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Fewer black Cincinnatians own their own homes. The reasons why are complex â€” and some go back decades

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NEWS

Fire Training Facility Near Cincinnati Elementary School Draws Scrutiny

The Cincinnati Fire Department’s Millcreek fire training facility PH OTO: NIC K SWARTSELL

Bomb detonations and fires for training purposes have been going on just yards away from a Cincinnati public school. But the Cincinnati Fire Department says it is making some changes BY N I C K SWA R T S EL L

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ess than 700 feet from Millvale’s Ethel M. Taylor Academy, a Cincinnati public elementary school, bombs have been going off and a building is often on fire. Don’t call emergency responders. They already know. For years, the Cincinnati Fire Department has been setting cars and a speciallydesigned $3 million building alight to train fire recruits at 1898 Millcreek Road. CFD also performs bomb training and explosives disposal in a special facility there. Lately, some residents of Millvale and nearby communities — especially those with children at Ethel M. Taylor — have complained about the noise, smoke and potential health and environmental impacts associated with the site. In addition to the school, a Cincinnati Recreation Center and a daycare are nearby. Residents’ worries are just the latest in a long line of concerns with pollution and air quality in the low-income, predominantly African-American communities nestled next to the one-time industrial corridor along Beekman Street and the Mill Creek. CFD says it is listening and working to mitigate problems — but a complete fix may take a long-term effort. At a recent public meeting in neighboring South Cumminsville, CFD Chief Roy Winston pledged to stop bomb detonation during school hours and said the department alerts the schools when fires are burning. That, Winston says, triggers the school to close its vents and recirculate air

instead of letting it in from the outside. But that won’t solve all the problems, some residents say. “My son goes to Ethel Taylor, and I’ve heard a lot about how he’s scared because he hears bombs,” Millvale resident Trista Davis says. “And it’s hot inside when the air isn’t circulating. Teachers want to open windows. Some children have asthma. All that is going on during the school day. How do we tell the children in the school that they can’t do their regular activities because the fire department is burning materials?” Students recently wrote letters to Winston and other officials about the smoke and detonations. One student, whose parents asked that he not be named, said he was glad the explosions would stop during school hours. “I can hear the bombs go off,” he said. “Not all the time, but I do hear them sometimes.” The smoke is an issue, too, the student said, recounting times that teachers sprayed air freshening products to mask the scent and avoided opening windows on burn days. “There are multiple times when I’ve gone down Beekman and you can see kids

outside at recess while the fire department is doing a burning and you can see the whole smokestack going up,” South Cumminsville resident Iyah Brown said. “Until really recently, there was no signage there. There is still no fence, nothing stopping any kid from walking in and playing in there.” CityBeat has reached out to Cincinnati Public Schools to find out if teachers have made complaints about the facility and to get comment from the district. The department has had a training facility near the current site since 1954, but in 2010 built its new facility about 40 yards closer to Fricke Road, the street the school is on. There are a number of reasons the training and bomb mitigation activities at the site may have become more of a nuisance in recent years, Winston says. For one, requirements for firefighter training have doubled since Winston went through training in the 1980s. It used to be that firefighters needed just 14 weeks of training. Now, they need 28 weeks. That’s a double-edged sword, Winston says. It means better-trained firefighters, but also more time needed for training with real fire and real explosives at the Millcreek Road site.

In 2017 and 2018, there was even more training occurring there due to a $1.3 million federal grant CFD received for professional development opportunities for the department’s current firefighters. Added to all that, Winston says, outside agencies also use the site for training. The chief says the department is looking into halting that practice, however. “The easiest thing we can do is limit the outside agencies that use the site,” he said. “We do get some revenue from that, but it’s not necessarily worth being a nuisance to the community.” Moving bomb detonation to times after school hours was also a quick fix, Winston says, and the department is looking into handing off emergency destruction of especially unstable material — acids, pipe bombs and other hazardous items — to a site in Butler County. But the fires and potential smoke they bring will be a tougher fix, he says. “With the fires, we don’t have that same luxury (of moving to another time of day),” Winston says, “because we have to train for 28 weeks. I brought it up to my boss, the city manager… looking long term at some other sites. That will take some capital CONTINUES ON PAGE 10

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CITY DESK

How Much Progress is Cincinnati Making When it Comes to Pedestrian Safety? BY N I C K SWA R T S EL L

Cincinnati has seen an alarming number of injuries and deaths from cars hitting pedestrians over the past few years. Now, spurred by public outcry about those incidents, local officials say they’re rolling out big efforts to try and reach zero traffic fatalities. It’s all part of an initiative birthed in Sweden called Vision Zero that has been deployed in U.S. cities like New York and Austin, and it boils down to a few key points: new leadership, increased traffic enforcement, infrastructure improvements, a sweeping plan to change the way the city approaches traffic safety and a proposed charter amendment that would allow police to use hand-held cameras to ticket speeders. Cincinnati City Manager Patrick Duhaney, Cincinnati Police Chief Eliot Isaac, Cincinnati Department of Transportation and Engineering Director Joseph Vogel and the city’s new Pedestrian Safety Manager Melissa McVay and others spoke to a full house May 21 in Evanston at a pedestrian safety summit organized by Cincinnati City Council member Greg Landsman. Officials said they hoped the multipronged approach would help prevent crashes like those that took the lives of Sarah Cole in Northside and Khloe Pitts in Avondale in 2016 and Gabby Rodriguez in Westwood in 2018. Rodriguez was one of 425 people in Cincinnati hit by cars last year, and one of seven who died in those incidents. Over the past five years, incidents in which cars have hit pedestrians have increased 50 percent. Some efforts are already underway. CPD stepped up enforcement last October in a number of speeding hot spots around the city, writing 773 citations, and a dedicated traffic unit increased

moving violation enforcement by almost 21 percent throughout the year. However, crashes still rose significantly last year. Isaac said the city simply doesn’t have enough officers to enforce traffic the way it would like. But if voters approve an amendment to the city’s charter that Landsman is championing, CPD could use speeding cameras to automatically ticket drivers via their license plates. Mackenzie Farmer Low is on Pleasant Ridge’s community council. She says the community is on board for the traffic cameras, but said that alone wouldn’t be enough. “It’s not just speed,” she said. “It’s yielding to pedestrians, stop signs, running red lights. How will the police force not just lean on these cameras to be the sole answer for long-term change? Vision Zero is about changing the culture of driving in this city, and I really think that’s what residents want — for drivers to respect pedestrians.” CPD’s Isaac agreed. “Enforcement alone is not going to solve this issue for us,” Isaac said. “But we remain committed to enforcement efforts, including exploring some additional traffic control measures.” Cue other efforts. The Department of Transportation and Engineering (DOTE) has already approved 65 pedestrian safety improvement projects in about half the city’s neighborhoods that will start this summer, from new crosswalks and pedestrian signage, sometimes with lights, to larger improvements. One coming city-wide initiative is an online, interactive map where users can both see and input data about dangerous traffic conditions and streets that aren’t ideal for pedestrians. That should go live in

A pedestrian safety device in Northside PH OTO: NIC K SWARTSELL

the next few weeks. Longer-term moves include tapping DOTE veteran McVay as the city’s pedestrian safety manager. McVay will oversee efforts to improve the city’s traffic infrastructure, data collection and the launch of Vision Zero. “This is a new way of looking at traffic safety,” she said. “It’s a philosophy that emphasizes that all traffic deaths are preventable. Our plan will include things like engineering and looking at street design, but also enforcement, education and policy changes. And community engagement will be the thing that brings it all together.” Street narrowing, 24-hour parking, more traffic safety enforcement blitzes along corridors with speeding problems, higher penalties for speeding, educational initiatives with Cincinnati Public Schools and Cincinnati Recreation Centers and

more could all be part of the plan, which will be drawn up with multiple community engagement sessions. CPS hasn’t waited to start teaching students about traffic safety. A highlight of the summit in Evanston was an appearance by four students from Covedale Elementary, who performed Rap songs featuring lines like, “it’s lit not to get hit,” and asking both drivers and pedestrians to pay attention. The students won a national competition for a video they made featuring one of those songs. “Thirteen students in our district have been hit by cars,” one of the Covedale students told the crowd at the summit. “Five of those students went to our school, and one was in our grade. I knew them. Another student, Gabby, died. She was a high schooler at West High. If we could get zero kids to get hit by cars, that would be great.”

about 35,000 riders, missing its budgeted ridership by 1,773 riders. But in February, the almost 25,000 riders exceeded budgeted ridership by more than 2,000. In January, the streetcar exceeded its budgeted ridership by more than 3,000. In both of those months, ridership increased over the same time the year prior.

projected shortfall, even with the expected station advertising revenue.

Cincinnati Streetcar Faces Budget Deficit

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BY N I C K SWA R T S EL L

Cincinnati’s streetcar faces another operating deficit next year, city budget documents show — one bigger than its reserve account alone can bridge. According to the operating fund projection provided by the Southwest Ohio Regional Transit Authority to the city, the streetcar will be in the red in the coming fiscal year due to rising costs and lagging revenues. The overall deficit is projected at $1.36 million in the budget document, but $444,000 in coming revenue SORTA expects from advertising at streetcar stations would winnow that down to $916,000. That’s still a big gap partly driven by costs

associated with operating the streetcar, which are expected to increase from the $3.9 million approved last year to a projected $4.4 million for the coming fiscal year. Meanwhile, farebox revenue dropped from $444,789 in fiscal year 2018 to $406,138 in FY 2019. Next fiscal year, which starts July 1, farebox revenue is budgeted at $323,834. The streetcar’s ridership has been somewhat unpredictable. In April, the 3.6-mile rail loop through downtown and Overthe-Rhine saw 36,000 riders. That’s well below the roughly 50,000 riders in April 2017, though about in line with ridership in April last year. In March, the streetcar saw

However, all of those numbers are much smaller than the 3,200 riders per day consultants in 2011 told the city the streetcar could expect. The streetcar last year ran a deficit of $635,458 and in 2018 ran a deficit of $883,000. But a surplus fund helped cover those. The fund has just $684,997 in it now — not enough to cover the

The streetcar also gets $1.5 million in operating funding from parking meter revenue, $900,000 a year from the Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation and money from an arrangement called Voluntary Tax Incentive Contribution Agreements, which ask developers in downtown and Over-theRhine to contribute to streetcar operations a portion of money they save due to tax abatements. Revenue from that fund is expected to jump to $340,000 in the coming year — up from $130,000 this year and $36,000 in fiscal year 2018. That’s CONTINUES ON PAGE 10

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CITY DESK

DeWine: Ohio Should End Statute of Limitations on Rape Cases in Wake of OSU Strauss Report BY N I C K SWA R T S EL L

Ohio Gov. Mike DeWine May 20 suggested that the state should end its criminal statute of limitations on rape cases and other instances of sexual assault in the wake of a report saying that a now-deceased team doctor at the Ohio State University sexually abused at least 177 patients. A report released by the university May 17, undertaken by independent investigators, suggests that former OSU team doctor Richard Strauss sexually assaulted athletes and others at a campus health center and off-campus clinic between 1979 and 1998. Currently, rape is generally not criminally prosecutable 20 or 25 years after it occurred due to the state’s current statutes of limitations. Other felony sex crimes have statutes of limitations as short as six years. Under those laws, many incidents in the Strauss report would no longer be criminally prosecutable. “How furious would the public be today if this man was still alive and could not be prosecuted?” DeWine asked at a news conference about the changes. “I think people would be furious. We know from all the evidence, all the studies, that many times victims never come forward. Many times they can’t come forward. The laws should be different in regard to the statute of limitations for sexual assault than it is for other crimes.” DeWine also encouraged the Ohio General Assembly to reconsider the statutes of limitations for misdemeanor sex crimes

and civil actions regarding sexual assault, all of which currently are as little as one or two years. The governor also signed an executive order establishing a working group to review the Strauss report, including information redacted on the Strauss reports by Ohio’s State Medical Board. The group will assess the actions of the medical board to assure they were adequate in relation to the accusations. “What did they know? When did they know that? What did they do about it? We don’t know,” DeWine said. “I find that unacceptable… the public has a right to know exactly what went on with the state medical board.” The working group will be chaired by Ohio Department of Public Safety Director Tom Stickrath and will have representatives from the State Highway Patrol, Ohio Department of Health, Ohio Attorney General’s Office ad Ohio Department of Mental Health and Addiction Services, as well as a police chief and a victims’ advocate. DeWine said he believed the allegations against Strauss were not reported to state officials until 1996. The Strauss investigation came after a series of lawsuits against OSU alleging the abuse. Some of the plaintiffs in those lawsuits say that more than 20 school officials — from athletic directors to now-U.S. Rep. Jim Jordan, at one time an OSU assistant wrestling coach — knew about Strauss’ actions. Jordan has denied

Richard Strauss P H O T O : O H I O S TAT E U N I V E R S I T Y

knowledge of the incidents. Neither he nor the school’s wrestling program are mentioned in the report released May 17, though many passages are redacted. “The report concludes that university personnel at the time had knowledge of complaints and concerns about Strauss’ conduct as early as 1979 but failed to investigate or act meaningfully,” a statement from OSU reads. “In 1996, Ohio State removed Strauss from his role as a physician in both the Department of Athletics and Student Health Services. His actions were reported to the State Medical Board of Ohio that same year. The report

found that the university failed to report Strauss’ conduct to law enforcement. He was allowed to voluntarily retire in 1998 with emeritus status.” The two primary and related lawsuits against the school are headed to mediation under U.S. District Court Judge Michael Barrett. In the meantime, the U.S. Department of Education’s Civil Rights Office is investigating whether OSU looked into allegations against Strauss in a timely manner. Strauss killed himself 2005. OSU says it is in the process of revoking his emeritus status.

Kentucky Governor’s Race Will Pit Incumbent Matt Bevin Against AG Andy Beshear BY N I C K SWA R T S EL L

After the May 21 primary elections, Beshear, a Democrat, will challenge Republican Bevin, who is nearing the end of his first term, in the November general election.

challenges from fellow Democrats Kentucky House Minority Leader Rocky Adkins and former Kentucky State Auditor Adam Edelen. Beshear took 38 percent of the vote in the Democratic primary compared to Adkins’ 32 percent and Edelen’s 28 percent. Adkins took many of the state’s rural eastern counties, while Beshear did well in the state’s urban areas.

Bevin, a former businessman with no prior experience in political office, became just the third GOP governor in Kentucky since World War II when he won the election in 2015. The state has long been a Democratic Party stronghold but shifted substantially toward Republicans in recent years. Prior to his run for governor, Bevin launched a Tea Party-backed primary challenge to powerful U.S. Sen. Mitch McConnell in 2014 but lost.

Bevin’s term in office has seen a number of controversies, including questions around the sale of a mansion to the Bevin family by a donor, uproar from some in Kentucky over comments he has made about vaccinations, cold-weather school closings and a suggestion that Kentucky students experienced molestation or abuse during a public teacher sick-out. That sick-out came as a protest against moves Bevin has made to try and shore up the state’s ailing pension fund, which is deeply underfunded.

