Duke University Press Fall and Winter 2026 Catalog

A Letter from our Director

This year marks the 100th anniversary of Duke University Press. For a century, our books and journals have traveled into classrooms, libraries, bookstores, and homes around the world, carried there by readers like you. This catalog celebrates that long journey and the daring new conversations that continue to emerge from it.

We exist because readers believe that ideas matter: that careful scholarship, bold thinking, and creative expression deepen our understanding of the world. Since 1926, Duke University Press has been committed to publishing works that expand the horizons of knowledge and challenge us to see differently. Our authors—

scholars, artists, and public intellectuals—have asked difficult questions about power, culture, history, race, gender, technology, and the environment. They have defined new fields of inquiry and reimagined established ones.

Throughout our history, the press has been shaped by a global community of readers who recognize that our books are sites of encounter between disciplines, traditions of thought, and across generations. Each book bears the imprint of intellectual labor: the curiosity of the author, the rigor of peer reviewers, the care of editors and designers, and the attention of readers who take these ideas into their own work and lives.

As we celebrate DUP100, we are mindful that the work of a university press is never finished. The questions facing our world—about democracy, justice, knowledge, and the future of our planet— demand fearless and generous scholarship. Our task is to ensure that such work finds its way into the world with integrity and reach.

From Halfway to Freedom: The Struggles and Strivings of Black Folks in Washington, DC to Transplanetary Futures: Outer Space in the Latinx Imagination, the books in this Fall 2026 catalog reflect that commitment. They explore hidden histories, cultures that continue to transform our understanding of art and society, and ideas that invite us to imagine new possibilities for collective life.

I am grateful to our authors, editors, reviewers, librarians, booksellers, readers, and our staff. Your engagement sustains the conversations that make scholarly publishing meaningful.

One hundred years in, we remain guided by a simple conviction: that rigorous scholarship and adventurous thinking belong in the public sphere, where they can inform debate, inspire discovery, and enlarge the spaces of knowledge.

Thank you for reading—and for moving these ideas forward.

Sincerely,

Dean J. Smith Director

Halfway to Freedom

The History of Black Washington, DC MAURICE JACKSON

With

a Foreword

by LONNIE G. BUNCH III

“In Maurice Jackson, ‘Chocolate City’ has found its preeminent historian. And that’s an understatement, for Halfway to Freedom offers a window on to the full history of our settler, slaveholding, and segregated Republic, and a spotlight on the brilliant, creative, and courageous Washingtonians who showed the nation and the world how to be free. A truly magnificent achievement.”—

ROBIN D. G.

KELLEY, author of Thelonious Monk: The Life and Times of an American Original

For over two hundred years, the history and culture of the District of Columbia has been in great part shaped by its Black residents. Several Black men were elected to political positions citywide only a handful of years after the end of the Civil War, and while the years after Reconstruction saw the region plagued with segregation and racial violence, the capital’s Black population continued to grow at all economic levels. Washington became the first major US city with a majority Black population in 1957, a status it held for almost 70 years as gentrification has led to the decline of Black political and economic power in DC in the twenty-first century.

Halfway to Freedom is a social, political, intellectual, and cultural history of African Americans in Washington, DC, looking at the role that race, gender, color, class, and power have played in the city and its relationship with the federal government. Maurice Jackson explores the material conditions that shaped life for African Americans, free and enslaved, from the earliest moments of the District’s history to more contemporary times of organization and activism. Through an array of archival materials, especially first-hand accounts of Black residents in the area, Jackson critiques how and why DC exists as a haven within the Black American imaginary given the realities of conflict its Black residents have faced and continue to face today. In doing so, he also highlights and honors the gains they have earned through the concerted struggles of labor organizations, women’s movements, sports, music, art, legal activism, and more.

Maurice Jackson teaches history at Georgetown University. He is the author of Rhythms of Resistance and Resilience and Let This Voice Be Heard. He is coeditor of DC Jazz ; African Americans and the Haitian Revolution; and Quakers and Their Allies in the Abolitionist Cause, 1754–1808.

From Hate to Hallows

Reframing Black Church Arson

TODNE THOMAS

As sites of Black gathering, respite, spiritual uplift, and even capital accrual, Black churches have always been targets for white supremacists. From Hate to Hallows explores the meanings Black people make from Black church arson following a 2015 incident in Knoxville, Tennessee, the author’s hometown.

Todne Thomas is Associate Professor of Divinity and Religious Studies at Yale University. She is the author of Kincraft: The Making of Black Evangelical Sociality, also published by Duke University Press.

December 256 pp., 16 ills. paper

$29.95/£22.99 978-1-4780-3940-2 cloth $119.95/£96.00 978-1-4780-3438-4

Current events/Gender and Sexuality

Radicalizing Men

Fascist Desires, Great Replacement Propaganda, and Political Violence

JESSICA JOHNSON

Radicalizing Men examines socioeconomic, infrastructural, and affective connections between neoliberal capitalism and militarized nationalism that transnationally network fascist desires, imaginaries, and feelings online and offline among state and non-state actors committing political violence as citizen-soldiers battling racialized, religious, and gendered threats to white Christian homelands.

Jessica Johnson is an independent scholar and author of Biblical Porn: Affect, Labor, and Pastor Mark Driscoll’s Evangelical Empire, also published by Duke University Press.

December 280 pp. paper

$29.95/£22.99 978-1-4780-3934-1 cloth $119.95/£96.00 978-1-4780-3441-4

Anna Murray Douglass

Biography of a Revolutionary CELESTE-MARIE BERNIER

“In this extraordinary study, Celeste-Marie Bernier reclaims Anna Murray Douglass from the margins of history and restores her to the center of nineteenth-century radicalism. Going against the constraints of conventional biography, Celeste-Marie Bernier unveils groundbreaking archival discoveries and weaves a powerful reappraisal of African American women’s intellectual, political, and cultural labor in the struggle against slavery.”

SIR ISAAC JULIEN CBE RA

Anna Murray Douglass was born legally free in Maryland to Mary and Bambarra Murray. From working with her future husband, Frederick Douglass, to secure his self-liberation from enslavement to converting her family homes to command centers for the Underground Railroad, she dedicated her entire life to the fight for all freedoms and to supporting loved ones and strangers alike in their fight for equal, independent lives. Her deeds have long gone unsung until now.

In this first-ever standalone biography of the wife and co-revolutionary of Frederick Douglass, Celeste-Marie Bernier provides a detailed and illustrated history of Anna Murray Douglass’s leadership roles in fighting against the injustices of enslavement, racism, and white supremacy, as well as how she laid the foundation for her family to follow in her and her husband’s footsteps. After over three decades of archival research, Bernier presents a wide-ranging collection of stories, writings, letters, and photographs in a comprehensive and illuminating biography of Anna Murray Douglass’s life and work as an educator, activist, intellectual, orator, political thinker, artist, philosopher, and strategist. Ultimately, Bernier aims to combat the widespread misrepresentation that the liberation movement bearing the Douglass name was the work of one individual when it was, in reality, a family institution. Anna Murray Douglass is the first book in a ten-volume collection detailing the life and work of the entire Douglass family including their children, Rosetta, Lewis Henry, Frederick, Jr., Charles Remond, and Annie Douglass, all freedom-fighters in their own right.

Celeste-Marie Bernier holds a Personal Chair of United States and Atlantic Studies at the University of Edinburgh. Among her works are over twenty single and coauthored books and scholarly editions. She is a Senior Advisor at Frederick Douglass Family Initiatives and an Honorary Member of the Frederick Douglass Honor Society. She lives in Carlisle, UK.

John D’Emilio is Emeritus Professor of History and Gender & Women’s Studies at the University of Illinois Chicago. He is the author of numerous books, including Memories of a Gay Catholic Boyhood and The World Turned, both published by Duke University Press, as well as Queer Legacies.

Making Gay History

Memoir of a Scholar-Activist

JOHN D’EMILIO

Making Gay History continues John D’Emilio’s story, following his memoir of his early years, Memories of a Gay Catholic Boyhood. Here, D’Emilio recounts his career as a public historian, activist, and academic, relating his own queer history alongside the development of the lgbtq movement in the United States. D’Emilio was part of the first burgeoning period of lgbtq studies while still a graduate student in New York City. From there, he takes readers through his experiences as an out professor at UNC Greensboro, his activism in Washington, DC, and finally, his employment at the University of Illinois as an lgbtq historian, a position that was unimaginable at the start of his career. At the same time, he narrates his own coming out, his successes and struggles with lgbtq advocacy, and the loves and losses faced throughout his adult life, telling an intertwined personal and national history of queer hearts and minds.

