Orlando Weekly October 12, 2016 by Chava Communications

FREE | OCT. 12-18, 2016

MAD COW THEATRE IS COMING UNDER FIRE AFTER LOCAL ARTISTS ALLEGE THEY HAVEN’T BEEN PAID. BY MONIVETTE CORDEIRO, PAGE 9 1

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FREE | OCT. 12-18, 2016

Publisher Graham Jarrett Editor Jessica Bryce Young Editorial Staff Writer Monivette Cordeiro Calendar Editor Thaddeus McCollum Music Editor Matthew Moyer Digital Content Editor Colin Wolf Interns Adam Manno, Aileen Perilla, Martina Smith, Marimar Toledo Contributors Rob Bartlett, Jen Cray, James Dechert, Hannah Glogower, Liv Jonse, Holly V. Kapherr, Faiyaz Kara, Seth Kubersky, Bao Le-Huu, Marissa Mahoney, Nick McGregor, Cameron Meier, Richard Reep, Sierra Reese, Joey Roulette, Steve Schneider, Abby Stassen, Ken Storey Advertising Major Accounts Specialist Leslie Egan Senior Multimedia Account Executive Dan Winkler Account Manager Lindsey Hahn Multimedia Account Executives Patty Fisher, Jessica Flynn, Shannon Maggio, Scott Navarro Classified and Legal Rep Jerrica Schwartz Marketing and Events Events Director Zackary Rowe Events and Promotions Manager Brad Van De Bogert Marketing and Events Coordinator Rachel Hoyle Marketing & Events Interns Stephanie Viera Creative Services Creative Services Manager Shelby Sloan Editorial Designer Chris Tobar Rodriguez Graphic Designer Melissa McHenry Graphic Designer Ian Jones

Cover art by Chris Tobar Rodriguez

ABOUT MAD

NEWS + FEATURES

THE MoN EY

FOOD + DRINK

33 Wasted on you Bleached find the darkness in a sunny day on the beach

21 New order

7 Pulse: In Memoriam

The Vietnamese-inspired pan-Asian fare at fastcasual eatery Viet-Nomz is on trend

Business Operations Manager Hollie Mahadeo Business Assistant Allysha Willison

A profile of Pulse Nightclub shooting victim Luis Omar Ocasio-Capo

Circulation Circulation Manager Collin Modeste

News you need to know but may have missed in the past week

Se7enbites opens in their new space, longtime Fairbanks Mexican joint Paco’s closes, plus more in our weekly food roundup

7 This Modern World

22 Bar Exam

Euclid Media Group Chief Executive Officer Andrew Zelman Chief Operating Officers Chris Keating, Michael Wagner Human Resources Director Lisa Beilstein Digital Operations Coordinator Jaime Monzon euclidmediagroup.com

MUSIC

7 ICYMI

33 Picks This Week Great live music rattles Orlando every night

21 Tip Jar

9 Mad about the money

Lizzy McCormack’s offers a great escape if you’re an adult trapped downtown after 10 p.m.

Mad Cow Theatre comes under fire after artists allege they haven’t been paid

25 Recently Reviewed

35 This Little Underground Audubon Park rules the scene for one night in close encounters with Eric Bachmann and the Posies; Orlando buzz band Sales finally get serious

Short takes on restaurants we’ve visited recently

National Advertising: Voice Media Group 1-888-278-9866, voicemediagroup.com Orlando Weekly Inc. 16 W. Pine St. Orlando, Florida 32801 orlandoweekly.com Phone 407-377-0400 Fax 407-377-0420 Orlando Weekly is published every week by Euclid Media Group Orlando Distribution Orlando Weekly is available free of charge, limited to one copy per reader. Copyright notice: The entire contents of Orlando Weekly are copyright 2016 by Euclid Media Group LLC. Reproduction in whole or in part without written permission of the publisher is prohibited. Publisher does not assume any liability for unsolicited manuscripts, materials, or other content. Any submission must include a stamped, self-addressed envelope. All editorial, advertising, and business correspondence should be mailed to the address listed above. Subscriptions: Additional copies or back issues may be purchased at the Orlando Weekly offices for $1. Six-month domestic subscriptions may be purchased for $75; one-year subscriptions for $125. Periodical Postage Pending at Orlando, FL

ARTS + CULTURE 17 City of angels Surely, steadily, the Creative City Project finds its wings

FILM

CALENDAR

29 Season’s greetings

36 Selections 38 The Week 39 Down the Road

Even in an era increasingly defined by on-demand viewing, television still puts its best foot forward in fall

30 Film Listings

17 Culture 2 Go

Cinema-oriented events to go see this week

A recap of Beth Marshall’s annual Play-in-a-Day event, plus more performing arts news

30 Litigating the Holocaust

19 Live Active Cultures

31 On Screens in Orlando

Cirque du Soleil artistic director Daniel Ross keeps La Nouba looking sharp and looks forward to the Creative City Project

Back Pages

56 Savage Love 56 Gimme Shelter 57 Classifieds

Denial brilliantly illuminates the darkest of history Movies playing this week: The Accountant, Desierto and more

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‘s

IN MEMORIAM: THE ORLANDO 49 Every week between now and the one-year anniversary of the Pulse Nightclub shootings, Orlando Weekly will profile a person killed on June 12, 2016. This week: Luis Omar Ocasio-Capo Luis Omar OcasioCapo spent his final hours doing what he loved the most: dancing. Known to people by his second name, Omar, the 20-year-old danced to anything you put on, be it salsa, bachata, hip-hop or one of the many cultural dances he participated in as a child, says his sister, Belinnette Ocasio-Capo. “Omar was a such a happy person,” she says. “Everything he did was all smiles. He was the peacemaker in the family.” From their childhood in Ponce, Puerto Rico, to their later youth in Cleveland, OcasioCapo and his siblings were always dancing at parades, festivals and in front of celebrities, his sister says. After graduating from La Vergne High School in Tennessee, OcasioCapo moved to Kissimmee with his mother and worked at a Starbucks inside a Target.

He had also registered for theater classes at Valencia College, which he was supposed to start the week of June 12. “He always wanted to do theater and be an actor,” Belinnette Ocasio-Capo says. “He always said his face was going to take him to Hollywood. Everyone who knows Omar knows he had two dreams: He wanted to become famous, and he wanted to take my mom out of the poor, like he would say. He wanted my mom to feel so proud of him.” His sister says before Ocasio-Capo left with a friend to the gay nightclub Pulse, he hugged his mother tight. His mother jokingly asked him, “Are you going to die today that you miss me so much?” “My mom asked him not to go, but he said he didn’t want to leave anyone hanging,” his sister says. “He gave her a big kiss and he told her, ‘Mamí, I’ll see you later.’ Then later never happened.” Ocasio-Capo died along with 48 others in a mass shooting at Pulse. Belinnette OcasioCapo says she keeps her brother’s memory alive by remembering him as he was: a dancer who loved WWE, the Bad Girls Club and his hair on fleek. “He was my protector,” she says. “He cared about everyone and everyone loved him.”

ICYMI ILLUSTRATION BY CHRIS TOBAR RODRIGUEZ

Hurricane Matthew wreaks havoc, Orlando postpones Pride parade, Florida Democrats sue Rick Scott and other things you may have missed this week. »

Hurricane Matthew killed six Floridians over the weekend: Hurricane Matthew is no longer a hurricane at this point, but over the weekend, its onslaught off Florida’s east coast caused flooding, severe damage and the deaths of at least six Floridians, including a 70-year-old woman in Orange County whose medical device failed during a power outage. Still, others had it worse: The U.S. reported 19 deaths due to the hurricane, while Haiti’s official death toll is at least 1,000, with that number expected to rise.

– Monivette Cordeiro

Florida Democrats sue Rick Scott over voter registration deadline: While most people in Central Florida were busy wondering if Matthew would actually tear their roof off or just kill their bougainvillea, Florida Gov. Rick Scott refused to extend the voter registration deadline for an extra few days due to the hurricane. Scott, the chairman of a super PAC for Republican presidential nominee Donald Trump, denied the request from Hillary Clinton’s campaign. The Florida Democratic Party decided to sue Scott in federal court, saying his ominous warning that “This storm will kill you,” may have discouraged people from going out to register.

Come Out With Pride Orlando postponed until November: A lot of cool events last weekend were canceled or postponed due to Hurricane Matthew, but the one that hurt us the most was Orlando’s Come Out With Pride festivities. As we wrote in our last Orlando Weekly issue, Pride in Orlando this year was going to be a time to celebrate LGBTQ people and honor the lives of the 49 people lost earlier this year at the gay nightclub Pulse. Organizers say Pride will happen in November, though they have not announced an exact date.

Court sides with Valencia students over transvaginal ultrasounds: We almost missed this news in between all the hurricane coverage. Last week a federal appeals court sided with three former Valencia College students over whether their constitutional rights were violated by being required to undergo transvaginal ultrasounds while they were studying in Valencia’s sonography program. The appeals court agreed with students that the practice violated their First Amendment rights to free speech and Fourth Amendment protection against unreasonable searches. mcordeiro@orlandoweekly.com orlandoweekly.com

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ORLANDO WEEKLY ● OCT. 12-18, 2016

MAD ABOUT THE MONEY ABOUT THE MoNEY MAD

Mad Cow Theatre is coming under fire after local artists allege they haven’t been paid BY M O N I VET T E CO RD EI RO

ore than two weeks ago, Aradhana Tiwari posted on social media what many in Orlando’s local theater community knew as an open secret. “Attention: Must Be Paid,” she wrote Sept. 24 on Facebook. “And so should artists for their services rendered.” The former resident director at Mad Cow Theatre alleged that over the past two years as an employee, the professional theater company had consistently fallen behind in paying her for her work, sometimes for weeks and even months. Before her employment started in 2014, Tiwari says Mad Cow owed her money from when she worked for them as an independent contractor, and two years later, they still hadn’t paid. “I’m an artist,” Tiwari wrote. “It’s not a hobby. It’s my livelihood. When I’m not paid, there are consequences. Like you, I have a water bill, a cellphone bill – I even eat food. When we have an agreement for compensation an expectation is set. An expectation that I will get paid.” Such allegations might have sent

shockwaves through a different theater community. But in Orlando, most artists reacted to Tiwari’s post with a resigned “me too.” In comment after comment, actors, stage managers, costume designers, technicians and former staff employees talked about delayed paychecks, paying for supplies for productions from their own pockets and being stiffed by the theater company. “Been there, done that, had to sell the T-shirt,” a commenter wrote. At first, Mad Cow took the allegations in stride. After four days of silence, on Sept. 28 they posted a statement from the theater company’s board of directors on their website saying Mad Cow owed back wages to a small number of artists primarily from the 2015-2016 season. “During that season, Mad Cow Theatre paid more than $410,000 in wages to more than 225 artists over the course of 10 full productions, the Science Play Festival, the Orlando Cabaret Festival and special events,” the statement read. “But we on the board of directors are sorry that payments to a few artists have fallen behind. We are orlandoweekly.com

taking immediate steps to correct that situation. While we have resolved the issue of payment with the person who brought this to our attention, we also are reaching out to the other affected artists directly and individually. We promise that we will pay those back wages in the near future on a schedule that we are in the process of creating.” But after paying Tiwari the money they owed her on Oct. 1 (three days after stating the matter was resolved), Mad Cow changed its tune. On Oct. 3, they posted a new statement from its board of directors, saying the nonprofit theater company was in debt but working to make it right, and that some of the information being circulated was false. “In recent days, much has been said about Mad Cow Theatre’s operations, with a good deal of information being misleading and inaccurate,” the statement says. “Like most small theatre companies, we have had our share of challenges from time to time, including financial struggles. Due to the swell of interest and continued effort CONTINUED ON PAGE 10 ●

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to misrepresent and possibly harm us, we seek to present the facts. This public discussion was started by a former employee, who had a legitimate issue that we addressed and resolved.” Neither of those statements seem to have stopped Tiwari and more than 100 people from signing a petition calling for a boycott of Mad Cow until it pays what it owes and holds itself accountable. While some in the community argue Mad Cow’s struggle has always been financial support, others say the decadelong pattern of delinquent payments is so embedded into the culture of the theater company that it’s time for a big change.

hen you ask artists why they decided to work for Mad Cow Theatre, time and time again – despite the company owing them money – they’ll tell you a similar thing: Mad Cow was a treasure of the theater community, one of the few professional spaces in Orlando where you could stretch your talent in less commercial directions. Starting in 1997 on a small budget in Maitland, Mad Cow Theatre grew over the years to produce musicals and plays like Dreamgirls, Death of a Salesman, Macbeth, Who’s Afraid of Virginia Woolf ?, Master Harold and the Boys, Avenue Q and, most recently, an all-female version of 1776 with a cast of 26 women. When Tim Williams worked for Mad Cow as an Equity actor, starting in 2005, he didn’t notice any irregularities with his paycheck. The Actors’ Equity Association, a labor union that represents theater artists and stage managers, created the Orlando Area Theatre Contract, which, among other things, compels theaters in Orlando who hire Equity actors to pay them a salary on time and contribute to their health, disability and pension benefits. But Williams says he noticed that when

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he wasn’t working as an Equity actor, such as when he worked for Mad Cow teaching acting classes or as a freelance director, his checks would come in late – at one point, Mad Cow owed him more than $1,000. At first, he thought the problem was Mad Cow renting a space that was too expensive, so of course money would be tight. But Williams says the delinquent payments continued even after the city of Orlando gave Mad Cow a new home base in 2011 – an 8,854-square-foot secondfloor space at 54 W. Church St. with a rent-free 20-year lease agreement. After several years of hearing that non-Equity actors, set designers, stage managers and costumers were not being paid on time, and even seeing actors refuse to go on stage, Williams says he decided to talk to Mitzi Maxwell, Mad Cow’s executive director. “I was told by Mitzi whenever I brought these things up, I was always told it was under control, it’s being taken care of, steps are being taken, they were trying to get more money,” he says. “Once over drinks, she looked me straight in the face and said, ‘We are so close to making this right. Don’t listen to the noise.’” But slowly, Williams says, he started losing faith. The situation finally came to a head during Venus in Fur in 2013 when Williams realized that his fellow actor and the stage manager were not being paid while he, as an Equity actor, was receiving consistent paychecks. “I asked them, ‘Are you two getting paid?’” Williams says. “And they told me, ‘We haven’t been paid for this show or the last show we did together two months ago.’ It was demoralizing and awful to be handed a paycheck by [the stage manager] knowing she wasn’t getting one.” When Maxwell asked for Williams’ permission as an Equity actor (as required by the Equity contract) to extend the play, Williams says he told her he couldn’t in CONTINUED ON PAGE 13

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good conscience let her extend the show when the theater still owed money to his co-actor and stage manager. Later, in a meeting about the situation, Williams says Maxwell thanked him for his contributions to Mad Cow, but told him it was none of his business how she ran the theater. Williams resigned. “We want Mad Cow to survive,” Williams says. “And as artists, we have a bad habit because we just want to work, even if we work for free, and so many actors here already have day jobs at the theme parks. People leave but if you still have a lot of actors showing up to auditions, people designing sets and donors still throwing money at it, it’s not going to change.” Michael Marinaccio, an actor and producer of the Orlando Fringe Festival, had a similar experience to Williams. He was paid on time and in full for participating in plays like Master Harold and the Boys at the beginning of his association with Mad Cow, but as he began to get more involved in the company by teaching classes and directing shows, his paychecks were withheld starting in 2007. When he finally left in 2011, Mad Cow owed him about $4,000, and he didn’t receive that money until 2014, two days before the Orlando Sentinel interviewed him about the financial problems at Mad Cow. Mad Cow’s lease with the city was rent-free but the theater company still had to pay monthly utility fees and monthly maintenance fees that in the third year of the lease totaled about $2,000. The Sentinel reported Mad Cow was “required to reimburse the city $480,000, plus 5 percent interest, for converting the space in the 54 West development into a theater.” By 2014, Mad Cow was past due about $154,000, including interest, and artists it contracted told the Sentinel some of them waited four years to get the money they were owed, while some said they were “using personal funds to build sets for the theater’s shows, or delaying the purchase of props while scrambling to find ways to pay for them.” “When I spoke to the Sentinel in 2014, they promptly started paying everyone they owed money to,” he says. “I had thought, had hoped, that was the end of it, that we could put that terrible time behind us and Mad Cow could try to earn back the support of the community that it had lost.” Through the years, Marinaccio says again and again artists would tell him Mad Cow continued to pay them late or not pay them at all. After seeing Aradhana Tiwari’s post on Facebook, he decided he couldn’t be quiet any longer. “One of the things that held me back over the years is I still love the theater I

helped to build, the theater that helped make me the artist that I am,” he says. “I didn’t want it to go up in flames. … I never told an artist not to work there. I tried to just stay out and hope that it would be corrected. I think that was naive and a little bit cowardly on my behalf, and I apologize to all the artists who were there because I helped enable that behavior.” Artists who have recently worked for Mad Cow have stories that mirror many of the experiences of Williams and Marinaccio. Actor Becky Eck says every single contract she’s had with the company lapsed 90 days past the closing date of a show. Charles Hale and Donald Smith, two staff employees at Mad Cow who worked in production, say they both dealt with artists who constantly inquired about their paychecks. Orange County court records show that in 2012, Dahlquist Printing and Graphics, Inc. sued Mad Cow for not paying $827 for postcards. The case was later settled by both parties and ended up being voluntarily dismissed. Amanda Brumby, a costume designer, says she threatened legal action and even ransomed costumes she created for the production of The Dead until she was paid by Mad Cow. “I have never, ever, in my 10 years of working in theater, been paid late by anyone other than Mad Cow,” she says, a sentiment echoed by many of the artists Orlando Weekly interviewed. “I have also never been concerned that I was never going to be paid until I worked with Mad Cow.” Tiwari says she became Mad Cow’s resident director in 2014 despite knowing about the allegations that artists were paid late and despite the fact that she was owed money from previous shows. Soon after starting her employment, her paychecks started to fall behind for months. It was hard to watch the many Equity actors included in shows get paid regularly while she and the rest of Mad Cow’s staff fell behind. During her tenure there, Mad Cow would host fundraisers, once asking donors to give money for “health care for the artists,” but Tiwari says that money never went to pay for health care for Mad Cow’s staff. “Some of us on staff weren’t sure if the board of directors even knew what was going on,” she says. “Every time we wanted to bring this up to them, we weren’t allowed to email them, we were warned not to. In two years, we weren’t asked or even allowed to go to one board meeting, and in my draft agreement, it says we’re supposed to attend all meetings.” When she did get checks, Tiwari says she would get two or three checks at a time written for the correct pay period – once she even got an envelope full of them CONTINUED ON PAGE 15

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– and sometimes Mad Cow management would ask her not to cash her checks until a certain date. “It’s kind of like they were just dangling a carrot in front of us,” she says. “All of it revolved based on where we were with a production. What they would spend on a play would affect whether or not you get paid that week.” After a little more than a year of frustration, Tiwari says she decided to resign and make an effort to get from Mad Cow the last $800 they owed her from two years ago. When she was ignored, she took to social media, setting off a discussion in the theater community that has evolved to include asking for a boycott against Mad Cow. “I wish I had left sooner,” Tiwari says. “When I wrote that letter on Facebook, I didn’t have an agenda and I wasn’t looking to take legal action. I just wanted to create stuff.”