Beshear, the son of former Kentucky Gov. Steve Beshear, battled back primary

There are signs the tumult around the governor’s office has weakened Bevin to

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It doesn’t look like the fraught relationship between Kentucky Gov. Matt Bevin and the state’s Attorney General Andy Beshear will get easier any time soon. In fact, it’s about to spill out of Frankfort and across the rest of the state.

a degree, and his showing in the primary wasn’t as dominant as expected from an incumbent governor in a state controlled by his own party. His main primary competitor, Kentucky State Rep. Robert Goforth, got almost 40 percent of the vote to Bevin’s 52 percent and took 31 of the state’s 120 counties. Beshear has had a controversy of his own to contend with — allegations of corruption against his deputy attorney general Tim Longmeyer, who in 2016 was found guilty of accepting bribes during his time in Gov. Steve Beshear’s cabinet. There isn’t any evidence the younger Beshear knew about those bribes, but his primary opponent Edelen used the incident to attack Beshear in the primary. The candidates have fought bitterly with each other during their terms. In 2017, Beshear said he wouldn’t try to defend the state against federal legal challenges to a Kentucky law banning abortion after 20 weeks because he believed it

is unconstitutional. Bevin has staunchly supported that law and blasted Beshear for the decision. Beshear has challenged executive orders issued by Bevin and has filed a number of lawsuits against Bevin’s administration. Both described the coming race in stark terms. “It is not about what’s going on in Washington, D.C,” Beshear said at his victory party May 21. “It’s not about the nasty attacks that Matt Bevin has already launched, starting tonight. And it’s not about right versus left, folks. It’s about right versus wrong.” Bevin expressed almost the same sentiment from the opposite side of the partisan divide. “People in Kentucky are going to have a very clear and distinct choice in November,” Bevin said after the results came in. “Conservative versus liberal, black and white, it’s that clear.”

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FROM PAGE 04

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money. The problem with Cincinnati is that, with only 76 square miles, there isn’t a lot of open land. But some of the land where there are old landfills might do the trick.” It’s not just school students who have noticed the smoke. Scott Fleckenstein works for the Johnson Doppler Lumber Company, which sits just across Millcreek Road from the training facility. The company has been at the location for almost 100 years. “Don’t get me wrong, we’re not against the training — we’re for the training,” Fleckenstein said at the recent meeting. “But in the last couple years, it has gotten pretty bad. It’ll give our guys headaches, it makes their eyes burn. Our mill sometimes will fill up with smoke.” Winston says the department should only be burning straw and untreated wood pallets at the fire training facility, and that it also strips tires and other components containing toxic materials from cars burned there. But some who live and work nearby have expressed doubts about that. Some residents say they’ve seen cars with tires still on them burning. And Fleckenstein said the company sells the training facility OSB board, which is treated with a number of chemicals that can be hazardous when burned.

FROM PAGE 06

“We’ve sold a lot of it there,” he said. “I’ve been over there delivering it and I’ve seen where it is burnt. I’m not saying it’s really bad all the time, but there are a lot of times when it is really intense.” CFD says it applies for yearly permits with the Ohio Environmental Protection Agency to conduct its activities at the site. Those permits come with monitoring requirements by the EPA. CityBeat has reached out to the agency for comment on the permits and air quality monitoring records. Winston says the site is specifically designed to avoid other environmental hazards related to runoff into the Mill Creek — a big concern for a waterway that has seen more than two centuries of pollution. A catch basin under the facility catches runoff. That hasn’t stopped those nearby from worrying about the potential health impacts of smoke and other pollutants. That’s especially pertinent in Millvale and other spots along the Mill Creek, where the intersections of environmental and socioeconomic disparities run deep. The areas up and down the Beekman Street corridor were long heavily industrial, causing long-lingering pollution while the plants and mills were running and unemployment and poverty when they stopped.

Millvale is largely comprised of a 532unit Cincinnati Metropolitan Housing Authority Complex and has a median household income of about $15,500 a year. It is 93 percent black. The neighborhood nestled just below the city’s western hills is working to reestablish a community council to tackle a number of concerns, from landslides and sewage backups to crime and the fire department training site. At a recent meeting introducing community council candidates, several spoke on the neighborhood’s challenges. “I want to sit on my porch and enjoy the quiet and watch children play,” Theresa Thomas, a candidate for council president, said. “I care about this neighborhood. If you want to see a change, you can’t just sit there.” Millvale’s Davis, another candidate for community council president, has vowed to continue pursuing answers around the training center and her concerns about health and pollution. “I really respect the fire department,” she told Chief Winston. “It’s a job I could never do. But I also need my own good health. I’m working hard on changing my health around now, just to find out I’m living in an area that might be damaging it.”

still less than what the city projected — it expected to get $524,000 from VTICA in the current budget, for example. There are, of course, political implications for the funding gap. Opponents of the project have been vocal about its underwhelming ridership and budget deficits. It’s unclear where money to bridge the gap will come from. Cincinnati City Manager Patrick Duhaney indicated to Cincinnati City Council that he will have a proposal to balance the streetcar’s budget by the end of the month. Some on council, however, have pledged that city money won’t be the way it gets there. “There will be no taxpayer bailout of the streetcar on my watch,” Republican council member Jeff Pastor tweeted May 19. Supporters, however, argue that transit projects are rarely self-sustaining and that the public subsidy is worth the investment. Streetcar boosters point to millions of dollars in development sparked in downtown and OTR that they say came at least in part due to the project.

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JULY 12-14, 2019 • LOUISVILLE, KY

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m a e r D n a c i r e An Am t k s wa r by n i c

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Illustration: Karen Boyhen

Fewer black Cincinnatians own their own homes. The reasons why are complex — and some go back decades.

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uying a home is often framed as a quintessential part of the American dream. But data shows that the dream doesn’t manifest itself equally for everyone in Cincinnati. About 24 percent of black households in the city owned a home in 2017, for example. Meanwhile, roughly 50 percent of white households in Cincinnati lived in a home they owned that year, according to an aggregate of five years of American Community Survey results from the U.S. Census Bureau. So why do so many fewer black residents in Cincinnati and elsewhere across the country own their own homes? The reasons for the disparity are complex — though some are linked to decades of past discrimination. “I'm struggling mightily with the homebuying process,” says Brandon Davis, who has been house hunting since 2015. Davis, who is black, grew up and raised his nowteenaged children in predominantly black Madisonville. Davis first set his sights on purchasing a house just down the street from the home he is renting, a couple turns off Whetsel Avenue. The small, one-story abode with faded white wood panels and purple-blue trim was vacant and for sale for $22,000. Davis applied for a loan, figuring he would buy the house and do the necessary repairs with the help of a friend who was a seasoned contractor. Working for a nonprofit that helps former prison inmates transition to life on the outside, Davis has a stable, midrange income

— he easily qualified for a car loan for roughly the same amount as the house soon after. But home loans are more stringent and he was turned down, likely due to its small sum and the condition of the property. Feeling ties to the neighborhood, he looked elsewhere in Madisonville. Plenty of folks are buying in the neighborhood and the number of mortgages issued have increased, going from 72 in 2014 to 134 in 2017. But most home loans aren’t going to black residents. Despite the fact that the neighborhood is 59 percent black, only 30 of 433 mortgages worth $52.8 million issued between 2014 and 2017 in the full Census tracts that make up the neighborhood went to black home buyers, according to data from the federal government related to the 1975 Home Mortgage Disclosure Act. That pattern has repeated itself in a number of neighborhoods in Cincinnati. As prices have risen, Davis has had little luck buying in Madisonville and has since expanded his search to more expensive houses that need less work in other neighborhoods, including Avondale, South Cumminsville and East Westwood. He has watched houses he’d like to buy go off the market before he could view them and has seen listings go from “for sale” to “pending” within hours of calling about them. Much of that may just be the difficulty of buying in a hot market, he says. But some of it feels like something else to him.

Brandon Davis and his fiancĂŠe in front of the house theyâ€™d like to buy in Madisonville Photo: Nick Swartsell

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“Despite making up more than 15 percent of the region’s population, black home buyers received only about 3 percent of the region’s conventional home loans in 2017.”

Federal attorneys pointed out that the bank, specifially Union, opened 26 branches in majority white neighborhoods but hadn’t opened any in black neighborhoods and had received only about 2 percent of its mortgage applications from majority black neighborhoods. The banks strongly denied allegations of wrongdoing, but under a settlement, agreed to invest $9 million in minority neighborhoods in Greater Cincinnati. Partly as an effort to mitigate the effects of redlining, the federal government has for decades tried to incentivize lending in lowincome and minority communities via a law called the Community Reinvestment Act. But that has its own complications. The CRA requires banks to invest in low-income, minority neighborhoods. Many of the loans available through the law, like FHA loans, allow buyers to put down smaller down payments. That’s good in the short term, Williams says, but can have longterm limitations. “The products that you will be funneled into are the ones that require low down payments,” he says. “That’s beneficial at the moment of closing. But after that your equity is limited.”

The Wealth Gap Even with laws promoting fair lending, disparities persist. Data collected by the federal government in accordance with the Home Mortgage Disclosure Act shows home loans sold in the Greater Cincinnati Metropolitan Area. But it presents only a partial picture. Despite making up more than 15 percent of the region’s population, black home buyers received only about 3 percent of the region’s conventional home loans in 2017, HMDA data reveals. But they also applied for many fewer loans. When it comes to government-backed mortgage programs such as Federal Housing Administration and Department of Veterans Affairs loans, black residents did better, but still didn’t apply for or receive mortgages in proportion to their share of the population, as whites did. But that data isn’t the total story— it doesn't

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There are a number of reasons why these disparities exist. Unless a potential homeowner has tens or hundreds of thousands of dollars to spend outright, they will likely need a home loan to purchase a house. But home lending has a long, fraught history in the U.S. In the 1930s, the Federal Housing Administration drew up maps categorizing neighborhoods made up of minority residents as “high risk” for lending — a practice called "redlining" that set socioeconomic patterns of segregation in many cities for decades to come. If a neighborhood was redlined, the federal government often wouldn’t insure private loans made there. That drove widespread disinvestment in many predominantly low-income and minority neighborhoods. For decades, families couldn't get loans to buy homes, and couldn't finance renovations on homes they already owned, playing a part, along with white flight, in the physical and economic decline of many innercity communities. “Generally speaking, we always go back to redlining,” says HOME Executive Director Jeniece Jones. “That’s our jumping off point — did communities develop as integrated neighborhoods that allowed African-Americans to build wealth? Mostly they didn’t due to overt discrimination.” Compounding the racial lending gap, and later the wealth gap, the federal government underwrote many millions of dollars in lowinterest home loans to returning GIs following World War II — almost all to white home buyers and almost all in the suburbs far from where black residents were concentrated. Discriminatory loan practices were common up until the 1970s, when Congress passed a bevy of housing discrimination protections. Some say the practices didn't fade away when Congress passed fair lending laws, however. As recently as three years ago, the federal government alleged some banks' lending practices still contributed to racial disparities in Cincinnati. In 2016, two area banks owned by the same family — Union Savings Bank and Guardian Savings Bank — settled a lawsuit brought by the federal government over charges that their practices violated the 1974 Fair Housing and Equal Credit Opportunity Act.

For a number of reasons, the difficulties of home buying are often compounded for people of color. A pervasive wealth gap and paucity of financial services in low-income and many black communities contributes to the home ownership chasm, experts say. Plus, a lack of loans under $50,000 often block prospective home buyers from buying property in lower-income neighborhoods, as Davis has experienced. And getting a home isn’t the end of the struggle. Sometimes, less-ideal means of securing homeownership via nontraditional sales like land contracts translate into difficulties down the road. Studies show that properties in predominantly black areas in Cincinnati don’t gain equity at the same rate properties in other neighborhoods do — if they gain any at all — leaving black homeowners with less wealth accumulated over time and less ability to move into more desirable neighborhoods. “Starting with racism, starting with an economic deficit for moderate-income people and then oversight (by the federal government) that does not take equity into consideration, all of those things are challenges for homeownership,” says Rick Williams, president and CEO of the Home Ownership Center of Greater Cincinnati, a nonprofit that provides guidance for prospective home buyers. “It can make the American dream of homeownership fake for minorities and moderate-income people, because what is supposed to come with it after the closing doesn’t.” Williams is quick to point out that not all African Americans are also low-income but says that a number of difficulties with the homebuying process can follow higher-income black home buyers as well. There are places like the Home Ownership Center where potential home buyers can find help, as well as city programs that offer down payment assistance and other aid. There are also nonprofits like Housing Opportunities Made Equal Cincinnati (HOME), which advocates for changes that could boost equity for minority and low-income home buyers in the long term. Despite those efforts, though, many black residents of Cincinnati still face a tough time buying a home — a dynamic borne out by the statistics showing the gaps between minority and white homeownership rates.

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control for things like credit scores and other key variables that determine when someone might seek a mortgage and whether they will be successful in obtaining one. Those variables, in turn, have a lot to do with wealth. Nationally, black households in recent years had an average net worth of $9,211 and Hispanic households had a net worth of $12,458. White households, meanwhile, had an average net worth of $132,483. That’s important because some research suggests that parental wealth is strongly correlated with an individual’s likelihood of buying a home. A forthcoming study by University of Cincinnati Lindner College of Business professors Mike Eriksen and Shaun Bond, for example, suggests that parental wealth may be among the largest factors explaining the gap between white and non-white individuals in the ability to purchase and keep a home. Their research shows that having a parent with at least $75,000 in non-retirement financial wealth increases the likelihood of a person moving from renter to owner. “Despite finding a strong explanatory role of parental attributes in describing the wealth racial gap in home ownership rates, it would be incorrect to conclude that racial identity, or even discrimination, does not matter as much as we originally thought,” their study concludes. “Disparities in how minorities currently are or have been treated in the past could directly result in the observed differences in wealth, and lead to even further divergence in home ownership rates in the future without intervention.”

Obstacles to Building Credit

equity, but they’re still responsible for all the costs of owning it. Eventually, the contracts often prove untenable, and the residents lose their home. “The problem is, you’re in this netherworld where you will have the obligation to repair a property, but you don’t have the title and the access to city programs,” Sharpe says. “Sometimes, it’s challenging to even get a contractor to work on your property when you don’t have a title. It’s a legal limbo.”

Geographic Disadvantage The dearth of options or knowledge about options can lead prospective home buyers in low-income and minority communities to take on bad deals, the Home Ownership Center’s Williams says. “Because we’re talking about a part of our community that is used to being told ‘no,’ they welcome a ‘yes,’ ” he says. “Without the foundation of education for what they should expect, they go for the ‘yes’ without knowing it’s not the best ‘yes’ they can get.” That danger doesn’t end if a person does find credit at a traditional bank — even a great one — he says. “That ‘yes’ could be at any part of the process,” Williams says of less-than-ideal options many black prospective home buyers face. “It could be the realtor that says, ‘You should look at these neighborhoods,’ when you don’t have to look at just those neighborhoods. It could be that you don’t get the luxury of buying a house close to your job, because your job changes too regularly. Unlike a lot of others buying homes, you might have a job, not a career. You’re buying homes on bus lines because your transportation options are limited. All of those things kick into the decision making, so you get relegated to certain geographic places.” And getting relegated, so to speak, has its costs M A Y 2 9 - J U N E 4 , 2 0 19

One of the reasons banks have given for the paucity of loans to minorities in cities across America and why minorities proportionally seem to apply for fewer of those loans in the first place

involves data we don’t get to see — credit scores, debt in proportion to income and other financial information for applicants. Even with that explanation, some research has suggested that credit rating systems can disadvantage people of color. One of the reasons for that, HOME’s Jones says, is because many people of color are often locked out of traditional credit-building opportunities. Nationally, 17 percent of African-Americans are completely “unbanked,” or not using any form of banking, the Federal Deposit Insurance Corporation found in a 2017 study. That compares to a rate of about 6.5 percent overall and 3 percent for whites. Most of those who are unbanked told the FDIC it was because they did not have sufficient funds for a bank account, though about a third also said it was because they did not trust banks. Many in moderate-income and minority communities turn to alternative financial services like the check cashing industry, Jones says. Those services charge very high interest rates, and customers are penalized on their credit reports for missing payments but don’t see benefits to their credit for making payments on time. “We see a lot of people of color who use alternative financial services that don’t really roll up into a credit score,” she says. “If you look at who is unbanked and why, are there brick-and-mortar banks and representation in these communities? Has it created a vacuum for some of those alternative financial services to move in?” Oftentimes, that is the case. That vacuum has hazards beyond institutions like payday lending, says Legal Aid Society of Southwest Ohio attorney Steve Sharpe, from subprime loans to alternative home buying methods like land contracts. Sharpe has been working on the latter issue for several years. The sale of those contracts picked up in the years after the Great Recession, when investment entities scooped up distressed properties for cheap. Some then turned around and sold them on contracts for five times the price while requiring that the buyer pay rent and upkeep costs while withholding ownership and the title to the house. That, Sharpe says, is the worst of both worlds. The resident often can’t get loans to fix up and maintain their house and can’t borrow on its

however, and can’t be considered in a vacuum.”

