Twofold

Jesper Koch Twofold (1991) for accordeon ensemble Dur. 25’

To Peter Anders and his orchestra

SCORE

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Edition Samfundet’s publications are supported by the Danish Arts Council Committee for Music.



Twofold

  1 senza solo    

Acc. 1

h = 40



 

Acc. 2

Acc. 3

Bass

 

 





pp

 





 



 

 

3

    



senza solo













 













 



senza solo

 



pp



 

 





 



 















   















   

 

 

 



 

senza solo







  Percussion    Timpani



    

 

Acc. 4



 



I Hymne

pp

 

Jesper Koch 2008

pp







vibraphone

Perc. I







double bass bow



p ped. sempre



Jesper Koch, Twofold, score - 1

 



 p







8



3

    

1







3





   









 

4

bass

perc.

timp.





   

 

  



 

 





3

  



   







3

 

2





3

     

 

  

 





 



 

 



  







 

 

 





   

 

 















 

 













 



 



 

    

p

p









p



 Jesper Koch, Twofold, score - 2

 p



p





    

1

 





     

2

3

4

bass

 





      

ff







pp sub.



  

    

  solo

ff

 

pp sub.







solo

   









ff

pp sub.







ff

pp sub.

 

 

solo



 

 





 

 

solo

  



 









 

   









 

  perc.          with soft mallets slow vibr.

timp.



   

14

   

     



       

 Jesper Koch, Twofold, score - 3

marimba

p

ff



      

Perc. II





 



A h = 50

18

 

1

mp





(solo)

mp

 espr.

 



4

bass

perc.

timp.

(solo)

mp

espr.

 



   

           



 



    

3

  

espr.

 

  

2

  

(solo)









 

 

  

     



   

   



mp espr.





 



   

 



 

 

 



   

(solo)



 

        



 





 

  



 











 



 









 



 









 



 









 



 

Jesper Koch, Twofold, score - 4



23

   

1

f

 





3

 





 





bass

 

   

f



f





  



 



  





timp.













 

 





 

mp



  



mp



  perc.       





 

pp

mp

   

 

4

f

 

mp

 

   

2

 







 

pp









pp



  









Perc. 1

Jesper Koch, Twofold, score - 5





 















 

pp



 vibraphone 5

     p cresc. ped.





  

 

29

1







  

2

3



4







 bass 



  



 

 



 

 

gli altri





p cant.

 

 

  

  















 gli altri



  





  

 





  













  



f

   















   

f



   



 

   

 f



   



m.d. p cant.



 f

 

gli altri





 

gli altri





 

  f

ff





 

p cant.

6         perc.   

 timp. 

 

 

p cant.







 

 



 

   

        

mf

pp

Jesper Koch, Twofold, score - 6



     

36

1

2

3

4

(solo)

p

f

  



     p

f

 



(solo)

p

f

   

     p      

 

f

 

 

TUTTI

 

 

 

 





  

    

 

    

 

Perc. II susp. cymb.

f



 





 

 

  

 

 



   

 





  

p

   

  

  

 

 



p



       



p

   

 

p

  



 

 





TUTTI

 



 

 

  



TUTTI

 

   perc.          f ped.      timp.      

 

 



 

(solo)

   bass   

 

   

     



   

 

(solo)

   



B  

TUTTI



 

 



 

p













mf



 

Jesper Koch, Twofold, score - 7



 

  

42

1

cresc.



cresc.







    

3

4

cresc.

    



 







cresc.

   bass 

 perc.  

 timp. 

  

  

2

 

   

   

   

 

 

  

mf cresc.





   

 

 



   

 



 

     











 







  

   

 

   



 

 

mf cresc.









mf cresc.



  



mf cresc.



mf cresc.









Jesper Koch, Twofold, score - 8





 

Perc. 1 vibraphone





 

mf cresc.







 

cresc.











 

     



 





    

 

   



      

   





 





  

   





   

 





49

1



3



 

4



 





bass

perc.

 







 





   

 

 

   

 timp. 

 

       

                  3



 



 

 



   

 



   

 

 

 

ff

 



   







 

ff

    

2

   



ff





 





















ff

 

m.d.

