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This Time Tmrw - Festival Program - Contemporary Arts Center

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tival y fes a d r ou th e ew f d by is a n e t n W O se c al , ORR e r lo e pre h c M t n e O a g ET s, rform ng to TI M wo r k ri n g i r y pe r i B ut a TH I S . e r r h o e nt ug ho mp nd t e o e r a t C h n s t s t t s of co io n , ti o n s r y Ar l a r ti lo c a n t at pora e t ti o n a m a a m e i n s t r r r C on inte expe occu p i ri t l, and ti o n , OW he s t a a R r , n R o s o l i e O p n at anc o ps , of ex TO M rform rksh IME th os e o T e p w S n I o e iv nt da TH reat d i ti o e hin gh c n ad it y b I u c . o n r e th th ti o h u b. e on bora ig ht u a n l n l i o e t t c n nt l a and ill c o vibra ss w e a n d e n ,a of liv u rs e is c o d n ope

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5 INTRODUCTION 6 TANIA EL KHOURY As Far As My Fingertips Take Me 8 LORENA MOLINA Tu nombre entre nuestras lenguas 10 INTERMEDIO On Touching 12 RASHAAD NEWSOME Running 14 NIC KAY pushit! [ exercise 1 in getting well soon ] 16 SCHEDULE 18 DAINA ASHBEE Serpentine 20 MAMMALIAN DIVING REFLEX All The Sex I've Ever Had 22 JOSEPH KECKLER Live 24 AMANDA CURRERI RopeWalk 26 MAP 28 ACKNOWLEDGEMENTS 3


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I T S I H

T E M

Welcome to the inaugural edition of the CAC’s performing arts festival, This Time Tomorrow! Since 2011 we’ve been presenting full seasons of performances from across the world that span disciplines, explore new contexts, and challenge tradition. This Time Tomorrow is a natural furtherance of the ethos that has been at the heart of our performance series since the beginning; promote exchange and conversation, collaborate frequently, and inspire audiences’ sense of discovery with bold, expansive performances. This Time Tomorrow’s arrival comes at a pivotal cultural moment. The unease with our fractured sense of commonality has encouraged the pursuits of other ways of joining together with people. More than any other art form, performance satisfies that urge. Its ephemeral nature requires a presence, an assembly, an interaction.

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The configuration and scale may shift dramatically; in a grand hall for Rashaad Newsome’s Running, or having a personal interaction with Lorena Molina’s Tu nombre entre nuestras lenguas and Tania El Khoury’s

As Far As My Fingertips Take Me. You may be part of the audience, contributing to the performance firsthand like in Intermedio’s On

Touching, or watching your friends and neighbors on stage in Mammalian Diving Reflex’s All The Sex I’ve Ever Had. The breadth of presentational possibilities perfectly reflects the multitude of experiences available for those who are curious about the world and passionate about artistic expressions. If you’re interested in taking part in more than the performances, we have you well-covered. To learn more about the works you’ve seen, bring an appetite to our artist talks at the Goetta-Institut – a tip ‘o the hat to the region’s German heritage and culinary treats. When the shows have ended, head back to the CAC for our late night hub where each night will feature an entirely new live art encounter. This will be the spot to further immerse yourself in performances, hear about the shows you need to see, and deepen your love for the mother’s milk of Kentucky, bourbon. With This Time Tomorrow, we encourage you to take the opportunity to embrace what makes contemporary performance essential to culture; the expectation of the unexpected, and a hunger for the new. The artists will be taking risks, and we hope you will as well. We look forward to seeing you across the aisle and along the way. —Drew Klein

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IN PART NERSHIP WIT H WAVE POOL

TANIA EL KHOURY As Far As My Fingertips Take Me As Far As My Fingertips Take Me is a conversation through a gallery wall between an audience member and a Syrian refugee. Their arms touch without seeing each other. The refugee will mark the audience by drawing on their arm. The audience will listen to those who have recently challenged border discrimination. The marking can be kept or washed away.

His tale doesn't just touch me in a fleeting way-it goes further. It marks me. For the next few days I will carry it around with me. It is part of me, not easily ignored or washed away."

