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THE 2017-2018 OTTO M. BUDIG FAMILY FOUNDATION SEASON
D. Lynn Meyers, Producing Artistic Director
Presented by The Rosenthal Family Foundation
Production Sponsor:

text by John Cameron Mitchell, music and lyrics by Stephen Trask
Directed by D. Lynn Meyers† June 5 – July 1, 2018
Set & Lighting Designer
Sound Designer
Costume Designer
Wig & Makeup Designer
Music Director
Dialect Coach
Properties Master & Design Assistant
Production Manager
Technical Director
Production Stage Manager
Assistant Stage Manager
Brian c. Mehring
Matt Callahan
Stormie Mac
Raven D. Payne
a. Beth Harris
Julia Guichard
Shannon Rae Lutz
Matthew Hollstegge
Jack Murphy
Brandon T. Holmes*
Elizabeth Freyman*
HEDWIG AND THE ANGRY INCH is presented by special arrangement with Dramatists Play Service, Inc., New York.
Produced Off-Broadway by Samjack, Ltd., Susann Brinkley and James B. Freydberg at the Jane Street Theatre where it opened February 14, 1998, under the direction of Peter Askin.
Originally produced in New York City by David Binder in association with the Westbeth Theatre Center, Arnold Engelman, Producing Director.
The videotaping or making of electronic or other audio and/or visual recordings of this production is a violation of United States copyright law and an actionable federal offense.
This Theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
*Cast/production member belongs to Actors’ Equity Association, the union of professional actors and stage managers. This theatre operates under an agreement between Actors’ Equity Association, Professional Actors, and Stage Managers in the United States. Understudies never substitute for listed players unless a specific announcement is made at the time of the performance.

Gratefully acknowledges our 2017–2018 Season sponsors
SEASON PRESENTING SPONSOR




SEASON SUPPORTERS
Lucille Carothers
Susan Friedlander
Mitchell & Jackie Meyers
IN-KIND CONTRIBUTORS
Chet Cavaliere
Cincinnati State Technical & Community College, Interpreter Training Program
College Hill Coffee Co. & Casual Gourmet
LPK
Marty Johnson
OMS Photography
Saint Plastering Systems, Inc.
Suder’s Art Store
Trader Joe's






CAFFEINATED CONVERSATIONS SPONSOR GBBN
EDUCATIONAL OUTREACH SUPPORTERS
Anonymous (2)
William P. Anderson Foundation
Arts & Culture Giving Circle*
The Charles H. Dater Foundation
The Thomas J. Emery Memorial*
ETC Fairy Godparent Guild
P&G Fund
Donald C. and Laura M. Harrison Fund*
Elsa Heisel Sule Foundation
The Wohlgemuth Herschede Foundation
Nellie Leaman Taft Foundation * Denotes a Fund of The




Hedwig/Tommy Gnosis .................................................................... Todd Almond*
Yitzhak a. Beth Harris*
Guitar ......................................................................................... Billy Alletzhauser
Bass ......................................................................................................... Josh Pilot
Drums .................................................................................................. Tim Seiwert
Keyboard ................................................................................... Andrew Smithson
Guitar ......................................................................................... Sam Womelsdorf
Assistant Stage Manager ......................................................... Elizabeth Freyman*
2nd Assistant Stage Manager ...................................................... Natasia Reinhardt
Assistant Director .......................................................................... Griff Bludworth
Assistant House Manager/Dramaturg ............................................... Dorothy Jolly
Spot Operator ............................................................... Eric Minion, Katie Mitchell
Video Operator .............................................................................. Maggie Cramer
Wardrobe Crew .................................................... Reginald Hemphill, Aaron Krick
Hedwig .............................................................................................. Dorothy Jolly
Yitzhak .............................................................................................. Katie Mitchell
The Angry Inch .......................... Maggie Cramer, Reginald Hemphill, Aaron Krick, Eric Minion, Natasia Reinhardt
Here and now.
Approximate total running time is 1 hour, 40 minutes with no intermission.
Jeremy Lee
University of Cincinnati's College-Conservatory of Music
"Tear Me Down "
"The Origin of Love"
"Sugar Daddy"
"The Angry Inch"
"Wig in a Box"
"Wicked Little Town"
"The Long Grift"
"Hedwig's Lament"
"Exquisite Corpse"
"Wicked Little Town" (Reprise)
"Midnight Radio"
Orchestrations by Stephen Trask
Arrangement for "Sugar Daddy" by Justin Craig and Stephen Trask

Our friends at The Public Library of Cincinnati and Hamilton County put together a list of books, albums, and movies inspired by Hedwig and the Angry Inch.
more hedwig
Hedwig and the Angry Inch (Film, 2001)
Hedwig and the Angry Inch (Original Cast Recording) (CD, 1999)
Hedwig and the Angry Inch (Original Broadway Cast Recording) (CD, 2014)
more rock musicals on CD
Jesus Christ Superstar (The 20th Anniversary London Cast Recording)
Hair: The American Tribal Love-Rock Musical (New Broadway Cast Recording)
Rent: Original Broadway Cast Recording
more rock musicals on dvd
Hair directed by Milos Forman
Jesus Christ Superstar directed by Gale Edwards
Rent directed by Chris Columbus
more musical history
The Theater Will Rock: A history of the Rock Musical, from Hair to Hedwig (book)
Hollywood Singing and Dancing: Musicals That Rocked 'N' Rolled (documentary)
All materials available through your local library branch.




