resonance.’ CRYSTAL PITE | ‘Through music, we can glimpse the transcendental beauty that lies beyond our physical reality.’ JOHN TAVENER | ‘The enorm the universe revealed by science cannot readily be grasped by the human brain, but the music of The Planets enables the mind to acquire some comprehe of the vastness of space where rational understanding fails.’ GUSTAV HOLST | ‘Extending the limits of our being and transcending our everyday presenc have nothing else other than our decisions, choices, and actions.’ OMAR RAJEH | ‘I start seeing the world in a very different way. I've given myself tim permission to look up and see the world around me and see how others are choosing to interact with the world and that’s something very special that I fi hold on to.’ DAN DAW | ‘It is the minutiae and the detail that I think actually reveals a greater truth about these systems and these institutions that g us.’ JAMES GRAHAM | ‘I believe music, and art in general, has the power to contribute to society and shape the world...It’s not just about playing notes; it’s having something to say.’ HANNI LIANG | ‘I have a real interest in portraying the complexity of human nature through dance, while playing with the boun of the imagination.’ SOPHIE LAPLANE | ‘My chief endeavour should be to attain a grand simplicity, and consequently I have avoided making a para difficulties at the cost of clearness.’ CHRISTOPH WILLIBALD GLUCK | ‘The modern composer builds upon the foundation of truth.’ CLAUDIO MONTEVERDI | ‘Cul how we understand the world.’ SARAH LEWIS | ‘We have a tendency to be comfortable with the idea that we know.’ CLIFF CARDINAL | ‘For me, the interesting artworks are the ones that end with a riddle.’ WILLIAM KENTRIDGE | ‘A great conductor is somebody who helps you to think and make connecti many different things.’ SIR ANTONIO PAPPANO | ‘Of course a large group of musicians in a room, who are clever, accomplished and hard-working, will ne agree on the same way of doing something so it’s also important that I stay true to my musical convictions.’ KARINA CANELLAKIS | ‘To help people under classical music you have to present it in a different way...It’s about being able to tell a story in a great way.’ ABEL SELAOCOE | ‘That desire of wanting to more, wanting to share, and wanting to communicate with other people, and with the environment and society.’ HUANG RUO | ‘One must speak the truth the past or not at all.’ DMITRI SHOSTAKOVICH | ‘I’m trying to recognise and excavate what’s true…I’m looking for moments of resonance.’ CRYSTAL PITE | ‘Th music, we can glimpse the transcendental beauty that lies beyond our physical reality.’ JOHN TAVENER | ‘The enormity of the universe revealed by sc cannot readily be grasped by the human brain, but the music of The Planets enables the mind to acquire some comprehension of the vastness of space rational understanding fails.’ GUSTAV HOLST | ‘Extending the limits of our being and transcending our everyday presence. We have nothing else other th decisions, choices, and actions.’ OMAR RAJEH | ‘I start seeing the world in a very different way. I’ve given myself time and permission to look up and s world around me and see how others are choosing to interact with the world and that’s something very special that I fight to hold on to.’ DAN DAW | ‘It minutiae and the detail that I think actually reveals a greater truth about these systems and these institutions that govern us.’ JAMES GRAHAM | ‘I believe and art in general, has the power to contribute to society and shape the world...It’s not just about playing notes; it’s about having something to say.’ LIANG | ‘I have a real interest in portraying the complexity of human nature through dance, while playing with the boundaries of the imagination.’ LAPLANE | ‘My chief endeavour should be to attain a grand simplicity, and consequently I have avoided making a parade of difficulties at the c clearness.’ CHRISTOPH WILLIBALD GLUCK | ‘The modern composer builds upon the foundation of truth.’ CLAUDIO MONTEVERDI | ‘Culture is how we understan world.’ SARAH LEWIS | ‘We have a tendency to be comfortable with the idea that we know.’ CLIFF CARDINAL | ‘For me, the most interesting artworks a ones that end with a riddle.’ WILLIAM KENTRIDGE | ‘A great conductor is somebody who helps you to think and make connections to many different thing ANTONIO PAPPANO | ‘Of course a large group of musicians in a room, who are clever, accomplished and hard-working, will never all agree on the same w doing something so it’s also important that I stay true to my musical convictions.’ KARINA CANELLAKIS | ‘To help people understand classical music you h present it in a different way...It’s about being able to tell a story in a great way.’ ABEL SELAOCOE | ‘That desire of wanting to know more, wanting to shar wanting to communicate with other people, and with the environment and society.’ HUANG RUO | ‘One must speak the truth about the past or not at all.’ SHOSTAKOVICH | ‘I’m trying to recognise and excavate what’s true…I’m looking for moments of resonance.’ CRYSTAL PITE | ‘Through music, we can glimp transcendental beauty that lies beyond our physical reality.’ JOHN TAVENER | ‘The enormity of the universe revealed by science cannot readily be grasp the human brain, but the music of The Planets enables the mind to acquire some comprehension of the vastness of space where rational understa fails.’ GUSTAV HOLST | ‘Extending the limits of our being and transcending our everyday presence. We have nothing else other than our decisions, choice actions.’ OMAR RAJEH | ‘I start seeing the world in a very different way. I’ve given myself time and permission to look up and see the world around me an how others are choosing to interact with the world and that’s something very special that I fight to hold on to.’ DAN DAW | ‘It is the minutiae and the deta I think actually reveals a greater truth about these systems and these institutions that govern us.’ JAMES GRAHAM | ‘I believe music, and art in general, h power to contribute to society and shape the world...It’s not just about playing notes; it’s about having something to say.’ HANNI LIANG | ‘I have a real in in portraying the complexity of human nature through dance, while playing with the boundaries of the imagination.’ SOPHIE LAPLANE | ‘My chief ende should be to attain a grand simplicity, and consequently I have avoided making a parade of difficulties at the cost of clearness.’ CHRISTOPH WILLIBALD GLUCK | modern composer builds upon the foundation of truth.’ CLAUDIO MONTEVERDI | ‘Culture is how we understand the world.’ SARAH LEWIS | ‘We have a ten to be comfortable with the idea that we know.’ CLIFF CARDINAL | ‘For me, the most interesting artworks are the ones that end with a riddle.’ WILLIAM KENTRIDGE great conductor is somebody who helps you to think and make connections to many different things.’ SIR ANTONIO PAPPANO | ‘Of course a large gro musicians in a room, who are clever, accomplished and hard-working, will never all agree on the same way of doing something so it’s also important that true to my musical convictions.’ KARINA CANELLAKIS | ‘To help people understand classical music you have to present it in a different way...It’s about bein to tell a story in a great way.’ ABEL SELAOCOE | ‘That desire of wanting to know more, wanting to share, and wanting to communicate with other people, an the environment and society.’ HUANG RUO | ‘One must speak the truth about the past or not at all.’ DMITRI SHOSTAKOVICH | ‘I’m trying to recognise and exc what’s true…I’m looking for moments of resonance.’ CRYSTAL PITE | ‘Through music, we can glimpse the transcendental beauty that lies beyond our ph reality.’ JOHN TAVENER | ‘The enormity of the universe revealed by science cannot readily be grasped by the human brain, but the music of The Planets en the mind to acquire some comprehension of the vastness of space where rational understanding fails.’ GUSTAV HOLST | ‘Extending the limits of our bein transcending our everyday presence. We have nothing else other than our decisions, choices, and actions.’ OMAR RAJEH | ‘I start seeing the world in different way. I’ve given myself time and permission to look up and see the world around me and see how others are choosing to interact with the wor that’s something very special that I fight to hold on to.’ DAN DAW | ‘It is the minutiae and the detail that I think actually reveals a greater truth about systems and these institutions that govern us.’ JAMES GRAHAM | ‘I believe music, and art in general, has the power to contribute to society and shap world...It’s not just about playing notes; it’s about having something to say.’ HANNI LIANG | ‘I have a real interest in portraying the complexity of human n through dance, while playing with the boundaries of the imagination.’ SOPHIE LAPLANE | ‘My chief endeavour should be to attain a grand simplicit consequently I have avoided making a parade of difficulties at the cost of clearness.’ CHRISTOPH WILLIBALD GLUCK | ‘The modern composer builds upo foundation of truth.’ CLAUDIO MONTEVERDI | ‘Culture is how we understand the world.’ SARAH LEWIS | ‘We have a tendency to be comfortable with the ide we know.’ CLIFF CARDINAL | ‘For me, the most interesting artworks are the ones that end with a riddle.’ WILLIAM KENTRIDGE | ‘A great conductor is som who helps you to think and make connections to many different things.’ SIR ANTONIO PAPPANO | ‘Of course a large group of musicians in a room, who are accomplished and hard-working, will never all agree on the same way of doing something so it’s also important that I stay true to my musical convictions.’ CANELLAKIS | ‘To help people understand classical music you have to present it in a different way...It’s about being able to tell a story in a great way SELAOCOE | ‘That desire of wanting to know more, wanting to share, and wanting to communicate with other people, and with the environmen society.’ HUANG RUO | ‘One must speak the truth about the past or not at all.’ DMITRI SHOSTAKOVICH | ‘I’m trying to recognise and excavate what’s tru looking for moments of resonance.’ CRYSTAL PITE | ‘Through music, we can glimpse the transcendental beauty that lies beyond our physical reality
MUSIC THEATRE OPERA DANCE