 



m.d.



  

  



ff

 









  

 

  

 

 

 

 



























  

ff



  

 

        

let ring.

3

     

pp

Jesper Koch, Twofold, score - 9



C

                        p sempre  gli altri                  sfp

55

1

 



3

solo

 

                       p sempre  gli altri              sfp  

2

 

solo

 

                      

solo

p sempre gli altri

       sfp



bass

  

    

sfp

     

  

  

sfp

     

 perc.   

 

    f

   p



 

  

 

  

 

sfp



             

sfp

 

 

  

solo

    

  

             

sfp

sfp

3            

             

  

 

sfp Perc. 2 Bass-Drum

timp.

    

         

                              p sempre gli altri                 

4

  

 

 

 

sf

p



Jesper Koch, Twofold, score - 10

 

sfp

        sfp

    

sfp

  

 

     

 

 

 

 

 

 

sfp

sfp

 

sf



  



  



61

1

3

3

              

2



3



4



bass





   









 



    

  

3

3

              

3

      

sfp

   

   

   

 



3

 

  

 

  sfp

 

    



p

   

Bass Drum



 

 

sfp

 

sf

 

sfp



 

 

  

       



   



   

  

sfp

Perc. 2   perc.  

timp.

 

non legato

   



5    3                                 3   5 3                               

sf p sempre

        



  non legato



  

 

p

 Jesper Koch, Twofold, score - 11

    

  



3

  

sfp cresc.

 

sfp

 

           

     cresc.

  

sfp cresc.

 

 



65

TUTTI

     

1

3

                            







2

TUTTI









4

bass



  

3

    

   



      



 

3

   

       

   timp. 

3

3

3



 

TUTTI



3

              3



p non legato

















    



sfp

    

3











  

3







  

sfp

3

 

 

f

sfp

Bass Drum

perc.

3

     3





3



 

 

 

 

 

f

    fp

Jesper Koch, Twofold, score - 12



67



1

 

                              

cresc.









2

                                   

cresc.











        

3

3

cresc.

3









4

bass

perc.



                       

 



TUTTI





p cresc. non legato

 

   















            3 3

3

3









 

 

 

     timp.   cresc.

cresc.

Jesper Koch, Twofold, score - 13



69



1



                         6

6

6

2



6

                       6

6









 



6

6

6









  

4

bass

perc.

                            



 







 

  





  

6



                            

3

6

                                     





6





 3







 

  

 

   timp.   Jesper Koch, Twofold, score - 14



71



1

 ff

  

                 

6

6

6

    



                            

2

ff

6

6

6





      

6

6

  



3

ff sempre

 





  

Grandioso

ff sempre







3

D



                                          

3

ff

6

6

6

6

 







6

6

3



                                      

4

bass

6

6

6

ff





 



 



 



 perc.   















 

  



   

 

tam-tam

f

   timp.       f

ff

f

Jesper Koch, Twofold, score - 15



73

 

1





 



3











4

bass

perc.

 

  

 

  timp. 





 



    



















  

m.d

   ff sempre

 

 



 

 



 

  

  

       f



 3

    



f

Jesper Koch, Twofold, score - 16

  







ff sempre

 







   

 

 



 

ff sempre



 









 

2



   



























78



1



  







3

 



bass

perc.

timp.



  



      

  









 



  



   





 



  



senza solo

























    





 





   

 

 

 

            

4





   

2







 







       























Jesper Koch, Twofold, score - 17



83



1







  

 









3

senza solo





timp.

 







  solo   

   



  solo  



 





  

 

 

 

senza solo

 



 







pp sub.

  

   bass   

 perc.  

 

 





 





  



pp sub.



4

   

A Tempo

pp sub.



2



senza solo

  solo   

E

Allargando molto

 









  solo   







pp sub.



 





 







 



 

          

vibraphone



pp



Jesper Koch, Twofold, score - 18



                





88

  

1

 

2







 

4



 bass 

  perc.  

 timp. 



 













 



 

 



                         ff

                     





   



  

















  



  

     



   



3













 Jesper Koch, Twofold, score - 19

p sub.



