of the instinct we all share in wanting to create a better world for the children who will succeed us. We collectively strive to impart the wisdom of the past while working to ensure a better future for the next generation. Without a doubt, the messages in Dawn resonate deeply with me.

I am also grateful to be here at Everyman, which, for 35 years, has been firmly committed to being a place where people of all walks of life are valued. I appreciate you being part of this inclusive community! Our staff takes pride in being #BuiltinBaltimore – a process that shines in a world-premiere production like Dawn. The creation of the final dialogue, settings, and actions are molded in this building. With the playwright in the room, adjustments are made in real time to produce the best-possible story in both text and the physical world our artisans create. If you are moved by your experience today, please invite others. Community is built on personal relationships and one of the best ways you can support is by spreading the word.

Stay connected with us by following us on social media and watching your inbox. There are a lot of great things to come in 2026!

Marissa LaRose Managing Director

DAWN

by TUYẾT THỊ PHẠM

Directed by SENOJAE KIM

CAST

MARY/YOUNG MOTHER

ASHLEY D. NGUYỄN

MOTHER

TUYẾT THỊ PHẠM

DOCTOR/SAM TAYLOR WITT

COMMUNE DIRECTOR TONY K. NAM

RUNTIME: Approx. 90 minutes without an intermission.

SETTINGS:

Makeshift Hospital, Kampuchea, 1978. United States,Suburbia, 2018. Communal Farm, Kampuchea, 1975.

CREATIVES

SCENIC DESIGN

PAIGE HATHAWAY

COSTUME DESIGN DAVID BURDICK

LIGHTING DESIGN

JUAN M. JUAREZ

SOUND DESIGN ADAM MENDELSON

PROJECTION DESIGN CHRIS CARCIONE

INTIMACY DIRECTION SIERRA YOUNG

PRODUCTION DRAMATURG OTIS RAMSEY-ZÖE

STAGE MANAGER MOLLY PRUNTY

THIS PRODUCTION IS SPONSORED BY LARRY & NANCY FISHEL

Developed at the Colorado New Play Festival, Steamboat Springs, CO, June 2025 Resident Company Member

The Cast and Stage Manager are members of the Actors' Equity Association. This play is produced by special arrangement with the playwright.

The videotaping or making of electronic or other audio and/or visual recordings of this production and distributing recordings or streams in any medium, including the internet, is strictly prohibited, a violation of the author(s)’s rights and actionable under United States copyright law.

CAST BIOS

TONY K. NAM [he/him] [EVERYMAN THEATRE]: (Resident Company Member): ‘ART’, Edward Albee's Who's Afraid of Virginia Woolf, Agatha Christie's And Then There Were None, A Midsummer Night's Dream, The Book Club Play, Dial M for Murder, Jump, Ken Ludwig's Baskerville: A Sherlock Holmes Mystery, Sense and Sensibility, The Skin of Our Teeth, Cry It Out, Agatha Christie’s Murder on the Orient Express, Everything is Wonderful, Aubergine. [REGIONAL]: Arena Stage: Exclusion, Akeelah and the Bee (World Premiere); Constellation Theatre Co: Constellations; The Folger Theatre: Romeo & Juliet, Much Ado About Nothing, Measure for Measure; Ford’s Theatre: Our Town; Kennedy Center TYA: Where Words Once Were, A Cricket in Time Square, Unleashed; Olney Theatre Center: Our Town; Mosaic Theatre Company of DC: Sooner/Later, Theory; Round House Theatre: Treasure Island; Seattle Children’s Theatre: The Red Badge of Courage; Shakespeare Theatre Company: Othello, Pericles; TheatreWorks: Pacific Overtures; Woolly Mammoth Theatre Company: Martha, Josie and the Chinese Elvis. [EDUCATION]: St. Mary’s College of MD –BA, University of Washington – MFA.

ASHLEY D. NGUYỄN [she/her] [DC AREA]: Signature Theatre: King of the Yees (Lauren Yee), Soft Power (Jing/Ensemble), Pacific Overtures (Swing); Olney Theatre Center: Waitress (Dawn), Dance Nation (Zuzu), Senior Class (Ensemble); Arena Stage: Ride the Cyclone (Swing); Ford’s Theatre: A Christmas Carol (Understudy); Theater J: The Hatmaker’s Wife (Voice); The Kennedy Center TYA: The Day You Begin (Min), The Dragon King’s Daughter (Xing u/s); Imagination Stage: Winnie the Pooh (Piglet); Keegan Theatre: Shakespeare in Love (Viola de Lesseps, Helen Hayes Nomination); Creative Cauldron: Into the Woods (Little Red); Studio Theatre: White Pearl (Ruki Minami u/s – US World Premiere); Catholic University: A Little Night Music (Fredrika Armfeldt), The Wolves (#8), The 25th Annual Putnam County Spelling Bee (Marcy Park). [EDUCATION]: BM in Musical Theatre from Catholic University. Instagram: @ashley.d.nguyen Website: ashleydnguyen.com

TAYLOR WITT is excited to make his Everyman debut! [REGIONAL]: Arena Stage: Unknown Soldier, Exclusion; The Kennedy Center: Shear Madness; Ford’s Theatre: A Christmas Carol; Signature Theatre: The Upstairs Department; Olney Theatre Center: Too Wong Foo… in Concert, A Nice Indian Boy; Studio Theatre: Admissions; The Keegan Theatre: An Irish Carol, Merrily We Roll Along, Shakespeare in Love; Virginia Rep: Beautiful: The Carole King Musical, Tuck Everlasting; Richmond Triangle Players: The Rocky Horror Show; NextStop: First Date; Toby’s: Newsies (Helen Hayes Nomination, Supporting Actor), The Hunchback of Notre Dame, Ghost; @witt_taylor

MEET THE PLAYWRIGHT

TUYẾT THỊ PHẠM

(ALSO CAST AS MOTHER)