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“The home ownership gap is part of a larger systemic set of problems,

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Homes in Avondale Photo: Nick Swartsell

in neighborhoods with high levels of long-established black homeowners like Mount Auburn, Bond Hill, Avondale and others. A study released earlier this year by the Brookings Institution found that homes in the Cincinnati Metropolitan Area's predominantly black neighborhoods appraise for roughly $10,000 less than comparable homes in majority white neighborhoods. That means less equity for homeowners, which means they may stay in place longer instead of trading up to a better house in a choicer — often whiter — neighborhood. "According to our analysis, differences in home and neighborhood quality do not fully explain the devaluation of homes in black neighborhoods," the study's authors wrote, before concluding, “laws have changed, but the value of assets…are inextricably linked to the perceptions of black people. And those negative perceptions persist." All of those factors come into play in neighborhoods where Davis has been looking for a home, sharply limiting the number of minority homeowners in those places. As interest has surged in Davis’ first choice of Madisonville, so have home prices. That’s caused him to look elsewhere, something he’s been reluctant to do, especially when homes go off the market days or even hours after he finds them. “It's asking a lot to vet a neighborhood, see how the commute to work works, ask high school kids to change schools and make a 10 to 30-year decision within a day or two,” he says. Like Madisonville, other places he has looked have a lack of black residents applying for and receiving home mortgages — though in some cases, hardly anyone is applying for them at all.

Neighborhood to Neighborhood

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East Westwood, a predominantly-black neighborhood of about 2,400 people where Davis also saw a home that struck his interest, had just eight mortgages sold between 2014 and 2017 worth a total of $511,000. The four Census tracts that make up Avondale, meanwhile, saw 67 conventional or FHA mortgages written between 2014 and 2017. In a neighborhood of 12,000 people that is 90 percent black, 26 of those loans went to black homebuyers. The

neighborhood’s median household income of $18,000 a year is dwarfed by the median income of those receiving the loans — more than $60,000 a year, federal data shows. Other neighborhoods, of course, see many more loans, and a select few, like Bond Hill, see mostly black home buyers. In 2017, the diverse neighborhood saw 51 mortgage loans worth $6.3 million; 32 of those loans went to black borrowers. But the bulk of the mortgage action in Cincinnati is taking place for white borrowers. Across town in Mount Washington, which is roughly the size of Avondale with about 11,700 people — 88 percent of them white — there were 124 mortgage loans written in 2017. Almost all of those loans went to white borrowers. The pattern repeats itself across Cincinnati. Predominantly white Hyde Park, home to about 900 more people than Avondale with a median household income of $74,000 a year, received almost 11 times the number of mortgage loans — 293 — than Avondale did in 2017. Only three of the recipients of those mortgages were black. In some ways, it’s not a surprise. A borrower needs income or wealth to borrow, and a 2015 CityBeat analysis found that nine of the city’s 10 lowest-income neighborhoods were predominantly black, while nine of its 10 highest-income neighborhoods were white. In a few of those low-income neighborhoods, new development has exploded. And when it does, it can leave low-income minority residents behind. Over-the-Rhine, a predominantly black neighborhood that has seen a loss of black residents and an influx of white residents in recent years, saw 405 mortgages between 2013 and 2017, federal data shows. Of those, only 12 went to black home buyers. In 2017, the median income of borrowers seeking loans in the neighborhood was $147,000 — up from $80,000 in 2013 in a neighborhood with a median household income of about $15,000 as of the 2010 Census. Walnut Hills saw a similar trend — just 20 black borrowers were among the receivers of the neighborhood’s 214 mortgages worth $39.3 million sold between 2013 and 2017. The economic disparities and gaps in mortgages between whites and minorities are tightly intertwined. The stacked economic disparities facing many people of color in Cincinnati can have huge impacts on efforts toward homeownership, which, ironically, is one of the major ways individuals and families build wealth in the American economy.

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Homeownership Rates in Cincinnati in 2017

Course Correction kind Davis wanted in order to buy that fixer-upper in Madisonville years ago — as potential ways to help boost and maintain homeownership for people of color. Generally, lenders aren’t much interested in home loans under $50,000, Sharpe says. “If you’re in a community where home values aren’t through the roof, you don’t really need a high-value loan,” Jones says. “Those low-dollar loans are really something there needs to be more of. There are lots of families that can benefit from that.” There are also hyper-local efforts run by community development corporations like Price Hill Will, which has a homesteading program that has helped some lowand moderate-income residents in the neighborhood transition to sustainable homeownership. And in Lower Price Hill, the Community Learning Center at Oyler School has partnered with Habitat for Humanity to help families of Oyler students own their own homes. But those efforts will need much more support — and iterations in other neighborhoods — to address the larger disparities. Williams cautions that the home ownership gap is part of a larger systemic set of problems, however, and can’t be considered in a vacuum apart from concerns about transportation, food access, wage disparities and other issues. “I think it is important not to isolate homeownership as something that, if it is fixed, then the American dream of homeownership can work for AfricanAmericans,” he says. “Home ownership is a part of economic inclusion. Economic inclusion as a whole has to be fixed for homeownership to work. When it isn’t fixed, home ownership can become a problem and a burden, because it can’t support someone who does not have economic accesses.”

Source: Five-year aggregate data from U.S. Census Bureau’s American Community Survey

Wealth Gap (Average Net Worth) African-American households: $9,211 Hispanic/Latinx households: $12,458 White households:

$132,483 Source: U.S. Census Bureau

Mortgages Written in 2017 in Select Cincinnati Neighborhoods Avondale: 27 Bond Hill: 51 Hyde Park: 293 Madisonville: 134 Mount Lookout: 160 Over-the-Rhine: 90

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Source: Federal Home Mortgage

Walnut Hills: 67

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However grim the picture seems, Williams, Jones and others urge looking beyond the problems and toward solutions. For Williams, that’s about educating home buyers — especially those who are people of color — about their options, their rights, and how they should be treated. That way, if they feel something isn’t right with a lender, a realtor, an inspector or some other part of the process, they know they can go somewhere else. Jones points to alternatives in the lending and credit systems, like the Credit Builders Alliance, a group that works with local nonprofits to help rebuild credit in underserved communities. She also says that investments by some area banks in low- and moderate-income communities show promise. Greater Cincinnati’s largest bank, Fifth Third, was dinged by the Federal Reserve under the CRA in 2013, getting a “needs improvement” rating which regulators chalked up to violations of the fair housing and lending laws. The bank’s rating moved to “outstanding” last year, mostly on the strength of a commitment to spread $30 billion in investment among low- and moderate-income communities throughout its branches in 10 states. Community investment by banks is great, says Jones. But the proof will be in the pudding. “There appears to be some real thoughtfulness around agreements that some of the larger banks have entered into,” she says. “These investments need more light shone onto them. There (is) some regional discussion about investments, but we need it block by block. That’s what I’m looking for. I need to be able to get in the car and go over and say, ‘This is happening here.’ ” Jones and Legal Aid’s Sharpe also point to opportunities for smaller-value loans — the

38 percent of Cincinnati households overall 24 percent of African-American households 24 percent of Hispanic/Latinx households 25 percent of Asian households 50 percent of White households

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STUFF TO DO

Ongoing Shows ONSTAGE: A Flea in Her Ear Cincinnati Shakespeare Company, Over-the-Rhine (through June 2)

WEDNESDAY 29

FILM: The Mummy at Washington Park The Summer Cinema series at Washington Park is back with weekly, family-friendly blockbusters. Grab some lawn chairs, lay down a blanket or sprawl out on the grass as Brendan Fraser fends off an ancient foe in the inaugural flick The Mummy (1999). Concessions will be available onsite, offering light snacks and refreshments, including beer, wine and spirits. Next Wednesday, it’s The Secret Life of Pets. 9-11 p.m. Wednesday. Free. Washington Park, 1230 Elm St., Overthe Rhine, washingtonpark. org.— NICK SULLIVAN

THURSDAY 30

PHOTO: TIMOTHY SACCENTI

chance to let loose a little. 8 p.m. Thursday; 7:30 and 10 p.m. Friday and Saturday; 8 p.m. Sunday. $10-$18. Go Bananas, 8410 Market Place Lane, Montgomery, gobananascomedy.com. — P.F. WILSON

FRIDAY 31

EVENT: Bigfoot-centric festival Wildman Days takes over Lawrenceburg, Kentucky this weekend. See feature on page 29.

CLASSICAL: Queen City Opera presents The Magic Bullets (Der Freischütz) at the Finneytown Performing Arts Center. See feature on page 30.

EVENT: Cincinnati Garlic Festival Arnold’s Bar & Grill isn’t afraid to get smelly with their food: Introducing the

Cincinnati Garlic Festival 2019. On Friday and Saturday, Cincinnatians can consume all the garlic they want via an assortment of specially prepared local food and beer at the downtown bar: Listermann, Fifty West and Rhinegeist will bring garlic beers; Madisono’s will have garlic gelato; Wunderbar! will have garlic pretzels; Avril-Bleh butchers will provide assorted garlic sausages; Arnold’s will have a slew of garlic cocktails, appetizers, entrées and desserts from chef Kayla Robison; and more. In 1998, Jim Tarbell hosted the original Cincinnati Garlic Festival in the Grammer’s parking lot in Over-theRhine. Arnold’s got Tarbell’s blessing and reinvented the Queen City tradition. In addition to food, there will be live music from Root Cellar Xtract and The Cincinnati Dancing Pigs, plus Garlic Festival merch. 5-11 p.m. Friday; all day Saturday. Free admission. Arnold’s Bar & Grill, 210 E. Eighth

St., Downtown, facebook. com/arnoldsbar. — ERIN GARDNER EVENT: Art After Dark: On the Fringe Art After Dark at the Cincinnati Art Museum gets a twist as it doubles as the kick-off party for the annual Cincinnati Fringe Festival, the local two-week kinda weird theater and arts fest produced by Know Theatre. There will be live music from Largemouth Brass Band, preview performances from Cincy Fringe acts and food for purchase from Eli’s BBQ, Dewey’s Pizza and Graeter’s Ice Cream. In addition, guests will be able to explore the entire museum free of charge, including limited-time exhibition No Spectators: The Art of Burning Man. 5-10 p.m. Friday. Free. Cincinnati Art Museum, 953 Eden Park Drive, Mount Adams, cincinnatiartmuseum.org. — NICK SULLIVAN CONTINUES ON PAGE 26

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MUSIC: Bunbury Music Festival Founded by veteran Cincinnati promoter Bill Donabedian, the Bunbury Music

PNC Pavilion earlier in May), Greta Van Fleet, Girl Talk and Run the Jewels. There is also a pair of popular ’90s bands who’ve carried on after losing their lead singers to accidental drug overdoses — Stone Temple Pilots and Sublime with Rome. Undercard options include Clutch, Joywave, Flora Cash, Jukebox the Ghost, Great Good Fine OK, Tropidelic and Reignwolf. Representing the Cincinnati music scene at this year’s Bunbury are Trauma Illinois, Young Heirlooms, Jack Burton Overdrive and Hip Hop ensemble Triiibe. Friday, Saturday and Sunday. 1:30 p.m. $79 (for single day); $189 (for three-day passes); VIP packages also available. Sawyer Point and Yeatman’s Cove, 705 E. Pete Rose Way, Downtown, bunburyfestival. com. — MIKE BREEN

MUSIC: The Monophonics Kelly Finnigan brings a mix of sublime grit and grace with a silky side of Soul to the Woodward Theater. See Sound Advice on page 42.

Festival began drawing thousands of music fans from across the region in 2012 with early lineups that included bands like Weezer, Death Cab for Cutie and The National. In 2014, Columbus, Ohio’s PromoWest Productions took over, helping further cement the riverfront festival’s status as one of the region’s marquee Alternative-to-mainstream music events with bookings like The Black Keys, The Killers, Muse, Jack White, The Avett Brothers, Tom Petty, Snoop Dogg and Post Malone. Returning to Cincinnati’s riverfront May 31-June 2, this year’s Bunbury is the first since PromoWest was acquired by huge global promotions company AEG and the first since PromoWest announced it would be building a new concert facility across the Ohio River in Newport. Bunbury 2019 will feature headlining acts like Fall Out Boy (who also performed at 2014’s fest), The 1975 (which played a sold-out Cincinnati show at

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COMEDY: Greg Hahn Comedian and South Florida native Greg Hahn had a pretty normal childhood. Catholic school led to Rollins College in Central Florida where he was on the basketball team. “I had a sweet spot on the bench,” he says. After graduation, he got a good-paying job with Lockheed. It was while there he became interested in stand-up. “Why make $200 a day when I can be a comedian and make that in a week?” he says. Unfortunately, the Orlando area wasn’t a hotbed of comedy at the time, so Hahn found other comedy-adjacent work including a job in a stunt show at Universal Studios. “I was also emcee of the lumberjack show,” he adds. He eventually wound up doing stand-up fulltime and today is a much sought-after comedian for corporate and private events. A regular on the Bob & Tom radio show, appearing at Go Bananas gives him a

Run the Jewels will perform at the Bunbury Music Festival

FROM PAGE 25

MARK YOUR CALENDAR FOR THESE ‘DON’T MISS’ EVENTS

JUNE 22

JULY 15-21

EVENT: Summerfair Cincinnati More than 300 artists will travel to Coney Island from across the country to display and sell their works at one of the nation’s oldest continuous art fairs. The exhibits will be accompanied by live performances and plenty of fair food, with all proceeds supporting scholarships and exposure opportunities for student and professional artists. Come Saturday morning (9-11 a.m.) for Brunch in the Gardens, with food from chef Renee Schuler of Eat Well Celebrations and Feasts and music from The Amy McFarland Trio. 2-8 p.m. Friday; 10 a.m.-8 p.m. Saturday; 10 a.m.-5 p.m. Sunday. $10; $40 brunch. Coney Island, 6201 Kellogg Ave., California, summerfair. org. — EMMA STIEFEL

P H O T O : P R O V I D E D B Y C I N C I TA L I A

SATURDAY 01

MUSIC: George Clinton and Parliament-Funkadelic take over Riverfront Live. See Sound Advice on page 42.