“So who is this Hedwig, and why have I never heard of her?”
This line from the play might be what you are thinking right now, so let me explain: John Cameron Mitchell and Stephen Trask created this show in NYC in 1997. It captured a moment in time: a concert—a rock concert starring Hedwig. There was nothing like it before. Ever. And there had never been a character like Hedwig. Ever. It was a unique, unbridled gut punch—a heartbreak and a hope that hit you between the ears and rang in your soul.
So in April of 2001 on the heels of the OTR unrest, with dealers on the corner of 12th and Vine and a meth lab next door, ETC was not expected to survive. We were strongly encouraged to shutter the place up and move on (encouraging right?), but we said no.
Shockingly, we found Hedwig and ETC had so much in common and very little left to lose. We thought, “Why not risk it all with a show that risks it all?” So we did it. Dick and Lois Rosenthal sponsored it. Hedwig and the Angry Inch was our last hope. And it worked.
The amazing thing about Hedwig and the Angry Inch is that for all it was for us in 2001, it is all that and more now. It is present—this is happening on stage in this moment in time.
As we have moved into this renewed space, embraced by the history of walls and wishes that created it, I was compelled to bring Hedwig back to our stage: to let her take the curtain call she so richly deserves; to let the brave, bold, and unconventional voice that saved us celebrate with us. The show has won a Tony and has been played from downtown bars to Broadway, but this is our Hedwig. Ours.
There is an inexplicable personal joy in directing this piece. It spins me like a 45. Todd, Beth, Billy, Sam, Andrew, Brian, and Shannon were here when it all began in 2001. Now we have Josh and Tim on stage and Matt on sound and an amazing ensemble staff which lights up this place daily. This is the joy.
The absolute fact that we pushed the pedal to the metal so long ago was brave. The fact that we have never hit the brakes is what has kept ETC alive. It is bliss. I love it. Thank you for taking the ride. Lift up your hands.
-D. Lynn Meyers

Calling all drama queens (and kings)! Coming this July, ETC presents its first-ever Summer Stock, three weeks of acting camps for ages 7-18. Space is limited!


Between raucous band rehearsals and fabulous costume fittings, Todd Almond discusses his return to ETC and the revival of Hedwig and the Angry Inch.
Q: What was your first thought when you were asked to come back to for this revival?
A: Yes! When?

Q: What is one of your favorite memories from ETC's 2001 production?
A: I remember Shannon Rae Lutz (Props Master/Design Assistant) watching night after night to make sure everything went well. One night my eyelash started falling off of my face and she came to the foot of the stage and helped me fix it. So much love from Shannon. That memory is/always with me—her generosity and devotion to the art. God, I love her. She was my first acting teacher, too. How much I owe that woman!
Q: Why is this show an important one for Cincinnati audiences?
A: It’s a show about what it’s like to be a human. Hedwig is dealt challenges, and aren’t we all? Hedwig can be her own worst enemy, and can’t we all? Hedwig is at heart an innocent soul in a cruel world, and who isn’t? I love that the show is so specifically about someone unlike all of us that she’s really exactly like all of us. Watching a character struggle with both exterior and interior adversity is always food for the soul. It’s what theatre does best. Plus, it’s just effing hilarious and the music is perfection. The show really rocks!
Q: What is it like playing Hedwig so many years later? What’s different? What hasn’t changed?
A: I’m older, so I just have more experience to bring to it. She got pretty deep into me the first few times around, so I’m finding that she’s the same person she always was. Just wiser, hopefully. And more road-weary, which is helpful. And here for you, of course.
Q: What is your favorite Hedwig-ism?
A: The way she throws a joke away and knows that someone out there got it. There are so many jokes and she doesn’t broadcast them all. Keep up!
Q: Who are your favorite rock artists?
A: Matthew Sweet, Courtney Love, and David Bowie.
Q: Describe your first rock concert.
A: I WON’T say Whitesnake, but I WILL say Dolly Parton/Kenny Rogers.
Q: You’ve done a lot of shows in your career that have an interesting connection to mythology. What mythology is explored in Hedwig and the Angry Inch?
A: The creation of love, which is perhaps just the search for our other half. The gods being terrified of their creation, and hobbling us by ripping us away from each other. So we search for each other, and try to put ourselves back together by falling in love. It’s kind of beautiful, right?
Q: What ideas in this story speak to you personally? Are there moments in the show that stand out to you more now than they did 17 years ago?
A: The idea of moving through the world with a broken heart, broken from one particular love. I think that’s something we can all relate to.
Q: What’s next for you?
A: Well, I’m doing a big show in New York in the fall, but it hasn’t been announced, yet, so I can’t say specifically what it is. But it’s good And more touring with Laura Benanti and Andrew Rannells. And some recording. And a new musical that I’ve written. Oh, a lot. I’m kind of insanely determined to be busy.


TODD ALMOND (Hedwig/Tommy Gnosis) has written and starred in original musical adaptations of The Tempest, The Winter’s Tale, and The Odyssey, all for New York’s famed Public Theater. His other New York acting credits include his original musical Kansas City Choir Boy opposite Courtney Love (also performed in Boston, Los Angeles, and Miami); Stage Kiss by Sarah Ruhl, Playwrights Horizons; People are Wrong, The Vineyard; Piece of Meat opposite Sherie Rene Scott, 54 Below; and the television show Law and Order: SVU. His Ensemble Theatre credits include the 2001 and 2003 productions of Hedwig and the Angry Inch, I Am My Own Wife, James and Annie, and Vigil. As a composer and orchestrator, Mr. Almond has written and arranged music for the Broadway production of Noises Off!, Roundabout Theatre; Iowa, Playwrights Horizons; Fucking A, Signature Theatre; How to Transcend a Happy Marriage, Lincoln Center Theater; Kelli O’Hara Live at Carnegie Hall; and the recent film adaptation of Michael John LaChiusa’s Hello Again. Mr. Almond’s play The Earth is Flat recently premiered at the University of Cincinnati’s College-Conservatory of Music, his Alma Mater, and his musical Girlfriend, based on Matthew Sweet’s album of the same name, continues to have productions around the country, as does his musical Melancholy Play, written with Sarah Ruhl. As a musical director, he tours with Laura Benanti and Judy Kuhn, and recently made his PBS debut with Andrew Rannells, live from Lincoln Center.