New in Paperback

Gay History/Memoir

Memories of a Gay Catholic Boyhood

Coming of Age in the Sixties

JOHN D’EMILIO

Memories of a Gay Catholic Boyhood is John D’Emilio’s coming-ofage story in which he takes readers from his working-class Bronx neighborhood and Columbia University to New York’s hidden gay male subculture and the political and social upheavals of the late 1960s.

Cisgender

Disorienting a Category PERRY ZURN

“This is the definitive book on the genealogies, uses, and panics that inform and animate the circulation of the term cis-. With engrossing prose and an expansive archive, Cisgender offers readers the opportunity to reflect on what was, what is, and what could have been. A must-read for anyone interested in gender and politics!”— C. RILEY SNORTON, coauthor of A Black Queer History of the United States

In Cisgender, Perry Zurn turns an incisive yet playful eye toward the “norm” against which transgender gets defined. A cisgender person is informally understood as someone who doctors called male or female at birth, became a boy or girl, and finally lived as a man or woman—without fuss. It’s this “without fuss” that anchors the cis/trans binary as it has come to be understood and belies the complex relationship all people have with gender. How did this category arise? And what else might it do? Cisgender is the first book to trace the story of how cis entered contemporary gender lexicons. Utilizing unplumbed archives and fresh interviews, Zurn offers a critical history of the term from the 1990s to the present, deftly defamiliarizing and reimagining cis at the same time. This unique examination of cisgender is a must-read for all readers invested in trans life and the futures of gender.

ASTERISK: GENDER, TRANS-, AND ALL THAT COMES AFTER

A series edited by Susan Stryker, Eliza Steinbock, Jian Neo Chen, and Marquis Bey

Perry Zurn is Provost Associate Professor of Philosophy at American University. He is the author of How We Make Each Other: Trans Life at the Edge of the University, published by Duke University Press, as well as Curiosity and Power: The Politics of Inquiry and the coauthor of Curious Minds: The Power of Connection.

Grace Lavery is Associate Professor of English at the University of California, Berkeley. She has authored multiple books, including Closures: Heterosexuality and the American Sitcom, published by Duke University Press, and Pleasure and Efficacy: Of Pen Names, Cover Versions, and Other Trans Techniques.

Personal Demons

Possession Narratives of Late Liberalism

GRACE LAVERY

“A thrilling and utterly original book. Propulsively readable; Lavery’s luminous prose carries us through a captivating archive to reveal the surprising centrality of the trope of transsexual demonic possession to contemporary debates over embodiment, consciousness, agency, and the possibility of shared reality. When liberal rights claims have so spectacularly failed to defend trans kids (or trans adults), we need this book and Grace Lavery’s singular voice.”— ANN PELLEGRINI, coauthor of Gender Without Identity

Personal Demons offers a new theory of the relation between sex, desire, and personhood, asking what we should make of the many contemporary instances when bodies seem to want different things from the consciousnesses within them. Grace Lavery maps the negative energies—demonic, incoherent, resistant—through which liberalism produces and disciplines its scapegoats. Through an examination of modern possession narratives, from racialized spectacles of bodily transformation and disguise to the liturgy of the Church of Scientology, Lavery unspools the knot of body, affect, and representation at the end of liberalism. In the face of the uneasy bargains queer and trans liberal organizations made with the phobic state, Personal Demons elaborates a vision of queer collective living that does not assume a shared concept of interiority, taking the incompatibility of such concepts as the founding axiom for a coalition against the ideological regulation of bodies and minds.

October 288 pp., 36 color ills. paper $35.00/£26.99 978-1-4780-3909-9 cloth $125.00/£100.00 978-1-4780-3414-8

Notes from the Sex Worker Left

Lumpen Theory

HEATHER BERG

“Notes from the Sex Worker Left traces a leading edge of radical theory. Beyond racial capitalism, beyond the state and beyond the family, sex workers are naming and pursuing the revolutionary horizon. This book is the thinking we all urgently need for our collective survival and liberation.”—

M. E. O’BRIEN, author of Family Abolition: Capitalism and the Communizing of Care

In dressing rooms and shared cab rides home, mutual aid collectives and reading groups, sex workers are experimenting with how to live otherwise. Notes from the Sex Worker Left highlights unruly thinkers at the cutting-edge of radical political theory. Drawing on interviews with sex workers as well as their political and creative writings, Heather Berg curates an archive of radical thought on the trappings of respectability, the failures of work, and the role of everyday resistance in collective, militant struggle. Berg grounds her analysis in the perspective of the lumpenproletariat—the mutinous, precarious, and often criminalized counterpart to the respectable working class. Lumpen theorists use their position on the margins to imagine futures that welcome everyone for whom the usual solutions are not nearly enough. The nuclear family, the wage relation, the gendered racial capitalist state: all must go. Notes from the Sex Worker Left offers tools to dismantle them.

Heather Berg is Associate Professor of Labor Studies and Gender Studies at the University of California, Los Angeles and is the author of Porn Work: Sex, Labor, and Late Capitalism.

Ann Cvetkovich is Professor of Women’s, Gender, and Sexuality Studies at The University of Texas at Austin. She is the author of Depression: A Public Feeling and An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures, both published by Duke University Press.

Learning from the High Priestess

Affect, Femme Care, and Somatic Practice

ANN CVETKOVICH

“Learning from the High Priestess is a bold and creative book that prioritizes practices of survival in times of catastrophe and collapse. It asks us to think anew about mental health at a time when so much of what seemed certain has proved to be uncertain, turning toward feminist theory and practice to offer tools and strategies for living on, in whatever form that might take.”

JENNIFER C. NASH, author of How We Write Now: Living with Black Feminist Theory

In Learning from the High Priestess, Ann Cvetkovich integrates theory and somatic practice to assemble a survival guide for artists, academics, and activists in search of new strategies for social justice in times of trouble. Building on her previous work on why feelings matter to political action and intellectual inquiry, Cvetkovich shows how experiments in writing can be a form of affective and somatic practice. She uses four key themes—care, disability and madness, trauma and somatics, and breath—as launch points for reframing discourses of mental health in the direction of practices for decolonizing bodyminds and for the sensory experience of freedom. Engaging with writer/practitioners from Alexis Pauline Gumbs and Alison Bechdel to Leah Lakshmi Piepzna-Samarasinha, Staci Haines, and Kai Cheng Thom, and with particular emphasis on Black feminisms, Cvetkovich places femme care and embodied practice at the center of movements for social transformation.

November 160 pp., 6 ills. paper

Still Dangerous!

The

Harmony Hammond Reader HARMONY HAMMOND

Edited by TIRZA TRUE LATIMER

With a Foreword by

JULIA BRYAN-WILSON

“Harmony Hammond’s gentle wisdom informs her profound illumination of the expanded and inclusive history of feministinspired artmaking over six decades. Defending feminist abstraction while exploring inscriptions of lesbian desire in diverse art processes, Hammond’s precious, historic writings are prefaced by editor Tirza True Latimer’s contextual introductions. This major feminist archive becomes a vital art historical resource through both authors’ feminist fidelity to our continuing struggle.”— GRISELDA POLLACK , Professor Emerita of Social and Critical Histories of Art, University of Leeds

Harmony Hammond, a leading figure in New York’s feminist and lesbian art movements, is primarily known for her abstract painting and sculpture. As a cofounder of A.I.R., the first major women’s cooperative art gallery, and Heresies, a groundbreaking feminist journal, Hammond played a critical role in the emergence of lesbian and feminist art through her curation and writing. Still Dangerous!, with an introduction by the volume editor Tirza True Latimer and a foreword by Julia Bryan-Wilson, brings together five decades of Hammond’s writings addressing the historical invisibility of women and lesbian artists, the politics of gender and sexuality in contemporary creative practice, materiality, feminism’s expanding purview, resisting censorship, and strategies of feminist and queer abstraction. Compiling essays, reviews, artist’s statements, presentations, letters, and interviews, Still Dangerous! fleshes out Hammond’s career while providing a valuable resource for scholars and students of contemporary culture.

Harmony Hammond, Professor Emerita of Art at the University of Arizona, is a visual artist, writer, educator, activist, and independent curator.

Tirza True Latimer is Professor Emerita of History of Art and Visual Culture at the California College of the Arts.

Julia Bryan-Wilson is Professor of Contemporary Art and LGBTQ+ Studies at Columbia University.

August 528 pp., 63 ills., including 28 in color paper $39.00tr/£29.99 978-1-4780-3886-3 cloth $145.00/£116.00 978-1-4780-3400-1

Philosophy and Critical Theory

The Cultural Logic of Late Capitalism

The Postmodernism Essay FREDRIC JAMESON

With an introduction by MICHAEL HARDT

This new edition of Fredric Jameson’s iconic essay on postmodernism, widely considered his most influential work, includes a critical introduction by Michael Hardt.