      

vib. + marimba



p









92

 

1







3

 



    



cresc.

f

cresc.







  TUTTI                f





   bass  





 

          f sub.

           perc.         timp. 

p sub.

vibraphone AND marimba



   

Jesper Koch, Twofold, score - 20



f

cresc.





 





  







f





 

4





















cresc.

 









2





 



 

f

  





f



    f



95





1











  

   

TUTTI div.







mf









       f          

       

       





  

   



             

  

fp

  

   





   



f

 

m.d.

                            

   bass  

   

 perc.  

  

         

m.d.



timp.

 TUTTI div.



4



            

mf







3







2



                    

TUTTI

 

fp

f



          







    

          



 

     



       

                    p       

vibraphone AND marimba

 

         



Jesper Koch, Twofold, score - 21





99

 

1

                         









  

3

  



 

  

sim.



  bass  

  perc.   timp.

 

 

 

     

           

4



        

    sim.

 

fp

f

  



     

 

 

 

 

                



            



   

   

Jesper Koch, Twofold, score - 22

      

       

fp

           

fp



   

 

            







       



  





                           

       



              



  

2



fp

         



F

  cantabile                            

103

1

mf





  

2

f





4





timp.

pp sub.



f

      



  

pp sub.



cresc.

  

           

  bass   perc.

 



cresc.

              f



p sub.

f

  

 



cresc.



                                   



  

3





                      





p sub.

f





pp sub.

 

  

 

                                 p f  marimba         pp sub. vibraphone

f

Jesper Koch, Twofold, score - 23



106



1





2









 













   bass 









 

 

             

 







cresc.

  

 

  f sub.

    

 cresc.

  

4

  

                                            

3

 

  

 

 

 



 

 

 

  

 

   cresc.                    perc.                          timp.     cresc. Jesper Koch, Twofold, score - 24



109

1

    

2

 

     



  

4

       



    bass 

           





 







  

 

 

vibraphone

fp



 

    





 

fp



 

     perc.              f      timp.   

 

fp



f











fp

fp

fp

 

 

fp

                                 

 

  

    



 fp



f

fp

             fp 

3

non legato

  

fp

 vibraphone               



Jesper Koch, Twofold, score - 25

marimba





                     



112

1





2

 

 

  



4

  

 

  



 

pp



 

        p sff





  



 

sffp





 



sffp







   bass  

 timp. 

       





  perc.    

 

   

 



3







3

ff







  

   

  

    







marimba

f





        



 

sff p

 



p

  

sfp Jesper Koch, Twofold, score - 26

vibraphone AND marimba



                   3 3

114

1

3

3

3

3

cresc.

3

3

3







                           3

3

3



                             

2

3





cresc.





      



    

cresc.





   

4

bass



 

cresc.





  



cresc.

 perc.   

vib. and mar.























    timp.    cresc.

cresc.

Jesper Koch, Twofold, score - 27



116



1



                  3

3

3

2



3





  





bass

         f

ff

f

ff

div.



                    div.

    

 



ff





    



f

   



   

   

4

3







3

      

  



 

  

 

  perc.  





    timp.  





          f

ff

f

ff

        f

ff

f

ff

div.



        





    f

f



ff



   gliss.      f

Jesper Koch, Twofold, score - 28

ff



G

       

     

118

1

pp sub.

cresc.









   loco               

2



3



mf sempre

       

pp sub. cresc.

   loco 3    3 3                  3 3 3 mf sempre          



pp sub. cresc.

        

4

bass

   



      

mf sempre

      

pp sub. cresc.



3

timp.

 

   3

3

             

 



     

loco

3

  

 

 

B. D.

p





          



 

Jesper Koch, Twofold, score - 29

3

        

cresc.



3

  

 

pp sub. cresc.

f

3

       

   

tam-tam   perc.   

3    





      

120

1

       fff





2

3



3

3

      



       

          

                                                        fff



                                                                 fff



                                     

    

   bass  

  

4

 perc.   timp.



  m.d.    fp 

 

B.D.