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AUGUST 7

FOR MORE INFORMATION VISIT CITYBEAT.COM

FRIDAY 31

EVENT: CincItalia Get a taste of the old country at the 10th-annual CincItalia Festival — a celebration of Italian cuisine, wine, music and culture. Things kick off with an adults-only carnevale on Friday with live music from The Rusty Griswolds and assorted games of chance. Things get family-friendly the rest of the weekend with rides and games, Italian cooking demos, Italian trivia contests and live music from acts including Italian tenor Elio Scaccio. It wouldn’t be an Italian fest without food, and there will be plenty — lasagna, spiedini, arrosticini, bruschetta, fried ravioli, stromboli, cavatelli, sausage, gelato, tiramisu, limoncello cake, cannoli (homemade by the La Societa Fuscaldese Femminile) and cookies. Visit the wine garden for Bolla wines. 6 p.m.-midnight Friday; 3-11 p.m. Saturday; 1-9 p.m. Sunday. Free. Harvest Home Park, 3961 North Bend Road, Cheviot, cincitalia.org. — MAIJA ZUMMO

EVENT: Bike Prom Cycle through cyberspace at this year’s “lowlife, high-tech bike ride and afterparty.” Deck out your bike and yourself with anything and everything tech- or space-inspired for a “The Fifth Element meets Total Recall meets Mars Attacks meets Matrix” theme, then ride around the city before heading to the party at Chase Public in Camp Washington. Bike Prom will have door prizes, raffles, DJs and, of course, a Prom King and Queen vote. The party is BYOB. 7:30 p.m. bike ride; 10 p.m. afterparty Saturday. $5 suggested donation. Chase Public, 2868 Colerain Ave., Camp Washington, facebook.com/ cincinnatihardcourt. — EMMA STIEFEL

EVENT: 1000 Lights Water Lantern Festival On Saturday, hundreds of Cincinnatians will gather in Eden Park to cast selfdecorated lanterns onto a body of water (the event doesn’t specify Mirror Lake or Twin Lakes) for the 1000 Lights Water Lantern Festival, a traveling one-night-only gathering of love, light and community. Eastern cultures have been performing similar water lantern rituals for centuries. Originating from a traditional Buddhist and Taoist “Ghost Festival,” communities across Asia would set countless lanterns down a river to help guide lost ghosts and spirits to the festival meant to honor them. Every ticket for the fest comes with a complimentary lantern and decoration kit and extra lanterns can be purchased for $10 a pop. The event begins at 6 p.m., but lanterns will not be cast onto the water until 9 p.m., giving everyone ample time to personally

connect with their fellow lantern decorators and hit up various food trucks, live entertainment and games like high-stakes bingo while they wait for a beautiful orange and violet sunset to provide the perfect backdrop for their lantern launch. 6-10 p.m. Saturday. $25 adult; $35 VIP; $13 ages 9-13; free under 9. Eden Park, 950 Eden Park Drive, 1000lights. com/cincinnati. — TOMMY MCDONALD EVENT: Pride Community Night at Great American Ball Park Take yourself out to ballgame and celebrate Cincinnati Pride’s second annual Pride Community Night at the ballpark as the Reds take on the Washington Nationals. Festivities include a Pride hat ticket package and a pregame ceremony honoring the 2019 Community Advocate Award winner presented by TriHealth. All are welcome to congregate in the Machine Room before and during the game. 4:107:10 p.m. Saturday. $65 for

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time. Guests can receive up to two tattoos. 10 a.m.10 p.m. Sunday. Prices vary. 21c Museum Hotel, 609 Walnut St., Downtown, whitewhaletattoo.com. — BEN REES

COMEDY: Celeste Barber Comedian, actor, social-media star and author Celeste Barber — who has amassed a huge Instagram following thanks to posts in which EVENT: Pinups at the Zoo she recreates sexy OH! Pinups is bringing vintage styles and sass to the Cincinnati celebrity social Zoo for a family-friendly day of fashion and fun. Sport your favorite media photos pinup look all day and meet other lovers of 1950s styles. OH! and videos in a Pinups is a social group centered around “vintage and retro more realistic culture, from cars to clothes, music, dance and everything in style — is bringing between.” Members of the group will be out and about posing her Celeste for photos and classing up the joint with Victory Rolls and wiggle Barber is Back dresses. 10 a.m.-6 p.m. Saturday. $18 adult admission, $10 kid tour to Bogart’s. admission. Cincinnati Zoo & Botanical Gardens. 3400 Vine St., Barber, who has Avondale. cincinnatizoo.org. — ELIZABETH DAVIS been called “the funniest woman on Instagram,” infield box; $35 for mezEVENT: White Whale became wellFlash Tattoo Day zanine; $15 for view level. known thanks to her parody These days, a person can Each package includes posts of famous models, do almost anything to raise an exclusive 2019 Pride actors and singers. Usually money for charity, includhat. Great American Ball posted back-to-back (if it’s a ing getting some new ink. Park, 100 Joe Nuxhall Way, video) or side-by-side (if it’s Walnut Hills’ White Whale Downtown, cincinnatipride. a photo) with the celebrity Tattoo will be at the 21c org. — ERIN GARDNER images, Barber’s parodies Museum Hotel downtown twist the staged glamour into ONSTAGE: Rob Lowe: for their annual “flash hilariously awkward shots Stories I Only Tell My day,” offering a selection of and poses, flipping the script Friends Live! predesigned and discounted in a way that spotlights how Rob Lowe — infamous Brat tattoos, with all proceeds the unrealistic originals Packer, acclaimed author, benefiting charities in are actually far more comedian and handsome Guatemala City. Tattoos awkward. What can you person — takes the stage during flash day are priced expect from Barber’s live at the Aronoff Center to peron average around $104, show? According to a press form his one-man show, Stowhich is lower than the release, “Celeste explains ries I Only Tell My Friends normal hourly rate for any the story behind some of Live! Consisting of tales of the White Whale artists her most famous images, from his best-selling mempresent at this event. Last her new relationship with oirs, Lowe gives one-of-ayear’s flash day raised over famous people, and the kind insights into fatherhood, $12,000 for Guatemala. This stalkers, fans and comments Hollywood, fame and more. year could potentially raise that get under her skin” and Read an interview with Lowe much more as the event she “explains some of the on page 31. 8 p.m. Saturday. space at the 21c will allow pitfalls of being married to $27-$250 VIP; VIP includes for nine tattoo artists to prosomeone so much hotter a post-show meet and greet vide some ink instead of the and professional photo with than her (shoutout to four to five artists from last Lowe plus a signed copy #hothusband) and what it’s year. The featured tattooers of his book. Aronoff Center like to be an anti-Influencer.” will be creating around 20 for the Arts, 650 Walnut St., You can also except her custom flash sheets includDowntown, cincinnatiarts. to touch on her new book, ing some inspired by the org. — ELIZABETH DAVIS Celeste Barber: Challenge 21c’s building and culture. Accepted! 6 p.m. doors Guests will be tattooed on Sunday. $35-$75. Bogart’s, a first-come, first-served 2621 Vine St., Corryville, MUSIC: Singer/songwriter basis. Leave your phone bogarts.com. — MIKE Hayes Carll supports his number at check-in and then get an approximate wait BREEN latest album, What It Is, at the Southgate House Revival. See Sound Advice YOUR WEEKEND TO DO LIST: LOCAL.CITYBEAT.COM on page 43.

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ARTS & CULTURE In Search of Sasquatch Whether you’re a believer or a skeptic, Lawrenceburg, Kentucky’s Wildman Days festival celebrates all things Bigfoot BY B I L L F U R B EE

Bigfoot PHOTO: TOP VECTOR STUDIO

even further, make note of Harlan, Kentucky’s second annual Crypto Con on June 8. As with Wildman Days, this is a free, family-friendly event — one whose scope goes beyond Bigfoot to include presentations on UFOs and paranormal research. In a similar vein is Lexington’s Cryptid Con: Bigfoot, Monsters and Legends, which will unfold in early September of this year. If you feel like road-tripping in the Buckeye State instead — which was recently ranked by the Travel Channel as the state with the sixth highest number of Bigfoot sightings — there’s the Hocking Hills Bigfoot Conference in September and the annual Ohio Bigfoot Conference, which was held earlier this month in Cambridge, Ohio. Whether you’re a skeptic or Bigfoot believer, bring your curiosity, your family and your own stories to Wildman Days at the end of May — it just might be the missing link your summer plans needed. “If (Bigfoot) is out there,” the tourism commission’s Clinton notes, “I hope he wanders into downtown Lawrenceburg for the festival that honors him.” Wildman Days will be held in Lawrenceburg, Kentucky from May 31-June 2. For more info, visit wildmandays.com.

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each September for the past 25 years,” Clinton says, referencing a fest centered around the popular regional spicy stew. And though there were no hairy hominid sightings at last year’s inaugural event, Waldridge says that the festival is still a “very easy way for researchers to gather new sighting reports from folks who may otherwise not tell their story.” This year, the KBRO’s Raymond will present a local history of Bigfoot sightings near Lawrenceburg — in particular, the mysterious area known as the Frazier Land. “Legend has it that the Frazier family had a few encounters with a big, hairy beast in the late 1700s,” he says. “Since then there have been dozens of Bigfoot encounters in this ancient land.” The property was also the basis of a 2008 documentary, The Wild Man of Kentucky: The Mystery of Panther Rock, by researcher Philip Spencer. Bigfoot itself has a heightened pop culture presence, too, and the interest doesn’t seem to be disappearing anytime soon. Just last month, the animated feature Missing Link — which secured an 89 percent on Rotten Tomatoes — hit theaters with a Sasquatch-type creature named Mr. Link as the star and included the vocal talents of Hugh Jackman, Zoe Saldana and Zach Galifianakis, among others. If you’re looking to take your curiosity

past few years,” he continues, noting that support for a yet-to-be-classified hominid such as Bigfoot has also grown. He says “the internet, a decrease in negative stigma and increased human encroachment on their habitat” are among the factors contributing to heightened interest. Kendall Clinton, executive director of the Lawrenceburg/Anderson County Tourism Commission, recalls first hearing about the festival’s concept. “When Jeff first presented the idea of a Bigfoot festival, I thought it was fantastic,” he says. “(Jeff) wanted to incorporate something unusual that we are known for in Anderson County into a festival that has many unique aspects — from the Wildman calling contest to special guests from the television show Finding Bigfoot. Where else are you going to experience that?” Finding Bigfoot is a popular Animal Planet program, which has brought its investigators to Kentucky three times, to date. Cryptid curiosity aside, Clinton notes the festival’s importance from the tourism perspective. It was one of Lawrenceburg’s bigger events in 2018. Last year, he says that they even had someone from Australia fly in to attend. “We hope to see it continue to grow to the size of the Anderson County Burgoo Festival, which has been held downtown

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alling all cryptozoologists and curious cynics alike: The Commonwealth of Kentucky is a hotbed of purported Bigfoot activity, and that reputation will soon collide with the summer festival season. Wildman Days is a family-friendly celebration of all things Sasquatch held in Lawrenceburg, Kentucky the weekend of May 31. The fest features live music, contests and even a marathon that snakes through Bigfoot territory. Just under a twohour drive from Cincinnati, it also makes for a quirky summer road trip. Now in its second year, Wildman Days was founded by Jeff Waldridge, along with Lee and Jennifer Kirkland. As boasted on the event’s website, it’s the only street festival in the Bluegrass State dedicated to Bigfoot. “At first, people were unsure about (the theme),” Waldridge says. “But people have really come to welcome our Bigfoot heritage. It is what it is. You either believe or not. One thing the non-believers enjoy is the food and fun of the festival.” Wildman Days features over fifty vendors selling unique crafts and souvenirs, plus a 5K race whose path winds through areas boasting a history of alleged Bigfoot sightings. Contests include “The Hairiest Man in Anderson County,” a foot-measuring competition and a search for the best Bigfoot howler. That’s not to suggest there isn’t some serious information shared at these gatherings, too. Charlie Raymond, founder of the Kentucky Bigfoot Research Organization (KBRO), is slated to be a guest speaker and is enthusiastic for the opportunity to share information with other speakers and general attendees. “Anderson County in Kentucky (home to the city of Lawrenceburg) leads the state with reported Bigfoot sightings,” he says. Raymond founded KBRO in 1997 to document all credible encounters in the state. “Cryptozoology has grown over the

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Queen City Opera Bites the Magic Bullets BY A N N E A R EN S T EI N

In a mid-17th-century German village, masculinity is equated with guns to the point that prospective bridegrooms must succeed in a ritual target shoot in order to marry. No outside intervention is permitted. But for a hapless lover who is a lousy shot, a devil’s bargain is the only answer. And, of course, the price is steep. This is the story behind Der Freischütz, the first German opera to enjoy widespread acclaim and performances throughout Europe following its 1821 premiere. Written by Carl Maria von Weber, the opera makes use of primal elements found within German folklore — especially the supernatural — and thus resonated with German audiences. But now it’s rarely heard outside of Germany. Local audiences will get a chance to watch the story unfold at the Finneytown Performing Arts Center, when it is presented by the Queen City Opera. Showtimes are 8 p.m. May 31 and 3 p.m. June 2. Der Freischütz is an opera that Isaac Selya, QCO’s artistic director, fell in love with as an undergraduate student at Yale University. The upcoming fully staged production also marks the U.S. premiere of a new critical edition of Weber’s score, The Magic Bullets (Der Freischütz), published by Schott Music in Mainz, Germany. Many of the folklore elements don’t translate well to non-German audiences and the libretto itself has awkward moments. To remedy this, QCO’s production has updated the story to the 1980s and tweaked the libretto, whose spoken dialogue — adapted by Selya and his team — will be in English. The music itself will be sung in German, with translated English lyrics projected on a screen. “We’re focusing on the toxic masculinity component that says ‘You’re not a man unless you make these shots.’ That drives Max, the hero, to literally make a bargain with the devil,” Selya says. Max’s supernatural silver bullets guarantee six accurate shots. But the story itself presents another unique challenge. “Virtually everyone onstage is carrying a gun and the main plot hinges on shooting,” Selya says. “We have to be careful about the narrative but we can’t shy away from what we see in our own (American) culture so we decided to hit the issue head on.” In keeping with past productions, QCO is collaborating with local organizations to address social issues raised by the opera. An hour ahead of the performances, representatives from these organizations will lend their voice to a presentation on evidence-based approaches to preventing gun violence. “We wanted to be responsible and create a safe space for discussion,” says Selya. “Preventing gun violence has immediate

Queen City Opera artistic director Isaac Selya PHOTO: ANNA JEKEL

impact and we reached out to organizations utilizing evidence-based approaches.” Selya says that the performers had several conversations about their roles with stage director Rebecca Herman. “We’re trying to be true to the music, which is full of angst and dark orchestration, sometimes combined with more naïve elements,” he says. “This new framework helps it to play out more easily.” Another welcome change can be expected: the venue. It will mark QCO’s first show in their new home, the Finneytown Performing Arts Center, which features an orchestra pit, a backstage area with dressing rooms, comfortable seating and ample free parking. “Just having an orchestra pit will make an enormous difference in balance and acoustics,” Selya says. Many of the performers are QCO veterans and recent University of Cincinnati College-Conservatory of Music graduates on their way to major careers: tenor M. Andrew Jones takes on the anxiety-laden Max; his sweetheart Agathe is portrayed by soprano Erin Keesy, who has appeared with area orchestras and the Cincinnati Opera; bass-baritone Brandon Morales is Max’s rival Caspar; and Cincinnati favorite Simon Barrad plays Prince Ottokar. Selya is encouraged by the advance sales for the weekend’s performances and he hopes audiences will come for the preperformance sessions. “A magic bullet saved Max but in real life it’s a community responsibility,” he says. Presented by Queen City Opera, The Magic Bullets (Der Freischütz) is onstage 8 p.m. May 31 and 3 p.m. June 2 at the Finneytown Performing Arts Center. Tickets: magicbullets.brownpapertickets.com.