a. BETH HARRIS (Yitzhak) appeared at Ensemble Theatre in the 2001 and 2003 productions of Hedwig and the Angry Inch. Her other acting credits include Skin Tight, Syncopation, the 1999 production of Violet, and many others. She is busy in the studio recording backing vocals for various artists and recently toured with Erika Wennerstrom from Heartless Bastards to promote Wennerstrom’s solo album “Sweet Unknown.” Currently, Ms. Harris is collaborating with songwriter and front man Nic Powers from the bands Static Falls and The Sweep on her own solo project while also performing with him on his solo material, joined by local guitar favorite Brendan Bogosian from the bands Vireo, Static Falls, and The Tigerlilies. She is a longtime member of legendary Cincinnati bands The Hiders and The Perfect Children and recently joined The Brian Olive Band. Ms. Harris is the co-owner and operator of The Listing Loon, one of Cincinnati’s staple establishments for beer, wine, and live music, located in historic Northside. Enjoy the show!

BILLY ALLETZHAUSER (Guitar) returns to Ensemble Theatre having last appeared in the 2001 and 2003 productions of Hedwig and the Angry Inch. He was first known for his guitar work with the local cult favorite Ass Ponys, an indie rock band. He later formed and fronted his own group, The Hiders, who have achieved international attention for their recordings and have been featured on radio, film, and television worldwide. Along with The Hiders, Mr. Alletzhauser works in his Walnut Hills music studio “The Belfry” as a sound engineer, composer, and sound designer.

JOSH PILOT (Bass) makes his Ensemble Theatre debut with this production. He is a local musician and has been active in the Cincinnati music scene for over twelve years. His former bands include The KillTones and a self-titled blues band. Currently, he is a band member of both Bucko and The Skulx. He has also sat in on many live concerts and albums as a guest for local and national artists. Mr. Pilot is thrilled to be working with the incredible talent and great people associated with an Ensemble Theatre production.

TIM SEIWERT (Drums) makes his Ensemble Theatre debut with this production. He hails from Cincinnati and has been drumming in the tri-state area with various bands and productions for the past 20 years. He has lent his talent to such artists as The Newbees, Daniel Wayne, Brian Olive, and For Algernon and has worked in stage productions of The Producers, Honk, and Miss Saigon. Mr. Seiwert’s biggest accomplishment is the fact that he’s still alive. When not on stage or in the studio you can find him elsewhere, probably.

ANDREW SMITHSON (Keyboard) is thrilled to be back home in Cincinnati to reprise his role in Hedwig and the Angry Inch, having been seen in both the 2001 and 2003 productions. He toured with productions of Joseph and the Amazing Technicolor Dreamcoat, A Christmas Story: The Musical, Gypsy, Aida (China and Taiwan), and Jesus Christ Superstar starring Ted Nealy. His off-Broadway credits include The Wonderful Wizard of Song and Flanagan’s Wake. His regional credits include Melancholy Play: A Chamber Musical, White Christmas, Ain’t Misbehavin’, The Full Monty, Dirty Rotten Scoundrels, Swing!, A Chorus Line, and The Producers. His other credits include Music Director and Orchestrator for POPart: The Musical, New York Musical Festival; Ocean in a Teacup, Midtown International Theater Festival; and Hard Times, First Irish Theatre Festival. Mr. Smithson is a former adjunct instructor and music director at the University of Cincinnati’s College-Conservatory of Music and vocal coach at Pace University in New York City.

SAM WOMELSDORF (Guitar) is a drama graduate of the University of Cincinnati’s College-Conservatory of Music. He served at Ensemble Theatre most recently as the Video Designer for brownsville song (b-side for tray), as well as performed onstage in Side Man, The Maids, and both previous productions of Hedwig and the Angry Inch. A long time contributor to Cincinnati’s original music scene, past bands of his include Staggering Statistics, Loveland, and Throneberry. He currently plays in Culture Queer, who will release their fifth studio album later this year. His newest musical project, Aluminum Arteries, released its debut record in May this year. His film credits include Jodie Foster’s Little Man Tate and the locally produced Three Barbecues. Mr. Womelsdorf is a broadcast video producer and director at The PPS Group.
JOHN CAMERON MITCHELL'S (Playwright) Hedwig and the Angry Inch, written with Stephen Trask, made its debut on the stage of Squeezebox, a New York City rock 'n' roll drag bar. The show then premiered Off-Broadway, receiving rave reviews. He was awarded an Obie Award, a New York Magazine Award, a Drama League Award and the Outer Critics Circle Award for Outstanding Off-Broadway Musical. His film adaptation of Hedwig and the Angry Inch received directing and acting awards at festivals such as Sundance (Audience Award, Best Director), Berlin, Deauville, Seattle International, San Francisco International, and San Francisco’s Lesbian & Gay. The film was also honored by the National Board of Review, The L.A. Film Critics Association, Premiere Magazine and the Golden Globes (Nomination for Best Performance by an Actor in a Motion Picture, Musical, or Comedy). He has received a Drama Desk Award Nomination for his role of Dickon in the Broadway production of The Secret Garden. Off-Broadway, Mr. Mitchell received an Obie Award and a Drama Desk Award Nomination for his role of Larry Kramer in The Destiny of Me. In Lincoln Center’s Hello Again, he received a Drama Desk Nomination. He also appeared on Broadway production in Big River and the original production of Six Degrees of Separation. Mr. Mitchell adapted and directed Tennessee Williams’ Kingdom of the Earth for New York’s Drama Deptartment Theatre Company, of which he is a founding member.
STEPHEN TRASK (Music & Lyrics) is the author of the music and lyrics for Hedwig and the Angry Inch. He was the original leader of the notorious Squeeze Box house band. During his time there as Music Director he performed with Debbie Harry, Lene Lovitch, Hole, Green Day, Joey Ramone, as well as New York's most popular drag queens. For five years he performed with his band, Cheater, who originated the role of “The Angry Inch” Off-Broadway and performed on the original cast recording. From 1993-1998, Mr. Trask danced with and accompanied The Corner Store Dance Company. He has scored numerous dance pieces and movies. During Hedwig ’s reign at the Jane Street Theatre, he received an Obie Award, the Outer Critics Circle Award for Outstanding Off-Broadway Musical, a 1998 New York Magazine Award, Drama Desk nominations for Outstanding Music, Outstanding Lyrics, and Outstanding New Musical, a Grammy Nomination for Best Cast Album, and two GLAMA Awards: Best Cast Album and Best Score for Film or Stage. He was the producer for the album for the rock band Nancy Boy, as well as the score and soundtrack album for the film version of Hedwig and the Angry Inch. He also composed the music for the New York Theatre Workshop production of Cavedweller, adapted from Dorothy Allison’s novel, and works regularly in the film world supplying the original score for Camp, The Station Agent, and The West Memphis Three.

