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Experience stirring performances on Florida’s Cultural Coast ® . And feel more at ease and yet more inspired in the same moment. Plan your getaway today.

| ST ARMANDS | LIDO KEY
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KEY | ST. ARMANDS || LIDO KE Y SIES TA KEY | CASEY KEY | VE NICE | OSPREY
KEY | LAKEWOOD RANCH WELLEN PARK NOKOMIS || ENGLEWOOD | NORTH PORT
KEY | LAKEWOOD RANCH WELLEN PARK NOKOMIS || ENGLEWOOD || NORTH PORT




We’re so glad you’re joining us for this enchanting production of Disney’s Beauty and the Beast. It’s been more than a decade since this beloved musical last visited Indianapolis, and we’re thrilled to include it in our recordbreaking season. Originally running for 13 years on Broadway with over 5,400 performances, Beauty and the Beast remains one of the longest-running shows in Broadway history. We close out the 2025/2026 season with a question: what if Juliet hadn’t ended her story over Romeo? & Juliet, nominated for Best Musical in 2023, reimagines her journey as one of self-discovery, independence, and second chances. Packed with unexpected twists and a soundtrack of your favorite pop hits, it’s a joyful and high-energy show. We hope to see you there next month!
A heartfelt thank you to everyone who renewed their season tickets. You are the backbone of this series and make it possible for us to bring the very best of Broadway to our city. If you’re still considering joining us, next season promises something truly special, featuring four Indianapolis premieres (Mrs. Doubtfire, The Great Gatsby, The Outsiders, and A Beautiful Noise) alongside the return of four audience favorites (The Book of Mormon, The Lion King, Hadestown, and The Sound of Music). We hope you’ll join our subscriber family with a six- or seven-show package.
Thank you for being here—we hope you enjoy the show!

Angela Cox General Manager Broadway in Indianapolis
President Leslie K. Broecker
General Manager Angela Cox
Senior Marketing Manager Kevin Vestal
Public Relations Matthew Porter, Think Tank Marketing
Marketing Associate Jeremy Faulhaber
Group Sales Manager Chris Schneider
Director of Finance & Accounting Jan Taylor
Ticketing Systems Manager Tara Shambaugh
Regional Sales Operations Manager Megan Neumann
Ticketing Manager Rob Bartee
Performance Manager Hannah Jenkins

Writer Linda Woolverton and director-choreographer Matt West describe the evolution of Beauty and the Beast from the screen to the stage — plus what’s new for this tour.

STORY BY Ruthie Fierberg
When Disney’s animated film Beauty and the Beast landed on silver screens in 1991, it changed the cinematic paradigm. “[Executive producer and lyricist] Howard [Ashman] really conceived of it as a Broadway musical in animation,” said the movie’s screenwriter Linda Woolverton. “It was the first time it had ever been done. Little Mermaid did a little, but Beauty just blew out the form.”
“We really made that statement that we were basically doing Broadway musicals,” Woolverton added. And in 1994, Disney mounted Beauty and the Beast in its inspirational form—opening as a full-fledged Broadway musical on the stage of the Palace Theatre. Woolverton penned the book for the stage adaptation, which was directed by Robert Jess Roth and choreographed by Matt West with a score of now iconic songs by Ashman, composer Alan Menken and lyricist Tim Rice.
The Broadway musical’s opening marked another paradigm shift—this time a theatrical one. Beauty and the Beast was the first Broadway outing for Disney, the production that would usher in the establishment of Disney Theatrical Productions and the dozens of stage shows it has since created. Since Beauty first bowed in 1994, the musical has played in the West End, on tours throughout the U.S. and the U.K. and in productions around the globe. Now, just over 30 years since its premiere, Beauty and the Beast has been revitalized for a new tour.
But don’t worry. It is still very much the Beauty and the Beast that won the hearts of millions of people. That said, transformation is in the show’s DNA. “One of the things that’s so lovely about Beauty and the Beast is that it’s a living, always growing piece of theater,” said West, who took over direction of the show in 2021 and is the director-choreographer of its latest tour. “We’re a team that loves [the show] so much that we continue to look at it, we continue to bring it into the contemporary world because it lends itself to that.”
Something there that wasn’t there before
After all, when Beauty first leapt from animation to the stage, it underwent changes. “In animation, you can do anything. You say ‘cut to,’ but [on Broadway,] we had to move people across the stage,” Woolverton recalled. “We had to figure out the horse, Philippe,” West remembered. “That horse, in the animated
film, came back to tell Belle that something was wrong. We had to figure out things like that. It took a long time.”
The musical’s creative team also integrated new ideas about the castle’s servants—Lumière, Cogsworth, Mrs. Potts and more—who had become enchanted objects. “We had this new conceit that they were gradually changing, which isn’t in the movie,” Woolverton explained. “In the show, they are gradually becoming more and more [inanimate]. So everybody’s got more stakes in Belle and the Beast coming together.”
“Linda expanded the script from the animated film in so many ways,” West added. The musical’s score also expanded—salvaging songs that had been cut from the animated version, like “Human Again,” and adding new ones, like Belle’s solo “Home.” But the core of the beloved characters has always remained the same, particularly Belle.
“Howard Ashman and I had decided we wanted to do a different kind of Disney heroine—not a princess, a heroine—who was a thinker, who wasn’t about what she looked like,” Woolverton recalled. “She was proactive. [She] had a vision and read a lot. I don’t think we ever really said it in words, but really we were trying to create a new iconic Disney heroine. I think we succeeded.”
Over the decades, Belle has only become a stronger, more insightful and more relatable character. In 1998, the Broadway musical’s team added the song “A Change in Me”—the heroine’s second-act power ballad. For this 2025 iteration, Belle wears reading glasses. “Those connective tissues to the audience are important, too,” West said. “Watching the first audiences come through, many of the young ones were in their Belle dresses. But so many of the young people were wearing glasses. I called Linda and said, ‘What if Belle wears glasses when she reads, to connect to these kids?’”
The show itself has also evolved—from the script to the choreography to the design — in order to continue to feel contemporary. Woolverton wrote an entirely new scene for this production and has updated some of the language. “Terminology changed,” Woolverton said. “We don’t call the Beast ‘master’ anymore. We say ‘lordship.’ Just simple things like that that make it feel less stuck in the past.”
“Disney is so great about coming to us and saying, ‘What would you like to do?’” West said. That willingness to innovate has led to entirely new choreography for this Beauty
“I’ve always wanted to see ‘Be Our Guest’ as a tap number,” West shared. “And so now, it’s got every flavor of dance in it. It’s got the tango, it’s got Big Band and it ends with a big swing tap number.”
“We’ve been able to do that with all the numbers,” West revealed. “‘Human Again,’ the ‘Gaston’ pub number—the [mug] clinking is still in there, but in a whole other way. Even in the opening number of ‘Belle’ we’ve added things.”
From a production and design standpoint, “Beauty” has also leveled up. Ann Hould-Ward has slightly revamped her Tony Award-winning costume design, integrating more luscious fabrics and textures and refining the silhouettes of characters. Natasha Katz has reinvigorated her Tony-nominated lighting design, leveraging today’s technology to sculpt with color and warmth for a more vibrant visual. Stanley Meyer combines analog and digital aspects to elevate the enchanted nature of his scenic design. The costumes, sets, lights, props and sound equipment travel in nine trucks to deliver this fresh spectacle in every city.
“The show has grown up,” said West. “When you go to see Beauty and the Beast, you still have that warm, fuzzy feeling, because we are true to the characters. They may look a little different in textures and clothing, but we’re using all the opportunities to heighten the show and bring it to life in new ways.”
Still, sometimes heightening the experience means trusting in what has always been there: a dazzling score, an iconic story, not to mention the original stagecraft of the Beast’s climactic transformation—all of which remains true to the original.
As West said, “Some magic is so amazing, you don’t mess with it.”
For extended cuts of this interview and others, head over to BroadwayNews.com.