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Rob Lowe Returns to His Dayton Roots BY G A R I N PA R I N A

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Though Rob Lowe only lived in Dayton, Ohio from when he was 6 months old until he was 12 years old, we claim him as one of our own. Soon after Lowe moved to Malibu, California with his mom and brother, Chad, his film career took off. In the 1980s, the Brat Packer played heartthrobs in The Outsiders and St. Elmo’s Fire. In the ’90s, he pivoted to star in iconic comedies Wayne’s World and Austin Powers Rob Lowe will be onstage at the Aronoff Center June 1. and cinched an Emmy nomination for playing P H O T O : C O U R T E S Y O F C I N C I N N AT I A R T S A S S O C I AT I O N Sam Seaborn on TVs The West Wing, which also hook up with fellow Brat Packer and Cinstarred fellow Daytonians Allison Janney cinnatian Emilio Estevez. He also plans and Martin Sheen. to make a pilgrimage to his favorite pizza And in 2011, he published his first book, place in Dayton, Marion’s, throw the first bestseller Stories I Only Tell My Friends, a pitch at a Reds game and hang out with his candid autobiography in which he wrote dad, Chuck, a prominent Dayton lawyer. about his Dayton upbringing, his addiction In the past decade, Lowe’s been best to alcohol and even his infamous late-’80s known for playing the “literally”-loving sex tape scandal. (In 2014 he published a Chris Traeger on the aforementioned Parks follow-up book, Love Life.) and Recreation. Every single member of the For someone who’s accomplished praccast convened at the PaleyFest television tically everything — hosting a talk show festival in Los Angeles in March for the and doing Shakespeare in the Park are still show’s 10th anniversary. on his list — touring behind his books were “I’ve worked with a lot of ensemble casts an opportunity to do a one-man show and and a lot of casts that got along really well, to return to his Dayton theater roots. He’ll but nothing compares to Parks,” Lowe perform Stories I Only Tell My Friends Live! says. “There’s a connection with all of at the Aronoff Center June 1. us that’s really, really deep. What I’ve “I had such a positive experience with always loved about Parks and Recs is its both of the books, so instead of writing spirit. It’s such a beautiful, well-meaning, a third one I decided to do something goofy, loving place to spend time. And totally different and write this show,” to create that kind of world that also has Lowe says. “It’s harder and harder to find unbelievable biting comedy within it is something new, something where I can get just a tremendous accomplishment on the adrenaline pumping through my body everybody’s part.” because I’ve been at it for so long. So this Lowe says people still come up to him is a totally new world for me — to come and say “literally” — Lowe uses that word out alone, just you and a microphone, and in real-life conversations, too — but he entertain people for 90-minutes. To me it’s never gets tired of hearing it. the ultimate in being an entertainer-slash“It’s one of my proudest achievements,” actor, and I wanted to see if I could do it.” he says. “It took me 30-plus years to get a Onstage, Lowe borrows some anecdotes catchphrase. Now that I’ve finally got one, from his books, but he says he wrote a I’m not giving it up.” funny show full of newer material. “If you Even though Lowe’s life started out like the books you’ll love it, and if you have with some ups and downs — his parents no idea what the books were, you’ll like it divorced when he was 5 years old — he equally.” believes “1 billion, trillion percent” that For years, Lowe had the germ to do the everything happens for a reason, including stage show, especially when he saw friends his one-man show. Ricky Gervais and Parks and Recreation “The divorce wasn’t a great time for me co-star Aziz Ansari do similar programs. and the family, but without that I’m not “I was always envious of that,” he says. “I here, and this is the happiest I’ve ever been. was like, ‘I wonder if I have a show in me There’s a plan, but it sometimes takes years somewhere?’ And it just percolated and and years and years to get to the meaning percolated. You don’t want to create a of it.” show that doesn’t give people what they Rob Lowe: Stories I Only Tell My Friends want, and when you’re known for a lot of Live! is onstage at the Aronoff Center 8 different things, that can be a challenge. p.m. June 1. Tickets $30-$65; $250 VIP. But I think I figured that out.” More info/tickets: cincinnatiarts.org. While Lowe’s in town, he said he might

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Starfire Hosts Sciencinnati Science Fest BY B R A I N B A K ER

Queen City science festival Sciencinnati is chemistry, but you can taste it.” upon us. Conceived of by Craig Ihlendorf Other participants include GE Avia— a bright, engaging young man with a pastion engineer (and Roundhead/Black sion for video games, computers, technolOwls bassist) Kip Roe, who will document ogy and science in general — the one-day the event via drone technology; Citizen symposium is designed to illuminate the Scientists of Cincinnati’s Jenny Doe; science and technology found in our daily and Chelsea Nuss from The STEM Lab, a lives. It will unfold Saturday, June 8 at the Sharonville-based company that offers Starfire Council building. after-school enrichment programs, sumIhlendorf’s collaborator in this endeavor mer camps and more. is Richard James, an icon of local music There will also be tech presentations who’s now relishing in his role as a Comfrom the Microsoft Store, a virtual reality munity Builder for Starfire, a regional tour of Union Terminal from Kinetic Vision, organization that strives to build better an exhibit from the South Western Ohio lives for people with disabilities by conBeekeepers Association and a 3-D printing necting them with those who share similar demonstration via Cincinnati State Techinterests. Ihlendorf’s Starfire affiliation nical and Community College. dates back to its incarnation as Starfire U, Sciencinnati is one example of the a program that sought to provide educakind of events Starfire Council — which tional opportunities for young adults with disabilities. “I bowl for Special Olympics and a couple people on my team were in Starfire U,” Ihlendorf says. “That’s how my mom and dad heard about it. I was in the evening program.” Sciencinnati was envisioned during James and Ihlendorf’s weekly one-on-one outings, a consistent feature of Starfire’s new transitional model. James and Ihlendorf typically get coffee and volunteer at local businesses to help hone social interactions Craig Ihlendorf (left) with event presenter Bryan Dilsizian. and discuss Ihlendorf’s passions PHOTO: PROVIDED BY RICHARD JAMES and goals. A conversation last year on the pervasive nature of science led to an epiphany and, subselaunched in 1993 — helps facilitate, in quently, the idea for the event. line with its stated mission to “create a “I’ve always been interested in science, more inclusive Cincinnati.” The original since I was young,” Ihlendorf says. “I really program, and later the Starfire U subset, enjoyed going to COSI (in Columbus) and I dismantled in 2016 because they were watched a lot of weird shows on TV — Bill segregated models that grouped individuNye The Science Guy and The Magic School als with disabilities together. Bus.” “What happens when we group them Of their meetings, James says that the with other people who don’t have connecpair started joking about the science that tions is more isolation,” says Starfire pubexists all around us. licity coordinator Katie Bachmeyer. “What “The reflective surface of street signs, the we’re doing now is completely one-on-one. air we breathe, birds flying by, the road Nothing is done in our building, and we’re driving on,” James says. “After a people with disabilities are never grouped couple of weeks, our running joke turned together. You’re supported based on where into, ‘What if we put on a science festival?’ ” you live, what your interests are and you The slate of presenters at the first have one Community Builder who pairs up annual Sciencinnati festival includes with you to do cool projects, like Richard Bryan Dilsizian, a Queen City Album and Craig.” electroplating engineer and renowned When it comes to the ultimate purpose local DJ; Lisa C. Andrews, owner of Sound of Sciencinnati, Ihlendorf’s response Bites Nutrition and a registered dietician; also speaks to the aims of the Starfire Aaron Eiben, a University of Cincinnati Council itself. “I just want people to learn physics instructor; and John Bender, the something,” he says. godfather of lo-fi synthesizer music and a Sciencinnati will be held June 8 at the therapist. Andrews’ presentation, which Starfire Council building (5030 Oaklawn will also include a fact-filled cooking demo, Drive, Madisonville). More information is seems to particularly pique Ihlendorf’s available on the event’s Facebook page by interest. searching “Sciencinnati: The Queen City “I coined the phrase ‘edible chemisScience Festival.” Details about the Starfire try,’ ” he says. “When a bartender is doing Council can be found at starfirecincy.org. mixed drinks or a chef is cooking, that’s

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In a recent conversation about the impact of the current drive for diversity and inclusion in storytelling, I challenged the assumption that Hollywood is rehashing the same-old narratives (and arriving at the same-old conclusions) all while merely substituting a gender dynamic here or a racial identity there. It was easy to point out that Jordan Peele’s Get Out was something far more than a typical horror-thriller Beanie Feldstein (left) and Kaitlyn Dever in Booksmart exercise, precisely because the race of its central PHOTO: FRANCOIS DUHAMEL / ANNAPURNA PICTURES character injected a whole quest to studiously party like it’s 2019. The new level of cultural and great Superbad callback is that Feldstein, critical commentary on American history. the actress playing Molly, happens to be The real stumbling block emerged the younger sister of Jonah Hill, one of the when I revealed that I would be attending geek dudes from that smart and somewhat the opening screening of Booksmart, the bookish mid-2000s teen comedy; she’s directing debut of actress Olivia Wilde, got her own brand of offbeat charm and which has been described as “a female verdazzling wit, but Booksmart wisely lets sion of Superbad.” Based on its trailer, the her display dramatic chops in ways that movie appears to be a run-of-the-mill teen Superbad didn’t quite do for Hill. comedy about a couple of nerdy friends — And it’s largely because of gender. The Molly (Beanie Feldstein) and Amy (Kaitlyn pain of Molly’s discovery — that she’s Dever) — who, after having spent their booksmart but lacks the ability to enjoy entire academic careers focused solely on life’s simpler pleasures — creates a rich gaining access to the top schools of their and untapped narrative wellspring. When choice, decide to spend the night before teenage boys hit roadblocks in similar situgraduation partying hard like everyone ations, you never get the sense that such else. wounds will permanently scar them. At By all accounts, the expectation would most, they come across as superficial nicks be that audiences could feel free to insert and cuts that generate laughs as the boys montages of kids drinking excessively, get up and dust themselves off. attempting quite rudely to deflower each But here we worry about Molly, and to other with abandon and facing off against a lesser extent Amy, because there is the bumbling police officers enroute to a credible fear that they might not recover morning-after graduation sequence where from this emotional damage. I felt the the class has united in a new awareness of angst Feldstein delivered in several of their dawning humanity as they set off for these moments and was able to go a step the next stage of their lives. further with her, imagining a more adult Indeed, all of that may appear here, too, version of Molly, older and wiser, having but Booksmart achieves a startling degree achieved the long-term dreams and aspiraof specificity by granting us the pleasure tions of her younger self, but hollowed out of riding shotgun with these two young from the effort. The tears she cries in these women; especially Molly, a surprisingly teenage years lay the tracks for rivers of complex and gifted character who awakdissatisfaction down the road. ens to a heady stew of confusion and longThankfully the writing from Susanna ing in this pivotal and inciting adolescent Fogel, Emily Halpern, Sarah Haskins and moment. She’s confronted by the possibilKatie Silberman and Wilde’s hyper-attenity that she and Amy have tragically wasted tive direction reveals the hopeful promise their teenage years with their noses deeply awaiting these two protagonists. They pressed into books, while their peers may not benefit from the same sheltered enjoyed mythic bacchanals and arrived privilege of the boys in their set, but they at the same destination: acceptance into know how to apply their smarts to steel top schools or job offers from major tech themselves for what’s to come, and Feldcompanies. Molly winds up questioning stein, in particular, presents Molly as an her whole approach to life and the hardover-achiever who now realizes that fun is core mantras that fueled and sustained her a valuable gift that should be treasured. (In along the way. theaters) (R) Grade: A The genius of Molly’s persona is that this discovery leads her to do what she does Contact tt stern-enzi: best. She doubles down and browbeats request@citybeat.com Amy to join her on an absurd goal-driven

#OneOfUs

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FOOD & DRINK

Urban Artifact Finds Its Missing Linck The brewery’s newest beer release was over 150 years in the making BY M O R G A N Z U M B I EL

Urban Artifact P H O T O : B R I T TA N Y T H O R N T O N

make it impossible to determine exactly where this yeast came from, but also capture the essence of what it means for the brewery to give a yeast so uniquely Cincinnati back to the city where it was hidden for so many years. “Eleven of the biggest brewers in Cincinnati all shared this space at the same time, so this idea of the future of Missing Linck, it’s consistent with the physical past of this place,” Morgan says. Just as the brewery from which it came, Missing Linck may one day fade into obscurity, but Baker is focused on its present potential. “It’s just a matter of time before it gets forgotten,” he says. “Eventually it will go away like everything does. But for this moment in time, for the here and now, I think we can have a pretty big impact. We found the needle in the haystack.” Urban Artifact will tap Missing Linck at 4 p.m. June 1, complete with a four-pack release; a book signing of Cincinnati Beer by Mike Morgan, which includes a chapter about Missing Linck; and a screening of a short film documenting the creation of the beer. More info: artifactbeer.com.