[EVERYMAN THEATRE]: (Resident Company Member): POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, The Book Club Play, The Chinese Lady, A Doll’s House, Dinner and Cake, Sense and Sensibility (Fanny/ Lucy), M. Butterfly (Comrade Chin/Suzuki/Shu-Fang/Fight Captain); Shipwrecked! An Entertainment: The Amazing Adventures of Louis de Rougemont (Player 1/Fight Captain). [REGIONAL]: Olney Theatre Center: Kim's Convenience (Umma), Oil (Fan/Miss Fang/Fight Captain); Arena Stage: Our War (Ensemble), An American Daughter (Linh Meyers), South Pacific (Mary’s Assistant), America: Work in Progress (Ensemble); Kennedy Center for the Performing Arts: The Journal of Ben Uchida (Naomi/Ms. Uchida), The Light of Excalibur (Morgause/Fight Captain); Roundhouse Theatre: Around the World in 80 Days (Princess Auoda), Treasure Island (Pirate Anne Bonney); Imagination Stage: Zomo the Rabbit (Sky God), Liang and the Magic Paintbrush (Ensemble); Spooky Action Theater: To The Earth (Nutie Nassari); Paper Dreams (Lee On); The Small Room at the Top of the Stairs (Jenny/HH Award Winner); The Man Who (The Doctor/ The Patient), Kwaidan (The Village Guardian), The Wedding Dress (The Veiled Woman/Lucia), Kafka on the Shore (Oshima); The Nebraska Shakespeare Festival: Pericles (Thaisa), Othello (Desdemona) Two Gentlemen of Verona (Silvia) (The Player Queen); Bodywise Dance Company: Woman with Sword (The Woman With Sword); Arts on the Horizon: Blossom’s Rainbow (Blossom); Constellation Theatre Company: 36 Views (Claire Tsong); Rep Stage: In The Heart of America (Lue Ming / Fight Captain/Helen Hayes Nomination); Signature Theatre, Washington DC: Yemaya’s Belly (Mama/Lila); Perseverance Theatre: The Vagina Monologues (Various Roles); Former member of the Living Stage Theatre Company, Guest Professor of Movement at the University of Nebraska-Omaha. [EDUCATION]: BS, University of Kansas,MA, University of Nebraska-Omaha.

MEET THE DIRECTOR

SEONJAE KIM

SEONJAE KIM (sun in the sky + letter j) is a NYC-based director from Seoul, South Korea. Her credits include Fly To Tomorrow (Baekham Arts Hall, Seoul, South Korea), KPOP (Associate, Broadway), Bald Sisters (Salt Lake Acting Company), Wild Goose Dreams (SpeakEasy Stage Company), The Wolves (Atlantic Acting School), Jar of Fat (Ma-Yi), The 25th Annual Putnam County Spelling Bee (Associate, Kennedy Center), Hot Asian Doctor Husband (Theater Mu). Seonjae created Riot Antigone, a Riot Grrl musical adaptation of Antigone, produced at La MaMa and Ars Nova and published in Reclaiming Greek Drama for Diverse Audiences by Routledge. Her short film Good Taste premiered at the Oscar-qualifying Los Angeles Asian Pacific Film Festival before embarking on a national festival tour. Currently, she is directing and developing Mommy: A One Woman Cho, written and performed by Asian American icon Margaret Cho. NYTW Usual Suspect. Graduate of Northwestern University. Find her at @sunintheskyletterj or seonjaekim.com

FOUNDER, ARTISTIC DIRECTOR

VINCENT M. LANCISI founded EVERYMAN THEATRE in October of 1990 and has directed 58 productions including Deceived, Edward Albee's Who's Afraid of Virginia Woolf?, Dial M For Murder, The Sound Inside, The Lion in Winter, Cry It Out, Agatha Christie’s Murder on the Orient Express, Dinner With Friends, Sweat, Aubergine, M. Butterfly, Noises Off, Dot, Death of A Salesman, Under the Skin, Blithe Spirit, Deathtrap, Tribes, The Glass Menagerie, The Beaux’ Stratagem, August: Osage County, You Can’t Take It With You, Stick Fly, All My Sons, Two Rooms, Rabbit Hole, The Cherry Orchard, Doubt, Much Ado About Nothing, The Cone Sister, And a Nightingale Sang, The School for Scandal, A Number, Amadeus, Cat on a Hot Tin Roof, Buried Child, The Last Night of Ballyhoo, A Delicate Balance, Hedda Gabler, Proof, Uncle Vanya and The Last Five Years. As a freelance director, he directed True West for Rep Stage in Columbia, MD. In addition to his work at Everyman, he has taught acting and directing at Towson University, University of Maryland, Catholic University, Howard Community College, and at Everyman Theatre. He is a member of the Society of Stage Directors and Choreographers. Vincent sits on the boards for the Bromo Tower Arts & Entertainment District and the Market Center Merchants Association. Vincent holds his undergraduate degree in Theatre from Boston College and his master’s degree in Directing from The Catholic University of America.

HOW

DAWN CAME TO LIGHT

Everyman Theatre is proud to present the first full production of Dawn. Before rehearsals began, resident dramaturg Robyn Quick and playwright Tuyết Thị Phạm discussed the inspiration for the play, its developmental history, and the resonance the play has already found among artists and audiences.

RQ: The idea for Dawn emerged from an event we all experienced. Can you talk about the image that inspired you to begin writing the play?

TTP: It might be surprising to many that what provoked me to write this play was an image from something I saw in the United States. I remember watching television at the height of the pandemic and seeing the number of Covid deaths rise. The numbers were staggering. And on that day, a news camera managed to catch a glimpse of sanitation workers dumping bodies into a mass grave just outside of NYC. I think somewhere in the back of my mind, I knew that mass graves existed in the United States, but well hidden. They existed here in the US for all the bodies of the unclaimed—the homeless, the forgotten, or those who could not afford a proper burial. I remember being overwhelmed with crushing grief. How sad to die without your name. Without your story. The images awakened a myriad of emotions and memories. It propelled me to write, if only as a meditation on giving a story to someone's unmarked grave.

RQ: Once you finished the first draft of Dawn, you initiated its early developmental process with a community of artists you know. . .

TTP: Yes! It took my village of artists and friends, who are much smarter and more talented than myself, to get this play to a place where it is now. Playwrighting can be a solitary experience, but it doesn’t become a play until you collaborate with others. I live for that moment. I gave it to my actor, director, and dramaturg friends to read. I found a group of actors, guided by DC director Raymond Cadwell, the current Artistic Director of LA’s The Fountain Theatre, and DC dramaturg Otis Ramsey-Zöe, to help me shape this play. Dawn had two private readings over Zoom (we were still in the pandemic) and one in my living room before I felt comfortable enough to show it to any theatre. From that point in its developmental history, it’s had four public readings and two workshops. Spooky Action Theatre in DC and Gavin Witt, were the first to put it in front of an audience. It was then offered a three-day workshop and performed twice at the Washington Women in Theatre Festival, founded by Karen Berman. Signature Theatre in Arlington, VA, scheduled it as part of the SigWorks Series, and it was the final play in last year’s Script Tease series. It received a full week workshop and a public reading at the Colorado New Play Festival. The workshops and readings helped me learn so much about the play, collaborating with folks, and even more from the responses from all the different audiences.