D. LYNN MEYERS (Director) is in her 22nd season as the Producing Artistic Director of Ensemble Theatre Cincinnati, where she has directed over 80 world and regional premieres, including The Legend of Georgia McBride, Hands on a Hardbody, Detroit ’67, I Am My Own Wife, Next to Normal , Cinderella: After Ever After , and The Dancing Princesses . She has directed Off-Broadway at the York Theatre with Marsha Norman’s Traveler in the Dark and James McClure’s Max and Maxie. She has directed extensively throughout the US and Canada and began her career as the Associate Artistic Director at Cincinnati Playhouse in the Park. Aside from directing, Ms. Meyers is also a member of the Casting Society of America, having cast for Hallmark, PBS, CBS, BBC, HBO, MTM, Paramount, and MGM. Her favorite feature credits include Carol, Miles Ahead, The Goat, and The Public, in addition to serving as the Location Casting Director for The Shawshank Redemption. She was named a finalist for the Zelda Fichandler National Award in 2011 and is a past recipient of the YWCA Career Woman of Achievement Award.






















BRANDON T. HOLMES (Production Stage Manager) is currently in his sixth season with Ensemble Theatre. Mr. Holmes holds a BFA from Wichita State University in Technical Theatre and Design. He has served as an Assistant Stage Manager with Music Theatre Wichita and the Production Stage Manager for LOOK Musical Theatre in Tulsa, OK, and The Lexington Theatre Company’s production of Legally Blonde. He also interned for two seasons with Cincinnati Playhouse in the Park. Favorite credits include Violet, Thunder Knocking on the Door, Hands on a Hardbody, Merrily We Roll Along (directed by John Doyle), The Legend of Georgia McBride, The Drowsy Chaperone, Miss Saigon, Tribes and Sunset Boulevard. Thank you to Lynn and ETC's incredibly talented production staff for imagining such beautiful productions and creating the magic that is seen onstage. Love to AJ and his wonderful family. Mr. Holmes is a proud member of Actors’ Equity Association.
ELIZABETH FREYMAN (Assistant Stage Manager) became Ensemble Theatre’s Resident Assistant Stage Manager in the fall of 2015 and has worked on every show since. Her other credits include We Will Not Be Silent and Welcome to Fear City, Contemporary American Theater Festival; Le nozze di Figaro, The Princeton Festival; Il Trovatore and Carmen, Knoxville Opera; Magic Flute, Madama Butterfly, South Pacific, and Der fliegende Holländer, Piedmont Opera; Street Scene and La Traviata, Opera North; Don Giovanni and Galileo Galilei, Cincinnati Opera. Ms. Freyman graduated with a BFA from CCM’s Stage Management Program and is a proud member of Actors’ Equity. Love to her amazing family and best friends.
BRIAN c. MEHRING (Resident Set & Lighting Designer) has designed over 100 productions at Ensemble Theatre Cincinnati. His favorite productions include Thom Pain (based on nothing), Next to Normal, 33 Variations, Freud's Last Session, and I Am My Own Wife. Mr. Mehring’s regional favorites for set design include: The Last 5 Years and I Love You, You're Perfect, Now Change, Playhouse in the Park; Henry IV, Part 1, The Georgia Shakespeare Festival; and I Am My Own Wife, Actors Theatre of Louisville, Peterborough Players, and Florida Studio Theatre.
SHANNON RAE LUTZ (Properties Master & Design Assistant) earned her Master’s degree from UC-CCM in 1996 and became Prop Master at ETC. Trained as a performer, she first appeared on ETC’s stage during the 1988-1989 New Works Festival. In 1991, she was granted an ETC internship. Now the Director of Apprentice Programming, she is honored to guide ETC’s essential ensemble: The Professional Acting Apprentice Company. Ms. Lutz would like to thank D. Lynn Meyers, Ruth Sawyer, and the Cincinnati theatre community and patrons for their generous, supportive, and tenacious spirit.
JACK MURPHY (Technical Director) went to undergrad at Hanover College where he studied technical theatre. While there, he spent his summers at several different summer stock theatres such as Georgia Shakespeare Company and the Brevard Music Center’s Janiec Opera Company as a carpenter. After graduation, he moved to Bellport, NY, to work for The Gateway Playhouse as a carpenter and rigger. When he left Gateway, he went to work on The Pride of America, a Norwegian Cruise Line ship. After another summer at the Janiec Opera Company, he came full circle and returned home to Cincinnati. Since he has been back, he has also worked with Cincinnati Shakespeare Company and River City Scenic.
MATT CALLAHAN (Sound Designer) was the Resident Sound Designer for Actors Theatre of Louisville for seven seasons. Most recent designs for Ensemble Theatre include This Random World and Bloomsday. Mr. Callahan was also a co-creator/ designer of Rock n’ Roll: The Reunion Tour. He spent two seasons as the Resident Sound Designer at The Eugene O’Neil Center for their National Playwrights Conference. He was formerly the sound engineer for The Steppenwolf Theatre, the Assistant Engineer for Blue Man Chicago, and a member of the disbanded Defiant Theatre. He received a Jeff Citation for Red Dragon, a nomination for Fortinbras, and a Kevin Kline nomination for Sherlock Holmes.
STORMIE MAC (Costume Designer) is delighted to be returning to Ensemble Theatre for this production. She is a Cincinnati-based costume designer and technician with a passion for the history of fashion and costume. She received her MFA in Costume Design from Florida State University and a BFA from The University of Mississippi. Her recent costume design credits include Red Velvet and Bloomsday, Ensemble Theatre Cincinnati; Sex with Strangers, The Human Race Theatre; and The Diary of Anne Frank, Death of a Salesman, and Emma, Cincinnati Shakespeare Company. Ms. Mac would like to thank her husband, Joey, for his endless support and following her down the rabbit hole of history.
RAVEN D. PAYNE (Wig & Makeup Designer) is truly giddy to be back at Ensemble Theatre with Lynn and her talented staff where she made her professional theater debut wearing many hats (or wigs) as the Wig & Makeup Designer/Dragologist for The Legend of Georgia McBride. Her favorite credits include being mistaken for a girl as a child, cross dressing at Halloween as a teenager, being a Club kid in NYC in the 90s, being "THE" Hamburger Mary of Cincinnati in the 2000s, and being a proud Cat Mom. Raven's performance life has been dedicated to art that elevates the feminine and questions societal norms relating to ideals of beauty and gender. Quote for life: "In a world full of caterpillars, it takes balls to be a butterfly." Much gratitude to her Mama Jan, Sister Angie, and dearest Geisha: Stephanie, Heavenliegh, and Louisa, for all their constant love and support.
JULIA GUICHARD (Dialect Coach) is an Associate Professor and Chair of Theatre at Miami University. She holds a BFA in Acting from the Goodman School of Drama at DePaul University in Chicago and an MFA in Acting from Pennsylvania State University. She is also a certified teacher of the Alexander Technique, holding certificates from The Performance School and Alexander Technique International. She has worked as a professional movement and vocal coach for Ensemble Theatre Cincinnati, Cincinnati Playhouse in the Park, Actor’s Theatre of Middletown, and CATCO, among others. Most recently, Ms. Guichard coached actors in the two independent regional film projects Monumental and UFO. She is an active member of the Voice and Speech Trainers Association (VASTA) and serves on its national board.
DANCE
THE
LA


