Kansas City Music Hall, The Great Gatsby, March 2026

KANSAS CITY MUSIC HALL

KANSAS CITY, MISSOURI

March 2026

The uplifting and the illuminating, performed daily.

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KEY | ST ARMANDS | LIDO KEY

SIESTA KEY | CASEY KEY | VENICE | OSPREY

KEY | ST. ARMANDS || LIDO KE Y SIES TA KEY | CASEY KEY | VE NICE | OSPREY

MANASOTA KEY | LAKEWOOD RANCH WELLEN PARK NOKOMIS || ENGLEWOOD | NORTH PORT

MANASOTA KEY | LAKEWOOD RANCH WELLEN PARK NOKOMIS || ENGLEWOOD || NORTH PORT

Welcome to Music Hall, Old Sports!

We’re so pleased you’re joining us for this dazzling musical adaptation of F. Scott Fitzgerald’s iconic novel. The Great Gatsby opened on Broadway two years ago and continues to play to sold-out houses. We’re thrilled to have it as part of our season and invite you to step back with us into the glamour and intrigue of the Roaring Twenties.

There is even more excitement ahead at the Kauffman. In April, Stereophonic—the most Tony Award–nominated play of all time—takes the stage. June brings the beloved hit Mrs. Doubtfire, and we close out the season back here in Music Hall in August with the triumphant return of Wicked.

There is something truly special about experiencing theatre in the moment — the lights dimming, the orchestra beginning, the electricity shared between performers and audience. Every performance is unique, and your presence is an essential part of what makes it so.

Whether you’re joining us for the first time or are a long-time season member, we are grateful for your support. We hope tonight’s performance moves you, inspires you, and lingers long after the final curtain.

Leslie K. Broecker

Broadway Across America Midwest President

INSIDE THE TONY-WINNING COSTUME DESIGNS THAT BRING JAZZ AGE GLAMOUR TO LIFE IN THE GREAT GATSBY

STORY BY BROADWAY.COM STAFF

F. Scott Fitzgerald’s novel The Great Gatsby dazzles readers with intoxicating prose about glowing lights, copious drinks and too-eager laughter. Beneath the glitter, Fitzgerald reveals a discerning eye for clothing and what it can say about a person.

Jay Gatsby, the enigmatic party host, shockingly wears a pink suit, a choice no true Oxford man would make. Readers first meet Daisy and Jordan through their rippling fluttering dresses, and poor naive Myrtle squeezes into a brown muslin number that reflects her station.

Bringing this sartorial splendor to life on Broadway fell to costume designer Linda Cho. Together with her team, she crafted a lavish array of period fashions that capture the glamour and excess of the Jazz Age. “You don't get a lot of opportunities to do a giant period musical with seemingly endless resources and just sort of design the dream,” Cho told Broadway.com Managing Editor Beth Stevens on "The Broadway Show."

Among all the exquisite creations, Daisy stands out as one of the most challenging and rewarding characters to design for. She undergoes ten costume changes during the production. “We definitely wanted her to

be a fashion show,” Cho said. “Every time she comes on, it should be something different. Everything should just look like Gatsby's dream.”

This remarkable work earned Cho the Tony Award for Best Costume Design of a Musical at the 77th Annual Tony Awards. It was the show’s only nomination and its sole win of the night.

Accepting the award, Cho shared a deeply personal story. “I just wanted to tell you about my mom. When I was a teenager, she said, ‘You’re a woman, you’re a minority, you will never succeed in anything artistic,’ and it was out of love. It was out of protection.” She added that her mother would be “amazed” by her nomination.

She also took a moment to recognize the collective effort behind Gatsby’s visual splendor. “I do one part of what you see at Gatsby every night. It takes trusting collaborative partners, our director, producers, writers, an entire village of people who craft and care for the 275 costumes you see on stage every night. I’d like to acknowledge my team.”

In a candid conversation after the ceremony, Cho reflected on what the Tony win means to her career and her creative journey. “I am so happy that I get to do this for Gatsby, for our show. For me the work has always been the reward. Winning a Tony means I get to do other cool things that I hopefully get asked to do. It just means more work.”

Through her visionary designs, the costumes transcend mere clothing. They become a vital part of the storytelling, embodying the dreams and desires of a transformative era.

THE AGONY AND THE ECSTASY OF STEREOPHONIC PLAYWRIGHT DAVID ADJMI

The script for the Tony-winning play Stereophonic by David Adjmi resembles a musical composition, with carefully calibrated rhythms, a complex interplay of parts and deliberately orchestrated dynamics. “I can't ever get it the way I hear it in my head,” Adjmi said. “I can hear it at a frequency that [the actors] can't. Sometimes we get close.”

To protect the actors, the director Daniel Aukin had to “muzzle” him, Adjmi admitted. “Don't get me wrong,” he said. “I have the most incredible cast, and I know how lucky I am, but I hear things like a composer and actors are not instruments. They're human beings and theater’s a live medium, so it can never be exact every night. And that's both the beauty and the horror, for me, of live art.”

Adjmi’s play transferred to Broadway in 2024 after a successful Off-Broadway run the year before. In fly-on-the-wall, theater verité style, it chronicles a fictitious band’s fractious recording sessions for an album in 1976 and 1977. One of the characters, a songwriter and guitarist named Peter, happens to be a perfectionist who drives everyone crazy. Noting the comparison, Adjmi said, "I am very exacting, but I'm not an egomaniac. It's not coming from a place of ego. It's coming from a deep spiritual need to get something right.”

Around 10 years ago, Adjmi was struck hearing Led Zeppelin’s blistering 1969 track, “Babe I’m Gonna Leave You.” “It was the rawness and the vocals and the strange bowing between pain and longing and sex and desire,” he said. “All these emotions blurring and ebbing and flowing. What was he doing when he made this exact vocal? What was happening to his psyche? How did he channel these emotions? And then I saw him in the studio.”

Would it be possible to tell an entire story within the hermetic confines of a recording studio? Adjmi was intrigued by the possibility. “I didn't know totally how I was going to do it or what it was going to be—but I just knew. ‘Oh my God, I think I struck gold.’ That doesn't happen all the time.”

Adjmi is not a musician—not even “a music person.” “I do listen to music,” he allowed, “but I’m not someone who’s infatuated with music and music production. I didn’t know anything about this world.”

So, he set himself the task of becoming an expert, researching as intently as if he were conducting an anthropological study. He read Keith Richards’ memoir Life and watched countless hours of music documentaries, including the Metallica documentary Some Kind of Monster. Outside of popular music, Adjmi also cited the D.A. Pennebaker documentary Company: An Original Cast Recording as an inspiration. To learn about the technical aspects of recording, he consulted with audio engineer Steve Reich and collaborator John Kilgore.

He was fascinated by the disconnect between rock stars’ public selves and private selves. “When you’re in a band, the demarcation between public and private is extremely thin,” while the recording studio is “this weird limbo space where there is no public, there is no private—it’s all just one big wash. I took notes on anything about process and about people's personalities. Anything intimate and not presentational. I was trying to look for glimpses of that anywhere that I could find it.”

While writing, Adjmi listened to the music that ruled the airwaves in the latter half of the ‘70s: Heart, K.C. and the Sunshine Band and Steely Dan’s Aja on repeat.

Adjmi created a world around his unnamed band in a manner befitting a fantasy novelist. “Everything that comes into my head, I'll write down,” said Adjmi. “I want to give myself the widest canvas.” He also constructed the play with a farceur’s attention to choreography; the play, apart from anything else, is a complicated feat of word processing. “She’s in that room, he’s there, she goes over there, he bangs his drum… It was very hard to do that.”

To write the songs, Adjmi enlisted Will Butler, the Academy Award-nominated singer-songwriter and founding member of Arcade Fire. Butler penned the songs according to highly specific briefs from Adjmi, fully buying into the mythos.