4.10, 4.11, 4.12, 4.13, 4.14 Every 15 Minutes Wave Pool 2940 Colerain Ave 6

© Marion Savoy

THE GUARDIAN


© Marion Savoy

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World Premiere/CAC Commission

LORENA MOLINA Tu nombre entre nuestras lenguas El Mozote is a small town in El Salvador, and the site of the deadliest massacre in recorded Latin American history. On November 11, 1981, 988 people, mostly children, were murdered. This atrocity was carried out by the Salvadoran army, trained in North Carolina and funded by the US government. For nearly 30 years, the Salvadoran government denied that this massacre had happened; the victims’ bodies and names lost between the terrain’s red clay and mango trees. When trauma occurs, the act of telling stories becomes an important tool of both remembrance and resistance. Tu nombre

entre nuestras lenguas, conceived and performed by Salvadoranborn, Cincinnati-based artist Lorena Molina, will be a ceremony for their loss. By bearing witness to a history unknown to most, participants will contribute to a shared ritual that acknowledges the long history of the United States’ implication in the affairs of other nations, displacing families and directly contributing to the refugee crisis.

4.11, 4.12, 4.13, 4.14 Every 15 minutes Contemporary Arts Center 44 E 6th St. 9


World Premiere/CAC Commission

INTERMEDIO On Touching Musical sound comes into being through an unfolding and dynamic set of relations that are not only aural, but also tactile, spatial, and material. In On Touching, musical sound emanates from a series of continually unfolding transmissions, both physical and digital, distributed between performers and a wearable cybernetic system. Sound is created and shaped through transmission across the physical boundaries of each person’s body. The sounds collectively produced are determined and constrained only by their “range of action”, and their ability to touch and be touched. In concert they step into the void, go out of bounds, diverge, touch down, swerve and return, engaging in experimentation among the infinite possibilities of dynamic relations between the parts and with the whole. The multi-sensory presence and pressure of the collective touch elicits concern for

4.11 6:30 pm / 4.13 8 pm / 4.14 2pm & 6:30 pm Lightborne Communications 212 E 14th St 10

© Ryan Back

the material implications of our actions on others.


© Ryan Back

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In Rashaad Newsome's Running, a vocal tradition reaches expressive new heights and plumbs emotional depths... You might not know what transcendence is. I thought I did." HYPERALLERGIC

Contemporary Arts Center is an NPN/VAN Partner of the National Performance Network/Visual Artists Network (NPN/VAN). This project is made possible in part by support from the NPN/VAN Artist Engagement Fund. Major contributors include the Doris Duke Charitable Foundation, the Andrew agency). For more information visit www.npnweb.org.

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Š Da Ping Luo

W. Mellon Foundation, and the National Endowment for the Arts (a federal


Regional Premiere

RASHAAD NEWSOME Running Rashaad Newsome is a multidisciplinary artist whose practice is deeply invested in how images used in media and popular culture communicate distorted notions of power and status. Whether it be in his series of compositions created by “throwing shade” or his various works documenting the dance form known as vogue, his interests lie in critiquing the popular appropriation of the dance, music, and vernacular expression developed in Harlem’s queer ballroom scene of the 1970s. Premiering at the Park Avenue Armory in November 2017, Running is an immersive performance evoking an abstract portrait of soul created through light and voice. Running is centered on the musicology term for a singer’s improvised embellishment; a “vocal run” is a rapid series of ascending or descending musical notes sung in quick succession. Running is a vocal effect that spans a variety of musical genres from the 19th century to today. Newsome’s stirring performance features three vocalists performing an original score composed by the artist, which incorporates samples of vocal runs by Aretha Franklin, Patti LaBelle, Whitney Houston, Marvin Gaye, B.B.

© Da Ping Luo

King, James Brown, and Kelly Price, among others.

4.11 8 pm / 4.12 8 pm Hilton Cincinnati Netherland Plaza Hall of Mirrors 35 W 5th St 13


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NIC KAY pushit! [exercise 1 in getting well soon] Can resistance be choreographed? PUSHIT!, a site-responsive performance by NIC Kay, is a meditation on emotional labor and the impossibility of the stage as a place of freedom for the Black performer. This work is part of a larger set of exercises in getting-well-soon.