Fredric Jameson (1934-2024) was a literary scholar, philosopher, and Marxist political theorist. He was Professor and Chair of the Literature Program at Duke University. He was the author of Postmodernism, or, The Cultural Logic of Late Capitalism, also published by Duke University Press. Michael Hardt teaches in the Literature Program at Duke University.

November 112 pp., 9 ills. paper $23.95tr/£17.99 978-1-4780-3944-0 cloth $95.95/£77.00 978-1-4780-3451-3

Cultural studies/Literary Theory

The Future of Totality

Fredric Jameson and the Prospects of Critical Theory

NICHOLAS BROWN, MARIA ELISA CEVASCO, FABIO AKCELRUD DURÃO, and ROBERT T. TALLY JR., editors

The late Fredric Jameson was one of the most influential thinkers of our time. The Future of Totality brings together leading scholars on his work, focusing on its usefulness for responding to the current moment and for future critical theory and practice.

Nicholas Brown is Professor of English and Black Studies at the University of Illinois at Chicago. Maria Elisa Cevasco is Professor of English and Cultural Studies at the University of São Paulo. Fabio Akcelrud Durão is Professor of Literary Theory at the State University of Campinas. Robert T. Tally Jr. is Professor of English at Texas State University.

July 360 pp., 18 ills. paper $28.95/£21.99 978-1-4780-3883-2 cloth $119.95/£96.00 978-1-4780-3396-7

Speaking of America

Great Conversations at the Library of Congress

DAVID M. RUBENSTEIN

“The incomparable David Rubenstein once again invites us into conversation—this time with thought leaders of our own era as they assess people and events from the Revolution to the present. Delicious consumed individually, the interviews devoured all together constitute a feast.”— DREW GILPIN FAUST, President Emerita, Harvard University, and author of Necessary Trouble: Growing up at Midcentury

Featuring interviews with eminent historians, journalists, and writers, Speaking of America brings together nineteen wide-ranging conversations from philanthropist and financier David M. Rubenstein’s long-running Congressional Dialogues series of interviews at the Library of Congress. Rubenstein and his guests bring to life notable figures, events, and trends drawn from American history and culture and beyond. Highlights include Ken Burns on bringing American history to life, Stacy Schiff on Samuel Adams, Manisha Sinha on Reconstruction, David McCullough on the American frontier, Beverly Gage on J. Edgar Hoover, Chris Wallace on the presidential election of 1960, Evan Thomas on Justice Sandra Day O’Connor, Eric Schmidt on artificial intelligence, Arthur Brooks on happiness, and David Grann on The Wager, his best-selling story of shipwreck and mutiny. Taken together, the conversations in Speaking of America all build toward the same shared message of dialogue, cooperation, and the importance of knowledge and reflection, highlighting how the study of history can enrich our understanding of current-day challenges in politics and policy.

David M. Rubenstein is the author of several New York Times bestsellers, including The Highest Calling: Conversations on the American Presidency and How to Invest: Masters on the Craft. He is cofounder and cochairman of The Carlyle Group, one of the world’s largest and most successful private equity firms. He is an original signer of The Giving Pledge and a recipient of the Carnegie Medal of Philanthropy and the MoMA’s David Rockefeller Award. The host of PBS’s History with David Rubenstein, Bloomberg Wealth with David Rubenstein, and The David Rubenstein Show: Peer-to-Peer Conversations on Bloomberg TV and PBS, he lives in the Washington, DC area.

Allen Paul is the author of From Honey with Love: My Life as a Second-Chance Dog, Katyn: Stalin’s Massacre and the Triumph of Truth, and coauthor of College Sports on the Brink of Disaster: The Rise of Pay-for-Play and the Fall of the Scholar-Athlete.

Mack Paul cofounded Morningstar Law Group, where he is a partner. He teaches land use law at North Carolina State University and North Carolina Central University. Mack served as chair of the Greater Triangle Regional Council and has written extensively about the development of the Triangle Region.

Miracle Road

The Story of Research Triangle Park ALLEN PAUL and MACK PAUL

“Discover how North Carolina defied the odds, transforming from ‘brain-drain’ state to global technology titan. Read firsthand accounts of the Triangle’s evolution, where elite academic assets, radical collaborative spirit, and ambition for excellence built the foundation for decades of success. A must-read!”

TIMOTHY HUMPHREY, Provost at Wake Technical Community College

Research Triangle Park in North Carolina (rtp) emerged under the unique circumstances of a poor Southern state that needed to find a way to offset the declining industries of tobacco, furniture, and textiles in the 1950s. Through the sustained commitment of nearby universities, business leaders, and local and state officials, state leaders established the largest science and research park in the United States in an area that was nothing but “possums and pines.” Miracle Road tells this story through the eyes of those at the center of it, like the local black leaders who convinced white officials to desegregate public schools with the justification that it would make the area more appealing to tech companies, or how a chance meeting between the governor and a Danish executive led to North Carolina becoming an epicenter for weight loss drugmakers decades later. Allen Paul and Mack Paul organize the story around major periods in rtp’s growth, showing how rtp came to define the region and the state by the 1990s as well as the major setbacks it encountered in the early 2000s. Breaking down the strategies that led to rtp’s success, like creating new institutions in targeted tech areas to spur activity and factoring quality of life into the regional planning of the area, Miracle Road demonstrates how the story of Research Triangle Park is a fascinating and important case study of urban development in the twenty-first century.

Higher Education Faculties

A Dialogue on Inciting Constructive Change in Destructive Times

CATHY N. DAVIDSON and JODY GREENE

“Faculties is for anyone who wants institutional change and hasn’t fallen prey to cynicism or defeatism. The authors know their subject as well as anyone, and they impart their knowledge gracefully. Amidst a crisis in higher education provoked by a mercurial government, the ethos the authors embody arms us for the work to preserve our educational enterprise.”

MICHAEL

ROTH, President, Wesleyan University

Faculties is a call to action, a sourcebook, and a “how to” guide for academic colleagues who want to contribute to the administrative and educational decisions being made about the future of our institutions. There is no going back to the version of US higher education that existed twenty, ten, or even one year ago. Cathy N. Davidson and Jody Greene encourage faculty and allies to incite and participate in change by offering models of successful, constructive collaboration at a destructive and demoralizing time for higher education. Faculties focuses on the urgency of coalition-building, offering data and analyses of the structural, financial, ideological, and organizational circumstances that can support or inhibit productive change in colleges, universities, and research institutions. Presented in the form of dialogues between Davidson and Greene, two of higher education’s most innovative leaders, Faculties retains a welcoming, conversational tone while incorporating extensive references and citations and addressing the drastic changes to higher education since January 2025. Faculties offers the evidence and inspiration needed to enact institutional transformation now.

Cathy N. Davidson is Distinguished Professor and Founder of The Futures Initiative at the City University of New York Graduate Center.

Jody Greene is Professor of Literature and Founding Director of the Teaching and Learning Center at the University of California, Santa Cruz.

November 248 pp. paper $25.95tr/£19.99 978-1-4780-3929-7 cloth $103.95/£83.00 978-1-4780-3435-3

John Brackett is a writer and historian. His previous books include Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness, published by Duke University Press, and John Zorn: Tradition and Transgression

Touch of Grey, or How the Grateful Dead Became Pop Stars

JOHN BRACKETT

“A crucial, careful, and fun look inside one of the Grateful Dead’s least-examined and least-understood periods, perhaps ironically also their commercial peak.”— JESSE JARNOW, co-host of the Good Ol’ Grateful Deadcast and author of Heads: A Biography of Psychedelic America

Touch of Grey, or How the Grateful Dead Became Pop Stars tells the story of how one song transformed the popular legacy of one of rock’s most iconic musical groups. John Brackett traces the history of the song “Touch of Grey,” beginning with songwriter Robert Hunter’s lyrical sketches and the Grateful Dead’s earliest live arrangements, culminating in the group’s popular renaissance following the release of “Touch of Grey” and the album In the Dark in the summer of 1987. Brackett details how particular recording technologies, notable musical characteristics, modes of attending and listening, and the mechanics of the contemporary music industry shaped this defining moment in the group’s career. Drawing on extensive archival research, Touch of Grey examines how the band and their label worked to produce a hit record, a dynamic music video, and an effective promotional campaign that would propel the Grateful Dead from a group with a devoted cult following to become a pop culture phenomenon.