rlando Weekly reached out to Maxwell and Mad Cow’s board of directors and other employees to respond to these allegations, and received a response from Alvin Wang. Aside from being dean of the Burnett Honors College and a psychology professor at the University of Central Florida, Wang is also on the board of directors for Mad Cow Theatre. Wang says the board is aware of artists’ posting on social media and adds that Mad Cow needs to correct these late payments, an issue which the board finds “unacceptable” and has taken “very seriously and very deliberately,” according to Wang. But, he says, there has been a “mischaracterization online” about what exactly the board knew about Mad Cow’s payments. “There is no question that Mad Cow has been late in payments,” he says. “This has been going on for quite some time and it needs to stop. The [board] members will be the first to say that this was not right and it needs to be corrected as soon as we possibly can. Some of mischaracterizations really have to do with how the board operates and the sense that in some way, we’re withholding payments or support because we can, because we’re just kind of sloppy maybe, or we’re not caring or not paying attention, and that isn’t the case at all.” Wang says Mad Cow’s board is working on a plan for late payments to be corrected as soon as possible. Wang also added that the extent to which there had been late payments for years was not fully revealed to the board until recently. “We were kept apprised that we were typically one or two payments behind, which, to put that in terms of a bi-weekly salary, meant we were two to four weeks behind in payments,” he says. “The two years that I’ve been on the board, we were

told basically it was two to four weeks and it would be manageable. The board is still discovering right now the extent to which we need to basically make good on the money we owe to people. … It was courageous for some of these artists to let this issue be known to us, because I’m not sure the board would have discovered otherwise.” Wang didn’t answer a question about whether there would be any changes in Mad Cow’s executive staff, but says the board of directors is looking at what expenses they can cut this season and in the theater’s upcoming productions, yet maintain the production quality. He has heard about the petition for people to boycott Mad Cow until they are paid, and says that while he understands these sentiments, that would mean Mad Cow would have less revenue to start making payments. “It’s difficult because there’s no fat to cut away here,” he says. “In other words, we’re not sitting on a nest egg. If we had the funds currently to pay everyone, we would do so. We don’t have that funding. We’re sorry that this has happened and people were put through this experience.” Wang says the board wants to see everyone paid and Mad Cow Theatre succeed. “There have definitely been some financial and management issues that need to be corrected,” he says. “But I hope everyone understands that ultimately our intention is to provide an uplifting and artistic vision to the Central Florida community, one which Mad Cow does very well in terms of the front end. We need to work on the back end process.” We also reached out to staff at the city of Orlando and the Orange County Division of Cultural Affairs. It wasn’t easy to reach everyone due to Hurricane Matthew, but we did hear back from Cassandra Lafser, spokeswoman for Mayor Buddy Dyer, just before press time. Lafser confirmed that the City’s funding agreement and lease with Mad Cow provides the space at 54 W. Church St. rent-free for 20 years, and that Mad Cow must reimburse the city for the theater buildout as well as a monthly Common Area Maintenance fee. “To date, they owe $85,058.48 in CAM fees and $245,000 in reimbursements that have not been paid, Lafser wrote in an email. Regarding the question of payments to artists, Lafser says, “The agreement does not address Mad Cow and their payment to their employees. That is a matter between Mad Cow and their employees.”

o where is the money going at Mad Cow if not to its artists? Mad Cow’s tax forms help paint a picture of what’s going on at the theater company that’s registered as a 501 (c)(3) public charity, according to Central Florida Foundation. Mad Cow lists its mission statement as

organization and finding people to do that kind of work is challenging. Margot Knight, past president and CEO of United Arts of Central Florida, says she has a lot of respect for the work of Maxwell and others at Mad Cow for surviving in a financially hostile situation in regards to rent downtown. Knight says right before she left United Arts in 2011, she was contacted by several artists who complained about Mad Cow being late with payments. After speaking with Mad Cow’s board, United Arts offered to loan Mad Cow money to resolve the issue, but Knight remembers Mad Cow told them they could handle the issue. “It’s a tough marketplace for arts and culture in Orlando, but it’s still not an excuse to not pay artists,” she says. “But it’s irresponsible to imagine Mad Cow’s demise. It’s too important to the audience and to downtown.” Knight adds that she feels bad for everyone involved in the situation, including Maxwell, who has been the focus of online attacks. “Some of the attacks Mitzi has been getting have been over the top,” she says. “I think we should focus on the problem. I understand the frustration, but we need to make this about the process and remedying the situation, not about the people.” Martha Haynie, comptroller for Orange County, was selected to be on Mad Cow’s board back when its financial issues became known to a wider audience in 2014. Haynie says she has since stepped down from the position because Mad Cow simply needed more attention than she could give. “I knew that they had some big problems and if I stayed onboard, it would be my responsibility to fix them,” she says. “But I didn’t have the time or energy, and I don’t like to just be a name on the letterhead.” “It’s important to pay people for what they do,” she says. “Artists have to feed their children and pay rent, too. As this community celebrates its beautiful cultural facilities, we need to pay attention to the incredible local talent that we’ve got and nurture them as well.” In a final Facebook post on Oct. 4, Tiwari says the Mad Cow Theatre family is a tribe that needs to support the artists who are telling their stories about delinquent payments. “I get that many of you are upset with me,” she writes. “I may be sacrificing my friendship with some of you by saying the following, but family tells the truth to each other. Even when it’s inconvenient. Even when it’s impolite.”

“the belief that the theatre is a dynamic and powerful means of social understanding, as well as a hugely entertaining art form. Through the combination of passionate, skillful acting and compelling, insightful writing, nurtured by an attentive and ever-changing process, Mad Cow presents entertaining works of theatre to an ever-widening audience – promoting, enhancing, and celebrating the human condition through art,” according to the Central Florida Foundation. In an audited financial statement ending on June 30, 2015, Mad Cow says it received $572,124 in grants and donations from the local community, including: $96,834 from the United Arts of Central Florida and its supporting organizations; $75,000 from Orange County; $204,193 from corporations, foundations and individuals; and $127,897 in “in-kind contributions” of professional services. The theater itself pulled in revenues of $420,256. But Mad Cow spent almost $1.4 million in production costs and other expenses, far outspending its total revenue. Tiwari, Marinaccio and others say they often questioned why the theater put on 10 shows a year and hired Equity actors when it could not afford to pay everybody else on time. Tiwari says Maxwell told her not putting on those shows would be like the professional theater company taking a step back. Mad Cow’s 2015 audited financial statement says the theater company still owes the city’s Community Redevelopment Agency $308,458. The CRA loaned Mad Cow $480,000 in 2011 for theater buildout costs, and while that money was due at the end of 2014, the financial statement says Mad Cow hasn’t been able to pay due to “project cost overruns and related delays.” The statement also adds that various board members and related family members had loaned Mad Cow money for a total of $165,275 by the middle of last year. According to 2014 tax returns, Jean Siegfried loaned the theater $7,000 in 2013/2014, of which $7,000 is still owed; Barbara Maxwell loaned $12,003 in 2010 and is owed $16,806; and Mitzi Maxwell made a loan of $80,664, also in 2010, with $141,469 now owed. Interest is accruing on these loans, but it’s not clear if payments are actually going out. In regards to the loans, Wang says “every board member has made a personal sacrifice in order to help with this issue.” Others have pointed out that it seems to be a conflict of interest to have Maxwell both as Mad Cow’s executive director and as a treasurer on the board. Wang agrees, and says the board addressed the issue two months ago by asking Maxwell to step down from the position and appointing that responsibility to two other board members. Wang adds that the reason Maxwell held those positions despite the conflict is because Mad Cow is a small orlandoweekly.com

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[ art preview ] goers will vote on the murals, and the top two vote-getters will each get to paint a 40 foot-by-70 foot mural in the new downtown stadium. Additional murals will be created by artists such as the multi-talented Heps Fury, who will also dance with the Red Bull BC One B-Boys. While organizers credit the arts community in general for the diversity reflected in the festival, it is something they appear to have achieved organically. In addition to the hip-hop contributions of the Red Bull breakers, the event will also feature Orlando Ballet, Voci Dance, Coby Project and the high-energy dance crew MOTIV, led by Marlee Hightower. A chance meeting during Beautiful Together, a performance in response to the Pulse shooting, led to Creative City programming director Holly Harris bringing in musicians from RED BULL BC ONE | PHOTO BY RAYCHEL ARMSTRONG the Asian Cultural Association for the first time. “The fact that Creative City Project was started by people in the community, independently, who cared enough about Surely, steadily, the Creative City Project finds its wings Orlando to realize the vision for someBY S COTTIE CA MP BEL L thing like this is how anything good ever gets done,” says performance artist Brian ole NeSmith is often described as a panel of “event chairs” curated from vari- Feldman. “I have no doubt there will be attendees of this year’s event who get relentlessly positive – not a terrible ous fields. “I met Cole and was immediately inspired enough to make more great things criticism to sustain, of course – but he does find one fault with Creative City inspired by him,” said Kelly Cohen, a part- happen.” Now living in D.C., Feldman returns to Project, the event he founded five years ner in lobbying firm Southern Strategy ago: He’d like to see more rapid growth. Group and a Creative City board mem- his hometown with The Skill Crane Kid. “My dreams are often in conflict with my ber. “He invited me to Creative City in A performance piece inspired by a 2004 2015 and I was in awe of the entire event, news story in which a boy from Sheboygan, patience,” he admits. The fifth iteration of the multimedia arts the large and diverse community turn- Wisconsin, got himself stuck inside a event is Saturday, Oct. 15, when a thou- out and how much he had accomplished skill crane arcade game, Skill Crane Kid sand dancers, musicians, acrobats, painters with a small group and limited resources. I allows the public to try to win prizes while and artists of all stripes take over down- strongly believed in Cole’s vision to create Feldman is trapped inside the machine town Orlando from 5 to 11 p.m. Despite a signature event in downtown Orlando for six hours. (Don’t forget your quarNeSmith’s dream/patience conflict, steady that united arts, culture and community ters!) He reckons this stint will be a breeze growth has been a hallmark of Creative and knew I wanted to be a larger part of since the first time he did the piece in 2011, at Stardust Video City Project, with a budget that started at his team.” & Coffee, it lasted 16 Creative City reports $3,000 in 2012 raised to $150,000 this year. hours. And prudent growth has been made just this year’s ticket reservaCREATIVE CITY PROJECT “Of my 110-plus projover the past year, albeit in ways attend- tions show an increase 5-11 p.m. Saturday, Oct. 15 ects, I really think that ees may be unaware of – organizational in out-of-state interest, various locations throughout The Skill Crane Kid is improvements, diversity in offerings and which they attribute in downtown Orlando the most fun. At least, part to participation by participants and an increase in tourists. creativecityproject.com for the audience. For Following grant evaluations, cultural artists such as Nashville’s free, RSVP requested me, it’s a great challenge organizations will usually receive feedback Radial Conservatory. that requires me to fast on what they did right and what they This group of musicians could do better to perhaps increase the and visual artists collaborates to cre- Yom Kippur-style,” Feldman says. The 2016 edition of Creative City Project funds they receive. There’s a tendency to ate immersive concert experiences with greet these criticisms with eye-rolling, meditative long-form music. (The curi- is expected to attract more than 10,000 heavy sighs and speculation on the level of ous can get a peek into their process in a people to the downtown area. NeSmith knowledge of each member of the panel. TEDxNashville presentation you can find may have come to terms with his impaBut when Creative City received cultural on their site, theradialconservatory.com.) tience over the growth process, but he says tourism funding from Orange County Arts It’s hard to watch their stuff and not get if Creative City had a $100 million festi& Cultural Affairs, they took one bit of criti- excited about the potential of our cities’ art val budget, organizers would be thinking about what a $200 million festival would cism to heart: that it lacked organizational scenes influencing one another. Orlando’s burgeoning mural scene will look like. It’s just their nature to want to structure. NeSmith spent the first six months of the get some love during the festival when four improve, which makes the event itself a year working with his team to better define local artists paint murals live on temporary breathing work of art. their roles, build a strong board and create walls for Orlando City Soccer. Festivalarts@orlandoweekly.com

KU B ER S KY

Late last month, Lake Howell High School hosted producer Beth Marshall’s annual Play-in-a-Day event, and this writer – along with Margaret Nolan of Kangagirl Productions and Fringe executive director George Wallace – was invited to judge the results of the 24-hour projects. This year, playwrights were presented with the word “pulse” as a theme and restricted to writing three-minute scenes. Billy’s Story, an anguished autobiographical anti-gun monologue by Billy Manes, won the “After Orlando” award, and will be performed again on Monday, Oct. 17, as part of an international theater event in response to the Pulse Nightclub shootings (see page 36). Best Overall Production was awarded to Hope Springs Nocturnal, a tiny gem of musical magic realism written by Ken Preuss, directed by Lauren O’Quinn and starring Robert Cunha, Amanda Grace and Zach Lane. Rose Helsinger won Best Playwright for Whiskey and Rye, Richard Width received Best Director honors for Between the Pulses by Andy Haynes, and Dion Leonhard and Michael Osowski won Best Female and Best Male Performer.

CITY OF ANGELS

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NOW PLAYING Dracula, through Oct. 15 at Carmine Boutique … Breathe, through Oct. 16 at Parliament House … The Addams Family, through Oct. 23 at Athens Theatre … 1776, through Oct. 23 at Mad Cow … Dr. Jekyll and Mr. Hyde, through Nov. 13 at Orlando Shakes.

UPCOMING Orlando Philharmonic presents Candide, Oct. 13-16 at the Plaza Live … Phantasmagoria VII: The Cards They Are Dealt, Oct. 14-31 at Orlando Shakes … The Untold Spoken Word Poetry Event, Oct. 5 at the Abbey … After Orlando: A Global Theatre Action, Oct. 17 at Orlando Shakes … The God Game, Oct. 21-Nov. 20 at Mad Cow … Young Frankenstein, Oct. 20-30 at UCF … The Glass Menagerie, Oct. 21-Nov. 6 at Garden Theatre … PechaKucha v19, Oct. 21 at Dr. Phillips Center … CFCArts presents Metamorphoses, Oct. 21-Nov. 6 at Central Christian Church … The Humor Mill: A Fate Worse Than Debt, Oct. 22 at Orlando Shakes … Spring Awakening, Oct. 25-30 at Valencia East … Orlando Ballet: Dracula Oct. 28-30 at Dr. Phillips Center … Stuart Little, Oct. 29 through Nov. 18 at Orlando Shakes … The Curious Incident of the Dog in the Night-Time, Nov. 1-6 at Dr. Phillips Center … Orlando Story Club: Origin, Nov. 2 at the Abbey … Playfest: After Pulse, Nov. 3-6 at Orlando Shakes … Mikey Layman: Grin & Bear It, Nov. 7 at the Abbey.

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BY SETH KUBERSKY B-BOYS JOSH ORTIZ, JEAN CARLOS-LLORET, DMYTRO LI | PHOTO COURTESY OF CIRQUE DU SOLEIL

As I write this week’s column,

Hurricane Matthew has sputtered out of Central Florida, leaving behind downed tree limbs and gorgeous blue skies in time for this Saturday’s return of the Creative City Project. One of my favorite articles from earlier this year was my coverage of the Creative City’s kickoff workshop back in June, which featured Cirque du Soleil artistic director Daniel Ross discussing how he keeps Cirque’s long-running La Nouba production at Disney Springs looking sharp. Shortly before the big storm, I experienced the product of Ross’s creative processes in person at the recently refreshed La Nouba and spoke to Ross about introducing two new acts into such a tightly integrated show. “We were mandated to make some changes to the show, and we all felt that it was well needed, so the first thing that we did was look at the positions we wanted to fill,” Ross told me, spelling out the steps behind adding new segments to a Cirque show. “We looked at the creative context and the initial impulse at creation with the director and writers and choreographer. We really needed to find something that would complement that and respect the concept of the show.” Replacing the opening jump-rope routine, La Nouba’s first new troupe members are an international trio of breakdancers: Josh “Incredible Josh” Ortiz, Jean Carlos “Bebo” Lloret and Dmytro “Flying Buddha” Li. “The opening of La Nouba is the cleaning lady who opens up a magic world,” Ross says. “The first act is really about urbanity, as if she’s found herself in the traffic of the city where there is a lot of people that are not paying attention to her.

Cirque du Soleil artistic director Daniel Ross keeps La Nouba looking sharp and looks forward to the Creative City Project We really needed that city grit, that citystreet feel, and we felt that breakdancing was a good idea.” La Nouba’s first half reaches a peak (literally and figuratively) with its high-flying second addition. “It used to be a high wire act tightrope,” Ross says. “The director really wanted to bring up the traditional circus, as if the cleaning lady was reliving memories of her childhood, remembering the time she went to the circus with her mom or her dad, seeing this beautiful lady and man up there. And at the same time, because we are in the city there was a bit of a tribute to Philippe Petit, the wire walker that walked across the Twin Towers. We wanted to preserve that, so we knew we wanted an aerial act.” Ross’s answer was found in acrobatic aerialists Alexander and Ekaterina Abramov, who perform on a suspended pole-shaped apparatus known as a “bamboo.” “We fell upon this, which was an act we had before in a show in China. You don’t see [aerial bamboo] around much anymore; looking for it, we only found this one couple. So it’s something that doesn’t really roam the streets so much, even in the European circus. We still wanted a love story so we decided to go for the aerial bamboo, so we could keep that traditional aerial character, but at the same time pro-

vide something special to the audience that they rarely see.” If you can’t afford admission to La Nouba (half-price kids’ tickets are currently available) you can still enjoy the Abramovs’ act for free when they appear above Orange Avenue during this Saturday’s Creative City Project. “The first Creative City that we did three years ago, the vibe that I got from it was like Nuit Blanche (“White Night”), like in Paris or Montreal. All night there’s cultural activities going on all over the city,” Ross says, recalling Cirque’s initial collaboration with Creative City. “It felt a lot like this, and for me this is one of the things that Orlando needs. For [Cirque] to be such an important fixture in the entertainment world in Orlando, I think we need to get involved.” Transporting La Nouba’s act outside their custom-built theater isn’t easy, but Ross has made participation in the Project a priority. “It’s hard for us because we work so much, and often on prime times on weekends we’re not available. But for this, because of the importance of the event and my personal connection to it – it’s something that really touches me – I said we’re going to push to do something.” It’s evident Ross makes the effort because he takes Cirque’s cultural responsibility to our city seriously. “I think there’s so much potential in the city. I arrived here about five years ago, and already in five years I see so much happening. “Orlando is growing very quickly economically, but I think it’s very important when a city is getting so big and powerful economically that there’s a counterbalance on the artistic side. Part of our job as artists is to question and put things in perspective.” skubersky@orlandoweekly.com orlandoweekly.com

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[ restaurant review ]

tip jar BY FAIYAZ KARA

VIETNAMESE STREET TACOS | PHOTO BY ROB BARTLETT

NEW ORDER

So did the herb bar. Now, I’m not opposed to the idea of gathering my pho garnishes myself, but when I did so the first time, the options under the sneeze guard looked sad: The Vietnamese-inspired pan-Asian fare at this fast-casual wilted Thai basil and cilantro; dried-out eatery is on trend jalapeños and sprouts; and less-than-fresh BY FAIYAZ KARA onions. When I went back mid-bowl, they seemed garden-fresh. Timing – it really is So it was on a less-crowded Monday everything, I suppose. o open yet another Asian restaurant Anytime’s a good time for a banh mi in a space that’s seen a revolving that we nibbled on fried spring rolls ($3) door of Asian restaurants might tightly packed with ground pork, rice ($5.50), though. I mean, who can say no to seem pretty ballsy, but the chaps behind noodles and shredded vegetables, but only a banh mi, right? “You should get it with a Viet-Nomz – Chris Chen, Mike Cho and after the initial batch, blackened from a fried egg,” insisted the girl with the toothy Philip Nguyen – saw it as an opportu- thorough overfry, was sent back. Then it smile who took our order. “Tempting, but nity to bring fast-casual, pan-Asian cuisine was on to serviceable beef and pork bao no,” was our reply. The sandwich, with its of the new order to the food-conscious ($6.50 for two) comprising a nice pickle-y flaky-crusted, soft-centered baguette, was folks in 32792. The term “fast casual” is crunch. Bao, like most items served at Viet- easily one we’d order again (without the fried egg, thanks). of great import here. Like the menu of Nomz, can be had with “Banh ice” ($3.75), noodle bowls, bao and tacos (not to men- your choice of pork, steak, described as a tion the woodsy interior illuminated by chicken or crispy tofu. VIET-NOMZ ice Edison bulbs), it’s precisely on trend – a We gave the latter a go in 7581 University Blvd., Winter Park “Vietnamese cream sandwich,” was quality that predecessors Thaitanic Sushi, a rice bowl ($8.50) with 407-636-6069 unavailable, as it was Yum Yum Thai & Sushi and Besuto Sushi pickled vegetables and vietnomzfl.com still being “perfected.” a side of fish sauce. As failed to embrace. $ No matter, I was looking And while the food at Viet-Nomz may simple and as satisfying forward to ending with not reach the level of Mills 50’s more sea- the dish was, the kitchen a hot cup of Vietnamese soned and established outfits, try telling felt the need to plonk an that to the millennials and steady stream unadvertised fried egg – the trendy calling coffee ($3.50 small; $4.50 large) anyway, of young’uns from UCF and Full Sail who card of many a chef nowadays – on top. but the cà phê here is made using an see the joint as a bastion of affordable Did it look pretty? Sure. Did I want it? Not espresso machine, not the tried-and-true sustenance. The “Hangover Cure,” for really. Besides, there was enough protein in method of a stainless steel infuser. Then example – pho with a vegetarian broth the rapidly cooling “king pho” bowl ($12) to came the bad news: The espresso machine ($10) – certainly speaks to the crapulence of build another layer of flabby muscle around wasn’t working. Pity, I thought. In this push collegians, of which there was no shortage my one-pack abs. Its heady beef broth, to cuddle up to the postmodern #foodie, in the restaurant on one particular Friday made beefier with meatballs, eye round and there’s still something to be said for doing night. The eatery was so mobbed, in fact, brisket, in an oversized bowl no less, made things the old-fashioned way. an undoubtable impression. that it had us doubling back. fkara@orlandoweekly.com

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OPENINGS Look for Create Your Nature, an açai bar and oatmeal café, to open sometime next week in the old State Auto Body building on North Orange Avenue in Winter Park. The complex will also house the Winter Park Distilling Co.’s Brewstillery and tasting room and Foxtail Coffee, an artisanal coffee roaster and brewer … Just a bit up the road, seafood bowl-monger Da Kine Poke has opened inside the Meat House … Se7enbites Bake Shop has opened in their new space at 617 N. Primrose Drive, despite slight delays caused by Hurricane Matthew … Gyu-Kaku, the popular Japanese barbecue chain, has soft-opened in Dr. Phillips … Deadly Sins Brewing in Winter Park celebrates its grand opening Saturday, Oct. 15, at noon. Expect to see 12 of their very own beers on tap, in addition to some special releases. CLOSINGS Paco’s, the mainstay Mexican restaurant on Fairbanks Avenue, will close on Saturday, Oct. 15, after 35 years in the biz. NEWS/EVENTS Morimoto Asia is offering a multicourse omakase experience in their sushi bar upstairs. Cost for the experience is $150 for a five- to seven-course meal, and patrons must reserve 24 hours in advance … The Latin Food & Wine Festival goes from noon to 6 p.m. Sunday, Oct. 16, at the Seneff Arts Plaza downtown. Fare will be provided by Cuba Libre, El Inka, Hunger Street Tacos, Tapa Toro and more. Admission is free … The sixth annual Cows ’n Cabs goes from 7-10 p.m. Saturday, Oct. 22, in the West Meadow of Winter Park’s Central Park. Participating 2016 chefs come from Slate, K Restaurant, Tapa Toro, Osprey Tavern, Luma, Citrus, Morimoto Asia, Nova, Sanctum and many more restaurants. General admission tickets are $110 with VIP packages starting at $140 for early admission … Central Florida Veg Fest, one of the largest vegetarian festivals in the country, also takes place Saturday, Oct. 22, with more than 200 vendors, guest speakers, artists and live musicians in attendance at Orlando Festival Park. Admission is free and the event runs from 10 a.m. to 6 p.m., rain or shine.