RQ: What were some of those responses from audience members and how did they relate to what you hope people might find in this story?

TTP: Despite the very specific cultural references and historical events that happen in Dawn, we all have a shared, common understanding of grief and healing. We all know that difficult journey to recovery or know someone who struggles to get better. It sits deep inside our bellies, and although we can’t always articulate why, we recognize its presence. I feel like we often hang on to the pain because it is the last thing that connects us to the thing that we loved and lost. Healing requires shatterings—a shattering of who you once

were and thought you were, a shattering of beliefs you once held as sacred, and even a shattering of what you think you should be. We all know the physiological sensations that come with healing from grief or trauma. It’s how we feel after a good cry—the sore, red eyes for hours, the struggle for even breaths, the numb feet and cold hands, the heavy chest and mind fog. It is painful and exhausting, but in a good way. If the play resonates and audiences are having visceral responses, it’s because we have all felt what the characters are feeling deep in our bodies.

RQ: And how did Everyman come to be part of the play’s journey?

TTP: Somewhere between the SigWorks reading and Script Tease, Vinny called and offered to program it in the current season and to submit it to the Colorado festival. I was surprised; I didn’t think it was an “Everyman play.” Looking back, I realize that was unfounded. Everyman’s mission has always been about offering transformative experiences through excellent theatre or, as we like to say, “Great Stories, Well Told.” I know Dawn is a great story; now it’s my responsibility to make sure it is well told. And I am so grateful that Tony Nam, the astounding actor and Everyman Resident Company Member, has been with Dawn from the very start. I’m so excited to have him as a part of this world premiere production. Huge shout-out to him and the other actors who have endured saying my words!

RQ: In addition to Tony Nam, dramaturg Otis Ramsey-Zöe was also with the play from its early readings. Otis shared with me a lovely observation about the important role of witnessing in your writing. He said, “Witnessing is a ministry in her work, and she does it in such a way that she is able to offer spaces where the stories of our ancestors and ourselves in present & future moments can co-exist.” Can you talk about how holding space for others fuels your work?

TTP: Otis sees things in my writing that I don't. Bless him! This production’s director Seonjae Kim and I discussed how, culturally, collective societies often view their ancestors and the past as being present with us, and with great deference. For us, the paradox lies in the belief that there is no future or moving forward without this profound connection between the past and each other.

There is a quote that goes: In the Russian tradition of Stanislavsky, the actor says, "I will tell you a story about me." In the German tradition, the actor says, "I will tell you a story about them." In the Vietnamese tradition, the actor says, "You and I will tell each other a story about all of us.”

When I write, I hope to reveal the interconnected web that binds us all together. Regardless of time, location, or circumstances, shared experiences are happening to all of us, all the time, everywhere. So, the grief Cambodians experienced during the Khmer Rouge, is the grief Americans felt during Covid, is the grief Palestinians in Gaza feel now. I hope to evoke sagacious empathy that goes beyond merely validating another’s experience. I hope to encourage us to recognize the roots and patterns of our lives and perhaps see how very much we are the same.

EVERYMAN THEATRE: THE FIRSTS OF

WORLD PREMIERES AND BEYOND

Everyman Theatre has always believed that theatre isn’t just something you present, but it’s something you build. From the beginning, that has meant making space for new voices and bold ideas, and investing in artists who call Baltimore home. World premieres, like the one you are about to witness, are at the heart of that commitment. They are acts of trust and collaboration between playwright and theatre, between artists and audience.

But Everyman’s “firsts” go beyond a premiere on the stage. They include first readings of productions by emerging playwrights, first opportunities for local designers, and first chances for Baltimore artists to see their stories reflected onstage. This work isn’t about chasing trends or accolades, it’s about building a theatrical home where artists can take risks, grow over time, and return again and again.

This investment is strengthened by Everyman’s Resident Company, a cornerstone of our artistic identity. By working with the same ensemble of actors over time, we commit not only to individual productions, but to the evolution of the art itself. Artists grow, stretch, and take creative risks within a supportive, long-term home allowing new work to deepen and flourish in ways that can only happen through sustained collaboration. Explore where each artist’s Everyman journey began on the Resident Company Profile page of our website.

SCAN for additional ways to support Everyman Theatre.

By investing in new work and local voices, Everyman helps ensure that Baltimore isn’t just a stop along the way, but a place where stories are born. A place where theatre is made with intention, integrity, and a deep sense of belonging.

A: Carolina Đỗ, Định James Đoàn and Resident Company Member Tuyết Thị Phạm in the world premiere of Dinner and Cake (2022).

B: Resident Company Member Felicia Curry in the world premiere of Queens Girl: Black in the Green Mountains (2020).

C: Erika Rose, Resident Company Member Paige Hernandez, Starr Kirkland, and Dwayne Washington in the world premiere of Crying on Television (2022).

D: Resident Company Member Hannah Kelly and Jessica Natalie Smith in the world premiere of Behold, A Negress (2022).

E: DeMargio House and Resident Company Member Jefferson A. Russell in the world premiere of The Soul Collector (2009)

CREATIVE TEAM BIOS

DAVID BURDICK (COSTUME DESIGN) [EVERYMAN THEATRE]: (Resident Costume Designer): Recent highlights include, Deceived, August Wilson’s The Piano Lesson, The Mystery of Irma Vep: A Penny Dreadful, And Then There Were None, POTUS, A Midsummer Night’s Dream, The Book Club Play, Dial M For Murder, Harvey, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, The Lion in Winter, Sense and Sensibility, Behold, A Negress, The Skin of Our Teeth, Flyin West, Steel Magnolias, An Almost Holy Picture, Agatha Christie’s Murder on the Orient Express, and over 20 more productions.