From the start, it was a crucial part of Adjmi’s vision that the actors would perform their music live on stage. Non-musicians were cast in the roles. Chunks of rehearsal time were given over to band practice, with Butler and musical director and orchestrator Justin Craig retooling the songs according to the performers' strengths. Today it’s the highest compliment to say that the band sounds like a band.

The resulting play combines the rock-geekdom of "Behind the Music" with the voyeuristic allure of "Big Brother." In its depiction of the monotony and claustrophobia of band life, the wringing of beauty out of pain and the pathetic humanness of rock stars, it feels authentic. In its portrayal of weary souls and broken hearts, though, the play most resembles a family drama—a '70s-rock Uncle Vanya. Adjmi wrote Stereophonic at the same time he was dredging up memories of his childhood and adolescence for his memoir Lot Six. “I think I was writing my family drama,” he said. “If I’ve exposed myself, that means I’ve done my job.”

Given that, it’s little wonder that Adjmi has strong opinions about how the characters deliver their lines—they are literally like family to him. “I love them more than I think I’ve ever loved any characters I’ve written,” he said. “They’re very real to me.”

Of course, the play also joins a long tradition of truth-adjacent music histories that includes Dreamgirls, and That Thing You Do. There’s more than a rumor of the making of the seminal album Rumours in the play: the messy relationships, the collision of British and American musicians, the 1976-77 timeline and Californian setting.

“Fleetwood Mac is an amazing band,” said Adjmi. “They're one of my favorite bands, and they're one of the biggest bands of the 1970s. So yes, they're going to make their way in.” Ultimately, he says, the resulting play is “synthetic.” “It’s a massive riff.”

Whatever the source of Adjmi's inspiration, he has created an insightful meditation on art and the painful work of being an artist, a tragic love story but not necessarily of the guy-girl variety. “Making art is a love story,” said Adjmi. “This play is dedicated to all artists. It’s for all of us.”

CHUNSOO SHIN

OD COMPANY NETWORKS PRESENTATIONS

THE NEDERLANDER ORGANIZATION THE SHUBERT ORGANIZATION

OD UNIVERSE & CO CORP CANDY SPELLING

MARK SHACKET, EXECUTIVE PRODUCER TRINITY WHEELER, EXECUTIVE PRODUCER IN ASSOCIATION WITH PAPER MILL PLAYHOUSE present

Book by KAIT KERRIGAN

Based on the novel by F. Scott Fitzgerald

Music by JASON HOWLAND

Starring

Lyrics by NATHAN TYSEN

JAKE DAVID SMITH SENZEL AHMADY

JOSHUA GROSSO LEANNE ROBINSON LILA COOGAN WILL BRANNER TALLY SESSIONS and

EDWARD STAUDENMAYER

D’MARREON ALEXANDER WILLIAM BISHOP JUSTIN SCOTT BROWN KYLE CARESS

VALERIA CEBALLOS ANNA GASSETT JOANN GILLIAM ROSIE GRANITO JOSIAH HICKS NINA MICHAEL HOWLAND TYLER JOHNSON-CAMPION KURT KEMPER JOI D. McCOY CHARLOTTE McKINLEY MACY McKOWN

TIM QUARTIER ALLI SUTTON DEE TOMASETTA RYAN VOGT SHAI YAMMANEE

Scenic and Projection Design by PAUL TATE DEPOO III

Hair Design by CHARLES G. LAPOINTE RACHAEL GEIER

Music Producer

BILLY JAY STEIN

Associate Director DAVID RUTTURA

Tour Marketing & Press ALLIED GLOBAL MARKETING

General Management GENTRY & ASSOCIATES

STEVEN VARON-MOORE

Costume Design by LINDA CHO

Makeup Design by ASHLEY RYAN

Music Supervision and Additional Arrangements DANIEL EDMONDS

Associate Choreographer CEDRIC DODD

Tour Booking by THE ROAD COMPANY

STEPHEN LINDSAY

BRETT SIROTA

Company Manager KATIE CORTEZ

Lighting Design by CORY PATTAK

Orchestrations JASON HOWLAND KIM SCHARNBERG

Music Coordinator JOHN MILLER

Fight and Intimacy Director ROCIO MENDEZ

Social Media AND THAT’S STRATEGY

Production Stage Manager KELSEY TIPPINS

Music Supervision & Arrangements by JASON HOWLAND

Choreographed by DOMINIQUE KELLEY

Directed by MARC BRUNI

Sound Design by BRIAN RONAN

Casting by C12 CASTING

STEPHEN KOPEL, CSA

JILLIAN CIMINI, CSA

Music Director CHARLIE ALTERMAN

Dialect Coach DEBORAH HECHT

Worldwide Management FORESIGHT THEATRICAL

Production Management NETWORKS PRESENTATIONS ALEX WILLIAMS

World Premiere, Paper Mill Playhouse in Millburn, New Jersey, on October 15, 2023, Mark S. Hoebee, Producing Artistic Director, Michael Stotts, Executive Director

CAST

Jay Gatsby .................................................................................................................... JAKE DAVID SMITH

Daisy Buchanan ............................................................................................................. SENZEL AHMADY

Nick Carraway JOSHUA GROSSO

Jordan Baker LEANNE ROBINSON

Myrtle Wilson .........................................................................................................................LILA COOGAN

Tom Buchanan....................................................................................................................WILL BRANNER

George Wilson TALLY SESSIONS

Meyer Wolfsheim EDWARD STAUDENMAYER

Catherine ............................................................................................................................. JOANN GILLIAM

Mrs. McKee ALLI SUTTON

Mr. McKee D’MARREON ALEXANDER

Gilda Gray JOANN GILLIAM

The Sugars ......................................................................................... ANNA GASSETT, JOSIAH HICKS, TYLER JOHNSON-CAMPION, MACY McKOWN

Cop SHAI YAMMANEE

Bystander #1 ............................................................................................................. VALERIA CEBALLOS

Bystander #2 ................................................................................................ D’MARREON ALEXANDER

ENSEMBLE

D’MARREON ALEXANDER, JUSTIN SCOTT BROWN, VALERIA CEBALLOS, ANNA GASSETT, JOANN GILLIAM, JOSIAH HICKS, NINA MICHAEL HOWLAND, TYLER JOHNSON-CAMPION, JOI D. McCOY, MACY McKOWN, TIM QUARTIER, ALLI SUTTON, RYAN VOGT, SHAI YAMMANEE

Dance Captain: KYLE CARESS

Assistant Dance Captain: DEE TOMASETTA Fight Captain: KURT KEMPER

ADDITIONAL

PARTYGOERS

KYLE CARESS, ROSIE GRANITO, KURT KEMPER, CHARLOTTE McKINLEY

SWINGS

WILLIAM BISHOP, KYLE CARESS, ROSIE GRANITO, KURT KEMPER, CHARLOTTE McKINLEY, DEE TOMASETTA

UNDERSTUDIES

Understudies never substitute for the listed players unless a specific announcement is made at the time of the appearance. For Jay Gatsby WILLIAM BISHOP, TIM QUARTIER; for Daisy Buchanan— VALERIA CEBALLOS, NINA MICHAEL HOWLAND; for Nick Carraway—D’MARREON ALEXANDER, WILLIAM BISHOP; for Jordan Baker—VALERIA CEBALLOS, ALLI SUTTON; for Myrtle Wilson—JOANN GILLIAM, ALLI SUTTON; for Tom Buchanan—JUSTIN SCOTT BROWN, TIM QUARTIER; for George Wilson—JUSTIN SCOTT BROWN, SHAI YAMMANEE; for Meyer Wolfsheim—D’MARREON ALEXANDER, SHAI YAMMANEE

Scan this code to view the cast list for this performance.