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PHOTO BY JASON FERGUSON

Lizzy McCormack’s 55 N. Orange Ave., 407-426-8007, lizzymccormacks.com

Essay question: Why should I drink here? Theoretically an Irish pub, Lizzy’s has a fake fireplace, lots of low-slung tables and small couches, so it maybe kinda feels like a pub. But, truly, it’s the familial, pretension-free, drinks-first vibe that sets it apart. It’s a perfect happy hour spot (theirs runs until 8 p.m.), and a great escape if you’re an adult trapped downtown after 10 p.m.

Short answer/multiple choice:

Bag hooks? Y

After work or after hours? Both Beer/wine or liquor too? Liquor too. Check all that apply: fancy cocktails make ’em strong and keep ’em coming wine list (5 choices or more) craft beer beer: the usual suspects wide selection of bottles/cans (more than 12) wide selection on tap (more than 12)

Food served? Y

Smoking allowed inside? Y Outside drinking? Y Dog-friendly? Y 22

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Bathrooms: nightmare or not bad? Not bad in the afternoons; a nightmare after dark N TVs? Y What’s on? Sports, probably an Orlando City game N DJs? Y Live music? Y

Loud music or background music? A few songs heard here: “Just Like Heaven” by the Cure, “Rebel Yell” by Billy Idol, “Melt With You” by Modern English, so yeah … throwback

Games? Check all that apply: pinball video (just one: Golden Tee) pool darts

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recently reviewed EDITED BY JESSICA BRYCE YOUNG

$$$$ $$$$ $$$$ $$$$

$10 OR LESS $10-$15 $15-$25 $25 OR MORE

The price range generally reflects the average cost of one dinner entree. Bakeries, ice cream shops, etc. reflect relative cost for one person. Search hundreds more reviews at orlandoweekly.com

DOVECOTE It’s hard to find a clunker in this downtown brasserie’s menu of approachable French cuisine, whether you’re downing starters like French onion soup (a specialty), tomato-water risotto or Vietnamese seafood stew, or entrees like steak frites, moules frites or vermouthbraised pork cheeks. Partake in their progressive cocktail program, or enjoy one of the many French wines by the glass offered. Closed Sundays. 390 N. Orange Ave., 407-930-1700; $$$$

PIZZA BRUNO Arguably Orlando’s most popular and buzzed-about pizzeria entices with its “neo-Neapolitan” pies fashioned with fermented dough and creative flavor combinations and fired in a Ferrari-red Pavesi oven (it’s a beaut). Traditionalists can have a field day day here, for sure, but the adventurous can employ such ingredients as hot honey, charred peaches, blueberries, maple syrup and the like on their fast-blistered pizzas. Garlic knots with “too much garlic” are practically a must – enjoy them with the ricotta meatballs prior to pie-eating. The phone is rarely answered, which means no call-ahead orders and no reservations. Closed Mondays. 3990 Curry Ford Road, 407-906-8547; $$

TR FIRE GRILL Upscale American bistro that feels like a chain restaurant but isn’t one (well, not yet – it’s the test space for a concept by Romacorp, the Orlando-based owner of the Tony Roma’s rib chain). Share sangria muddled with local fruits, then order the oven-baked pizza dip. Entrees are hit-or-miss, including iffy baconwrapped smoked meatloaf – ours was so burnt we just ate the inside, though that was flavorful – and salmon and zoodles (salmon, meh; zoodles, totally delicious). The Chocolate Mayhem dessert is enough for a group or for one broken heart. 1035 N. Orlando Ave., Winter Park, 407-708-3600; $$

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THE PARKVIEW

While not as sprawling a space as the Wine Room, nor as packed as Luma, the Parkview has the unpretentious, comfortable air that its neighboring Park Avenue haunts don’t. Plus, the menu goes well beyond the tried-and-true charcuterie and cheese plates to create highly edible pairings – roasted bone marrow, braised beet carpaccio and more – to match an intriguing selection of wines. Open daily. Brunch served Saturday and Sunday. 136 S. Park Ave., Winter Park, 407-647-9103; $$

GREEN KITCHEN

Healthy eats with Brazilian twists make this tourist-sector eatery on the ground floor of an office building a draw for both famished workers and excitable vacationers. Salads, wraps and sandwiches are the go-to options, but those wanting a substantial meal can opt for one of the chef’s specialties – like two slabs of picanha laced with chimichurri served with potatoes and rice. Those looking to sweeten their healthy meal will find a diverse selection of lures, from dense quindim to baklava. 7055 S. Kirkman Road, 407-413-5005; $$

FUEL BBQ

Owners Chris and Michelle Johnson annexed the space next to their popular blues bar, the Alley, to house this comfy little pit stop knowing there’s no more natural a pairing for blues than barbecue. The barky velour of the brisket is the undoubted star, but don’t pass on the ribs, pulled pork or burnt ends either. Sides are no mere afterthought – great care has gone into perfecting the fried okra, collards, baked beans, and mac and cheese. Closed Mondays. 120 S. Park Ave., Sanford, 407-328-4848; $$

DEVINE WINE & GRILL

Unlike the scores of enomatic dispensers found at some other wine bars, the 32 offered at this Oviedo drinkery keep the attitude to a relative minimum, while the scratch kitchen delivers bar fare that’s well-executed. Canadians may scoff at the very un-Canadian poutine, but anyone will relish the lamb burger and the delightful octopus salad. Closed Mondays. 15 Alafaya Woods Blvd., Oviedo, 407-359-5016; $$

SOUPA SAIYAN

Dragon Ball Z-themed noodle house is a real draw for freaks and geeks, but noodle hounds will appreciate their attention to crafting a fine bowl. Udon noodles in a vegetarian broth with fried tofu and steamed vegetables hums with umami, and if you’re into pho, the meaty pho dac biet will impress. Open daily. 5689 Vineland Road, Winter Springs, 407-930-3396; $$ n

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SEASON'S GREETINGS Even in an era increasingly defined by on-demand viewing, television still puts its best foot forward in fall BY T HA DDEUS MCCOL LU M

y now, the idea of “fall television” seems a little outdated. While we used to look forward to the slate of new shows and new seasons of old favorites as the dog days of summer drew to a close, the New Streaming Order has changed things. Instead of having to make it a point to sit down in front of the boob tube at a specific time, we get to watch whatever we want whenever we want. And to a certain extent, this has also disrupted the traditional schedule of fall premieres, mid-season replacements, May sweeps and summer schlock. Just look at Netflix’s penchant for dropping new original shows on its service about once a month, often with little fanfare. But old habits die hard, and even the new Big Four (Netflix, Hulu, Amazon and HBO Now) seem to have put Westworld (HBO) out some of their strongest stuff during what used to be the networks’ time to shine. So here are a few things you should be adding to your watchlist this fall.

Westworld

ond season of Daredevil suffered from the lack of a villain as strong as Vincent D’Onofrio’s Kingpin. So it’s nice to see that Luke Cage has plenty of worthy opposition in his first season. Mike Colter reprises his role from Jessica Jones as the titular hero, gifted with super strength and unbreakable skin in a prison experiment gone wrong. But Mahershala Ali and Alfre Woodard steal the show as Cornell “Cottonmouth” Stokes and Mariah Dillard, two powerful cousins (he’s a disreputable businessman, she’s a city council member) who do all the wrong things for all the right reasons. The show is backed by what is easily the best television soundtrack in recent memory, running the gamut of funk, soul R&B and

next big series brings House’s Hugh Laurie back to television in the role of a psychiatrist who gets too close to one of his patients (Gretchen Mol), drawing the ire of her abusive husband (Paul Adelstein). While the occupation of the main character may give the impression that it’s going to be “House, but for brains,” the show exudes a much darker, more sinister tone than the show that made Laurie a household name. Lenny Abrahamson, director of the Oscarnominated Room (and the criminally overlooked Frank), is set to direct at least one episode. (Premieres on Hulu Oct. 19)

One Mississippi

Atlanta (FX)

One Mississippi (Amazon Prime)

When HBO’s plans for an updated version of the 1973 sci-fi classic about robotic theme park attractions run amok was first announced, many keyboard warriors cried foul. And in a certain way, they were right. The original Westworld holds a rightful place in the sci-fi canon. Plus, it’s the other other movie people remember Yul Brynner from. But HBO’s new series is way beyond a simple remake. The incitLuke Cage (Netflix) ing concept is the same, sure: There’s a theme park that looks and feels exactly like the Old West, populated hip-hop, and curated in part by androids who are indistinguishable from human beings by Ali Shaheed Muhammad of A Tribe Called Quest. We until something goes wrong. But Jonathan Nolan’s update challenge you to find a more fun moment this season than goes far deeper into the moral and societal implications of watching Luke Cage bring the ruckus against a whole mess the premise than Michael Crichton did in the original. The of bad guys while Wu-Tang Clan’s “Bring Da Ruckus” plays. cast is superb, with particularly strong performances from (All 13 episodes available to stream on Netflix) Evan Rachel Wood and Ed Harris, who play a “host” and a “guest” locked in a repeating cycle of violence and death. Chance (New episodes added to HBO Now Sundays at 9 p.m.) Hulu’s bullpen when it comes to original content doesn’t run quite as deep as the other streaming services, but it Luke Cage does seem to have a talent for getting big names onto qualNetflix and Marvel’s partnership has resulted in two ity projects. See this year’s earlier James Franco/Stephen excellent seasons of Daredevil and Jessica Jones, but the sec- King/J.J. Abrams collaboration 11.22.63, for evidence. Their

Easily the strongest pilot from Amazon this season was Tig Notaro’s One Mississippi. The show steals a page from Louie, in that Notaro essentially plays herself in a fictionalized version of real events. Recovering from a double mastectomy, Notaro returns to her hometown to take her mother off of life support and deals with the heartbreaking fallout with her dry, deadpan wit. The series proper delivers on the promise of the pilot, effortlessly merging wacky fishout-of-water humor with touching human moments as Notaro’s fictionalized family deals with her mother’s death. (All six episodes available to stream with Amazon Prime)

Atlanta This is a bit of a stretch for our streaming-based focus, but FX’s Atlanta is too good not to throw some love to. Donald Glover either confirms your suspicions that he’s a creative force to be reckoned with or surpasses your expectations Chance (Hulu) if you weren’t all that impressed with his post-Community output. Created by and starring Glover, the show follows Earn Marks, an Ivy League dropout stuck in a dead-end job and struggling to pay rent, as he takes care of his baby daughter and rekindles a relationship with his ex. When his cousin, Paper Boi, suddenly hits it big in the rap game, Earn tries to come on board as his manager, but quickly gets in over his head. The show is ostensibly a comedy, but it hits on plenty of serious topics while simultaneously incorporating a strange sense of absurdity in how events play out. If you have a cable subscription (or, like, a good friend with a cable subscription), you can stream Atlanta on FXNow, the streaming app and website for the FX family of channels. Or you can just buy the episodes for $2.99 a pop as they come out on Amazon. (Airs at 10 p.m. on Tuesdays on FX)

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tmccollum@orlandoweekly.com ●

OCT. 12-18, 2016

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ORLANDO WEEKLY

FILM LISTINGS

[ film review ]

The Beatles: Eight Days a Week - The Touring Years Documentary about the Beatles’ journey from the days of the Cavern Club in Liverpool to their last concert at Candlestick Park in San Francisco in 1966. Directed by Ron Howard. Through Thursday; Enzian Theater, 1300 S. Orlando Ave., Maitland; $9-$11; 407-629-0054; enzian.org. Big River and Swim for the River A double feature screening of Big River, a film about the environmental impact of corn farming, and Swim for the River, a documentary about a man who swam the Hudson River. Wednesday, 2 pm; Southeast Museum of Photography, Daytona State College, Daytona Beach; free; 386-506-4475; smponline.org. Blue Jay Mark Duplass and Sarah Paulson play former high-school sweethearts who reunite for a weekend to explore the past and examine their paths in life. Opens Friday; Enzian Theater, 1300 S. Orlando Ave., Maitland; $11; 407-629-0054; enzian.org. Book to Big Screen: Carrie Screening Withdrawn and sensitive teen Carrie White faces bullying at school and abuse at home, but puts her mind toward solving her problems. Sunday, 11 am; Enzian Theater, 1300 S. Orlando Ave., Maitland; $9; 407-629-0054; enzian.org. Cult Classics: The Lost Boys Two brothers move to California and end up fighting a gang of young vampires in their new town. Tuesday, 9:30 pm; Enzian Theater, 1300 S. Orlando Ave., Maitland; $8; 407-629-0054; enzian.org. Midnight Movies: The Greasy Strangler An oily maniac stalks the streets of Los Angeles at night. Saturday, 11:59 p.m.; Enzian Theater, 1300 S. Orlando Ave., Maitland; $11; 407-629-0054; enzian.org. More Q Than A: Stir Crazy and The Producers Screening of two comedies featuring the recently departed Gene Wilder. Wednesday, 8 pm; The Gallery at Avalon Island, 39 S. Magnolia Ave.; $5-$7; avalongallery.org. Movies Out Loud: Nightmare on Elm Street 2: Freddy’s Revenge Movies Out Loud presents Nightmare on Elm Street 2: Freddy’s Revenge. Wednesday, 8 pm; The Abbey, 100 S. Eola Drive; contact for ticket info; 407-704-6261; abbeyorlando.com. Music Mondays: Miss Sharon Jones! Documentary following soul sensation Sharon Jones through her battle with cancer. Monday, 9:30 pm; Enzian Theater, 1300 S. Orlando Ave., Maitland; $11; 407-629-0054; enzian.org. Popcorn Flicks in the Park: House of Wax A wax museum mysteriously acquires new sculptures when bodies from the city’s morgue go missing, and art student Sue Allen suspects wrongdoing. Thursday, 8 pm; Central Park, Winter Park, North Park Avenue and West Morse Boulevard, Winter Park; free; enzian.org. Selena Celebrate National Hispanic Heritage Month with films highlighting the cultures and contributions of Hispanic and Latino Americans. Friday, 11 am; Orlando Public Library, 101 E. Central Blvd.; free; 407-835-7323; ocls.info. Taxi Driver Special 40th anniversary presentation of the Martin Scorsese classic. Sunday, 2 & 7 pm; multiple locations; $13.31; fathomevents.com. Train to Busan A Korean high-speed commuter train is overrun by zombies. Through Thursday; Enzian Theater, 1300 S. Orlando Ave., Maitland; $11; 407-629-0054; enzian.org. Victim One of the first films to address homophobia head-on as a protest against laws forbidding homosexuality in Britain. Wednesday, 7:30 pm; Southeast Museum of Photography, Daytona State College, Daytona Beach; free; 386-506-4475; smponline.org. Yo-Kai Watch: The Movie Event Feature-length film set in the world of the popular Japanese animated show. Saturday, 11 am; multiple locations; $13.38; fathomevents.com.

ORLANDO WEEKLY ● OCT. 12-18, 2016

PHOTO COURTESY FOX BBC FILMS

LITIGATING THE HOLOCAUST

fascinating details of the case. Still, not even Wilkinson’s stoic character is immune to the larger moral issues, and he is forced to ask himself, “How could Auschwitz be just a brief?” Because the film offers few surprises, doesn’t fully flesh out some supporting characters and contains little cinematic Denial brilliantly illuminates the darkest of history flourish, I was surprised to find myself so BY C A M E R O N ME I E R moved. But then I realized I was overlooking the film’s true star. For it’s not really he confession of evil works spanning roughly seven years. Remarkably, Irving who is on trial. It’s the act of denial. is the first beginning of Jackson and screenwriter David Hare are It’s the embrace of evil. It’s the Holocaust good works,” wrote Saint patient enough to allow events to unfold itself. Jackson and cinematographer Haris Augustine. Holocaust denier and pseudo- realistically, without much condensing and historian David Irving wrote evil works, with great insight into both the British Zambarloukos filmed at Auschwitzbut with no saints around to confront him, legal system and the surprising reluctance Birkenau, and though the remarkable it was up to American author Deborah of England’s Jewish community to help courtroom scenes between Wilkinson and Lipstadt. It means the film is slow to gain Spall give the film its energy, it’s the scenes Lipstadt to call him out. of the death camp that Though she never got an actual con- dramatic steam, but once are the most emotionfession, she emphatically accused him of it does, the emotional ally wrenching. In those attempting to recast reality, writing in 1993 payoffs are huge. DENIAL moments, the movie is Rachel Weisz has never that Irving wasn’t just wrong, but an antiopens Friday, Oct. 14 no longer fiction, but a Semitic liar. But because her book, Denying looked or acted quite like documentary worthy of the Holocaust, was published in England this before, and she’s Shoah director Claude as well as in the United States, Irving took thoroughly convincing, Lanzmann. Though advantage of British libel laws – which as is Anthony Scott, who Denial doesn’t rise to the put the burden upon the defendant – and plays Lipstadt’s solicitor level of Lanzmann’s ninesued Lipstadt. This put her in the uniquely (the lawyer who prepares absurd, but nevertheless legally binding, her case). Even more effective are Timothy hour cathartic opus, it might be the best position of having to prove the Holocaust Spall as Irving and Tom Wilkinson as film of the year so far, or at least the most Lipstadt’s barrister (the lawyer who argues consequential. happened. Edmund Burke wrote, “The only thing Directed by Mick Jackson, who is bet- the case), the latter worthy of his third necessary for the triumph of evil is for good ter known for his British television work, Oscar nomination. “This isn’t about memorializing,” men to do nothing.” Denial is based on Lipstadt’s book, History Burke was right except for the gender. on Trial: My Day in Court With a Holocaust Lipstadt’s lawyers tell her. “It’s about Denier. But that “day in court” actually takes forensics.” And, indeed, the film suc- To beat evil this time, it took a good woman. more than a month, with the entire story cessfully focuses our attention on the film@orlandoweekly.com

“T

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ON SCREENS IN ORLANDO

The Accountant PHOTO COURTESY WARNER BROS.

