San Antonio Current - July 26, 2017

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FIRST WORDS

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SAPD Finds 8 People Dead, 20 in ‘Critical’ Condition Inside Parked Semi Truck Very sad to hear that. Regardless of political standing, people need to have a heart. If people are willing to go through such lengths for a better life, then that should tell you what they are fleeing. If you claim to be a Christian then act like it by having pity on these people and maybe offering some sort of assistance rather than having a reason to spew your hatred. — Ana Olvera South Texas School District Allows Teachers to Hit Students with Paddles Raise your kid correctly with respect, discipline and manners, and you will not have to worry about your child being paddled.... — Daniel L. Harabis Nirenberg Joins 17 Other Texas Mayors in Opposing Gov. Abbott’s Big-Government Priorities Bad laws are in the eyes of the beholder, and I don’t need our new Mayor to make the decision for me. — Susan Clements

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Issue 17_30 /// July 26 - August 1, 2017

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NEWS

Small Government Speaks Up Nirenberg joins 17 other Texas mayors in opposing Gov. Abbott’s biggovernment priorities Burning up Behind Bars Federal judge orders Texas to give atrisk prison inmates air conditioning

COVER On January 20, San Antonio photographer Alexei Wood livestreamed the fiery Inauguration Day protests on the streets of Washington, D.C. But while documenting the violent clashes between cops and protesters, Wood was swept up into a mass arrest — and was left facing up to 70 years in prison. This week, we get caught up on Wood’s story, six months after the arrest. Illustration by John Mata Art direction by Sarah Flood-Baumann 6

CURRENT • July 26-August 1, 2017 • sacurrent.com

FEATURE

Photobombed A San Antonio photographer wanted to document a Donald Trump protest. Now he’s facing 70-plus years in federal prison

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CALENDAR

Our top picks for the week

Abortion Restrictions Head to Court Women’s health clinics sue Texas for banning the safest abortion procedure after 13 weeks

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ARTS + CULTURE

Creative Confluence ‘MetaDADA’ unites San Antonio artists bound by shared influences

ON THE

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NIGHTLIFE

Team Building Adkins’ Cactus Land Brewing Co. shows couple’s commitment to craft

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SCREENS

The Art of Haunting Texas filmmaker David Lowery’s A Ghost Story disrupts a predictable genre

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MUSIC

Speaking in Rhyme Local rapper D.R.O. drops new single Screams Fall Silent Local rockers weigh-in on the death of Linkin Park’s Chester Bennington Music Calendar What to see and hear this week

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FOOD

Bottled Up San Antonio’s first food hall is now open

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ETC.

Savage Love Jonesin’ Crossword Freewill Astrology

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NEWS

ABORTION RESTRICTIONS HEAD TO COURT

> Texas’ top women’s health care providers Women’s health clinics are suing the sue Texas for banning the state over its safest abortion procedure brand-new ban on after 13 weeks the safest abortion procedure available to ALEX ZIELINSKI | @ALEX_ZEE women in their second trimester of pregnancy. “Enforcement of the ban would threaten women’s bodily autonomy, health, and access to abortion in Texas, leaving physicians with no reasonable alternatives by which to continue providing this abortion care,” reads the complaint, filed Thursday, July 20, by the Center for Reproductive Rights on behalf of Whole Women’s Health, Planned Parenthood, and a handful of other Texas women’s health clinics. The lawsuit specifically targets Senate Bill 8, a sweeping anti-abortion bill signed into law on June 6, that prohibits an abortion procedure called “dilation and evacuation” (or D&E), the safest and most common form of an abortion after 12 weeks gestation. Abortion doctors say the only medical alternatives are incredibly risky and expensive. What’s riskier, however, are the illegal alternatives women seek out when laws block them from getting

with them “as soon as possible.” San Antonio Mayor Ron Nirenberg, who joined the mayors of Houston, Dallas, Austin, El Paso, Corpus Christi, Fort Worth, and eleven other Texas cities in signing the letter, said many of the “inane” issues brought up this session offer short-term political benefits to lawmakers while seriously damaging Texas’ cities. “We mayors get calls every day from constituents, we know their concerns and build regulations based on them,” Nirenberg told the Current. “For lawmakers to unwind them for political gains...it costs us all in the long run.” The majority of Abbott’s 20 special session priorities are aimed at squashing local government control. Lawmakers will consider bills that override city rules for regulating constriction projects, public restrooms, special need programs in public schools, property taxes and annexation. Even the smallest city regulations will get a legislative analysis

forcing them into the second-trimester. And that’s not the only cost. “Many abortion patients are low income, and struggle to make arrangements for, and absorb the cost of, missed work, childcare if they have children... transportation to and from the clinic, and needed hotel rooms,” the complaint reads. Women’s health advocates say this ban is just another way for lawmakers to regulate a legal procedure, abortion, out of existence — just like Texas lawmakers tried with the 2013 House Bill 2. That bill placed specific, strict building regulations on abortion clinics and doctors across the state, ultimately forcing 21 of Texas’ 40 abortion providers to close. Whole Women’s Health’s 2014 lawsuit against the bill’s constitutionality landed in the Supreme Court in 2016 — and won. Amy Hagstrom-Miller, WWH founder and CEO, said she’s ready to do it again. “SB8 is evidence of the zealots’ crusade to make full equality out of reach for Texan women, and we will not stand for it,” she wrote in a press release. Both the state and the women’s health plaintiffs in the case expected SB8 would spark a lawsuit. Like with HB2, the case is expected to land in the U.S. Supreme Court — but the predicted outcomes are a little blurrier. Rumors of progressive Supreme Court Justices retiring means President Donald Trump could turn the court conservative before SB8 reaches D.C. Unless the court approves an injunction, SB8 is set to become law on September 1.

— the mayors sent this letter the same day Abbott eviscerated cities for penning rules that protect older trees in the city, calling it “socialism.” Nirenberg said forcing these smaller governments to all follow the same guidelines will tarnish their reputations. San Antonio's already hurting from the growing financial losses sparked by the legislature’s pending “bathroom bill.” Nirenberg said he currently has a letter sitting on his desk from an organization saying it will no longer hold conferences in San Antonio because of the state’s pending law to keep trans people from using the bathroom of their choice. They aren’t the first to do so. At a Monday event, Abbott said local ordinances concerning things like tree regulations go against the Texas “brand.” It’s an argument Nirenberg can’t accept. “It’s the height of hypocrisy to rail against local ordinances that address real issues or cities that push back against bad laws,” Nirenberg said.

“Especially when your administration has spent the better part of its career suing the federal government for impinging on local control.” Both Abbott (a former Texas Attorney General) and current AG Ken Paxton often took pride about how many times they had sued the Obama Administration (48, in total) for laws they believed violated Texans’ freedom from government overreach. But apparently that freedom stops at the state level.

SMALL GOVERNMENT SPEAKS UP Nirenberg joins 17 other Texas mayors in opposing Gov. Abbott’s biggovernment priorities ALEX ZIELINSKI | @ALEX_ZEE

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JON ALONZO

> Whether it's prohibiting cities from upholding tree laws or forcing public schools to keep trans kids out of bathrooms, Governor Greg Abbott has made limiting local control the focus of the Texas Legislature special session. “I’m calling for further legislation that fully pre-empts [local control],” said Abbott when he unveiled the session’s priorities in June. “We don’t need a patchwork quilt of regulations.” But in drafting these priorities, it seems Abbott ignored those most affected by these restrictive bills: Texas mayors. That’s why 18 mayors of Texas’ largest cities sent Abbott a letter on Monday, July 17, the day before the special session kick-off, demanding a meeting. “We believe that several of the proposals announced as part of the call for the 85th Special Legislative Session will directly impede the ability of Texas cities to provide vital services that reflect the priorities of local residents,” the letter reads. The mayors ask Abbott to meet

a safe abortion by a licensed doctor. A 2015 study by University of Texas’ Texas Policy Evaluation Project estimated that at least 100,000 Texas women have tried to induce their own abortion. The study found that some women buy abortion drugs over the counter in Mexico, others try herbs or homeopathic remedies, others drink copious amounts of alcohol in hopes of miscarrying and others just ask their friends to punch them in the abdomen. “Even if limited access remains available,” the filing reads, "the ban forces women seeking second trimester abortions to undergo more complex and risky procedures, including compelling them to undergo painful, untested, and invasive medical procedures, in order to access their constitutional right to abortion.” Anti-abortion advocates often argue that D&E procedures “dismember” a fetus, meaning it’s immoral or inhumane. They’re known to use inaccurate posters of bloody, full-term babies and illustrations that falsely depict the D&E procedure to influence lawmakers. Few of their arguments involve the health of the mother — one of the main reasons women are forced to get an emergency second-trimester abortion. In the filing, CRR attorneys argue that low-income Texans often have no choice but to get a D&E abortion. “Women seek abortion during the second trimester for the same reason they seek earlier procedures,” the complaint reads. But for many women, it takes time to raise the $550 to $1,500 for an in-state abortion,

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NEWS

BURNING UP BEHIND BARS Federal judge orders Texas to give at-risk prison inmates air conditioning

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Richard King has given up writing letters from inside his sweltering cell at the Pack Unit prison, 30 miles south of Houston. Whenever the 71-year-old inmates tries, the sweat dripping from his face smears his writing and dampens the paper. Simple tasks, like writing a letter, become difficult during summer months in a facility that doesn’t have air-conditioned rooms. Even laying down can be uncomfortable because sweat pools into his eyes, King says. Suffering from high blood pressure, diabetes and obesity, King is one of the 500 people in the Pack Unit prison who are considered “heat sensitive” — the elderly, disabled and those with medical issues, such as heart disease, that can be inflamed in excessive heat. U.S. District Judge Keith Ellison ruled on Wednesday, July 19, that heat-sensitive Pack Unit prisoners need to have access to air conditioning within 15 days. The rooms must maintain a temperature lower than a heat index of 88 degrees, and if Pack Unit is unable to provide an airconditioned room, the prison is required to relocate the inmates into a different facility. According to Judge Ellison’s preliminary injunction, the inmates described the heat inside the prison as similar to “walk(ing) out to your car in the middle of the summertime” or a hot box in the sun. Ellison says that even young and healthy prisoners are at serious risk from the temperatures in the facility. He contended that keeping at-risk prisoners in the heat, which routinely falls around 95 to over 100 degrees, is cruel and unusual punishment infringing on inmates’ Eighth Amendment rights. “Prisoners are human beings with spouses and children who worry about them and miss them,” Ellison said in his ruling. “Even those admittedly guilty of the most heinous crimes must not be denied their constitutional rights.” This ruling is part of a years-long battle to address the roughly 70 percent of Texas prisons that do not have air conditioning. Since 1998, 22 Texas inmates have died from heat-related causes. In 2011 alone, 10 prisoners died during an especially dangerous Texas heat wave. During the 2011 heat wave, Larry McCollum arrived at the Hutchins Unit prison. One week later, he was found 10