MUSICAL NUMBERS

ACT I

“Roaring On” Nick and Company

“Absolute Rose” .......................................................................Daisy, Jordan, Tom and Nick

“New Money” ............................................................................. Jordan, Nick, and Company

“For Her” .............................................................................................................................. Gatsby

“Valley of Ashes” ................................................................................................................ Wilson

“Second-Hand Suit” .................................................................. Myrtle, Tom and Company

“For Better or Worse” Daisy

“The Met”. Nick

“Only Tea” Gatsby, Nick and Company

“My Green Light” Gatsby and Daisy

ACT II

“Shady” Wolfsheim and Company

“Better Hold Tight” ........................................................................................ Nick and Jordan

“Past Is Catching Up to Me”.......................................................................................... Gatsby

“La Dee Dah With You”............................................................... Gilda Gray and Company

“Go” ................................................................................................................... Daisy and Gatsby

“Made to Last”........................................................ Tom, Gatsby, Daisy, Jordan, and Nick

“One-Way Road” Myrtle

“God Sees Everything” Wilson

“For Her” (reprise) Gatsby, Nick and Wilson

“New Money” (reprise) Company

“Beautiful Little Fool” Daisy

“Finale: Roaring On” ................................................................................ Nick and Company THERE WILL BE ONE

“This production is a big, bold, Broadway version of The Great Gatsby. It’s thrilling to see these indelible characters and iconic moments from the novel come to life on stage. This stage production, which honors the novel and its history while also speaking clearly to today’s audiences, is a terrific new iteration of this classic work.”

—The Estate of F. Scott Fitzgerald

ORCHESTRA

Conductor Charlie Alterman

Associate Conductor/Keyboards—Austin Davy Keyboards—Thomas Michaels; Bass—Catherine Michetti Drums/Percussion—Patrick Phalen IV

KANSAS CITY MUSICIANS

Reed 1: Brett Jackson; Reed 2: Mark Cohick; Reed 3: Zak Pischnotte; Trumpet 1: Stephen Molloy; Trumpet 2: William Richardson

Trombone: Stephen Dekker

Violin: Matthew Bennett; Cello: Dana Woolard

Contractor: Anthony T. Edwards

Music Coordinator: John Miller

Music Assistant: Erin Reifler

Electronic Music Design: Billy Jay Stein and Hiro Iida for Strange Cranium MainBrain/Ableton Programming: Chris Petti

Additional Electronic Music Programming: Harrison Roth and Jacob Rose for Strange Cranium Music Copyists: J&J Music Preparation // Josephine Bearden, Jacob Fjeldheim, Nathan Serot

Drum Arrangements by Chris Jago

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers and watches.

CAST

WHO’S WHO in the CAST

JAKE DAVID SMITH (Jay Gatsby) is thrilled to bring this iconic story to audiences across the country. National Tour: Les Misérables (Marius) Broadway: Frozen (Ensemble, u/s Hans). Off-Broadway and Prime video: Between the Lines (Prince Oliver). BFA Elon. This pickleball enthusiast from Richmond, VA sends gratitude to his family, Juliette, A Squad, and CGF. @Jake.David.Smith

SENZEL AHMADY (Daisy Buchanan) is paralyzed with happiness to be bringing Daisy across North America for the first time! International: The Great Gatsby (Korea), Daisy. Tour: Aladdin (Jasmine). Endless love to her family, friends, CGF, the Gatsby team and all the little Afghan and Filipino girls whose dreams know no limits. @senzelahmady

JOSHUA GROSSO (Nick Carraway). National Tours: Les Miserables (Marius), The Band’s Visit (Telephone Guy). NYC: Urinetown (Swing/Bobby Strong u/s), New York City Center. Regional Credits: Light in the Piazza (Fabrizio), Huntington Theatre; The Great Gatsby (Ensemble/Gatsby u/s), A.R.T; In The Heights (Usnavi), PCLO. Graduate of Carnegie Mellon.

LEANNE ROBINSON (Jordan Baker). British performer celebrated for her six-year West End run as Nabulungi in The Book of Mormon, after debuting on the Broadway tour. Originated Zindzi Mandela in Mandela A New Musical. Leanne debuted in New York as a soloist with Hugh Jackman at Radio City Music Hall, performing “Never Enough” Instagram: @leannermusic

LILA COOGAN (Myrtle Wilson). Broadway: Mary Poppins (Jane Banks). National Tour: Anastasia (Anya). Select regional credits: Hairspray (Penny Pingleton), Catch Me If You Can (Brenda), Spelling Bee (Olive). A huge thank you to the Great Gatsby team as well as my family, Rochel Saks, Rob and Paisley. @Lilcoogs on socials!

WILL BRANNER (Tom Buchanan). Other recent bad guys include Biff in Back to the Future (Broadway), Orin in Little Shop of Horrors (DCPA, Henry Award), and Max Jaeagerman in Starkid’s viral hit Nerdy Prudes Must Die (Starkid/YouTube). BFA University of Michigan. Thanks to HCKR, Hyphenate, family, and my beautiful wife Danielle. @lordbranner

TALLY SESSIONS (George Wilson). Broadway: A Wonderful World, Company, Anastasia, War Paint, Falsettos, Paramour, School of Rock, Big Fish, The House of Blue Leaves. Off-Broadway: Masquerade, The Gardens of Anuncia (LCT), Giant (The Public), Queen of the Mist (Transport Group), Anyone Can Whistle (Encores!), Yank!. TV: “…Maisel,” “Falling Water,” “Elementary.” IG: @tallysessions

EDWARD STAUDENMAYER (Meyer Wolfsheim). The Great Gatsby (Korea). Broadway: Girl From the North Country, Wonderland, Martin Short: Fame Becomes Me. National Tour: Anastasia, Phantom of the Opera, Anything Goes, Beauty and the Beast, The Scarlet Pimpernel, Joseph… Dreamcoat, The Radio City Music Spectacular. UCLA graduate, Carol Burnett and Colorado Theatre Guild, Best Actor Award.

D’MARREON ALEXANDER (Ensemble, Mr. McKee, Bystander #2, u/s Nick Carraway, u/s Meyer Wolfsheim). Detroit native. Girl From the North Country (1st National tour), Beautiful: The Carole King Musical (2nd National tour). Favorite credits: Jersey Boys (The Muny), The Color Purple (DCPA), Beautiful: The Carole King Musical (Ogunquit playhouse, Tuacahn Amphitheatre) @dmarreonalexander

WILLIAM BISHOP (Swing, u/s Jay Gatsby, u/s Nick Carraway). National tour: Parade, Anastasia, Jersey Boys (NCL). Favorite regional: Jersey Boys, Frozen (Tuacahn), Sunset Boulevard (ACT of CT). Featured soloist at Lincoln Center, backup singer for Zac Brown Band. Love to his parents, agents at EA, and Victoria. @Williamabishop

JUSTIN SCOTT BROWN (Ensemble, u/s Tom Buchanan, u/s George Wilson). Broadway: Anastasia. Tour: The Great Gatsby, Korea. Jagged Little Pill, 1st National; Les Misérables 25th Anniversary (Marius); Spring Awakening, 1st National. OffBroadway: A Man of No Importance (CSC), Far From Heaven (Playwrights). BFA (CCM). @justin_scott_brown

KYLE CARESS (Swing, Dance Captain). Broadway: The Great Gatsby. Int’l/Tour: The Great Gatsby (Korea), Disney’s Aladdin, Rodgers & Hammerstein’s Cinderella. Select

Regional: Goodspeed, The Rev, Bucks County Playhouse, Pioneer Theatre Company. BFA Belmont University. Kyle would like to thank his friends, family, mentors and C12 casting for their support. Rep: Hudson Artists Agency @Kyle_Caress

VALERIA CEBALLOS (she/her) (Ensemble, Bystander #1, u/s Daisy Buchanan, u/s Jordan Baker). This little Latina is pumped to party across the country! Favorite credits: Life After (Kate Carter), CAA Ed Mirvish; Dear Evan Hansen (u/s Zoe/Alana), 1st National Tour. Grateful for the Gatsby team, The Mine, her family, friends, & Reese! Para Lupe y Lucho. @valeriaeceballos

ANNA GASSETT (Ensemble, Sugar) is a St. Louis native and graduate of Texas State MT. Her credits include The Great Gatsby (Korea); West Side Story International Tour (Graziella); The Muny; MT Wichita. Love to my family, friends, and The Hybrid Agency. @annagassett

JOANN GILLIAM (Ensemble, Catherine, Gilda Gray, u/s Myrtle Wilson). National tour debut!!! She would love to thank her loved ones along with her agents at DGRW for always supporting her dreams! To keep up with Joann, follow @joanngilliamm on Instagram/TikTok or visit www.joanngilliam.com. EAT ‘EM UP CATS!!!