BY STEVE SCHNEIDER OPENING THIS WEEK The Accountant Let’s just say it hasn’t been a

great year for Ben Affleck to appear in movies he didn’t direct. His performance was just about the one universally praised element of Batman Hates Superman (thanks, Riblet). And that’s only counting the burden he had to shoulder on-screen: You try standing around in a suit of armor while having to pretend Zack Snyder knows what he’s doing. So what thanks did Affleck get? A sad-eyed viral video in which he looked like he was about to commit hara-kiri while accompanied by every string instrument in the Western Hemisphere. Now he’s doing further front-of-camera duty in The Accountant, a thriller about a bean counter for organized crime who comes to the attention of a crusading treasury agent (J.K. Simmons, who just so happens to be Affleck’s future Commissioner Gordon). And this time, the director ol’ Batsy had to treat like a peer was one Gavin O’Connor – whose last picture, Jane Got a Gun, was the poorest-opening wide release in the history of the Weinstein Company. Cue the Sarah McLachlan. (R) Desierto I don’t know why Donald Trump is

so concerned about America being overrun by Mexicans: If you go to the movies, you know the only people in that country are Gael Garcia Bernal and Alfonso Cuaron. Oh, and Alfonso has a son, Jonas, who wrote and directed Desierto, and a brother, Carlos, who produced it with Alfonso. So I take it back, because that’s a smart car’s worth of cultural invasion right there. Anyway, Desierto is a timely thriller in which a bunch of peace-

ful, unarmed immigrants are pursued by a gun-toting maniac who wants them dead. Looks like Sheriff Joe Arpaio finally got that second career he’s been needing so badly. (R) Kevin Hart: What Now? That Kevin Hart keeps racking up the superlatives. He recently dethroned no less than Jerry Seinfeld as America’s highest-paid comic, and according to the promo for his latest concert flick, What Now?, he’s the first comedian ever to sell out a stadium. (53,000 folks in Philadelphia – though I still say Gilbert Gottfried could pack Camping World with the right promotion.) Taking all of that into consideration, I fully expect What Now? to outdraw Hart’s previous concert doc, 2013’s Let Me Explain. And I can’t wait to hear everyone who binge-watched Luke Cage complain that there’s not enough white people in it. (R) Max Steel The feature-film version of Mattel’s

toy Max Steel has certainly endured a long and bumpy road to the screen. It’s been in development so long that the lead role was once going to be played by Twilight’s Taylor Lautner, who dropped out to pursue different career objectives (at the time, “play Hasbro’s Stretch Armstrong,” which ultimately evolved into “get fat”). Lautner was succeeded by Ben Winchell, and the flick actually got made – although the studio’s lack of faith in the project resulted in a two-anda-half-year lag between the completion of photography and the movie’s promised release this weekend. As Lautner’s personal trainer might say, I’ll believe it when I see it. (PG-13) orlandoweekly.com

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OCT. 12-18, 2016

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ORLANDO WEEKLY

ORLANDO WEEKLY ● OCT. 12-18, 2016

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[ concert preview ]

GREAT LIVE MUSIC RATTLES ORLANDO EVERY NIGHT Eisley Indie-rock sibling brigade (plus two) has somehow not killed each other after almost 20 years of playing music together; instead they’ve grown and evolved. Currently working on a three-LP set. 7 p.m. Wednesday, Oct. 12, at the Social, $20

Ghastly DJ/producer David Crow alludes to a dark past in his nom de music, but his bassheavy sound can purge demons through fleet footwork. 10 p.m. Thursday, Oct. 13, at Venue 578, $10-$25

Band of One Fest

PHOTO BY NICOLE ANNE ROBBINS

Channeling the wildman energy of

WASTED ON YOU Bleached find the darkness in a BY JEN CRAY

hen the bustle and distracting stimuli of everyday life gets to be too much, Jennifer Clavin heads for the desert. “It helps you reassess your current life situations,” the Bleached frontwoman tells Orlando Weekly. “Literally every time I leave L.A., I am super stressed out. Once I reach the desert everything is OK without a doubt. “Taking a pause is really helpful ... soaking in the natural beauty of wherever you are is important and therapeutic.” Therapeutic and conducive to great music-making. It was there, holed up in the middle of Joshua Tree far from the tumultuous circumstances that both Jennifer and her bandmate/sister Jessie were dealing with in their personal lives, that the band wrote and recorded their latest release, Welcome the Worms. “L.A. is full of distractions, but there are places you can make your own decompression zones.” Clavin, wrestling with the demon of alcohol abuse, channeled that energy into her songwriting. “Having something to write passionately about, negative or positive, is helpful. But then singing it over and over kinda sucks sometimes. I’m like, ‘Jeez

rockabilly pioneer Hasil Adkins, this fest cel-

There may be darkness lurking in the underbelly of Bleached, but on the surface the band’s surf-pop sound wears a brave face. The lyrics are hopeful, though often sunny day on the beach painted with regret, and the melodies call for a dance-off rather than a pity party. They sound like indulging in milkshakes and french fries at 3 a.m. in your pajamas; I was super crazy and out of control at like sunrise through storm clouds; like that time.’ I’ve been going through a lot an impulsive decision that turned into an of changes, so to be constantly reminded amazing time. They sound like summer of some very dark times can get a little nights spent on the beach. Their Orlando debut has them co-headexhausting. But it’s also a good reminder that I don’t want to revisit that time so, in lining a show with Beach Slang. “We love their music and got to play a show together the end, it’s all good.” at SXSW. It was a lot of Take “Wednesday fun so I am very stoked Night Melody,” for BLEACHED with on this tour.” Could an example: “The song was Beach Slang, Hunny onstage collaboration written on a Wednesday 8 p.m. Friday, Oct. 14 between the two bands night. ... I was alone in Backbooth, 37 W. Pine St. happen? “That would be my room trying to write 407-999-2570 awesome. I feel like that something, anything, backbooth.com stuff is always decided to my crazy self. In my $15-$17 on like the third day of mind I was channeling tour when everyone the less-ego version of starts to get a little more me giving my current self some deep advice about life.” Though comfortable with each other, and familiar the song saunters with a sexy groove, with each other’s sets. I guess you’ll have the video – directed by Gil Kenan – tells to see at the show!” Clavin teases. The Orlando show is the fourth date of a morbid tale of her bandmates finding Jennifer dead in her bedroom. A Weekend the tour. Whatever happens – or doesn’t at Bernie’s style premise ensues, with the happen – this show is guaranteed to give band still pulling off a show that night, everyone in attendance epic bragging fronted by a puppeted-up Clavin. “We rights. You’re not going to want to miss it. shot a lot of it at the Smell ... and did the It could be your last shot to see either of whole video in a day. I love it because of these bands in such a small venue. the dark humor.” music@orlandoweekly.com orlandoweekly.com

ebrates a clutch of local musicians who cut out the middlemen/-women and embrace DIY music very literally. 8 p.m. Friday, Oct. 14, at Will’s Pub, $7-$10

Hypoluxo Don’t sleep on the lovelorn post-punk from this Brookyln group; doomed romance and dark rhythmic sighs are a way of life. 9 p.m. Saturday, Oct. 15, at Spacebar, $8

The Cryptics New Hampshire punkers are part of a packed-out five-band “punk brunch” that promises to sandblast away whatever hangover (or whatever) you are cursed with. 2 p.m. Sunday, Oct. 16, at St. Matthew’s Tavern, free

Kataklysm Canadian death metallers rip it so hard they invented their own brutal subgenre: Northern Hyperblast. Yes. 7 p.m. Monday, Oct. 17, at the Haven, $17-$22

Rose Creek Rhythm Local bluegrass quintet steps into Blue Bamboo to show off their traditional brand of improv and groove. 8 p.m. Tuesday, Oct. 18, at Blue Bamboo Center for the Arts, $10

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OCT. 12-18, 2016

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ORLANDO WEEKLY

ORLANDO WEEKLY ● OCT. 12-18, 2016

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BY B AO L E - H U U SALES | PHOTO BY LIV JONSE

One night last week (Oct. 5),

Audubon Park was the most happening neighborhood in the city, the epicenter of indie Orlando. In the most historical, unique and crammed evening in memory, two major acts that would typically play the top independent clubs here instead made under-the-radar appearances in informal venues. It was a marquee night with no marquees and, for some enterprising people, a once-in-a-lifetime double feature. Before me and approximately 49 others, North Carolina indie-rock great Eric Bachmann performed a living room show at the home of OW photographer and longtime Orlando music figure Michael Lothrop. The only degree of intimacy greater than that involves moonlight, serenading and a window. He even prefaced the performance by saying he welcomed requests – if he remembered it, he’d play it. And so the stage was set for a fan fantasy. Over the next 90 minutes, Bachmann spanned his three significant and longrunning projects: Archers of Loaf, Crooked Fingers and his solo work. Because his range has unfolded considerably over his lengthy career, the performance offered lots of alternate renditions of favorite songs, all acoustic, some on banjo even. More campfire than concert, this experience was the ultimate live music encounter, as intimate as your personal relationship with the music but rendered by the man himself. The looks on the faces around the room reflected it, and it was beautiful. As soon as Bachmann wrapped, I and

Sales have built enough momentum to register nationally and draw impressively at home; it’s only now, though, that they’re finally getting serious. some lucky others simply walked three blocks up to indie culture bastion Park Ave CDs just in time for the soundcheck to a pop-up show by power-pop royalty the Posies. A little more straightforward than the earlier show, this one was a fullband rock-out, even including a guest spot by local promoter-singer-opener Tierney Tough (The Pauses). But like the living room show, this in-store performance was a rare confluence of big names and extraordinary proximity. Individually, the events were exceptional memories. Combined, they made one of the coolest and purest nights of music I’ve ever experienced. And it happened because of the local movers on the ground. Looking good, Orlando. Sales (Oct. 4, the Social), if you recall, is a seriously rising Orlando buzz band that, underneath all the fog of internet hype, is debatable. The promise is that this indiepop duo has some alluring songs. The rub is that they’ve always been more of a studio flower than a live tree. They’ve shown enough hope and spark to truly root for but – with a minimal arrangement that lacks the finishing live touches of, say, the xx – they just never satisfied onstage.

However, the prospect of a new member – a drummer – was intriguing as a possible missing link between Sales’ mystique and their reality. Well, the debut of this expanded roster finally showcased what Sales could and should be. With vocalist Lauren Morgan’s lovely singing, their music has always had heart. But this simple but necessary addition gives their live performance pulse. Now they’re running on an instrumental chassis that, instead of being a distracting lapse, is at last suitable for translation on stage. Sales have built enough momentum and cachet to register nationally and draw impressively at home, as their nationallevel draw at this latest show proves. It’s only now, though, that they’re finally getting serious. This could get big time. Just as interesting is opener Fiona, a full-band project by local humorist and social media hero Harry Hillard Morall III (formerly known as rapper Mr. 3). Backed by a credentialed cast of live players that includes Ranson Vorpahl (drums), Tré Hester (bass) and Kendrick Leighton (guitar), this act is rap-based but with a pimp-smooth foundation of R&B and funk. As Mr. 3, Morall was a literate and hilarious pop-cultural assassin. But as Fiona, his famous showmanship comes on like a lion of chill swag. Trust me – and his black fur coat, and his black shades, and his medallion – on this. It’s a legit progression for one of the city’s most original voices. And because it demolishes the usual wall between rappers and bands, Fiona is maybe the freshest addition to the live scene in some time. baolehuu@orlandoweekly.com orlandoweekly.com

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ORLANDO WEEKLY

Thursday, 13

Tiger Fawn MUSIC

Dani Lacerda, better known to discerning locals as the enigmatic loop chanteuse Tiger Fawn, is a delightful anomaly within Orlando’s local music scene. Tiger Fawn focuses more on crafting atmospheres and moods within her music than traditional song structures, though a close listen will also reveal her interests in hip-hop and “Old Weird America” songforms. Tiger Fawn began as a more traditional trio, but now only Lacerda remains, surrounded by delay pedals, drum machines and all manner of arcane electronics and masks. Though Tiger Fawn has only officially released two songs so far – “King Mallard” and “Little Birdie,” both set for an upcoming album – she is already a seasoned live performer, playing regularly in the area and having even undertaken a brief tour. The live state of Tiger Fawn 2.0 is based on cryptic visuals and costumes and a sound centered around Lacerda’s strong, clear voice, encased in filigreed webs of electronics and reverb-heavy beats. Whereas Robert Smith made getting lost in the forest seem like a fate worse than death, Tiger Fawn makes the same scenario seem like a beguiling dreamscape. – Matthew Moyer

Ludacris MUSIC

OUR PICKS FOR THE BEST EVENTS THIS WEEK

Scroll through your own collection of pop albums or your little sister’s, but it won’t take too many virtual back covers until the name “Ludacris” is splashed across the track list somewhere. The 39-year-old Atlanta-based rapper is often credited with bringing Southern hip-hop to the masses. The genre’s predisposition to anthemic party jams and boyishly suggestive lyrics soon went mainstream. Aided by visionaries like Lil Jon, Weezy and Trina, Luda took the sound nationwide, landing its current spokesman in our very own Flo Rida. Luda glided in style into Fergie’s “Glamorous” and is responsible for carrying more than one Bieber hit. He even went down under to try and hype Australian Idol runner-up Jessica Mauboy – there aren’t even any label connections there; we checked. Club-friendly punchlines and a disarming delivery just “urban” enough for Top 40 have kept him running long past the steam of 2006’s Release Therapy, which got him the Grammy for Best Rap Album. After all of this, it makes sense he’s playing at a college for kids just old enough to know him as “that guy on all those songs.” – Adam Manno

with Zoya, SugarPlum | 8 p.m. | Will’s Pub, 1042 N. Mills Ave. | willspub.org | $5

with Ty Dolla $ign | 8 p.m. | CFE Arena, 12777 N. Gemini Blvd. | 407-823-6006 | cfearena.com | $25

7:30 p.m. Thursday, Friday & Sunday, 2 & 7:30 p.m. Saturday | Keene Hall, Rollins College, 1000 Holt Ave., Winter Park | 407-646-2000 | rollins.edu | free

ORLANDO WEEKLY ● OCT. 12-18, 2016

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Thursday-Sunday, 13-16

The Mikado OPERA

Ko-Ko, a man in the fictional Japanese town of Titipu, is made Lord High Executioner, and must find someone to execute by the end of the month, lest the Mikado (the Imperial ruler) take away his position. This is the plot of The Mikado, a comic operetta originally written by Gilbert and Sullivan in the 1800s. While the depiction of Japanese culture is … uh, a little dated, let’s say, the opera is actually more of a lampoon of British culture than anything maliciously xenophobic. The audience is treated to many upbeat songs, which are a nice contrast from the more tear-jerking fare you think of when you hear the word “opera.” But the comedic, and honestly slightly absurd, plot is what really sets this one apart. – Martina Smith

Friday, 14

Three American Sculptors ART

The Mennello’s sculpture garden gets new additions from three significant artists this week. Alice Aycock’s two sculptures, “Waltzing Matilda” and “Twin Vortexes,” were created as part of an extensive outdoor exhibit in Manhattan, and the artist credits the wind and the frenetic energy of city life in New York City for their inspiration. The exhibition also features horse sculptures by Deborah Butterfield, a series of metaphoric self-portraits representing deeply ingrained feelings of strength, beauty and inherent spirituality. Installations from Orlando- and Aspen-based Barbara Sorensen are also displayed; the recent acquisitions are largely inspired by nature and the "diverse materiality of our ever-changing environment." Sorenson will also be creating a site-specific installation that will continue her experimentation with materials, movement and form. – Aileen Perilla opening 6-8 p.m. Friday | through Jan. 8, 2017 | Mennello Museum of American Art, 900 E. Princeton St. | 407-246-4278 | mennellomuseum.com | $5

Friday-Saturday, 14-15

Second City Hits Home COMEDY

In the weird, wild world of improv comedy, few names garner as much respect as Chicago’s Second City. The storied theater company rose to prominence over the years as many of its alumni found fame on Broadway, in movies and in the cast of Saturday Night Live. This tour brings members of the theater’s current touring company to town to show off their skills with sketches, songs and games, all based around the cities they’re performing in. Drawing from Orlando history, current events and local newspaper headlines, the performers will craft a night of Orlando-centric gags (so expect some hurricane jokes). While this tour doesn’t include any of the superfamous Second City stars, like Dan Aykroyd or Stephen Colbert, the troupe’s batting average indicates that at least one of the young comedians poking fun at our city this weekend will be a household name at some point. – Thaddeus McCollum 8 p.m. Friday-Saturday | Alexis & Jim Pugh Theater, Dr. Phillips Center for the Performing Arts, 445 S. Magnolia Ave. | 844-513-2014 | drphillipscenter.org | $35

Sunday, 16

Will’s A Faire EVENTS

The cooler weather (thanks, Hurricane Matthew!) means it’s time for market season. Local artisans, crafters, vintage vendors and even record dealers spend the next few months setting up in parking lots and on sidewalks for a variety of outdoor shopping. This weekend, Will’s Pub kicks off the season with its Will’s A Faire, produced in conjunction with Southern Fried Sunday. The market tends to trend a little more rock & roll than most, with plenty of pop art and vinyl for sale. And since it’s also an SFS

production, plenty of bands – like Gary Lazer Eyes, the Oak Hill Drifters and the UkeA-Ladies – provide the soundtrack while you browse the wares. There won’t be the usual free barbecue like at a normal Southern Fried Sunday, but you can pick from plenty of food truck options after you work up an appetite from all that bargainhunting. – TM with Gary Lazer Eyes, the Oak Hill Drifters, Prison Wine, the Uke-A-Ladies, Sugarcrash Kids, Harmonica Man & the Sawgrass Band, Milka Ramos, Dylan Nirvana & the Bad Flowers | 1-8:30 p.m. | Will’s Pub, 1042 N. Mills Ave. | willspub.org | free

Sunday, 16

Puppet Slam THEATER

Puppets, along with clowns and plane rides, fall into that weird category of “Things Adults Fear That Children Do Not.” Perhaps it’s because children don’t realize the inherent creepiness of being controlled by an unseen master who jerks characters around on strings. Aren’t we all just puppets, if you think about it? Puppets of the government, of societal expectations, of our jobs – but the last one we really don’t mind, we swear! Ha ha ha! What were we saying? ... Oh yes, puppets. Inexplicably creepy yet fascinating, puppetry is a performance medium that has waxed and waned in relevance over time. But this week the Central Florida Puppet Guild puts all mixed feelings about our felt friends to rest with their annual Puppet Slam, a showcase featuring skits and short films starring handmade puppets. The local puppet scene’s (yes, that is an actual thing) stellar reputation combined with Central Florida’s finest puppeteer talents guarantee a quality show we’d see voluntarily – no strings attached! (You’re welcome; we thought that was a great pun too.) Now that we’ve confronted our fear of stringed characters, we need to tackle our fear of clowns. There’s one beckoning us into the woods right now, claiming he’s part of a national trend, but we bet he’s just a misunderstood street performer with a perfectly good reason for behaving erratically! – Abby Stassen 7 p.m. | The Venue, 511 Virginia Drive | 407-412-6895 | thevenueorlando.com | $8

Monday, 17

After Orlando: A Global Theatre Action THEATER

The goal of a theater action, if it’s an unfamiliar term to you, is to get as many people as possible to participate in a conversation about a current event, and to think about that event in fresh new ways. But you need not be familiar with the concept or even be a huge theater fan to want to see this particular “theater action.” Everyone in Orlando feels a connection to the tragic Pulse shootings, including Margaret Nolan of local Kangagirl Productions, so she joined forces with East Coast production companies Missing Bolts and NoPassport to shape this project bringing together “distinct and powerful voices” from around the world. More than 70 plays were written by notable and emerging playwrights – like Israel Horovitz, Neil LaBute, Anders Lustgarten, Lindsey Ferrentino, Caridad Svich – in response to the shooting at Pulse and the growing devastation of gun violence in the United States and worldwide. Staged readings of those plays will be presented throughout fall 2016 at more than 50 venues, including this one. – Jessica Bryce Young 7:30 p.m. | Lowndes Shakespeare Center, 812 E. Rollins St. | facebook.com/kangagirlproductions | $25

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submit your events to listings@orlandoweekly.com at least 12 days before print to have them included

WEDNESDAY, OCT. 12-TUESDAY, OCT. 18 COMPILED BY THADDEUS MCCOLLUM

WEDNESDAY, OCT. 12

CONCERTS/EVENTS The Dear Hunter, Eisley, Gavin Castleton 7 pm; The Social, 54 N. Orange Ave.; $20-$50; 407-246-1419. The Diggers 8-10 pm; Blue Bamboo Center for the Arts, 1905 Kentucky Ave., Winter Park; $15; 407-636-9951. Eugene Snowden’s Ten Pints of Truth 10 pm; Lil Indies, 1036 N. Mills Ave.; free. The Imperial’s Acoustic Soundcheck With Sarah Purser 8 pm; The Imperial at Washburn Imports, 1800 N. Orange Ave.; free; 407-228-4992. The Last Ten Seconds of Life, Traitors, Spite 6 pm; Backbooth, 37 W. Pine St.; $15; 407-999-2570. Leisure Chief Hip-Hop Showcase: Damez & the Giant Peach, Andrew Ramos, DJ BMF 9 pm; Will’s Pub, 1042 N. Mills Ave.; $5.