CURRENT • July 26-August 1, 2017 • sacurrent.com

convulsing in his bed and was later proclaimed dead. That day the heat index inside of the prison was roughly 150 degrees for at least four hours in a row, according to the Houston Press. Ellison says that the Texas Department of Criminal Justice has been “deliberately indifferent” to responding to heat risks. TDCJ defended its position that installing air conditioning units is too costly. The department’s estimates for installation fell between $22 million to $120 million while the inmates’ experts estimated it would cost $450,000. The cost expectations vary depending on the kind of air conditioning unit and the level of compliance with building codes. Plaintiff attorney Mike Singley told the Houston Press that the TDCJ’s estimations are plausible for purchasing “gold-plated Rolls Royce, diamond-dust-on-top” air conditioning units and meeting every building code, both required and suggested. According to the TDCJ, installing air conditioning units isn’t only costly but also isn’t necessary because of precautionary measures the prisons have in place, such as unlimited ice water, personal fans, access to common areas that have air conditioning, and wellness checkups for at-risk inmates. Attorney General Ken Paxton agreed with TDCJ saying in a statement that he’s disappointed with the ruling that will require heat-sensitive inmates to have air conditioning in their rooms. He added that the state will appeal the temporary ruling, which will expire in 90 days, according to the Texas Tribune. “The judge’s ruling downplays the substantial precautions TDCJ already has in place to protect inmates from the summer heat,” Paxton said in a written statement. Paxton’s talking about TDCJ’s “respite” locations, or common areas that have access to air conditioning. But they aren’t cutting it, according to the testimonies of the Pack Unit plaintiffs. Like 63-year-old Jackie Brannum, who suffers from several illnesses and requires eight medications, all of which are drugs that don’t mix will with high body temperatures. Brannum also uses a walker because of a pinched nerve that makes it difficult for him to move. He says that the respite locations are

often not accessible nor comfortable for him. In one occasion, Brannum was forced to stand with his nose against the wall in the respite area, despite his mobility impairment. He’s also had to move from one respite area to the next because of the rooms being at maximum capacity. According to his testimony, Pack Unit guards have told Brannum that he has to submit to rectal temperature readings in order to qualify to stay in the air-conditioned rooms. Back in 2016, the courts also ruled that the ice water given to Pack Unit inmates was inadequate, since the water contained between 2 and 4.5 times the amount of arsenic permitted by the Environmental Protection Agency. Arsenic in water can can have short range effects, such as nausea and vomiting — and can increase peoples’ risk of skin, bladder and lung cancer. The court ruled that the prison was required to provide water that complied with the EPA’s standards. Both the water standard ruling and Wednesday’s ruling that at-risk inmates need access to air-conditioned rooms only apply to the Pack Unit prison and are temporary. Jeffery Edward, one of the inmates’ lawyers, said that he thinks the reasoning behind the ruling could potentially affect all state prisons. Edward says that he and the Texas Civil Rights Project decided to file a lawsuit when, “it became painfully clear, that from a systemic standpoint, we needed to challenge the system and shine a spotlight on the dangerous situation in Texas prisons.” Edward added that he’s disappointed that it took a class action lawsuit to make the safety changes. “It’s disappointing to me, as a Texan, that TCDJ absolutely refuses to protect its inmates.” TCRP staff attorney Wallis Nader said that his organization and Edwards Law will ensure that the court’s rulings are enforced. “All Texans, regardless of whether they are incarcerated, deserve dignity and respect,” Nader said. “It’s up to everyone in Texas to shine light on our broken criminal justice system, particularly the inhumane conditions faced by thousands of prisoners every day.”

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Rodriguez, which aired on Univision from 1990 until 1993. In 2004, Guerrero, then 65 years old, premiered his one-man show ¡Gaytino! at a Los Angeles community theater. Weaving together the history of both LGBT and Mexican Americans, the 90-minute performance features Guerrero as he navigates his identity as a gay Latino from early childhood to the present day. A work in progress at the time of its premiere, the show has since been performed at venues around the country, including The ¡Gaytino! Kennedy Center’s Terrace Theatre. “It has evolved and

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changed with the times and matured just as I have all these years,” Guerrero recently explained to the Current. “I’m not the same person I was 10 years ago. San Antonio is really getting a new version of it — the whole tone is different.” As a precursor to Friday’s production, Guerrero will offer a free talk, “Activism and the Arts: A Life Journey,” at the Esperanza. Activism and the Arts: A Life Journey: free, 7pm Wed, Esperanza Peace and Justice Center, 922 San Pedro Ave., (210) 228-0201, esperanzacenter.org; ¡Gaytino!: $10-$25, Guadalupe Theater, 1301 Guadalupe St., (210) 271-3151, guadalupeculturalarts.org. — Marco Aquino

COURTESY OFAUGUST ALSINA

COURTESY OF DAN GUERRERO

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August Alsina MUSIC

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JOANNA DEGENERES

THEATER In 1962, Dan Guerrero arrived in New York City eager to break into the world of show business. Decades before Latinos were projected to become the largest minority group in the U.S., Guerrero was often the lone Mexican American auditioning for roles on and off Broadway. The son of Chicano music icon Lalo Guerrero, he began working as a theatrical agent before establishing himself as a successful film and television producer. He is arguably best WED+FRI known for his credits + on the groundbreaking El Show de Paul

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#imomsohard

NOLA native August Alsina has been on the rise since releasing his debut single “I Luv This Shit” with rap star Trinidad James in 2014. That same year, Alsina was named “Best New Artist” at the BET Music Awards. The R&B vocalist’s second album, This Thing Called Life, which features collaborations with Lil Wayne, Chris Brown, Jadakiss and Anthony Hamilton, debuted at number 14 on the Billboard 200. With two recent singles dropped (“Drugs” and “Lonely”) and a new album rumored to be in the works, Alsina brings his smooth voice and simple bass beats to the Aztec. $25-$57.15, 7pm, The Aztec Theatre, 104 N. St. Mary’s St., (210) 812-4355, theaztectheatre.com. — KR

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CURRENT • July 26-August 1, 2017 • sacurrent.com

COMEDY Motherhood is no joke, but to Kristen Hensley and Jen Smedley, the women behind the hilariously honest web series #imomsohard, it kind of is. With two husbands, four kids and three dogs between them, Hensley and Smedley bring comic relief to motherhood, body odor, the stresses of marriage and lots more in the form of wildly relatable stand-up. The stories and exploits of these mothers are sure to answer your “Do other moms do this?” questions. The innovative duo prove that being a mom is far from glamorous and often thankless — but they’ve learned to laugh it off and aim to bring those laughs to moms across the country. Every mother deserves a night out, so grab your besties, leave the kids with dad or a sitter, and prepare for a night of uncensored reallife “momedy.” $39.75-$49.75, 7:30pm, Tobin Center for Performing Arts, 100 Auditorium Circle, (210) 223-8624, tobincenter.org. — Kimberly Rivera

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Clear to Partly Crazy

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‘The Giving Distance’ Although she’s likely best known for her realistic drawings of skulls and bones, local artist Kristy Perez also sculpts, paints, designs and collaborates with THU her partner Britt Lorraine on sets and concepts for contemporary dance pieces. Possibly even lesser known are Perez’s poems, which stemmed from the attention she gives to the titles of her pieces. Curated into her first group show by late local legend Chuck Ramirez in 2006, Perez earned an Artist Foundation of San Antonio grant in 2007 and has exhibited consistently ever since. Lately, Perez has been busy at work on “The Giving Distance,” a solo exhibition opening July 27 at the Southwest School of Art. In addition to two large-scale portraits (one of herself, one of Lorraine), one of the show’s key elements is a bound book combining minimalist, mixed-media abstractions, representational drawings and poems. Solo exhibitions by local photographer Jack McGilvray (“The Lake House”) and painter Kristy Deetz (“Through the Veil”) open in tandem. Free, 5:30-7:30pm, Southwest School of Art–Navarro Campus, Russell Hill Rogers Gallery II, 1201 Navarro St., (210) 224-1848, swschool.org. — Bryan Rindfuss

THEATER If there’s anything we Texans can do, it’s weather a rough storm – be it a real-life door-banger or turmoil that skews a bit more internally. In that vein, Jaston Williams asks us to hunker down with him in a storm cellar and bear the bluster of crazed relatives as well as literal tornadoes, all relayed to the audience with the sharp wit that first nabbed him fame in the show Greater Tuna. Continuing a collaboration that began with A Wolverine Walks into a Bar, Williams returns to the Classic stage with the San Antonio premiere of his latest one-man show, Clear to Partly Crazy, in which he waxes poetic on time-honored Texan subjects of conversation in settings ranging from grandstands to mental institutions. $20, 8pm Thu-Fri, 3pm & 8pm Sat, 3pm Sun, The Classic Theatre of San Antonio, 1924 Fredericksburg Road, (210) 589-8450, classictheatre.org. — Kelly Merka Nelson

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COURTESY OF JASTON WILLIAMS

You may have first seen her portraying “Grown-Up Annie” on Late Night with Seth Meyers, Meyers or interviewing an itchybuttholed candidate for an internet startup on the web series Now Hiring, but seriously folks, stand-up comic and Daily Show correspondent Michelle Wolf began her post-collegiate career working at financial institutions Bear Stearns and JPMorgan Chase. “For the most part,” she told The Guardian last year, “there was just a lot of people yelling at each other and getting mad for no reason and trying to place blame. I was like, ‘I’m turning into a bad COMEDY

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Michelle Wolf

COURTESY OF MINDY TUCKER

person.’” The unpleasant experience obviously helped her pinpoint hypocrisy as she does when mock-celebrating Kellyanne Conway’s mindboggling lying skills or skewering the sexism of the GOP’s proposed healthcare bill on Comedy Central’s long-running news sendup. But Wolf also told The Guardian, “If I have to make four more years of Donald Trump jokes, that will drive me insane,” which is probably why she tempers her political commentary with jokes about how weird dudes’ balls look. $16, 8pm Thu, 8pm & 10:15pm Fri-Sat, Laugh Out Loud Comedy Club, 618 NW Loop 410, (210) 541-8805, lolsanantonio.com. — Jeremy Martin

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Idina Menzel

◀ Idina Menzel rose to prominence in 1996 when she originated the role of Maureen in Jonathan Larson’s Tony- and Pulitzer-winning Broadway musical RENT. She cemented her status as one of today’s preeminent Broadway actresses with further roles in Wicked (2003) and If/Then (2014). In 2013, Menzel hit the stratosphere voicing the role of Elsa the Snow Queen in the animated Disney blockbuster Frozen. The film became the highest grossing animated film of all time, and its theme song “Let It Go” turned Menzel into the only Tony-winning actress in history to reach the

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Billboard Top 10. Speaking to the Current’s sister publication Out In SA about the fluid nature of her live shows, Menzel explained, “I let the musicians do their thing and you don’t have to worry about it being three minutes and 20 seconds for the radio … I can introduce a song and tell you where it’s coming from and what it meant to me. I can talk to you about the meaning of the song … That’s what ‘live’ is all about. I’m letting you into a little window of my soul.” $69.50-$175, 8pm, Tobin Center for the Performing Arts, 100 Auditorium Circle, (210) 223-8624, tobincenter.org. — MA

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Now in its third year, Paper Trail SA is a veritable wonderland for fans of unique printmaking and design, as well as those wishing to deck their walls or add to their art collection. Dedicated to contemporary works of art and design on paper, Paper Trail’s mission is to provide artists and onlookers alike “a one-of-a-kind experience aimed at connecting artists to collectors in a forum that celebrates the artistic process and the culture of design and printmaking.” And, we aren’t kidding when we say that, this year, the sheer scope and diversity of participating artists is as impressive as the individual artists themselves. Just a few of the 45 featured artists that we are looking forward to snagging some product from include locals Regina Morales (with that sweet pop-goth style), Cruz Ortiz (the man SAT of the moment in Tex-Mex printmaking) and Jose Sotelo (maker of mystical images that meld the natural with the hyperreal). We’re also excited to see work from Puro Chingón Collective (Austin), Sable Mirerez (Chicago), James Beard (Houston) and Maritza Torres (Los Angeles). Aside from the dizzyingly stacked day market, you may want to plan to attend an exclusive preview/mixer night for Paper Trail, also at Brick ($25, 7-11pm Friday). $5, 11am-7pm, Brick, 108 Blue Star, (210) 262-8653, papertrailsa.net. — James Courtney SPECIAL EVENT