[OFF-BROADWAY]: 59E59: The Lucky Star. [REGIONAL]: Baltimore Center Stage: A Wonder in My Soul, Looking Glass Alice, Jazz, Amadeus, Next to Normal, Animal Crackers, The Final Strange Tale of Edgar Allan Poe, An Enemy of the People, The Rivals, Caroline or Change, Mrs. Warren’s Profession, Private Lives, Les Blancs, The Piano Lesson, Picnic, and others. Olney Theatre Center: The Diary of Anne Frank. [OPERA]: Boston Lyric Opera: I Puritani. Cincinnati Opera: Don Giovanni. Tulsa Opera: Tosca, Carmen, The Barber of Seville, Fidelio. Eastman School of Music: The Rape of Lucretia. Dayton Contemporary Dance: Lyric Fire. [OTHER]: Baltimore Symphony Orchestra: Holiday Spectacular.

CHRIS CARCIONE (PROJECTION DESIGN)

[EVERYMAN THEATRE]: Debut. [REGIONAL]: Iron Crow Theatre: Hedwig and the Angry Inch, Next to Normal (upcoming); La MaMa ETC: Shank's Mare, The People Vs Nature; Chicago International Puppet Festival: The Left Hand of Darkness, Akutagawa, Kayfabe; Bard Summerscape: Demolishing Everything with Amazing Speed; Quintessence Theatre Group: The Little Prince; White Snake Projects: Monkey, a Kung Fu Parable; Towson University: A Year with Frog and Toad, Scrooge.0, Intimate Apparel, American Idiot, The Cherry Orchard. [EDUCATION]: BS Communication, Boston University; MFA Theatre, Sarah Lawrence College. Assistant Professor of Theatre Arts at Towson University.

PAIGE HATHAWAY (SET DESIGN) [she/her]

[EVERYMAN THEATRE]: ‘ART’, Agatha Christie's And Then There Were None, Ken Ludwig's Baskerville, An Almost Holy Picture, Queens Girl

in Africa, Queens Girl in the World. [DC AREA]: Signature Theatre: Hair, Penelope, No Place to Go, The Upstairs Department, Rent; Ford's Theatre: Little Shop of Horrors; Olney Theatre Center: Frozen; Arena Stage: The High Ground, The Right to be Forgotten; Woolly Mammoth: The Sensational Sea Mink-ettes, Familiar; Round House Theatre: The Mountaintop, Jennifer Who is Leaving, On the Far End; Kennedy Center: Me… Jane; Folger Theatre: A Midsummer Night’s Dream, Rosencrantz and Guildenstern are Dead. [REGIONAL]: Santa Fe Play House: On Clover Road; Barrington Stage: A New Brain; Writer's Theatre: A Distinct Society; Amphibian Stage: The... Untruths of Juan Garcia, Miss Molly; The Muny: Mary Poppins, The Sound of Music, Matilda, Cinderella, A Chorus Line; Cleveland Play House: The Three Musketeers; Asolo Rep: Sweat; Arden Theatre Company: Assassins, A Streetcar Named Desire, A Midsummer Night’s Dream. [EDUCATION]: University of Oklahoma: BFA in Scenic Design; University of Maryland: MFA in Scenic Design. Local USA 829. @paigehathawaydesign. paigehathawaydesign.com

JUAN M. JUAREZ (LIGHTING DESIGN) [he/ him] is a lighting designer and technician based in the Baltimore-Washington area. Since 2015 he has served as the Lighting Supervisor at Everyman Theatre. Recent work includes [EVERYMAN THEATRE]: The Mystery of Irma Vep: A Penny Dreadful, The Book Club Play, Baltimore Broadway and Beyond, The Lion in Winter, Baltimore It's Me [REGIONAL]: UMBC Department of Theater/ Chesapeake Shakespeare Company: Shakespeare in Harlem; The Voxel: Call Me By Any Other Name...Just as Sweet; Synetic Theater: Teen Hamlet …the rest is silence; Mind on Fire: Nobody is Ever Missing; Bowie State University: Ride the Cyclone; Classic Theatre of Maryland: Jane Eyre; Extreme Lengths Productions: Over/Under; Atlas PAC Intersections: Joteria: Our Untold Stories. [EDUCATION]: B.A. in Theatre Production and Psychology from Hofstra University. [OTHER]: Member of Everyman Theatre Committee on Anti-Racism, Equity, and Solidarity (CARES). JuanMJuarez.com

ADAM MENDELSON (SOUND DESIGN) [EVERYMAN THEATRE]: The Book Club Play, The Sound Inside (Lighting Design). [REGIONAL]: 1st Stage: The Piano Lesson, Shutter Sisters, The Logan Festival of Solo Performance 2025; Theatre J: Tiny Lights; Pepper Theatre, Munich Germany: The Amish Project; Chesapeake Shakespeare Company: Joe Turner's Come and Gone (Sound Design); Rep Stage: Falsettos (Sound Design), Songs For A New World (Sound Design), Souvenir, The Heidi Chronicles; Classic Theatre of Maryland: A Christmas Carol, White Christmas, Cabaret, Rosencrantz and Guildenstern Are Dead, Pride and Prejudice, Hamlet, Blithe Spirit, A Midsummer Night’s Dream and over 30 others; Lexington Children’s Theatre: Ella Enchanted, Charlotte’s Web; Persiphere Theatre: Blue Room, Time Is On Our Side; Folger Theatre: Metamorphosis (Associate Designer); Interrobang Productions @ The Voxel: I Will Eat You Alive; PBS/ Kennedy Center: Halluci Nation- [DANCE]: Multiple shows each: Edinburgh Fringe Festival (Scotland), LA Dance (Massachusetts), Snowy Range Dance (Wyoming), Towson University Department of Dance (Maryland). [TEACHING]: Associate Teaching Professor of Lighting and Sound Design and Associate Chair, University of Maryland Baltimore County Department of Theatre.

MOLLY PRUNTY (STAGE MANAGER) [EVERYMAN THEATRE]: ‘ART’, Primary Trust, Queen's Girl: Black in the Green Mountains, (Assistant Stage Manager): Harvey, Jump, The Lion in Winter, Behold, A Negress, Cry it Out. [REGIONAL]: Peabody Opera: Don Giovanni; Baltimore Center Stage: Young Playwrights Festival. [TEACHING]: Baltimore School for the Arts: Expressions 2023.

[EDUCATION]: B.A. in Theater Design & Production from University of Maryland, Baltimore County.