OPERA/CLASSICAL The Met Live in HD: Tristan und Isolde 6:30 pm; A new production of Wagner’s romantic opera. Multiple locations; $25.56; 855-4734612; fathomevents.com. THURSDAY, OCT. 13

CONCERTS/EVENTS Create: Ghastly 10 pm; Venue 578, 578 N. Orange Ave.; $10-$25; 407-872-0066. Lany 8 pm; Backbooth, 37 W. Pine St.; $18; 407-999-2570. Leisure Chief, the Reality, Dan Hanson 7 pm; Spacebar, 2428 E. Robinson St.; $7; 407-228-0804.

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[MUSIC] Rooney Monday at Backbooth

Lucy Woodward In Concert 8-9:30 pm; Blue Bamboo Center for the Arts, 1905 Kentucky Ave., Winter Park; $20; 407-636-9951. Ludacris, Ty Dolla $ign 8 pm; CFE Arena, 12777 N. Gemini Blvd.; $25; 407-823-6006. Majid Jordan, DJ TJ 8 pm; The Social, 54 N. Orange Ave.; SOLD OUT; 407-246-1419. The Mellow Relics 10:30 pm; Tanqueray’s, 100 S. Orange Ave.; free; 407-649-8540. Thursday Jazz Jams 8 pm; Austin’s Coffee, 929 W. Fairbanks Ave., Winter Park; free; 407-975-3364. Tiger Fawn, Zoya, SugarPlum 9 pm; Will’s Pub, 1042 N. Mills Ave.; $5.

OPERA/CLASSICAL The Mikado 7:30 pm; Ko-Ko, a tailor in mythical Japan, has been appointed

Lord High Executioner and must find someone to execute before the arrival of the ruling Mikado. Rollins College, Keene Hall, 1000 Holt Ave., Winter Park; free; 407-646-2000; rollins.edu.

Universal Blvd.; $49.50$79.50; 407-351-5483.

Orlando Philharmonic: Candide 7 pm; Voltaire’s biting satire of innocence and optimism with Leonard Bernstein’s witty, Tony Award-winning score. The Plaza Live, 425 N. Bumby Ave.; $22-$64; 407-2281220; orlandophil.org.

Ira Sullivan 8-10 pm; Blue Bamboo Center for the Arts, 1905 Kentucky Ave., Winter Park; $20; 407-636-9951.

FRIDAY, OCT. 14

CONCERTS/EVENTS Band of One Fest: Lone Wolf, Lauris Vidal, Will Brack, KOAD, Matt Rosman, Uncle Scotchy, Reverend Ron 8 pm; Will’s Pub, 1042 N. Mills Ave.; $7-$10. Beach Slang, Bleached, Hunny 7 pm; Backbooth, 37 W. Pine St.; $15; 407-999-2570. Celtic Thunder 7 pm; Hard Rock Live, 6050

DJ Three, Atnarko, Nikita 10 pm; Sandwich Bar, 2432 E. Robinson St.; contact for price; 407-421-1670.

Keller Williams 8 pm-midnight; Jessie’s Lounge, 118 SW Third St., Winter Haven; $25-$30; 863-298-9818. MC Chris, MC Lars, Mega Ran 8 pm; The Social, 54 N. Orange Ave.; $15-$17; 407246-1419.

OPERA/CLASSICAL The Mikado 7:30 pm; Ko-Ko, a tailor in mythical Japan, has been appointed Lord High Executioner and must find someone to execute before the arrival of the ruling Mikado. Rollins College, Keene Hall, 1000 Holt Ave., Winter Park; free; 407-646-2000; rollins.edu.

Orlando Philharmonic: Candide 8 pm; Voltaire’s biting satire of innocence and optimism with Leonard Bernstein’s witty, Tony Award-winning score. The Plaza Live, 425 N. Bumby Ave.; $22-$64; 407-2281220; orlandophil.org. SATURDAY, OCT. 15

CONCERTS/EVENTS Cheryl Anderson 9 pm; Aloma Bowl, 2530 Aloma Ave., Winter Park; $10; 407-671-8675. Children of October, the Prople, DNA, the Jodones, Disfunction, the Filthy Dix 8 pm; Uncle Lou’s Entertainment Hall, 1016 N. Mills Ave.; $5; 407-270-9104. Clermont Music Festival 12-10 pm; Waterfront Park, Clermont, 330 Third St., Clermont; free. Dimitri Monev 10 pm; Sandwich Bar, CONTINUED ON PAGE 39

BASE Orlando Glitter & Gore Body Paint Show Winter Park Wine & Dine One of the best deals of the season for Winter Park foodies, the Winter Park Wine & Dine takes over the Winter Park Farmers Market building with a feast for the senses. Sample fare from more than 30 restaurants and vendors while getting a nice buzz from all of the paired wines. Upgrade to VIP for full pours of wine, champagne, beer and cocktails. 6-9 p.m. Wednesday; Winter Park Farmers Market, 200 W. New England Ave., Winter Park; $45-$100; winterparkevents.com BASE Orlando Glitter & Gore Body Paint Show The Body Art Showcase and Exhibit presents an evening of special effects makeup gurus using live bodies as their canvases, turning models into one-of-a-kind works of art. Grab a drink from DRIP’s Color Bar and don’t feel too bad about ogling; just remember that art is there to look at, not touch. 8 p.m. Thursday; DRIP, 8747 International Drive; $10; baseorlando.com

Blacklist Babes Cabaret: Naughty Nightmares The Blacklist Babes get into the Halloween spirit with a show that combines burlesque routines, live music and singing, and a ghoulish theme. Go in costume for a chance to win prizes from Fairvilla Megastore. 9 p.m. Friday; The Venue, 511 Virginia Drive; $15-$25; thevenueorlando.com

Deadly Sins Brewing Grand Opening Winter Park’s newest brewpub finally gets out of the soft opening phase. Due to a delay receiving their equipment, the brewery has had trouble producing their own beer, but promises a full slate of their own unique craft brews for this opening event. Food to soak up all of that alcohol will be available outside from Daydream Pizza and SwedeDish food trucks. Noon Saturday; Deadly Sins Brewing, 750 Jackson Ave.; various menu prices; deadlysinsbrewing.com

Helmet Nov. 23 at the Social Eden, Oct. 20 at the Social

Elle King, Nov. 10 at House of Blues

Trivium, Oct. 21 at House of Blues

Animal Collective, Nov. 11 at the Beacham

Trailer Park Boys, Oct. 28 at the Plaza Live Lindsey Stirling, Oct. 29 at the Dr. Phillips Center

Mayday Parade, Nov. 11 at the Social

Sia, Oct. 30 at Amway Center

Ted Leo, Nov. 13 at Will’s Publ

Puscifer, Nov. 1 at the Bob Carr Theater

Thievery Corporation, Nov. 13 at House of Blues

Ghost, Nov. 2 at Hard Rock Live Johnnyswim, Nov. 2 at the Beacham Fitz & the Tantrums, Nov. 5 at the Social Seu Jorge, Nov. 5 at the Beacham Andy Grammer & Gavin DeGraw, Nov. 6 at Hard Rock Live Trombone Shorty, Nov. 7 at the Plaza Livel

BODY PAINT PHOTO BY ANA FERNANDA ORTIZ

Blackberry Smoke, Nov. 11 at House of Blues

Daughter, Nov. 9 at the Beacham

Tracy Morgan, Nov. 13 at Hard Rock Live Tegan and Sara, Nov. 14 at the Beacham Broncho, Nov. 15 at Will’s Publ Neil deGrasse Tyson, Nov. 15 at the Dr. Phillips Center The King Khan & BBQ Show, Nov. 15 at the Social The Doobie Brothers, Nov. 16 at the Dr. Phillips Center

Peter Hook & the Light, Nov. 17 at the Plaza Live Benjamin Francis Leftwich, Nov. 18 at the Social Bob Dylan, Nov. 22 at the Dr. Phillips Center The Good Life, Nov. 22 at the Social Helmet, Nov. 23 at the Social Gin Wigmore, Nov. 25 at the Social Kenny G, Nov. 30 at the Plaza Live For Today, Dec. 1 at the Social Black Violin, Dec. 2 at the Plaza Live Dream Theater, Dec. 2 at Hard Rock Live Sage Francis, Dec. 2 at the Social Stanley Clarke, Dec. 3 at the Plaza Live The B-52s, Dec. 3 at Hard Rock Live

The 1975, Dec. 4 at Hard Rock Livel Niykee Heaton, Dec. 6 at the Plaza Livel The World Alive, Dec. 7 at the Sociall Rittz, Dec. 10 at the Social Jodeci, Dec. 11 at House of Blues Jello Biafra, Rev. Horton Heat, Dec. 31 at Will’s Pub Kathleen Madigan, Jan. 21 at the Plaza Live Richard Cheese & Lounge Against the Machine, Jan. 27, 2017, at the Beacham Lily Tomlin, Feb. 4, 2017, at the Dr. Phillips Center The Piano Guys, Feb. 16, 2017, at the Dr. Phillips Center Gaelic Storm, Feb. 17, 2017, at the Plaza Live Colin Hay, Feb. 20, 2017, at the Plaza Live

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COURTESY OF STARZ DIGITAL

MONDAY, 17

Music Mondays: Miss Sharon Jones! FILM

Anyone who’s seen Sharon Jones live knows the woman isn’t short on strength; she’s a born entertainer who struts across the stage belting out songs that hit the sweet spot between joyous and world-weary. When the 60-year-old soul singer was diagnosed with pancreatic cancer in 2013, though, she had to draw on a different kind of strength. Documentary filmmaker Barbara Kopple (Harlan County, USA; Shut Up and Sing) convinced Jones to let her film as she balanced life on stage with life as a cancer patient. The resulting film intersperses electrifying live footage of Jones, once called “too fat, too black, too short and too old” by a record executive, with heartbreakingly intimate moments showing Jones going through chemotherapy, losing her hair, and relying on her faith and love of music to get her through her ordeal. While the film tracks Jones through her eventual remission, the 2015 Toronto International Film Festival premiere of the doc coincided with Jones revealing that her cancer has returned and is now considered Stage Four. With the recent revelation that her Daptone Records labelmate Charles Bradley has been diagnosed with stomach cancer, it’s a dark time for fans of the soul revival that Miss Sharon Jones effectively spearheaded. But as this documentary attests, that music – so rooted in hard times – can ease any burden, if only for a little while. – Thaddeus McCollum 9:30 p.m. | Enzian Theater, 1300 S. Orlando Ave. | 407-629-0054 | enzian.org | $11

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2432 E. Robinson St.; free; 407-421-1670. Hypoluxo, Wild Pink, RV 9 pm; Spacebar, 2428 E. Robinson St.; $5; 407-228-0804. Jazz’n Blues 7-10 pm; Harry P. Leu Gardens, 1920 N. Forest Ave.; $15-$20; 407-246-2620. Live in the City: Black Man 1 pm; Backbooth, 37 W. Pine St.; $10; 407-999-2570. Needtobreathe, Matt Kearney, Parachute 7 pm; Hard Rock Live, 6050 Universal Blvd.; $35-$60.50; 407-351-5483. Orlando Big Band: Roarin 20’s Concert 7:30-9:30 pm; Gateway Center for the Arts, 880 N. Highway 17-92, DeBary; $19; 386-668-5553.

Paul Oscher 8-11 pm; Buchanan’s, 290 E. State Road 434, Winter Springs; $20; 407-542-7919. Rare: Carnage, Mac Miller, Marshmello, Slushii, Andres Fresko, Senojayr 3 pm; Central Florida Fairgrounds, 4603 W. Colonial Drive; $25-$50; 407-295-3247. RX Bandits, And so I Watched You From Afar 6:30 pm; The Beacham, 46 N. Orange Ave.; $22.50-$25; 407-648-8363. Swamp Sistas Songwriter Circle 6:30 pm; Modernism Museum Mount Dora, 145 E. Fourth Ave., Mount Dora; $25; 352-385-0034. Wet Nurse, Tight Genes, Piss Ghost, Gamma Waves 9 pm-2 am; Will’s Pub, 1042 N. Mills Ave.; $5.

OPERA/CLASSICAL Amour: 3 Voices 8 pm; three of Europe’s biggest stars come together with the Orlando Philharmonic for one night only. Walt Disney Theater, Dr. Phillips Center, 445 S. Magnolia Ave.; $35-$75; 844-5132014; drphillipscenter.org. The Mikado 2 & 7:30 pm; A tailor in Japan must find someone to execute before the arrival of the ruling Mikado. Rollins College, Keene Hall, 1000 Holt Ave., Winter Park; free; 407-646-2000; rollins.edu. SUNDAY, OCT. 16

CONCERTS/EVENTS Beemo, the 502s, Cat Ridgeway, Capital Arms 7 pm; Will’s Pub, 1042 N. Mills Ave.; $6.

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Caffiends, the Cryptics, Antidon’ts 2 pm; St. Matthew’s Tavern, 1300 N. Mills Ave.; free. Imer Santago 3 pm; The Abbey, 100 S. Eola Drive; $20; 407-704-6261. O-Town Sound 2-4:30 pm; Wayne Densch Performing Arts Center, 201 S. Magnolia Ave., Sanford; $20-$25; 407-9003934.

OPERA/CLASSICAL

Open Mic Hip-Hop 9:30 pm; Austin’s Coffee, 929 W. Fairbanks Ave., Winter Park; free; 407-975-3364. Robotman 10 pm; Lil Indies, 1036 N. Mills Ave.; free. Rooney, Royal Teeth, Swimming With Bears 7 pm; Backbooth, 37 W. Pine St.; $17-$20; 407-999-2570. Vinnie Cheekie’s Mostly Open Mic 9 pm; Will’s Pub, 1042 N. Mills Ave.; free. TUESDAY, OCT. 18

Elizabeth Baker 7:30-9 pm; Contemporary classical with toy piano and electronics. Timucua White House, 2000 S. Summerlin Ave.; free; 407595-2713; timucua.com.

Mike Stud, Sonreal 8 pm; The Social, 54 N. Orange Ave.; $17-$75; 407-246-1419.

Orlando Philharmonic: Candide 2 pm; Voltaire’s biting satire of innocence and optimism with Leonard Bernstein’s witty, Tony Award-winning score. The Plaza Live, 425 N. Bumby Ave.; $22-$64; 407228-1220; orlandophil.org.

Scott Bradlee’s Postmodern Jukebox 7:30 pm; Walt Disney Theater, Dr. Phillips Center, 445 S. Magnolia Ave.; $39.50-$134; 844-513-2014.

MONDAY, OCT. 17

CONCERTS/EVENTS Dance Gavin Dance, the Contortionist, Hail the Sun, Good Tiger, the White Noise 6:30 pm; The Social, 54 N. Orange Ave.; $22$24; 407-246-1419. The In-Between Series: Delphic Oracle 7 pm; The Gallery at Avalon Island, 39 S. Magnolia Ave.; free. Kataklysm, Carach Angren, Sons of Ragnar, Bhavachakra, Scytherium 7 pm; Haven Lounge, 6700 Aloma Ave., Winter Park; $17-$22. ORLANDO WEEKLY ● OCT. 12-18, 2016

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The Groove Orient 10:30 pm; Tanqueray’s, 100 S. Orange Ave.; free; 407-649-8540.

The Mikado 7:30 pm; Ko-Ko, a tailor in mythical Japan, has been appointed Lord High Executioner and must find someone to execute before the arrival of the ruling Mikado. Rollins College, Keene Hall, 1000 Holt Ave., Winter Park; free; 407-646-2000; rollins.edu.

Trio Solisti 3 pm; Piano trio. Tiedtke Concert Hall, Rollins College, 1000 Holt Ave., Winter Park; $35-$55; 407-646-2000.

CONCERTS/EVENTS

Rose Creek Rhythm 8-10 pm; Blue Bamboo Center for the Arts, 1905 Kentucky Ave., Winter Park; $10; 407-636-9951.

Singer-Songwriter Open Mic 7:30 pm; Austin’s Coffee, 929 W. Fairbanks Ave., Winter Park; free; 407-975-3364. Slaves, Outline in Color, Avion Roe, Saferwaters, Everred, Fiery Sushi 6:30 pm; Backbooth, 37 W. Pine St.; $15; 407-999-2570. Total Punk Turnbuckle Tuesday: The Mold 10 pm; Will’s Pub, 1042 N. Mills Ave.; free.

THEATER 1776 Thursday-Saturday, 7 pm, Sunday, 2 pm; Mad Cow Theatre, 54 W. Church St.; $23-$47; 407-297-8788; madcowtheatre.com. The Addams Family ThursdaySaturday, 7:30 pm, Sunday, 2:30 pm; Athens Theatre, 124 N. Florida Ave., DeLand; $23-$28; 386-736-1500; athensdeland.com.

After Orlando: A Global Theatre Action A selection of plays in response to the shooting at Pulse nightclub. Monday, 7:30 pm; Mandell Theater, Lowndes Shakespeare Center, 812 E. Rollins St.; $25; 407-929-2275; kangagirl.com. Dr. Jekyll and Mr. Hyde Wednesday-Friday, 7 pm, Saturday, 1:30 & 7 pm, Sunday, 1:30 pm; Goldman Theater at Lowndes Shakespeare Center, 812 E. Rollins St.; $25-$40; 407-447-1700. Dracula Immersive reimagining of Bram Stoker’s gothic horror classic. Thursday-Saturday, 8 pm; Carmine Boutique, 2708 N. Orange Blossom Trail; $23. The Little Mermaid Jr. Thursday-Saturday, 7 pm, Sunday, 2 pm; The Historic State Theatre, 109 N. Bay St., Eustis; $6-$12; 352-3577777; baystreetplayers.org. A Midsummer Night’s Dream Screening of Julie Taymor’s acclaimed stage production of the Bard’s most phantasmagorical play. Saturday, 11 am; Enzian Theater, 1300 S. Orlando Ave., Maitland; $20; 407-629-0054; enzian.org. Phantasmagoria VII: The Cards They Are Dealt The area’s best gothic steampunk variety troupe returns with an all-new show full of dance, puppetry, storytelling, stage combat and more. ThursdaySunday, 8 pm; Lowndes Shakespeare Center, 812 E. Rollins St.; $25; 407-447-1700; phantasmagoriaorlando.com. Puppet Slam One-act plays and short films performed by puppets. A collection for surviving Pulse victims will be on site. Sunday 7 pm; The Venue, 511 Virginia Drive; $8; 407-4126895; thevenueorlando.com. Rock the Presidents A high-octane musical revue spanning the entire history of the American presidency. Saturday-Sunday, 2 & 5:30 pm; Orlando Repertory Theatre, 1001 E. Princeton St.; $14-$20; 407-8967365; orlandorep.com. CONTINUED ON PAGE 47

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COMEDY Brandie Posey Wednesday, 8 pm; Spacebar, 2428 E. Robinson St.; $5; 407-228-0804. Comedy at the Caboose Open Mic. Hosted by Kimberly Burke. Thursdays, 8 pm; The Caboose, 1827 N. Orange Ave.; free; 407-898-7733. Comedy School Showcase The next batch of graduating comedic talent. Hosted by Carmen Vallone. Wednesday, 7 pm; Orlando Improv, 9101 International Drive; $2; 407480-5233; theimprovorlando.com.

2:30 pm; UCF Art Gallery, 12400 Aquarius Agora Drive; free; 407-823-3161; gallery.cah.ucf.edu. Celebrating 75 Years: Pathways of American Art Commemorative exhibition celebrating 75 years of the Morse Museum. Opens Sunday; Charles Hosmer Morse Museum of American Art, 445 N. Park Ave., Winter Park; $6; 407-645-5311; morsemuseum.org. Creative City Project Artists and performers create unexpected experiences all throughout downtown. Saturday, 5 pm; Downtown Orlando, Orange Avenue and Central Boulevard; free; creativecityproject.com.

DIY Terrariums Make a terrarium at the library. All materials provided, but guests are encouraged to bring a glass vessel and a figurine for added decoration. Tuesday, 7-8:30 pm; Maitland Public Library, 501 S. Maitland Ave., Maitland; free; 407-647-7700; maitlandpubliclibrary.org.

lection of items. Recovered from the briny waters of Cape Cod, these artifacts paint a curious portrait of the tiny island. Saturday, 5-8 pm; Pop Gallery, Disney Springs, 1780 Buena Vista Drive, Lake Buena Vista; free; 407-827-8200; popgalleryorlando.com.