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Rey Lopez Birthday Bash

FILM Day one of the 23rd TUE annual San Antonio Film Festival features 15 short films made by college students from around the world, including one from in the Alamo City. The shorts will be screened in two separate blocks, so choose wisely or buy tickets to both. At 6 p.m., the shorts screening include Driver’s Ed (dir. Chase Norman), Rose Garden (dir. Rafael Nani), San Antonio Film Festival: College Shorts I & II Residue Stew (dir. Anastacia Valdespino, Dayhun Jung, Jack Kelley and Sanghoon Lee), Capital (dir. Semih Bedir), Boundaries (dir. Alex Dagi), Strings Attached (dir. Katie Theel), Please Hold (dir. Jerell Rosales) and The Hunt (dir. Carlos Garcia, from SA). The Hunt, created by students from the University of the Incarnate Word, is a threeminute animation that tells the story of an 11-year-old kid who tries to hide from something lurking in the shadows. The second block of shorts starts at 8 p.m. and includes Snap (dir. Rebecca Banks), Mind Your Body (dir. Silke Engler), Everyday Seems Normal (dir. Molly Beresford), 9:04 (dir. Ching Wang), Does a Bear Need Many Glasses? (dir. Wei Cui), I’m Free (dir. Edvard Karijord) and Unattended Item (dir. Filippos Vokotopoulos). $15 per screening block, 6pm & 8pm, Tobin Center for the Performing Arts, 100 Auditorium Circle, (210) 223-8624, tobincenter.org. – Kiko Martinez

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DRAG ▲ Since its 2012 premiere at the Bonham Exchange, the Rey Lopez Birthday Bash has never failed to bring the top performers from RuPaul’s Drag Race to the Alamo City. This year’s extravaganza pairs established fan favorites like season three alum Raja with newcomers such as Naomi Smalls and Valentina. Raven and Jujubee (aka Team Rujubee) and Puerto Rican beauties Yara Sofia and Jessica Wild all make the cut along with Tatianna and native Texan Alyssa Edwards (pictured), fresh off star turns on season two of RuPaul’s Drag Race: All Stars. With the reality show’s increasing popularity and its recent move to VH1, it’s hard to see an end in sight for these gender-bending, boundary-pushing queens. Before last year’s bash, Lopez told us, “I plan to go as long as I can.” If previous years are any clue, you can expect to see plenty of extreme lip-synching, death drops ... and perhaps a lap dance or two. Make sure to arrive early for the red carpet preview and fan mixer. $33-$55, red carpet and fan mixer at 8pm, show at 9:30pm, Aztec Theatre, 104 N. St. Mary’s St., (210) 812-4355, reylopezentertainment.com. — MA

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FILM Nutshelled in a four-star review by the late great Roger Ebert as “not only a Mel Brooks movie but also a loving commentary on our love-hate affairs with monsters,” 1974’s Young Frankenstein earned both critical acclaim and cult classic status while achieving something even rarer: a comedic remix drawn from both Mary Shelley’s early 19th-century novel Frankenstein and director James Whale’s 1931 cinematic adaptation of the same name (not to mention the 1935 sequel Bride of Frankenstein). Shot entirely in black-and-white (a stylistic gamble Columbia Studios tried desperately to prevent) in homage to Depression-era horror classics, the film stars Gene Wilder (who doubled as co-writer) as Dr. Frederick Frankenstein — a character The New York Times once described as “a marvelous addled mixture of young Tom Edison, Winnie-thePooh, and your average Playboy

COURTESY OF 20TH CENTURY FOX

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reader with a keen appreciation of beautiful bosoms.” Upon the passing of his mad scientist greatgrandfather, Frederick inherits the family homestead in Transylvania — complete with hunchbacked servant Igor (Marty Feldman), sexy lab assistant Inga (Teri Garr) and bizarre housekeeper Frau Blücher (Cloris Leachman). Although previously intent on distancing himself from his great-grandfather’s practice of reanimating corpses, Frederick has a change of heart after discovering a handy instructional book (titled How I Did It) and gets to work on his own monster (Peter Boyle). Having inspired everything from Aerosmith’s hit “Walk This Way” to a big-budget Broadway musical, the comic masterpiece gets revived as part of Texas Public Radio’s Cinema Tuesdays series. $10-$15, 7:30pm, Santikos Bijou, 4522 Fredericksburg Road, (210) 614-8977, tpr.org. — BR

ART “Augmented Reality” Panel Discussion

“Masterpiece” Self-taught artist Giovanna

Exhibition Talk: “Culture Clash” Curator

Headwaters Summer Environmental Film Extravaganza Incarnate Word’s

Blue Star welcomes artists Frank Benson, Susi Brister, Nancy deHoll and Kris Peirce for a discussion about their works in the group show “Augmented Reality.” Free, 7pm Thursday; Blue Star Contemporary, 116 Blue Star, (210) 227-6960.

Lyle Williams discusses the futuristic environments in artist and UTSA lecturer Juan Mora’s linocuts, which reference Mayan symbols and the work of iconic printmaker José Guadalupe Posada. Free, 6-7pm Thursday; McNay Art Museum, 6000 N. New Braunfels Ave., (210) 824-5368.

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JULY 29th & 30th

Diz Zurita launches a colorful new apparel collection with a fashion show and the debut of a music video by Priline. Free, 7-10pm Saturday; Gio Diz Zurita Gallery, 555 W. Bitters Road, (210) 787-2685.

FILM

Environmental Film Extravaganza wraps up with screenings of Written on Water (1pm), Watershed (2:15pm) and Revolution (3:45pm). Free, 1-5:30pm Saturday; University of the Incarnate Word, Mabee Library Auditorium, 4301 Broadway, (210) 828-2224.

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CALENDAR

Big Night The Pearl’s Cinema Culinarian

film series culminates with an outdoor screening of directors Campbell Scott and Stanley Tucci’s 1996 dramedy about two brothers attempting to salvage their family’s failing Italian restaurant. Free, 8:30pm Monday; Pearl Park, 303 Pearl Pkwy., (210) 212-9373.

Mi Vida Loca As part of its “Screening

for a Meaning” series, the People’s Nite Market presents a special screening of writer/director Allison Anders’ Chican@ cult classic, followed by a Q&A with cast members Angel Aviles (SadGirl) and Jesse Borrego (El Duran). $5, 3pm Saturday; Guadalupe Theater, 1301 Guadalupe St., (210) 271-3151.

THEATER Hairspray Based on John Waters’ 1988 film,

Hairspray follows spunky, curvaceous teen Tracy Turnblad aspiring to become a famous performer in 1960s-era Baltimore. After winning an opportunity to dance on her favorite TV program, Tracy is swept up into a celebrity cyclone of social pressures and prejudices. Omar Leos directs Kass Ortiz (as Tracy Turnblad) in The Playhouse’s production. $10-$40, 8pm Friday-Saturday, 3pm Sunday; The Playhouse, 800 W. Ashby Pl., (210) 733-7258.

Dos Chicanos Un Camino The season

Martin and Francis Cronin. $19, 7pm & 10pm Tuesday; Bexar Stage, 1203 Camden St., (210) (312) 971-7252.

SPECIAL EVENTS Cocktail: The Event Now in its fifth

year, Cocktail: The Event celebrates San Antonio’s thriving cocktail culture, spotlighting 15 of the city’s top bars. Each participating drinkery is tasked with serving samples of an inventive cocktail, inspired by this year’s 1990s theme. $43.73 (sold out), 9pm Friday; The DoSeum, 2800 Broadway, (210) 227-0044.

Cocktails and Culture: Diggin’ Up Dinosaurs The Witte’s latest adults-only

after-hours mixer combines a presentation by paleontology and geology curator Dr. Thomas Adams, complimentary drinks provided by Alamo Beer and Austin Cocktails, and food available for purchase from The Box Street Social and Mi Taquito Arrandas Jalisco. $15, 6:30-8:30pm Thursday; Witte Museum, 3801 Broadway, (210) 357-1900.

Eureka Sent home with a torn ACL on

season nine of RuPaul’s Drag Race, Tennessee native Eureka (born David Huggard) performs two shows at Heat with support from Rey Lopez Entertainment Showgirls The Juniors, Sharkeisha Banks, Alayna Marquez, Amerie Parker and Nilaya Milan Mathews, and “Drag Me to Fame” winner Jaeda Secura. $10-$25, 10:30pm & midnight Wednesday; Heat Nightclub, 1500 N. Main Ave., (210) 386-4537.

opener for Teatro Audaz is a comic play that starts off with a DJ radio show — a love-line type scenario where every caller seems to have similar stories of cheating or behaving badly in a relationship. Set SAN LAN’s Videogaming Tournament right here in San Antonio, the play makes and LAN Party This Texas-sized CS:GO a number of local cultural references, tournament and LAN party allows including mentions of Brackenridge Park, gamers from all over the Lone Star the Spurs, Girl in a Coma and people State to compete in an intense e-sports being called “Northsiders.” $10-$20, marathon, with proceeds benefiting the 7:30pm Saturday; The Bang Bang Bar, 119 Children’s Hospital of San Antonio. $20 El Mio Drive. for spectators, $50 for players (advance registration required), 7-11pm Friday, COMEDY 8am-9pm Saturday, 10am-6pm Sunday; Austin Highway Event Center, 1948 Austin Larry Garza: A Night of Stand Up Hwy., visit sanlan.org for details. Comedy Whether drawing from his nonSpanish speaking Latino roots, growing up on the Southside of San Antonio, his wife and children, his battle with Stage IV cancer or expounding upon his love of pop culture, religion and horror movies, Alamo City native Larry Garza is a fearless and versatile stand-up that will have you laughing at topics you never thought you would. $10$15, 8pm Saturday; Guadalupe Theater, 1301 Guadalupe St., (210) 271-3151.

Ray William Johnson Actor, stand-up

and YouTube star Ray William Johnson (Equals Three, Riley Rewind, The Fluffy Movie, Who’s Driving Doug) performs at Bexar Stage with support from Kaja

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C A P T U R I N G S AT X

photography | photobooth d r u p h o t o g r a p h y. c o m

ARTS + CULTURE

PHOTOS COURTESY OF CITY OF SAN ANTONIO

Dos Chicanos Un Camino $10-$20 7:30pm Fri, Jul. 22 & Fri, Jul. 29 The Bang Bang Bar 119 El Mio Drive teatroaudaz.com

‘MetaDADA’ unites San Antonio artists bound by shared influences DAN R. GODDARD

James Medrano

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In the spirit of rebellion and disillusionment during World War I, the Romanian poet Tristan Tzara launched Dadism in 1915 in Zurich, Switzerland. Dadists scorned established art and often used photomontages and text to express political views. In New York, Marcel Duchamp and Man Ray began to apply Dadaist principles to photography. Dada eventually evolved into surrealism, which begat pop art, which rebelled against high-brow abstract art in the 1960s. Dada and pop remain potent influences in the work of 11 San Antonio artists showcased in “MetaDADA: High Art for the POPulace,” on view through August 4 in the

Kelly O’Connor

Culture Commons storefront gallery and exhibit hall on the first floor of the Plaza de Armas building (next door to the Spanish Governor’s Palace). The City of San Antonio’s Department of Arts and Culture organized the sprawling exhibit, allowing the artists to paint the walls around their work for more of an immersive effect in the roomy, old-timey exhibit hall with high ceilings, wood floors and ghosts of San Antonio’s past. Kelly O’Connor is showing what is perhaps her largest-ever photo collage, In Real Life, a gigantic, mural-size work composed of a myriad of early 1960s-vintage childhood memories, with visions of

Disneyland’s castle and Disney movies, with Peter Pan and Dumbo drifting alongside Joan Crawford, Shirley Temple and Dean Martin. It’s so big you’ll have to step outside and look through the French door windows to get the full view. Illustrations from childhood school books animate Rainey’s relatively small oil paintings on panel. Dick and Jane go to high school in The Junior Set and bobby-soxed Teddy Girls. Too-cute anime informs Jen Frost Smith’s child-like gouache on panel paintings of warm-fuzzy cartoonish creatures, accented with reassuringly naïve exclamations such as “Magic is real” and “It’s okay.”