Kay's movement activates conversations had and yet to be had, challenging and engaging new ways to critique, to love, and to heal genuinely." Sean D. Henry Smith, CONTEMPTORARY.ORG

Please note: This is a progressive, outdoor performance—rain-orshine—beginning at one location and ending at another which may involve steep hills. If you have questions about accessibility, please contact Lindsay Simmons at ttt@contemporaryartscenter.org.

4.12 4pm / 4.14 4pm Exact addresses to be announced 24 hours in advance 15


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Lorena Molina Tu nombre entre nuestras lenguas Every 15 minutes

04.11 THURSDAY

Goetta Institut Breakfast Conversations with Artists

Tania El Khoury As Far As My Fingertips Take Me Every 15 minutes

Tania E As Far As My Fi Every 1

Lorena Molina Tu nombre entre nuestras lenguas Every 15 minutes

04.12 FRIDAY

Goetta Institut Breakfast Conversations with Artists

Tania El Khoury As Far As My Fingertips Take Me Every 15 minutes

Tania E As Far As My Fi Every 1

Lorena Molina Tu nombre entre nuestras lenguas Every 15 minutes

04.13 SATURDAY

Goetta Institut Breakfast Conversations with Artists

Tania El Khoury As Far As My Fingertips Take Me Every 15 minutes

Lorena Molina Tu nombre entre nuestras lenguas Every 15 minutes

04.14 SUNDAY

Goetta Institut Breakfast Conversations with Artists

Tania El Khoury As Far As My Fingertips Take Me Every 15 minutes Amanda Curreri Ropewalk Intermedio On Touching Mammalian Diving Reflex All the Sex I’ve Ever Had

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Tania As Far As My F Every 1

Lorena Mo

Tania As Far As My F Every 1


3:30pm

4:00pm

4:30pm

5:00pm

5:30pm

6:00pm

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7:00pm

7:30pm

8:00pm

8:30pm

9p-2am

Lorena Molina Tu nombre entre nuestras lenguas Every 15 minutes Tania El Khoury As Far As My Fingertips Take Me Every 15 minutes

Intermedio On Touching

Rashaad Newsome Running

E NI

G HT

HUB L AT

Mammalian Diving Reflex All the Sex I’ve Ever Had Tania El Khoury As Far As My Fingertips Take Me Every 15 minutes

Daina Ashbee Serpentine

Rashaad Newsome Running

NIC Kay PushIt!

Lorena Molina Tu nombre entre nuestras lenguas Every 15 minutes Tania El Khoury As Far As My Fingertips Take Me Every 15 minutes

NIC Kay PushIt!

G HT

Mammalian Diving Reflex All the Sex I’ve Ever Had

Lorena Molina Tu nombre entre nuestras lenguas Every 15 minutes Tania El Khoury As Far As My Fingertips Take Me Every 15 minutes

E NI

HUB L AT

Intermedio On Touching

Daina Ashbee Serpentine

Joseph Keckler Live

E NI

G HT

HUB L AT

Intermedio On Touching

Pique Perform-A-Thon 2019 till 7:13PM 04.15 Visit piquewebsite.com/performathon for more info

ex

Organized and presented by

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Regional Premiere

DAINA ASHBEE Serpentine Serpentine is an installation performance, repeated for up to 2 hours. The work vibrates the essence of Ashbee’s dark and feminine pieces and is intended as a short and intense summary of her previous three works, Unrelated (2014), When the ice melts, will we

drink the water? (2016) and Pour (2016). The research explored the occupation of space/time/attention in what became a cathartic solo for Areli Moran (Mexico) based in repetition and insistence. Ashbee uses simple imagery in order to allow the work to resonate with many viewers. The piece includes original electric organ composition by Jean-Francois Blouin which is both disturbing and powerful. The juxtaposition of the haunting electric organ and the slow, sensual movement that escalates in its violence, is confidently, beautifully and earnestly performed by Moran.