Historic Threads The significance of fabric in our everyday lives – for clothing, furnishings and design – is highlighted in this mini exhibit. Opens Friday, through Feb. 10; Art & History Museums - Maitland, 231 W. Packwood Ave., Maitland; $3; 407-539-2181.

Lecture With Guest Curator Arthur Blumenthal Dr. Blumenthal delivers a lecture on Francesco de Mura to go along with the current exhibition. Tuesday, 6 pm; Cornell Fine Arts Museum, Rollins College, 1000 Holt Ave., Winter Park; free; 407-646-2526; cfam.rollins.edu.

Hook & Lore Pirates, horned whales, a man with an octopus face and other bizarre creatures are all documented in this rare col-

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Copper Rocket Comedy Jam Comedy open mic and showcase hosted by Heather Shaw. Sundays, 8:30 pm; Copper Rocket Pub, 106 Lake Ave., Maitland; free; 407636-3171; letsmakeitathing.com. Don “DC” Curry Thursday, 7 pm, Friday, 6:30 & 9:45 pm, Saturday, 6 & 9:45 pm, Sunday, 6 pm; Orlando Improv, 9101 International Drive; $20; 407-480-5233; theimprovorlando.com. Second City Hits Home Chicago’s legendary sketch and improv comedy theater comes to the City Beautiful with a new show featuring hilarious sketches, songs and improvisation about Orlando, as well as material from the Second City archives. Friday-Saturday, 8 pm; Alexis & Jim Pugh Theater, Dr. Phillips Center, 445 S. Magnolia Ave.; $35; drphillipscenter.org. Shit Sandwich Show up early to grab a good seat. Saturday, 9 pm; Bull and Bush, 2408 E. Robinson St.; free; 407-896-7546.

DANCE Blacklist Babes Cabaret: Naughty Nightmares Spooky burlesque show with a costume contest and giveaways from Fairvilla. Friday, 9 pm; The Venue, 511 Virginia Drive; $10-$25; 407-412-6895; thevenueorlando.com. Bolshoi Ballet: The Golden Age A satire of Europe during the Roaring 20s, this ballet makes for an original, colorful and dazzling show with its jazzy score and music-hall atmosphere. Sunday, 12:55 pm; multiple locations; $19.27; fathomevents.com. Rock Hard Revue A 90-minute fully costumed and choreographed production featuring sexy male performers, live vocals and audience participation. Saturdays, 7 pm; Gilt Nightclub, 740 Bennett Road; $25$35; 407-504-7699; rockhardrevue.com.

ART OPENINGS/EVENTS Artist Talk: Wanda Raimundi-Ortiz and Katya Grokhovsky Discussion with two interdisciplinary artists involved with Art in Odd Places. Thursday, orlandoweekly.com

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Orlando Drink and Draw Join Thomas Thorspecken for a sketching outing to Winter Park’s newest brewpub. Tuesday, 7 pm; Deadly Sins Brewing, 750 Jackson Ave., Winter Park; free; 407-9008726; deadlysinsbrewing.com. The Skill Crane Kid Performance artist Brian Feldman returns to town with one of his more popular works, in which he sits inside a skill crane machine. Saturday, 5-11 pm; Downtown Orlando Information Center, 201 S. Orange Ave.; free; 800-8383006; brianfeldman.com.

CONTINUING THIS WEEK Anna Tomczak: Earth Tarot, Past, Present and Future Through Oct. 29; Arts on Douglas, 123 Douglas St., New Smyrna Beach; free; 386-4281133; artsondouglas.net.

La Diaspora Through Nov. 6; The Art Gallery at Mills Park, 1650 N. Mills Ave.; free; 855-336-3653; thegalleryatmillspark.com.

Art in Chambers: Giuseppe Corazzina Through Oct. 23; Orange County Administration Building, 201 S. Rosalind Ave.; free.

Legends - The Next Generation Through Thursday; UCF Art Gallery, 12400 Aquarius Agora Drive; free; 407-8233161; gallery.cah.ucf.edu.

Best of DTO Photo Contest Exhibition Through Saturday; The Gallery at Avalon Island, 39 S. Magnolia Ave.; free; 407-246-3387.

Life Drawing Wednesdays, 6:30 pm; SOBO Art Center, 127 S. Boyd St., Winter Garden; $15; 407-347-7996; wgart.org.

Three American Sculptors: Alice Aycock | Deborah Butterfield | Barbara Sorensen Exhibition of works by three female sculptors. Opens Friday, 6-8 pm, through Jan. 8; Mennello Museum of American Art, 900 E. Princeton St.; $5; 407-2464278; mennellomuseum.com.

Classicism From Two Continents Through Nov. 20; Henao Contemporary Center, 5601 Edgewater Drive; free; henaocenter.com.

Winter Springs Artoberfest This show not only has award winning art, but delicious German food and beer, live entertainment, a kids crafts area and exhibits of student and senior art. Saturday-Sunday, 10 am-5 pm; Winter Springs Town Center, 158 Tuskawilla Road, Winter Springs; free; 407-278-4871; wsfota.org.

Familiar Mysteries Through Nov. 27; Orlando Museum of Art, 2416 N. Mills Ave.; $15; 407-896-4231; omart.org.

The Conversation Continues Through Jan. 1, 2017; Orlando Museum of Art, 2416 N. Mills Ave.; $15; omart.org.

Gamerz Only Through Nov. 12; Thai Purple Orchid Café and Grocery, 9318 E. Colonial Drive; free; 407-203-3891; thaipurpleorchidcafe.com. In the Light of Naples: The Art of Francesco de Mura Through Dec. 18; Cornell Fine Arts Museum, Rollins

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College, 1000 Holt Ave., Winter Park; free; 407-6462526; cfam.rollins.edu.

Lightsource: Richard D. Colvin Through Oct. 29; Crealdé School of Art, 600 St. Andrews Blvd., Winter Park; free; 407-671-1886; crealde.org. Mount Dora Art Stroll Friday, 6-8 pm; Downtown Mount Dora, East Fifth Avenue and North Donnelly Street, Mount Dora; free; 352-383-0880; mountdoracenterforthearts. org. My Friend: Eric Rohmann Through Oct. 30; Orlando Museum of Art, 2416 N. Mills Ave.; $15; 407-896-4231. Paint Strong Orlando Through Oct. 31; Orlando Public Library, 101 E. Central Blvd.; free; 407-835-7323; ocls.info.

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[MUSIC] RX Bandits Saturday at the Beacham

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Robert T. Reedy Solo Exhibition Mondays-Thursdays, 10 am-4 pm; Seminole State College, 100 Weldon Blvd., Sanford; free; 407708-2704; seminolestate.edu. Roger Ballen: In Retrospect - Snap Through Dec. 17; Snap Space, 1013 E. Colonial Drive; free; snaporlando.com. Roger Ballen: In Retrospect - Daytona Through Dec. 12; Southeast Museum of Photography, Daytona State College, Daytona Beach; free; 386-506-4475; smponline.org. Sanford Art Walk Saturday, 6-9 pm; Downtown Sanford, Sanford Avenue and First Street, Sanford; free; 407-3232774; sanfordartwalk.com. Sculptures by David Hayes Through Oct. 30; Museum of Art DeLand, 600 N. Woodland Blvd., DeLand; $5; 386-7344371; moartdeland.org. Sketch & Kvetch Thursday, 7 pm; Rabbitfoot Records Coffee Lounge, 307 E. Second St., Sanford; free; 321-926-3417; rabbitfootrecords.com. Spinning Yarn: Storytelling Through Southern Art Through Jan. 14, 2017; Crealdé School of Art, 600 St. Andrews Blvd., Winter Park; free; 407-671-1886; crealde.org. Stranger Things Art Show Through Nov. 6; The Falcon, 819 E. Washington St.; free; 407-423-3060.

This Side of Modernism: Twentieth-Century American and British Artists Through Dec. 18; Cornell Fine Arts Museum, Rollins College, 1000 Holt Ave., Winter Park; free; 407-6462526; cfam.rollins.edu. UCF Flying Horse Editions: The Art of Collaboration Through Nov. 12; Atlantic Center for the Arts, 1414 Art Center Ave., New Smyrna Beach; free; 386-427-6975; atlanticcenterforthearts.org. Unison Through Oct. 28; Snap Downtown, 420 E. Church St.; free; snaporlando.com. Vanishing Florida: Lampoons and Elegies Through Thursday; Anita S. Wooten Gallery, 701 N. Econlockhatchee Trail; free; 407-582-2298; valenciacollege.edu. Vaselina Springs and the Arkie DeLeons: A Work in Progress Through Oct. 22; Homer and Dolly Hand Art Center, Stetson University, 139 E. Michigan Ave., DeLand; free; 386-822-7270; stetson.edu. Victor Perez: Funhouse Through Saturday; Arts on Douglas, 123 Douglas St., New Smyrna Beach; free; 386-428-1133. Watercolor Art Gallery Exhibit Through Friday; Gallery on First, 211 E. First St., Sanford; free; 407-323-2774. You Are My Sunshine Ongoing; Art of Healing Gallery at

Florida Hospital - Altamonte, 601 E. Altamonte Drive, Altamonte Springs; free; 407-303-5395; flhosp.com.

EVENTS Anime Festival Activities, scavenger hunts and more. Costumes encouraged. Saturday, 1-4 pm; Alafaya Library, 12000 E. Colonial Drive; free; 407-835-7323; ocls.info. BASE Orlando: Glitter & Gore Body Paint Show Halloween-themed body art showcase. Thursday, 8-11:30 pm; DRIP, 8747 International Drive; $10; 347-855-3747. Carnavalia: A Celebration of Life Gala for the Assistance Fund featuring fine wine, fabulous food and breathtaking entertainment themed around Italy in the ‘60s. Saturday, 6:30-10 pm; Loews Portofino Bay Hotel, 5601 Universal Blvd.; $200-$250; 407-3672899; theassistancefund.org. Catharsis An all-new immersive haunted house experience. Thursday-Sunday, 8-11:30 pm; Address to be disclosed; $24-$34; 404-5931555; fearcatharsis.com. Deadly Sins Brewing Grand Opening Grand opening of the brewery with twelve Deadly Sins beers on tap and special releases dropping throughout the day. Saturday, noon-midnight; Deadly Sins Brewing, 750 Jackson Ave., CONTINUED ON PAGE 52

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[MUSIC] MC Chris Friday at the Social

PHOTO BY ELEANOR STILLS

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Winter Park; free; 407-9008726; deadlysinsbrewing.com. Do Good Date Night Pitch in for a good cause at Second Harvest Food Bank and enjoy date night trivia and refreshments at this couples event. Friday, 7-9 pm; Second Harvest Food Bank of Central Florida, 411 Mercy Drive; $20; 407-719-5190; orlandodatenightguide.com.

Latin Food & Wine Festival A culinary extravaganza with a Latin flair featuring live music, art, cooking demos and more. Sunday, noon-6 pm; Seneff Arts Plaza, 445 S. Magnolia Ave.; free; 844-513-2014; latinfoodandwine.com.

Down to Earth: A Celebration of Natural Florida Learn about Florida’s natural environment and native wildlife at this family-friendly event. Saturday, 11 am-3 pm; Orange County Regional History Center, 65 E. Central Blvd.; free; 407-8368500; thehistorycenter.org.

Local Motive Tours: Orlando Conductor Crawl Local Motive Tours turns the SunRail into a pub crawl from Winter Park to Downtown Orlando. Friday, 5-10 pm; The Parkview, 136 S. Park Ave., Winter Park; $5 - $32.95; 407-6036849; localmotive.tours.

International Dragon Boat Festival Teams of 20 from near and far to compete in Dragon Boat races. Saturday, 8 am-5 pm; Bill Frederick Park, 3401 S. Hiawassee Road; free; 804-7146500; gwndragonboat.com.

National Meat Cutters Challenge Professional meat-cutters from Florida compete on the ice in the first round of the National Meat Cutting Challenge. Thursday, 9 am-noon; The Ice Factory, 2221 Partin Settlement Rd., Kissimmee; contact for price; 407-933-4259.

Jack in the Park Prizes, music, entertainment and an exciting blackjack tournament are topped off with gourmet samplings from 25 of the area’s finest dining establishments. Benefit for the Special Olympics. Saturday, 7-11 pm; Rachel D. Murrah Civic Center, 1050 W. Morse Blvd., Winter Park; $125; 352-243-9536; specialolympicsflorida.org. Jerk and Caribbean Culture Festival Jerk chicken, pork 52

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and more at this Caribbean culture fest. Sunday, 2-10 pm; Central Florida Fair, 4603 W. Colonial Drive; $25; 866-2320001; orlandojerkfestival.com.

National Pulled Pork Day: World’s Largest Pulled Pork Sandwich Also features a pulled pork eating contest, cooking demo and free food. Wednesday, 5 pm; Central Park, Winter Park, North Park Avenue and West Morse Boulevard, Winter Park; free; nationalpulledporkday.com.

Octobar Scavenger Hunt Scavenger hunt for teams of up to five people based around Chris Tobar Rodriguez’ art. Sunday, 2 pm; Will’s Pub, 1042 N. Mills Ave.; free; willspub.org. OrlandoiX 2016 Two days celebrating digital innovation, networking, tech startups, gaming and more. Saturday-Sunday, 9 am-6 pm; Orange County Convention Center, 9800 International Drive; $35-$349; 407-685-9800; orlandoix.com. Pet Adoption Event with Pug Rescue of Florida A live pet adoption event helping pugs find homes. Saturday, 10 am-1 pm; Subaru South Orlando, 9951 Orange Blossom Trail; free; 407-985-5500; subarusouthorlando.com. Rootstock Plant & Garden Festival Dozens of plant vendors, local musical artists, healthy cuisine and a spectacular display of seasonal foliage. Florida Master Gardeners will be on hand to answer gardening questions. SaturdaySunday, 8 am-5 pm; Bok Tower Gardens, 1151 Tower Blvd., Lake Wales; free; 863-6761408; boktowergardens.org. RuckOut Florida Adults ride tiny bikes from the Milk District to an anime convention and back. Saturday, 10 am-9 pm; Sandwich Bar, 2432 E. Robinson St.; free; 407-421-1670.

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Sanford Oktoberfest A celebration of German traditions. Friday, 6-11 pm; Hollerbach’s Willow Tree Cafe, 205 E. First St., Sanford; free; 407-3212204; hollerbachs.com. Steampunk Industrial Show Over 100 vendors with steampunk regalia, live music, food, horse and carriage rides, a Best Dressed Award and more. Saturday-Sunday, 9 am-5 pm; Renninger’s Antique Center, 20651 U.S. Highway 441, Mount Dora; free; 407-947-3961. Technoween Learn about the horror film history and makeup special effects, meet the Tourist City Ghostbusters and Vampirates, check out a virtual reality haunted house and more at this familyfriendly event. Saturday, 1-4 pm; Orlando Public Library, 101 E. Central Blvd.; free; 407-835-7323; ocls.info. Will’s A Faire at Southern Fried Sunday A retro, vintage and handmade goods market with live music. Sunday, 1 pm; Will’s Pub, 1042 N. Mills Ave.; free; willspub.org. Winter Park Wine and Dine Food and drink from over thirty local merchants. Wednesday, 6-9 pm; Winter Park Farmers Market, 200 W. New England Ave., Winter Park; $45-$100; 407-516-6454.

LEARNING Bat House Building Workshop Build a bat house and encourage the nocturnal creatures to nest in your yard, keeping it insect-free. Supplies provided, BYOH (bring your own hammer). Pre-registration required. Saturday, 1-2:30 pm; Central Florida Zoo & Botanical Gardens, 3755 N. U.S. Highway 17-92, Sanford; $25; 407-3234450; centralfloridazoo.org. Pride, Prejudice & Protest: GLBT History of Greater Orlando This exhibit from the nonprofit GLBT History Museum of Central Florida shares the progress and setbacks of the Central Florida GLBT community over the past five decades

of change. Through Jan. 26, 2017; Orange County Regional History Center, 65 E. Central Blvd.; $8; 407-836-8500; thehistorycenter.org.

CIVICS Mills 50 GreenUp Volunteer to help trim the fronds of palm trees and clean and fertilize tree beds in the Mills 50 district. Saturday, 9:30 am; Allstate Insurance, 901 N. Mills Ave.; free.

LITERARY Book Club With an Author Join author Vanessa Blakeslee to discuss Philip Deaver’s 40 Martyrs. Tuesday, 7-9 pm; Infusion Tea, 1600 Edgewater Drive; free; 407-999-5255; bookmarkitorlando.com. Diverse Word Spoken word open mic. Tuesdays, 8 pm; Dandelion Communitea Cafe, 618 N. Thornton Ave.; free; 407-362-1864; dandelioncommunitea.com. An Evening with Carl Hiaasen, Dave Barry and Scott Maxwell An evening with two of Florida’s favorite writers. Moderated by Orlando Sentinel columnist Scott Maxwell. Monday, 8-10 pm; Orlando Museum of Art, 2416 N. Mills Ave.; SOLD OUT AF; 407-896-4231; omart.org. Fall Local Authors Festival Local authors from a variety of genres share their experiences and books. Sunday, 2-4 pm; Orlando Public Library, 101 E. Central Blvd.; free; 407-8357323; ocls.info. Hispanic Literary Celebration Commemorate the centennial of Nicaraguan poet, Ruben Dario. Thursday, 3-5 pm; Orlando Public Library, 101 E. Central Blvd.; free; 407-835-7323; ocls.info. S.A.F.E. Words Poetry Slam With Pamela Belitch A competitive poetry slam with a special guest reader. Thursday, 8 pm; The Milk Bar, 2424 E. Robinson St.; free; 407-896-4954. Under the Influence A literary event with readings and performances about the readers’ influences. Saturday, 8 pm; Henao Contemporary

Center, 5601 Edgewater Drive; $10; henaocenter.com. The Untold: Spoken Word Poetry Spoken word poetry fundraiser. Saturday, 6-9:30 pm; The Abbey, 100 S. Eola Drive; $10-$15; 407-7046261; abbeyorlando.com.

FAMILY Pink Heals Community Kickball Tournament Pink Heals is a non-profit program that brings the community together to spread love for women. All proceeds go to local families in need. Sunday, 1-5 pm; Lake Mary Sports Complex, 550 Rantoul Road, Lake Mary; $10-$25; 407-417-2388.