The Premiere Society recognizes individuals who have made gifts totaling $1,000 or more within the past year. The exceptional generosity of these donors enables ETC to present world class new works and works new to the region by having the resources to achieve the highest level of artistic quality possible. The following list was updated May 9, 2018 and includes names of donors whose gifts total $1,000 + since April 4, 2017. For questions or corrections, please contact the Development Department at (513) 421-3555, option 4 .
WORLD CIRCLE ($10,000+):
Anonymous (3)
William P. Anderson Foundation ArtsWave
Gale & Dave Beckett^
The Otto M. Budig Family Foundation^~
Lucille K. Carothers^
Tom & Annette Carothers^ City of Cincinnati^
Burton & Susan Closson^~ Crosset Family Fund*
The Charles H. Dater Foundation, Inc.
Harry & Linda Fath^
William A. Friedlander Fund*^~
Estate of Kenneth J. Furrier^
John and Gloria Goering Family Gift Fund
Linda Greenberg Fund*^
The Carol Ann & Ralph V. Haile, Jr./US Bank Foundation^
Donald C. & Laura M. Harrison Fund*
William & Mary Jane James^~
The Johnson Foundation
Lorrence T. & Barbara W. Kellar Fund* LPK^
Macy's
Kenneth T. & Molly M. Mahler Messer Construction Co.^
The Mitchell S. & Jacqueline P. Meyers Foundation^ Ohio Arts Council
Marilyn J. & Jack D. Osborn Fund*^
Daniel & Susan Pfau Foundation*
Joseph A. & Susan E. Pichler Fund*~ P&G Fund*~ PNC Foundation
Richard Postler & Manuel Hernandez^
William S Rowe Foundation~
Rosemary & Mark Schlachter^
Jacob G. Schmidlapp Trusts, Fifth Third Bank, Trustee~
Digi & Mike Schueler^
The Shubert Foundation, Inc.
State of Ohio through the Ohio Cultural Facilities Commission^
Paul & Jill Staubitz^
Estate of Richard Steiner
Elsa M. Heisel Sule Charitable Trust
The Dudley S. Taft Charitable Foundation
Nellie Leaman Taft Foundation~
Ms. Carol Talbot~
Dale & Joyce Uetrecht
Ginger Warner^
Irwin & Barbara Weinberg
Western & Southern Financial Fund
* Denotes a Fund of The Greater Cincinnati Foundation
^ Capital Campaign Donor
~ Next Stage Donor
NATIONAL CIRCLE ($5,000-$9,999):
Bob & Elaine Blatt
Denise & Martin Chambers
Brian & Elizabeth Coley
John DuBois~
GBBN Architects^
Jane & Chip Gerhardt^~
The Greater Cincinnati Foundation
Mr. & Mrs. Skip & Susan Hickenlooper^
Debbie Hill
Marilyn F. Hill
Arleene Keller~
Stephen King & Lynne Miller^
Mr. & Mrs. David E. Moccia~
Jackie Reau, Game Day Communications~
Caroline Richards~
Moe & Jack Rouse^
Elizabeth Sawyer Selnick Fund*
The Sittenfeld Family^~
Tom & Barbara Tobias Family Fund*~
The Wohlgemuth Herschede Foundation
The Dennis B. & Patricia L. Worthen Fund~
REGIONAL CIRCLE ($2,500-$4,999):
Nicholas Apanius^
Karen & Christopher Bowman
Shirlee Cassidy~
Kelly M. Dehan
Kathy DeLaura & Ron Steinhoff^~
Ehrsam Family Fund*
Bob & Mary Fitzpatrick~
Dennis & Rita Geiger^
Alana & Shelly Gerson~
Helen & John Habbert~
Betsy & Tom Hampton~
Suzanne Hasl
David and Judith Morgan Fund*
Dr. Patricia O'Connor
Marilyn Z. Ott~
Mary Stagaman^
Thompson Hine LLP
Ed Trach
Ronna & James Willis Charitable Fund~
CINCINNATI CIRCLE ($1,000-$2,499):
Anonymous (5)
Gordon Allen & Linda Baas
Americana Arts Foundation
Norman Bates
Kathleen Bellamy
Malcolm A. & Glenda Bernstein~
Bristol-Myers Squibb Foundation Matching Gift Program
Michael Berry & Melanie Garner^
Mary & William Bonansinga Charitable Family Fund*
ETC gratefully acknowledges the extraordinary individuals, families, and organizations whose generous support makes it possible for us to present exceptional theatre and unique educational outreach programs for our community. The following list was updated May 9, 2018 and includes the names of donors whose gifts total $125 + since April 4, 2017. Every effort has been made to ensure accuracy. For questions or corrections, please contact the Development Department at (513) 421-3555, option 4.
CINCINNATI CIRCLE CONT.
David Brashear~
Mrs. Charlene Breidster
Dale P. Brown~
Kenneth R. & Joan L. Campbell Foundation
City of Sharonville
William & Catherine Cody
Ross Crabill & Bill Arbogast
Mark Dauner
Grace A. Epstein
Lee & Sue Flischel Fund*