OTIS RAMSEY-ZÖE (PRODUCTION DRAMATURG) [EVERYMAN THEATRE]: Dinner and Cake. [TEACHING]: Lecturer in Dramaturgy (David Geffen School of Drama at Yale and Carnegie Mellon University); Lecturer in Theatre (Northeastern University); Adjunct Faculty in Women’s Studies (University of Maryland); Adjunct Faculty in Performing Arts (American University); Lecturer in Theatre Arts (Howard University). [OTHER]: Literary

Manager (Arena Stage and Baltimore Center Stage), Associate Artistic Director (banished? productions), Future Classics Program Coordinator (The Classical Theatre of Harlem).

SIERRA YOUNG (INTIMACY DIRECTION) [she/her] is a Helen Hayes nominated fight and intimacy director in the DC/Baltimore Area. [EVERYMAN THEATRE]: Debut.

[REGIONAL]: Arena Stage: Chez Joey, The Age of Innocence, Ja Ja’s African Hair Braiding, POTUS!; Folger Theater: Julius X, Twelfth Night; Ford’s Theatre: The American Five, Sister Act, Little Shop of Horrors; Keegan Theater: Lizzie, Everything Is Wonderful, Hand to God; Studio Theatre: Octet, Paradise Blue, The Scenarios,

DAWN PRODUCTION STAFF

ASSISTANT STAGE MANAGER

Peri Walker

WARDROBW CREW

Allyn Gardener

LIGHT BOARD PROGRAMMER

Andy Pfluger

LIGHT BOARD OPERATORS

Trinity Joseph

Andy Pfluger

PRODUCTION ELECTRICIAN

Maisie Stone

RUN CREW

Sharon Zheng

SOUND BOARD OPERATORS

Lanoree Blake

Martin Sundiata

PROJECTION PROGRAMMER

Marcus Maia

SPECIAL THANKS TO Lee Johnson-Lowe and the staff at the Lord Baltimore Hotel

This Theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

The director is represented by Stage Directors and Choreographers Society.

The set designer is represented by United Scenic Artists, Local USA 829 of the IATSE.

WOMEN ANONYMOUS: THE WEIGHT OF SILENCE

Our exhibit for the run of Dawn features the work of KAY NGUYEN

ABOUT THE ARTIST: Khanh Nguyen (Kay) was born in Hanoi, Vietnam, and began drawing at the age of four. It wasn’t until her later years of high school that she discovered her love for oil painting, which has since become her primary medium. Though largely self-taught, Kay embraces the contemporary art movement, creating works with themes that invite audiences to bring in their own perspectives. For her, art is not only about beauty, but also about sparking thought and dialogue.

"The paintings you see tonight are portraits of various Asian women, but they are more than just likenesses—they are maps. For many of us, the body is a vessel for a history we didn't choose, yet are forced to carry. The silence you see on these faces is a form of protection; it is the wall built to survive what cannot be said...

By painting these experiences, I hope to transform 'heavy' silence into 'witnessing.' These works are a way of saying: I see what you carried. I see the history that shaped you. And by seeing it, you no longer have to carry it alone."

– KAY NGUYEN

PAPER CRANES (2018) CAGES (2018)

LEARN MORE AND SEE THE REST OF KAY'S WORK BY VISITING THE VISUAL ARTS GALLERY LOCATED ON THE MARTHA AND STAN WEIMAN MEZZANINE

Scan the QR code to read Kay's full artist statement and bio.

EVERYMAN THEATRE RESIDENT COMPANY

ACTORS

Megan Anderson

RJ Brown

Felicia Curry

Deborah Hazlett

Helen Hedman

Paige Hernandez

Beth Hylton

Hannah Kelly

Katie Kleiger

Wil Love

ARTISTS

Tony K. Nam

Bruce Randolph Nelson

Tuyết Thị Phạm

Zack Powell

Kyle Prue

Chinai Routté

Jefferson A. Russell

Carl Schurr

Yaegel T. Welch

Daniel Ettinger | Scenic Design

David Burdick | Costume Design

Harold F. Burgess II | Lighting Design

Pornchanok Kanchanabanca | Sound Design

Gary Logan | Dialects

Lewis Shaw | Fights & Intimacy

Cat Wallis | Stage Management

Robyn Quick | Dramaturgy

WHY DO WE HAVE A RESIDENT COMPANY?

Only a handful of theatres nationwide feature an ensemble of professional actors that perform regularly each season. They are the core of Everyman Theatre. Because of their distinctive familial bond, history and trust of each other, company members can jump deeply into meaningful relationships onstage. Our artists push each other to deliver the highest caliber of work.

Learn more about our Resident Comany members by visitng everymantheatre.org or scanning the QR code.

BOARD OF DIRECTORS

Everyman Theatre is governed by a dedicated group of community volunteers, our Board of Directors.

EXECUTIVE COMMITTEE

W. Bryan Rakes, President

Mark Paul Lehman, Vice President

Donald Thoms, Secretary

Walter Doggett III, Treasurer

Meadow Lark Washington, CARES Chair

Vic Romita, Appointee

DIRECTORS

Anthony Evans

Christian Ventimiglia

Christopher Uhl

Deborah Jennings

Dorothy H. Powe

Drew Tildon Reis

Edie Brown

Eileen O’Rourke

Ellie Wang

Gina Hirschhorn

Jennifer Litchman

Larry Fishel

Leland Shelton

Marissa LaRose

Marjorie McDowell

Mark Yost

Michael Styer

Sandy Laken

Sarasi Desikan

Susan Flanigan

Tony Nam

Vincent M. Lancisi

GOVERNMENT, FOUNDATIONS, FUNDS AND CORPORATIONS

Gifts listed here support were received between July 1, 2024 and November 1, 2025

VISIONARY $50,000+

Paul M. Angell Family Foundation

Bertoli-Mansfield Fund

Baltimore County Commission on Arts and Sciences

Downtown Partnership of Baltimore France-Merrick Foundation

Gallagher, Evelius & Jones, LLP

Maryland Department of Education

Maryland Department of Housing and Community Development

Maryland State Arts Council

The Shubert Foundation

William G. Baker, Jr. Memorial Fund creator of the Baker Artist Awards, www.bakerartistawards.org

SEASON PRODUCER

$25,000–$49,999

Galanthus Foundation

Jacob and Hilda Blaustein

Foundation Inc.

David and Barbara Hirschhorn Foundation

National Endowment for the Arts

RESIDENT COMPANY

SPONSOR

$10,000 - $24,999

Abell Foundation, Inc.