SPORTS Halloween Hustle 5K A Halloween-themed race to raise money to fight childhood hunger. Thursday, 5:30-8:30 pm; Lake Baldwin Park, 2380 Lake Baldwin Lane; $30-$40; 407-898-1700; halloweenhustlewithus.com. The Orlando (Afternoon) Shuffle Free shuffleboard event. Equipment provided. Saturday, 3-5 pm; Beardall Senior Center, 800 S. Delaney Ave.; free; 407-230-5356. Orlando Roller Derby 2016 Season The Orlando Roller Derby Girls play against various teams from Florida. Sunday, 4:30-6:30 pm; Semoran Skateway, 2670 Cassel Creek Blvd., Casselberry; $8; 407-8349106; orlandoderbygirls.com. Walk to End Alzheimer’s The world’s largest event to raise awareness and funds for Alzheimer’s care, support and research. Saturday, 8 am; Lake Eola Park, 195 N. Rosalind Ave.; free; 800272-3900; act.alz.org. Yoga in Lake Eola Park This weekly yoga group, which is taught by a rotating band of yogis, meets either at the northeast corner of the park near Panera Bread, or at the northwest corner by the amphitheater. Sundays, 11 am; Lake Eola Park, 195 N. Rosalind Ave.; $5 suggested donation. n

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Legal/Public Notices NOTICE OF SALE PS ORANGECO, INC. PERSONAL PROPERTY CONSISTING OF COUCHES, BEDS, TV’S, CLOTHES, BO ES OF HOUSEHOLD GOODS & OTHER PERSONAL ITEMS USED IN THE HOME, OFFICE OR GARAGE WILL BE SOLD FOR CASH OR OTHERWISE DISPOSED OF AT PUBLIC SALES ON OCTOBER 27, 2016 AT LOCATIONS & TIMES INDICATED BELOW, TO SATISFY OWNERS LIEN FOR RENT & FEES DUE IN ACCORDANCE WITH FLORIDA STATUES, SELF STORAGE ACT, SECTIONS 83.806 AND 83.807. ALL ITEMS OR SPACES MAY NOT BE AVAILABLE AT THE TIME OF SALE. ORIGINAL RESALE CERTIFICATE FOR EACH SPACE PURCHASED IS REQUIRED. 4729 S. ORANGE BLOSSOM TRAIL – ORLANDO, FL 32839

– AT 8:00 AM:0105 - DALTON, K.0107 - RIVERA, S.-0115 -CHANDLER, C.-0121 - FAIR, K.-0135 - KEYSEAR, J.-0141 - SCHEBESTA, J.-0142 - GRACIA, M.-0148 - ADDERLEY, M.-0152 - ROMANSKY, L.J.-0158 - CHARLES, K.0201 - DESIR, L.-0205 - SNEED, E.-0206 - BUCHANA, J.-0234 - MCDERMOTT, J.-0306 - CURRY, J.-0309 - ALEJANDRO, J.-0311 - OUSLEY, B.-0323 - JONES, L.-0325 - SPEARMON, P.-0326 - DRUMMER, M.-0327 - HERNANDEZ, C.-0340 - NIECE, D.-0349 - FRASER, C.-0422 - ABRAMS, C.-0435 - WILLIAMS, E.-0436 AMEDEO, J.-0506 - BATTLES, B.-0514 - BROWN, T.-0529 - ELLIS, T.-0530 - HEREDIA, J.-0602 - GASKIN, H.-0605 - JOSEPH, D.-0608 - GERMAN, C.- 0622 SMITH, G.-0623 - HANSHAW, E.-0706 - CAMERON, A.-0707 - RAMIREZ, J.-0711 - KNIGHT, M.-0815 - PATTERSON, D.- 0820 - PHERAI, D.-0824 - KARSHNER, B.-0828 - RIVERA, L.-0834 - JORDAN, G.-0835 - ALICEA, M.-0836 - ODOM, K.-0847 - STROUSE, A.-0903 - JACKSON, S.-0905 ANDRE, G.-09102 - WILLIAMS, L.-0930 - COLLIE, C.-0932 GARDNER, D.-0946 - ROBERTS, D.-0947 - PETERSON, J.-0949 - MITCHELL, R.-0965 - LYNN, K.-0976 - ROSARIO, J.-0990 ISAAC, S.-0995 - VEGA, J.- 1024 - JOHNSON, J.-1033 - SMITH, C.-1049 - GORDON, P.-1061 FRANCOIS, R.-1062 - DUBOCQ, L.-1069 - TSOUROUNIS, L.-1077 WILLIS, F.-1082 - LOMAX, N.-1104 - THOMAS, S.-1115 - MONDESIR, J.-1116 - MCNEIL, Q.-1117 - KOTILIS, B.-1119 - FRYER, M.-1121 - JOHNSON, T.-1125 - BARGAINEER, M.-1126 - MILLER, L.-1133 - BLAKE, J.-1135 - PADILLA, A.-1137 - MCGUINNESS, H.-1167 - BRISKEY, B.-1171 - MARIN CRUZ, L.-1212 - CERIZIER, G.-1222 - NORELIA, D.-1243 BUTLER, S.-1246 - COLEMAN, M.-1269 - TOWNSEND, Z.-1272 - ACEVEDO, C.-1308 - THOMAS, H.-1332 - ROUSSEAU, B.-1340 - EDWARDS-WRIGHT, T.-1361 BROWN, I.-1362 - KERR, M.-1365 - SUTTON, FI.-1367 - CONTRERAS, J.-1379 - POWELL, K.-1380 - SEABROOKS, V. 1313 45 TH ST – ORLANDO, FL 32839 – AT 8:15 AM: A105 – A. FAIRLEY, A107 – K. BROXTON, A114 – R. POLLACK, A118 – J. WILLIAMS, A121 – A. MERRICKS, A123 – M. HARRISON, A125 – C. FRASER, A135 – B. MOORE, A193 – G. SIMPSON, B205 – K. SIMON, B221 – B. LORRAINE, B228 – A. DAVIS, B229 – L. JARRETT, B244 – A. RACHELLE, B260 – V. JOHNSON, B264 – B. MUNOZ, C305 – C. KAISER, C307 – W. PERLISH WILLIAMS, C308 – M. SAINUIL, C312 – J. WALDEN, C318 – C. FILKINS, C320 – S.NISBET, C326 – J. WALDEN, C327 – M. PASCAL, C328 – E. PIERRE, C331 – K. BARDEN, C333 –J. JORDAN, JENNAY, C381 – E. MATHIEU, C394 – A. FORTE, D409 – L. WOODSON, D411 – M. BELLEVUE, D421 – J. HAIR, D435 – F. ALBERTO, D440 – K. HAIRE, D441 – T. STORY, D445 – R. BRUN, E508 – A. WRIGHT, E528 –C. JACKSON JR, E534 – I.

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ALBURY, E536 – C. LOUDER, E541 – R. ANDERSON, E546 – V. FELIX, E560 – C. ARENAS, E581 – M. BECKFORD, F600 – C. FILKINS, F618 – K. MITCHELL, F644 – S. SIMMONS, F650 – E. WARREN JR., G710 – J. PHERAI, G724 – K. HECTOR, H804 – S. ARRINDELL, H822 – J. PEREZ, H832 – D. RODRIGUEZ, H846 – T. HAMILTON, J901 – N. HONORE, J907 – M. MERCIER, J910 – K. LEWIS, J915 – M. PEREZ, 235 E. OAKRIDGE RD – ORLANDO, FL 32809 – AT 8:30 AM: A137 – S. WILLIAMS, A148 – F. ORTIZ JR, A149 – F. BAILEY, A150 – C. SPENCE, B201 –W. JOLTEUS, B212 – S. DAVIS, B221 – K. ROSS, B227 – S. WATTLEY, B242 – L. COLLINS, C303 – D. HARRIS, C308 – S. CASTILLO, C321 – C. MUNIZ TORRES, D407 – M. NIEVES, D409 – J .RIVERA, D426 – L. DOUGLAS, E506 – F. REGIS, E511 – K. BLAZIER, E515 – J. JOHNSON, E529 – C. HYLTON, E533 – J. LOPEZ-NATAL, E539 – M. CADET, E545 – A. VENANT, F613 – M. ARIAS, F621 – J. SANTIESTEBAN, F623 – W. VAN HOVE, F630 – H. TENA, F636 – I. MARCELIN, G711 – R. DIAZ, G731 – C. ROSAS, G733 – F. BASTAR, H807 – C. THOMPSON, H812 – M. ROBINSON, H818 – J. LAZO ZUNIGA, H819 – C. WILKINSON HUGGINS, H831 – H. JONES, I925 – O. JOHNSON, J021 – J. ANGELES, K108 – M. DESTIN, K111 – T. RIGG, K135 – I. BATISTA, L221 – W. SHAW, L223 – J. MARGESON, M313 – J. HARDEN, M314 – J.P. SOLORZANO JERDUCA, N411 – D. HARDEE, N412 – J. ISRAEL, O515 – M. SEPULVEDA, P014 – J. ROMAN, P037 – K. TORRES, P040 – J. AVRIL, P054 –A.JACKSON JR, 1801 W. OAKRIDGE RD – ORLANDO, FL 32809 – AT 8:45 AM: B041 – B. OLIVER, B049 – A. VEGA, C004 – K. CLANCEY, C048 – D. GREENWOOD, D006 – S. THOMPKINS, D009 – C. JEAN, D010 – L. HARLEY, D021 – V. CAMPOS, D028 – W. BELL, D030 – S. DUMBLETON, D032 – C. WHITE I I, D064 – W. GERLING, E012 – M. PHILLIPS, E041 – A. SALAZAR, E046 – L. HOLLAND, F009 – L. CORREA, G001 – O. PEREZ, G036 – E. LEBRON, G043 – S. DE MELO FARIA, G045 – T. JOHNSON, H013 – J. RYAN, H027 – C. WARD, J008 – T. JACKSON, J014 – C. CARTAXO, J032 – T. BROWN, J034 – E. GONZALEZ, J038 – B. ANTHONY, J049 – D. EDWARDS, J066 – S. JORDAN, J073 – S. KING, J. 082 – D. MATOS, J088 – K. FOSTER, J089 – D. JOHNSON, J092 – J. FORBES, J099 – M. GOMEZ, J104 – K. WILLIAMS, J116 – Y. KANARICK, J118 – M. DANZA, J131 – W. BRYANT, J160 – S. RIVERA, K011 – G. PETERS, K021 – D. SPURLING, K036 – J. ELLIS, K037 – E. PORRATA, K045 – A. MARQUEZ, K053 – V. WILSON, K066 – A. RODRIGUEZ, K075 – T. GARAY, K080 – S. PROPHETE, K087 – M. CATALA, K090 –J. JACKSON, K095 – S. BROWN, K103 – R. SHAM, K108 – O. RODRIGUEZ, K109 – M. DANZA, P002 – C. MARTINEZ, P005 – J. NOEL, 6040 LAKE HURST DR – ORLAN-

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DO, FL 32819 – AT 8:40 AM: 0016 – D.ZUMBRENNEN, 0018 – D. ZUMBRENNEN, 0038 – E.GALAN, 0049 –B. BEVILL, 0171 – C.GREENE, 0212 – J.LEWIS, 0237 – F.ORLACH, 0239 – S.JONES, 0254 - STEFANO'S GRILL, 0254 – K.KURTZ, 0262 - STEFANO'S GRILL,0262 – K.KURTZ, 0388 – J.FETHERSON, 1020 – K.SURI, 1070 – E.PEREIRA, 2002 – W.JONES, 2102 – S.VOLMAR, 2149 – D.MCMICHAEL, 2150 – P.ZIMMER. 5900 LAKE HURST DR – ORLANDO, FL 32819 – AT 8:50 AM: C163 – A.MORALES JR, C165 – L.BOYKIN, D096 – B.RUNKEL, D157 –J. MCGLASHAN, D175 – C.JONES, E222 – D.JACKSON, E231 – M.FINNERTY, E252 TOWERS CONSTRUCTION, E252 – JESUS R.MARTINEZ. 4508 S. VINELAND RD – ORLANDO, FL 32811 – AT 9:00 AM: 0314 – A.KENCOS-HAIEK, 0034 – N.WILLIAMS, 0501 – J.ROY, 0607 – J.CONCEPCION, 0611 – A.ENGRAM, 0810 – I.BONILLA, 0815 – D.JEFFERSON, 0906 – A.CADET, 1018 –J.RUTHFORD, 1106 – K.COSTA, 1206 – M.MARTINEZ, 1208 – J.WEXLER, 1218 – P.SAINT PIERRE, 1231 – C.REYES, 1303 – F.CARROLL 1325 – V.HODGES, 1416 – SUNSHINE VNTURES II LLC, 1416 – A.HERNANDEZ, 1418 – C.THOMPSON, 1433 – B.PAL. 5401 L.B. MCLEOD RD – ORLANDO, FL – 32811 – AT 9:10 AM: 1107 – E.TOLIVER, 1109 – L.CHARLES, 1135 – M.MELENDEZ, 2213 - AKB ENTERTAINMENT GROUP INC.2213 – A.BRUNS, 2251 – J.OUAZZANI, 2266 – K.HAIR, 2272 – M.DICKS, 2284 – R.MCKNIGHT, 2297 –D. CORDEIRO, 2338 – M.SMITH, 2341 –T. SNULLIGAN. 5602 RALEIGH ST, ORLANDO, FL 32811 – AT 9:20 AM: 0003 – R. HATCHER, 0030 – J. JONES, 0037 – K. REYNOLDS, 0060 – L. SIMS, 0067 – M. SUFFRENA, 0076 – W. BABINGTON, 0082 – E. GRAY, 0086 – W. RODRIGUEZ, 0096 – Z. AKINS, 0100 – K. LUCAS, 0133 – P. SCHRECENGOST, 0161 – R. GRADY, 0162 – C. HAWKINS, 0203 – W. BENJAMIN, 0249 – L. ROBINSON, 0257 – T. BATES, 0315 – T. PELOQUIN, 0319 – E. SANTIAGO, 0328 – A. CARTER, 0346 – V. GOLD, 0401 – D. DA FONSECA, 0404 – B. HATCHER, 0418 – F. KELLY, 0420 – P. FEATHERMAN, 0425 – J. KELLY, 0426 – A. GAINEY, 0440 – T. LEWIS, 0446 – D. BULA, 0457 – M. CLOISEAU, 0491 – J. JOSEPH, 0499 – S. UPCHURCH, 0506 – A. STEVENS, 0535 – A. HERBERT, 0536 – J. HOWARD, 0574 – S. TOYA JONES, 900 S. KIRKMAN RD.– ORLANDO, FL 32811 – AT 9:30 AM: 1501 – R. LOZIN, 1612 – B. DINKEL, 2116 – R. ROSS, 2507 – A. COOPER, 3107 – J. MENDEZ, 3112 – T. STIEBER, 3210 – S. AUSTIN, 3307 – R. SIMMONS, 3406 – R. VAZQUEZ, 3418 – D. HO, 4205 – M. ARROYO, 4603 – V. FLEMING, 5102 – J. WALKER, 7109 – F. MARTINEZ, 7110 – C. JACKSON, 7114 – S. JACOBSON, 8123 – S. DESROSIERS,

NOTICE OF PUBLIC AUCTION FOR MONIES DUE ON STORAGE LOCKERS LOCATED AT UHAUL COMPANY FACILITIES. STORAGE LOCATIONS AND TIMES ARE LISTED BELOW. ALL GOODS SOLD ARE HOUSEHOLD CONTENTS, MISCELLANEOUS OR RECOVERED GOODS. ALL AUCTIONS ARE HELD TO SATISFY OWNER’S LIEN FOR RENT AND FEES IN ACCORDANCE WITH FLORIDA STATUTES, SELF STORAGE ACT, SECTIONS 83.806 AND 83.807, STARTS AT 8 am and RUNS CONTINUOUSLY. Uhaul Ctr Kirkman-600 S Kirkman Rd-Orlando 11/02/16: 3075 Michelle Turner, 8028 Loretta Pollman, 1009 Joyce Trimble, 3037 Shabiki Dann, 4008 James Ivory, 1062 Nyrere Nembhard, 1102 & 3053 Phyllis Mcwhorter, 3002 Wanda Jones, 6042 Keyla Andujar, 5003 Shavonda Campbell, 2017 Synoria Anderson, 8021 Edward Figgs Uhaul Ctr Orange Ave-3500 S Orange Ave-Orlando 11/02/16: 1113 & 1527 Maria Ortiz, 1253 Kelvin Brown, 1045 Katrina Pope Uhaul Ctr Baldwin Park- 4001 E Colonial Drive-Orlando 11/02/16: C168 Christyna Mcbrayer, D114 Santanna Brown, B194 Roberto Martinez Cardona, B146 Kristal Stewart Uhaul Ctr Goldenrod-508 N Goldenrod Rd-Orlando 11/02/16: 741 Francisco Rodriguez, 703 Mariano Rivera, 1502 Yahaira Colon, 707 Angela Bruce, 611-12 Randall Lanman, 120 Maria Reyes, 101 Mildalia Gonzalez, 615 Mildred Betancourt Uhaul Ctr Alafaya-11815 E Colonial Drive-Orlando 11/02/16: 1251 Hannah Lachapelle, 1123 Mary Lundy, 1610 Dennis Alvarado,1518 Athena Morey, 1133 Kimberly Monachino. NOTICE OF PUBLIC SALE OF PERSONAL PROPERTY Notice is hereby given that on Extra Space Storage will sell at public auction, to satisfy the lien of the owner, personal property described below belonging to those individuals listed below at the following locations: October 26th, 2016 at the times and locations listed below. The personal goods stored therein by the following: 4:30p.m. at the Extra Space Storage facility located at: 610 Rinehart Road Lake Mary, FL 32746 (407) 637-1360 0009 Simone Nelson – Furniture/Household Items, 1027 Chris Nickle – Household Goods, 0646 Danielle Ralph – Household Goods, 0118 Mechell Aviles – Mattress and boxes desk, 2004 Peter Voigt – Furniture Boxes 2:00p.m. at the Extra Space Storage facility located at 2631 E. Semoran Blvd Apopka, FL 32703 (407) 818-1681 #2272 Dunston Denese- Household Goods #1100 Pablo Rincon-Household Goods #3190 Johnny Thomas Jr. –Household Goods Purchases must be made with cash only and paid at the above referenced facility in order to complete the transaction. Extra Space Storage may refuse any bid and may rescind any purchase up until the winning bidder takes possession of the personal property.

NOTICE OF PUBLIC SALE OF PERSONAL PROPERTY Notice is hereby given that on Extra Space Storage will sell at public auction, to satisfy the lien of the owner, personal property described below belonging to those individuals listed below at the following locations: October 26th, 2016 at the times and locations listed below. The personal goods stored therein by the following: 2:00p.m. at the Extra Space Storage facility located at: 1101 Marshall Farms Rd, Ocoee 34761 (407) 877-0191 #C211-Heriberto Silva-Household #H446-Francesco Carnevale-Office furniture F388Allen James-Household #H470Arthur McNeal Jr.-Household #B178-Nellie Hebert-Household #0744-Ray Mitchell-Household #H467-Jeffrey Rego-Household #D256-Judy Hughes-Household #H437-Mike Evans-Clothes #A019-Jacob Badenna-Household #B136-Randi Pendlebury-Bedroom and boxes. 2:00p.m. at the Extra Space Storage facility located at: 1001 Lee Rd. Orlando. Fl. 32810 (407) 5390527 Margaret Ellison #3163 - TV, Boxes, Totes, Toys, Xmas Décor, Sewing machine. Phillip Dunseath #1031 – Clothes, shoes. Angel Greene #3129 – Chair, Dresser, Mattress, Table, TV, Washer, Dryer, Boxes, Totes, Toys, Coolers. Nathan Barr #1015- Mattress, TV, Bicycle, Clothes, Totes, Luggage. Manuel Ojeda #3162- Bags, Boxes, Fish tank, Xmas Décor. Dereck Taylor #2111- Chair, Dresser, Boxes, Clothes, Totes, Hand Tools, Shelves. Shawn Johnson #4091APrinter, Drum Set, Fan, Speaker. Wenona Howard Simpson #4065Chair, Table, Bags, Boxes, Clothes, Shoes. April Reed #3092- Bed, Table, Bags, Boxes, Totes, Speakers, Wall décor, Lamp. 2:00p.m. at the Extra Space Storage facility located at: 11971 Lake Underhill Rd. Orlando, Fl. 32825 (407) 380-0046 #124 Pressure King Inc – tools, pressure washing equipment, tubs, misc. #131 Khalia Scarbrough – household goods, furniture. #214 Karon Cannon – 25 boxes, couch, tv, dining table, chairs, barstools, queen bed, king beds, patio sets, washer/ dryer, misc. #313 Larry Waldron – office equipment, supplies. 558 Ashley Pettway – household items. 1319 Jim Assmann – files, tapes, business inventory. 2:00p.m. at the Extra Space Storage facility located at 831 North Park Avenue Apopka, FL 32712 (407) 450-0345 #2027 Jacqueline Tecci- Household Items, Boxes, #2513 Melissa Norwood-table boxes, house good , #1131 Jose Ortiz- Household Items, furniture, boxes The auction will be listed and advertised on www.storagetreasures. com. Purchases must be made with cash only and paid at the above referenced facility in order to complete the transaction. Extra Space Storage may refuse any bid and may rescind any purchase up until the winning bidder takes possession of the personal property.

NOTICE OF PUBLIC SALE OF PERSONAL PROPERTY Notice is hereby given that on Extra Space Storage will sell at public auction, to satisfy the lien of the owner, personal property described below belonging to those individuals listed below at the following locations: October 27th, 2016 at the times and locations listed below. The personal goods stored therein by the following: 12:30p.m. at the Extra Space Storage facility located at: 5592 L. B. McLeod Rd. Orlando, Fl. 32811 (407) 445-2709 #254 Bechir Bidani- Dishes & Boxes #737 Shelley Bushey- Household Goods #851 Ten 55 Productions Inc-Household Goods #278 Valera Pinkard – Pictures & Boxes #833 Jeff Johnson – King bed Dresser couch 1 end table & 30 Boxes #035 Kevin Smythe – Household Goods #711 Shirley Burns – Bike, Boxes #748 Judy Loud – Household Goods #211 Denzel Crapps – Dresser,Tv stand, table, futon #750 Astley Bailey – Household Goods #705 Abigail Rodriguez – Household Goods/DJ #817 Zeoninia Baker – Household Goods 3:00p.m. at the Extra Space Storage facility located at: 1420 North Orange Blossom Trail Orlando, FL 32804 (407) 650-9033 #156 David S Glicken – Furniture, Household goods; #584 Marka Mccoy – Furniture, Household goods; #732 Cheryl Machado – Household goods, Furniture, Electronics, Basketball cards; #506 Shanika Jackson – Household goods, Furniture, Electronics; #561 Sade Scott – Household goods, Furniture; #777 Callisto Smith – Household goods, Electronics; #796 Phaticka Smith – Household goods, Appliances, Electronics, Furniture; #782 Johnnie Style – Household goods, Electronics, Furniture, Tools; #478 Maurice Owens – Household goods, Furniture Purchases must be made with cash only and paid at the above referenced facility in order to complete the transaction. Extra Space Storage may refuse any bid and may rescind any purchase up until the winning bidder takes possession of the personal property.