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Baker took Missing Linck, the name given to the new yeast strain and the new brew, in an entirely different direction. “It’s almost like a toned-down Belgian ale,” he says. “A little clove, a little bit of the estery characteristics. A touch of banana, a touch of bubblegum. All of that is toned down, and it’s got a really nice malt character. It is a little sweet on the finish, but that’s not uncommon for a yeast like this. We have a moderated hop-bitterness to help balance that out. ‘Rustic’ is a good way to put it.” In November 2018 Urban Artifact released a pilot batch of Missing Linck and it sold out in a day. It was the nudge they needed to take the yeast a step further. Instead of keeping the strain to themselves, Urban Artifact has given the yeast to the City of Cincinnati to be used by any and all local brewers. The city has declared June 1 Missing Linck Day and this year — and hopefully every year beyond — they’ll celebrate the history and future of their remarkable find with a Missing Linck festival. Now, thanks to the team at Urban Artifact, Cincinnati has its own historic yeast strain. After the F. & J.A. Linck Brewery closed, Morgan says, its old space was rented out to other Cincinnati brewers for a brief time during the Civil War. Those circumstances

had some type of fermentation going on. The other ones were moldy, or they smelled like tire fire or vomit or diapers.” A few of the palatable samples tasted OK, Baker says, but one stood out above the rest. To find out whether it was viable for making beer, the cultures were sent off to Omega Yeast, a Chicago-based microbiology lab that supplies yeast to professional and home brewers. “The odds of finding a brewer’s yeast was basically zero,” Baker says. The cellars had been sealed for decades, the equipment was out of use for even longer and the dank cellars had little light and limited sugar. “Our only hope was that some yeast sporulated — where they form these really hard spores and then basically sit and wait and hope that they fall into sugar or sugar falls onto them,” he says. Omega tested the samples and ran their genetic ID against other known strains of yeast. There were no matches. Not only had Baker and Morgan found a viable brewer’s yeast, but they had also harvested a previously undiscovered strain. That, Morgan says, is unprecedented. Naturally, they made a beer out of it. “It’s definitely not a beer you would’ve found in a bar in the 1850s, but the yeast really shines through,” Morgan says. Urban Artifact is known for its collection of exclusively sour and fruited beers, but

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city full of German immigrants, pre-Prohibition Cincinnati had no shortage of breweries. Some — like the Christian Moerlein and Hudepohl brewing companies, founded in 1853 and 1855, respectively — have stood the test of time, while so many others went out of business and were lost to history. The F. & J.A. Linck Brewery is one such relic. In 1855, the company built a cavernous lagering cellar beneath their malthouse on Race Street near Findlay Market, but its time was short-lived. The brewery closed in 1860. The malthouse was demolished and replaced by tenement buildings in the 1870s. The lagering cellar was sealed shut and forgotten. That is until it was rediscovered a century-and-a-half later. In 2016, Mike Morgan, historian behind the newly opened Cincinnati Brewing Heritage Trail and author of the newly released book Cincinnati Beer, caught wind of the find and shared the news with Urban Artifact brewmaster Bret Baker. “Cellars get found, that happens,” Morgan says. “What was unique about this was they found an intact 19th-century fermenting vat in it. I asked Bret if there was any chance in hell that there could be usable yeast in that vat (to make a beer). He said, ‘Probably not, but maybe.’ ” It was a shot in the dark — and more or less just an excuse to explore the tunnels — but by April 2017 the pair found themselves on the hunt for yeast in the depths of the old Linck cellar. The process of collecting wild yeasts, Baker says, is an exercise in redundancy. In this case, he began with taking sterile swabs from different areas in the fermentation tank before adding them to jars of wort — unfermented beer — and covering them with cheesecloth. Then the cultures have to ferment for around three months before they can be tasted, but the majority of them never even make it that far. “Most of them you don’t try because they just smell or look horrible,” he says. “Out of the 50, 55 (samples), four of them maybe

WHAT’S THE HOPS

The Cincinnati Garlic Festival, Brewery Anniversaries, Dog Dad Day and New Beers BY G A R I N PI R N I A

C I T Y B E AT. C O M

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It’s almost officially summer, which means big beer fests, brewery anniversaries and Father’s Day are on the horizon. On May 31 and June 1, Cincinnatians will find out if garlic beer is any good when Arnold’s Bar & Grill hosts the Cincinnati Garlic Festival. Listermann, Fifty West and Rhinegeist have all brewed special garlic beers for the occasion. Besides garlic beers, expect garlic gelato, garlic pretzels, garlic soup, garlic breads, garlic sausages and garlic cocktails, plus live music and Garlic Fest-themed merch. For something sweeter, National Donut Day is June 7 and Rivertown has collaborated with the Butler County Donut Trail on a special beer named SprinkAle, an imperial white ale. More details to come but expect to find it at Rivertown’s taproom. Also on June 7, Municipal Brew Works in Hamilton turns three. They’ll release their Anniversary Series DIPA and have variant beer releases, free concerts, an open mic, food trucks and maybe some surprises. Then on June 8, Pendleton’s 3 Points Urban Brewery celebrates one year in business. Dubbed Three Fest, the brewery plans to go all out with a community painted mural, a birthday double IPA version of their Origami brew, guest taps, limited-edition glassware, face painting and live art from local artists. Just in time for Father’s Day weekend, Jungle Jim’s International Craft Beer Festival is back June 14 and 15 with more than 100 breweries showcasing more than 400 beers, including rare and unique imports, plus locals and hard cider. On June 16, celebrate Dog Dad’s Day at Taft’s Brewpourium. Every dog dad will receive a wristband for $1 off pints and $2 off pizza, and dogs will get treats and be able to wade in a small pool. For dads with human children, visit Swine City Brewing. Men — including fatherless and dog-less men — will receive $1 off pints, and there also will be a dad joke contest.

New Beers

• Last week, Taft’s released Cincy Cobra, a hazy Citra IPA named after local boxing legend Ezzard Charles. Cue the “it packs a powerful punch” joke. The beer is available on draft and in cans at their taproom. • A couple of weeks ago, Fibonacci released Singleton English brown ale. In math, a singleton is “a set with exactly one element or member,” or a back-tobasics approach. It’s a traditional English brown ale without any variants. Try it on draft and in bottles at their taproom. • On May 30, March First will tap a limited-edition Key Lime Blonde Ale. Stop by from 4-10 p.m. to try it on draft. • For another taste of key lime, Cincinnati Garlic Festival poster visit Braxton Brewing Co. to sample their latest collaboration P H O T O : C R E AT E D B Y W E H A V E B E C O M E V I K I N G S with Graeter’s: a Key Lime Pie Ale in doggie mug shots and a dog show. inspired by key lime pie ice cream, • On June 3, Rhinegeist and OTR Candy available on draft in the taproom or in Bar will host a beer and candy pairing as store in four-pack cans. part of Rhinegeist’s sixth anniversary and • On June 8, Swine City will their monthly series Nice Little Monday. distribute Nuxy 41, an Altbier brewed They’ll pair things like Juicy Truth (infused in collaboration with The Joe Nuxhall with grapefruit and blood orange juice) Miracle League Fields and The Joe Nuxhall with Sunshine orange caramels and Hang Character Education Fund. A portion of Six (a Brut IPA infused with watermelon sales will go toward the organizations. tea) with champagne and watermelon Jelly Nuxhall was a left-handed Reds player and radio broadcaster who was the youngest Belly jelly beans. Tickets are $15. player to appear in a Major League game. • On June 8, Summit Park in Blue Ash will host SummitFest music and beer Events festival featuring live Country acts, a beer • On May 30, Rhinegeist’s Brewcademy and whiskey garden, food trucks and more. returns, this time offering a two-hour Currently, musicians Lee Brice and Tyler session on the lagers of summer. Tickets Farr are set to perform. are $45 and include beer samples, a pencil, • On June 13, Urban Artifact and Red a pad to take notes, beer education and a Dog Pet Resort & Spa team up to benefit small glass to take home. the SPCA Cincinnati. Listen to live music • On June 1, the Woodburn Brewery from four local bands; browse paintings, will host a community movie night in the drawings and sculptures; bid on a silent brewery’s parking lot. At 9 p.m. they’ll auction; and meet adoptable doggies while screen Turner & Hooch, but starting at 7 drinking beers like Gyroscope, a Midwest p.m. grab some Fireside Pizza, participate Fruit Tart. Tickets cost $20 and can be

purchased at reddog2019.givesmart.com. • On June 14, take the kids to Taft’s Brewpourium for a free screening of Frozen at 6:30 p.m. They’ll have Frozenthemed coloring pages and crayons (not just for kids), pizza and beer (probably just for adults). • On June 13, Little Miami Brewing Co. will host Bees and Brews, an adult spelling bee. Sponsored by The Literacy Council of Brown and Clermont Counties, the bee will hopefully challenge adults to spell difficult words like “scherenschnitte.” Prizes include split the pot and a raffle. • On June 22, Streetside Brewery will host That’s My Jam: A Fruited Beer Festival. Local and regional breweries like Pretentious Barrel House, Sonder, Wolf’s Ridge Brewing, Branch & Bone and Listermann will contribute their fruity and tasty brews. Ticket details and full lineup to come. Contact Garin Pirnia: request@citybeat.com

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CLASSES & EVENTS WEDNESDAY 29

TV Pop-Up Night: Bob’s Burgers at The Video Archive — Lonely Pine Steakhouse will be at The Video Archive for a Bob’s Burgers-themed burger bar. Don’t stay at home crying into your butt; go hang out with The Belchers. Bob’s Daily Special creations and themed cocktails and shots available. 7-10:30 p.m. Free admission. The Video Archive, 965 E. McMillan St., Walnut Hills, facebook.com/ videoarchivecincinnati. Route 50 Beer Dinner Series: Indiana — Fifty West is hosting a dinner series highlighting the cuisine of states along Route 50. This time around, a three-course meal pairs the food of Indiana with beer selected by brewmaster Scott LaFolette. 7-9 p.m. $50. Fifty West Brewing Company, 7668 Wooster Pike, Columbia Township, fiftywestbrew.com.

THURSDAY 30

Latte Art Throwdown — Caffè Vivace is hosting a latte art throwdown for up to 32 competitors. Baristas and aspiring coffee artists can create anything from a macchiato to a latte in five rounds of competition. 7-10 p.m. Free to watch; $5 supply fee for competitors. Caffè Vivace, 975 E. McMillan St., Walnut Hills, caffevivace.com.

Garten Grill Out — Every Thursday, head to Findlay Market’s Biergarten for access to a free grill and basic equipment. Grab your own meat, veggies and more from the market and then cook it yourself. Beer is available. The Market House closes at 6 p.m. and grills are available until 8 p.m. 4-8 p.m. Free admission. Findlay Market Biergarten, 1801 Race St., Over-the-Rhine, facebook.com/findlaymarket.

FRIDAY 31

Tropical Disco — Rhinegeist gets groovy during this tropical dance party. The taproom will be transformed with a blacklight dance floor, rotating DJ sets, specialty brews and cocktails and available glow-in-the-dark face paint. Wear neon and get ready to glow. 9 p.m.-2 a.m. Free. Rhinegeist, 1910 Elm St., Over-the-Rhine, rhinegeist.com. The Cincinnati Garlic Festival — Arnold’s Bar & Grill plays host to the Cincinnati Garlic Festival. Expect a potent mix of garlic-infused food, brews and cocktails, plus live music. 5-11 p.m. May 31; all day June 1. Free. Arnold’s Bar & Grill, 210 E. Eighth St., Downtown, facebook.com/arnoldsbar. Pride Month Kickoff Party — Mirelle Jane Divine and Sarah Jessica Darker will present a drag show to welcome in PRIDE month. Try Sam Adams’ signature June brew: Love Conquers Ale. 7-11 p.m. Free admission. Samuel Adams Cincinnati Taproom, 1727 Logan St., Over-the-Rhine, facebook. com/SamAdamsCincy.

EST. 1933

NIVERSARY

SATURDAY 01

Igby’s Summer Carnival — Head to the bar for a summer carnival for grownups featuring a DJ, face paintings, stilted balloon artists, cotton candy, buttery popcorn, boozy beverages, carnival games and a themed photo booth. 8 p.m. Free admission. Igby’s, 122 E. Sixth St., Downtown, facebook.com/Igbys. Missing Linck Day — Urban Artifact is releasing Missing Linck, an ancient ale brewed with a yeast harvested from a forgotten pre-Prohibition fermenting tank, hidden underneath the city streets inside the former L. & J.A. Linck Brewery in Over-the-Rhine. The yeast has been donated to the city and June 1 has been declared Missing Linck Day. To celebrate Urban Artifact will be tapping a keg of the beer, displaying historic brewerania and antiques, hosting tours of the campus, leading guided tastings/classes ($20) with co-discoverer Mike Morgan, premiering the film Wild Yeast and Missing Linck and more. 4-8 p.m. $20 classes; $15 tours; $12.99 Missing Linck four-packs. Urban Artifact, 1660 Blue Rock St., Northside, facebook.com/ urbanartifactbrewing.

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CincItalia — Get a taste of the old country at the 10th-annual CincItalia Festival — a celebration of Italian cuisine, wine, music and culture. It wouldn’t be an Italian fest without food, and there will be plenty: lasagna, spiedini, arrosticini, bruschetta, fried

ravioli, Stromboli, cavatelli, sausage, beef sandwiches, gelato, tiramisu, limoncello cake, cannoli and cookies. 6 p.m.-midnight May 31; 3-11 p.m. June 1; 1-9 p.m. June 2. Free. Harvest Home Park, 3961 North Bend Road, Cheviot, cincitalia.org.

Picnic in Pink: Rosé Wine Dinner — Head to LouVino for four courses by chef Sarah Rockwell paired with four different rosés. The menu includes scallop ceviche, ham with Urban Stead quark, roasted chicken

breast and strawberry rhubarb shortcake. 6-8:30 p.m. $55. LouVino, 1142 Main St., Over-the-Rhine, facebook. com/LouVinoOTR.

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Drunk Spelling Bee — Do you spell good? Prove it at The Righteous Room’s Drunk Spelling Bee. Have several beers while being challenged to spell different words. You get a free shot with registration and the opportunity to stand before strangers and spell. 8-10 p.m. $5 registration. The Righteous Room, 641 Walnut St., Downtown, facebook.com/therighteousroom.

Most classes and events require registration and classes frequently sell out.

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SIMPLE. SPIKED. SPARKLING.

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MUSIC Young and the Restless Cincinnati Indie Folk band Young Heirlooms gear up for festival season — including a slot at Bunbury — and their next phase BY B R I A N B A K ER

Young Heirlooms PHOTO: ROBERT STREITHORST

ages, all demographics, watched that video and listened to it on the radio and it broke my heart. It was so humbling.” Young Heirlooms’ next steps include a full slate of summer festival touring with Howser behind the kit, including their upcoming Bunbury Music Festival date, and more recording to complete demos to shop around for a possible label deal. The band recorded two songs back in February with Cincinnati producer/performer/good guy/genius Rob Fetters, which they’re extremely pleased with, and another three that are ready to record soon. “The songs are really good, we believe in them and I feel like The Hammer backs it all up,” Fine says. “It’s been a cool adventure to work with a producer, having an impartial, non-emotionally invested bandmate who contributes to sculpting the sound as much as a member is terrifying, but it went great with Rob. He’s the best. The reality is if no (label) bites, we can self-release, but this music is so good, I really want more people than I physically know to hear it.” Young Heirlooms perform at the Bunbury Music Festival at Sawyer Point on Saturday, June 1 at 3:30 p.m. on the Metro by T-Mobile Acoustic Stage. Tickets/more info: bunburyfestival.com. And for more info on the band, visit youngheirlooms.com.