Ninety-Nine

A Kaleidoscopic Portrait of Allah

AMIRA MITTERMAIER

“This is a moving, poetic, elegant, and beautifully written book about how people experience God in Egypt. It is a reflection on how God is felt and heard and seen, and thus, about how God is held in the awareness of God’s followers in richly varied ways. Sometimes secular observers think that the main anthropological question about religion is belief. This book show us how flat-footed that perspective can be.”—

T.M. LUHRMANN

, author of How God Becomes Real: Kindling the Presence of Invisible Others

According to Islamic tradition, God has at least ninety-nine names. In Ninety-Nine, Amira Mittermaier presents ninety-nine short chapters based on her fieldwork and interviews with over one hundred Egyptians about who God is to them. In Egypt’s turbulent twenty-first century—the Egyptian uprising, a military coup, a pandemic, a climate crisis, wars across the region—God is talked about endlessly yet remains elusive. Ninety-Nine follows Allah into different spaces and conversations without ever claiming to get the full picture. We meet a Cairo beggar, an enigmatic dervish, a queer agnostic, and a Salafi housewife. We meet a depressed God, a cute God, a God who has stopped caring, a loving God, and a God who is a bully. We learn about divine interventions, big and small, and about daily struggles, even fights, with God. An intimate mosaic of Allah, Ninety-Nine celebrates the multiplicity inherent to the Islamic tradition and offers insight into how present-day Muslims grapple with big theological questions amidst their busy lives.

Amira Mittermaier is Professor of Religion and Anthropology and Director of the Institute of Islamic Studies at the University of Toronto. She is the author of Giving to God: Islamic Charity in Revolutionary Times and Dreams that Matter: Egyptian Landscapes of the Imagination

Crystal Simone Smith is Instructor of the Thompson Writing Program at Duke University. She is the author of Runagate: Songs of the Freedom Bound, also published by Duke University Press, and Dark Testament: Blackout Poems

Ghost Woman

A Rising CRYSTAL SIMONE SMITH

“Crystal Simone Smith’s Ghost Woman is a stunning collection of fearless poems; an essential book of selected haiku and haibun by one of the most important American haiku poets to emerge during the past decade. If you want to learn haiku and its possibilities, then read Ghost Woman, because it depicts life as it is/was, including the ghost/s of slavery.”— LENARD D. MOORE , former president, Haiku Society of America and author of A Million Shadows at Noon

In Ghost Woman, Crystal Simone Smith explores the long and deep connections between nature, personhood, ancestry, and trauma through haiku and haibun. Separated into five sections, the poems emphasize the way social bonds and landscapes are reflected in and through the environment. Smith brings her experiences with race, motherhood, and poetry into conversation with the five elements, Wind (Fu), Earth (Chi), Water (Sui), Fire (Ka), and Void (Ku) to take readers through an introspective haiku journey, an exploration of the nature of the self as well as the nature of the broader world. Balancing shattering grief with ordinary moments of love and trauma with survival, Ghost Woman weaves a narrative verse of single motherhood, bearing witness, and carrying your history with you. The poems in Ghost Woman invite the reader to be with nature and themselves more intentionally.

Sports

Climbing

HIL MALATINO

Longtime climber Hil Malatino’s Climbing explores how the sport has changed, saved, and occasionally threatened his life. Paralleling movement on rock to navigating grief, addiction, gender transition, and more, Malatino shows how climbing teaches us how to hold onto life’s ambiguities.

Hil Malatino is Associate Professor of Women’s, Gender, and Sexuality Studies and Philosophy at Pennsylvania State University. He is also the author of Side Affects: On Being Trans and Feeling Bad and Trans Care.

140 pp., 20 ills.

Essays

Winnowing

SUZANNE MATSON

Alternating between reflective essays on the nature of ownership and the author’s own account of downsizing the number of items in her home, Winnowing looks at our personal, cultural, and environmental relationship with material objects in a consumerist age.

Suzanne Matson is Professor of English at Boston College and the author of several novels and books of poetry, including Ultraviolet, The Tree-Sitter, and A Trick of Nature

Going to the Moon

SALLY ASHTON

In Going to the Moon, poet Sally Ashton explores what the Moon has meant to her and humanity, as well as what we all stand to lose in the light of imminent lunar exploitation.

Sally Ashton is Lecturer Emerita of English at San José State University. She is the author of several poetry books, including Listening to Mars and The Behaviour of Clocks

American studies/Queer studies

Naturalization

A Queer Genealogy of US Citizenship, Race, and Sexuality

SIOBHAN B. SOMERVILLE

In this wide-ranging analysis of the racial and sexual histories of citizen-making in the United States, Siobhan B. Somerville shows how naturalization has long functioned as both a powerful metaphor and a contradictory state practice at the core of the US settler colonial project.

Siobhan B. Somerville is Associate Professor of English and Gender and Women’s Studies at the University of Illinois Urbana-Champaign. She is the author of Queering the Color Line: Race and the Invention of Homosexuality in American Culture, published by Duke University Press, and the editor of The Cambridge Companion to Queer Studies

September 320 pp., 23 ills. paper $29.95/£22.99 978-1-4780-3900-6 cloth $119.95/£96.00 978-1-4780-3407-0

Critical Theory/Philosophy

Asylum

The Concept and the Practice

RANJANA KHANNA

Ranjana Khanna considers the multiple and entangled senses of asylum in sanctuaries, refugee camps, mental asylums, holding facilities, and state boundaries, showing how postcolonial asylum constructs spaces of hospitality and hostility that render divisions between the human and nonhuman, dignity and shame, value and disposability.

Ranjana Khanna is Director of the John Hope Franklin Humanities Institute and Professor of English, Literature, and Gender, Sexuality, and Feminist Studies at Duke University. She is the author of Dark Continents: Psychoanalysis and Colonialism, also published by Duke University Press, and Algeria Cuts: Women and Representation, 1830 to the Present

December 240 pp., 18 ills. paper $29.95/£22.99 978-1-4780-3941-9 cloth $119.95/£96.00 978-1-4780-3447-6

Gender studies/Black studies

Inside the Body of Black Feminism

Science, Race, Culture

SAMANTHA PINTO

Inside the Body of Black Feminism connects historical studies of medical racism with Black feminist theories of the body to reimagine the material and metaphoric possibilities for political subjectivity across race, gender, and culture.

BLACK FEMINISM ON THE EDGE

A series edited by Jennifer C. Nash and Samantha Pinto

Samantha Pinto is Professor of English, African & African Diaspora Studies, and Women’s, Gender, & Sexuality Studies at The University of Texas at Austin.

July 226 pp., 23 ills. paper

$28.95/£22.99 978-1-4780-3880-1 cloth $119.95/£96.00 978-1-4780-3393-6

African American studies/Women’s studies

Materia Medica

Black Women, White Doctors, and Spectacular Gynecology

NICOLE N. IVY

Materia Medica traces the lives of the enslaved women conscripted into the development of US gynecology, exposing the representational labor imposed on black female bodies in the context of both medical and creative works.

Nicole N. Ivy is an American Studies scholar and teacher.

November 184 pp., 8 ills. paper

$23.95/£17.99 978-1-4780-3937-2

$103.95/£83.00 978-1-4780-3443-8

We See With the Skin

On Zora Neale Hurston’s

Methodology

ROSHANAK KHESHTI

In We See With the Skin, Roshanak Kheshti examines Zora Neale Hurston’s articulation of a radical theory of racialized perception and Black consciousness. Deploying this theory to interpret Hurston’s writings, films, and archival traces, Kheshti explores the theory’s implications for understanding minoritarian perception and thought.

BLACK OUTDOORS: INNOVATIONS IN THE POETICS OF STUDY

A series edited by J. Kameron Carter and Sarah Jane Cervenak

Roshanak Kheshti is Professor of Theater, Dance, and Performance Studies at the University of California, Berkeley. She is also the author of Modernity’s Ear: Listening to Race and Gender in World Music and Switched-on Bach.

August 234 pp., 8 ills. paper

$25.95/£19.99 978-1-4780-3888-7 cloth

$103.95/£83.00 978-1-4780-3339-4

Black studies/Philosophy and Critical Theory

The Problem of Passing SANDRA HARVEY

From fugitive slaves hunts to modern genetics, The Problem of Passing reframes passing narratives as mythologies that invent and police blackness across historical contexts, revealing the anti-black libidinal economy of Western knowledge and surveillance systems.

Sandra Harvey is Assistant Professor of African American Studies at the University of California, Irvine.

August 258 pp., 6 ills. paper

$29.95/£22.99 978-1-4780-3896-2 cloth

$119.95/£96.00 978-1-4780-3341-7

Art/Black studies

Forms of Blackness

Race and Visibility in the French-Speaking World CÉCILE BISHOP

Forms of Blackness examines how race can be approached as a form shaped and perceived through visual and aesthetic practices. Cécile Bishop offers a new way of thinking about the politics of visibility and presses readers to question how to interpret what they see.