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© 2017 SAFILM-San Antonio Film Festival is a nonprofit 501(c)3 supported by Clear Channel Outdoor, CO LAB, Edible San Antonio, Guerrero CPA, Kono 101.1FM, Law Offices of Mario Davila, Pixel Power Graphics, Sam Ash, San Antonio Department of Arts & Culture, San Antonio Film Commission, Sheraton Gunter Hotel San Antonio, Shweiki Media, Tatum Originals, Texas Commission on the Arts, Texas Film Commission, Total Media Solutions and VIA Metropolitan Transit. 28

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ARTS + CULTURE

David “Shek” Vega

Rainey

Michael Menchaca

David Almaguer pays homage to the acrylic and gold paintings of an alienVHS tape era in the sweeping Blast from headed priest, a skull, thuggish clowns, the Past II: She Can Do It, featuring Mickey Mouse and weirdly doubleheroines such as Ellen Ripley from Alien, exposed faces. Stephen King’s Carrie and disco queen Ashley Mireles reconsiders the Grace Jones framed by decorative scientific explanation for the origin of patterns formed with plastic tape boxes the universe from the perspective of and lacy doilies. David “Shek” Vega a Mesoamerican god in Chaac and writes “Thank You” in drippy, dreamy, the Big Bang, overflowing with floral boldly colored letters in I Think It’s Time patterns. Ana Hernández-Burwell tackles We Say, centered on a pair of shackled Appropriation in a giant painted wall hands being freed. collage depicting everything from Marie Gothic fashion takes a macabre turn Antoinette to cows flying through the sky. in Jason Ibarra’s mixed-media collages In conjunction with “MetaDADA,” on canvas, using fashion images with Culture Commons will host a Zine Popblack-and-red drips to conjure Up Shop with booths manned by local a nightmarish trip to the zine clubs (6-9pm Wed, Jul. 26) MetaDADA: High Art boutique. Equally as well as a closing Lunch for the POPulace ghoulish are James and Learn panel discussion Free Medrano’s screenwith featured artists (noon8am-5pm Mon-Fri Culture Commons prints and ink, 1pm Fri, Aug. 4). 115 Plaza de Armas (210) 206-2787 getcreativesanantonio.com Through Aug. 4

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SCREENS

A WAR EPIC FOR THE AGES Christopher Nolan’s Dunkirk is a relentlessly suspenseful tour de force MARYANN JOHANSON

> Dunkirk is primal. It feels urgent and contemporary even though it is set 77 years ago, outside the memory of the vast majority of people who might see it. And it is a movie about war, an experience that fewer of us today have had. But writer-director Christopher Nolan creates an immediacy to the film by dropping us right into the middle of the chaos with very young British soldier Tommy (Fionn Whitehead), who is waiting on the beach with hundreds of thousands of other men: The Germans have pushed the English troops right up to the water’s edge on the northern French coast. They are stranded, and none of them has any idea what is going to happen to them, their desperation conveyed by little more than the haunted glare in their eyes. Dunkirk opens as practically a silent movie. Because what is there to say? They have been defeated in every way possible short of actually being killed. And then Nolan brilliantly amps up the confusion and anxiety of the soldiers on the beach in a way that is downright exhilarating, by playing with cinematic time: We have joined Tommy’s story a week before the evacuation of these troops, but we join pleasure-craft sailor Dawson (Mark Rylance) only a day before the evacuation begins, as his small yacht

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is about to be commandeered by the Royal Navy to sail to France and collect soldiers, and we join Royal Air Force fighter pilots Farrier (Tom Hardy) and Collins (Jack Lowden) a mere hour before, as they take to the air to protect the flotilla of small boats (such as Dawson’s) heading for Dunkirk. The days of waiting for Tommy, the hours on Dawson’s yacht, and the minutes in the air for the pilots gradually converge in time as events reach their climax ... and this ingenious narrative structure spreads the dread and tension throughout the film in a way that a more straightforward narrative could not. In fact, Dunkirk is so relentlessly suspenseful that it kept me wound tight throughout; there were moments when I realized I was clenching my jaw or tensing my whole body and had to force myself to relax. I actually hurt by the end of the movie. It’s easy to joke about spoilers in a story about a historical event the outcome of which is already known, but none of these fictional characters is guaranteed a happy fate. Dunkirk is wound as tightly as I was: It may range across a wide beach, the breadth of the English Channel, and the wild blue yonder, but it’s intimate, sometimes almost claustrophobic. Nolan never cuts away to politicians

SCREENS

MARJORIE BAUMGARTEN

Texas filmmaker David Lowery’s A Ghost Story disrupts a predictable genre

> “We do what we can to endure,” says a pontificating hipster (played by the musician and sometimes indie-film actor Will Oldham) in a monologue delivered during a party that takes place in the house where a ghost (Casey Affleck) continues to reside long after his physical body has died. It’s a lengthy speech in a film dominated by long takes and very little dialogue. A Ghost Story is a movie constructed in meditative and poetic tones rather than the shock scares and creeping dread that characterize spooky-house movies as we generally know them. This is a ghost movie for the arthouse crowd, featuring an ethereal figure that’s decidedly low-tech and not a phantom dependent on CGI effects and eerie frights. The ghost here is manifested by an almost ridiculous white sheet that has black eye-hole cutouts, and the actor underneath the sheet for almost the movie’s entirety is none other than Academy Award winner Casey Affleck. Affleck plays a character named C, who lives in an older, ranch-style house with his girlfriend M (Rooney Mara). He’s maybe a musician, which would help explain A Ghost Story’s

fantastic (and, dare I say, haunting) score (overseen by Daniel Hart). M has made plans for them to move elsewhere and doesn’t understand C’s reluctance to leave the place. C dies early in the film before their scheduled move takes place, but somehow never departs the domicile. There’s a MacGuffin about a note hidden by M in a crack in the wall, but retrieving the note is less the reason for C’s continued residency than his desire to endure and have the love that once was made in this house endure, as well. Later scenes reveal some of the earlier and future inhabitants of the house (hence the hipster party scene), and fill the movie with a sense of temporality that’s porous and simultaneous rather than impervious and linear. Viewers who are not on the movie’s wavelength, however, may find that time seems interminable. Long swaths of the picture pass with no words spoken, and it builds meaning through its accretion of images. In the end, the effect is poetic but not revelatory: A Ghost Story has no new insights into the human experiences of grief, time and love. An evocative,

BRET CURRY // COURTESY OF A24

COURTESY OF WARNER BROS. PICTURES

and generals making plans in London, for instance. We are stuck in this little bubble of nervous fear. Eschewing CGI and shooting on the actual locations — including the real Dunkirk beach — with ships and planes of the era (and thousands of real-live extras) certainly contributes to the sense of organic authenticity of the movie. But it’s the smallness of the film that is so important, so vital. This isn’t, after all, a movie about war, about large-scale battle, never mind that it puts us in the middle of a war with a power that few other movies have achieved. Dunkirk is about something of which war-making is only one aspect: It’s about people playing their parts in an enormous communal effort. This is what gives the film its resonance for us today, and what makes it so emotional, even though we barely learn much about any of these characters. The people here are boiled down to one thing, their one intense purpose of the moment, whether that’s their own survival or their absolute imperative to do something to pitch in, as with teenager George (Barry Keoghan), who insists on sailing with Dawson to Dunkirk because he is desperate to help in whatever way he can. Dunkirk, then, is speaking to a desire that many of us have — to be a part of something big and important, to step up and contribute our effort to something meaningful. We don’t see a lot of opportunity to do that today, and we long for it. (That doesn’t have to mean war! It could mean battling global warming, or rebuilding crumbling infrastructure.) And when we see the power of working together that Dunkirk illustrates, its absence suddenly stings.

THE ART OF HAUNTING

long-take scene of M acting out her grief through binge-eating a pie and then purging may seem at first like a creative way to demonstrate a person’s misery. Those who aren’t irritated by the unlikely sight of this skinny actress guzzling a pie in real time will, perhaps, later find themselves annoyed after devoting so much time to her sorrow — only to discover that she is only an incidental character in the story. The scene comes across as a stylistic fillip in writer/director David Lowery’s arsenal and not an intrinsic part of this ghost’s narrative. Other creative techniques Lowery employs — like the old-fashioned 1:37 screen ratio that has the visual effect of boxing in the characters — are more effective. Texas filmmaker Lowery demonstrates his out-of-the-box thinking by telling his haunted-house story from the ghost’s point of view. It seems in his view that, even after death, spooks don’t give up the ghost of the human impulse to endure. Yet they, too, can lose their way, just like their living counterparts. Maddeningly, A Ghost Story can seem more like a creative exercise than a fully formed narrative construct.

sacurrent.com • July 26-August 1, 2017 • CURRENT 31

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CURRENT • July 26-August 1, 2017 • sacurrent.com

FOOD

San Antonio’s first food hall is now open

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As you read this, hundreds of people will have experienced the latest in San Antonio dining. The Bottling Department Food Hall, a first of its kind for San Antonio and second in Texas after Houston’s Conservatory, is several years’ worth of planning and research by the Pearl management that’s adding not one, not three, but five new eateries to the already popular district known for pushing San Antonio’s food scene into the national spotlight. Food halls, a staple in Europe, are taking the U.S. by storm with early adoption from either coast and now, San Antonio is has its very own. Like food halls in L.A. and Atlanta before it, the Bottling Department will be used as incubator space for young entrepreneurs, but expect to find familiar faces inside the building, originally built in 1894, destroyed by fire in 2003 and brought back to life by Clayton & Little Architects (also responsible for Cured and the former Arcade Midtown Kitchen). With five new eateries and a bar opening, the rush the area is about to experience is worrisome for this writer, but Shelley Grieshaber, the Pearl’s director of culinary operations shared what steps were taken to guarantee a successful launch including a 20-member team of Bottling Department staff from bartenders to utility workers. “There’s lots of failsafes in place we’re hoping for that kind of rush, which we expect when we first open,” Grieshaber says. The five concepts changed within that handful of years Grieshaber researched food halls across the country. “I was not looking for specific concepts, but was looking

US S BR YA N RINDF

BOTTLED UP

FOOD PHOTOS COURTESY OF KNOX PHOTOGRAPHICS

JESSICA ELIZARRARAS + RON BECHTOL

•

Tenko Ramen (background), The Pearl's Bottling Dept.