Ashbee's approach is to elevate the body in a very physical sense and bring awareness to relevant issues that are rarely addressed with such an evocative touch"

4.12 6 pm / 4.13 6 pm Contemporary Arts Center 44 E 6th St. 18

Š Ian Douglas

THE DANCE CURRENT


© Ian Douglas

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Regional Premiere

MAMMALIAN DIVING REFLEX All The Sex I've Ever Had (Cincinnati Edition) All the Sex I’ve Ever Had is a performance about, and starring, people over the age of 65 and features everything they can remember and care to share about their romantic and sexual lives. A group of six older adults from the Cincinnati area discuss the evolution of love and sexuality from the perspective of life’s later years. All the Sex I’ve Ever Had offers the audience the experiences of a generation. Older adults courageously open up their personal lives and experiences to fellow participants and strangers, divulging stories of first crushes, turbulent affairs, unexpected pregnancies and deaths of loved ones as they go year-by-year through their entire lives. The participants chat with the audience, toast to important milestones and dance on-stage.

While the stories start with sex, they are not strictly about sex. They are about understanding that feeling awkward is as common as breathing, and knowing that time will help us get through the worst of times. Sometimes survival is remarkable, even if the person living the life thinks it's not."

4.12 7:30 pm / 4.13 7:30 pm / 4.14 2 pm 5/3 Bank Theater A ronoff Center Main & E. 7th St. 20

© Nada Zgank

Sunday Morning Herald


This presentation of All the Sex I’ve Ever Had has been made possible by the Cincinnati Sexual

Š Nada Zgank

Health Consortium; is supported by the Arts Midwest Touring Fund, a program of Arts Midwest that is funded by the National Endowment for the Arts, with additional contributions from Ohio Arts Council and the Crane Group; and has been made possible in part by grants from the Canada Council for the Arts Circulation and Touring program.

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IN PART NERSHIP WIT H 21c MUSEUM HOTEL

JOSEPH KECKLER Live Recently hailed by the New York Times as a “major vocal talent whose range shatters the conventional boundaries,” singer and writer Joseph Keckler folds mesmerizing storytelling and sharp wit into a rich vocal range spanning over three octaves. He’s performed his work at the Centre Pompidou (with Cabinet Magazine), Miami Art Basel, PEN American Center, and many other international venues, and has been featured on BBC America and WNYC. Keckler recently made his Off-Broadway debut in the critically acclaimed play Preludes at Lincoln Center Theater. He is currently under commission by Beth Morrison Projects and FringeArts/Opera Philadelphia, and is developing various projects in music, art, and television. A collection of his writing, “Dragon at the Edge of a Flat World,” was published by Turtle Point Press last year.

Riveting and beautifully absurd, Keckler singlehandedly has the power and chops to legitimately modernize a dying art form." Huffington Post

4.13 8 pm 21c Museum Hotel 609 Walnut St 23


AMANDA CURRERI RopeWalk RopeWalk is large-scale, public performance from Cincinnatibased artist Amanda Curreri. Occurring across the Ohio River along the Purple People Bridge, fifty participants from various communities will work together to create ropes spanning the bridge as a symbolic and real action of public healing. The site is connected to the charged histories of slavery and freedom embedded in the Ohio River signifying the dividing line between the North and South in antebellum times. A gathering with light refreshments and will follow RopeWalk (on the Cincinnati side of the bridge).

Amanda Curreri's work is currently on display in the exhibition Archive as Action at the Contemporary Arts Center through June 16, 2019. 4.14 12:30 pm Purple People Bridge 24


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6 Wave Pool

Venues

2940 Colerain Ave (Camp Washington)

1 Contemporary Arts Center 44 E 6th St

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2 21c Museum Hotel 609 Walnut St

3 5/3 Bank Theater Aronoff Center Main & E. 7th St.

4 Hilton Cincinnati Netherland Plaza Hall of Mirrors 35 W 5th St

5 Lightborne Communications 212 E 14th St

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6 Wave Pool 2940 Colerain Ave

7 Purple People Bridge 4

8 Pique Gallery 210 W Pike St, Covington

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8 Pique Gallery 201 W Pike St. (Covington, KY)

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The Goetta-Institut Each morning we invite you all to join us in the CAC’s lobby - free of charge - for a deep dive into what brings life to a performance, meet performers, and get a crash course in the world of contemporary performing art. To make it even more enticing, the Institut serves up coffee and goetta breakfast sliders (veg versions, too!) to help bring you back to life after that late night at the Hub!