STORY BY Ruthie Fierberg
The Tony Award winner wants to erase the stigma of what a musical with preexisting songs can be.
Broadway’s new jukebox musical & Juliet first opened in England at the Manchester Opera House in September 2019. After a move to the West End, British producers eyed a Main Stem transfer, and they thought of just the American producer to partner with them. When they asked Eva Price, a Tony Award winner for the gritty 2019 Oklahoma! revival, the producer recalled: “How quickly could ‘yes’ come out of my mouth?”
Price isn’t afraid to admit (or the word she’d more likely use: declare) that she loves a jukebox musical. “When they’re good,” she clarified.
“I love a jukebox musical and I love an intelligentsia, high culture, elite, smart play or musical,” Price said. “I actually felt, for the first time, I was seeing something [in & Juliet] that meshed both.” And she argues that jukebox musicals actually shouldn’t be one or the other.
Over the past 20 seasons, Broadway has reliably presented at least one jukebox musical each season (with the sole exception of 2007-2008). Still, only two
jukebox musicals in that two-decade span won the Tony Award for Best Musical (Jersey Boys and Moulin Rouge!) and only five have ever played more than 1,000 Broadway performances (although Mamma Mia! is the ninth-longest-running Broadway show of all time).
Whether it’s the lack of critical or financial success (or another factor entirely), “jukebox musical” is a label many shy away from for fear of its negative connotation.
Part of that emanates from a stigma of using preexisting material, as the perception can be that this makes for an easier creative process. “I actually think, in some ways, writing the book for a jukebox musical—when it’s good—is harder,” Price said.
“Let’s just say Mamma Mia! and & Juliet, specifically,” Price said. “They’re wholly original stories that are connecting the songs, and I think & Juliet does it best in which the songs feel like they’re written for that book.” (Price recounted the proud story of her parents seeing the musical for the first time and telling her, “I can’t believe he wrote all these songs for this musical!”)
Of course, music mega-producer and songwriter Max Martin didn’t write the 29 songs that are in & Juliet specifically for the show, but Tony-nominated book writer David West Read worked hard to make it seem like that was the case. That cleverness, in Price’s mind, is what renders a jukebox musical “good.”
But Price also views the genre as an opportunity for Broadway, especially in this time of rebuilding after the pandemic shutdown. “More shows that bring in new
audiences are actually important for the Street and for the industry,” Price said. Like the popular music at the center of the show, & Juliet is for the masses. As Price said, “Our target audience, I think, is anyone with a heartbeat.”
So far, Price’s instincts about adding this specific jukebox musical to her producing roster and bringing it to Broadway have answered a need in this moment. As she said, “What I think we also need as culture-seekers and audiences is joy.”
“What is one of those things that reminds us of good? Nostalgia. What’s nostalgic? Music,” Price continued.
“We were a show that I think people had low expectations about coming into Broadway,” Price confided. Yet & Juliet went on to earn nine Tony nominations. “It’s telling the world that musicals and plays of all shapes and sizes of all genres are here,” Price said, including jukebox musicals. “They’re selling tickets, they’re getting nominations, they’re impacting the conversation.” & Juliet is coming to Clowes Memorial Hall June 16–21.

Music by
Disney Theatrical Group under the direction of
presents Andrew Flatt
Managing Director Anne Quart
Executive Producer
Lyrics by
Starring
Book by
KYRA BELLE JOHNSON FERGIE L. PHILIPPE
STEPHEN MARK LUKAS DANNY GARDNER KATHY VOYTKO JAVIER IGNACIO
HARRY FRANCIS KEVIN LIGON HOLLY ANN BUTLER CAMERON MONROE THOMAS
LEVI BLAISE COLEMAN KANOA EDGAR
VINNY ANDALORO BRIANNA ASCIONE BENJAMIN CHENG KRISTEN SMITH DAVIS SPENCER DEAN
JULIAN MARCUS D e GUZMAN MICHAEL DIKEGOROS LEIGH-ANN ESTY MASUMI IWAI DARRELL T. JOE EMILY LARGER
MATTHEW MARVIN LENA MATTHEWS CALEB Mc ARTHUR CARSON HAMPTON PALMER MELAINA RAIRAMO
ELLEN ROBERTS GRACE MARIE RUSNICA BEN SEARS MICHAEL SELTZER JASMINE PEARL VILLAROEL KATE WESLER
Production Originally Produced by THOMAS SCHUMACHER
Scenic Design STANLEY A. MEYER
Sound Design JOHN SHIVERS
Costume Design ANN HOULD-WARD
Hair & Make-Up Design DAVID H. LAWRENCE
Movement Coordinator LORENZO PISONI
General Manager MYRIAH BASH
Associate Director SAM SCALAMONI
Illusion Design JIM STEINMEYER
Lighting Design NATASHA KATZ
Projection/Video Design DARREL MALONEY
Casting THE TRC COMPANY
KEVIN METZGER-TIMSON, CSA PETER VAN DAM, CSA
Technical Supervisor MARTIJN APPELO
Associate Choreographers JENNIFER RIAS
ERIN N. MOORE
Dance Music Arrangements DAVID CHASE
Production Supervisor JASON TRUBITT
Production Stage Manager ANDREW BACIGALUPO
Music Coordinator MICHAEL AARONS
Orchestrations DANNY TROOB
Music Supervision and Arrangements MICHAEL KOSARIN
Production Conceived by ROB ROTH
Directed and Choreographed by MATT WEST
Company Manager MAIA SUTTON
Music Director/Conductor DAVID ANDREWS ROGERS

By enjoying this performance, you’re joining the 90% of Americans who believe that arts and culture programming are important to quality of life.*
Citizens Energy Group is proud to support local artists, new works, and our creative community. This ad was not paid for by customer rates.
*Source: Indiana Creative Economy Report – Oct 2024




































(in order of appearance)
Enchantress KATE WESLER
Beast
FERGIE L. PHILIPPE
Belle KYRA BELLE JOHNSON
Bookseller BEN SEARS
Lefou HARRY FRANCIS
Gaston STEPHEN MARK LUKAS
Village Lasses ......................................MELAINA RAIRAMO, JASMINE PEARL VILLAROEL, KATE WESLER
Maurice ............................................................................................................................... KEVIN LIGON
Cogsworth..................................................................................................................JAVIER IGNACIO
Lumiere DANNY GARDNER
Babette CAMERON MONROE THOMAS
Mrs. Potts KATHY VOYTKO
Chip (at certain performances) LEVI BLAISE COLEMAN
Chip (at certain performances) KANOA EDGAR
Madame HOLLY ANN BUTLER
Monsieur D’Arque SPENCER DEAN
Ensemble BENJAMIN CHENG, SPENCER DEAN, JULIAN MARCUS De GUZMAN, MICHAEL DIKEGOROS, MASUMI IWAI, DARRELL T. JOE, EMILY LARGER, MELAINA RAIRAMO, GRACE MARIE RUSNICA, BEN SEARS, JASMINE PEARL VILLAROEL, KATE WESLER
Voice of Prologue Narrator…Angela Lansbury
SWINGS
VINNY ANDALORO, LEIGH-ANN ESTY, LENA MATTHEWS, CALEB McARTHUR, ELLEN ROBERTS, MICHAEL SELTZER
VACATION SWINGS
BRIANNA ASCIONE, KRISTEN SMITH DAVIS, MATTHEW MARVIN, CARSON HAMPTON PALMER
UNDERSTUDIES
Understudies never substitute for listed players unless announced at the time of the performance . Belle: MELAINA RAIRAMO, GRACE MARIE RUSNICA; Beast: BENJAMIN CHENG, CALEB McARTHUR; Gaston: BENJAMIN CHENG, CALEB McARTHUR, CARSON HAMPTON PALMER ; Mrs. Potts: Leigh-Ann Esty, EMILY LARGER; Lumiere: MICHAEL DIKEGOROS, BEN SEARS; Cogsworth: SPENCER DEAN, MICHAEL DIKEGOROS; Lefou: JULIAN MARCUS De GUZMAN, MICHAEL SELTZER; Maurice: SPENCER DEAN, BEN SEARS; Madame: EMILY LARGER, JASMINE PEARL VILLAROEL; Babette: MELAINA RAIRAMO, JASMINE PEARL VILLAROEL.
DANCE CAPTAIN: MICHAEL SELTZER
ASSISTANT DANCE CAPTAIN: EMILY LARGER

FIGHT CAPTAIN: MICHAEL SELTZER
Scan here for any updated cast replacement announcements for this performance.
Prologue Narrator
“Belle” Belle, Gaston, Ensemble
Wolf Attack #1
“Me”* Gaston, Belle
“Belle” (Reprise) Belle
“Home”* Belle
“Home”* (Tag) ......................................................................................... Mrs. Potts, Madame
“Gaston” .......................................................................................... Gaston, Lefou, Ensemble
“Gaston” (Reprise) ............................................................................................. Gaston, Lefou
“Be Our Guest”..............................................
Lumiere, Mrs. Potts, Madame, Ensemble
“If I Can’t Love Her”*.......................................................................................................... Beast
Entr’acte/Wolf Attack #2
“Something There”
“Human Again”
Belle, Beast, Mrs. Potts, Cogsworth, Lumiere
Lumiere, Mrs. Potts, Cogsworth, Chip, Madame, Babette, Ensemble
“Beauty and the Beast” ........................................................................................... Mrs. Potts
“If I Can’t Love Her”* (Reprise) ..................................................................................... Beast
“A Change In Me”* ................................................................................................................ Belle
“The Mob Song”..........................................................................................Gaston, Ensemble
“Home”* (Reprise) ................................................................................................................ Belle Transformation*/Finale Ultimo Company
Music by Alan Menken. *Lyrics by Tim Rice. All other lyrics by Howard Ashman. THERE WILL BE ONE 20-MINUTE INTERMISSION.
THE BEAUTY AND THE BEAST
Conductor: DAVID ANDREWS ROGERS
Associate Conductors: CONNOR DORAN; JOSH TATSUO CULLEN
Violin: RYU MITSUHASHI; Flute/Piccolo/Alto Flute: DANE ANDERSEN; Clarinet/Flute/Bass Clarinet: DAVID ORLICZ; Trumpet/Flugelhorn/Piccolo Trumpet: TIM BURKE; French Horn: SARAH YOUNKER; Trombone/Bass Trombone: MEGAN O’MALLEY; Drums/Percussion: GARY SELIGSON; Music Associate/Keyboard Swing: MICHAEL HOPEWELL Keyboards: CONNOR DORAN; JOSH TATSUO CULLEN
Music Coordinator: Michael Aarons, M-Squared Music Associate Music Coordinator: Anja Wood, M-Squared Music Music Preparation: Anixter Rice Music Services

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers, and watches.
May 28!