Bob Gerding
Karen Grass
Judith B. Green & Thomas M. McDonough
Irving Harris~
Bob & Judy Heaton~
Karlee Hilliard~
Marilyn P. & Joseph W. Hirschhorn Fund*
Emily M. Hodges, in memory of Andy Wolf
David Logan & Dale Hodges
Florette Hoffheimer
Erin Houlihan & John Bostick
Betty Huck~
Jim & Robin Huizenga
Dick & Mona Kerstine^
Tom & Sue Kirkpatrick~
Cecilia & Tom Kloecker
Carmen & Rich Kovarsky
LaMacchia Family Foundation
Chris Lewis & Alicia Bond-Lewis
Ron Longstreth & Allen Black
Edward & Anita Marks^
David Martin
Ihor and Dr. Lisa Jo Melnyk
Allen R. Middleton & Gary A. Daniels~
Sue & Michael Miller~
Anu & Shekhar Mitra
Norah & Joe Mock
Overbeck Charitable Fund
Neal Patel & Avani Modi^~
Scott Provancher
Bob & Connie Reed
Becky & Ted Richards
Charles Scott Riley III Foundation
Marvin & Betsy Schwartz Fund*
Robert & Eleanor Shott Philanthropic Fund
Mike & Laconia Smith
Keven Speece^
Dee Stegman
Paula Steiner
Summertime Kids Grant
* Denotes a Fund of The Greater Cincinnati Foundation
^ Capital Campaign Donor
~ Next Stage Donor
Glenda Suttman^
Bob & Sue Trusty
Ellen & Ray Van der Horst~
Steve F. Warkany Fund*
Barbara Wiedemann
Jo Ann Wieghaus~
Andi Levenson Young & Scott Young
Mike & Liz Zimmer
THE ENSEMBLE ($30+ MONTHLY GIFT)
Anonymous (4)
Mark Bowen
Jacqueline Conner
Mark Dauner
Dennis & Catherine Dunwoodie
Donn Goebel & Cathy McLeod
Linda R. Holthaus
J.B. Lutz Family
Jane MacKnight & Dennis Johnson
David Martin
Allen R. Middleton & Gary A. Daniels
J.R. Rulon
Eli Shupe & Toby Ruben
Sara & Gunter Storjohann
Pann & Terry Webb
THE ENSEMBLE ($15+ MONTHLY GIFT)
Anonymous
Michele & Kevin Cain
Paul & Bev Diamond
Sandi Gans
Al Roane
Karen Wittenberg
Kathryn Wright
ACTORS COLUMN ($500-$999):
Anonymous (8)
Walter Blair^
Dabby Blatt
Clay & Emily Bond
Mark Bowen
Bryson Family Charitable Fund~
Philip Clayton
Meredythe G. & Clayton C. Daley, Jr. Family Fund*
Jennifer & Vito Damiano
Susannah Davids & Steve Myer~
Kathryn J. DeLong
Emilie W. & David W. Dressler Family Fund*~
Fencl Family Fund*
R. Terrell & Susan Finney
Mary Fiorini
Patti Myers & Alan Flaherty
Carol S. Friel
The Kenneth Furrier Estate
GE Foundation Matching Gifts Program
Nancy Gilman~
The Gumbleton Family
Sue Harris & Meredith Green
Debra Hartsell & Michael James
Jane Ruwet Hopson & Larry Pytlinski
Keith & Patti James
Johnson & Johnson Family of Companies
Matching Gifts Program
Robert Bloom & Alison Kamine Fund*
Robert Keith & Kathleen Thornton Keith
Kroger Community Rewards Program
Elizabeth Krone
Virginia Kuertz
Warren Leight
Mark D. Manley & Annette J. Wick
Donn Goebel & Cathy McLeod
Mary Ann Meanwell
Meierjohan Building Group, LLC
Dr. Phillip Meyers
John & Deborah Moffatt
Bill & Ruth Morley
Nora & Michael Moushey
Pepper Family Fund*
Alice Perlman
Presidential Plaza Associates, LTD
Hera Reines
Steven & Carol Reubel
Stephen & Helen Rindsberg
George & Caroll Roden
Rich & Jess Roedersheimer
Jane Bogart Sellers
John & Ronnie Shore
Howard & Nancy Starnbach
Steven & Sue Steller
Elizabeth Stites & Kevin Randall
The Sweeny Family Charitable Fund, in honor of Jack & Kit Overbeck
Tom & Kate Tepe
Jennifer Verkamp
Scott & Vicki Walker
Larry Weber
The Honorable Norbert & Linnea Nadel
Wuerdeman Family Fund*
STAGE MANAGERS COLUMN ($250-$499):
Anonymous (3)
Christine Adams
Amy Alig
Albert & Lillian Andrews
Laura Atkinson
Henrietta Barlag~
Jon & Carol Beeson
Mary Ann Bender
Bill & Janet Berger
Mike & Juliette Bezold
David & Elaine Billmire
Daniel Brown & Mark Haggard
* Denotes a Fund of The Greater Cincinnati Foundation
^ Capital Campaign Donor
~ Next Stage Donor
Katy Brown
Ann & Lee Bulger
Melanie Burden
Andrew F. Cone
Roger Cranos
Lee D. Crooks
Jerry Dehner & Patty Nagelkirk
Charles & Lois Deitschel~
Paul & Bev Diamond
Dennis & Catherine Dunwoodie
Charles & Harriet Edwards
Maureen Flanagan & Will Groneman
Mr. Steven Franks
Sandi Gans
Joanne Glaser~
Lynne Meyers Gordon
Linda Holthaus
Kevin & Deborah Horton
Daniel Hurley
Steve Kenat
Charles D. King
Renee & Bradley Lemberg
Limestone Fund*^
Al & Mary Lopez
J.B. Lutz Family
Jackie Mack & Ted Silberstein