 

 



fff

fff



     3

  

  



   

fp







 

f Jesper Koch, Twofold, score - 30



              

f



              





    



123





1

2

 

   





fp

         3        



 





4

           

timp.

            dim.   3                          



  

  

    



    

        

 

     

        

dim.

















 

 

dim.

        

3

 

fp

   

      dim.              



   bass    



dim.

      

perc.

fp





 

 

 

fp

   

3



              



   

 

  

 

 

fp

 









Jesper Koch, Twofold, score - 31



   

      

dim.

fp







126





1

  





2

 



 



    

3

 



    

4

 

        

           

 

 timp. 



   



   

    



    bass  perc.



















          







 

  

 



    

  









  

   



 





    



pp



  

      pp



 

 

pp



 

   

 

pp



  

      pp

pp

 



 

 



 

  



 

pp



 



     pp

Jesper Koch, Twofold, score - 32



129

1



















      

2

4

bass



 



 





    

   

 perc.  



   

 

 







 















           pp







    

Perc. 1 vibraphone

    

   



  

   



               



  





3





 



  

       timp.    Jesper Koch, Twofold, score - 33



132

1



















  

 

2

3







4







  

  











   



 

 

  

  





   

 perc.  







bass











 







  





m.d.



solo





pp cantabile

  



Glockenspiel



                timp.   Jesper Koch, Twofold, score - 34



   

pp





H

 solo   

 

1







 





3

solo

 









 



 



pp cantabile













   

 

 

 







            perc.   timp.









bass



pp cantabile

solo









 

4



pp





2



cantabile

135



  Jesper Koch, Twofold, score - 35







 

    



138



1











2

 

3



















4



bass

perc.

timp.





 



5









        



 

 





  









 

 





 



 









        

Jesper Koch, Twofold, score - 36

 



  



141



1









2





bass

 

 







 









 









 







  



            perc.     timp.

 

 



 





4





 



3



 





    

Jesper Koch, Twofold, score - 37

 

 





     



144



1















 



bass



  

timp.

 





















  

 



 



 





cresc.









 







cresc.

 

 perc.   









4



cresc.



3







 



cresc.



2



     

 









      







Jesper Koch, Twofold, score - 38







147



1



  







 

 

bass

perc.

timp.

   



     













 





pp sub.





   

 

 

   



   

4





 



3



f



2

   



 f

 

    



   



 pp sub.

 





 f



f

pp sub.



pp sub.



























Jesper Koch, Twofold, score - 39



 

 



151



1



 







2























bass













 

  













 









 perc.    timp.

 

    









 

4









3

rit.

 

   

   



            Jesper Koch, Twofold, score - 40



 



 





155



1

I 







2

 





3



Lunga

 

 

 



 

4

  TUTTI    h = 50









   





 





 





ppp

 



   3





 

   

TUTTI ppp

 









 



 

  

TUTTI



ppp

 

 

 

 

TUTTI









   











 

  m.d.    







 

   





 

 







 

 





 bass 

  perc.    

 timp. 











ppp

 

ppp

Jesper Koch, Twofold, score - 41



159

 

1

2







 

 









bass

perc.

timp.

  

 



3       3







 









































 





4



3

 

3





       







 







 

 

 

















Jesper Koch, Twofold, score - 42





163



1







 



fp

3





cresc.



 



 

  fp



 timp.   



3      

 

 



susp. cymb.



  

f

 



 cresc.



 

Vibraphone

   



cresc.

   

 perc.   



  



 

bass







4











cresc.





2



cresc.













     

3 3            



 

  3        

 

 

3 3            

     mp

cresc.

pp

Jesper Koch, Twofold, score - 43



166



1

 









       



 



ff

     

 

 

 

 



 

  

 

 

 

 



 



 

ff

dim.

 

   



 

dim.



 





 





 

dim.

ff

  

 

 

 



    

 

 

dim.



   

 3     perc.      

 

 



 

3

  

bass

 





4

  ff

    



3

 



   

2

 

 

  ff

      timp.   

 

 

dim.

 

Jesper Koch, Twofold, score - 44









 

 

 

 

 

 

dim.

f





 

  



timpani



    mf



     

  

170

1









perc.





p



     







   

  p



 





  

p

  

 timp. 