This enchanting Broadway musical brings the classic fairy tale to life with the romance, magic, and humor that only Rodgers & Hammerstein can deliver.

$10 discount off tickets for kids ages 3-15!









ANGELA LANSBURY (Voice of the Prologue Narrator) enjoyed a career spanning almost 75 years in film, stage and television. Her numerous Broadway credits include Mame (Tony Award®), Dear World (Tony Award®), Gypsy (Tony Award®), Sweeney Todd (Tony Award®) and Blithe Spirit (Tony Award®). She appeared in over 60 motion pictures including Gaslight (Academy Award® Nomination), The Portrait of Dorian Gray (Academy Award® Nomination) and The Manchurian Candidate (Academy Award® Nomination). In 1991, she was the voice of Mrs. Potts in Disney’s animated feature, Beauty and the Beast. She made television history starring as Jessica Fletcher on “Murder, She Wrote,” the longest-running detective drama series in TV history, winning four of her six Golden Globe® Awards. In 2013, she was awarded an Oscar® for Lifetime Achievement in Motion Pictures. She was named a Dame of the British Empire by Queen Elizabeth II. Lansbury passed away peacefully in 2022 at age 96.
KYRA BELLE JOHNSON (Belle) is honored to bring this magical story back to the stage. She previously toured as Sophie in the national tour of Mamma Mia! TV/Film Credits: Damned If You Do, Role Play, and “FBI.” Proud alumna of Texas State’s BFA Musical Theatre Program. Huge thanks to DGRW and Disney for making this dream come true. Endless gratitude to Colin and her family, given and chosen, for their steadfast love and support. @kyrabellejohnson
FERGIE L. PHILIPPE (Beast). Grateful to be making his Disney wishes come true! Broadway: Hamilton as Hercules Mulligan and James Madison, Camelot as Sir Sagramore/King Arthur u/s. Off-Broadway: Jason Robert Brown’s The Connector as Bob/Willis. On television: “The Good Fight,” “Law and Order: SVU” and “The Gilded Age.” Film: Space Cadet. Puppetry: Aanika’s Elephants, Jupiter’s Journey to Earth, Rescue Rue and Disney’s The Little Mermaid. He sends his love to Rose, his family and Disney World. Insta: @fergsters95
STEPHEN MARK LUKAS (Gaston). Broadway/Tour: Nick Arnstein in Funny Girl, The Book of Mormon. Regional: Paper Mill, Goodspeed, Ogunquit, Maltz Jupiter, Westport Country Playhouse. Television: “Elsbeth,” “FBI: Most Wanted,” “Gossip Girl.” Love to my family and B. Follow along: @smlukas
DANNY GARDNER (Lumiere). Broadway: Dames At Sea, A Christmas Carol, Flying Over Sunset. Off-Broadway: Lady, Be Good! (City Center Encores!), The NY Summer Spectacular (Radio City). National Tours: White Christmas, 42nd Street. Regional: Crazy For You (Signature Theater), Mary Poppins (Seattle 5th Avenue). Love to my wife, castmate Emily. www.danny-gardner.com @dannyjgnyc
KATHY VOYTKO (Mrs. Potts). Broadway: The Music Man, A Gentleman’s Guide to Love and Murder, Tuck Everlasting, Next To Normal, The Pirate Queen, The Frogs, Nine, Oklahoma! Tours: Phantom of the Opera, Evita, Gentleman’s Guide…Thank you Disney, the amazing BATB company, TRC &
CGF! For my loves: John, Alena, & Evelyn. JAVIER IGNACIO (Cogsworth). Broadway: Company (Jamie, Peter, Andy u/s); Side Show (Houdini/Dog Boy). National Tour: Company (Peter); Fiasco’s Into the Woods. Off-Broadway: Fiasco’s Twelfth Night (Sebastian); PublicWorks’ Twelfth Night; Encores! Call Me Madam. Regional Theatres: La Jolla Playhouse, The Kennedy Center, The Asolo Rep and MTWichita. Wichita State University Alum. AEA. www.JavierIgnacio.com
HARRY FRANCIS (Lefou). London/West End: Mary Poppins, Cats, Wicked, A Chorus Line, Barnum, Pippin, The Book of Mormon Tours: Cats, Hairspray, West Side Story, Edward Scissorhands. U.S.: West Side Story, Cats, Newsies, Jersey Boys and Elvis @HarryRFrancis
KEVIN LIGON (Maurice). 12 Broadway shows including Hello, Dolly!, The Producers, The Secret Garden. Regional: Arthur Whittington in An Old-Fashioned Family Murder (New Theatre), Herr Schultz in Cabaret (Goodspeed), Pirelli in Sweeney Todd (Kennedy Center). TV: “Blue Bloods,” “The Good Fight,” “Law & Order: SVU.”
HOLLY ANN BUTLER (Madame). Broadway: Come From Away, Diana the Musical, On the Town, How to Succeed…, Grease. National Tours: Evita, Shrek, Jersey Boys. TV/Film: Diana the Musical, A Holiday Spectacular, “Figure It Out.” Instagram: @performingpinup. Thanks to my husband, Steven.
CAMERON MONROE THOMAS (Babette), TXST MT 2025, is thrilled to make her national tour debut with BATB! Recent credits: Sister Act (Tina/Ensemble) and BATB (Ensemble) at The Muny and Beautiful (Lucille/Shirelle) at The ZACH. Philippians 4:13.
LEVI BLAISE COLEMAN (Chip at certain performances). Debut tour! Levi thanks JESUS; Disney Theatrical Group; TRC Company; Kim Pedell/Zoom Talent; David Gilbert/Zuri Agency; Amelia DeMayo/ Glenn Gordon & bergenPACPAS; Jessi Clayton/ThePrepNY; The Ailey School; family & friends. IG: @leviblaise
KANOA EDGAR (Chip at certain performances). Thrilled to tell this story! Regional: Tiny Tim, Christmas Carol (Drury Lane). Voiceover: Wonder Pets in the City Several commercials. Thanks: Disney, TRC, DDO Kids, coaches Tom Vendafreddo & Audrey Adams. Love to Kalea & Kai. @kanoaedgar
VINNY ANDALORO (Swing) is thrilled to be twirling on the road again! National Tours: Funny Girl, Cats. Regional: Ogunquit, NSMT, The LEX. BFA, The Boston Conservatory. Love to my amazing family, friends, mentors, and incredible fiancé, Jackson. IG: @vinny__andaloro
BRIANNA ASCIONE (Vacation Swing). National tour debut! Credits: Broadway At Music Circus, Goodspeed Musicals, Bucks County Playhouse. Marymount Manhattan 2022. Huge thanks to Suite Talent and Disney. All the love to my family and friends for their love and support!
@briannajascione
BENJAMIN CHENG (Ensemble). National