C I T Y B E AT. C O M

parents insisted she stick it out. She started playing music regularly (“It was a way for me to understand myself…”), and she enrolled in an Appalachian immersion project dedicated to community building. During her six-week stint, she attended the program’s Barn Jam fundraiser where she met Robinson through a mutual friend after seeing each other perform. “He was like, ‘My name is Chris Robinson, I really like your music and I think we should write together,’ ” Fine says. “We played (TLC’s) ‘No Scrubs’ around the fire, which is a fun cover we still pull out when we’re feeling that way, then we wrote a complete song the next day.” Through early band defections and every iteration of Young Heirlooms, Robinson and Fine remained together. After the release of The Hammer, the Heirlooms increased their already busy Midwestern bookings and were amazed at the number of people who knew them, largely through airplay on the now-defunct Northern Kentucky radio outlet WNKU and its online streams. “They were crucial to so much of our fanbase, probably (responsible for) 60 percent, honestly,” Fine says. “We played Fort Wayne (Indiana) for the first time and had people come up and say they’d seen our WNKU video. Someone said, ‘We know your videos. We love you guys. Where’s Laura?’ It was crazy. So many people of all

to go back and rearrange for two voices, which was hard. You’re fighting your initial muscle memory of the duo, to the trio, and back to the duo, but your voices have changed, you’ve evolved as writers so now you want different harmonies and you can’t remember which version you’re on. But we’re making it work.” In fact, the Heirlooms had to make another temporary adjustment to make it work, due to Alley’s touring responsibilities with local singer/ songwriter Jeremy Pinnell. Until he’s able to return to the fold, drummer Jaki Howser is keeping his seat warm. “She’s a total badass, her solo project Madqueen is super awesome, she teaches at Guitar Center and she’s worked for Everything But the House, so she can operate in a structured environment,” Fine says. “She showed up at her first rehearsal ready to go, she already knew everything, and she’s been finessing since then. Last Friday, we played at Headliners Music Hall in Louisville, which is a venue I’ve always wanted to play. That was her first show and it was fun to have her energy. I’ve never played with another drummer (besides Alley), so it was exciting and terrifying.” The Heirlooms began in 2010 while Fine was in the midst of undergrad work on her graphic design degree from the University of Dayton. She wanted to drop out and begin pursuing music, but her

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incinnati’s Young Heirlooms have been active locally for close to a decade but the only change in that span that’s been more constant than their shifting sonic profile is the group’s tendency to shed members. Stability is the key to any structure; once Young Heirlooms found a steady lineup, they were able to focus on a consistent sound and build a loyal fan base. That took some time. “We sounded like Postal Service and Feist,” says vocalist/rhythm guitarist Kelly Fine. “We had a 10-piece band, a lot of Disco drums, a lot of horns. We recorded an entire album and (cofounding vocalist/guitarist/mandolinist) Chris (Robinson) and I were like, ‘Uh oh, we want to play Bluegrass. Oh shit, we want to play songs, we don’t want all these instrumental and solo sections. It’s too distracting from the story.’ That’s what brought us in, the storytelling.” Until last year, the Heirlooms’ current membership had remained intact for close to four years, a period of their greatest successes, including the release of their sophomore album, 2017’s The Hammer, until harmony vocalist Laura Bock left last year in order to pursue other creative ventures. “Laura wanted to pursue different creative outlets and not be committed to one,” Fine says. “This band is a big commitment — we rehearse once a week, even still, in our ninth year. Everyone ended things on good terms, she still comes to see us and it’s not weird.” Rather than install a replacement for Bock, pedal and lap steel player Steve Hauke offered his vocal services. Hauke’s newly discovered prowess has allowed the Heirlooms to continue as a quintet of Fine, Robinson, Hauke, upright bassist Kyle Elkins and drummer Chris Alley. “Steve learned Laura’s vocal parts because his falsetto is amazing,” Fine says. “I can’t believe he can sing that high, that loudly. So we still have the three-part harmony and we still have him on pedal steel. There are songs where Chris and I had

40 C I T Y B E AT. C O M

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SPILL IT

Jody Stapleton Releases ‘Shine On’ BY M I K E B R EEN

BY M I K E B R EE N

NYC Mayor Loves Ska

By most accounts (including from residents in the city he runs and reps in the party he’s running for), New York City mayor Bill de Blasio has absolutely no chance of securing the Democratic nomination to run against Donald Trump in 2020. But now he’s made some comments that, depending on where your musical tastes stand, will either secure or completely eliminate base support for his primary run. During a CNN interview, de Blasio confessed, “I love Ska.” He also weaseled his way in on territory previously owned by Beto O’Rourke, who dropped a Clash reference in a debate with Ted Cruz. De Blasio said The Clash was his favorite band then added clumsily that London Calling has “many good hits.”

Stones Make Good

The Rolling Stones recently gave back full songwriting credit to singer/songwriter Richard Ashcroft for his band The Verve’s biggest hit (and a quintessential ’90s classic), “Bittersweet Symphony.” The song samples strings from an orchestral version of the Stones’ “The Last Time,” leading to lawsuits that ultimately gave Mick Jagger and Keith Richards writing credit and all royalties and publishing rights to their manager’s company. Stereogum reported that Ashcroft announced he’d recently reached out the Jagger and Richards, who happily agreed to give back the credit and rights, as well as “all their royalties derived from the song,” which would appear to be worth millions of dollars.

Sofar Called Out

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Intimate, low-key house concerts hosted by “average citizens” in their homes have become a welcome option for musicians wanting reach fans and make new ones without the drudgery of bar shows. Some have even been able to make a nice living doing them. But a recent story from TechCrunch suggests that secret show specialists Sofar Sounds —the biggest booking middleman of the new industry — is hindering those prospects while reaping large profits for the company. Sofar reportedly takes the admission charge attendees pay — $15-$30 — and gives the performers $100 and “exposure,” with the company pocketing over $1,000 per gig (hosts get nothing). The 10-year-old company recently announced it raised $25 million from investors.

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Veteran Cincinnati singer/songwriter Jody An Album and a Goodbye Stapleton (formerly of Roots rockers The Prolific singer, songwriter and multiStapletons) recently released a special new instrumentalist Charles D’Ardenne is single. The lovely, acoustic-based track releasing his latest album under the moni“Shine On” — which has a breezy, heartker Comprador this Friday (May 31). The swelling Folk Rock vibe similar to that of 12-track Important is likely D’Ardenne’s Jeff Tweedy’s sound on his recent Warm last album as a Cincinnati-based musician. and Warmer solo albums — was released In early June, D’Ardenne says he’s moving in conjunction with the local Hear the to Philadelphia, where he has family. But, Hope organization and features some VIPs he adds, “If the stars align hopefully I can as special guests. tour back through here eventually.” Hear the Hope uses music and creativity The album picks up on some of the to offer what it calls “dream come true” AltRock-centric diversity so brilliantly experiences for cancer survivors, vets, displayed on the expansive 2018 young hospital patients, people with special needs and others. One of the project’s founders, Chris Lambert, initially brought Hear the Hope (HTH) to fruition after he and his wife had a son with Down syndrome who needed surgery when he was born. The org has been working extensively with Cincinnati Children’s Hospital, connecting musicians with kids interested in music who then write and record new songs in a professional studio. Local artists who have participated so far include Kelsey Mira, Kelly Red and Blessid Union of Jody Stapleton and his daughter Beatrice Souls’ Eliot Sloan, who PHOTO: CHRIS LAMBERT worked with former Cincinnati Reds’ pitcher Comprador album Downstream, though Bronson Arroyo on the song “Be You,” with slightly more of a focused and along with Gianna and Gavin Trebbi, the cohesive vision. D’Ardenne again plays children of a breast cancer survivor. the majority of the music on the album, For “Shine On,” Stapleton recorded with joined by a few guest musicians, including his kindergarten-bound daughter Beatrice, saxophonist Gabriel Birnbaum and singer/ who was born with Down syndrome and cellist Kate Wakefield. had to have surgery at 6 months old due The album kicks off with a little to a heart defect. Beatrice is now thriving, misdirection in the form of the throbbing, as you can hear in her enthusiastic electronics-fueled Vaporwave track “Bike percussion work on “Shine On.” The track’s Rack On.” But the rest of the album is filled other special guest is Stapleton’s son and with superb guitar-driven gems than lean Beatrice’s big brother Abel, who nails his towards the trippy, ethereal side of Indie background vocal parts. Rock, including fantastic tracks like “Looks Produced and engineered by Lambert Doubtful” and “Rocket League.” Other (who works behind the scenes on the HTH highlights include the Post Punk pummel songs), “Shine On” and the other HTH of “Make It So” and the atmospheric tracks are available to download for a Gothic Folk of album closer “Voice Coil donation (from $5 and up); 100 percent of Unwound.” the donations (minus credit card transacIn honor of Important’s release (and tion fees) go to helping the project continue. D’Ardenne’s imminent departure), ComStapleton calls the recording a “beyond prador will perform Friday at Chameleon words experience” and in a statement (4114 Hamilton Ave., Northside, chameabout the song he says, “I wrote ‘Shine On’ leonpizza.com). Bi and Madqueen are also for our family’s journey with Beatrice now slated to appear at the 9 p.m. show. and into the future. ‘Shine On’ represents For more on Comprador and Important, hope, advocacy and a family that loves to visit comprador.bandcamp.com. sing and play music together.” For download and donation details and Contact Mike Breen: further info about the project (including mbreen@citybeat.com the uplifting stories of the participants), visit hearthehope.org.

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Kelly Finnigan & The Atonements

Friday • Woodward Theater

For nearly a decade and a half, Psychedelic Soul band Monophonics has been a consistent Bay Area presence, renowned for its sweaty, high-octane live shows and deeply funky style. As the group honed a broader national/international reputation, singer and keyboardist Kelly Finnigan joined the group in 2010 and upped the Monophonics game even more. The son of singer/organist Mike Finnigan — a Troy, Ohio native and ace session player who has worked with artists like Jimi Hendrix, Etta James and Crosby Stills and Nash — Kelly developed an affinity for artists like Otis Redding and James Brown while growing up in Los Angeles. Kelly initially found his groove in Hip Hop, working as a DJ in L.A. and doing production work (something he still regularly does for artists across the country). Once you hear Kelly’s stop-you-in-yourtracks voice, it’s hard to imagine it was ever not front and center in his musical pursuits. His talents are on glorious display on his recently released solo debut, The Tales People Tell, which was issued by Loveland, Ohio’s Colemine Records, also home to a handful of Monophonics singles and a slew of other vintage-styled Funk and Soul acts. Though he wrote all of the music and plays nearly a dozen different instruments on the LP, Kelly’s father and Monophonics bandmates helped him in the studio, as did musicians who’ve worked sessions for Daptone and Big Crown releases. While certainly buoyed by insistent rhythms, The Tales People Tell shows the more silky side of Kelly’s Soul, swirling the salt-of-the-earth Otis and JB inspiration with some of the smoothness of Philly

George Clinton PH OTO: DY N A M I C A R TIST M A N AG EM EN T

Soul and groups like the Delfonics and Chi-Lites. But Kelly can still wield the Funk like a mighty sword when he wants to, something he proves on the crackling “I Called You Back Baby.” The sublime mix of grit and grace on The Tales People Tell is riveting and makes for a fantastically dynamic listening experience. (Mike Breen)

George Clinton and Parliament-Funkadelic Saturday • Riverfront Live

Fresh off touring in Australia (including dates with his famed disciples the Red Hot Chili Peppers), music legend George Clinton has launched what he says will be his final tour with Parliament-Funkadelic after five decades in the biz. “I would love to keep on doing this, but I’ll be 78 in a few more months,” Clinton said in an interview with Rolling Stone. “Even though I feel like I’m just getting started, the reality is the group needs to go ahead and keep it going. I’ve been up there representing for people, but they’ve

Hayes Carll

1404 MAIN ST (513) 345-7981

Sunday • Southgate House Revival

Hayes Carll P H OTO : DAV I D M C C L I S T E R

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KELLY FINNIGAN & THE ATONEMENTS (COLEMINE RECORDS)

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WED 29

DUTCH TULIPS (BOSTON) W/ THE TIGERLILLIES

THU 30

NOAH SMITH’S CROONER CIRCUS PLUS IN THE SWORD ROOM: MOTRMOUTH PRESENTS SUMUKH TORGALKAR

FRI 31

HEAVY HINGES W/ SHANNON GARCIA & THE TAKEN (ALBUM RELEASE) AND JV GOLF. PLUS JESSE BOONE OPENING EXHIBIT 4-7P W/ DJ SCAMP AND 1/2 OFF HAPPY HOUR

S AT FAIRMOUNT GIRLS W/ SKRT (DAYTON) 1 AND DEAR DARKNESS (DETROIT) SUN 2

HANEEF SMART: 2 SETS AT 8:30

M O N TRUTH SERUM: COMEDY GAME SHOW 3 TUE WRITER’S NIGHT W/ DAVE 4 VOTED BEST OPEN MIC BY CITYBEAT READERS

FREE LIVE MUSIC OPEN FOR LUNCH

M A Y 2 9 - J U N E 4 , 2 0 19

| C I T Y B E AT. C O M

actually been turning the place out.” Clinton is one of the primary architects of Funk music, slathering the groove with a psychedelic glaze and a sci-fi aesthetic. Clinton and Co. sold millions of albums and produced classic songs like “Up for the Down Stroke,” “Give Up the Funk (Tear the Roof off the Sucker)” and “Flash Light.” A no-brainer Rock & Roll Hall of Famer, Clinton’s music has endured and been wildly influential, including for generations of Hip Hop artists. Alongside James Brown’s grooves, Clinton’s music is some of the most sampled ever, used by everyone from De La Soul and N.W.A. to YG and Earl Sweatshirt. Clinton’s current Parliament-Funkadelic experience features longtime P-Funk players like trumpeter Bennie Cowan, saxophonist Greg Thomas, bassist Lige Curry and guitarist Blackbyrd McKnight. The Funk extravaganza — dubbed the One Nation Under a Groove tour — will be further enhanced by special guests Fishbone and Galactic, as well as relative newcomers Miss Velvet & The Blue Wolf. The legendary musician received a special Lifetime Achievement Award from the Grammys recently, which, in the Rolling Stone interview, Clinton said meant a lot to him because it offered a platform to celebrate the many musicians he’s worked with over the years, including peak-era band members Bernie Worrell and Cincinnati native Bootsy Collins, both critical to the P-Funk sound. “It’s never been about me or no particular thing,” Clinton said to Rolling Stone before the Grammy’s ceremony. “As I’m getting ready to get a lifetime achievement award and all of that, there’s so many people that’s been in the band… that award will belong to everybody that’s participated in making the P-Funk what it is. It will be for all the people that’s ever been through the P-Funk army.” (MB)

Hayes Carll is a gifted singer/songwriter with an independent streak as wide and as chaotically active as an eight-lane highway, and a mood-swing sense of musical diversity that simultaneously incorporates and transcends Folk, Indie Rock, Americana and Roots Rock. Equally impressive are Carll’s lyrical acumen and emotional range in the service of songs that ride a wild wave between heartbreakingly raw and raucously hilarious. In the former category, there’s pretty much all of Carll’s fifth album, 2016’s Lovers and Leavers, produced by longtime Over the Rhine boardsman and collaborator Joe Henry, which detailed the painful aftermath of Carll’s divorce. But Carll is also renowned for his seriously twisted sense of humor; the title track to 2011’s KMAG YOYO (& other American stories) — the title refers to the military acronym for “Kiss my ass, guys, you’re on your own” — is a masterful first-person story of dark government deeds in the name of national security told by Carll with the lyrical precision and gymnastics of Bob Dylan’s “Subterranean Homesick Blues” galvanized by Todd Snider’s slanted booze-and-couch-chemistry perspective. Carll insists that his latest album, What It Is, released back in February, is not a political album, but a good many of its songs comment disparagingly on the state of the world today. At the same time, there’s “None’ya,” a song he wrote about his wife and creative partner Allison Moorer, which combines the quiet reflection of Lovers and Leavers with the sly wit that built Carll’s fanbase from the start. What It Is is also Carll’s second go-round with a somewhat major label, the result of his freshly inked contract with Dualtone; KMAG YOYO and 2008’s Trouble in Mind were both released by Universal imprint Lost Highway. Carll certainly hasn’t been toiling away in obscurity over the past two decades. He’s earned best-of-the-year accolades from Rolling Stone and American Songwriter and he was Grammy nominated in 2016 for Best Country Song on the strength of Lee Ann Womack’s version of Carll’s “Chances Are.” But none of that particularly matters to Carll, so long as it leads to inspiration for a new song and an audience to hear it. (Brian Baker)

44 C I T Y B E AT. C O M

| M A Y 2 9 - J U N E 4 , 2 0 19

LISTINGS

CityBeat’s music listings are free. Send info to Mike Breen at mbreen@citybeat.com. Listings are subject to change. See CityBeat.com for full music listings and all club locations. H is CityBeat staff’s stamp of approval.