      

 

bass

  

 

p







         

  

4







3

 





p

   

2







 













 

 









            p

dim.

Jesper Koch, Twofold, score - 45



174



1

 





 

2











4

bass

perc.

 



 























 





 















 





   







 



  

3















 

 









   

 

 

 

 

 













     timp.   Jesper Koch, Twofold, score - 46



J

   

  

179

1

pp









   

2



bass







   

  

pp

  

  





   





  

  





4

  

pp



3

  





  

 

 

 

 







pp

            pp

  perc.  

 

tam-tam

pp

        timp.  pp

     

       

 

        

        

         

 



             

Jesper Koch, Twofold, score - 47



183

  

1





 



  

2





 





bass

perc.



         









 

  

4





  

3





 





        

 

        

         timp. 



         

 



       

Jesper Koch, Twofold, score - 48



186

1

ppp









ppp





ppp



ppp





      



 

 

vibraphone

with double bass bow

timp.





ppp

perc.





 

bass













 

4







3





 

2





 

  

ppp







p





 

Jesper Koch, Twofold, score - 49

pp





 

ppp

2. Scherzo-Koral Allegro + = 110 :

4 4

3

7 0 W

W

2

2

.W

.W

W

!

2

3

3 4

+

7 0

f

fp cresc.

4 4

W 0

2

.W W

2

2

. W

.W

3

3 4 W

.W

3

fp cresc.

Acc.1

4 4 <

4 4 :

3 4

9

9

2

)

7 0 W

W

W

! 3

4 4 <

3 4

2

7 0

2

2 W

W

9

3 4

W W

W

3

4 4 9

3 2

W

fp cresc. 3 4

9

3 4 9

4 4

W 0 3

f

fp cresc.

Acc 2

2 W

W

4 4 9

3 4 9

3 :

4 4

. W

! 3

W

W

W

. W

2

2

4 4

:

9

7 0

Acc. 4

! 3

. W W

W 2

W 2

4 4 <

9

1 W

4 4

Bass

. W

.W W

.W 3

1

W

.W 1

p cresc. po9

Vibr. :

W W

f

4 4

. W 0 3

3 4

.W

+tyu

1

W W

W W

W

1

1

W 1

W . W

f

Perc.

1 W

3 4 6

W

. W

4 4 r

7

3 4

3 . W W

W 2

W 2

2

W

3 4 W

3

. W

3 4 9

3

.W

4 4 7

.W

.W

W

W

W

.W

W

W

W

1

1

p cresc.

f

1

1

3 4

) 8

3 4 9

7 0 W

u

. W

3

7

4 4 9

3 4

3 [

3 W

3

1

[

Bass-Drum

2

3 4 W

9

4 4 9

)

7 0

2

W

fp cresc.

1

. W W

4 4

7 0

2

9

2

W

4 4 9

f

fp cresc.

W

W W

fp cresc.

3 4

) . W

. W 0 3

3 4

9

4 4

2

4 4

7 0

f

fp cresc.

Acc. 3 <

3 4

)

7 0

8

3 4 9

3 7 0 W

7 +

4 4 9

3 4

f Wooden sticks =

Timp.

< >

4 4 W

f

.W 8 .W

9

3 4

3

50

6 W

.W 7 .W 3

4 4 9

3 4

5

3 4 :

W 7

1 W

W

1

4 4

3 .W 0

3

2

W

W

2

. W

W

2

2

.W

+

2

.W

3

.W

W

6

W

.W

W

1

3

1

1

1

1

3

1 W

. W

.W

.W

/W

.W

.W

W

.W W

!

3 4

1

3

f

1

1

3

Acc.1

3 4 :

3 4 :

4 4 9

W

7

W W 2

4 4

9

3

3

. W 00 W

2

.W

2

W

W

:

4 4

7 W

.W 2

2

.W

.W

3 W

W

9

3

W

W

W W

W

W

W 6

1

3

.W

W W

W

W W

W 3

1

W 2

3 W

!

3 4

/W !

1

3 4 9

3 W

2

1

. W

.W

9

) .