Jane MacKnight & Dennis Johnson
Bill & Karen McKim
John & Julie Mellott
Dr. Ralph Meyer
Josh Neumeyer
Burke Neville
Victoria Parlin
Terry & Jill Parsons~
Nancy L. Phelan
Thomas & Marianne Phillips
Sara H. Pritchard
Jared Queen
Blake Robison & Connan Morrissey
J.R. Rulon
Richard Russell
Abby & David Schwartz~
Stephen Schwartz
Peter Seidel
Will Selnick, in honor of Ruth Sawyer^
Bryan Shick
Daniel & Patty Shick
Eli E. Shupe, Jr. & Toby Ruben
Susan and David Smith
John & Martha Spiess
Ed & Anne Stern
Sara & Gunter Storjohann
Fred & Anne Straus Charitable Fund^
Marcia Togneri
Marty Tomb
Tom Umfrid & Phil Tworek
Nancye & Thomas Van Brunt~
Priscilla S. Walford
Buzz Ward~
STAGE MANAGERS COLUMN CONT
Ann & Victor Warner
Wendy & Norm Wasserman
Karen & Barry Webb
Pann & Terry Webb
Joseph Wessling
Jay and Kate Wilford
Karen Wittenberg
Anne J. Wrider
Kathryn Wright
Nora Zorich & Thomas Filardo Family Fund*
CREW COLUMN ($125-$249):
Anonymous (9)
Marjorie & David Aaron
Bob Amott & Janice Flanagan
Dan & Susan Ansel
Wilma & Herbert Beigel^
Barbara & Wayne Beimesch
Allen Bernard & Virginius Hall
Anna Braam
Charlin & Peter Briggs
Michele & Kevin Cain
Maria Carver
Anne E. Charles, in memory of Richard Charles & Rebecca Parker
Susan Cohen & Robert Schmuelling
Jacqueline Conner
Rev. Dr. Robert W. Croskery & Beverly Croskery, Ph.D.
Barbara Cummins
Steve & Daina Dennis
Downtown Resident Council~
Igor & Jane Dumbadze
Peggy Eberhard
Charles K. Eckert
Jerome & Jean Eichert~
Linda Erpelding
Barbara Feldmann
Chuck & Judy Foster
Drusilla Garms
Maureen Geiger
Mrs. Madeleine H. Gordon
Lois Gushin
Gary & JoAnn Hagopian
Patricia Hemmer~
Ann Hicks
Jacquelyn Hirt
David & Karen Hoguet
Cathy & Tom Huenefeld
Ken & Christine Jones~
Kenneth Kanter
Doug & Marguerite Katchen~
Crystal Kendrick
Eugene Ketchum
Susan Kreuzmann
Kroger
Wayne & Karen Krueger
Ms. Sooncha Lee
* Denotes a Fund of The Greater Cincinnati Foundation
^ Capital Campaign Donor
~ Next Stage Donor
John and Pat Leikhim
Susan Lennert
Nancy Lewis
Amy & Scott Litwin
John & Kathy Lorenz
Charles & Jennifer Margolis~
Anne McAdams
Julia B. Meister
Nancy Gordon Messer
Drs. Jacqueline & Steven Miller & Family
Kavin Miller
William & Sibyl Miller
Hatsuki Miyata
Sally Moore
Regine Moulton
Patricia Murray~
Neda J. Nutley
Ms. Kathleen O'Connell & Dr. H. Kenneth Peterson
Paul & Mary Ann Odegard
Nan Oscherwitz
Eugene & Barbara Otting
Morris & Patricia Passer Family Fund of The Greater Cincinnati Foundation
Peaslee Neighborhood Center, Inc.
Bill & Nancy Phelan
David M. Piatt of the Greater Cincinnati Foundation
Suann Pollock, in memory of Juliana & George Pollock
Marsha Raanan
Martha Ragland
Jerri Roberts & Jim Thomas
H. Gary Roberts
Don & Connie Roesch
Fred Ross^
Barb & Rich Ruddy
Sally & Howard Sampson
Jeanie Schmidt
Jim Schmidt~
Ellen Sewell
Grace Sferra
Elizabeth Sherwood & Tina Stoeberl
Elaine Shinkle
Linda Silvati
Mrs. Barbara Simon
Mary Lee & Louie Sirkin
Ken & Ann Strunk
Jennifer Stucker & John Eck
Dennis & Helen Sullivan
J. Michael & Patricia Thierauf
Beverly Thomas
Dan & Lynn Ticotsky
Rosalie P. van Nuis^
Caroline Idinopulos-Vigran Gifting Fund
Charles Wagner
Richard & Debbie Westheimer
Lynne & D.H. Whitacre
Lois Widlansky
David & Nancy Wolf Philanthropic Fund
Fred Yaeger & Lisa Staggenborg
EXECUTIVE BOARD
Stephen M. King, Chair
Chip Gerhardt, President
Kathy DeLaura, Vice President
Mike Zimmer, Treasurer
Nick Apanius, Secretary
Founders' Circle
Ruth D. & John Sawyer
Ken & Mary "Murph" Mahler
Dr. Charles O. Carothers
Mitchell Meyers
ADMINISTRATIVE STAFF
D. Lynn Meyers
The Ruth Dennis Sawyer/Mary Taft Mahler Producing Artistic Director
Richard J. Diehl
Managing Director
Laura Proto Director of Development
Amy Weinstock Development Assistant
Jocelyn Meyer Director of Marketing & Communications
Amy Barbian
Marketing Manager
Lauren Carr Director of Education & Outreach
John Diehl Operations Associate
PATRON SERVICES
Jared D. Doren
Patron Services Manager
Amy Weinstock
Assistant Box Office Manager
Associates & House Managers
Jared Earland
Becca Howell
Ben Ochsner
Patrick E. Phillips
Sharisse Santos
Becca Schall