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tour debut! Memphis, TN native and recent CCM graduate. Many thanks to HCKR and The TRC Company. And thanks to God and my family for their constant love and support! Colossians 3:16-17.
@benjamin.s.cheng
KRISTEN SMITH DAVIS (Vacation Swing). Broadway: Anastasia. National tours: Frozen, South Pacific, Evita, White Christmas, Anastasia. Regional: Paper Mill, Goodspeed, Arena Stage, Shakespeare Theatre Company, Pioneer Theatre Company, Repertory Theatre of St. Louis, Sacramento Music Circus. Film: Ted 2. www.kristensmithdavis.com
SPENCER DEAN (Monsieur D’Arque, Ensemble). National tour debut!! Regional: MUNY, Goodspeed, NSMT, Weston, City Springs. TV: “Marvelous Mrs. Maisel.” BFA: Boston Conservatory. Thanks to The TRC Company, Lucille and The Hybrid Agency. Immense love to friends & family, especially mom - you are my rock! @JSpencerDean; www.Spencer-Dean.com
JULIAN MARCUS De GUZMAN (Ensemble). Broadway: Beetlejuice, Newsies, Hello, Dolly!, Miss Saigon. BFA Dance & Sociology, UC Irvine. Filipino. San Francisco Bay Area Born & Raised. Thankful for the DeGuzman’s, Jo, CESD, Canaan, Joni, Coyote. Isang bagsak! @julianofguzman
MICHAEL DIKEGOROS (Ensemble). National tour debut! Off-Broadway: The York. Regional: Ogunquit, Tuacahn, Music Theatre Wichita. Commercial: Holiday Inn Club Vacations. Elon BFA MT. Love to CTG, The TRC Company, his family, friends, Brady and Ellie. michaeldikegoros.com @m_dikegoros
LEIGH-ANN ESTY (Swing). Thrilled to be back with DTG! Credits include Carousel (Broadway), An American in Paris (1st National), Frozen (NAT), Steven Spielberg’s West Side Story, and HBO’s The Gilded Age. Love to @lakeywolffco, Mom, Dad, and Sara! @leighesty
MASUMI IWAI (Ensemble). Thrilled to be back on the road! Credits, Broadway: Funny Girl (OBC); Regional/Tours: FLY (La Jolla Playhouse), The King and I (National Tour). Much love to friends and family both in Japan and US! @mmmasssun
DARRELL T. JOE (Ensemble). So excited to share this “tale as old as time” around the country! Broadway: Spamalot. OffBroadway: Cheek to Cheek (York). National Tours: Jesus Christ Superstar Regional: Goodspeed, Muny, DCPA, TUTS, Maltz and more! @darrelltjoe
EMILY LARGER (Ensemble, Assistant Dance Captain). National Tours: Elf (Kennedy Center, MSG), The 39 Steps Regional/NY: Dirty Rotten Scoundrels (Christine), Billy Elliot, Cabaret (Goodspeed), A Chorus Line (Cassie). Sharing this adventure with her loves Danny, Jack, and Maple! emilylarger.com
MATTHEW MARVIN (Vacation Swing). National Tour: Elf The Musical. Regional: Tuacahn, Riverside, Fulton, Maine State, Stages STL, ACT of Connecticut, Cincinnati Playhouse, The LEX. Film: Doubt. BFA: MMC. Thanks to Avalon Artists Group, the BATB team and The TRC Company! @matthewmarvin.
LENA MATTHEWS (Swing) is thrilled to be a part of BATB! Broadway: Trisha Paytas’ Big Broadway Dream. OffBroadway: A Sign of the Times. Tour/ Regional: Jesus Christ Superstar, Newsies, Carousel. Love and gratitude to my father Bob Matthews and my team at Suite talent!
@_lenamatthews
CALEB McARTHUR (Swing). National tour debut! University of Michigan BFA Musical Theatre Alum. Thank you to his agents at Henderson Hogan, his devoted teachers and his loved ones who have helped make this dream come true. @calebbmcarthur
CARSON HAMPTON PALMER (Vacation Swing) is excited to be making his national tour debut! Regional: Sacramento Music Circus, MTWichita. Many thanks to his family, friends, CTG, Creative Team, TRC, and Disney for making his dreams come true. BFA: TXST. @carsonhamptonpalmer
MELAINA RAIRAMO (Village Lass, Ensemble) is overjoyed to be here! Regional: Guthrie, Fulton, Maine State. Proud UATD alum. Endless gratitude to family, friends, and the Beauty team—this dream wouldn’t be possible without you. Roll Tide! @Melaina_Rairamo
ELLEN ROBERTS (Swing). National tour debut! Boston Conservatory class of 2025. Credits: Frozen, Jersey Boys (NSMT), Beautiful, Jersey Boys, The Bodyguard (TBTS). LINK Class 6. Thanks to Michelle Chasse, Daniel Hoff Agency, and love to her family.
GRACE MARIE RUSNICA (Ensemble). National tour debut! Pittsburgh native and recent graduate of CCM. OffBroadway: Monte Cristo. Regional: Paper Mill Playhouse, The Muny. TV: “American Idol.” All my love to the whole BATB team, Henderson Hogan, and my family! @gracerusnica
BEN SEARS (Bookseller, Ensemble) (he/ him). Pizza Enthusiast! Broadway: The Heart of Rock and Roll (OBC). National Tours: CATS (1st Nat’l), A Bronx Tale. Love to The A Squad, my agents, Peter Van Dam & my Family. As always, this is for Dad.
MICHAEL SELTZER (Swing, Dance Captain, Fight Captain). Broadway: West Side Story. 1st National Tour: Back to the Future. Regional: The Old Globe, Asolo Rep, Sacramento Music Circus, The Muny, Weston Theater Company. BFA Musical Theater: The Boston Conservatory. Love to The Bloc Agency and family.
JASMINE PEARL VILLAROEL (Village Lass, Ensemble) completed her BFA at Temple University (‘25) while in the Original Broadway Cast of The Great Gatsby! Endless love and thanks to family, friends & teachers for everything. Wishing on stars & working hard! @jasmine.villaroel
KATE WESLER (Enchantress, Village Lass, Ensemble). Broadway: Harmony (OBC). Tours: Chicago (Roxie), Pippin (Fastrada). TV/Film: “The Marvelous Mrs. Maisel” (Principal Dancer), Caught Stealing (Principal Dancer). Julianne Hough Residency (Dancer). CCM graduate. Grateful for this team. Love to my family. www.katewesler.com @kate.wesler
LINDA WOOLVERTON (Book). Linda Woolverton’s first animated feature, Disney’s Beauty and the Beast (1991) won the Golden Globe for the Best Comedy/ Musical and became the first animated film to be nominated for a Best Picture Academy Award®. Woolverton cowrote the screenplay for The Lion King animated feature, rewrote the script for Homeward Bound: The Incredible Journey and contributed to the animated feature Mulan She went on to adapt the script of Beauty and the Beast for the Broadway stage and received the Tony Award® nomination for Best Book of a Musical in 1994. Woolverton
was also awarded the Laurence Olivier Award for Beauty and the Beast for Best New Musical in the UK. Beauty and the Beast ran in New York between 1994 and 2007, becoming the sixth longest-running show in Broadway history. Woolverton also wrote the Book for Elton John and Tim Rice’s Musical Aida which ran for five years at the Palace. Woolverton’s script for Alice in Wonderland (2010), directed by Tim Burton and starring Johnny Depp, grossed over one billion dollars and she became the first female screenwriter with a sole credit on a billion-dollar film. From there she wrote the screenplay for Disney’s Maleficent (2014) starring Angelina Jolie which became a worldwide success. She is currently creating a television series, producing an animated series and adapting a fantasy novel for film.
ALAN MENKEN (Composer). Theatre: God Bless You Mr. Rosewater, Little Shop of Horrors (Broadway), Beauty and the Beast, A Christmas Carol, The Little Mermaid, Sister Act, Leap of Faith, Newsies, Aladdin, The Hunchback of Notre Dame, The Apprenticeship of Duddy Kravitz, A Bronx Tale, Hercules, Little Shop of Horrors (Off-Broadway). Film: The Little Mermaid, Beauty and the Beast (Animated), Newsies, Aladdin, Pocahontas, The Hunchback of Notre Dame, Hercules, Enchanted, Tangled, Sausage Party, Beauty and the Beast and Aladdin (Live Versions), Disenchanted (Live Action), The Little Mermaid (Live Version), Spellbound. Television: “Sesame Street,” “Lincoln,” “The Neighbors,” “Galavant,” “Tangled.” Awards: Tony Award; Daytime Emmy®; 2 Drama Desks; 8 Oscars®; 11 GRAMMYS®; 7 Golden Globes; London’s Evening Standard; Olivier; 3 Outer Critics Circle Awards. Songwriters Hall of Fame, American Theater Hall of Fame, Billboard’s #1 single/album, Disney Legend, Hollywood Walk of Fame, Max Steiner Award. His Emmy® win elevated him to EGOT status, as the 16th person ever to receive an Emmy, GRAMMY®, Oscar, and Tony Award. Upcoming: Nancy Drew And the Mystery at Spotlight Manor: A Musical HOWARD ASHMAN (Lyricist) is best known as the pivotal creative mind behind The Little Mermaid, Aladdin and Beauty and the Beast (which is dedicated to “Our friend, Howard Ashman, who gave a Mermaid her voice and a Beast his soul…”). Ashman’s first love was theatre. He was a founder of Off Off-Broadway’s renowned WPA Theatre, where he conceived, wrote and directed the classic musical Little Shop of Horrors as well as God Bless You, Mr. Rosewater (both music by Alan Menken). A new cast recording of Rosewater is available from Sh-K-Boom records. In 1986, Ashman wrote and directed the Broadway musical Smile (music by Marvin Hamlisch). Lamented as a lost treasure of the 1980’s theatre scene, Smile remains popular on high school and college campuses. A documentary about Ashman’s life titled HOWARD has received great acclaim for its sensitive portrayal of the man and the artist. Howard Ashman died in 1991 from complications of AIDS. For more information, please visit howardashman.com.
TIM RICE (Lyricist) has been writing lyrics for musical theatre and related enterprises for nearly 50 years. Credits include Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar and Evita with Andrew Lloyd Webber; Aladdin, King David and Beauty and the Beast with Alan Menken; Chess with Björn Ulvaeus and Benny Andersson; and The Lion King and Aida with Elton John. He has won numerous awards along the way, usually
for the wrong things or for simply turning up.
MATT WEST (Director & Choreographer). Matt West’s Broadway credits include Lestat (Palace Theatre), Music by Sir Elton John, Lyrics by Bernie Taupin; Beauty and the Beast (Los Angeles DramaLogue Award, Olivier, Drama Desk and Outer Critics’ Circle Award nominations); Elaborate Lives (Alliance Theatre), Music by Sir Elton John, Lyrics by Sir Tim Rice. Off-Broadway credits: Disenchanted, Mimi Le Duck starring Eartha Kitt. International credits: Little Shop of Horrors (Buenos Aires), The Wanderer (Tokyo’s Parko Theatre). Touring credits: Trolls Live! (Director/Choreographer, Cirque du Soleil). Home Video: The Little Mermaid, Cinderella and Peter Pan (VSDA), The Nutcracker (The Disney Channel). Disney Live Entertainment: World of Color, Dream Up, Jubilation, Fantasmic! As an actor, Matt created the role of Bobby in the film A Chorus Line directed by Sir Richard Attenborough. Future projects: The Broadway bound wrestling musical Wow!