Cécile Bishop is Associate Professor of Francophone Post-Colonial Literatures and Cultures at the University of Oxford and Kelleher Fellow in French at Oriel College. She is the author of Postcolonial Criticism and Representations of African Dictatorship: The Aesthetics of Tyranny.

June 264 pp., 43 ills. paper $29.95/£22.99 978-1-4780-3876-4 cloth $119.95/£96.00 978-1-4780-3383-7

African American studies

The Afric-American Picture Gallery

William J. Wilson’s Speculative Museum of Black Art BRITT RUSERT

The Afric-American Picture Gallery examines William J. Wilson’s journalistic imagining of a museum that centers African Americans at a time when none existed, producing a Black aesthetic ahead of the Civil War.

Britt Rusert is Professor of Afro-American Studies at the University of Massachusetts Amherst and Executive Editor of the Massachusetts Review. She is the author of Fugitive Science: Empiricism and Freedom in Early African American Culture and coeditor of W. E. B. Du Bois’s Data Portraits: Visualizing Black America

September 258 pp., 28 ills., including 14 in color paper $37.00/£27.99 978-1-4780-3907-5 cloth $125.00/£100.00 978-1-4780-3412-4

Elleza Kelley is Assistant Professor of English and Black Studies at Yale University.

Flight Lines

A

Poetics of Black Space

ELLEZA KELLEY

“We enter Flight Lines and meet the world differently—we see the hitherto undetectable; perceiving, for example, not only the interior and exterior of a train and the line it travels, but the ground it shakes and the air it parts. Elleza Kelley expands our understanding of black writers’ and visual artists’ praxis, their formal innovations, and the complex geographies from and in which black people live and create.”— CHRISTINA SHARPE , author of Ordinary Notes

In Flight Lines, Elleza Kelley argues that African American art and writing make visible the unmappable dimensions of black space, not simply by depicting black worlds but by registering how black spatial praxis takes form under conditions of racial enclosure. Reading across literature and visual art, from W. E. B. Du Bois and Zora Neale Hurston to Faith Ringgold, Romare Bearden, and Gwendolyn Brooks, Kelley tracks spatial knowledge across media and contends that where mediums meet, black aesthetic form emerges as a crucial site for conceptualizing black space in the United States. Moving from Southern landscapes shaped by racialized property to the postmigration geographies of Harlem and Chicago, Flight Lines follows fences, railroads, blocks, apartments, and rooftops as sites where enclosure is contested, improvised on, and transformed. Proposing that black space and black form are mutually constitutive, Kelley shows how black aesthetics illuminate the racial operations of enclosure while preserving alternative ways of inhabiting, sensing, and remaking racialized worlds.

ERRANTRIES

A series edited by Simone Browne, Deborah Cowan, and Katherine McKittrick

December 320 pp., 16 ills., including 12 in color paper $29.95/£22.99 978-1-4780-3942-6 cloth $119.95/£96.00 978-1-4780-3445-2

Black Undertow

HUGO KA CANHAM

Meditative and theoretical, Black Undertow reorients the thinking of blackness away from the Atlantic to the African shorelines of the Indian Ocean, places where queerness and black life frequently brush up against one another. Hugo ka Canham listens for what he names the buzz of the undertow, the traces of African ancestors who linger in water, sand, coastal forts, corals, ritual practices, and unruly imaginations along the shore. In tracking these elusive figures, he develops an approach that honors a queer right to opacity. Canham reconstitutes the siloed disciplinarity that imagines African studies, Black studies, Queer African studies, and Queer studies as necessarily different. When read as coconstitutive instead, Canham demonstrates that they better allow for explicating local life, history, poetics, and theory. In so doing, he forges methods of studying black life that think beyond the limits of traditional, textual archives.

THEORY Q

A series edited by Lee Edelman, Benjamin Kahan, and Christina Sharpe

Hugo ka Canham is Professor in the Centre for Black Planetary Studies at the Institute for Social and Health Sciences at the University of South Africa. He is the author of Riotous Deathscapes, also published by Duke University Press.

Black studies/Religion

The Audacious Ministry of Zilpha Elaw

Race, Religion, and Rebellion

KIMBERLY D. BLOCKETT

The Audacious Ministry of Zilpha Elaw chronicles the life, travels, and autobiography of itinerant Black Methodist minister Zilpha Elaw to situate her in US religious history and examine the relationship between religion, slavery, and women’s rights in the transatlantic nineteenth century.

RELIGIOUS CULTURES OF AFRICAN AND AFRICAN DIASPORA PEOPLE

A series edited by Jacob K. Olupona, Dianne M. Stewart, and Terrence L. Johnson

Kimberly D. Blockett is Professor of Africana Studies at the University of Delaware. She is the editor of Memoirs of the Life, Religious Experience, Ministerial Travels and Labours of Mrs. Zilpha Elaw and Mapping Black Women’s Geographies

November 224 pp., 13 ills. paper $26.95/£19.99 978-1-4780-3182-6 cloth $103.95/£83.00 978-1-4780-2865-9

Black studies/Gender studies

In a Field of Static

Missed Encounters with Black Feminist Theorizing JAMES BLISS

In a Field of Static recenters Black feminist theorizing in the debates that shaped contemporary feminist and queer theory, offering an original genealogy of Black feminist thought that engages with the indeterminacy at the core of Blackness and antiblackness.

BLACK FEMINISM ON THE EDGE

A series edited by Jennifer C. Nash and Samantha Pinto

James Bliss is an independent scholar living in New Orleans, Louisiana.

October 268 pp. paper $29.95/£22.99 978-1-4780-3916-7 cloth $119.95/£96.00 978-1-4780-3422-3

Cultural studies/Literary Criticism

Content Machines

Reading and Writing in the Platform Era

SARAH BROUILLETTE

In Content Machines, Sarah Brouillette considers how shortform, platform-based, and social media writing on digital mediums like Wattpad and TikTok has reshaped the modern reading and writing landscape.

Sarah Brouillette is Professor of English at Carleton University and author of UNESCO and the Fate of the Literary, among other works.

October 190 pp., 2 ills. paper

$25.95/£19.99 978-1-4780-3914-3 cloth $103.95/£83.00 978-1-4780-3421-6

Media studies/Cultural studies

How Dungeons & Dragons Changed the Way We Play

AARON TRAMMELL

In How Dungeons & Dragons Changed the Way We Play, Aaron Trammell reveals how popular culture influenced the design of the iconic tabletop game and how the game’s legacy, in turn, influences game design today.

POWER PLAY: GAMES, POLITICS, CULTURE

A series edited by TreaAndrea M. Russworm and Jennifer Malkowski

Aaron Trammell is Professor of Informatics at the University of California, Irvine, author of The Privilege of Play and Repairing Play, and senior editor of Analog Game Studies

September 176 pp., 50 ills. paper

$29.95tr/£22.99 978-1-4780-3904-4 cloth $119.95/£96.00 978-1-4780-3413-1

Alien Forms and Minor Genres

A Speculative Handbook of Academic Labor

TINA CHEN

Tina Chen’s Alien Forms and Minor Genres is an innovative exploration of how academia cultivates, manages, and rewards academic labor. Using the multidisciplinary field of Global Asias as her primary example, Chen gives readers a full sense of the backstage labor of institutional scholarship and imagines potential alternatives for intellectual inquiry.

Tina Chen is Associate Professor of English and Asian American Studies and Director of the Global Asias Initiative at The Pennsylvania State University. She is the author of Double Agency: Acts of Impersonation in Asian American Literature and Culture and founding editor of Verge: Studies in Global Asias.

Gender studies/Critical Theory

Conceptual Activism

Radical Sense-Making and the Struggle for Gender

DAVINA COOPER

In this original exploration of conceptual activism, Davina Cooper draws on theoretical and empirical research to explore the high-profile contemporary conflicts in Britain over sex and gender, exploring the techniques and challenges that advancing new and controversial conceptual meanings face in neoliberal democratic systems.

Davina Cooper is Research Professor in Law and Political Theory at King’s College London and author of Feeling Like a State: Desire, Denial, and the Recasting of Authority and Everyday Utopias: The Conceptual Life of Promising Spaces, both published by Duke University Press.

Art/Queer Theory

Reparative Craft

Eve Kosofsky Sedgwick as a Textile Artist

JASON EDWARDS

Reparative Craft is the first book to explore Eve Kosofsky Sedgwick’s work as a textile artist. Ranging across her collages, weavings, and installation works, Jason Edwards shows how these artistic practices relate to her foundational work in queer theory and affect theory.