NOTICE OF SALE PS ORANGECO, INC. PERSONAL PROPERTY CONSISTING OF COUCHES, BEDS, TV’S, CLOTHES, BO ES OF HOUSEHOLD GOODS & OTHER PERSONAL ITEMS USED IN THE HOME, OFFICE OR GARAGE WILL BE SOLD FOR CASH OR OTHERWISE DISPOSED OF AT PUBLIC SALES ON OCTOBER 28, 2016 AT LOCATIONS & TIMES INDICATED BELOW, TO SATISFY OWNERS LIEN FOR RENT & FEES DUE IN ACCORDANCE WITH FLORIDA STATUES, SELF STORAGE ACT, SECTIONS 83.806 AND 83.807. ALL ITEMS OR SPACES MAY NOT BE AVAILABLE AT THE TIME OF SALE. ORIGINAL RESALE CERTIFICATE FOR EACH SPACE PURCHASED IS REQUIRED. 951 S. JOHN YOUNG PKWY – KISSIMMEE, FL 34741 – AT 8:00 AM: 1013 –A. PINCKNEY, 1126 – E.CARTER, 1508 –I. GUIVAS, 1530 – P.GILSON, 1539 – C.NAZARIO, 1714 –J.EUSTACE, 1801 – L.DEL VALLE, 1808 – J.DAVENPORT, 2110 –A. RIVERA,

2165 – S.MCKENZIE, 2223 – T.BLAKE, 2227 –R. CRUZ, 2244 – N.SANCHEZ, 2246 – JOSE LUIS, BURGOS, 2303 – N.CHIN, 2306 – M.NEGRON, (MAGGIE) 2413 – S.ABDUL MUNTAQIM. 1701 DYER BLVD – KISSIMMEE, FL 34741 – AT 8:10 AM: 0001 – A.GONZALEZ, 0003 –R. DELAZERDA, 0011 –J. RODRIGUEZ, 0014 –C. SMITH, 0033 – H.PRICE, 0044 – K.BLAS, 0046 – J.LYONS, 0051 – M.STEWART, 0069 –N.DAVIS, 0078 – R.GAUTIER, 0167 – C.DOWNING, 1016 – E.CARBONE, 1019 – J.FIGUEROA, 2009 – C.GIBSON, 2023 – J.SAUNDERS, 2027 – R.ESPINALES, 2035 – S.JIMENO, 2040 – Q.EWART, 2083 –C. CRUZ, 2092 – S.HALL, 2107 – K.SHOOP, 2116 – C.GAFFNEY, 4042 – C.UTITIAJ, 5013 – M.ALCAZAR, 6037 – S.PENCILLE, 6046 – G.ALLEN, 6052 – K.MCPHERSON, 6058 – K.CABRERA, 6071 – L.BYNOE, 6112 – I.GUERRIOS, 6164 – M.THOMAS, 6165 – M.WILBANKS, 6182 –R. RAMOS, 6205 – J.LONDONO, 6208 – A.LOGAN, 6215 –C. CRUZ MALDONADO, 6222 – T.YEAGER, 8080 – R.SHARRER, 8085 – G.MARRERO RAMIREZ. 2783 N. JOHN YOUNG PKWY – KISSIMMEE, FL 34741 – AT 8:20 AM: 1004 – G.CHAPMAN, 1063 – N.ALCE, 1082 – J.LEWIS, 1105 –A.QUINTANA, 12062 – J.HERNANDEZ, 12109 –A.RIVERA, 12406 – B.WILSON, 12502 – C.RODRIGUEZ, 1269 –F.MADERA, 293 – A.KALLOO, 351 – C.SULLIVAN, 410 – J.KALSTEK, 806 – D.NOEDEL, 915 – R.SEONATH, 960 – J.HEMMINGS, 970 – N.RHEM. 227 SIMPSON RD - KISSIMMEE, FL 34744 –AT 8:30 AM: 045 - KINGDOM RESTORATION WORLD, 045 – B.TURTON III, 070 – Y.QUINTANA, 1003 – J.ILLES, 204 – B.COWART, 340 –D.JOSE RODRIGUEZ, 360 – D.ARROYO DOMENA, 842 – K.RAMO 1051 BUENAVENTURA BLVD – KISSIMMEE, FL 34743 – AT 8:40 AM: 01115 – N.ARROYO, 01144 – J.MIRANDA, 01201 –C.LUGO RIVERA, 02109 –A.TORRES, 02154 –J. DER, 02212 –L.FIGUEROA, 02423 – M.OTTUSO, 02427 – L.LANIER, 02431 – N.MARTINEZ, 02509 – D.MESSON, 02620 – A.JEAN LOUIS, 04119 – M.CINTRON, 04133 – J.GONZALEZ, 04136 – S.GILLEY, 04145 – J.TORRES, 04306 – J.VELIN, 05135 – L.PEREZ, 05162 – J.DIAZ, 05412 –S. BERMUDEZ. 1800 TEN POINT LN – ORLANDO, FL 32837 – AT 9:00 AM: 0121 – C.TORRES, 0148 – A.OQUENDO, 0156 –D. MIRANDA, 0158 – M.MARQUEZ, 0167 – R.JOHNSON, 1045 – D.MONTES, 1067 –M.SAYAGO, 1072 – L.BOYD, 2016 – J.REX, 2071 – R.MURILLO, 3031 – C.PIERRE, 3033 – M.BERNABE, 3041 – G.ALICEA, 5021 – C.OSORIO, 7020 – K.HODGES, 7065 – N.PEREZ, 7111 – N.SOALHEIRO, 7117 – E.KIMBLE, 7132 – Y.REYES, 7156 – N.MARCANO, 8037 – N.SCHERMERHORN.

NOTICE OF SALE Vehicles will be sold as is, no warranty. Seller reserves the right to refuse any bid. Terms of bids are cash only. Buyer must have funds on hand at time of sale: 2005 Kia VIN# KNAFB1210W5710797 2003 Chrysler VIN# 2C3HE66GX3H576971 1998 Buick VIN# 2G4WS52M3W1453460 2006 Chevy VIN# 2G1WB58K569309719 2006 Ford VIN# 1FMDK021X6GA47677 2000 Isuzu VIN# 4S2CK58W8Y4351857 To be sold at auction at 8:00 a.m. on October 26, 2016, 7301 Gardner Street, Winter Park, FL. 32792 Constellation Towing & Recovery LLC

NOTICE OF SALE Vehicles will be sold as is, no warranty. Seller reserves the right to refuse any bid. Terms of bids are cash only. Buyer must have funds on hand at time of sale. 1978 FORD VIN# 8F03F108471 1965 FORD VIN# 5T09C169248 2000 VOLKSWAGON VIN# WVWGA21J2YW434122 2011 BMW VIN# WBAPH7G52BNN06532 2006 GMC VIN# 1GTEK19Z86Z124688 To be sold at auction at 8:00AM on October 31st, 2016, at 2500 N. Forsyth rd, Orlando Fl 32807. Around The Clock Towing inc.

NOTICE of Public Sale Storage Zone – Longwood Personal Property consisting of couches, beds, TVs, Clothes, boxes of household goods, and other personal items used in the home, ofﬁce, or garage will be sold for CASH or otherwise disposed of on October 22nd, 2016 at 120 Highline Drive. Longwood, FL 32750 at 10:00AM. to satisfy owners lien for rent and fees due in accordance with Florida Statutes Self-Storage Act 83.806 and 83.807. All items or spaces may not be available at the time of sale. 2203 Lissa Ward, 2510 LaSaundra Robinson, 1314 Debra Brown(Merchants Coupon Exchange), 628 Adam T. Wayne, 1013 Stig Gruen.

NOTICE is hereby given that the undersigned, HANSA HOLDINGS LLC, of 2900 13th Street, St. Cloud, FL 34769, County of Osceola, pursuant to the requirements of the Florida Department of State, Division of Corporations, is hereby advertising the following ﬁctitious name: Springhill Suites By Marriott It is the intent of the undersigned to register “Springhill Suites By Marriott” with the Florida Department of State, Division of Corporations. Dated:10/05/16

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Legal/Public Notices IN THE CIRCUIT COURT OF THE NINTH JUDICIAL CIRCUIT IN AND FOR ORANGE COUNTY, FLORIDA PROBATE DIVISION In Re: The Estate Of: RASHEED AMIN WIGGINS, Deceased. CASE NO. 2016-CP- 001978-0 DIVISION: 01 NOTICE TO CREDITORS The administration of the estate of Rasheed Amin Wiggins, deceased, File Number 2016-CP-001978, whose date of death was April 16, 2016, is pending in the Circuit Court for Orange County, Florida, Probate Division, the address of which is 425 N. Orange Avenue, Orlando, Florida 32801. The names and addresses of the personal representative and the personal representative’s attorney are set forth below. All creditors of the decedent and other persons having claims or demands against decedent’s estate on whom a copy of this notice is served must file their claims with this court ON OR BEFORE THE LATER OF 3 MONTHS AFTER THE TIME OF THE FIRST PUBLICATION OF THIS NOTICE OR 30 DAYS AFTER THE DATE OF SERVICE OF A COPY OF THIS NOTICE ON THEM. All other creditors of the decedent and other persons having claims or demands against decedent’s estate must file their claims with this court 3 MONTHS AFTER THE DATE OF THE FIRST PUBLICATION OF THIS NOTICE. ALL CLAIMS NOT FILED WITHIN THE TIME PERIODS SET FORTH IN FLORIDA STATUTES SECTION 733.702 WILL BE FOREVER BARRED. NOTWITHSTANDING THE TIME PERIODS SET FORTH ABOVE, ANY CLAIM FILED TWO (2) YEARS OR MORE AFTER THE DECEDENT’S DATE OF DEATH IS BARRED. The date of first publication of this Notice is October 5th, 2016. Attorney for Personal Representative: /s/Chrystal S. Thornton, Florida Bar No. 0013717, Post Office Box 2783, Lakeland, Florida 33806, Telephone: (863) 808-1799, Facsimile: (863) 802-1702, Primary Email: chrystal@cmartinlawpa. com. Personal Representative: /s/ Kimberly Wiggins, Post Office Box 2783, Lakeland, Florida 33806, Telephone: (863) 808-1799, Facsimile: (863) 802-1702.

NOTICE is hereby given that the undersigned, VCA Animal Hospitals, Inc., of 783 Piedmont Wekiwa Road, Apopka, Florida 32703, pursuant to the requirements of the Florida Department of State, Division of Corporations, is hereby advertising the following ﬁctitious name: VCA Piedmont Animal Hospital It is the intent of the undersigned to register “VCA Piedmont Animal Hospital” with the Florida Department of State, Division of Corporations. Dated: 10/07/16

In order to satisfy a contractual landlordʼs lien, under the provisions of the Florida SelfService Storage Space Act, public notice is hereby given that the following described property will be sold at public sale to the highest bidder for cash only. The sale will be held at the times and locations listed below: A-AAAKey Mini Storage 1001 S. Semoran Blvd. Orlando, FL 32807 October 27th, 2016 @9:30am: Enrique RedondoBench, Golf Bag, Kid’s Toys and Bags, Leonardo Nixon-Jet Ski, Tool Box and Tools, Lift, Alexis PerkinsLuggage, Toys, Bed and Movies, Hector David Aguilar-Dresser, Chairs, Table and Boxes, Ana C. Figueroa-TV, Table, Clothes and Baskets, Donald S. EckenrodCouch, Records, Table and Boxes, Franchesca Ortiz-Cabinets, Desk, Misc. Toys and Clothes, Alicia Calderon-Clothes, Luggage, Misc. Boxes and Bins, Johnny Hart-TV, Mattress, Boxes and Clothes, Vernesheya Brooks-Couch, Chairs, Mattress and Dresser, Cristobal Flores-Couch, Mattress, TV and Dresser, Stevens Brooks-Vending Machine, Refrigerator, Cooler and Dolly, Prisilla Vasquez- Baby Bed, baby Seat, Dresser and Golf Clubs, Mariam Uset-Freezer, Bike, Air Compressor and Dresser, Yvette Martinez-Dresser, Toys, Bins and Shoes, Alice Williams-Chairs, Tables and Bed, Pedro J. TorresBike, Misc. Totes, Bags and Boxes, Valerie Saint Surin-TV, Vacuum, Table and Boxes, Margaro DiazWasher, Microwave, Mattress and Bike, Martin Mbewe-TV, Artwork, Boxes and Bins, Crystal ImeraChairs, Dresser, Fan and Boxes, Erica Long-Speaker, Misc. Bins and Boxes, Toys, Frans J RovelloLuggage, Mattress, Chair and Bins, Carol Kapelke-Chair, Bike, Boxes and DVD’s, Carlos TorresShelf, Crates, Boxes and Totes, Jose D’Orville Maldonado-Saw, Boxes, Microwave and Table, Floyd Stewart –Dresser, Mattress, Boxes and Totes, Victor Garcia-Dresser, Mattress, Totes and Boxes, Jocelyn Bonilla-Couch, Dolls, Misc. Boxes and Bags, Frans J. Rovello-Chairs, Mattresses, TV and Bike, Alexandra M. Galarza-Minifridge, Couch, End Table and Mattress A-AAAKey Mini Storage 5285 S. Orange Blossom Trail Orlando, FL 32839-2307 October 27th, 2016 @11:00am: Yolanda MerrittSuitcases, Misc. Tubs, Boxes, Totes and Baskets, Irene WalkerTwin Mattress, Headboard and Bed Frame, Misc. Bags, Boxes and Tubs, Aaron Fenner-Floor Dolly, Men’s Bike, Couch, End Table and Misc. Boxes, Maria C. Alanis-Desk, 2 Stools, Twin Bed, Dresser, Misc. Boxes and Bags, Roberto AliceaLarge Speaker, Industrial Vaccum, Bike, Bongo Drums and Misc. Boxes.

IN THE CIRCUIT COURT OF THE NINTH JUDICIAL CIRCUIT, IN AND FOR ORANGE COUNTY, FLORIDA DIVISION: 03/Shea CASE NO.: DP15-125 IN THE INTEREST OF: M.G.W. DOB: 08/03/2013; O.J.W. DOB: 08/03/2013; P.E.M.W. DOB:11/07/2014 SUMMONS AND NOTICE OF ADVISORY HEARING FOR TERMINATION OF PARENTAL RIGHTS STATE OF FLORIDA To: Landen Sparks, Address unknown., WHEREAS a Petition for Termination of Parental Rights under oath has been filed in this court regarding the above-referenced child(ren), a copy of which is attached. You are hereby commanded to appear before Judge Timothy R. Shea on 21st day of November, 2016, at 10:15 a.m. at the Juvenile Justice Center, 2000 East Michigan Street, Orlando, Florida 32806, for a TERMINATION OF PARENTAL RIGHTS ADVISORY HEARING. You must appear on the date and at the time specified.FAILURE TO PERSONALLY APPEAR AT THIS ADVISORY HEARING CONSTITUTES CONSENT TO THE TERMINATION OF PARENTAL RIGHTS TO THIS/ THESE CHILD(REN). IF YOU FAIL TO APPEAR ON THE DATE AND TIME SPECIFIED, YOU MIGHT LOSE ALL LEGAL RIGHTS AS A PARENT TO THE CHILD(REN) NAMED IN THE PETITION ATTACHED TO THIS NOTICE. Pursuant to Sections 39.802(4)(d) and 63.082(6)(g), Florida Statutes, you are hereby informed of the availability of private placement with an adoption entity, as defined in Section 63.032(3), Florida Statutes. WITNESS my hand and seal of this Court at Orlando, Orange County, Florida this 4th day of October, 2016. CLERK OF THE CIRCUIT COURT (Court Seal) By: (Signed) Deputy Clerk. This summons has been issued at the request of:Stacy McDuffie, Esq., Florida Bar No.: 56020, Children’s Legal Services, State of Florida, Department of Children and Families, 822 S. Kirkman Road, Suite 200, Orlando, FL 32811, (407) 563-2380 - Telephone, Stacy.mcduffie@myflfamilies.com.

Engineer: Product Engineer II for EPCOS Inc. (Maitland, FL) resp for prod dvlpmt activities & coord high vol prod of SAW/BAW based filtrs/duplexers. Reqs Masterʼs in Indust Eng, Mech Eng or rltd fld & 2 yrs prod eng/ mgr exp. Alt, em will acpt Bach in reqd flds & 5 yrs reqd exp. Two yrs reqd exp mst incl SAW/ BAW based filtrs/duplexers & module tech. Prior exp mst incl: mcrelctrnic fab & hgh vol mnfctrg; prod dvlpmt & dsgn flw frm concpt to lnch; knwldg of all aspects of filtr mnfctrg tech & process. Approx 15% dom/ intrntl trvl reqd. Mail resumes to: HR Dept, EPCOS Inc., 485-B Route1 South, Ste 200, Iselin, NJ 08830. Pls ref ZR/JW. If offrd emplymnt mst hve legal right to work in U.S. EOE.

Engineer: RF Test Development Engineer for EPCOS Inc. (Maitland, FL) charctrze, tune & test automtn dvlpmt for highperf Power Amplifier Modules & Frnt-End Modls for fast-paced & high vol cell mrkt. Reqs Masterʼs in Elctrcl Eng or rltd fld & 2 yrs exp measure, tune, optimz RF frnt-end compnts & modls. Alt, emp will acpt Bach in reqd flds & 5 yrs reqd exp. Prior exp mst incl test s/w dvlpmt usg script lng such as Matlab or Labview; use RF instrmnts incl signal genrtrs, spectrum anlyzrs, VNA, oscilloscopes, power meters, & load pull tuners; RF fndmntls, PA fndmntls, GSM/ EDGE/ WCDMA/ LTE sys; test eqpmnt oprtn, capbltes, limits, trouble-shoot & autmtn. Approx 10% dom/ intrntl trvl reqd. Mail resumes to: HR Dept, EPCOS Inc., 485-B Route1 South, Ste 200, Iselin, NJ 08830. Pls ref ZR/YH. If offrd emplymnt mst hve legal right to work in U.S. EOE.

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Medical Registration Clerk Orlando Health Physician Associates 6185212 Event Manager - Venues City of Orlando 6185245 Spa Concierge Hyatt Regency Orlando 6185253 Housekeeping - Part Time Walt Disney World Resort 6185133 Entertainment Stage Technician - Full Time Walt Disney World Resort 6185132 Supervisor Fire Safety Universal Orlando 6185088 Treasury Analyst Hilton Grand Vacations 6185030 Groundskeeper Full Sail University 6184785

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8th Annual Florida Blue Florida Classic Career Expo & Diversity Job Fair OrlandoJobs.com 6182963 Distribution Center Forklift Operator Pro Image Solutions 6185232 Social Worker / Home Health Orlando Health 6183873 Outside Sales Representative Truly Nolen of America, Inc. 6185222 Service Technician Millennium Electric 6185217 Line Cooks Millerʼs Ale House Restaurants 6182764 HVAC/R Technicians Smart Ride, Inc. 6182702 Carpenter Ace Staﬃng Inc. 6178489

Course Director - Database Systems Full Sail University 6184441

Auto Title Clerk Team Staﬃng Services 6185077

Airﬁeld Electrician II Greater Orlando Aviation Authority 6184075

Beneﬁts Administrator Seminole State College of Florida 6185036

Police Oﬃcer City of Casselberry 6182692

Senior Software Engineer Cru 6182651

HR Scheduling Coordinator Delaware North Companies 6185033

Restaraunt Busser - PM/Flexible Shift Caribe Royale Orlando 6185035

Health and Financial Literacy Program Coordinator Florida Literacy Coalition 6178515 Financial Services Representative Florida Financial Group 6185234 Sales Manager Diamond Resorts International 6185233

Sales Supervisor - Cruise, Call Center Tourico Holidays Inc. 6185032 Group Exercise Instructor / Wellness Coach YMCA of Central Florida 6184966 PPC Specialist American Safety Council 6182587

orlandoweekly.com

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OCT. 12-18, 2016

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ORLANDO WEEKLY