Photographs - 6.13.2019 by Doyle

PHOTOGRAPHS

Thursday, June 13, 2019

NEW YORK

PHOTOGRAPHY

AUCTION

Thursday, June 13, 2019 at 10am

EXHIBITION Saturday, June 8, 10am – 5pm Sunday, June 9, Noon – 5pm SPECIAL LATE HOURS Monday, June 10, 10am – 7pm

LOCATION

Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com

INCLUDING PROPERTY FROM THE ESTATES OF Elizabeth H. Fuller David E. Levy Felice Ross

INCLUDING PROPERTY FROM A Maine Collector Two New York Gentleman

CONTENTS Photographs

1 - 133

Glossary I Conditions of Sale II Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory XI Absentee Bid Form XII

Lot 89

1 AARONS, SLIM (1916-2006) Poolside Gossip: Lita Baron, Nelda Linsk and Helen Dzo Dzo, Palm Springs, 1970. Digital chromogenic print, 34 x 50 3/4 inches (860 x 1290 mm), mounted to foamcore. Fine. Framed. C Estate of David E. Levy $1,500-2,500 See Illustration

DOYLE • JUNE 13, 2019

• NEW YORK

2 ABBOTT, BERENICE (1898-1991) James Joyce, [1928]. Gelatin silver print, 13 3/8 1/2 x 10 3/8 inches (342 x 263 mm), dry-mounted as issued, signed on mount recto (l.r.). Traces of old tape on the back of the mount. C $2,000-3,000 See Illustration

3 ABBOTT, BERENICE (1898-1991) The “El,” with dress shops, 1930s. Large-format gelatin silver print dry-mounted to card, 19 1/4 x 15 inches (490 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-1,800 See Illustration

4 ABBOTT, BERENICE (1898-1991) Macy’s corner, circa 1930. Large-format gelatin silver print dry-mounted to card, 15 3/8 x 19 1/4 inches (385 x 490 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

5 ABBOTT, BERENICE (1898-1991) Barclay Street Station, 1930. Large-format gelatin silver print dry-mounted to card, 15 x 19 1/4 inches (380 x 490 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

6 ABBOTT, BERENICE (1898-1991) New York at Night, 1932. Gelatin silver print, 21 3/4 x 17 1/4 inches (553 x 438 mm), dry-mounted, signed by the photographer in pencil on the mount recto, with her Abbott, Maine stamp on the verso. Fine example of this print in mural size. Framed. C $10,000-15,000 See Illustration

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9 7 ABBOTT, BERENICE (1898-1991) Minetta Street, #2, 4, 6 1935. Gelatin silver print, 6 5/8 x 4 3/4 inches (167 x 122 mm), verso with Abbott’s “Photographs from Berenice Abbott, 50 Commerce Street, New York 14, N.Y.” label, signed in pencil, with title, date and annotations in pencil (cropped by Abbot from the larger image prepared for Changing New York). Fine condition, likely a vintage print. C $800-1,200 See Illustration 8

DOYLE • JUNE 13, 2019

8 ABBOTT, BERENICE (1898-1991) [Untitled], Passport Photos, New York City circa 1935. Gelatin silver print dry-mounted to card, printed 1980s, 13 3/4 x 10 3/4 inches (350 x 273 mm), recto signed in pencil on mount (l.r.), verso with Abbott’s Abbott, Maine hand-stamp. Fine condition. C $1,500-2,500 See Illustration

• NEW YORK

10 9 ABBOTT, BERENICE (1898-1991) Poultry Shop East 7th Street, Manhattan, 1935. Large-format gelatin silver print dry-mounted to card, 19 1/4 x 15 inches (490 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

10 ABBOTT, BERENICE (1898-1991) Canyon-Broadway & Exchange Place, 1936. Large-format gelatin silver print dry-mounted to card, 18 3/4 x 15 inches (475 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $2,500-3,500 See Illustration

13 11 ABBOTT, BERENICE (1898-1991) Church of God, 25 West 132nd Street, 1936. Large-format gelatin silver print dry-mounted to card, 15 x 19 1/4 inches (380 x 490 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

12 ABBOTT, BERENICE (1898-1991) El Station Interior, 1936. Large-format gelatin silver print dry-mounted to card, 15 x 19 1/4 inches (380 x 490 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