STANLEY A. MEYER (Scenic Designer). Award-winning artist, illustrator, and scenic designer. Winner of the League of American Theatres & Producers National Broadway Award; 30 Float Designs, 23 Awards for the Tournament of Roses Parade; Dial M For Murder & The Three Musketeers, Syracuse Stage. American Premieres: Sir Tim Rice’s From Here to Eternity & Saturday Night Fever, REV; Treasure Island, Arkansas Rep; WarholCapote, ART. Priscilla Queen of the Desert, Ogunquit Playhouse; Ain’t Misbehavin’, Cleveland; Steve Miller Band, Alice Cooper, Cyndi Lauper, Disney on Ice, Barbie Live!, Ringling Brothers Barnum & Bailey Circus, Disneyland, Tokyo Disneyland, Disney’s Hollywood Studios, Universal Studios Japan, SeaWorld Orlando, San Diego, Abu Dhabi. Thank you, Tom Schumacher, for asking me to design the scenery and digital artwork for this show. My agent, Michael Moore, and my Associates, who keep me sparkling: Christine Peters, Brian Webb, Jason M. Curtis, Jesús Luna, Gaetane Bertol, and Bill Beilke. Love to my husband, Arnis. Explore more: www.stan.fyi
ANN HOULD-WARD (Costume Designer). Broadway: The Color Purple; The Visit; The People in the Picture; A Free Man of Color (Drama Desk nomination); A Catered Affair (Drama Desk nomination); Company; Dance of the Vampires; Beauty and the Beast (Tony Award®, American Theatre Wing’s Design Award, Ovation Award); Into the Woods (Tony® & Drama Desk nominations, Outer Critics Circle nomination, L.A. Drama Critics Circle Award); Falsettos; Sunday in the Park with George (Tony® & Drama Desk Nominations); Harrigan ‘N’ Heart; A Midsummer Night’s Dream; St. Joan; Three Men on a Horse; Timon of Athens; In the Summer House; Little Me; The Moliere Comedies. West End/London: The Prince of Egypt; Imagine This; Beauty and the Beast (Olivier nomination); Notes from the Field by Anna Deveare Smith (Royal Court); Dear World (directed by Gillian Lynne). Berlin: Schuh Des Manitu. European Tour: Ben Hur Live Off-Broadway: over 50 Off-Broadway credits. Regional: over 100 credits in USA regional theatres including Guthrie Theatre, Old Globe, La Jolla Playhouse and Arena Stage. Opera: Peter Grimes (Metropolitan Opera); West Side Story (Salzburg Festival); MAHAGONNY (Los Angeles Opera); The Most Happy Fella (NYC Opera). Circus: Ringling Brothers and
Barnum & Bailey Circus (2001 & 2003). Film: Strike!; Six by Sondheim. Ballet: Norwegian National Ballet; Mikhailovsky Ballet; ABT; Alvin Ailey; San Francisco Ballet; Ballet Hispanico. Recipient of Irene Scharaff Award for Sustained Excellence.
NATASHA KATZ (Lighting Designer) has designed extensively for theatre, opera, dance, concerts and permanent lighting installations around the world. She is an eight-time Tony Award® winner whose recent Broadway credits include Hell’s Kitchen; Sweeney Todd; Here We Are; Grey House; MJ; Some Like It Hot; Springsteen on Broadway; and Hello, Dolly! Recent dance designs include Like Water for Chocolate at the Met. She is a TDF Wendy Wasserstein Project Mentor and was recently inducted into the Theater Hall of Fame.
MICHAEL KOSARIN (Music Supervision and Arrangements) was music director, conductor, and arranger of the original Broadway production of Disney’s Beauty and the Beast in 1994 and has collaborated with composer Alan Menken ever since. He’s worked on Broadway since 1982, on the original productions of Nine, Grand Hotel, Secret Garden, King David, A Chorus Line, Little Shop of Horrors, The Little Mermaid, Sister Act, Newsies, and Aladdin, as well as The Hunchback of Notre Dame and Hercules worldwide. Film work includes Pocahontas, Hercules, Enchanted, Tangled, Ralph Breaks the Internet, Disenchanted, Spellbound, and live-action Beauty and the Beast and Aladdin. An Emmy Award-winning television music producer/arranger, he produced/arranged music for “Galavant,” has composed songs and scores for “Sesame Street” and “The Wonder Pets,” and contributes to “Ms. Rachel’s” program. Kosarin is a multiGRAMMY-nominated recording artist and producer, with dozens of theater albums and motion picture soundtracks, as well as long-time collaborations with such legendary artists as Carly Simon and Barbara Cook.
JOHN SHIVERS (Sound Designer). Real Women Have Curves, Swept Away, The Heart of Rock and Roll, Shucked (2023 Tony and Drama Desk Award nominee), Beauty and the Beast (Worldwide), Pretty Woman (Worldwide), Gettin’ The Band Back Together, Cirque du Soleil’s Paramour, Kinky Boots (2013 Tony Award recipient), Hugh Jackman: Back on Broadway, Leap of Faith, Bonnie & Clyde, Sister Act, 9 to 5, Cat On A Hot Tin Roof, The Little Mermaid, TARZAN®, Billy Crystal’s 700 Sundays. International: Wicked, TARZAN® , The Lion King (Shanghai) and (Singapore), Regional: The Muny (2015-Present), Swept Away (2024 Helen Hayes Award recipient), Galileo, Trading Places, The Wanderer, Becoming Nancy, 42nd St., Heart of Rock & Roll, First Wives Club, Nutty Professor, Tales of the City, Emma, Robin & the 7 Hoods, Ace. Associate / Supervisor: Mary Poppins, Hairspray, The Producers, The Lion King (worldwide), Titanic, Big, How to Succeed…, The Who’s Tommy, The Buddy Holly Story. Other credits: Savion Glover, Dionne Warwick, Burt Bacharach, Gregory Hines and engineering at Electric Lady Studios
ROB ROTH (Production Conception) was nominated for a Tony Award® as Best Director for his Broadway debut, Beauty and the Beast, which has become one of the top ten longest-running musicals in Broadway history. The show has been produced all over the world, selling more than 45 million tickets and winning many
awards including the Olivier Award for Best Musical in London. Rob went on to direct the world premiere of Elaborate Lives: The Legend of Aida, collaborating with Sir Elton John and Sir Tim Rice. Rob directed the Broadway musical Lestat, based on the Anne Rice Vampire Chronicles with a score by Elton John and Bernie Taupin. Rob frequently directs rock concerts, working with legendary artists including Alice Cooper, KISS, The Dresden Dolls, Cyndi Lauper and Steve Miller. Rob’s first play, WARHOLCAPOTE, debuted at American Repertory Theatre at Harvard, and was published in hardcover by Simon & Schuster. The play was named Best Audio Book of 2022 by The Times of London and was a #1 best seller on Amazon. Rob is an avid collector of rock and roll graphics, his collection is featured in a new book, Rock Visions, from Genesis Books, to be released in 2025. Rob and his husband Patrick live in New York with their Labrador Tag.
DANNY TROOB (Orchestrator). Danny’s career as a musician includes composing, orchestrating and conducting. Some early credits include Pacific Overtures, The Baker’s Wife (both shows’ dance music), Big River (music supervision, Drama Desk Award winner). Danny orchestrated the animated features Beauty and the Beast, Aladdin and Pocahontas—where he also conducted the score—and wrote and conducted the scores to Disney’s The Little Mermaid 2 and Lady and The Tramp 2. On Broadway, he orchestrated the award-winning revivals of How to Succeed in Business without Really Trying and The Pajama Game. He received a second Drama Desk Award for Cinderella in 2011. He orchestrated Dr. Zhivago in Australia in 2014, and more recently Disney’s Hercules and Jeanine Tesori’s Soft Power
DARREL MALONEY (Video & Projection Designer) is an award-winning designer who has designed for theatre, broadcast, concerts, opera, museums, exhibitions and film. Broadway: The Cher Show, American Idiot, On Your Feet!, Allegiance, The Parisian Woman, A Night with Janis Joplin, Everyday Rapture, The Illusionists. Off-Broadway: Found (Atlantic Theater, Drama Desk nom.), Checkers (Vineyard Theatre, Drama Desk nom.), Tappin’ Thru Life (Drama Desk nom.), The Babylon Line (Lincoln Center Theater), Joan of Arc: Into The Fire (Public Theater), Pretty Filthy (Civilians), Kung Fu, Golden Child (Signature Theatre), The Village Bike, The Submission (MTC), Kansas City Choir Boy (Prototype, A.R.T., Kirk Douglas Theatre), Karen O’s Stop the Virgens (St Anne’s Warehouse, Sydney Opera). Select other designs: WARHOLCAPOTE (A.R.T.), Ringling Bros. and Barnum and Bailey Circus, Surf (Planet Hollywood, Las Vegas), Sadko (Vlaamse Opera, Ghent), The Summer King (Pittsburgh Opera).
Darrel’s company “d13” has provided the performance and virtual set content for The Tony Awards and titles sequence and post-production for the filmed version of Allegiance on Broadway.
DAVID H. LAWRENCE (Hair & Make-Up Designer) is happy to be working with members of the original creative team on this new production of Disney’s Beauty and the Beast. Broadway: Baby It’s You, Company (Revival), Anything Goes, The Mystery of Edwin Drood, She Loves Me, Guys and Dolls (CLAIROL Award), Tommy, How to Succeed…, Trying, A Funny Thing Happened…, The King and I, Moliere Comedies, Night of The Iguana, On The Waterfront, Wait Until Dark, On The Town,
Grease, Death of a Salesman (NY/LA and Showtime), Bells are Ringing, 42nd Street (NY, Germany, US Tour), The Full Monty (NY and Tour), Maurice Hines’ Guys and Dolls (Tour), The Crucible, Some Like it Hot starring Tony Curtis (Tour), Dance of the Vampires, All Shook Up (NY and Tour), Souvenir. Off-Broadway: Mimi Le Duck, Indian Blood, The Most Fabulous Story Ever Told, Dinah Was, Twelfth Night, A Dybbuk, Jeffrey, Picasso at the Lapin Agile. TV/Film: “SNL” (Emmy nom.), What Ever Happened to Baby Jane (ABC), The James Brady Story (HBO). Winner 1994 Outstanding Achievement Award from Theatre Crafts International for Disney’s Beauty and the Beast. In honour of the late, great Paul Huntley. Without his mentorship, I would not be here.
JIM STEINMEYER (Illusion Designer). Jim Steinmeyer was called by The New York Times the “celebrated ‘invisible man’—inventor, designer, and creative brain behind many of the great stage magicians.” His illusions have been featured by Doug Henning, Siegfried and Roy, David Copperfield, Ricky Jay, and many others. He created the special illusions for Beauty and the Beast, Into the Woods, Mary Poppins, Aladdin, and many other shows. He is also the author of books on the history and art of magic.
DAVID CHASE (Dance Music Arrangements) has been Music Director, Music Supervisor and/or dance arranger for 40+ Broadway productions over the last three decades. He has two Emmy® Award nominations for music direction for NBC’s live telecasts of “The Sound of Music” and “Peter Pan,” plus GRAMMY® and Olivier® nominations. David has written arrangements and orchestrations for Boston Pops (including their signature “Twelve Days of Christmas”), Kennedy