THEORY Q

A series edited by Lee Edelman, Benjamin Kahan, and Christina Sharpe

Jason Edwards is Professor of Art History at the University of York. He is the author of Queer and Bookish: Eve Kosofsky Sedgwick as Book Artist

August 336 pp., 90 color ills. paper $35.00/£26.99 978-1-4780-3885-6 cloth $125.00/£100.00 978-1-4780-3397-4

Philosophy/Feminist Theory

Feminist Making, Doing, and Sensing

Experiments in Philosophy

LAUREN GUILMETTE and ADA S. JAARSMA, editors

Feminist Making, Doing, and Sensing rethinks feminist philosophical practice and disciplinarity by arguing for arts-based and experimental ways of doing philosophy that are participatory, relational, somatic, affective, sonorous, and sensorial.

Lauren Guilmette is Associate Professor of Philosophy at Elon University. Ada S. Jaarsma is Professor of Philosophy at Mount Royal University.

July 366 pp., 30 ills. paper $29.95/£22.99 978-1-4780-3875-7 cloth $119.95/£96.00 978-1-4780-3387-5

Music/American studies

Wild Tongue

A Borderlands Mixtape

JONATHAN LEAL

Combining lyric nonfiction, artist interviews, archival research, autoethnography, and popular music criticism, Jonathan Leal’s Wild Tongue offers an exhilarating account of music, movement, belonging, and resistance in the Rio Grande Valley.

Jonathan Leal is Assistant Professor of English at the University of Southern California. He is the author of Dreams in Double Time: On Race, Freedom, and Bebop, also published by Duke University Press, and coeditor of Cybermedia: Explorations in Science, Sound, and Vision.

October 216 pp., 24 ills. paper

$29.95/£22.99 978-1-4780-3926-6 cloth

$119.95/£96.00 978-1-4780-3430-8

Art/Latinx studies

Marfa, Marfa

Rasquachismo and Minimalism in Far West Texas

JOSH T FRANCO

In Marfa, Marfa, Josh T Franco examines the minimalist frameworks and aesthetic paradigms that artist Donald Judd brought to Marfa, Texas, now a famous art-pilgrimage site, and their intersection with the rasquache sensibilities of Marfa’s local Chicanx and Mexican American communities, which include Franco’s own family.

Josh T Franco is an independent artist and art historian.

October 200 pp., 62 color ills. paper

$31.00tr/£23.99 978-1-4780-3921-1 cloth

$109.00/£87.00 978-1-4780-3417-9

Art/Latinx studies

Visualizing Latinx

Creative Practices in Fashion, Film, and Beyond ARLENE DÁVILA

Visualizing Latinx is a vibrant tribute to Latinx creators in film, fashion, and public art—especially those on the margins, working in border communities, or without the recognition they deserve—that celebrates the vital lessons their work offers us all.

Arlene Dávila is Professor of Anthropology and American Studies at New York University and Founding Director of The Latinx Project. She is the author of Latinx Art: Artists, Markets, and Politics and the coeditor of Nuyorican and Diasporican Visual Art: A Critical Anthology, both published by Duke University Press.

October 200 pp., 34 ills. paper

$25.95/£19.99 978-1-4780-3908-2 cloth $103.95/£83.00 978-1-4780-3411-7

Art/Latinx studies

Transplanetary Americas

Art, Outer Space, and the Latinx Imagination

ROBB HERNÁNDEZ

In Transplanetary Americas, Robb Hernández launches a propulsive pathway for Latinx cultural studies by exploring how the modern space race has driven artists to look up and attune to expressions derived from the solar system and beyond.

Robb Hernández is Professor of English at Fordham University. He is the author of Archiving an Epidemic: Art, AIDS, and the Queer Chicanx Avant-Garde and VIVA Records, 1970–2000: Lesbian and Gay Latino Artists of Los Angeles

October 304 pp., 100 ills., including 62 in color paper

$35.00/£26.99 978-1-4780-3922-8 cloth $125.00/£100.00 978-1-4780-3418-6

Florencia San Martín is Assistant Professor of Art History at Lehigh University.

Wolfgang Kaleck is the founder as well as general secretary for the European Center for Constitutional and Human Rights.

Art

Alfredo Jaar

Decolonial Time and the Aesthetics of the Unfinished FLORENCIA SAN MARTÍN

With a Foreword by WOLFGANG KALECK

“It is rare that an artist whose work is deeply committed to sociopolitical issues receives detailed attention to that element rather than glancing references to alert the viewer. Alfredo Jaar is not only a globally important visual artist but a savvy and brilliant commentator/participant in the content at the heart of his work. In this book—as potentially groundbreaking as Jaar’s art—Florencia San Martín offers a dense, detailed, and intelligent analysis of the art and its crucial political contexts, opening up Jaar’s visual oeuvre to its real significance in and beyond the world of art.”— LUCY R. LIPPARD, writer, art critic, activist, and curator

In Alfredo Jaar, Florencia San Martín analyzes the work of the prominent Chilean-born artist Alfredo Jaar, whose work challenges the linear and triumphalist temporality of Western modernity, which obscures the violence of colonization and globalization. San Martín argues that Jaar’s work represents decolonial time, exposing the limits of the violent systems we oppose but inhabit. His art, she maintains, is informed by and responds to two interconnected historical events relevant to his own life: the US-backed military coup that established Pinochet’s dictatorship in Chile, and the implementation of its corollary neoliberal economic system around the world. San Martín explores the key themes in Jaar’s artistic practice—mourning, accountability, and failure—which situate the victims of the Chilean regime in a global context, directly confront the architects of atrocity, and question how ideas of diversity and inclusion have been co-opted by modern neoliberal discourses. Alfredo Jaar enables us to reimagine art history, offering a fresh paradigm from where to think about global contemporary art today.

July 282 pp., 88 ills., including 31 in color paper $37.00/£27.99 978-1-4780-3878-8 cloth $125.00/£100.00 978-1-4780-3390-5

Religious studies/African diaspora studies

Afroindigenization

A Theory of Grassroots Cultural Practice

CATHERINE A. JOHN

Catherine A. John’s Afroindigenization examines ways that diasporic descendants of enslaved Africans internalize and deploy spiritual power as fuel for their dynamic cultural expression, which in turn help to ensure their psychological and spiritual survival.

RELIGIOUS CULTURES OF AFRICAN AND AFRICAN DIASPORA PEOPLE

A series edited by Jacob K. Olupona, Dianne M. Stewart, and Terrence L. Johnson

Catherine A. John is Professor of Africana Studies at the University of Rhode Island and author of Clear Word and Third Sight: Folk Groundings and Diasporic Consciousness in African Caribbean Writing, published by Duke University Press.

August 246 pp., 2 ills. paper

$31.95/£23.99 978-1-4780-3898-6 cloth $119.95/£96.00 978-1-4780-3343-1

Photography/African studies

Private Subjects

Family Photography in South Africa and the Right to Opacity

JOHN PEFFER

During apartheid in South Africa, Black citizens kept a close watch on the circulation of their photographs. John Peffer shows how this ethics continues to this day as he explores the ways subjects and their families control their own photographic stories.

THE VISUAL ARTS OF AFRICA AND ITS DIASPORAS

A series edited by Kellie Jones and Steven Nelson

John Peffer is Professor of Art History at Ramapo College of New Jersey and author of Art and the End of Apartheid.

November 264 pp., 76 ills. paper

$31.95/£23.99 978-1-4780-3901-3 cloth $119.95/£96.00 978-1-4780-3405-6

Anthropology/Latin American studies

Without Masters

Autogestión, Anarchist Ethics, and Mexico City Punk

LIVIA K. STONE

Without Masters follows the transformation of the radical principle of autogestión, or self-management, from its origins in Algeria and France in the 1960s through its transformative resurgence in Mexico City’s punk scene and student uprisings of the 1990s.

Livia K. Stone is Associate Professor of Anthropology at Illinois State University and author of Atenco Lives!: Filmmaking and Popular Struggle in Mexico.

Performance studies/Latin American studies

Viscous Performances

The Persistence of Creative Resistances in Neoliberal Chile

MARÍA JOSÉ CONTRERAS LORENZINI

Viscous Performances examines the endurance of creative protest performances in Chile in the twenty-first century, situating Chilean practices of resistance within a global conversation about the politics of performance.