for food not represented here, so as to not create undue competition,” Grieshaber said while sharing a list of items that she felt needed to be available at the food hall. The diversity in items is impressive — there’s ramen and Japanese fare, donuts, hand pies and soft serve, fresh bowls and salads, rotisserie chicken, porchetta and burgers. All are ideal for the programming the Pearl’s rolled out with the addition of the splash pad-equipped Pearl Park. Of course, when a restaurant opens these days, the brouhaha that follows from the influx of food lovers, influencers, and food writers can lead to long waits and skewed first impressions. Maybe, because this is five restaurants opening at once, we could give it a minute. “I’m hoping, the public will be patient,” Grieshaber says. In other words, don’t go hangry. Here’s a quick breakdown of what diners can expect from the city’s first food hall. TENKO RAMEN // Patience will be required if the lines resemble those from Tenko’s early pop-up days at Brick. Opened by chef Quealy Watson (formerly of Hot Joy) and business partner Jennifer Dobbertin, Tenko — named for a mythical, gold nine-tailed kitsune or fox — will serve up a similar menu to those 2016 pop-ups. Expect to find kimchi, chicken fajita karaage, gyoza, and a chicken katsu sandwich, as well as three mainstay ramen bowls, a Tokyo shoyu ramen, spicy miso tonkotsu ramen and a double mushroom ramen. Prices will vary from $3 to $11, with ramen add-ons ranging from .50 cents for chili and garlic and $3.50 for chashu pork. But with limited seating in the Bottling Plant (100 or so

for all five eateries), most will offer to-go options. Large deli storage containers will be used for ramen, but Tenko’s enlisted the help of local artist Jamie Stolarski to take their packaging in a more specific direction. The artist (responsible for the infamous Manu prayer candle) drew influences from 1970s Japanese horror cinema, posters and graphics for the shop’s packaging and branding that extends from chop stick wrappers to square sandwich boxes for the katsu sandwiches. MAYBELLE’S // You’d think that as accomplished a trio as Bakery Lorraine’s Jeremy Mandrell, Anne Ng, and Charlie Biedenharn could whip out a donut shop with five hands tied behind their collective backs. Apparently, if you want to avoid packaged mixes and knee-jerk “unicorn” glazes, it ain’t that easy. In contrast to Lorraine’s extensive menu, Maybelle’s will offer donuts, fried pies, coffee, and soft-serve ice cream — that’s it. But “some people may want donuts one morning and fried pies the next afternoon,” suggests Biedenharn, speculating that the donuts (they will be made at Lorraine’s commissary kitchen on Eleanor) will likely be the first to sell out, whereas the fried-to-order pies are expected to last all day. Both have been subjected to extensive testing — the donuts four at a time in a countertop fryer, before the big “donut robot” had arrived at the commissary. “We’re doing a brioche dough yeasted donut,” says Mandrell; And the chefs looking at glazes purely with Instagrammable flash. Chocolate glaze with sea salt, dehydrated raspberry with hibiscus, and passionfruit with

sacurrent.com • July 26-August 1, 2017 • CURRENT 33

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FOOD

•

Maybelle's will offer donuts, hand pies and soft serve

strawberry — combinations that work are the goal. “We could get wild and make a $7 donut,” says Mandrell, “but our ‘competition’ is really Shipley’s, so nothing over $2.50 or $3” is contemplated in accord with the family-friendly nature of the Food Hall. For their part, the pies — all sweet, as “the hall’s savory aspect is taken care of with other vendors” — will be wrapped in puff pastry (house-made, natch), and all fillings will be made from scratch. Think peach Melba and strawberry with rhubarb and a price point of around $4. The soft serve will be the last to come together as the machine had just been installed minutes before our interview. THE GOOD KIND // The Tim McDiarmid-led project was technically announced last summer and was going to have a very different feel than as part of the five-some going into the Food Hall. Originally slated for the space once used by One Lucky Duck, The Good Kind seamlessly transitioned its plan into the Bottling Department Food Hall. Those familiar with the Canada-born caterer’s concept, Tim the Girl, already know what’s in store: good, guilty-free food. Market-goers have had a chance to sample The Good Kind’s menu for the past several months, but TGK’s menu offerings are extensive. A Grab-n-Go refrigerator will make it easy to pick up clean, nourishing, sustainable and delicious food that can accommodate paleo and Whole30 diets. Expect to find salads (soba noodle, Lacinato kale salad, cilantro pumpkin seed slaw), sandwiches (a hippie sandwich with hummus, yogurt feta, shaved veggies; roast beef and Havarti with pickled onions and horseradish aioli) side salads, dips and snacks, dressings, and protein-add ons (chicken, feta, beef meatballs, bacon, avocado, hardboiled eggs, nuts and seeds). The dine-in menu will feature more breakfast options, smoothies, warm and pressed sandwiches and toasts with prices ranging from $6 to $9. BUD’S ROTISSERIE // Another familiar face comes by way of Bud’s Rotisserie from chef Pieter Sypesteyn and wife Susan. In fact, Where Y’at Food Truck, the

Sypesteyn’s first project was going to be a porchetta truck before chef pivoted his menu. “We ended up putting it on the back burner and then opened Cookhouse and NOLA Brunch, but this opportunity came up,” Sypesteyn says. He’s adding what he calls the two most essential and classic Southern dishes — rotisserie chicken and Louisianastyle porchetta — with accompanying sides. With a kitchen about as big as the one in NOLA Brunch & Beignets (read: tiny), Sypesteyn and co. aren’t trying to reinvent the wheel. They’ll feature Southerninspired sides with an extra bit of oomph such as roasted potatoes with drippings from the pork and chicken, Cajun cornbread, potato salad, candied yams and braised greens. The proteins will be available in sandwich or plate form and prices will range from $12 for plate/sandwich and two sides, or $8 for a quarter-pound of porchetta or half chicken. Bud’s might just give other take-home rotisserie birds a run for their money.

dog and grilled cheese for the kiddos. “Expect a good, simple All-American burger,” Remolina says.

WINE LIST // Scot Ota is a busy guy. Not only does he run High Street, a popular, seven-days-a-week wine bar at Pearl, but he has taken on the job of devising a universal wine list for Pearl’s Bottling Department Food Hall. He’ll also be training staff in the basics of wine and wine service. Crazy or what? “This is something I’ve wanted to do for a long time,” says Ota. He’s referring specifically to a way to make wine ordering easier for the ordinary customer. Yes, one side of the document he’s devising for the hall will be relatively standard, listing wines by style: bright white, earthy red, sparkling, etc. But the other side is where the innovation comes in. It will be laid out like a floor plan of the hall with a section devoted to each business (ramen, burgers, healthy bowls, donuts … ) as you would encounter it walking through the main door. And each designated section will contain a listing of the wines recommended by Ota for that vendor: bold reds (mostly) for burgers, Rieslings (maybe) for ramen, FLETCHER’S BURGERS // Sergio bubbly for donuts and fried pies (because Remolina is perhaps the freshest face in why not) … the batch of restaurateurs to join the Food Ota admits that “the [low] price point may Hall, but his resume is equally impressive. pull some of our customers away at High The chef hails from Ciudad Juarez, Mexico, Street” in that he’s contemplating no wines by where he opened a Mexican contemporary the glass above $9 and no beers above $6. But restaurant. After border violence forced him away he’s equally convinced that that same pricing will from home, Remolina found his place at the Culinary help create a new audience for High Street, an audience Institute of America. He was the opening chef for the that will grow to prefer good glassware to plastic cups and school’s Bocuse restaurant in New York City before being an extensive, world-wide selection to the “15 or 20 value named Director of Latin Cuisine Studies and relocating wines” he’ll be able to accommodate at the hall. No merlot, to San Antonio. Remolina left his position with the CIA to in case you were wondering. open Fletcher’s, a casual joint that aims to deliver burgers But there will be exceptional wines in every “weight made with quality ingredients. class,” to include cabernets, chardonnays and even a “very “Fletcher’s was an opportunity to get back into the food-friendly” mencia from Spain. And whether fruity or restaurant industry,” Remolina says. “When they asked me to earthy, bright or bubbly, each wine should get to you in do it, I couldn’t think of a food more democratic than burgers.” under a minute — “just slightly longer than ordering coffee.” Brioche buns will be shipped in from Tribeca Ovens in New Jersey, chicken will come from Red Bird Farms and The food hall is open 7 a.m.-9 p.m. Sunday-Thursday; 100-percent grass-fed beef will be used for this endeavor. 7 a.m. to 10 p.m. Friday-Saturday with hours varying Expect three burgers, one crispy chicken sandwich, a hot or each restaurant. sacurrent.com • July 26-August 1, 2017 • CURRENT 35

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TEAM BUILDING Adkins’ Cactus Land Brewing Co. shows couples commitment to craft

“The first brew day was awful,” Erica recalled in conversation with the Current. “Hops went all over the stove. We were up ‘til 2 o’clock in the morning. I was like, ‘What are we getting ourselves into? We’re chilling our beer in the bathtub on ice!’” Such an incident might have discouraged other first-time homebrewers — and, for a couple barely a month into their relationship, resulted in some domestic discord. Instead, the Teagues dutifully bottled, labeled, and consumed the beleaguered batch (dubbed “Buzzard Breath”), recalibrated their approach, and have made brewing a cornerstone of their relationship ever since. The couple opened Cactus Land in January of this year in Adkins, just across the Bexar County line in Wilson County on property owned by Dustin’s parents. Built out on nights and weekends away from their day jobs, the Teagues’ commitment to craft is apparent right down to their flight boards — Dustin and Erica tore down their backyard fence to make them. Cactus Land’s output covers the style spectrum, ranging from saisons to stouts. Brewed on a 2-barrel system with a storied history (it started out brewing macros lagers at SeaWorld’s Busch Gardens), beers The first time Dustin and Erica Teague tried come at around 60 gallons a batch, with pilot recipes run on Dustin’s original, hand-built homebrew setup. to make beer, they wound up painting the kitchen with wort. Nevertheless, the Cactus They’ve got a collaboration under their belt already, too: together with fellow newcomers Weathered Land Brewing Company co-founders persisted, and Souls, they produced Truth of Darkness, an imperial now San Antonio is reaping the benefits.