Center Honors, Essential Voices USA, and Radio City Music Hall. TV includes conducting, arranging and orchestrating for “The Marvelous Mrs. Maisel,” “Crazy Ex-Girlfriend,” “Schmigadoon!,” “The Gilded Age,” and “Étoile.” David appeared onscreen in Season 5 of “Maisel” as the announcer and bandleader for the ‘Gordon Ford Show.’ Other conducting includes numerous film scores (recently: The Last Showgirl) as well as productions at Lyric Opera of Chicago. His choral arrangements are published by Hal Leonard. David lives in New York City with his wife (and Drama Desk nominee) Paula Leggett Chase and their two sons. DavidChaseMusic.com
CHRISTOPH BUSKIES (Electronic Music Programming). Christoph’s revolutionary music system KeyComp has been successfully implemented worldwide in The Lion King, Frozen, Aladdin, The Little Mermaid, Sister Act and Beauty and the Beast
MICHAEL AARONS (Music Coordinator). Broadway: Boop!, Smash, Old Friends, Pirates! The Penzance, Real Women Have Curves, Sunset Boulevard, & Juliet, Moulin Rouge!, Hamilton, Aladdin. OffBroadway: Little Shop of Horrors. Other: Radio City Christmas Spectacular, Paper Mill Playhouse. Tours: Hamilton, & Juliet, Mamma Mia!, Moulin Rouge!, The Wiz, Beauty and the Beast. TV/Film: “Up Here,” “South Park,” “Annie Live!,” Hamilton, Incredibles 2, Jesus Christ Superstar Live in Concert. www.m2music.nyc
LORENZO PISONI (Movement Coordinator). Broadway: Parade; MJ; Who’s Afraid of Virginia Woolf?; Gary; Beetlejuice; Disney’s Frozen; Noises Off. Off-Broadway: Lucy, Mac Beth; All . West Mary Poppins Lorenzo’s acting on and Off-Broadway


