ROSIE GRANITO (she/her) (Swing). Rosie’s favorite credits include Grease (Cha Cha, u/s Rizzo), Frozen (Ensemble, u/s Queen Iduna), 42nd Street (Ensemble, u/s Dorothy), Guys and Dolls (Swing, u/s General Cartwright)!! Many thanks to her incredible agents at CESD, her amazing friends, family, & wonderful parents. @_rosiegranito_

JOSIAH HICKS (he/him) (Ensemble, Sugar). Broadway Tour: Mrs. Doubtfire, 1st National. Regional: Bull Durham (Paper Mill Playhouse); Rock of Ages, Escape to Margaritaville (Gateway Playhouse). Josiah is excited to play alongside such talented artists. He would like to thank his brothers, grandmother, and aunts for their support. @josiah.j.hicks

NINA MICHAEL HOWLAND (Ensemble, u/s Daisy Buchanan) is overjoyed to join The Great Gatsby! Berklee College of Music ’24. Credits include Hugh Jackman’s Live from New York with Love at Radio City Music Hall (soloist) and Shrek The Musical national tour. Thanks to family and Gatsby team!

TYLER JOHNSON-CAMPION (Ensemble, Sugar). Tours: Disney’s Aladdin. Other:

Carnegie Hall, The Muny, Marriott Theatre, MSMT, Fulton Theatre and more! TV: “The Tonight Show With Jimmy Fallon!” CCM grad. Huge thanks to DGRW, C12 Casting, The Creative Team and my incredible friends and family! #tothemax @_tylerJC

KURT KEMPER (he/him) (Swing, Fight Captain). Recent: The Great Gatsby (Korea). Tour: The Little Mermaid Regional: Charlie and the Chocolate Factory (Willy Wonka), Joseph… (Butler/Gad), 9 to 5 (Dwayne), Legally Blonde (Kiki). PPU alum. Love to his family, friends, and CESD +Go2. Insta: @Imatallglassofwater.

JOI D. McCOY (Ensemble). 1st National tour debut! Joi D. McCoy is excited to continue her work with The Great Gatsby! Her past credits include: Mean Girls, Hairspray, and Mamma Mia! Special thanks to friends and family for the support. IG @joi.d.mccoy and Joidmccoy.com.

CHARLOTTE McKINLEY (Swing) is an Austin, Texas native. Select credits include Ariana Grande: Met Gala, Jelly’s Last Jam (NY City Center), Knicks City Dancers, Personality: The Lloyd Price Musical, “The Marvelous Mrs. Maisel,” VMAs, Big Apple Circus, and Disney World. Endless love to family and friends.

MACY McKOWN (Ensemble, Sugar) is thrilled to be on tour! Recent credits include International: The Great Gatsby (Korea), Regional: West Side Story (Anybodys). TV: “SYTYCD” (Season 18). Thanks to her agents and endless gratitude for her family’s love and support. Go Blue! Ephesians 3:20. @macynmck

TIM QUARTIER (Ensemble, Butler, u/s Jay Gatsby, u/s Tom Buchanan). The Great Gatsby (Korea). Tours: Les Miz, In the Mood. Select regional: Come From Away (Kevin T), Beautiful (Gerry), Titanic (Charles), West Side Story (Tony), Les Miz (Marius), Hairspray (Link), Newsies (Jack). Thanks to Lohne/Graham, the Gatsby team, my family & Mike. @TimQuartier

ALLI SUTTON (Ensemble, Mrs. McKee, u/s Jordan Baker, u/s Myrtle Wilson). Honored to join the OTC of The Great Gatsby. National Tour: Hadestown Regional: Beautiful (WPPAC). A million thanks to Brian at HKA, C12 Casting, and the entire Great Gatsby team. For Mom, who taught me what it means to sparkle. @_allisutton

DEE TOMASETTA (Swing, Assistant Dance Captain). Thrilled to join The

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Great Gatsby! Broadway/NYC: The Who’s Tommy (Assoc. Choreographer/ Swing/DC), Heart of Rock and Roll, SIX, Radio City Christmas Spectacular. Tour: Finding Neverland (Peter Pan). TV: “Gilded Age,” “Maisel,” “SNL”. University of Michigan alum. Endless love to my family & CESD! @deetomasetta

RYAN VOGT (Ensemble) is thrilled to return to Gatsby! His recent credits include, International: The Great Gatsby (Korea), Ensemble. National tour: Mean Girls (Swing, Ensemble, Asst. Dance Captain). Ryan thanks the Collective Agency, and his family for their love and support. @Ryan.Vogt

SHAI YAMMANEE (Ensemble, Cop, u/s Meyer Wolfsheim, u/s George Wilson) is honored to be a part of this national tour. Notable shows include Mamma Mia! (Sam Carmichael), Rent (Tom Collins), Into The Woods (Prince Charming/ Wolf), The Marriage of Figaro (Count Almaviva), and lead vocalist in Jubilee! in Las Vegas.

KAIT KERRIGAN (Book) is making her Broadway debut with The Great Gatsby. Other musicals include The Time Traveller’s Wife (additional lyrics) in the West End and book/lyrics for The Mad Ones and Henry & Mudge Off-Broadway. Other recent plays and musicals include Father/Daughter, Indigo and Justice. Enormous gratitude to Bree Lowdermilk for making me write musicals, to Jason Howland for taking a chance on me, to Nathan Tysen for everything. For my daughters Lucy and Tess, and for my mom and grandma who taught me that the best thing a girl can be in this world is brave. @kaitkerrigan

NATHAN TYSEN (Lyrics). Broadway/ West End: Paradise Square (Tony nomination), Amélie (Olivier & Grammy nominations), Tuck Everlasting. Off-Broadway: The Burnt Part Boys, Fugitive Songs. Regional: Dreamland (or a musical riff on Shakespeare’s Midsummer set during the declassification of Area 51), Stillwater. TV/film: “A Killer Party,” “Sesame Street,” “Elmo’s World.” Upcoming: Love is Strange, Blown Sideways Through Life, Revival. Awards from the Kleban, Ebb, Rodgers and Larson foundations. Writer/ director for Lovewell Institute, creating original musicals with young adults. MFA NYU Graduate Musical Theatre Writing Program, BFA Missouri State University. Husband to writer Kait Kerrigan, father to Lucy & Tess. nathantysen.com IG: @doctorpickles

JASON HOWLAND (Composer, Music Supervisor, Orchestrator, Arranger). Grammy and Emmywinning producer and arranger, and Tony-nominated composer/producer. Composer: Paradise Square (ten Tony nominations), Little Women (three Tony nominations), Ikiru (Tokyo), Tokyo Love Story (Tokyo), Christmas in Connecticut (Goodspeed), Last Days of Summer (KC Rep), The Station (upcoming, Seoul), A Man (upcoming, Tokyo). Musical director/arranger/ orchestrator on Broadway: Shucked (Tony nomination), Beautiful: The Carole King Musical (Grammy Award), Bonnie & Clyde, Wonderland, Jekyll & Hyde, Les Misérables, The Civil War, The Scarlet Pimpernel, Taboo, The Lonesome West (Producer, Tony nomination). TV: “Handel’s Messiah Rocks” (Emmy Award). Proud father of Nina and Noah.