American Trading and Production Corporation

BGE

Bunting Family Foundation

Eddie C. and C. Sylvia Brown Family Foundation

Goldsmith Family Foundation

Joseph and Harvey Meyerhoff

T Rowe Price Foundation

Venable Foundation

EXECUTIVE PRODUCER

$5,000–$9,999

Anonymous

Bank of America Foundation

Helen S. And Merrill L. Bank Foundation

Hecht-Levi Foundation

Helen Pumphrey Denit Trust

Phyllis and Joe Johnson Foundation

John J. Leidy Foundation

Lord Baltimore Capital Corporation

Harvey M. Meyerhoff Fund Inc.

Nora Roberts Foundation

Romita Solutions

Earle and Annette Shawe Family Foundation

PRODUCER $2,500–$4,999

Harry L. Gladding Foundation

Lois and Philip Macht Family Philanthropic Fund

ASSOCIATE PRODUCER

$1,000–$2,499

Anonymous

The Mead Family Foundation

Sally S. Decatur and H. Miller Private Foundation

DIRECTOR $250–$999

Actors’ Equity Foundation

Constellation Brands

Taylor Foundation Inc.

MATCHING GIFT COMPANIES

American Trading and Production Corporation

Bank of America

Black & Decker

Exelon Foundation

IBM Corporation

International Monetary Fund

McCormick & Co.

Network for Good

Norfolk Southern

T. Rowe Price

Truist

IN-KIND SUPPORT

City Seeds

Lord Baltimore Hotel

University of Maryland, Baltimore

LEAD CORPORATE PARTNER

MAJOR SUPPORT FROM

COVER ART DESIGNED BY Jacob Kemp / TALISMAN

BUILDING TOMORROW'S STORIES TODAY.

THE EVERYMAN FOUNDERS CIRCLE

As Vincent M. Lancisi concludes his remarkable 35-year tenure as Everyman's founding Artistic Director, we invite you to honor his legacy by joining The Everyman Founders Circle.

Your planned gift — through a bequest, retirement account beneficiary designation, or other estate provision — ensures that Vinny's vision of centering artists and fostering creative risk-taking will thrive for generations to come. While annual gifts keep our curtain rising, planned gifts create a lasting foundation for the exceptional theater Baltimore deserves.

To learn more about joining the Founders Circle or to let us know you've already included Everyman in your estate plans, contact:

Lauren Saunders lsaunders@everymantheatre.org 443.615.7055 (ext. 7061)

INDIVIDUALS

Gifts listed here support Everyman Theatre's Annual Fund and were received between July 1, 2024 and November 1, 2025

For a complete list of donors starting at the Lead Actor and Playwright Levels ($120+ and above), please visit 'Our Supporters' page on our website.

VISIONARY $50,000+

Susan W. Flanigan* and George Roche

Dr. Larry* and Nancy Fishel

Gina* and Dan Hirschhorn

Irene Mansfield

Bryan* and Jennifer Rakes

SEASON PRODUCER

$25,000–$49,999

Brenda K. Ashworth and Donald F. Welch

Susan W. Flanigan*

James A.C. and Maureen A. Kennedy Charitable Fund

Susan and John Nehra

Dorothy H. Powe* in Memory of Ethel J. Holliday

Vic* and Nancy Romita

RESIDENT COMPANY SPONSOR

$10,000 - $24,999

Anonymous

Ed and Ellen Bernard

Chris DiPietro

Walter B. Doggett III* and Joanne Doggett

Jennifer C. Engel

Shirley T. Hollander

Karen and David Hutcheon

Paul Konka and Susan Dugan-Konka

Mark and Sandy* Laken

Charles Lu

Kenneth C. and Elizabeth M. Lundeen

Lisa Harris Jones* and Sean Malone

Mary and Jim Miller

Paco and Tina Rodriguez

Bob and Terri Smith

Michael B. Styer*

Donald* and Mariana† Thoms

Mark Yost* and Kevin Galens

EXECUTIVE PRODUCER

$5,000–$9,999

Anonymous

Mary Catherine Bunting

Shaun Carrick and Ronald Griffin

Diann and David Churchill

Judy Shub-Condliffe and Jack Condliffe

Sarasi Desikan* and Sal Dhanani

Jerry and Carol Doctrow

Curt Lind and Linda Ettinger

Charlton G. C. Friedberg

Sandra Levi Gerstung*

Sandra D. Hess

Jean Jacocks

Deborah Jennings*

Mark Paul Lehman* and Kurt Davis

James MacNicholl and Sara Lombardo

Tim Nehl and Joy Mandel

Brian and Eileen O'Rourke*

Nancy and David Paige

John and Marsha Ramsay

PRODUCER $2,500–$4,999

Anonymous (3)

James and Ellen Adajian

George and Frances† Alderson

Penny Bank

Patricia Bettridge

Winnie and Neal Borden

Courtney Bruno

David Cane

Paul and Kathleen Casey

Ross and Michele Donehower

Karen and Ronald Erler

Catherine Hammond

Donald Hicken

Nancy King

Barry Kropf

Francine and Allan Krumholz

Marissa LaRose* and Travis Andrews

Wil Love and Carl Schurr

Martin Kenneth McQuage

Dr. and Mrs. Crossan O'Donovan

Ed and Jo Orser

Reid Reininger

Jim and Laura Rossman

Hugh Silcox

Ronnie Silverstein

Joaneath A. Spicer

Louis B. Thalheimer and Juliet A. Eurich

Ruth Lawson Walsh

Howard and Elizabeth Walsh and Family

Meadow Lark Washington* and Joe Washington

ASSOCIATE PRODUCER

$1,000–$2,499

Anonymous (11)

Ronald† and Baiba Abrams

Emile A. Bendit and Diane Abeloff

Mark and Susan Adams

Bryn and Philip Ardanuy

Allyson Black Woodson

Michael Booth and Kristine Smets

Patty Bond

Michael Borowitz and Barbara Crain

Susan Chomicz Bowman

Richard Bozzelli

A. Stanley and Dorah Brager

Paul and Jane Brickman

Livio and Diane Broccolino

David Brown

Edie* and Stan Brown†

Jeanne Brush

Diane E. Cho and David W. Benn

Harlan and Jean Cramer

Rickie Eatherly

Arlene Falke

Kimberly and Christopher Field

Susan Sachs Fleishman

Debra and Maurice Furchgott

Regina C. Graham

Caroline Griffin and Henry E. Dugan, Jr.