has been recognized with Drama Desk, Lucille Lortel, Obie and Outer Critics Circle Awards.
SAM SCALAMONI (Associate Director). Associate Director of Disney’s Beauty and the Beast for Disney Theatrical Group since 2001 (Broadway and internationally). Director: Elf the Musical national tour 2012–2024; Alan Menken’s Leap of Faith workshops; co-created and directed Mulan Jr. Founding Member and Artistic Director of Skyline Theatre Company.
STEVE BEBOUT (Supervising Resident Director). Associate directing credits include Company (Tour), Some Like It Hot (Broadway, Tour), Disney’s Aladdin (Broadway, Tour), Something Rotten! (Broadway, Tours), The Book of Mormon (Broadway, Tours, West End), Sister Act (Broadway), The Addams Family (Broadway, Tours, International). He’s directed a bunch of his own stuff too.
JENN RIAS (Associate Choreographer). Choreography: A Doll’s House (Broadway), Beaches the Musical (Theatre Calgary), Tootsie, Spamalot (Ogunquit Playhouse). Associate Choreography: Current US Tour and Australian Company of Beauty and the Beast. Performer: Original Broadway Companies of The Cher Show, Escape to Margaritaville, War Paint and Aladdin. Broadway debut: Rock of Ages. Radio City Rockette. Thank you, Matt West! For my boys.
ERIN N. MOORE (Associate Choreographer) is a versatile artist whose credits include - TV: “Fosse/Verdon,” “The Marvelous Mrs. Maisel;” Broadway: Follies, After Midnight and Shuffle Along Choreography: “The Tonight Show” starring Jimmy Fallon, Chase Bank’s “Backstage on Broadway,” West Side Story at The Muny (Associate Choreographer), Strike Up the Band at Carnegie Hall (Associate Choreographer). @mooregranola
THE TRC COMPANY (Casting). Led by partners Claire Burke, Kevin MetzgerTimson, Xavier Rubiano, and Peter Van Dam. Broadway: Dead Outlaw, BOOP! The Musical, Stephen Sondheim’s Old Friends, Buena Vista Social Club, Death Becomes Her, Left on Tenth, The Outsiders, SIX, Aladdin. National Tours: The Phantom Of The Opera, Water For Elephants, The Wiz, Back To The Future, Mamma Mia!, Les Misérables. The TRC Company is proud to continue the casting legacy of Tara Rubin Casting and Johnson-Liff Associates.
NEURO TOUR (Physical Therapy) Carolyn M. Lawson PT, founder and CEO of Neurosport & NEURO TOUR (Physical Therapy), leaders in performing arts medicine. We are honored to be part of this amazing tour.
JASON TRUBITT (Production Supervisor) is proud to be with Disney Theatrical, having supervised 11 productions of Aladdin and 6 productions of Beauty and the Beast in 9 countries. Prior to supervising, Jason was a stage manager on the original Broadway productions of Aladdin, Sister Act, Mary Poppins, Brooklyn, and Never Gonna Dance Additional happy years spent at Wicked Broadway and Mamma Mia! National Tour. Jason has also stage managed at the Lyric Opera of Chicago, the Washington Opera, and the Goodspeed Opera House. Thanks to Clifford Schwartz. Love to Marlene, Herbie and Ryan.
DAVID ANDREWS ROGERS (Music Director/Conductor). Broadway/ International tours: Phantom of the Opera, My Fair Lady, An American in Paris, The Wizard of Oz, Fiddler on the Roof, Cats, Chicago, Les Misérables, Show Boat. Guest Conductor: NY Pops at Carnegie Hall, OKC Philharmonic, Apollo Theatre. NY: York Theatre, New World Stages, Theatre at St. Clements. Extensive stock and regional theatre. Orchestrator and educator.
ANDREW BACIGALUPO (Production Stage Manager). NYC: Elf: The Musical; Milan, Italy: Priscilla Queen of the Desert; National/International Tours: Some Like it Hot, Disney’s Aladdin, Oklahoma!, Charlie and the Chocolate Factory, The Sound of Music, Million Dollar Quartet, Walking with Dinosaurs, and Ghost the Musical. Proud AEA member. Love to Mom, Dad, Matt and Izzy.
CAITLIN KELLERMEYER (Stage Manager). Select theaters and companies: The Walt Disney Company, TUTS and La Jolla Playhouse. Select Broadway/tours: Back to the Future; Tina; Kiss Me, Kate; Irving Berlin’s White Christmas. Love to the family and #kellermeyerkids!
@cakellermeyer
MALASHIA CARTER (Assistant Stage Manager). National Tours: Ain’t Too Proud, Company, Back To The Future. Broadway: Apprenticeships on Some Like it Hot, Ain’t Too Proud. Montclair State. She is grateful to God, family, and friends for their love and support.
KELLEY LYNNE MONCRIEF (Assistant Stage Manager) has primarily been a substitute stage manager on over a dozen Broadway, Off-Broadway, and touring productions including Some Like It Hot, An Enemy of the People, Moulin Rouge, Heathers and Teeth. @kelleylynnem
DISNEY THEATRICAL GROUP, a division of The Walt Disney Studios, operates under the direction of Andrew Flatt and Anne Quart. The group produces and licenses Broadway productions around the world, including Beauty and the Beast, The Lion King, Elton John & Tim Rice’s Aida, TARZAN® , Mary Poppins, a co-production with Cameron Mackintosh, The Little Mermaid, Peter and the Starcatcher, Newsies, Aladdin, Frozen and Hercules, winning 20 Tony® Awards and 62 nominations for their Broadway productions. Other stage ventures include the Olivier-nominated West End hit Shakespeare in Love, stage productions of Disney’s High School Musical, Der Glöckner Von Notre Dame in Berlin and King David in concert on Broadway. Disney Theatrical Group has collaborated with preeminent theatres in the US to develop new stage musicals including The Hunchback of Notre Dame and Freaky Friday. As a part of the recent acquisition of 20th Century Studios, Disney Theatrical Group also heads the Buena Vista Theatrical banner, which licenses Fox titles for stage adaptations including Anastasia, Moulin Rouge! The Musical and Mrs. Doubtfire. Disney Theatrical Group recently premiered Hercules in London’s West End and a North American tour production of Beauty and the Beast. The stage adaptation of the beloved film The Greatest Showman recently opened in Bristol, United Kingdom to box office records, with the next step in its life to be announced shortly.
General Manager
Production Supervisor
Technical Supervision
Associate General Manager
Associate Director ..................................
Supervising Resident Director
Associate Choreographers
Movement Coordinator
Associate Scenic Designer
Myriah Bash
Jason Trubitt
Dave Churchill
Alex Reyes
Sam Scalamoni
Steve Bebout
Jenn Rias, Erin N. Moore
Lorenzo Pisoni
Christine Peters
UK Associate Costume Designer ........................
US Associate Costume Designer
Associate Lighting Designer
Moving Light Programmer
Associate Sound Designer
Associate Hair & Make-Up Designer
UK Associate Video Designer
Producing and Development Director
Production Coordinator
SENIOR PUBLICIST ......................
PUBLICIST
Jack Galloway
Sam Fleming
Craig Stelzenmuller
Sean Beach
Kevin Kennedy
Ashley Roller
Alessandro Uragallo
Hunter Chancellor
Jake Catsaros
DENNIS CROWLEY
AMY KATZ
COMPANY MANAGER
Assistant Company Manager
Production Stage Manager
Stage Manager
Assistant Stage Managers
Dance Captain
Assistant Dance Captain
Fight Captain
Production Assistants
Technical Supervisor
Touring Technical Supervisor
Technical Operations Specialist
Production Carpenter
Production Automation
Head Carpenter
Automation Carpenter
Deck Carpenter
Flyperson
Production Electricians
Production Video
Head Electrician
Lead Follow Spot
Deck Electrician/Video
Production Properties
Head Properties
Assistant Properties
Production Sound
Head Sound
Assistant Sound
Crew Swings/Advance
Crew Swing
Wardrobe Supervisor
Assistant Wardrobe
Hair & Make-Up Supervisor
Tutor/Child Guardian
Athletic Trainer
Assistant Lighting Designer
Scenic Assistant
MAIA SUTTON
Aaron Ward
Andrew Bacigalupo
Caitlin Kellermeyer
Malashia Carter, Kelley Lynne Moncrief
Michael Seltzer
Emily Larger
Michael Seltzer
Isaac Byler, Caroline Duffin
Martijn Appelo
Noah Kern
James Garner
Patrick Eviston
Jem Hodgson
Jonathan Rogers
Mitch Ponikiski
Tim Bergstrom
Ashton Hill
Patrick Johnston, Jimmy Fedigan
Dan Mueller
Dawn Kenseth
Jacob Ryan
Mitchell Dailey
Jennifer A. Kramer
Andrew Crawford
Taryn Nicole
Nick Borisjuk
Will Koch
Jake Delgado
Kate Spradling,
Tiffany White
Brooks Bennett
Élisè M. Packee
Maya Patrick
Haley Richardson
Melissa Waters
Jael Hudson
Brandon Rosen
Jeff Hinchee
Costume Department Coordinator/Assistant
Fabric Manager
Fitting Assistant
Stitcher
Special Projects
Moving Light Assistant
US Video Assistant & Animator
US Video Programmer
Casting Associate
Music Coordinator
KeyComp Music Programming
Music Preparation
Dialect Coach
Children’s Tutoring
Associate to Mr. Menken
Production Photography
Payroll
Director, Financial Accounting
Brendan Woods
Steven Feldman
Annette Lovece
Matthew P. Freeman
Kevin Foster II
Jonah Camiel
Stefania Bulbarella
Andrew “Gus” Gusciora
Olivia Paige West
Michael Aarons
Christoph Buskies, Torben Köhler, Gerrit Netzlaff
Anixter Rice
Music Services
Deborah Hecht
On Location Education
Rick Kunis
Matthew Murphy
Cathy Guerra, Marie Caringal, Calvin Gin
Manager, Financial Accounting .......................
Corporate Immigration Counsel
Risk Management
Corporate Music Counsel
Corporate Privacy Counsel
Jill Aoki
Tynan Hamilton
Fabricio Lopez
Johan Kangas, Matthew Rooney
Donna Cole-Brulé
Courtney Bowman
Housing Services Road Rebel Global
Claire Burke CSA, Kevin Metzger-Timson CSA, Xavier Rubiano CSA, Peter Van Dam CSA, Tara Rubin CSA, Merri Sugarman CSA, Louis DiPaolo CSA, Spencer Gualdoni CSA, Olivia Paige West CSA, Frankie Ramirez CSA
Scenery constructed by Great Lakes Scenic Studios and F&D Scene Changes. Automation and Additional Scenery by Silicon Theatre Scenery B.V. Additional Scenery and Automation by PRG Scenic Technologies. Additional Scenery by Scenic Art Studios. Soft Goods by Rose Brand, J&C Joel, and Big Image Systems. Lighting, Audio, and Video Equipment by PRG Broadway. Props by Marcus Hall Props, Bad Monkey Props, BB Props, and The Specialists Ltd. Illusion Effects by WK Magic. Special Effects equipment by LUMINOUS and J&M Special Effects. Handlesticks Designs by Jeremy Chernick. Costumes by Eric Winterling Costumes, Das Gewand, Phil Reynolds Costumes, Blackheath Park Fine Costumes, Arel Studio, Arnold Levine Millinery, Charles Hanrahan Costumes, Parsons-Meares, Ltd., Randy Carfagno Productions, Pintler Costumes and Technologies, Dress 4 Dance, On Stage, Sky NYC. Custom shoes by La Duca, T.O. Dey Shoes, World Tone Dance Shoes. Wig Construction by Backstage Artistry. Prosthetic Makeup by Joshua Turi/Designs to Deceive and Applied Arts. Trucking provided by Clark Transfer, Inc.
Makeup provided by
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@DisneyOnBroadway
Visit Beauty at: www.beautyandthebeastthemusical.com
Disney’s Beauty and the Beast is a registered trademark owned by The Walt Disney Company and used under special license by Disney Theatrical Group.
Beauty and the Beast National Tour proudly participates in Touring Green. We transport our theatrical equipment on a carbon neutral basis with Clark Transfer in association with NativeEnergy.com. For more information on this program, please visit www.clarktransfer.com/green.