MARC BRUNI (Director). Broadway/ NY: The Great Gatsby (also London, Korea), Beautiful: The Carole King Musical (London, U.S. and U.K. tours, Australia-Helpmann); Trevor: The Musical (Stage 42, Disney+); Four shows: Encores!; A Little Night Music (Geffen Hall); The Explorers Club (MTC); Old Jews Telling Jokes (Westside); Ordinary Days (Roundabout) Regional: Guys and Dolls, The Music Man, How to Succeed…, 50 Years of Broadway (Kennedy Center); Bull Durham (Paper Mill), Billie Jean (Chicago Shakes); Tale of Despereaux (Old Globe, Berkeley); The Sound of Music (Chicago Lyric Opera); nine Muny shows. Dartmouth graduate.

DOMINIQUE KELLEY (Choreographer). Musical theatre: After Midnight (PMP), The Great Gatsby (PMP), Oklahoma! (DCPA), Sophisticated Ladies (ZACH), Indecent (DCPA), Ain’t Misbehavin’ (EbonyRep), Rattlesnake Kate (DCPA), Singin’ in the Rain (ZACH). TV credits: “Mariah Carey’s Magical Christmas Special,” “SYTYCD,” “Dancing With the Stars,” “Perry Mason,” “The Masked Singer,” “American Music Awards,” “Bar Rescue,” “James Corden.” Recording artist choreography: Beyoncé, Mariah Carey, Janet Jackson, Taylor Swift, Ariana Grande, Usher, P!nk, FKA Twigs. Film: Gone With the Bullets. Live show: Cirque VOLTA.

PAUL TATE DEPOO III (Scenic & Projection Design) is a Cuban American production designer. Broadway: The Cottage, Spamalot. Broadway Center Stage at The Kennedy Center (resident designer):

tick, tick…BOOM!; Guys and Dolls; Tommy, Sunset Boulevard, The Music Man. Additional highlights: Usher’s Vegas residency (The Colosseum, MGM); Cynthia Erivo at The Kennedy Center (PBS); Così fan tutte (Santa Fe); Turandot (Austria); Titanic, Sweeney Todd (OD Company, Seoul); Grand Hotel (Signature; Helen Hayes Award). www.pauldepoo.com

LINDA CHO (Costume Design). Broadway: Ragtime; Art; Pirates of Penzance; Doubt; The Great Gatsby (Tony Award); Harmony; Summer, 1976; Take Me Out; Grand Horizons; Anastasia (Tony nomination); The Great Society; A Gentleman’s Guide… (Tony Award); The Lifespan of a Fact; The Velocity of Autumn. Opera: Turandot (Washington National Opera); Samson and Dalila (The Met). Advisory committee of the American Theatre Wing. MFA Yale School of Drama; BA McGill University and Paris American Academy.

CORY PATTAK (Lighting Design). Broadway: The Great Gatsby (+London, Korea), Spamalot (+US Tour), A Wonderful World. OffBroadway: The Lucky Star, Final Follies, Stalking the Bogeyman, Unlock’d. Regional: Kennedy Center, Paper Mill, Barrington Stage Company, Alabama Shakespeare, Ogunquit, Old Globe, Westport Country Playhouse, Goodspeed, Asolo Rep, Norwegian Cruise Line, MSC Cruises. International: Sunset Boulevard, Pretty Woman (Brazil), In the Heights (Puerto Rico). corypattak.com, @corypattak

BRIAN RONAN (Sound Design). Brian has designed the sound for over 40 Broadway shows. They include Some Like It Hot, Funny Girl, Mean Girls, Springsteen on Broadway, The Last Ship, Beautiful, The Book of Mormon, Anything Goes, American Idiot, Next to Normal, Spring Awakening and Cabaret. Brian is the recipient of Obie, Lucille Lortel, two Drama Desks, London’s Olivier and two Tony awards.

CHARLES G. LAPOINTE (Hair & Wig Design). Award-winning designer who maintains a highly successful career on stages throughout the U.S. and abroad. Numerous productions include Hamilton (Make-Up Artists & Hair Stylists Guild Award); Death Becomes Her, The Cher Show and SpongeBob SquarePants (Drama Desk Awards); MJ; Beetlejuice; Pirates! The Penzance Musical!; Suffs (Drama Desk Award Nomination); Tommy; SIX; Jersey Boys; A Gentleman’s Guide…; In the Heights. Television: Emmy nominations “The Wiz Live!” and “Jesus Christ Superstar Live!”

RACHAEL GEIER (Hair & Wig Design). Broadway: The Great Gatsby (production won the MUAH Award). Off-Broadway/Regional: A.R.T - Wonder (Makeup and Wig/ Hair designer),  La Jolla Playhouse – Working Girl (Makeup Designer), Paper Mill Playhouse – Benny & Joon Film/TV: contributed wigs for “Russian Doll” (Season 2), “The Good Nurse,” “Poker Face,” “Awkwafina Is Nora from Queens” (Season 1), “Somebody Somewhere” (Season 2), Mothers’ Instinct, and “The Savant” (coming soon). Juilliard Wig and Makeup Apprentice, 2014.

DAVID RUTTURA (Associate Director). As associate, Broadway: Gatsby, Moulin Rouge!, Beautiful, Network, School of Rock, Spider-Man, Follies, Lombardi, Million Dollar Quartet, White Christmas, A Man for All Seasons. Directing credits include projects with La Mirada, Alabama Shakes, Cape Playhouse, Tuacahn, Norwegian Cruise Line, Pittsburgh CLO, Gateway Playhouse, Ogunquit Playhouse and Ars Nova. @davidruttura

CEDRIC DODD (Associate Choreographer). BFA dance theatre (AMDA). Credits: The Great Gatsby (associate choreographer, West End/Korea), Rudolph National Tour (associate director/choreographer). Mariah Carey (assistant choreographer). Guest Faculty at Millennium Dance Complex and Broadway Dance Center. Love to family, Dom, Katie Webber and CESD/ GTA. @cedricdodd_

ASHLEY RYAN (Makeup Design). Broadway: An American in Paris; The Elephant Man; The Bridges of Madison County; A Time to Kill; Picnic; Dead Accounts; Annie; The Heiress; On a Clear Day…; Bonnie and Clyde; Godspell; Born Yesterday; How to Succeed in Business…; Promises, Promises. Television: “Blue Bloods.”

KIM SCHARNBERG (Co-Orchestrator). Broadway: Jekyll & Hyde, The Scarlet Pimpernel, The Civil War, Little Women (Drama Desk Award nomination), Wonderland, Jekyll & Hyde revival. International: No Longer Human, Carmen, Rudolf, Monte Cristo, Phantom (Yeston/Kopit). Other: Ragtime (MTI nine-piece orchestration), Ragtime: The Symphonic Concert, Rocktopia and Wonderland (music supervisor). Associate artist at Ford’s Theatre (Washington, D.C.). Much more at www. KimScharnberg.com. For Gwynn and Will.

DANIEL EDMONDS (Music Supervisor & Additional Arrangements).

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Broadway: The Great Gatsby, Shucked, Paradise Square. West End: Wild About You, The Showgirl Within. Australia: Beautiful, world premieres of King Kong, Strictly Ballroom (with Baz Luhrmann) and Dream Lover. Composer/lyricist: Broadway-aimed Silk and many film/TV projects. Orchestrations for the Boston Pops, HK Philharmonic and more. Other highlights: MD for Ruben Studdard and Clay Aiken; piano for Lea Salonga’s PBS special and songwriter of “Dream Again” and “Christmas On Broadway.”

JOHN MILLER (Music Coordinator). Over 150 Broadway shows, including: Chess, Two Strangers, The Great Gatsby, Tommy, MJ, Mrs. Doubtfire, Ain’t Too Proud, Tina, Beautiful, Waitress and Jersey Boys. Studio musician (bass) for Leonard Cohen, Eric Clapton, Carly Simon, BB King, Portishead, Bob Dylan and Michael Jackson. johnmillerbass.com

RAY WETMORE & JR GOODMAN (Props Supervisors) co-owners of More Good Productions, a NYC-based design and production company. Current Tours/Broadway: & Juliet, Water for Elephants, Kimberly Akimbo, The Notebook, Hell’s Kitchen, Spamalot, Stereophonic, Stranger Things:The First Shadow, Chess, Maybe Happy Ending, Just In Time, Buena Vista Social Club, The Lost Boys.