13 ABBOTT, BERENICE (1898-1991) The Lebanon Restaurant 88 Washington Street, 1936. Large-format gelatin silver print dry-mounted to card, 19 1/4 x 15 inches (490 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios Berenice Abbott’s New York. C $1,500-2,500 See Illustration

14 ABBOTT, BERENICE (1898-1991) Texaco Gasoline Station Tremont Avenue & Dock Street, Bronx, 1936. Large-format gelatin silver print dry-mounted to card, 19 1/4 x 15 inches (490 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

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15 ABBOTT, BERENICE (1898-1991) The “El,” 2nd & 3rd Avenue lines. Bowery and Division, 1936. Large-format gelatin silver print dry-mounted to card, 19 1/4 x 15 inches (490 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration 10 DOYLE • JUNE 13, 2019

16 ABBOTT, BERENICE (1898-1991) Manhattan Bridge, walkway, 1936. Large-format gelatin silver print dry-mounted to card, 19 1/4 x 15 inches (490 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $2,500-3,500 See Illustration

• NEW YORK

17 ABBOTT, BERENICE (1898-1991) Clotheslines, court of first model tenement house in New York City,1936. Large-format gelatin silver print dry-mounted to card, 19 1/4 x 15 inches (490 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

18 ABBOTT, BERENICE (1898-1991) Traveling Tin Shop, Brooklyn, 1936. Large-format gelatin silver print dry-mounted to card, 15 1/4 x 19 1/4 inches (38 x 490 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

19 ABBOTT, BERENICE (1898-1991) West Street, 1936. Large-format gelatin silver print dry-mounted to card, 15 x 19 1/4 inches (380 x 490 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

20 ABBOTT, BERENICE (1898-1991) Treasury Building from J.P. Morgan Office, 1936. Large-format gelatin silver print dry-mounted to card, 19 1/4 x 15 inches (490 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $2,000-3,000 See Illustration

21 ABBOTT, BERENICE (1898-1991) Pennsylvania Station, New York, 1936. Large-format gelatin silver print dry-mounted to card, 18 1/2 x 15 1/2 inches (470 x 394 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $2,000-3,000 See Illustration

22 ABBOTT, BERENICE (1898-1991) Reverse of sign, Columbus Circle, 1936. Large-format gelatin silver print dry-mounted to card, 15 1/4 x 19 1/4 inches (380 x 490 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

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23 ABBOTT, BERENICE (1898-1991) 4th Avenue, no. 154, Brooklyn, 1936. Large-format gelatin silver print dry-mounted to card, 15 1/4 x 19 1/4 inches (385 x 490 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios Berenice Abbott’s New York. C $1,500-2,500 See Illustration

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24 ABBOTT, BERENICE (1898-1991) Gunsmith and Police Department, 6 Centre Market Place, Manhattan, 1937. Large-format gelatin silver print dry-mounted to card, 15 1/2 x 19 1/4 inches (385 x 490 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

• NEW YORK

25 ABBOTT, BERENICE (1898-1991) Italian cheese store. 276 Bleecker Street, Manhattan, 1937. Large-format gelatin silver print dry-mounted to card, 19 1/4 x 15 inches (490 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

26 ABBOTT, BERENICE (1898-1991) Kosher chicken market, New York, 1937. Large-format gelatin silver print dry-mounted to card, 18 3/4 x 15 inches (476 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

27 ABBOTT, BERENICE (1898-1991) [Sky-writing spiral over St. Marks Church], New York City, 1937. Gelatin silver print dry-mounted to card, printed 1980s, 13 1/4 x 10 3/8 inches (337 x 262 mm), recto signed in pencil on mount (l.r.), verso with Abbott’s Abbott, Maine hand-stamp. Fine condition. C $600-900 See Illustration

28 ABBOTT, BERENICE (1898-1991) Rothman’s Pawn Shop, 149 8th Ave., 1938. Large-format gelatin silver print dry-mounted to card, 19 1/4 x 15 inches (490 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

29 ABBOTT, BERENICE (1898-1991) Greyhound Bus Terminal, 33rd and 34th Streets between 7th and 8th Avenues, 1938. Large-format gelatin silver print dry-mounted to card, 15 x 19 1/4 inches (380 x 490 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