DISSIDENT ACTS

A series edited by Diana Taylor and Macarena Gómez-Barris

María José Contreras Lorenzini is Associate Professor of Theatre at Columbia University and coeditor of Women Mobilizing Memory

Anthropology/Social Theory

Homeplaces

Dwelling and Habitability in Critical Times

JOÃO BIEHL and FEDERICO NEIBURG, editors

Houses bleed, die, and are remade from wreckage. As war, climate catastrophe, and toxic landscapes dehouse the planet, leading anthropologists chart house-ing—the reciprocal process of people making houses and houses making people amid ongoing calamity—and the unrelenting quest for habitability.

João Biehl is Susan Dod Brown Professor of Anthropology at Princeton University. Federico Neiburg is Professor of Anthropology at the Federal University of Rio de Janeiro.

October 368 pp., 75 halftones paper

$35.00/£26.99 978-1-4780-3912-9 cloth $125.00/£100.00 978-1-4780-3416-2

Disability studies/Medical Anthropology

Sick Work

Exhaustion, Labor, and Invisible Illness

EMILY LIM ROGERS

Examining the everyday lives and activism of people with myalgic encephalomyelitis/chronic fatigue syndrome, a disease defined by disproportionate exhaustion after any form of exertion, Sick Work demands a radical transformation of how labor is defined and valued.

Emily Lim Rogers is Assistant Professor of Cultural Anthropology at Duke University.

September 216 pp., 5 ills. paper

$29.95/£22.99 978-1-4780-3903-7 cloth $119.95/£96.00 978-1-4780-3345-5

Black studies/Environmental studies

Captive Ecologies

The Environmental Afterlives of Slavery

JENNIFER C. JAMES

Captive Ecologies makes a case for the ecological significance of slavery’s afterlife, examining Black literature, music, and art to trace the complex entanglements between racial capitalism and Black ecological freedom.

Jennifer C. James is Associate Professor of English and Africana Studies at The George Washington University and author of A Freedom Bought with Blood: African American War Literature from the Civil War to World War II

August 260 pp., 20 ills. paper

$29.95/£22.99 978-1-4780-3892-4 cloth $119.95/£96.00 978-1-4780-3340-0

Geography/Science studies

Love in the Time of Zika Environmental Crisis and the Future of Reproduction

PAIGE MARIE PATCHIN

Love in the Time of Zika tracks the Zika public health crisis to challenge assumptions about human and nonhuman reproduction and show how climate change is transforming it.

Paige Marie Patchin is Lecturer in Race, Ethnicity and Postcolonial Studies at the Sarah Parker Remond Centre at the University College London.

June 200 pp. paper $26.95/£19.99 978-1-4780-3874-0 cloth $103.95/£83.00 978-1-4780-3386-8

Anthropology/Public Health

Mosquito Work

Vectors of Global Health

ANN H. KELLY and JAVIER LEZAUN

Ann H. Kelly and Javier Lezaun reimagine global health by returning to its most persistent problem: the mosquito. They follow entomologists, technicians, community volunteers, and the mosquitoes themselves to illuminate the collaborations, experimental improvisations, and political entanglements that shape contemporary disease control.

Ann H. Kelly is Professor of Anthropology at the University of Oxford. Javier Lezaun is Professor of Anthropology at the University of Oxford.

November 240 pp., 23 ills. paper $29.95/£22.99 978-1-4780-3930-3 cloth $119.95/£96.00 978-1-4780-3427-8

Media studies/Environmental studies

Archives of the Anthropocene

Visual Grammars of Deep Time

YURIKO FURUHATA

Focusing on the archipelagic empires of Japan and the United States in the twentieth century, Archives of the Anthropocene examines how visual inscriptions of geological strata, ice, clouds, and coral reefs mediate the extractive modes of seeing Earth’s depths and heights.

ELEMENTS

A series edited by Stacy Alaimo and Nicole Starosielski

Yuriko Furuhata is Professor of East Asian Studies and Associate Member of Art History and Communication Studies at McGill University. She is the author of Climatic Media: Transpacific Experiments in Atmospheric Control and Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics, both published by Duke University Press.

September 314 pp., 20 ills. paper $31.95/£23.99 978-1-4780-3894-8 cloth $119.95/£96.00 978-1-4780-3359-2

Anthropology/Environmental studies

Worlds Beyond Bios

The Life of Matter and the Matter of Life

SOPHIE CHAO, CHRISTINE J. WINTER, and DAVID SCHLOSBERG, editors

Drawing on Indigenous and Global South epistemologies, Worlds Beyond Bios builds on recent theoretical and ethnographic approaches to the more-than-human, exploring how entities not traditionally recognized as “alive” play active roles in shaping multispecies worlds and offer new ways of thinking toward planetary repair.

Sophie Chao is Senior Lecturer in Anthropology at the University of Sydney. Christine J. Winter is Senior Lecturer in Politics at the University of Otago. David Schlosberg is Professor of Environmental Politics at the University of Helsinki.

August 440 pp., 25 ills. paper $34.95/£26.99 978-1-4780-3887-0 cloth $139.95/£112.00 978-1-4780-3399-8

Anthropology/Asian studies

We Live with the Sea

Ecologizing Safety in Post-Tsunami Japan

ANDREW LITTLEJOHN

Drawing on ethnographic fieldwork in post-tsunami Japan, We Live with the Sea investigates why people who have experienced disaster may refuse protective infrastructures and argues for ways to instead ecologize safety by respecting community relations with the sea.

Andrew Littlejohn is Assistant Professor at the Institute of Cultural Anthropology and Development Sociology at Leiden University.

Environmental studies/Anthropology

How to Control Fire on a Burning Continent

TIMOTHY NEALE

A critical and ethnographic exploration of wildfire management in Australia, one of Earth’s most fire-prone countries, Timothy Neale’s How to Control Fire on a Burning Continent critiques the colonial logics of control deployed to manage unruly environments and explores alternative forms of environmental stewardship.

ELEMENTS

A series edited by Stacy Alaimo and Nicole Starosielski

Timothy Neale is Associate Professor of Anthropology at Deakin University and author of Wild Articulations: Environmentalism and Indigeneity in Northern Australia

Architecture/American studies

Inland Empire

Settler Colonialism and Modern Architecture in Southern California

MANUEL SHVARTZBERG CARRIÓ

Inland Empire explores how modernist architecture and urbanism structured US settler colonialism, placing them in critical dialogue with the history of Indigenous design and resistance in Southern California. In doing so, it challenges the disciplinary foundations of design history, design theory, and decolonial scholarship.

GLOBAL AND INSURGENT LEGALITIES

A series edited by Eve Darian-Smith and Jonathan Goldberg-Hiller

Manuel Shvartzberg Carrió is Assistant Professor of Urban Studies and Planning at the University of California, San Diego.

November 344 pp., 69 ills., including 34 in color paper

$37.00/£27.99 978-1-4780-3927-3 cloth $125.00/£100.00 978-1-4780-3431-5

American studies/Environmental studies

California Futures

Haunted Ecologies, Decolonial Relations

DANIEL LANZA RIVERS

In California Futures, Daniel Lanza Rivers examines histories of environmental speculation and extraction in California, thinking beyond the colonial Anthropocene to articulate the challenges and opportunities of land return and environmental justice under climate change.

Daniel Lanza Rivers is Associate Professor of American Studies and Literature at San José State University.

August 336 pp., 27 ills. paper

$29.95/£22.99 978-1-4780-3895-5 cloth $119.95/£96.00 978-1-4780-3403-2

Black studies/Sound studies

Sonorous Passages

Black Maternal Soundings and the Liberation Imaginary

MEINA YATES-RICHARD

In Sonorous Passages, Meina Yates-Richard attends to the ignored, muffled, and silenced women of the Black Atlantic literary tradition, showing how the sounds of Black maternal figures function powerfully to communicate freedom practices amid ongoing subjection.

Meina Yates-Richard is Assistant Professor of African American Studies and English at Emory University.

October 296 pp. paper $29.95/£22.99 978-1-4780-3917-4 cloth $119.95/£96.00 978-1-4780-3424-7

Philosophy and Critical Theory

Good Vibes Only

Phenomenology and the Biopolitics of Algorithmic Legitimation

ROBIN JAMES

In Good Vibes Only, Robin James shows how vibe checks have become a technology of literal and figurative policing. Combining philosophy, popular music studies, and media studies, James illustrates a new era of mood, alignment, and atmosphere across political forms of governance and everyday cultural practices.

Robin James is an independent scholar and author of several books, including The Sonic Episteme: Acoustic Resonance, Neoliberalism, Biopolitics, also published by Duke University Press, and The Future of Rock and Roll: 97X WOXY and the Fight for True Independence

November 256 pp., 11 ills. paper $29.95/£22.99 978-1-4780-3933-4 cloth $119.95/£96.00 978-1-4780-3436-0

Cultural studies

Out of Sync

Ventriloquism in Popular Media from Vinyl to TikTok

SARAH REBECCA KESSLER

Out of Sync explores ventriloquism’s surprising popularity in the contemporary moment, arguing for the centrality of this seemingly arcane performance practice to understandings of audiovisual media from vinyl records to TikTok.