ROCIO MENDEZ (Fight & Intimacy Director) was recently nominated for two Drama Desk Awards and is the resident intimacy director at Oregon Shakespeare Festival. Off-Broadway/ regional: Paper Mill Playhouse, NYTW, Roundabout, The Alley Theatre, Geva Theatre Center. Broadway: POTUS, Ain’t No Mo’, Merrily We Roll Along. www.rociomendez.com

DEBORAH HECHT (Dialect).

Broadway: 99 productions including Sweeney Todd. Off-Broadway: hundreds of shows, also regionally. England: Harry Clarke, RSC, National. Film/TV: We Were the Lucky Ones, upcoming Moana, “Tokyo Vice,” IMDb.

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CHARLIE ALTERMAN (Music Director/ Conductor). Broadway: Music Director for Pippin, Next to Normal, Godspell and Martin Short: Fame Becomes Me. Off-Broadway: The Baker’s Wife. National tours: Parade, Company, Charlie and the Chocolate Factory, Grease. TV: “Zoey’s Extraordinary Playlist.” Regional includes: Muny, TUTS, ART, The Old Globe, La Jolla, Paper Mill Playhouse, Arena Stage, Williamstown.

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KELSEY TIPPINS (Production Stage Manager). Broadway: The Great Gatsby. National Tours: Life of Pi, Mrs. Doubtfire, Pretty Woman the Musical, The Prom, Once on This Island, A Bronx Tale, Finding Neverland, Dirty Dancing: The Classic Story on Stage, Disney’s Beauty and the Beast, Elf The Musical, and Shrek The Musical Favorite regional: The Muny, Weston Playhouse and Piedmont Opera. For Ace. @kelseytippins

AMANDA M. STUART (Stage Manager). Broadway: Romeo + Juliet, Harmony. National Tours: Les Misérables, Tina: The Tina Turner Musical, Mean Girls, The Phantom of the Opera. Off-Broadway: Romy & Michele, The Jonathan Larson Project, White Rose, Harmony, Jersey Boys. Trinity, thank you. Tons of love to family and friends who truly make this all possible! @amandamstuart9184

CAMPBELL TIFFIN (She/Her) (Assistant Stage Manager). National tour: Life of Pi. Select credits: New York Theatre Workshop, Out of the Box Theatrics, The York Theatre Company, Tectonic Theater Project, and over 15 shows at The Muny. BA from Clemson University. Thank you, Mom & Dad, CMG always, and go tigers!

KATIE CORTEZ (Company Manager). National Tours: Life of Pi, To Kill a Mockingbird, 1776, Waitress, The Prom, The Phantom of the Opera, Finding Neverland, Bullets Over Broadway, Disney’s Beauty and the Beast.

FRANK DEMING II (Assistant Company Manager). National Tours: The Wiz, Life of Pi, Mean Girls, To Kill a Mockingbird (ACM), Pretty Woman (ACM), Charlie and the Chocolate Factory (CSM). Regional: Virginia Theatre Festival (CM), New Harmony Theatre (CM). Graduate of the University of Montevallo. Proudly mentored by Jen and Marcus Lane, Katie Cortez, and Jack Stephens.

C12 CASTING/STEPHEN KOPEL (Casting) serves as casting director for Roundabout Theatre Company and C12 Casting. Broadway credits include Gutenberg!; & Juliet; Good Night, Oscar; Peter Pan Goes Wrong; Shucked; Moulin Rouge!; Jagged Little Pill; The Lifespan of a Fact; The Play That Goes Wrong; Sunday in the Park…; Amélie; She Loves Me; Noises Off; Beautiful: The Carole King Musical; Violet; The Glass Menagerie; Once;

Harvey; On a Clear Day…; Anything Goes; and The Scottsboro Boys

BILLY JAY STEIN (Music Producer and Electronic Music Designer). Founder of Strange Cranium and co-founder of Strike Audio. Broadway credits include Beautiful: The Carole King Musical (Grammy Award as music producer/mixer); Just In Time; MJ; The Notebook; Kimberly Akimbo; Shucked (Grammy nominated as producer/ mixer); Mean Girls; Parade; 1776; Paradise Square; Caroline, or Change; Diana; Tootsie; The Band’s Visit; Fun Home; Spider-Man; Hairspray; Tuck Everlasting; Amélie; Rocky Horror Show; and Jekyll & Hyde. Other credits include Jon Batiste American Symphony (Netflix, Carnegie Hall), The Radio City Rockettes New York Spectacular, “Handel’s Messiah Rocks” (Emmy winner), American Made and A Killer Party. strangecranium.com, strikeaudio.com

THE ROAD COMPANY (Tour Booking). Founded in 1997 by Stephen Lindsay and Brett Sirota. In addition to The Great Gatsby, current representation includes Wicked, The Outsiders, Back To The Future, Death Becomes Her, Redwood, The Sound of Music, Kimberly Akimbo, Beetlejuice, Moulin Rouge! The Musical, Dirty Dancing, and more.

ALLIED GLOBAL MARKETING (Tour Marketing & Press) is an integrated agency working with the world’s largest entertainment, consumer, and lifestyle brands, including 90+ Broadway shows over three decades. Current tours: Back to the Future, Beetlejuice, The Book of Mormon, Hadestown, Kinky Boots, Mamma Mia!, Mrs. Doubtfire, The Notebook, The Outsiders, Riverdance, Some Like It Hot, Suffs. Upcoming tours: Dirty Dancing; Elf; Just in Time; Mystic Pizza; Oh, Mary!; Operation Mincemeat; Waitress.

GENTRY & ASSOCIATES (General Manager) has managed nearly 250 national and international touring theatrical productions over the past 25 years. Current and upcoming productions include A Beautiful Noise, Beetlejuice, The Book of Mormon, Boop! The Musical, Buena Vista Social Club, The Great Gatsby, Jersey Boys, Les Misérables, Mark Twain Tonight!, Cameron Mackintosh presents Andrew Lloyd Webber’s The Phantom of the Opera, The Sound of Music, Water for Elephants and The Wiz.

FORESIGHT THEATRICAL (Worldwide Management). Partners: Aaron Lustbader, Mark Shacket, Nick Ginsberg, and Jalaina Ross and Founding Partner Allan Williams. Currently oversee Moulin Rouge! The Musical (Broadway & Tour); The Great Gatsby (Broadway & Worldwide); Maybe Happy Ending (Broadway); Buena Vista Social Club (Broadway); Hell’s Kitchen (Broadway & Tour); Kinky Boots (Worldwide).

CHUNSOO SHIN (Producer). An acclaimed Korean theatre producer, Chunsoo Shin is a five-time winner of Korea’s most prestigious theatrical award and is the founder and president of OD Company, a global theatre producing company in South Korea. Chunsoo Shin was the first musical producer to be awarded the Korean Pop Culture and Arts Prime Minister Award, Korea’s most prestigious prize for popular culture and arts awarded by the government. As the first Korean producer to become a lead producer on Broadway, he has contributed in broadening the pathway for Korean producers’ international expansion throughout his producing career. Broadway: Doctor Zhivago, Holler If Ya Hear Me. Korea: Sweeney Todd, Man of La Mancha, Dreamgirls, Titanic, Jekyll & Hyde, The Story of My Life, Il Tenore. In development: The Lights in Firenze, Yoshimi Battles the Pink Robots (La Jolla). More information at odmusical.com.

OD COMPANY (Producer) is a world class global theatre producing company in South Korea. Theatrical credits include Broadway: Doctor Zhivago, Holler If Ya Hear Me and Korea: Sweeney Todd, Man of La Mancha, Dreamgirls, Titanic, Jekyll & Hyde, Dracula, Death Note, The Story of My Life, Il Tenore. OD Company’s productions are highly acclaimed by both critics and audiences for their excellence in production quality. With passion and endeavor, OD Company aims to bring the most exciting theatrical experiences and create a channel of communication between audiences and art performances. More information at www.odmusical.com.