W. Robert Hair and Steven J. Ralston

Carol and Joe Hamilton

Alan and Trisha Hoff

Vanessa Harnik

James F. Hart

Jeffrey and Shelly Hettleman

Deborah Ingle

Keith and Lois Johnson

Ann H. Kahan

Shirley A. Kaufman

Harold Kanarek

Diane Koenig

Evelyn S. Krohn

Timothy and Gabrielle Lawrence

Peter Leffman

Sara and Ronald Lesser

Paul and Jill Levine

Gayle Levy and Martin Barber

Lynne and Larry Lichtig

Jennifer Litchman*

Fred and Judy Lobbin

Linda and Jim Loesch

Marjorie* and Scott McDowell

Kathleen Howard Meredith

Barry Mersky and Elizabeth Trexler

David Mintzer and Cinda Hughes

Steven Morris

Gerry Mullan and William Sweet

Dr. Mike Myron and Linda Weisfeldt

Linda Nevaldine

Ken and Ellen Nibali

Andrew and Sharon Nickol

Patricia S. and Robert J. Orr

Patricia Palmer

Julia Pearson

Gary and Leslie Plotnick

Mark and Joanne Pollak

Drew* and Ryan Reis

Elaine Richman and Ralph

Raphael

Sue Shaner and John Roberts

John and Sarah S. Robinson

Nancy Dalsheimer Savage

Dr. Alan Schwartz and Dr. Carla Rosenthal

Lisa Scotti

Betsy and Carlton Sexton

Harvey and Debbie Singer

Bob and Jackie Smelkinson

Ruth and Chuck Spivak

Susan Spencer and John Spencer

Shale D. Stiller and Honorable

Ellen M. Heller

Brooke Story

Jessica Strauss and The Honorable André Davis

Sheldon and Victoria Switzer

Eileen and Philip Toohey

Elizabeth Trimble

Christian Ventimiglia*

Rose Viscardi

Ellie Wang*

Lissa Abrams and Abe Wasserberger

Maria Wawer

Barbara Coleman White

Peter Ayers Wimbrow, III

Wolman Family Fund

Joseph and Valerie Yingling

Carol Yoder

DIRECTOR $500–$999

Anonymous (8)

Walter and Rita Abel

G. Caleb Alexander

Brad and Lindsay Alger

Ray and Carroll Apodaca

Dr. Sania Amr

Robert and Jane Amtmann

Dale Balfour

Robin Banks

Gayle Barney and Jean Savina

Craig Bober and Rachel Burgan

John and Carolyn Boitnott

Jeffrey Budnitz and Siobhan O'Brien Budnitz

Eva and Warren Brill

Lew and Vicki Bringman

Peter and Eileen Broido

Sara and Duncan Brown

Karen Caffi-Lalle

Kristen Cannito

Evelyn Cannon and James Casey

Jan Caughlan

Arnold Clayman

Fred Cogswell

David and Marcia Cohen

Samuel Cohen and Joan Piven

Phonte Coleman

Stiles Colwill

Will and Carol Cooke

Judith Cooper

Cindy Conklin and Bob Merbler

David Cox and Joanna Miskelly Cox

Greg and Martha Cukor

Barbara Dent

Nancy Dickinson

Gwen DuBois and Terry Fitzgerald

Carol Eakin-Burdette

Neil and Deborah Eisenberg

Bill Eggbeer

Donald and Margaret Engvall

Don Firmani and Janet Esch

Donna Flynn

Eric and Esther Frey

Praveena Gadam

Beth Gansky

Suzan Garabedian

Saralynn and Sheldon Glass

Sue Glick

Susan Goetze and Janet Colman

Herbert and Harriet Goldman

Dorothy Gold and Jim Wolf

Marci Gordon and Andrew Barnstein

Hannah and Thorne Gould

Donald M. and Dorothy W. Gundlach

Robert and Cheryl Guth

Richard Manichello and Margo Halle

Fritzi K. and Robert J. Hallock

William Hamilton and Paula Jackson

Suzanne Hill

Hope Hollander

Greg Huff and Pamela Pasqualini

Jessica Iannetta

Bob and Thea Jones

Mr. and Mrs. D. Brooks Kitchel II

Ann and David Koch

Larry Koppelman and Liz Ritter

Harriet and Jay Kramer

Ron and Marianne Kreitner

Toni and Evan Krometis

Dr. and Mrs. Rudolf Kuppers

Jessica Lanzillotti

Drs. Moira and Paul Larsen

Colleen Martin-Lauer and Mark Lauer

Jonna† and Fred Lazarus

Gregory Lehne

Marie Lerch

Peter Levy and Diane Krejsa

Freddi Lipstein and Scott Richard Berg

Bruce Lindstrom

Gail Long

Michael and Lois Mannes

Jeanne E. Marsh

Vicki Moyer

Bruce R. Nelson and Richard Goldberg

Elaine Niefeld

Susan Noyes

Drs. Mary O'Connor and Charles King

Gail Oppel

Thomas L. and Leslie V. Owsley

Hilary Paska

Justine and Ken Parezo

William and Susan Paznekas

Dr. Fred Pearson

Josephine Raney

Anne Marie Richards

Bill and Susannah Rienhoff

Naomi Robin and Gerald Gleason

Daniel Rodricks and Lillian Donnard

Mr. and Dr. Nathan Rosen

Kristin Rowles and Paul Ferraro

Robert Russell in memory of Lelia Russell

Eleanor Schwark

Robert Sears

Thomas Seidman

Joan Seiffert

Amy Seto

David and Sarah H. Shapiro

Temmie and Ronald Shade

John Shavers

Patricia Smeton

Norma Snow-Goldberg

Damie and Diane Stillman

Lynne Stuart

Dr. Ellen Taylor and Mr. Bruce Taylor

Ian Tresselt and Joseph Rooney

Christopher Uhl* and Andre Cawley

Victoria Vestrich

Louise Wagner

Peggy Widman

Donald and Jerriann Wilson

Wade Wilson and Claudia Bismark

MONTHLY SUSTAINING DONORS

Steven Bartoszewicz Household

Joyce Duffy-Bilanow and Stephen Bilanow

Jan Boyce

Jonathan Castillo

Jan P. Caughlan

David and Marcia Cohen

Bruce and Lisa Field

Ira Gooding and Kristen Vanneman-Gooding

W. Robert Hair and Steven J. Ralston

Gerald Hammond

James F. Hart

Deborah Ingle

Shameka Littles

Fred and Judy Lobbin

Hannah Mazo

Marjorie* and Scott McDowell

Michele McFarland

Greer Meisels

Davona Moore

Mary C. Plaine

Dr. Alan Schwartz and  Dr. Carla Rosenthal

Drew* and Ryan Reis

Linda Riach

Judi and George Seal

Peggy Widman

Margaret Williams

* Board Member † Deceased

YOU MAKE THEATRE HAPPEN.