WEDNESDAY 29

ARNOLD’S BAR AND GRILL - Todd Hepburn. 7 p.m. Piano/Various. Free. CAFFÈ VIVACE - Blue Wisp Big Band. 8 p.m. Big Band Jazz. $10. THE GREENWICH - Kateri Farrell & the Angie Coyle Quartet. 8:30 p.m. Soul Jazz. $5.

FOUNTAIN SQUARE – Reggae Wednesday with Johnny Payne & The True Believers. 7 p.m. Reggae. Free. HILTON NETHERLAND PALM COURT - Phil DeGreg Trio. 6 p.m. Jazz. Free. KNOTTY PINE - Dallas Moore. 10 p.m. Country. Free.

MOTR PUB - Dutch Tullips with The Tigerlilies. 10 p.m. Rock. Free. SOUTHGATE HOUSE REVIVAL (LOUNGE) - St. Stevens Choir. 9 p.m. Various. Free. SOUTHGATE HOUSE REVIVAL (SANCTUARY) Jeremy Clyde (of Chad and Jeremy). 8 p.m. Pop Rock. $27.50, $30 day of show. STANLEY’S PUB - John Gentry & the Electric Thumb. 9 p.m. Rock/Jazz. Free.

URBAN ARTIFACT Sad Baxter with MARR and Fycus. 9 p.m. Indie Rock. Free.

THURSDAY 30

ARNOLD’S BAR AND GRILL - Philip Paul Trio. 7:30 p.m. Jazz. Free.

BOGART’S - Tech N9ne. 8 p.m. Rap. $30.

THE GREENWICH Now Hear This. 8:30 p.m. Jazz. $5.

HIGHTAIL MT. ADAMS - The Lowdown with Vusive. 10 p.m. EDM. Free. HILTON NETHERLAND PALM COURT - Marc Wolfley Quartet. 6 p.m. Jazz. Free. KNOTTY PINE - Kenny Cowden. 9 p.m. Acoustic. Free.

THE MAD FROG - Gin Faced with PrettyUgly, Swooly, Red Snapper and OKKtopus. 9 p.m. Trap/ Bass/EDM. Free (before 10 p.m.).

MEMORIAL HALL - Morgan James. 8 p.m. Pop/Jazz. $26-$40.

MOERLEIN LAGER HOUSE - Rockin’ the Roebling featuring Chuck Brisbin & the Tuna Project. 6 p.m. Blues. Free. MOLLY MALONE’S IRISH PUB & RESTAURANT Missy Werner Band. 7:30 p.m. Bluegrass. Free.

Music legend Judy Collins performs at Memorial Hall this Saturday. PHOTO: BRAD TRENT

MOTR PUB - Noah Smith’s Crooner Circus. 8 p.m. Singer/Songwriter. Free.

Coulee Boys with Traveling Jam. 10 p.m. Bluegrass/ Rock. Cover.

NEWPORT ON THE LEVEE - Summer Music on the Levee with 90s Kids. 7 p.m. Rock/Pop. Free. PLAIN FOLK CAFE - Open Mic. 7 p.m. Various. Free.

RIVERBEND MUSIC CENTER - Dierks Bentley with Jon Pardi, Tenille Townes and Hot Country Knights. 7 p.m. Country. $34.50-$104.25.

H H

SCHWARTZ’S POINT Society Jazz Orchestra. 8:30 p.m. Jazz. $10.

SOUTHGATE HOUSE REVIVAL (LOUNGE) - Kenny Roby (of 6 String Drag). 6 p.m. Roots. Free. SOUTHGATE HOUSE REVIVAL (REVIVAL ROOM) - Voice Of Addiction, Patsy and JIMS. 8 p.m. Rock. $6, $8 day of show. STANLEY’S PUB - Them

TAFT THEATRE - Brett Dennen with Carl Anderson. 8 p.m. Pop. $30, $35 day of show (in the Ballroom). THOMPSON HOUSE - Stevie Cannon. 7 p.m. Hip Hop. Cover. URBAN ARTIFACT - Letters of Acceptance, Kind Skies and Rachel Mousie. 9 p.m. Indie/Rock/Folk/Various.

WASHINGTON PARK – Roots Revival with The Harmed Brothers. 7 p.m. Americana. Free.

FRIDAY 31

LOUNGE - The Five Little Bears. 9 p.m. Jazz. Free.

CAFFÈ VIVACE Randy Villars Trio. 8:30 p.m. Jazz. Cover.

THE COMET - Nave Netoow and the Spanks. 10 p.m. Indie Folk. Free. COMMON ROOTS - Kiersten Feuchter. 8 p.m. Pop/ Soul/Various. Free. FIBONACCI BREWING COMPANY - Vernon McIntyre’s Appalachian Grass. 7 p.m. Bluegrass. Free. FOUNTAIN SQUARE – Fifth & Vine Live with The Menus. 7 p.m. Pop/Rock/Dance. Free.

ARNOLD’S BAR AND GRILL - Root Cellar Xtract. 8 p.m. Country Rock. Free.

BOGART’S - Megadeth vs Pantera: A Tribute Night. 9 p.m. Metal. Cover.

BROMWELL’S HÄRTH

FRETBOARD BREWING COMPANY - Two Crows. 9 p.m. Improv/Jam/ Various. Free. THE GREENWICH Sonny Moorman Group. 8 p.m. Blues. $5.

HILTON NETHERLAND PALM COURT - Marc Fields Quartet. 9 p.m. Jaz. Free.

JAG’S STEAK AND SEAFOOD - The Fun Size. 9:30 p.m. Rock/Pop/Dance/Various. $5.

NORTHSIDE TAVERN Scream Culture with Sorry, Eric and Stella. 10 p.m. Indie Pop. Free.

JIM AND JACK’S ON THE RIVER - Deuces Wild. 9 p.m. Country. Free.

PLAIN FOLK CAFE - Willow Creek Band. 7:30 p.m. Americana. Free.

KNOTTY PINE - Britney’s Lipstick. 10 p.m. Cover.

THE REDMOOR - White Party with 2nd Wind. 9 p.m. Jazz/R&B. Cover.

MVP BAR & GRILLE The Great Affairs, Victor Spoils and Blue Print. 9 p.m. Rock. Cover.

MANHATTAN HARBOUR MARINA - Josh Wilhoit. 8 p.m. Acoustic. Free.

RICK’S TAVERN - Stratus. 10 p.m. Rock. Cover.

MANSION HILL TAVERN The Heaters featuring Ben Levin. 9 p.m. Blues. Cover.

SCHWARTZ’S POINT - Eric Lechliter Group. 8:30 p.m. Jazz. Cover.

MARTY’S HOPS & VINES - Chris Lee. 9 p.m. Acoustic. Free.

MOTR PUB - Heavy Hinges with Shannon Garcia & The Taken and JV Golf. 10 p.m. Rock/Soul/ Blues/Roots/Various. Free.

SOUTHGATE HOUSE REVIVAL (REVIVAL ROOM) - William Russell Wallace, The Perfect Children, Billy Catfish and Michael Hensley. 9 p.m. Rock/Roots/Various. Free.

SOUTHGATE HOUSE REVIVAL - Black

C I T Y B E AT. C O M

COMMON ROOTS - Open Mic. 8 p.m. Various. Free.

BREWRIVER CREOLE KITCHEN - Ricky Nye. 7 p.m. Blues/Boogie Woogie. Free.

FOUNTAIN SQUARE – Salsa on the Square with Dayton Salsa Project with Cuban Salsa Cincinnati. 7 p.m. Salsa/Latin/Dance. Free.

M A Y 2 9 - J U N E 4 , 2 0 19

20TH CENTURY THEATER - Karla Bonoff. 8 p.m. Singer/Songwriter/Various. $30-$35.

SOUTHGATE HOUSE REVIVAL (REVIVAL ROOM) - The Krank Daddies with Lords of the Highway. 9 p.m. Rock/ Rockabilly/Various. $10, $12 day of show.

SOUTHGATE HOUSE REVIVAL (SANCTUARY) - EmiSunshine with MayaLou And A Uke. 7 p.m. Country/Roots. $15, $18 day of show. URBAN ARTIFACT - Beasts of Joy and Hathor’s Fire. 6:30 p.m. Acoustic/Various

VINKOLET WINERY AND RESTAURANT - Bluegrass Music Art & Craft Festival with Vernon McIntyre’s Appalachian Grass, Wayne Haddix & the Haddix Family, Steve Scott & the Scott Brothers and Evan Lanier & Bluegrass Express. 11 a.m. Bluegrass. Free. WASHINGTON PLATFORM - The Faux Frenchmen. 9 p.m. Jazz. $10 (food/drink minimum).

SUNDAY 02

THE COMET - The Comet Bluegrass All-Stars. 7:30 p.m. Bluegrass. Free.

Young Country sensation EmiSunshine plays Saturday at Southgate House Revival. P H OTO : J E F F RY FA S A N O

Signal (release show). 8 p.m. Electronic/Rock/Various. $5, $10 day of show. STANLEY’S PUB - Chromatic Crew with Actually and The Big Badd. 10 p.m. Funk/ Jazz Fusion. Cover. THOMPSON HOUSE - Said the Sky. 9 p.m. EDM. Cover.

C I T Y B E AT. C O M

M A Y 2 9 - J U N E 4 , 2 0 19

URBAN ARTIFACT Slow Glows, Easy, Tiger, GoodnightGoodnight and Anna Applegate. 9 p.m. Indie/Rock/Pop/Various. $5.

WASHINGTON PARK – Friday Flow with Dayton Funk Band. 7 p.m. Funk. Free.

WASHINGTON PLATFORM - Brad Myers and Mad Dog. 9 p.m. Jazz. $10 (food/drink minimum).

WIEDEMANN BREWERY AND TAPROOM - Ricky Nye and Chris Douglas. 7 p.m. Blues/Boogie Woogie. Free.

WOODWARD THEATER - Kelly Finnigan

& The Atonements. 9 p.m. Soul. $10, $12 day of show.

RIVER - Hot Wired. 9 p.m. Country. Free.

SATURDAY 01

KNOTTY PINE - Final Order. 10 p.m. Rock. Cover.

ARNOLD’S BAR AND GRILL - Cincinnati Dancing Pigs. 8 p.m. Americana/Jug band. Free.

BOGART’S - Hunter Hayes with Levi Hummon. 7:30 p.m. Country. $35.

LYDIA’S ON LUDLOW Peter Dux Quartet. 7 p.m. Jazz Fusion. Free.

BROMWELL’S HÄRTH LOUNGE - Brian Lovely with The Steve Schmidt Trio. 9 p.m. Jazz. Free.

MANHATTAN HARBOUR MARINA - Lori’s Secret. 8 p.m. Blues/Rock/Country/ Various. Free.

LUDLOW GARAGE Al Stewart. 8:30 p.m. Rock. $32.50-$65.

CAFFÈ VIVACE - Limehouse Ramblers. 8:30 p.m. Jazz. $10.

MANSION HILL TAVERN - Prestige Grease. 9 p.m. Blues. Cover.

FRETBOARD BREWING COMPANY - Sullivan Janzen Band. 8 p.m. Rock. Free.

H H

THE GREENWICH - Turned Up Band. 9 p.m. R&B. $10. JAG’S STEAK AND SEAFOOD - The Whammies. 9:30 p.m. ’80s Pop/Rock/ Dance. $5. JIM AND JACK’S ON THE

MEMORIAL HALL Judy Collins. 8 p.m. Folk. $45-$60.

MOTR PUB - Fairmount Girls, SKRT and Dear Darkness. 10 p.m. Indie Rock. Free.

NORTHSIDE TAVERN - Sexy Time Live Band Karaoke. 9 p.m. Rock/Various. Free.

PLAIN FOLK CAFE Hickory Robot. 7:30 p.m. Americana. Free. RICK’S TAVERN - Under the Sun. 10 p.m. Alternative/ Rock. Cover.

RIVERFRONT LIVE George Clinton’s One Nation Under A Groove featuring Parliament/Funkadelic, Galactic, Fishbone and Miss Velvet & the Blue Wolf. 6:30 p.m. Funk. $40, $45 day of show.

SCHWARTZ’S POINT - JJ Trio. 8:30 p.m. Jazz. Cover. SILVERTON CAFÉ - The Pandora Project. 8:30 p.m. Rock. Free. SOUTHGATE HOUSE REVIVAL (LOUNGE) - Eric McM (of Ford Theater Reunion), Dead Man String Band and Scotty Karate. 9:30 p.m. Rock/Various. Free.

KNOTTY PINE - Randy Peak. 10 p.m. Acoustic/Various. Free. LATITUDES BAR & BISTRO - BlueBirds. 8 p.m. Rock/R&B. Free. MANSION HILL TAVERN - Open Jam with Deb Ohlinger. 6 p.m. Blues MOTR PUB - Haneef Smart. 8:30 p.m. Flute/Various. Free.

NORTHSIDE YACHT CLUB - NOTS and Olivia Neutron John. 9 p.m. Indie Pop Rock. $8, $10 day of show.

PNC PAVILION AT RIVERBEND - Travis Tritt and The Charlie Daniels Band with The Cadillac Three. 7 p.m. Country. $37.50-$85.

SOUTHGATE HOUSE REVIVAL (SANCTUARY) - Hayes Carll. 7:30 p.m. Country/Roots. $22, $25 day

of show. STANLEY’S PUB - Open Jam. 9 p.m. Improv/Various. Free. WASHINGTON PLATFORM - Traditional New Orleans Jazz Brunch with 2nd Line Jazz Trio. 11:30 a.m. Jazz. $10 (food/drink minimum). WESTSIDE VENUE - Blues Jam with Jimmy D. Rodgers and Lil Al Thomas. 7 p.m. Blues. Free.

MONDAY 03

CAFFÈ VIVACE - Monday Night Big Band. 7:30 p.m. Jazz. Cover. KNOTTY PINE - Open Mic. 9 p.m. Various. Free. MANSION HILL TAVERN - Open Acoustic Jam with John Redell & Friends. 8 p.m. Acoustic. Free. MCCAULY’S PUB - Open Jam with Sonny Moorman. 7 p.m. Blues/Various. Free. MOLLY MALONE’S IRISH PUB & RESTAURANT Open Bluegrass Jam. 8 p.m. Bluegrass. Free. NORTHSIDE TAVERN Northside Jazz Ensemble. 10 p.m. Jazz. Free.

PNC PAVILION AT RIVERBEND - Rob Thomas with Abby Anderson. 8 p.m. Pop/Rock. $43-$103.

SOUTHGATE HOUSE REVIVAL (SANCTUARY) - River Whyless. 7 p.m. Indie Folk. $15, $18 day of show. STANLEY’S PUB - Jazz Jam. 9 p.m. Jazz/Improv. Free.

TUESDAY 04

BLIND LEMON - Nick Tuttle. 8:30 p.m. Acoustic. Free.

BREWRIVER CREOLE KITCHEN - The Twirlers. 7 p.m. R&B/Classic Pop/Standards. Free. CAFFÈ VIVACE - Lynn Scott, Lee Stolar and Lou Lausche. 7:30 p.m. Jazz. CROW’S NEST - Open Mic Night. 8 p.m. Various. Free.

SEE CITYBEAT.COM FOR FULL MUSIC LISTINGS AND ALL CLUB LOCATIONS.

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