1

.W

W

.W

.W

W

1

1

3

9

/W 0 W 0 3

1 1

.W

.W

+

4 4 9

3 4

2

3

3 4 <

2

W

W

f

Acc 2

3 4

9

W 2

.

.W

W W

W 2

W 2

W

W 3

W W

6 W

W 3

1

1

1

1

1

. W

.W

.W

W

.W

.W

W

.W

.W

W

1 1

3 /

1

1

! W !

3 4

/W

f

Acc. 3

3 4 <

3 4 :

4 4 9

4 4

7 W W

2

9

3

9

3

) . W 0 . W 0 3

6

/ W W 3

3 4

9

W W

W W 2

W W 2

W W 2

W W 2

W W 2

W W 3

W W

W W 3

1 W

.W

.W 1

1 .W

.W

1 W

1

1

1

. W

.W

.W

1

W W

1

3 ! W

!

3 4

/W .

f

Acc. 4

3 4 <

3 4

Bass

4 4 9

1 W

.W .W

W

. W

9

9

1

4 4 W

. W W

1

3

.W .W

W W

W

1

W W

1

W

.W

1

1

.W 1

W

W W

1

1 W

1

W W

3 4 9

. W

1 3 W

. W

8 W

.W

W

.W

W 1

1

3 4

f )

:

Vibr. 3 4

4 4 9

Perc. r

= < >

3 4 7

3 4 7

3

7

4 4

W

W

4 4

.W .W

W

.W 0 3

/ W

7 0 8

.W

W

3

3

.W 0 )

8

[

Bass-Drum

Timp.

.W 0

W

W 3

!

!

3 4

3 [ [ 3 9

7 0 8

W

3 4 9

9

+

8

6

3

51

W

.W 9 .W 3

3 4

9 !

3 W

5 8 6

W +

A M

. W

. W

W

W

3 4 :

3

.W

.W 6

.

6

W +

3 4 <

7

7

3

+

!

W !

W

3 4 :

3

W

5

/W

6

8

6

4 4

.W

5

6

4 4

W

.

W W

6

6

W

, +

9

M

. W .

.

5

, +

5 8

+

W

6

W

W 6

.

6

.

3 W

*

.W

M

. W 3

.W

5 8 6

. W

4 4

W

.W

sfz non legato

Acc.1 . W

. W

7

/W

sfz

.W W

6

.W

.W

7

. W

non legato

Acc 2

3 4 <

3

. W 7

7

+

W !

3

+

.W

3 4 7

7

.

+

5 8 6

W ! +

.

6

3

3 4 <

.W 6

W

.

W

6

W

3 4

Bass

7

5 8 6

+

3

.W

W

.W

W 1

W

. W . W

W 1

8

.W

.W

6

.W

5

6

4 4 9

5

6

4 4 9

W ,

sfz

3

. W

7

6

. W

M

. W .

Acc. 4 . W

4 4

5

. W

(m.d.)

+

!

non legato

, +

.

9

W

6

W

W

W

3 4 :

4 4

M

. W 3

.

3 W

6

sfz

.W

5 8 6

5

W

6 ,

3

. W

9

W

6 W

Acc. 3 <

4 4

W

+

. W

6

M

. W .

.

5

, +

5 8 6

!

W

6

W

W

W

3 4

.

6

.

3 W

:

5 8 6

. W

M

. W 3

.W

.W

6

.

M

. W 3

W

. 6

W ,

+

1

5 8

.W W

.W

.W

W

.W

3

1

4 4

.W 1

.W

" "

i

sfz Vibr.

. W 0

! !

:

3 4

5 8 7

. W

7 0

u

4 4

W

.W W

.W 0

.W 0

[

Perc. Bass-Drum

3 4 r

5 8 9

M

7 0 W

5

6

,

4 4 9

sfz =

Timp.

< >

3 4 7

7 W

.W

5 8

) .W

6

6

4 4 7

3

52

9

.W W

.W

.W

12

1.

Div. 9

9

:

7 0

9

8

) .W

p Acc.1 2. < 9

9

9

7 0 8

:

) .W 1

p 1.