Everyman Theatre is a welcoming and inclusive space for everyone – audience members, students, artists, volunteers, staff, and trustees – to experience art and be part of a positive community where all can be treated with kindness and respect.

In order to make this a reality we need your help in upholding our core values and creating a space that allows everyone to fully participate in the transformative experience of live theatre.

WE BELIEVE THAT…

• Everyone is deserving of kindness and respect

• All individuals deserve to feel welcomed and included in the work we do

• It’s our collective responsibility to maintain a safe and supportive environment

• Theatre provokes thought and inspires dialogue, which builds our capacity for empathy, understanding, and connection

• It’s our collective responsibility to oppose racism by consciously, purposefully, and continually striving against racial biases and the systemic structures that perpetuate them

• We must take a united stance against all forms of oppression or marginalization, and recognize that although discomfort may be productive, cruelty never is

WE INVITE YOU TO…

• Embrace a mindset of goodwill and extend courtesy to others

• Immerse yourself fully in the performance – applaud, shed a tear, laugh out loud, and express your emotions freely

• Embrace your fellow audience members’ reactions and cherish the fact that theatre is a shared journey

• Make a deliberate effort to confront your own biases, and partner with us in putting these beliefs into action. We are all learning - help us maintain a positive community and culture of collaboration

• Share your feedback and experiences with us, as we are continually looking to improve

WE WILL NOT TOLERATE…

• Discrimination, harassment, or any form of speech/behavior that threatens the safety or well-being of others

• Unwanted invasion of another person’s physical space

• Refusal to comply with staff instructions or disregarding the theatre’s policies

Any conduct that contributes to a dangerous or hostile environment will be taken seriously. If you witness or experience a violation of the values and expectations outlined above, please alert one of our staff members. Everyman takes this feedback very seriously and will take action to protect our community.

Thank you for joining us and being a part of the Everyman Family!

GRATITUDE FOR THOSE BEFORE US

We honor the Indigenous Piscataway, Lumbee, and Cherokee people of Baltimore City and the unceded ancestral lands of the Piscataway on which Everyman Theatre resides. This acknowledgement does not take the place of authentic relationships with Indigenous communities, but serves as a first step in honoring the land we occupy and as an act of resistance against the erasure of their histories. For more information: https://native-land.ca/ and http://baltimoreamericanindiancenter.org

LEADERSHIP

Founder, Artistic Director

Vincent M. Lancisi

Managing Director

Marissa LaRose

ADMINISTRATION

Producing Director

Kyle Prue

Director of Finance + Human Resources

Larry Bright

Finance + Human Resources Associate

Robin Fraker

Facilities + Operations Manager

J.R. Schroyer

ARTISTIC

Associate Artistic Directors

Paige Hernandez

Noah Himmelstein

Tuyết Thị Phạm

PHILANTHROPY

Directors of Philanthropy

Charisse Paige

Lauren Saunders

Associate Director of Institutional Giving

Elliott Kashner

Philanthropy Operations & Events Manager

Caitlyn Hooper

MARKETING & COMMUNICATIONS

Director of Marketing & Communications

Alexander Cortes

Associate Director, Communications & Partnerships

Corey Frier

Associate Director of Marketing Operations

Jordyn Farthing

Assistant Director of Marketing

Madeline ‘Mo’ Oslejsek

Multimedia Manager

Lindsay Pedersen

Marketing Coordinator

Jalice Ortiz-Corral

Front of House Manager

Ashley Brooks

Audience Services Coordinator

Michelle Payton

Patron Engagement

Associates

Airele Arrington, Andromeda Bacchus, Davin Banks, Tyrel Brown, Valicia Browne, Fabienne Dorceus, Mel Gabel, Ja’Net Jones, Kate Appiah Kubi, Sarah Lohrfink, Elizabeth Malvo, Derrell Owens, Thom Purdy, Kelsey Schneider, Acell Spencer, Becca Stafford, Teddy Sherron III, Majenta Thomas, Taylor Thompson

PRODUCTION

Director of Production

Amanda M. Hall

Production Manager

Cat Wallis

Technical Director

Trevor Wilhelms

Assistant Technical Directors

Brandon Ingle

Ren Brault

Scene Shop Manager

Sarah Blocher

Lead Carpenter

Joe Martin

Scenic Charge Artist

Jill Koenig

Properties Artisan

Michael Rasinski

Costume Director

David Burdick

Drapers

Jenn Bae, Amy Forsberg, Ginny McKeever

Stitchers

Sue O'Connor, Grace Santamaria

Tailor

Ed Dawson

Millinery & Crafts

Wil Crowther

Wardrobe Supervisor

Lucy Wakeland Haag

Lighting Supervisor

Juan M. Juarez

Lead Electrician

Maisie Stone

Audio/Video Supervisor

Andrew Gaylin Carpenters

Jupiter Lam-Bright, Kenny Fraker, Zack Nunns, Charles Whittington, Charlie Woods Electricians

Griffin DeLisle, Adam Harper, Malaak McDonald, Maya Strauss, Martin Sundiata, Sharon Zheng

EDUCATION

Director of Education

Joseph W. Ritsch

Education Operations Manager

Arianna Costantini

Education Programs Manager Kristina Szilagyi

Teaching Artists

Megan Anderson Prue, Kyleigh Archer, Khalid Bilal, Lanoree Blake, Julia Brandeberry, Christy Brooks, Tyrel Brown, LaKeshia Ferebee, Melissa Freilich, Katie Ganem, Diana Gonzalez Ramirez, Carole Graham Lehan, Isaiah Harvey, Deborah Hazlett, Patricia Hengen-Shields, Beth Hylton, Ally Ibach, Lauren Jackson, Hannah Jeffrey, Marcus John, Kimberley Lynne, Jenny Male, Tarshai Peterson, Fatima Quander, Joseph Ritsch, Lucius Robinson, Chinai Routté, Raecine Singletary, Acell Spencer, Teresa Spencer, Susan Stroupe