≥

• Dustin and Erica Teague outside of Cactus Land

stout pitched with cocoa nibs and vanilla beans. Currently, San Antonians can find Cactus Land beers at The Hoppy Monk and The Growler Exchange. The taproom also maintains weekend hours, where visitors can experience onsite exclusives, such as their ongoing “Texas Juice” series of New England-style IPAs, or the Lucas, a gose which Erica dresses with the venerable tangy candy. In keeping with their DIY ethos, the Teagues are accomplished foragers. The bulk of their adjuncts, from prickly pears to mesquite wood, come from their own property. “We pick all the prickly pears onsite. The mesquite that we use for our farmhouse mesquite we got all onsite,” Dustin said. For him, such attention to quality is not just good craftsmanship, but good business planning. “Good craft beer, in my opinion, is 50 percent marketing and 50 percent good beer,” he said, “and the good beer does the marketing itself, so it’s technically 100 percent marketing.” So how has running a brewery impacted their relationship since that first ill-fated brew? “I’ve learned so much more about him,” Erica says. “I feel like we’ve both grown so much from this experience.” “It’s also helped us stay occupied,” Dustin adds. “We have stuff to do. We’re never bored.” 368 County Road 325, Adkins, (210) 414-2776.

sacurrent.com • July 26-August 1, 2017 • CURRENT 37

CULTURE

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MUSIC

CHRIS CONDE

SPEAKING IN RHYME

Local rapper D.R.O. drops new single

≥

The art of rhyming words together through phrases that fold over instrumental beats, i.e. rapping, can have a dramatic affect on artists seduced by its grit and charm. Among the many is Dillon O’Con — a local, half Mexican, half Caucasian, 24-year-old rapper and producer that performs under his initials D.R.O. The rapper told the Current that after freestyling with some friends at party during high school, he began to pursue hip-hop as form of art and personal expression. Curious about the history and culture of the genre, O’Con took a class called “The Psychology Of The African American Experience,” while attending the University of Texas in Austin. He says the experience helped him develop more of an understanding of his place in the rap community — if a person is going to assume a role in the music and art of hip-hop, they should be conscious of their conduct within it. “I’m a guest in hip-hop,” said O’Con, “I’ll always be a guest.” In 2015, O’Con released his first collection of music, the eponymously named DRO EP which was distributed on vinyl through Australian label Fifty Records. A year later came EAT, the second official release and first full-length album from the San Antonio native, which he says was “way more conceptualized” as opposed to the DRO EP, which O’Con likens to a “collage” of his youth. Throwing samples out the window and deciding to instead employ the natural sounds of live instrumentation, EAT’s cohesiveness represents an evident progression in skill and focus from the rapper/producer. The rapper just released a new single titled “Light Privilege” (stylized “light privilege”), which sounds like the psychedelic trap beats A$AP Rocky is known for rapping over, matched with the inward-dialogue-lyricism of alternative rappers like Slug from Atmosphere and Aesop Rock. “[‘Light privilege’ is] about identity crisis,” O’Con told the Current while explaining that the track explores the themes of race, appropriating and misappropriating culture, and the examination of his own privilege as a lighter skinned person. With a brand new track to tease an album he hopes to have out before the end of the year, O’Con’s combination of selfexamining lyricism and hard-hitting production create a blend of hip-hop that’s conscious, sophisticated, and set apart from this next generation of rappers. theofficialdro.bandcamp.com

JAIME MONZON

SOTIAL

CHRIS CONDE

SCREAMS FALL SILENT: Local rockers weighin on the death of Linkin Park’s Chester Bennington

≥

In 2000, my brother and I each got a CD from our grandmother for Christmas. I got Vast’s Music For People my brother got Linkin Park’s Hybrid Theory (I think someone at the record shop helped her pick those out for us). Being a huge fan, back then, of nu-metal bands like Limp Bizkit and Korn etc., I spent less time listening to Vast and more time soaking in Mike Shinoda and Chester Bennington trading off rap verses and screaming choruses over glitched guitars chords and turntable scratches. Shit was magical (I’m actually re- listening to it while I write this). As we all know, the band exploded, securing a ton of awards for Hybrid Theory including Grammy’s for Best Hard Rock Performance for “Crawling” in 2002 and Best Rap/Sung Collaboration for “Encore/Numb” with Jay-Z. Even though the band managed to evolve beyond the increasingly unpopular sound of nu-metal and rap-rock, somewhere in the midto-late aughts, Linkin Park’s movement towards alt-pop was met with much criticism from their original fanbase, but still continued to rank high on the music charts like with One More Light which garnered the number one spot on the Billboard Music chart and was released back in May of this year. So, when my co-worker/work-wife Jessica Elizarraras told me from across the office (her desk is like 10 feet away), that reports of vocalist Chester Bennington’s death were starting to roll in, my heart sank. And because it’s my job to report shit that I think our readers (like you) might want to know, I busted out a quick report about Bennington’s untimely suicide, which just happened to be on the late Chris Cornell’s birthday – another alumnus of rock and roll fame who took his life earlier this year. Law enforcement sources told TMZ the singer hanged himself at a residence in Palos Verdes Estates in L.A. County. Bennington’s body was discovered just before 9 a.m. Thursday, July 20. The band was scheduled to start a tour with a concert on July 27 in Mansfield, Massachusetts with a stop in San Antonio on August, 23.

Given San Antonio’s love of all things alternative (see KISS’ perma-aughts streaming), this death echoes especially loud. Vocalist Bryan Scott of the recently-reunited, local nu-metal act Union Underground headlined a tour in in 2000 — Linkin Park opened. Scott released this statement to the Current: “I’m shocked and saddened today by the news of Chester Bennington’s apparent suicide. My condolences to his family and bandmates in Linkin Park. I’ve shared the stage, and some laughs, with him many times. It was a privilege having him and the guys on the road, as an opening act believe it or not, with Union Underground just prior to Hybrid Theory being launched. I remember him playing me rough mixes one night of ‘In The End’ and ‘Crawling’ and I commented that ‘this record will easily do 10 million copies’ and I meant it. Of course I was off by about 6 or 7 million, as it went on to top 16 or 17 million copies. The phenomenal success of LP is well deserved and I’ve personally been inspired by their prolific and experimental songwriting and killer production skills over the years. And as a singer I’ve always been very humbled by his monstrous and multi-faceted voice. We will be robbed of new melodies to enjoy, but your amazing body of work lives on forever." Local artist Nina Diaz who fronts the wellknown rock outfit Girl in a Coma commented, “I wasn’t influenced by him really, but of course respect what he did. I know he was a fan of Depeche Mode so I thought that was cool. And he sang with STP for a second. I mean, I admit I’ve been suicidal, but it goes away eventually. Just crazy when someone really does it. What goes through their mind till the end!?” The band released a statment via their website early Monday morning, July 24, several days after co-vocalist/rapper confirmed Bennington's passing on Twitter.. Despite Linkin Park’s move towards a less angsty sound, with his piercing screams, contemplative lyrics and soaring vocal melodies, Chester Bennington’s contribution to rock 'n' roll won’t soon be forgotten.

sacurrent.com • July 26-August 1, 2017 • CURRENT 39

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So, if you haven’t yet noticed, the fandom surrounding videogames and gaming culture continues to grow through the years with events like PAX (Penny Arcade Expo) uniting gamers across the U.S. and Australia to celebrate their love for all things arcade. Emerging from game adoration are a number of bands that whose either lyrics or music are sampled from (or inspired by), that’s right, video games. This coming Monday, six bands and artists from four cities will rendezvous at 502 Bar to perform their video game jams. Included in the lineup is Arizona’s Mega Ran who’s arsenal of raps include everything from breaking down the history of Megaman to a first person perspective of Dracula from the Castlevania series. With Bitforce, Kirby’s Dream Band, Descendants of Erdrick, Ohm-I, 8-Bit Family DJ R.O.C.K.M.A.N., $5, 21+, Super Best 8pm, 502 Bar, 502 Embassy Friends Oaks, (210) 257-8125, 502bar. Jamboree com. – CC

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Residing just up the I-35 corridor in Austin, Texas, the quartet Alex Napping have been pumping out their indie-pop jams since 2013. A nice breather from the synth-heavy age we’re currently in, the band’s guitarforward tracks and are reminiscent of The Broken Social Scene’s instrumentation matched with breathy female vocals of artists like Laura Veirs. While Alex Napping may sound like they might’ve been on a indie record label sampler CD from 2004, their songwriting is still catchy as hell and definitely worth noting. Also on the bill is Elena Lopez’s new project Elnuh, a dreamy garage project that sounds like if Hole went in a psychedelic pop direction. $10, 7pm, Paper Tiger, 2410 N. St. Mary’s St., papertigersatx.com. – Chris Conde FRI

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ANDREW DOENCH

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It seems that, what with tricentennial fever in the air and all, folks have been possessed by a renewed zest for knowing, understanding, and celebrating the artists, and doers of all types, who laid the spiritual groundwork (if you will) for our city’s singular soul. This type of joyous bringing-to-light-of-history is, no doubt, what the organizers of The Pearl’s “Canciones” had in mind. A new summer concert series hosted at Pearl Park, “Canciones” is about showcasing local (SA and South Texas) voices and celebrating bygone talents at the same time, all in a relaxed, traditional Texas song pull style. This weekend’s event will feature Tish Hinojosa, Rosie Flores, Nina Diaz (of Girl in a Coma), Mike Ryan, and David Rodriguez, all performing and telling stories about songs that have helped shape the musical landscape of San Antonio. Free, 5:30pm8:30pm, Pearl Park at The Historic Pearl, 200 E. Grayson St, atpearl.com. – James Courtney FRI

Albuquerque band the Red Light Cameras has a few different sounds that it seems to move in and out of with seamless ease. From silky and often danceable indie pop to soulful garage rock, Red Light Cameras just might be better off not knowing exactly where to place itself. You can dig the band’s music, full of stomping energy and hallmarked by lead singer Amanda Machon’s earthy voice, at redlightcameras.bandcamp.com. Joining the traveling outfit on this bill will be local indie-pop-rock upstarts Booty Feet, which, from where we sit, is one of the most talented (and entertaining) acts in town (especially live). For a listen to Booty Feet’s kinetic sound, dig the group’s recent split EP (with Elnuh) at bootyfeet.bandcamp.com. $10, 8pm, Paper Tiger, 2410 N. St. Mary’s St., papertigersatx.com. – JC SAT

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WHITNEY THOMAS

MUSIC

THE ROTEM SIVAN TRIO As scores of shows are billed every week here in Alamo City, the few that land in our “top picks” are the sort of the shit that we think y’all would like to see or should know about (duh). Out of the nine or so in this particular bunch however, we’re super duper excited about Rotem Sivan Trio’s appearance at Carmen’s. While we try to highlight all sorts of artists across the vast musical spectrum, Jerusalem-born jazz-guitarist Rotem Sivan is quickly becoming a revered guitarist in the international jazz community and absolutely should be on your weekend itinerary. On “Shahar,” the opening track off his newly released album Anitidote, Sivan’s fingers walk across the fretboard of his guitar producing these sort of whispering melodies that fall elegantly between bassist Haggai Cohen Milo and drummer Colin Stranahan. And even if you’re not a fan of Chick Corea or other fusion artists, it’d be hard not to appreciate the sheer skill it takes for The Rotem Sivan trio to achieve the textured and dynamic sound that they’re becoming known for. $20, 8pm, Carmens De La Calle Cafe, 320 N. Flores St., (210) 281-4349, carmensdelacalle.com. – CC SAT

REGGAE

FESTIVAL

29

LA VILLITA HERITAGE SOC:

WILL DOWNING Blessed with a versatile and endlessly palatable baritone, neo-soul/R&B crooner Will Downing is the real deal. Over his nearly 30-year career, he’s amassed an impressive catalog of songs, ranging from radio-ready to even more radio-ready, from pure silk to a silky cashmere medley. Sure, this is baby making music, but it’s also forget-your-troubles music, fall-backin-love-with-someone music, and celebration music for the spectrum of human feeling. Take someone you love. Take someone you hope to love one day. Probably don’t go by yourself. Downing will be supported on this bill by singer Chante Moore and gifted saxophonist Marion Meadows. $45-$60, 8pm, The Majestic, 224 E. Houston St., (210) 226-3333, majesticempire.com. – JC SAT

29

THIS WILD LIFE Cue Hot Topic emo tears in 3, 2, 1 …OK, all scene-kid, mascara sobs aside, Long Beach, California’s This Wild Life actually isn’t as cheesy as you might think at first listen. Sure, the duo definitely fall into that acoustic, second-wave-emo sound made popular by acts like Dashboard Confessional and Bright Eyes, but they manage to add whispers of atmospheric post-rock and contemporary indie pop that give them a little bit more of a fresh take on the genre. It’s definitely not bad and even if you haven’t spun a Further Seems Forever record in a minute, it might be worth checking out a group that’s keeping the emotional side of post-hardcore alive. $17, 7pm, Paper Tiger, 2410 N. St. Mary’s St., papertigersatx.com. – CC SUN