The actors and stage managers employed in this production are members of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the United States.
The Stagehands, Wardrobe, Makeup and Hair employees in this production are represented by the International Alliance of Theatrical Stage Employees.
United Scenic Artists • Local USA 829 of the I.A.T.S.E. represents the Designers & Scenic Artists for the American Theatre
The Musicians, Conductors, Music Preparation Personnel and Librarians employed in this production are members of the American Federation of Musicians of the United States and Canada.
The Press Agents and Company Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers.
The Director and Choreographer are members of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.

This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.
Disney Theatrical Group welcomes you to this performance. With our local partners, we are committed to providing a welcoming space for everyone to share in the irreplaceable experience of live theater.
Thank you for your participation in making touring Broadway a respectful and inclusive place, where everyone on stage, backstage and in the audience feels they belong.
Creative & Production
VP, Content & Talent Development
VP, Production
Director, Producing & Development
Director, Producing & Development
Director, Technical Production
General Manager
General Manager
General Manager
Sr. Production Supervisor
Andrew Flatt
under the direction of Anne Quart
Managing Director
Ben Famiglietti
Randy Meyer
Caley Beretta
Hunter Chancellor
Dave Churchill
Myriah Bash
Michael Bolgar
Kerry McGrath
Kathleen E Purvis
Production Supervisor .......................
Production Supervisor
Production Supervisor
Production Supervisor, Live Events
Associate General Manager
Associate General Manager
Associate General Manager
Associate General Manager
Sr. Manager, Technical Production
Sr. Manager, Production Operations
Manager, Producing & Development
Asst. Manager, Producing & Development
Production Archivist
Lisa Dawn Cave
Holly Coombs
Jason Trubitt
Elizabeth Boulger
Christina Huschle
Heather Losey
Margie McGlone
Alex Reyes
Martijn Appelo
James Garner
Estee Dechtman
Hannah Dawe
Leah O’Gorman
Warehouse Lead Greg West
Licensed Partnerships & Brand Management
SVP, Licensed Partnerships & Brand Management .......................Angelo Desimini
VP, Marketing, Publicity & Education
VP, Sales Strategy & Revenue Optimization
Director, Worldwide Publicity & Communications
Director, Marketing
Director, Global Sales
Director, Live Ticketed Events & Licensed Partnerships
Director, Regional Engagements
Director, Education & Audience Engagement
Director, Licensed Partnerships
Director, Regional Engagements
Director, Licensed Partnerships
Sr. Manager, Publicity & Licensed Partnerships
Sr. Manager, Education & Accessibility Programs
Sr. Manager, Live Ticketed Events & Licensed Partnerships
Sr. Manager, Digital Marketing
Manager, Licensing Operations
Manager, Social Media
Manager, Video Content
Manager, Sales & Ticketing
Manager, Domestic Tour Marketing
Revenue Manager, Sales & Ticketing
Elizabeth Findlay
Lauren Rutlin
Michael Cohen
Lauren Daghini
Nicholas Faranda
Michael Height
Scott A. Hemerling
Lisa Mitchell
Ann Myers
Kelli Palan
David R. Scott
Gregory Boilard
Sarah Kenny
Jon Meeker
Peter Tulba
Erin Breznitsky
Alfredo D’Uva
Brandon Fake
Catherine Kim
Caitlin Mullins
Nataliya Novosad
Manager, Yield Management ....................
Manager, Licensed Partnerships & International Production
Manager, Group Sales
Asst. Manager, Direct-to-Consumer Marketing
Asst. Manager, Live Ticketed Events & Licensed Partnerships
Asst. Manager, Education & Audience Engagement
Asst. Manager, Digital Education Programs
Asst. Manager, Marketing
Sr. Graphic Designer
Graphic Designer
Social Media Specialist
Mark Shultz
Lisa Weiner
Heather West
Meagan DiPolo
Talia Escobedo
Renita James
Julie Ann Arbiter
Bryce Payne
Dana Saragnese
Kevin Calhoun
Gabrielle Lenger
Executive Producer
Merchandise
VP, Merchandising & Sales Operations Alyssa Somers
Director, Sales, Licensing, & Operations
Sr. Manager, Buying, Planning & Logistics
Manager, Global Licensed Brands
Manager, Product Development
Merchandise Planner
Valerie Cirillo
Violeta Lin
Samantha Cascio
Kevin Kiniry
Jimmisaul Blake
Asst. Manager, Logistics & Inventory Control .......
Asst. Manager, Merchandise
Asst. Manager, Licensed Brands
Sr. Retail Manager
Onsite Retail Manager
Onsite Retail Asst. Manager
Tianfu Chen
Monica Cotallat
Elli Stovall-Brown
Mario Mey
Dana Collins
Andrew Melendez
Onsite Retail Asst. Manager Adam Flowers
VP, International, Europe
International
Fiona Thomas
Business Affairs, Legal Counsel & Labor Relations
SVP, Business Affairs & Legal Counsel
Director, Business Affairs & Legal Counsel
Director, Labor Relations
Director, Business Affairs & Legal Counsel
Paralegal Manager
Manager, Labor Relations
Paralegal Specialist
Paralegal
Seth Stuhl
Albert T. Kim
Tony Thomas
Camele-Ann White
Jessica White
Bert Piper
Andrew Harlan
Vivian Chiu
Finance, Operations & Technology
SVP, Strategy & Operations
Mario Iannetta
VP, Operations Dana Amendola Director, Tour Strategy & Operations
Michael Buchanan Director, Technical Services & Support Michael Figliulo Director, FP&A
Mikhail Medvedev
Director, Production Accounting................. Arlene Smith
Sr. Manager, Finance
Chris Ekizian
Sr. Manager, Finance John Fisher
Sr. Manager, Security A.J. Mercado Manager, Operations
Erin Clark Manager, Touring Operations
Peyton Farmer Manager, Application Support & Services
Cynthia Jiang
Rebecca Turchanik Finance Manager
Sr. Financial Analyst
Sr. Production Accountant
Sr. Production Accountant
Michelle Chan
Angela DiSanti
Rachel Fabros
Strategy & Business Development Associate ...... Liza Gaylord
Sr. Production Accountant
David Kim
Sr. Technical Support Engineer Showkat Mahmud Retail Technology Analyst Andy Ng
Sr. Accounting Associate Gemma Elepano
Sr. Accounting Associate Olufunke Modupe-Adenaike
People & Culture
Director, Opportunity & Inclusion
Elena Chang Director, People & Culture
Anthony C. Perry Manager, People & Culture
Ariel Stein Orzata Specialist, People & Culture Kyle Barry
Administrative Staff
Gianna Adams, Micah Akilah, Aleks Angelico, Alexa Aquino, Jack Batty, Connor Brockmeier, Kiara Brown-Clark, James Bruenger-Arreguin, Jake Catsaros, Chloe Chow, Catherine Daly, Carrie DeGraw, Annalisa Deseno, Jacqueline Godfrey, Cassandra Hess, Julia Iorio, Lauren Katz, Kasey Kopp, Jenna Ng Lowry, Ingrid Matias, Emma McGahan, Cullen Motak, Hannah Pearson, Vincent Pendarvis II, Marysa Pratico, Johnny Quevedo, Simon Rosales, Bri Silva, Caroleen Teboul, Alex Viola, Jessica Walters
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Barbi Kutilek
Erin LaBuz
Alan Ladd
Daniel Ladewig
Kim VincentLagleLaMarca
Julia A Lambert
Julia Lamotte
Morgan Land
Bruce and Emily Lane
Carolyn and Ray Lane
Fred Lane
Marc Lane
Mark Lane
Royal WilliamLangleyLangston
Rachel BarbaraLanningLaramore
Elizabeth Larner
Joseph Larosa
Louis Lauck
Terry DelmerLaughlinLawless
Karen Lawrence
Krista Layfield
Dash Le
Margaret Leader
Kathy EdwardLeahLedford
Claire Lee
Gerry Lee
Jeff and Kathy Lee
Sara Lee
Kristen Leep
Angela Lehman
Dr. Glen A. and Lana Lehman
Amy GreerLeising Leisz
Amy Leitch
Nick CharlesLemmingLencheck
Dave Leonard
Tracy Lester
Chris Lett
Josalie Leventhal
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Elliot Levine
Erica Levi-Turner
eric levy
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Bradley Lewis
Dwayne Lewis
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Wilhelmina Lind
James Lindorf
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Linda Lineback
Duke Lines
Cindy Reed and Mary Lippold
Carolyn JulianneLishLis-Milam and John Milam
Ethan Litt
Brian Little
Lee Liu
Michael Lively
Cheryl London
Jeff and Karen Long
Julie Long
Mike AdinaLongLoomis
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Mitch Loudenbeck
Jay EmilyLoveLoviscek
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Jane Mace
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Isabel Madrid
Tiffany Magid
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Cheri KaelaMahoney Mahoney
Pam Mahoney
Katy BrunoMaileyMajer
Joshua Malarsky
Kirsten Maley
James Malone
Karena Maloney
Johnny Man
Dr. and Mrs. David and Anna Mandelbaum
Angie
Annette Merritt
Metzger
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Mikulecky
Debbie Off
Jay MarkOglesby Ohl
Kendra Olin
Tammy Olmstead
Thomas Olson
Eileen O'Neal
Carol Orbison
Joshua Oren
Kelly MichaelOrrOrr
Bradley Orris
Timothy M. Ortman
Beth and Steve Osborn
Ryan Osborn
Leon Osbourne
Jennifer Oskins
Kyle CarynOstewigOsullivan
Mills
Elizabeth Milton
John Minnich
Judith R. Minnick
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Aaron Mocherman
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Jonathan Molina
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Tonya Moody
Erin Moore
John Moore
Jordan Moore
Santos Moore
Margaret Moorhead
Debra Moreland
Amanda Morey
Joseph Morgan
Brian Morris
Gwendolen Morris
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Katie Morrison
Ashley AbbigailMorrisroe Mortier
Brent TimothyMosby A. Moss
Randy Mote
Liliana Mowery
Judith Mowry
Emily StaceyMoyerMoyer
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Deborah B. Mullarkey
Mrs. Paula K. Mulligan
Rob Mundt
Paul Muntz
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Mr. William F. Murphy
Kimberlee Murray
Martina Mutone
Kristen Myer
Jane KristineMyersMyers
Neil AbigailMyersNault
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Warren and Carol Neill
JJ Nelson
David and Diane Nesbitt
Scott Netherton
Kathryn Nevel
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Tracy
DonnaPappas Park
Michelle Parker
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Angela Paul
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Dixie Pete
April ThomasPeters F. Peters
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Matthew Porter
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Scott Potts
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Marianne Price
Jen MichellePriddyPriest
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Ryan
CharlesPrincePritchett
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Mr. and Mrs. John Pruitt
Julie Pruitt
Kristy MichaelPryorPuckett
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Timothy Puls
Mary A Purcell
Ruth Purcell-Jones
Jim Purucker
Jerry Purvis
C E Quandt
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Jeanne Quigg
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Alan PatriciaRadomsky Ralston
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Virginia Reed
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Anthony Retz
Kelsa Reynolds Lynn Reynolds
John Rice
Mary MichaelRiceD. Rich
Jeff Richards
Daniel Richardson
Jamie Richardson
Jana Richardson Jeff Richardson Torie Richardson Ms. Marilyn Richey
Jay JamesRichmond Ricketts
Greg JanetRiddle E. Ridenour
Karen Riester
Nancy L. Rife
Valerie Riley Dr. Richard C. Rink
Kelly StevenRitter W. Ritter
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Robinson
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Mr. and Mrs. Merle B. Rose
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Joshua Roth Debbie Rothchild
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Holly JustinRushton Russell
Allyson Ryan
Paula Ryan
Kelly Rynearson
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Tonya Sallee
Kim Cornell and Samantha Blosser
Holly LauraSample A. Sample
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Stanich
Stanifer
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Stegemann
Steinacker
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Stoner
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