Div. 9 :

9

9

8

.W

6

W

W W

W

.W

p Acc 2 2. < 9

9

9

8 :

6

1 W

1

.W

.W

p Div. 9 :

<

9

1.

7 0

. W W W

.W W

W

. W

.W

W

" W

" " "

+

p Acc. 3 2.

<

/W ,

5

6

7

8

7 0 9

1

1

.W

. W

. W

1

+

Div. 9 :

9

8

1. 5

.W W

.W

.W

"

"

p

Acc. 4

non legato 2.

/W <

/W

/W

.W -W W

8

8

W

5 .W

/W i

(m.d.)

W 1

1

.W

) 1

.W

9

W

Bass

8

8

W 0 W 0 W

7

.W

/W

.W i

) 6

7 0

. W 0

1

. W 6

6

)

. W

7

.W

+

+

.W

6

7

1

(soft mallets) / W 0

9

W . W

.W . W

p

sfz

!

W

[ u

r

) . W

/ W

Perc.

<

W

1

1

i

=

7

7 0

8 W

.W .W

Vibr.

1 W

p

sfz

:

9

1

p

sfz

6

)

Timp.

6

+

p

<

1

.W

9

9

9

9

9

9

9

9

>

53

.W .W

1

accel. 16 ) .W 0 W 0 W 0

.W W

:

W 0

. .

W 0 W 0

"

W

"

"

W W "

"

" "

3 4 "

"

+

cresc.

pp

Acc.1 1 :

.W

.W

1 .

7 0 7

.

W

W W

" " "

" " "

"

3 4 "

"

+

pp

cresc.

) ! KK ! ! K :

"

W

" "

. .W W "

3 4

" "

"

" "

pp

cresc.

Acc 2 ) 7 0 8 :

W . .W W "

" "

"

! KK ! ! ! KK

" "

pp

<

<

" "

"

3 4

. .W W W .W

cresc.

" "

" "

"

" "

"

"

"

3 4

"

"

+

cresc.

pp Acc. 3

non legato <

. .W W W .W

7 0 8

"

! !!

" " "

W WW

. W

!

.W W

. W

. W

W

.W

. W

W

. W

.W

3 4 W

+

cresc.

pp

) )

) <

.W

"

W

.W

! K

6

6 W

<

.W "

.W

6

W

6

1

Bass

7 0

W

W

1

6

3 4

6

3 4

1

W

6

.W

1

1

) )

7

pp

W

) 7

1

) )

)

7 0 8

6

cresc.

pp

Acc. 4

6

.W

1

1

) )

7

6

) 7

W

W

1

1

1

cresc.

. W . W

W

1

+

.W W

W

"

."

"

.W

W

. W

"

."

"

1

1

pp

3 4 cresc.

Vibr. .W 0

.W :

W 0 6

9

9

3 4 9

+ u

Perc. Mar. 9

9

7

.W 1

6

pp

< 9

6 W

1

) )

7

.W

6 1

6 W

)

1

7 W

6 1

3 4

cresc.

S VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV

(ord. sticks) =

Timp.

) )

<

9

."

>

pp 54

."

3 4

20

! 00 ! ! 0

:

3 4

! 00 ! ! 0

Acc.1

W

W W

:

3 4

0

!

. W

. W

. W

W

W

W W

.W

.W <

7

7

7

7

7

7

7

7

7

7

7

ff

non legato ! 00 !

7

W

. W

. W W

W

W

.W

ff

3 4 :

Acc 2

!

! !

0 ! 0

! ! 0

0 W 0

W W 0

ff

non legato . W W

.W

3 4 <

3 4 <

W

. W

. W

W

3

3

. W

. W

. W W

.W

W

W

W W

.W

.W

W

. W

. W W

W

W

3

.W

ff

! !! 00 ! 0

! !! 00 ! 0

W WW W

ff

Acc. 3 . W W

<

3 4

.W

3 4

W W

.W

3

W

3

Unis. <

. W

. W

. W

. W .W

W

. W

W W

.W

W

W

W

W

3

. W

. W

W

.W

ff

)

6 W

W

.W 1

W W

1

1

W

.W 1

1

W W

1

1

W W

1

1

6 W

.W 1

1

1 W

1

W

-W

-W

W

W

-W

-W

/W

3

ff

Acc. 4 <

3 4

3 4

Bass

9

9

! 0

! 0

! 0

! 0

9

6 W

W W

3

ff

3 4 :

Perc.