30 ABBOTT, BERENICE (1898-1991) Pingpank Barber Shop, 1938. Large-format gelatin silver print dry-mounted to card, 19 1/4 x 15 inches (490 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration

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33 31 ABBOTT, BERENICE (1898-1991) Charles Lane, 1938. Gelatin silver print, 9 5/8 x 7 1/8 inches (243 x 182 mm), verso with Abbott’s Federal Art Project Changing New York handstamp, with title, date and annotations in pencil. Fine condition. C $1,500-2,500 See Illustration 32 ABBOTT, BERENICE (1898-1991) Flatiron Building, circa 1938. Gelatin silver print, 23 1/4 x 17 1/2 inches (590 x 448 mm), dry-mounted, signed by the photographer in pencil on the mount recto, from the edition of 40, the verso with the Parasol Press Retrospective stamp. Fine example. Framed. C $4,000-6,000 See Illustration 14 DOYLE • JUNE 13, 2019

• NEW YORK

33 ABBOTT, BERENICE (1898-1991) Repair shop, Christopher St., New York, 1947. Large-format gelatin silver print dry-mounted to card, 19 1/4 x 15 inches (490 x 380 mm), signed on mount (l.r.) and numbered 31 from the edition of 60. Fine condition. Framed. From the Parasol Press portfolios of Berenice Abbott’s New York. C $1,500-2,500 See Illustration and Back Cover

34 ADAMS, ANSEL Two signed works. Comprising My Camera in the National Parks...30 photographs... Boston: Virginia Adams, Yosemite National Park and Houghton Mifflin Company, 1950. First edition, signed on the half-title. Publisher’s spiral-bound boards. 14 1/2 x 12 inches (27 x 30.5 cm); 98 pp. Some wear and soiling, non-authorial presentation also on the half-title; Yosemite and the Range of Light. Boston: New York Graphic Society, 1979. Signed label: “One of a special edition prepared for Time/Life books with the signature of the photographer.” Publisher’s cloth in dust jacket. 12 x 15 inches (30.5 x 38 cm); 28 pp., 116 plates. Some wear to jacket, boards a trifle faded. C Property of a Maine Collector $600-900

36 35 ATGET, EUGENE (1857-1927) Étang de Corot, Ville d’Avray, June 1901. Unmounted gold-toned albumen print, printed 1978, image 7 x 9 1/2 inches (178 x 241 mm), numbered in pencil in margin recto 32 from the edition of one hundred, overmat also numbered. Fine condition. Printed from original plate by the Chicago Albumen Works for The Museum of Modern Art, New York. C $600-900 See Illustration

36 ATGET, EUGENE (1857-1927) Au bon puits. Rue Michel le Comte 36, 3e Arr., June 1901. Unmounted arrowroot print or Aristotype, image 8 3/8 x 6 3/4 inches (222 x 172 mm), dry-mounted, recto signed (l.r.) and titled by Atget on the lower margin of the mount. Some yellowing to the tones from the mount. Signed examples of Atget’s work, especially on a presentation mount such as this, are quite uncommon. C $2,000-3,000 See Illustration

37 ATGET, EUGENE and ABBOTT, BERENICE Pompe Funebre, Paris, 1910. Gelatin silver print dry-mounted to card, printed 1950s, 9 x 6 3/4 inches (230 x 170 mm), with Berenice Abbott’s “Photograph by Eugene Atget” stamp, signed by Abbott. Print tipped to mount. Framed. C $800-1,200 See Illustration

38 BEALS, JESSIE TARBOX (1871-1942) The Washington Arch at Midnight circa 1910. Vintage toned gelatin silver print, 9 1/4 x 7 3/8 inches (235 x 190 mm), tipped to original card mount, mount recto signed in pencil by Beals (l.r.), titled (l.l.), with Beals’s small monogram in the print (l.l.); the verso with her copyright, the mount verso with her copyright handstamp. Generally fine condition. C $1,000-1,500 See Illustration

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39 BELLOCQ, E. J. (1873-1949) [Storyville portrait, New Orleans, woman in underclothes standing on rug, about 1900]. 10 x 8 inches (252 x 204 mm), printed later by Lee Friedlander using gold chloride on printing-out paper, with the Collection of Friedlander’s back stamp. About fine. Framed. C $2,000-3,000 See Illustration