Sarah Rebecca Kessler is Assistant Professor of English at the University of Southern California.

October 232 pp., 30 ills. paper $31.95/£23.99 978-1-4780-3919-8 cloth $119.95/£96.00 978-1-4780-3426-1

Religion/African studies

Forms of Worship

How Orisa Worship Became Religion in Nigeria and Brazil

AYODEJI OGUNNAIKE

Forms of Worship tracks the history of how diaspora and mission Christianity transformed devotion to Yoruba deities from a system of forms of worship into the most popular indigenous African religion.

Ayodeji Ogunnaike is Assistant Professor of African Religions and Canada Research Chair (Tier 2) in the Globalization of African Religion and Yoruba Mythology at McGill University.

September 370 pp., 15 ills. paper $31.95/£23.99 978-1-4780-3902-0 cloth $119.95/£96.00 978-1-4780-3344-8

Sociology/African studies

The Upright Farmer

Racial Capitalism and Agricultural Modernization in Burkina Faso JESSIE K. LUNA

Through rich ethnography, The Upright Farmer uses the contradictions of agricultural modernization in Burkina Faso as a case study to reframe debates around racial capitalism and African economic development and to unsettle simple binaries of consent and resistance.

Jessie K. Luna is Associate Professor of Sociology at Colorado State University.

October 312 pp., 22 ills. paper $31.95/£23.99 978-1-4780-3920-4 cloth $119.95/£96.00 978-1-4780-3415-5

Anthropology/Latin American studies

The Good Road

A K’iche’ Revolutionary Theopolitics

CARLOTA MCALLISTER

The Good Road explores the theopolitics informed by five hundred years of resistance to Christian empire that impelled a Maya-K’iche’ community in Guatemala to mobilize for revolution in the early 1980s and have shaped the community’s return to political life after the genocide that crushed their uprising.

Carlota McAllister is an anthropologist and Associate Professor of Environmental and Urban Change at York University. She is the coeditor of War by Other Means: Aftermath in Post-Genocide Guatemala, also published by Duke University Press.

December 280 pp. paper $31.95/£23.99 978-1-4780-3936-5 cloth $119.95/£96.00 978-1-4780-3440-7

Dance/Caribbean studies

Smaddification

Dance and Decolonization in Jamaica AMANDA MICHELLE REID

Smaddification traces the story of Jamaican decolonization through the journeys of danceractivists as they define and embody the promise of freedom in a newly independent postcolonial nation.

Amanda Michelle Reid is Assistant Professor and Director of Dance Studies at Yale University.

November 288 pp., 23 ills. paper

$27.95/£20.99 978-1-4780-3925-9 cloth

$104.95/£80.00 978-1-4780-3433-9

History/Caribbean studies

Enter the Lion

The 1966 State Visit of Emperor Haile Selassie I to the Caribbean

JOHN P. HOMIAK, GIULIA BONACCI, and JAHLANI A. NIAAH

The 1966 state visit of Ethiopian Emperor Haile Selassie I shook Jamaica and brought Rastafari to center stage, raising Pan-African sentiments across the Caribbean. Enter the Lion gathers oral histories and archival documents to craft an expansive account of this pivotal event.

John P. Homiak is Research Associate of Anthropology at the Smithsonian Institution’s National Museum of Natural History. Giulia Bonacci is a historian and researcher at the Institute of Research for Sustainable Development. Jahlani A. Niaah is Senior Lecturer in Cultural Studies at the Institute of Caribbean Studies in the University of the West Indies.

September 396 pp., 40 ills. paper

$34.95/£26.99 978-1-4780-3911-2 cloth

$139.95/£112.00 978-1-4780-3406-3

Middle East studies/Indigenous and Native studies

The Indigenous Anti-Colonial

A Palestinian Resistance Tradition and a World Beyond Settler Colonialism

LINDA TABAR

Linda Tabar explores the radical tradition in which Palestinians who are committed to their world remain defiant and undeterred as they counter Zionist efforts to erase Palestinian presence and history from the land with a resistance tradition that does not yield to settler colonialism.

Linda Tabar is Associate Professor of International Relations at the University of Sussex.

December 288 pp., 10 ills. paper

$29.95/£22.99 978-1-4780-3938-9

Anthropology/Middle East studies

Resurgency

Outlasting the War on Terror in Iraq

KALI RUBAII

Resurgency examines how Iraqi farmers outlast the long shadow of US military intervention as they return to repair their war-damaged homeland. Based on detailed ethnographic research, Kali Rubaii expands the temporal and descriptive definitions of war, displacement, and resistance.

GLOBAL INSECURITIES

A series edited by Catherine Besteman and Darryl Li

Kali Rubaii is Assistant Professor of Anthropology at Purdue University and coeditor of The Social Properties of Concrete

July 318 pp., 36 ills. paper

$31.95/£23.99 978-1-4780-3872-6

$119.95/£96.00 978-1-4780-3446-9

$119.95/£96.00 978-1-4780-3381-3

Anthropology/Asian studies

The Urban Grotesque

Life and Debt in Jakarta

DOREEN LEE

In The Urban Grotesque, Doreen Lee reveals what lies beneath the urban promise of Jakarta, tracking the hidden costs of living, sharing, and being together across stories of debt, grift, mobility, and obligation.

Doreen Lee is Associate Professor of Anthropology at Northeastern University. She is the author of Activist Archives: Youth Culture and the Political Past in Indonesia, also published by Duke University Press.

November 256 pp., 14 ills.

African studies/Literary studies

Materializing Imaginaries in Senegal

Modern African Literature and Global 1968

FATOUMATA SECK

Fatoumata Seck explores the revolutionary implications of the global upheavals of 1968 for cultural projects in Senegal and beyond, situating African literature, cinema, and theory as part of a global uprising of creative dissidence, revolutionary fervor, and cultural experimentation.

Fatoumata Seck is Assistant Professor of French and, by courtesy, of Comparative Literature at Stanford University.

December 344 pp., 14 ills. paper

Legal studies/Migration

Toward Border Abolition

Migrant Struggles and the Law

NICHOLAS

DE GENOVA and DANIEL I. MORALES, editors

Toward Border Abolition radically questions the assumption that immigration control is necessary or legitimate. Bringing together essays by scholars of migration, borders, and law, this volume explores how a politics of border abolitionism opens new vistas for remaking the world.

Nicholas De Genova is Professor of Anthropology at the University of Houston. Daniel I. Morales is Associate Professor at the University of Houston Law Center.

August 260 pp., 1 ill. paper

Geography/Asian studies

Surviving the State

Land and Democracy in Myanmar

HILARY OLIVA FAXON

A vivid account of transformation and tenacity before, during, and after Myanmar’s democratic decade, Surviving the State documents the everyday practices that sustain life on the land during periods of spectacular brutality and quiet exploitation under authoritarian regimes.

Hilary Oliva Faxon is Assistant Professor of Environmental Social Science at the University of Montana.

july 244 pp., 21 ills. paper $31.95/£23.99 978-1-4780-3884-9 cloth $119.95/£96.00 978-1-4780-3398-1

Sociology/Cultural studies/Politics

Imperial Entanglements of Policing

JULIAN GO and STUART SCHRADER, editors

Looking across empires, from the United States and France to postcolonial policing in places like Iraq, Chile, and the Philippines, Imperial Entanglements of Policing offers a comprehensive examination of how imperialism and colonialism have shaped policing as well as how policing has facilitated imperialism and colonialism.

Julian Go is Professor of Sociology at the University of Chicago. Stuart Schrader is Associate Professor of History at Johns Hopkins University.

November 404 pp., 3 ills. paper $31.95/£23.99 978-1-4780-3899-3 cloth $119.95/£96.00 978-1-4780-3404-9

Gender studies/Latin American studies

Seeking Justice for Gendered Violence

Courts, Communities, and Care in Guatemala

ERIN BECK and LYNN STEPHEN

Seeking Justice for Gendered Violence is an ethnography on how laws and institutions designed to address violence against women in Guatemala interact with norms, authority structures, and care strategies of Indigenous women and how Indigenous women survive, resist, and support one another using grassroots knowledge.

Erin Beck is Associate Professor of Political Science at the University of Oregon. Lynn Stephen is Philip H. Knight Chair and Professor of Anthropology at the University of Oregon.

September 332 pp., 22 ills. paper $27.95/£20.99 978-1-4780-3897-9 cloth $104.95/£84.00 978-1-4780-3342-4

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