Lead Bartender
Sara Agee
BOARD OF DIRECTORS
Alicia Bond-Lewis
Otto M. Budig
Melanie Burden
Brenda A. Carter
Susan Friedlander
Dennis Geiger
Directors Emeriti
Skip Hickenlooper
Edward G. Marks
PRODUCTION STAFF
Nilesh Patel
Richard L. Postler
Jackie Reau
Rich Roedersheimer
Paul G. Sittenfeld
Mike Smith
Mary Stagaman
Financial Advisor
Chet Cavaliere
Brian c. Mehring Resident Set & Lighting Designer
Matthew Hollstegge Production Manager
Shannon Rae Lutz
Properties Master, Design Assistant & Director of Apprentice Programming
Jack Murphy
Technical Director
Doug Stock
Assistant Technical Director
Brandon T. Holmes
Production Stage Manager
Elizabeth Freyman
Assistant Stage Manager
Starr Fish
Costume Assistant
Rachel Kuhn
Scenic Charge Artist/Production Assistant
SECURITY
Nick Ligon
PROFESSIONAL ACTING APPRENTICES
Maggie Cramer
Reginald Hemphill
Dorothy Jolly
Aaron Krick
Eric Minion
Katie Mitchell
Natasia Reinhardt
MARKETING CONTENT INTERN
Alexis Jade Colón
THEATRE CINCINNATI
1127 Vine Street | Cincinnati, Ohio 45202 | www.ensemblecincinnati.org | (513) 421-3555
Monday through Friday 10 a.m. to 5 p.m., and 2 hours prior to curtain. Weekend hours vary. VISA, MC, Discover, and AmEx are accepted, as well as Downtown Gift Cards.
Reservations can be made by calling the box office, in person, or online. Ticket reservations are not accepted via email. Single-ticket purchases are final sale with no refund. Single tickets may, however, be exchanged for another performance during the run of a show for a fee, but may not be exchanged from one production to another. If a patron is a no-show for their reserved performance, ETC is under no obligation to reschedule his or her tickets.
If for any reason you cannot attend your performance and cannot reschedule for another date, tickets released prior to performances by calling the ETC box office are fully deductible as a charitable contribution. No-shows or tickets released after curtain time do not qualify as tax credits.
Patrons may park at the Gateway Garage (accessible via 12th Street) or at the surface lot, both are conveniently located at the corner of Vine and 12th Streets. Parking is also available at Washington Park Garage and Mercer Commons Garage.
Children under the age of 4 will not be admitted to productions unless otherwise advertised. Parents with disruptive children will be asked to leave the theatre.
LATECOMERS & ADMITTANCE
Latecomers will be seated at the House Manager’s discretion and may be denied admission depending upon the demands or structure of a particular production. Should you need to leave the theatre during a performance, readmittance is not guaranteed. ETC reserves the right to deny admission and/or remove any disruptive patrons from the theatre at any time.
RESTROOMS
Public restrooms are located in the first and third floor lobbies. Should you need to use the restroom during a performance, readmittance will be at the House Manager's discretion.
Please notify the box office in advance if you require wheelchair-accessible seating or have special seating needs and our staff will be happy to accommodate you. Audio-enhancement and large print programs available. Generally, sign-interpreted performances are on the third Wednesday of every production.
Actors’ Equity Association strictly prohibits the use of cameras or recording devices (including camera phones) in the theatre. Kindly turn off any cell phones or pagers prior to the show starting. Text messaging during the show disturbs other audience members and actors and will not be tolerated. For safety reasons, audience members are strictly prohibited from standing, sitting or otherwise being or putting anything onstage at any time.
GROUPS & DISCOUNTS
Groups of 8 or more can save on single-ticket prices. Student rates, rush discounts, Public Radio Perks Card, AAA, ArtsWave ArtsPass, Enjoy the Arts, and educator and military member discounts available for select shows (please consult your appropriate membership(s) for details and exclusions).


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