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40 BERNHARD, RUTH (1905-2006) Spanish Dancer, 1971. Gelatin silver print, dry-mounted to card, 8 1/2 x 13 3/4 inches (217 x 348 mm), signed in pencil on mount recto (l.r.), again on mount verso together with date and title. No defects noted in raking light. Framed. C $2,000-3,000 See Illustration

• NEW YORK

41 BLUMENFELD, ERWIN (1897-1969) [Hat Fashion, Dior, New York], 1946. Digital chromogenic print, 13 x 10 1/4 inches (328 x 265 mm), verso with the Erwin Blumenfeld Estate stamp. Framed. C $500-800 See Illustration

42 BOUGHTON, ALICE (1865-1943) Henry James, [1916]. Toned gelatin silver print, 8 1/2 x 5 1/2 (215 x 140 mm), inscribed “photograph by Alice Boughton” in white ink (l.l.) Small crease to lower left, some silvering at edges. C $400-600 See Illustration

43 BOURDIN, GUY (1928-1991) Woman with portrait of John Travolta, undated. Digital chromogenic print printed posthumously, 12 1/2 x 19 1/2 inches (315 x 490 mm), signed on verso by Samuel Bourdin on handstamp, copy from the edition of 18. Framed. C $600-900 See Illustration

44 BOURKE-WHITE, MARGARET (1902-1971) [Keptanna with her baby Nalsuyals, Eskimos, Coppermine, Northwest Territories, Canada, 1937]. Vintage gelatin silver print, 12 1/4 x 9 3/4 inches (312 x 247 mm), verso unstamped. Framed. C $600-900 See Illustration

45 BRANDT, BILL (1904-1983) Parlourmaid and under-parlourmaid ready to serve dinner, 1934. Gelatin silver print, 9 x 7 3/4 inches (228 x 198 mm), verso stamped “Bill Brandt” and dated 1934 in pencil Several small retouchings, a few minor handling creases, in all an attractive example. C Property of Two New York Gentlemen $1,000-1,500 See Illustration

46 BRANDT, BILL (1904-1983) In a Surrey garden, cocktails before dinner, circa 1936. Gelatin silver print, printed after 1950, 9 x 7 3/4 inches (228 x 198 mm), verso stamped indistinctly “Bill Brandt.” Some minor retouching in the skies, a few minor handling marks, in all a nice example of an older (albeit not vintage) print of this classic Brandt image. Framed. C Property of Two New York Gentlemen $800-1,200 See Illustration

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48 47 BRANDT, BILL (1904-1983) Edith and Osbert Sitwell, Beneath the Family by Sargent, Renishaw Hall, Derbyshire, 1945. Gelatin silver print, printed after 1950, 9 x 7 5/8 inches (228 x 192 mm), verso stamped “Bill Brandt” and titled (apparently in his hand). Minor handling marks, framed. C Property of Two New York Gentlemen $800-1,200 See Illustration 48 BRANDT, BILL (1904-1983) [Nude, Campden Hill, London],1947. Gelatin silver print, 9 x 7 5/8 inches (228 x 195 mm), verso stamped “Bill Brandt.” Some minor handling marks, a few faint brown toner spots in the lower right edge of the image. Framed. C Property of Two New York Gentlemen $1,000-1,500 See Illustration

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51 49 BRANDT, BILL (1904-1983) Kismet with mirror, Belgravia, London,1955. Gelatin silver print, 9 x 7 3/4 inches (228 x 198 mm), signed below image (l.r.), verso stamped “Bill Brandt.” Some minor handling marks, in all a nice example of an older (albeit likely not vintage) print. This subject (in addition to other shots of the same model with the mirror) exists with the woman facing left, as here, and facing right. C Property of Two New York Gentlemen $1,000-1,500 See Illustration 50 [BRASSAÏ] MATISSE, HENRI. Revue Hommage. [Issue] 2-Juin 44. Dessins de Matisse. Monaco: Hommage, 1944. One of 1000 copies. Original printed wrappers. 12 3/4 x 9 3/4 inches (32.5 x 25 cm); [4] pp. text by André Rouveyre, with an original photograph of Brassaï, reproductions of drawings by Matisse, and a frontispiece by Leonor Fini. Slight loss to foot of spine, light wear and soiling. C The Estate of Elizabeth H. Fuller $600-900