30

ROWAN DALY

A year ago, the inaugural San Antonio Reggae Festival (not to be confused with BobFest fka Marley Fest) went down at Rosedale Park, in the heart of a vibrant and proud community, to little fanfare. The event, however, was a success in many ways, and it’s back again for its sophomore year of celebrating reggae (and dancehall) music and the rich cultural heritage that surrounds it. Reggae is, after all, a music for proclaiming joy and lifting practitioners and audiences alike out of darkness. This year’s family-friendly affair will feature Jamaican acts like pioneering 1980s reggae/dancehall DJ King Yellowman, dancehall duo Tanto Metro and Devonte and more. Several SA-based reggae groups with also take the stage, including the Skunk Brothers and Saltwater Slide. Besides the live music, SA Reggae Festival 2017 will also feature drinks, food trucks, assorted vendors, and a special children’s area. Canned donations will be happily accepted on behalf of the San Antonio Food Bank. $20-$30, 11am11pm, Rosedale Park, 340 Dartmouth St., (210) 980-5634. – JC SAT

JENNIE BARST

SAN ANTONIO

29

FROGGY FRESH Originally going by Krispy Kreme, before the donut company of the same name forced him to change his monkier, Froggy Fresh is a comedy-rapper who became famous through YouTube (yep, one of those). Most likely popping up in the “suggested videos” column on YouTube while smoking weed with your friends, the rapper’s video for “The Baddest” garnered over 11 million views on it’s original upload which subsequently landed the artist on a number of websites including College Humor, Huffington Post and an appearance on Tosh.0. If you’re a fan of groups like like The Lonely Island and appreciate a good “lol” from time to time, do yourself a favor and watch the video for “Dunked On” then go see him live. I promise your life will be forever changed. $15-$50, 7pm, Paper Tiger, 2410 N. St. Mary’s St., papertigersatx.com. – CC TUE

COURTESY OF FROGGY FRESH

1

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MUSIC

MUSIC CALENDAR WEDNESDAY, JULY 26 Arise Roots Roots reggae act joined by Dubbest and Soulfiya. $10. Jack’s Bar, 8-11:45pm Bru’s Tunes Live acoustic music by Bru’s Tunes. Free. La Hacienda De Los Barrios, 6-9pm The Georges Rockabilly. Free. Gruene Hall, 7-11pm

Montana, joined by Germ and Ramirez. $20$40. The Korova, 8pm Three Volt Dimes Blues, country, rock and R&B. Free. The Cove, 8:30-10:30pm Thursday Afternoon Picker Circle with Hayden Whittington. Free. Luckenbach Dance Hall, 5-9pm

Mercyful Fate tribute), joined by Bloodline (Slayer tribute) and Head Hunter (Krokus tribute). $10. Fitzgerald’s Bar & Live Music, 8pm West Kings Highway Friday Night Residency at Sancho’s Cantina. Free. Sancho’s Cantina, 7-9pm SATURDAY, JULY 29

Aaron Watson Guitarist from New York City, Vesperteen Pop/rock act joined by The Please Please Me and Tera Ferna. $10-$12. Jack’s Bar, joined by Sam Riggs and Hunter Hutchinson. $23.10-$960.74. Whitewater Amphitheater, 7-11:45pm 7:30pm FRIDAY, JULY 28 Picker Circle With Jimmy Lee Jones every Angela Taylor’s AVM Benefit Performances by Balcones Heights Jazz Festival Paul Jackson, Monday and Wednesday. Free. Luckenbach Sad Wings (Judas Priest Tribute) feat Jason Jr., Phillip “Doc” Martin, Chase Huna, Oli Silk Dance Hall, 5pm McMaster, Byfist, Syrus, Killstorm, and Trejo. and more. Free. Wonderland of the Americas $15. The Phoenix Saloon, 7pm Primetime Jazz Orchestra John Magaldi’s Amphitheatre, 7:30 & 9pm primetime jazz orchestra. Free. The Cove, 8-10pm Bruce Robison Country/folk artist joined by Jeff Cory Morrow Country act performing in Whitehead. $12-$15. John T Floore’s Country Royal Dukes Band Showcase playing a variety support of his latest release. $16-$20. Big Store, 9pm of music from top 40 to classics. Free. Texas Ice House & Dance Hall, 9pm Fitzgerald’s Bar & Live Music, 7:30-8:30pm Chris Castaneda Project R&B and psychedelic Derrick Davis Band Austin alt-rock act. Free. soul. Free. The Phoenix Saloon, 9pm Storytime with Jamie Lin Wilson & Friends The Phoenix Saloon, 9pm Americana artist joined by Cody Canada. $12Cropdust, Fumar Dallas act joined by Dylan Bishop R&B at Luna. $10. Luna, 9pm $45. Sam’s Burger Joint, 8:30pm Fixdid,The Bastard Son and Bluntsplitter. Eddie & the Boozers Classic rock, country and $5-$8. Bond’s 007 Rock Bar, 6pm THURSDAY, JULY 27 top 40 dance songs. Free. Taco Haven, 8pm An Evening of Sophisticated Sounds of Soul 210 Blues Band R&B by 210 Blues Band every Featuring Will Downing, Chante Moore, and Thursday & Sunday. Free. SoHo Wine & Martini Hair Jordan “Weirdos in the Sun” tour. Joined by Sheevaa, Icaria, Dreamlight and more. $10. Marion Meadows. $50-$60. The Majestic Bar, 10pm The Korova, 4pm Theatre, 8pm All Stories End Joined by local alt-rock band Hot Texas Swing Band Country/Americana. Exit Stage Left Rush tribute band joined by Secret Silent and A.O River. Free. Fitzgerald’s Free. Luckenbach Dance Hall, 8-11pm Stinger (San Antonio cover artist.) $10-$15. Bar & Live Music, 9pm Fitzgerald’s Bar & Live Music, 7pm August Alsina Alternative hip-hop artist on his Idina Menzel Tony Award-winning superstar on her global tour. $69.50-$175. Tobin Center for Flat Top Jones Country act Flat Top Jones. “Don’t Matter Tour.” $25-$195. Aztec Theatre, the Performing Arts, 8pm Free. Gruene Hall, 1-5 p.m. 8pm The Lavens Americana covers and originals. Free. The Cove, 6:30-8:30pm

Ray Wylie Hubbard Texas country singer/ songwriter. Joined by Dalton Domino. $20. Gruene Hall, 8pm Billy Roy Of the Mismatch and Friends performs Americana. Free. The Phoenix Saloon, 9pm Rookie with Rockets Joined by Rain on the Dirty River Boys Country rock act. Free. Whitewater Amphitheater, 8pm

Aftermath, Forsolace and Party Robot. $5. Zombies, 9:30pm

The Dirty River Dixie Band Traditional Dixie music from Seguin. $10. Jazz, TX, 8:3011:30pm

Ruben V Blues, Latin, soul, and rock musician, joined by Jimmy Spacek. $10-$50. Sam’s Burger Joint, 9pm

The King William Jazz Collective Jazz music at Luna. $5. Luna, 9:30pm

Slightly Stoopid Dub/rock/blues act from California, joined by Iration, J Boog and The Movement. $30.02-$886.84. Whitewater Amphitheater, 6:30pm

Randy Rogers Country act joined by Wade Bowen for their “Hold My Beer and Watch This” tour. $18-$400. John T Floore’s Country Store, 9pm Shakewell Five-piece funk/rock act from

Small Town Habit Texas country act. Free. John T Floore’s Country Store, 9pm Texas Mayhem Tour The Oath (King Diamond/

Strangelove Los Angeles based tribute to Depeche Mode, performs at the Aztec. $13$35. Aztec Theatre, 8pm The Strayhearts Acoustic Americana at Luckenbach. Free. Luckenbach Dance Hall, 1-5pm

Nate Guthrie Of the Shady Rest Band performs an acoustic set. Free. The Phoenix Saloon, 8:30pm

Bandaholics Honchos Claude “Butch” Morgan, Trevor Doak Morgan, and Robert “Robar” Adams perform original music. Free. Sancho’s Cantina, 7-9pm

jams. $5 after 10pm. The Well, 9pm

JJ Thames Mississippi blues. $10. Luna, 9pm

Thomas Michael Riley Country, rock, folk and blues. $10. Luckenbach Dance Hall, 8-11pm Wayne “The Train” Hancock Country/ rockabilly act joined by Jesse Dayton. $12. Gruene Hall, 9pm SUNDAY, JULY 30 210 Blues Band R&B by 210 Blues Band every Thursday & Sunday. Free. SoHo Wine & Martini Bar, 10pm Adam Johnson Band Blues trio. Free. The Cove, 7-9pm The Last Honky Tonk Music Series Country/ southern rock acts Dallas Moore, Hal Bruni and Brad Boyer. Free. Luckenbach Dance Hall, 1-5pm Leo Emry Leo Emry performs at The Cove. Free. The Cove, 1-3pm Mike Zito Band Blues act Mike Zito Band. Free. Gruene Hall, 5-9pm Onel Jazz saxophonist. Free. The Cove, 4-6pm Slim Bawb Cajun/folk act. Free. Gruene Hall, 12:30-4:30pm Sunday Evening Picker Circle With Bill Lewis every Sunday. Free. Luckenbach Dance Hall, 5-9pm MONDAY, JULY 31

Josh Heinrichs Reggae act joined by Free’Dem Sesh and Polynesian Underground. $12-$15. Jack’s Bar, 7pm

Picker Circle With Jimmy Lee Jones. Free. Luckenbach Dance Hall, 5-9pm

Kreayshawn DJ Set Oakland artist Kreayshawn DJ set, joined by Ghostpizza and Creepside. $8-$35. Limelight, 8pm

Swing Nite with Johnny P. and The Wiseguys Jazz act at Swing Nite at Sam’s Burger Joint. $7-$10. Sam’s Burger Joint, 8:30pm TUESDAY, AUGUST 1

Mechanize, Numerals Metal act from Kansas City, joined by Numerals and Vernon of Persia. Free. The Bang Bang Bar, 9pm

Jazz on the Rocks Live jazz and happy hour. Free. St. Anthony Hotel, 5-7pm

Monster Bash Local act joined by Solitary Runaway and DJ Xyla. Free. The Amp Room, 9pm

Phora Independent rapper from Orange County, performs on his Yours Truly 2017 tour. $22$102. The Korova, 7pm

Red Light Camera Female-fronted band playing Tuesday Evening Picker Circle With Him & Her Trio. Free. Luckenbach Dance Hall, 5-9pm a mix of soulful rock and garage pop, joined by Booty Feet. $10. Paper Tiger, 8-11pm Two Tons of Steel Local rockabilly act play at their weekly Two Ton Tuesdays show. $5. Mixtape Valentine Live Songs from 80s New Gruene Hall, 8:30pm Wave classics to 90s and 2000s pop-rock