9

9

9

Mar.

3 4 <

) 6 W 1

.W

W 1

1

W

W 1

1

.W

W 1

1

W

W 1

1

W

W 1

1

.W

W 1

7

7

1

f VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV =

Timp.

W

< >

3 4

.! 0

.! 0

.W

f 55

7

7

W

B

+ = 144

23

Unis. 6

:

- W

- W

W 1

1

W 1

- W

1

W

1

1

- W

1

W W

1

1

1

W

- W

1 W

1

1

- W 1

-W

-W W

W

-W

1 W

1

1

- W

1

1

W

- W 1

1

1

p

Acc.1 <

9

9

9

Unis. 7

) 7

:

6

6

7

7

6

- W

-

W

3

- W 3

6

7 W

-W

W W

3

) )

) )

)

W

9

-W 3

-W 6

-W

6 W

3

7

3

p

Acc 2 <

9

9

9

9

9

9

9

9

9

9

9

<

9

Acc. 3 <

M <

-W 6

7

7

9

9

9

+

mf

sfzp legato

Acc. 4

M -! 0 <

W 0

W 0

)

M -W

Bass

6

)

W 7

6 W

+

sfz

-! 0

)

W 7

6 W

1

W 0

)

W 7

6 W

1

7

7

1

W 7

6 W

1

) 7 W

1

6

7 -

6

7

6

-W

W

W

- W

6

7 W W

) )

) )

)

-W -W

6

-W 6 W

p

Perc. 9

9

9

9

9

9

9

9

:

= <

7

p

- W

Timp.

)

W 6 W

Mar. :

W 0

>

56

7

W 1

27 : W 1

- W

W 1

1

1 W

1

- W 1

- W

1

1 W

1

W

W 1

1

-W

-W W

W

-W

- W

1

- W

1

1

- W

W W

1

1

1

1

- W

- W 1

1 W

1

W

W 1

1

1

Acc.1 < 9

) :

6

9

7

6

7

6

- W

W 3

W - W

- W 3

3

) )

6

7

W

-W

9

) )

)

W

9

6

7

-W

-W 7

6

W

3

-W 3

7

W 3

Acc 2 < 9

9

9

9

9

9

9

9

Unis. <

p

Acc. 3

-! 0 <

! 0

< 9

! 0

:

W W

- W

W W

- W

! 0

-W 0 !

W

-! 0

-W 0

! W

-! 0

Acc. 4 <

W 0

W 0

W 0

)

W 6

7

Bass

)

W

7

7

)

W 7

6 W

1

)

W 7

6 W

1

:

6

) 7

W

- W

6

7

-W

W

W

- W

6

7 W

6

7

-W

- W 3

) )

6

W 7

1

) )

7

W

7

-W -W

6

Perc. 9

9

9

9

9

9

9

9

:

=

Timp.

< >

57

6 W

Mar. )

7

7

1

31 -W

-W

:

W 1

1

- W

- W

1

1

W W 1

-W 1

1

- W 1

- W

1

W W

W 1

1

- W

1

1

W

-W

- W

W

1

1

1

- W W

1

1

- W 1

1 W

1

W

W 1

1

cresc.

Acc.1 < 9

9

6 W

: - W

) )

) 6

6

W

-

3

-W

6

-W

W

3

9

)

-W 7

-W

9

6

Acc 2

6

7

6 W

-W

- W 3

) )

7

W

-W 3

) 7

W 3

- W 3

7

3

cresc. < 9

<

9

9

9

7 :

-W W

W

- W

- W

W

9

-! 0 W

! 0

cresc.

Acc. 3 ! 0 <

:

-! W

!

-W

2

! 0

! W

2

! 0

W 0

W 0

W W

Acc. 4

-W

W W

-W

-W 0 -W 0 2

2 W 0 2 < !

-W

W

)

)

W 7

Bass

6 W

W 0

W 0

!

7

)

W 6

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1

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