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The Hub The late night Hub is the meeting point for artists, organizers and the audience Thursday through Saturday nights - kicking off at 9PM and continuing into the wee hours. Each night the Hub will fill the CAC lobby with performance and music from the minds of Radical Visibility Collective, TRIIIBE and FOGGER - free to all visitors, 18 years of age and older. Mobile food vendors and delicious cocktails from New Riff will be on hand to keep you moving. Get involved, meet new people and share your stories about the amazing performances you’ve experienced so far and what you’re excited to see next!

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Perform-A-Thon Perform-A-Thon is Greater Cincinnati’s first ever 24-hour performance art event. Programmed by, and performed at, PIQUE, an art space in Covington, KY, Perform-A-Thon will feature works in all stages of creation by artists from the region and around the country. For 4 years, PIQUE has supported performance art in the greater Cincinnati area, becoming known as a space that specializes in emerging artists and unexpected experiences. With 24 performances in 24 hrs, Perform-A-Thon is the fitting culmination—experimental, extended, and exquisite—of our inaugural year of This Time Tomorrow.

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3rd Annual

Cincinnati Sexual Health Consortium

Geering Lecture May 2, 2019

6 – 8 p.m.

Queen City Club 331 E. 4th St., Cincinnati, OH 45202

Join us for a thoughtful and inspiring evening of learning and laughter with one of the country’s leading sexperts (sex-experts). Hook-ups, hot flashes, satisfaction, pleasure, gender, diseases and choice – we’ll cover it all.

Keynote: Lauren Streicher, MD Dr. Streicher is an Assistant Professor of Obstetrics and Gynecology at Northwestern University Feinberg School of Medicine. She’s medical director of the Northwestern Medicine Center for Sexual Health and Menopause. Dr. Streicher regularly appears in national media outlets including The Today Show, The Steve Harvey Show, Good Morning America and The Dr. Oz Show. She also appeared on CNN, Nightline, 20/20, The Oprah Winfrey Show and Nightline. The author of Sex Rx: Hormones, Health and Your Best Sex Ever and publisher of The Essential Guide to Hysterectomy, Dr. Streicher is a recognized Top Doctor from Castle Connolly, US News and World Report and Chicago Magazine.

Panel of Experts Lauren Streicher, MD

Gretchen Fermann, MD, NCMP

Lisa Larkin, MD, FACP, NCMP, IF

Christy Haas, MA, LPCC

Physician, Author and Educator Women’s Health Internist

Kevin Campbell, MD

Gynecology

Certified Sex Therapist

Stacey Hendricks, PT, DPT, WCS Doctor of Physical Therapy and Women’s Health Clinical Specialist

Sarah Pickle, MD

Transgender Medicine

Urologist

Register on line at geeringlecture.com by April 18 Learn more: GeeringLecture.com CincinnatiSexualHealth.org 28


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Welcoming bold ideas since 2014. Join us?

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April 5, 2019 // Join Take a Moment Studio (former CAC artists in residence) at Mixwells Northside for a night of dancing and drawing. Posters will be made live on

April 12, 2019 // Celebrate the grand opening of Puzzling Location, John Bromel’s immersive alternate reality game (ARG) and puzzle adventure at People’s Liberty. More: peoplesliberty.org/ourstories#/john-bromels

Read our stories: peoplesliberty.org 29


TOGETHER WE MAKE WAVES. TOGETHER WE ARE CINCY.

GIVE TODAY artswave.org

The Warrington Foundation is a proud sponsor of This Time Tomorrow

S ATU RDAYT,HE JPHOENIX UNE 22, 2019 T IC KE TS ON S A LE NOW AT WWW.BRU N C H ED CI N CY .C OM


SPONSORS & PARTNERS Festival Sponsor

All The Sex I’ve Ever Had Sponsor

The Goetta-Institut Sponsor Artist Sponsor The Harvey C. Hubbell Trust

Media Partner

Venue Sponsor Peter Quinnan and Mark Boire Bruce and Lia Hager Volunteer Sponsor The Warrington Foundation Festival Supporters include Jeff Ahrnsen

Spirits Sponsor

Judith Johnson Jo Ann and Kirk Kavanaugh Ron Bates and Randy Lasley Zuzana Murarova Kevin and Elizabeth Ott Tim and Mary Riordan

Transit Sponsor

Amy Katzman and Jane Simon John and Jennifer Stein Maureen and Larry Vignola Drew Gores and George Warrington Water Tower Fine Wines

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