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CREEPERS > I’m a reader in Kansas with two teenage daughters, 16 and 18. My girls recently met a boy where they work and both took an interest in him. The 18-year-old was devastated that he was more interested in her younger sister. I spoke to the 16-year-old about it, which is when I found out this boy is going to be a sophomore in college. The fact that he’s interested in a 16-year-old is a red flag. I asked the 16-year-old to keep her distance. She agreed, but I saw a shirtless photo he sent her. I don’t know what other photos he’s sent and I don’t know what she’s sent him, but I immediately removed all photo apps from her phone. The girls have had public fights about this boy. They’ve made peace with each other, but now my 18-year-old wants to date him. I can’t control the actions of an 18-year-old but (1) it seem likely this guy is a complete creep and (2) isn’t her relationship with her sister more important? Knowing A Numbskull Stalks Adorable Sisters 1. I’m not ready to pronounce this guy a creep — at least not for the age difference. It sounds like he met your daughters someplace they’re all working this summer, which is a lot less icky than some college boy creeping on highschool girls via Instagram. And you say this boy is going to be a sophomore in college, KANSAS, but don’t give his age. There are 30-year-old college sophomores, of course, but if this boy went straight to college from high school, that would make him 19 years old. If your 16-year-old is closing in on 17, this guy could be “older” by two years and change. While I can understand

SAVAGE LOVE by Dan Savage

why you wouldn’t want your younger daughter dating college boys, I think you are overreacting to the age difference — and it’s a moot issue, as he’s no longer pursuing your younger daughter. 1.5. You know what is creepy? Pursuing a pair of sisters. The possibility of conflict was so predictable, it was likely a motivating factor for him. Getting off on drama and public fights isn’t a crime, but it is a red flag. 2. You ordered your 16-year-old to stop seeing this guy and deleted apps from her phone. (It’s cute you think your daughter isn’t tech-savvy enough to re-download and hide all the same apps.) You should warn your daughter about the risks of sexting — it may be legal for her to have sex (16 is the age of consent in Kansas), but she could face child porn charges for sending photos and this boy could wind up on a sex-offender registry for receiving them. (Laws meant to protect young people from being exploited are routinely used to punish them.) But don’t attempt to micromanage your daughters’ love lives. Parental disapproval has a way of driving teenagers into each other’s arms, KANSAS. If you don’t want your daughters having a fuck-you-mom threesome with this guy before the summer is over, you’ll let them work through this on their own — but go ahead and stitch “boys come and go but sisters are forever” on a couple of pillows and put them on their beds. Listen to Dan on the Savage Lovecast every week at savagelovecast.com. mail@savagelove.net @fakedansavage on Twitter ITMFA.org

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“It’s PAT” — some pat answers, yes. ACROSS

1 Chicken ___ (Italian dish, informally) 5 TV logician 10 Blot 14 Hairy twin of the Bible 15 Fluorescent bulb gas 16 ___ cosa (Spanish “something else”) 17 French term for a temporary residence 19 Algerian setting for Camus’s “The Plague” 20 Did some pranking 22 One-named ‘50s-’60s teen idol 25 Shelley’s elegy for Keats 26 Castaway’s refuge, perhaps 27 Fix eggs, maybe 29 Running count 30 Cross-shaped Greek letter 31 Diva’s rendition 33 “___ Ho” (“Slumdog Millionaire” song) 34 Duo behind the CW series “Fool Us” 39 Giants giant Mel 40 Brand in the pet aisle 41 Bigwig 43 Handled 46 Tar clump 47 John who once co-hosted “Entertainment Tonight” 48 First Lady and diplomat Roosevelt 50 Got to the point? 52 With 56-Across, low-

budget programming source 55 “It seems to me,” online 56 See 52-Across 60 Has ___ with (is connected) 61 Without ___ in the world 62 Golden State sch. 63 Construction area 64 “Death of a Salesman” protagonist 65 Marshmallow Easter treat

DOWN

1 Rally feature 2 “___ told you before ...” 3 “Insecure” star Issa ___ 4 Kid’s dirty “dessert” 5 “Damn Yankees” villain, really 6 Gazelles, to cheetahs 7 Fairy tale baddie (unless it’s Shrek) 8 “Marat/Sade” character Charlotte 9 Work out some knots 10 Symbol of deadness 11 Like some fibrillation 12 Thymine (T) : DNA :: ___ (U) : RNA 13 Graffi ti artist who opened (and closed) Dismaland in 2015 18 Words between “chicken” and “king” 21 Wrecks 22 Qualified 23 “The faster the better” 24 “Kind of ___” (classic

Miles Davis album) 27 Stereotypical last word of art films 28 “This American Life” medium 31 Sagrada Familia architect Gaudi 32 Splinter, for one 33 Leader of the Holograms, on Saturday morning TV 35 Like horror movie characters, as they eventually find out 36 Running account 37 Opening for Quest or glades 38 Shine’s partner? 42 Dissertation writer’s goal 43 Tintype tints 44 Homecoming attendees 45 Visit to an Internet page, informally 46 ___-Roman wrestling (var.) 47 Game show question that determines which team plays 49 Using half as many digits as hexadecimal 50 Most common throw with two dice (D6es, for those of you playing at home) 51 TV show that took in Ted Danson 53 Seafood in a shell 54 “Scott Pilgrim vs. the World” star Michael 57 0∞F phenomenon 58 Torero’s encouragement 59 Quick snooze

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FREE WILL ASTROLOGY by Rob Brezsny ARIES (MARCH 21-APRIL 19): Are you feeling as daring about romance as I suspect? If so, I’ve composed a provocative note for you to give to anyone you have good reason to believe will be glad to receive it. Feel free to copy it word-forword or edit it to suit your needs. Here it is: “I want to be your open-hearted explorer. Want to be mine? We can be in foolishly cool drooling devotion to each other’s mighty love power. We can be in elegant solid-gold allegiance to each other’s genius. Wouldn’t it be fun to see how much liberation we can whip up together? We can play off our mutual respect as we banish the fearful shticks in our bags of tricks. We can inspire each other to reach unexpected heights of brazen intelligence.” TAURUS (APRIL 20-MAY 20): You still have a wound that never formed a proper scar. (We’re speaking metaphorically here.) It’s chronically irritated. Never quite right. Always stealing bits of your attention. Would you like to do something to reduce the distracting power of that annoying affliction? The next 25 days will be a favorable time to seek such a miracle. All the forces of nature and spirit will conspire in your behalf if you formulate a clear intention to get the healing you need and deserve. GEMINI (MAY 21-JUNE 20): In his poem “The Initiate,” Charles Simic speaks of “someone who solved life’s riddles in a voice of an ancient Sumerian queen.” I hope you’re not focused on seeking help and revelations from noble and grandiose sources like that, Gemini. If you are, you may miss the useful cues and clues that come your way via more modest informants. So please be alert for the blessings of the ordinary. As you work on solving your quandaries, give special attention to serendipitous interventions and accidental luck. CANCER (JUNE 21-JULY 22): For many years, the Tobe Zoological Park in China housed a “praying panther” named Ato. The large black feline periodically rose up on her hind legs and put her paws together as if petitioning a higher power for blessings. I suggest we make her your spirit ally in the coming weeks. I hope she’ll inspire you to get your restless mind out of the way as you seek to quench your primal needs. With the praying panther as your muse, you should be able to summon previously untapped reserves of your animal intelligence and cultivate an instinctual knack for knowing where to find raw, pristine satisfaction. LEO (JULY 23-AUG. 22): Do you really have to be the flashy king or charismatic queen of all you survey? Must all your subjects put on kneepads and prostrate themselves as they bask

in your glory? Isn’t it enough for you to simply be the master of your own emotions, and the boss of your own time, and the lord of your own destiny? I’m not trying to stifle your ambition or cramp your enthusiasm; I just want to make sure you don’t dilute your willpower by trying to wield command over too wide a swath. The most important task, after all, is to manage your own life with panache and ingenuity. But I will concede this: The coming weeks will be a time when you can also probably get away with being extra worshiped and adored.

SAGITTARIUS (NOV. 22-DEC. 21): “The purpose of art is to lay bare the questions that have been hidden by the answers,” wrote author James Baldwin. Even if you’re not an artist, I encourage you to make that your purpose in the coming weeks. Definitive answers will at best be irrelevant and at worst useless. Vigorous doubt and inquiry, on the other hand, will be exciting and invigorating. They will mobilize you to rebel against any status quos that have been tempting you to settle for mediocrity.

VIRGO (AUG. 23-SEPT. 22): Dear Hard Worker: Our records indicate that you have been neglecting to allot yourself sufficient time to rest and recharge. In case you had forgotten, you are expected to take regular extended breaks, during which time it is mandatory to treat yourself with meticulous care and extreme tenderness. Please grant yourself an immediate dispensation. Expose yourself to intensely relaxing encounters with play, fun, and pleasure — or else! No excuses will be accepted.

CAPRICORN (DEC. 22-JAN. 19): You’re in a phase of your cycle when the most useful prophecies are more lyrical than logical. So here you go: three enigmatic predictions to help stir up the creative ingenuity you’ll need to excel on your upcoming tests. 1. A darling but stale old hope must shrivel and wane so that a spiky, electric new hope can be born. 2. An openness to the potential value of a metaphorical death will be one of your sweetest assets. 3. The best way to cross a border is not to sneak across bearing secrets but to stride across in full glory with nothing to hide.

LIBRA (SEPT. 23-OCT. 22): If extraterrestrial beings land their space ship on my street and say they want to meet the creatures who best represent our planet, I will volunteer you Libras. Right now, at least, you’re nobler than the rest of us, and more sparkly, too. You’re dealing smartly with your personal share of the world’s suffering, and your day-to-day decisions are based more on love than fear. You’re not taking things too personally or too seriously, and you seem better equipped than everyone else to laugh at the craziness that surrounds us. And even if aliens don’t appear, I bet you will serve as an inspiring influence for more human beings than you realize. Does being a role model sound boring? I hope not. if you regard it as an interesting gift, it will empower you to wield more clout than you’re used to.

AQUARIUS (JAN. 20-FEB. 18): Aquarian novelist James Joyce had a pessimistic view about intimate connection. Here’s what he

said: “Love (understood as the desire of good for another) is in fact so unnatural a phenomenon that it can scarcely repeat itself, the soul being unable to become virgin again and not having energy enough to cast itself out again into the ocean of another’s soul.” My challenge to you, Aquarius — in accordance with the astrological omens — is to prove Joyce wrong. Figure out how to make your soul virgin again so it can cast itself out into the ocean of another’s soul. The next eight weeks will be prime time to achieve that glorious feat. PISCES (FEB. 19-MARCH 20): Years after he had begun his work as a poet, Rainer Maria Rilke confessed that he was still finding out what it took to do his job. “I am learning to see,” he wrote. “I don’t know why it is, but everything enters me more deeply and doesn’t stop where it once used to.” Given the current astrological omens, you have a similar opportunity, Pisces: to learn more about how to see. It won’t happen like magic. You can’t just sit back passively and wait for the universe to accomplish it for you. But if you decide you really would like to be more perceptive — if you resolve to receive and register more of the raw life data that’s flowing towards you — you will expand and deepen your ability to see.

THIS MODERN WORLD by Tom Tomorrow

SCORPIO (OCT. 23-NOV. 21): During the four years he worked on painting the Sistine Chapel, Michelangelo never took a bath. Was he too preoccupied with his masterpiece? Modern artist Pae White has a different relationship with obsession. To create her fabric art pieces, she has spent years collecting more than 3,500 scarves designed by her favorite scarf-maker. Then there’s filmmaker James Cameron, who hired an expert in linguistics to create an entire new language from scratch for the aliens in his movie Avatar. In accordance with the astrological omens, Scorpio, I approve of you summoning this level of devotion — as long as it’s not in service to a transitory desire, but rather to a labor of love that has the potential to change your life for the better for a long time. sacurrent.com • July 26-August 1, 2017 • CURRENT 49

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