NETWORKS PRESENTATIONS (Producer) is an industry-leading producer of touring theatrical productions, committed to delivering quality entertainment to audiences worldwide for more than 25 years. Current and upcoming productions include A Beautiful Noise, Beetlejuice, The Book of Mormon, Boop! The Musical, Buena Vista Social Club,

The Great Gatsby, Jersey Boys, Les Misérables, Mark Twain Tonight!, Cameron Mackintosh presents Andrew Lloyd Webber’s The Phantom of the Opera, The Sound of Music, Water for Elephants and The Wiz. networkstours.com

MARK SHACKET (Executive Producer) is a partner at Foresight Theatrical, one of the leading general management firms on Broadway. Mark serves on the board of Broadway Cares and has raised over $2.6 million for the charity through the poker event he co-founded, Broadway Bets. He holds an MBA in Accounting from the University at Buffalo. Mark’s favorite productions are the rest of the Popcorn7 family: Lisa, Hana, Noah, Maddy, Emmy and Cole.

TRINITY WHEELER (Executive Producer) has been with NETworks Presentations for over 20 years. Broadway: 1776 (dirs. Diane Paulus and Jeffrey Page), Les Misérables. National tours: The Great Gatsby, The Sound of Music (dir. Jack O’Brien), 1776, Les Misérables, Peter Pan (dir. Lonny Price), A Beautiful Noise, Hairspray, Once on This Island, Waitress, The SpongeBob Musical, Chicago, Finding Neverland, Dirty Dancing, Bullets Over Broadway, Elf the Musical, Disney’s Beauty and the Beast, The Royal National Theatre production of Oklahoma!, The Wedding Singer, The Producers, The Wizard of Oz, The Phantom of the Opera, Mary Poppins, Young Frankenstein (dir. Susan Stroman) and Rent starring Adam Pascal and Anthony Rapp. Love to Alan for everything. @trinityonbroadway

THE NEDERLANDER ORGANIZATION (Co-Producer) is a production division of the multinational theatrical entities owned byp James L. Nederlander, prominent for three generations in management and operation of theatres and productions of distinguished entertainment, they have produced innumerable plays, musicals, operas, ballets and concerts.

THE SHUBERT ORGANIZATION (Producer). Under the leadership of Robert E. Wankel, chairman and CEO, Shubert operates 17 Broadway and six Off-Broadway theatres and has produced hundreds of shows. Current productions include The Outsiders, Cabaret, Suffs, To Kill a Mockingbird on tour, Water for Elephants and The Wiz.

OD UNIVERSE & CO CORP (Co-Producer). Korea is a dynamic

country where tradition and technology coexist. On this foundation, OD Universe & Co Corp. was established in Seoul and New York with the goal of creating and leading new culture with talented Korean and world-class creators, led by Creative Director Chun-soo Shin. OD Universe & Co Corp. aims to connect countless fans around the world through cultural contents such as performing arts, musicals, pop music, movies, dramas, media arts and big events.

CANDY SPELLING (Co-Producer). Producing credits: Hell’s Kitchen; Suffs; MJ; Moulin Rouge!; Tina; The Color Purple; Tootsie; The Iceman Cometh; Nice Work If You Can Get It; How to Succeed in Business Without Really Trying; and Promises, Promises

PAPER MILL PLAYHOUSE (Mark S. Hoebee, Producing Artistic Director and Michael Stotts, Executive Director), recipient of the Regional Theatre Tony Award, is a nationally renowned not-for-profit theatre, celebrating its 85th anniversary season. Located in Millburn, NJ, Paper Mill is well known for the artistry of its productions, comprehensive and innovative access services and impactful education programs. Several Paper Mill productions have transferred to Broadway and launched national tours including Disney’s Newsies, Les Misérables (25th Anniversary production), Honeymoon in Vegas, A Bronx Tale and Bandstand Others have been filmed for television and preserved as original cast recordings. papermill.org

STAFF FOR THE GREAT GATSBY EXECUTIVE PRODUCERS

Mark Shacket and Trinity Wheeler

GENERAL MANAGEMENT

Gentry & Associates

Gregory Vander Ploeg

Steven Varon-Moore Shira Wolf

PRODUCTION MANAGEMENT

NETworks Presentations

Jason Juenker

Alex Williams

WORLDWIDE MANAGEMENT FORESIGHT THEATRICAL

Mark Shacket Andrew Joy Cathy Kwon

Aaron Lustbader Nick Ginsberg Jalaina Ross

Founding Partner: Allan Williams

TOUR MARKETING & PRESS

ALLIED GLOBAL MARKETING

Andrew Damer

Jennifer Gallagher Scott Praefke

Jessica Cary Davis Anne Waisanen

Adina Hsu Emily Toppen

Maria Bonucchi Amenkha Sembenu Kate Wyman

TOUR BOOKING THE ROAD COMPANY

Stephen Lindsay Brett Sirota

Shawn Willett Gracie Lewis Rosa Taylor

Shane Parksmith AnaBella Kalish Marissa Brotz trc.nyc

CASTING

C12 CASTING

Carrie Gardner Stephen Kopel Jillian Cimini

Neal Buckley Sujotta Pace

Production Stage Manager Kelsey Tippins

Stage Manager Amanda M. Stuart

Assistant Stage Manager Campbell Tiffin

Company Manager Katie Cortez

Assistant Company Manager .............. Frank Deming II

Associate Costume Designer .......... Patrick Bevilacqua

Assistant Costume Designers Alec Ohanian, Amanda Jenks, Michelle Ridley

Costume Assistants Jessica Salamone, Grace Slaughter

Associate Scenic Designer Kaitlyn Peterson

Associate Lighting Designer Paul Vaillancourt

Assistant Lighting Designer ........................Natali Arco

Associate Projection Designer ................ Daniel Vatsky

Assistant Projection Designer Ben Hirschfield

Associate Sound Designer Caecilia Armstrong

Associate Hair and Wig Designer Loren Skora

Production Props Supervisors Ray Wetmore, JR Goodman

Production Electrician Robert Virzera

Production Sound Tylor Foster, Chad Parsley

Production Video ........................... Chelsea Zalikowski

Production Carpenter......................................... pesci

Production Props Jen Kramer

Moving Light Programmer Scott Tusing

Video Programmer Andrew Gusciora

Head Carpenter Dave Boyd

Assistant Carpenters Bernadette Davis, Jesse Leach

Production Pyro ............................... Markus Maurette

Flyman ............................................... Nate McKinney

Head Electrician Mike Anderson

Assistant Electrician Jameson Bernhagen

Assistant Electrician-Pyro, Video Matthew Sallee

Head Sound Cameron Griffiths

Assistant Sound Tyler Kless

Head Props Jack Covitz

Assistant Props ...................................... Joshua Kahn

Wardrobe Supervisor ........................... Michael Turner

Assistant Wardrobe Emily Newcomb

Hair & Make-up Supervisor Cosmo West

Assistant Hair & Make-up Rosey Johnson

Crew Swing Gavin Alexander

Production Assistants Nicholas Carlstrom, Sarah Holland, Emma Iacometta, Mars Peterson

Merchandise .................................... The Araca Group

Merchandise Manager.......................... Dersha Horrey

Logo Design SpotCo

Social Media And That’s Strategy Katharine Quinn, Es Um, Imani Russell, Mason Bray, Hannah Kulawiak

Video Production DMS Media

Production Photographers................. Matthew Murphy, Evan Zimmerman

Safety Consultant Bryan Huneycutt

Physical Therapy Consultant Carolyn Lawson, NEURO Tour

Physical Therapist Philippa “Pip” Gamble

Accounting NETworks Presentations LLC

Tax Accountant Rachael Ffrench

Legal Services .............................F. Richard Pappas, Esq.

HR Support

David F. Schwartz, Esq., Gray Schwartz LLP

K+K Reset, LLC

Housing Lisa Morris, Road Concierge

Travel Agency Kessler & Co. / Direct Travel Trucking Clark Transfer FOR OD COMPANY

President Chunsoo Shin Mikyung Jung, Jungman Choue, Yoonji Lee, Donghwi Kim, Yunji Kim, Soo Yeon Kim, Seo Hyun Lim, Taeyoung Kim, Anna Yu, Minju Kang, Yourhee Min, Chaeyeon Song FOR NETWORKS PRESENTATIONS

Chief Executive Officer Orin Wolf

President/Chief Production Officer Seth Wenig

Chief Operating Officer Margaret Daniel

Chief Financial Officer ..................................... Scott Levine

Business Affairs .................................... Scott W. Jackson

Executive Producers Mimi Intagliata, Hannah Rosenthal, Trinity Wheeler

Sr. Director/Finance John Kinna

Controller Jennifer Gifford

Director of Tour Accounting Laura S. Carey

Tax Director Pat Guerieri

Sr. Tax Accountant .............................. Matthew Peerbolte

Tax Assistant ........................................... Deborah Brown

Accounts Payables & Receivables Clerk Lisa Loveless

Sr. Director, Booking & Engagements Amanda Laird

Directors, Booking & Engagements Stacey Burns, Colin Byrne

Booking Assistant Lily Flippen

Director of Sales Zach Stevenson

Director of Marketing .................................. Heather Hess

Sr. Director/General Management ... Gregory Vander Ploeg

General Managers Madeline McCluskey, Rebecca Shubart Steven Varon-Moore

Associate General Manager Amanda Lenti, Shira Wolf

Asst. General Manager/Operations Manager Hillary Smith

Sr. Director/Production Management Jason Juenker

Sr. Production Manager Hector Guivas

Production Managers........ Matthew Reardon, Alex Williams

Associate Production Manager ........ Aimeé Mangual Pagán

Technical Director pesci

Production Coordinator Gina Boccolucci

NETworks Asset Manager Richard Haug

Warehouse Assistant Alison Weinberger

Director of Operations Pearce Landry-Wegener

Workers Compensation Coordinator ..............Kayla Rooplal

People Operations/Payroll Manager .............. Sara Clayton

Executive Assistant Isabella Schiavon

Office Manager Deandra Harris

Adminstrative Assistant Aidan Herman

Music Coordinator John Mezzio

CREDITS

Scenery and auto mation effects fabricated and painted by PRG Scenic Technologies, a division of PRG Broadway

L.L.C., New Windsor, New York; and Proof Productions. Lighting and sound equipment provided by PRG Broadway

L.L.C. Video by Sound Associates. Props fabrication and finishing by BrenBri Props. Pyrotechnics by Image Engineering. Armor by Sordelet Inc. Costumes by Euroco Costumes, Bethany Joy Costumes, Parsons-Meares Ltd, Giliberto Designs, Eric Winterling, Artur & Tailors, Siam Costumes, John Cowles, La Duca Shoes, Worldtone Dance, Capezio, Lynne Mackey Studio, Tommy Cobau, Ann Morin, Hochi Asiatico, CEGO Shirtmakers, TieCrafters, and Dye-Namix, Drum equipment provided by Pearl Drums, Zildjian Cymbals, Aquarian Heads, Los Cabos Sticks, LP Percussion, Big Bang Distribution, Roland USA.

Rehearsed at New 42nd Street Studios, New York

SPECIAL THANKS

TO Broadway Across America Hippodrome Theatre, Baltimore, MD

Ron Legler, President and Chris Mahan, Vice President.

Insurance Broker Services

EPIC Entertainment & Sports Financial Services and banking arrangements by Flagstar Bank N.A. https://broadwaygatsby.com/tour Facebook: greatgatsbymusical X, Instagram, TikTok: @bwaygatsby

The Actors and Stage Managers employe in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers of the United States.

The Musicians employed in this production are members of the American Federation of Musicians of the United States and Canada.

The Director and Choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union.

The Press Agents and Company Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers.

Backstage employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.).

United Scenic Artists represents designers and scenic artists for the American Theatre.

This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.

PNC BROADWAY IN KANSAS CITY

BROADWAY ACROSS AMERICA

MIDWEST STAFF

PRESIDENT LESLIE BROECKER

GENERAL MANAGER

ANGELA COX

SENIOR MARKETING MANAGER

KEVIN VESTAL

MARKETING ASSOCIATE

JEREMY FAULHABER

DIRECTOR OF PUBLIC RELATIONS MATTHEW PORTER, THINK TANK MARKETING CONTROLLER

JAN TAYLOR

REGIONAL SALES OPERATIONS MANAGER

MEGAN NEUMANN

TICKETING MANAGER ROB BARTEE

AMERICAN THEATRE GUILD STAFF

PRESIDENT, EXECUTIVE DIRECTOR

AMY HAMM

EXECUTIVE ASSISTANT PAM SOLLARS

VICE PRESIDENT OF MARKETING, SALES & OPERATIONS, BETHANY NESBITT

SENIOR DIRECTOR OF MARKETING & SALES

MATT SPANGLER

MARKETING ASSOCIATE DIRECTOR CHRISTINA MOWE

SEASON MARKETING ASSOCIATE DIRECTOR SCOTT MCGORTY

MARKETING MANAGER

RUDI ARROWOOD

MARKETING COORDINATOR

JESSICA JAMES

EMAIL MARKETING ASSOCIATE EMMA SNYDER

DIGITAL MARKETING COORDINATOR

RACHEL VERRET

ADVERTISING AND PROMOTIONS MANAGER MADISON PIZZATO

MEDIA BUYER

LYNNE GARDNER

ASSOCIATE VP, DEVELOPMENT & COMMUNITY RELATIONS

ELAINE STOLZE

COMMUNICATIONS ASSOCIATE DIRECTOR

CATHY LONG

COMMUNICATIONS ASSOCIATE SHELBY DUPONT

EMAIL MARKETING MANAGER ETHAN EVANS

EMAIL MARKETING ASSOCIATE EMMA SNYDER

SOCIAL MEDIA COORDINATOR ANNASTAZYA SPICKELMIER

CONTROLLER HALI SMITH

SENIOR DIRECTOR OF TICKETING LIZ CONANT

ASST. DIRECTOR OF TICKETING HAELI HAYES

SENIOR TICKETING COORDINATOR JARROD BEST

TICKETING & BOX OFFICE ASSOCIATE HANNA CAVELY

ASSOCIATE VP OF PROGRAMMING & PRODUCTION

DAVID WHITNACK

SENIOR DIRECTOR OF PROGRAMMING JESSICA SILVER

SENIOR DIRECTOR OF PRODUCTION PETE WEBER

PRODUCTION DIRECTOR MICHAEL HUDGENS

PRODUCTION MANAGER JILLIAN SHOPTAW

SENIOR DIRECTOR OF BOOKING OPERATIONS CRAIG AIKMAN

SALES AND ANALYTICS DIRECTOR LAURA HENRICKSON

SENIOR GROUP SALES MANAGER AMY SANDER

SENIOR GROUP SALES ASSOCIATE TAYLOR JENNINGS

GROUP SALES ASSOCIATE JOHANNA QUIGLEY

SALES DATA ENTRY CLERK MADISON TATUM

DATABASE ASSOCIATE HALEY WHITE

DATABASE INVENTORY COORDINATOR AMANDA WIEGERS

SENIOR DIRECTOR OF FINANCE BELINDA MUCK

SENIOR ACCOUNTANT MICHELL WYATT

CREATIVE DIRECTOR KATE MALO

GRAPHIC DESIGNERS ALIVIA BURKE, JORDAN HAWKINS

OFFICE MANAGEMENT COORDINATOR SUZIE SWYDEN

PATRON EXPERIENCE DIRECTOR GEOFF POTTORFF

PATRON SERVICES REPRESENTATIVES SAMANTHA BARBOZA, ALYSSA COOPER, CILLA CROW, SHIAN DUARTE, TOM MYERS, HELEN NEGRETTI, ZOIE PERAHORITIS, DORETTA PERNA, LACEY WILLIS