51 BRAVO, MANUEL ALVAREZ (1902-2002) [Adorno de Tumba], 1971. Gelatin silver print (likely vintage), dry-mounted to card, 12 1/8 x 11 3/8 inches (308 x 290 mm), signed on mount recto in pencil (l.r.) and annotated “México.” Overmount adhered to photograph mount, some foxing to mount and to image (the latter visible in raking light only), spot of retouching. C $800-1,200 See Illustration 52 BREITENBACH, JOSEPH James Joyce, Paris, 1927. Gelatin silver print, printed later, 11 x 11 inches (280 x 277 mm) on larger sheet, initialed, titled and dated in pencil on print recto, verso initialed and with photographer’s reproduction stamp. Small abrasion at left extreme edge of print. C $1,500-2,500

56 54 53 [JAPANESE PHOTOGRAPHY] BRINKLEY, FRANK. Japan, Described and Illustrated by the Japanese... Boston/Tokyo: J.B. Millet Co., 1897-8. The Emperor’s edition, limited to 75 copies ad personam, this copy 22 for Mrs. R. C. Taylor of Worcester, Mass). Original pictorial silk covers with bevelled edges, spines sewn in the Japanese manner. 14 3/4 x 12 1/2 inches (37.5 x 31 cm); 382 pp. text, with 60 large format and 200 small format hand-tinted albumen photographs, 10 collotype prints of flowers, 30 examples or reproductions of original Japanese artworks, photographic frontispiece of Emperor Mutsuhito in Volume 1. A very fresh set overall, some very light wear. Of the many editions of Brinkley’s opus, the Emperor’s Edition is generally considered to have the best quality prints in terms of tone and quality of coloring. We have compared this with another deluxe edition (the Mikado) and the quality of the photographs is generally significantly superior. C $1,000-1,500 See Illustration

54 BRUGUIÈRE, FRANCIS JOSEPH (1879-1945) The Rotunda, [The Palace of] Fine Arts, [San Francisco], 1915. Gelatin silver print, laid to the original double mount, image 13 1/4 x 10 1/4 inches (340 x 258 mm), signed and dated on the outer mount (l.l.), titled in pencil on the verso. Some silvering to the edges of the print. Framed. C $800-1,200 See Illustration 55 CALLAHAN, HARRY (1912-1999) [Via Lanzone], 1980s. Dye transfer print, 4 x 6 inches (102 x 152 mm) with fully exposed black background, sheets size 8 x 10 inches, signed recto in ink below image (l.r.) “Harry Callahan.” Fine condition. C $1,200-1,800 See Illustration and Inside Front Cover

56 CLERGUE, LUCIEN (1934-2014) Untitled portfolio of fifteen photographs, 1980s. [New York?]: Alchan Éditions, n.d. (but 1982). Fourteen (of fifteen) gelatin silver prints, each 11 x 15.5 inches (280 x 395 mm) or the reverse, each signed in ink in margin (l.r.), titled and on versos; together with a leaf of text. The whole housed in the publisher’s blue clamshell case with gilt lettering. Nine of the images on the card mounts of issue, five laid in loose, images in fine condition. The images include Clergue’s fine portrait of Picasso on the beach. Lacking is Marshes, The Camargue, 1976. C $5,000-8,000 See Illustration

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57 CLERGUE, LUCIEN (1934-2014) Triptych: Boulder Formations. Three gelatin silver prints, each 17 3/8 x 11 1/4 inches (441 x 286 mm), each signed in ink (l.r.). Framed together. C $1,000-1,500 See Illustration 58 [CONTEMPORARY PHOTOGRAPHY] Remains of a Collection. Comprises BAUBION-MACKLER, JEANNIE. Fountain of Apollo and Triton; CAPLAN, WILLIAM. Steps for Aaron; EMMETT, IOANA. Gypsy Mother; GUARINO, LOIS. Phrenology and Angel/Dream Face; HENRYSON, MAXINE. Still Life; RUSSEK, JANET. Chair and Porch and Shutters; SCHEINBAUM, DAVID Rock Formation; SPANO, MICHAEL Giotto and Pierre Caposta. Most framed. C $1,000-1,500 See Illustration of Part 20 DOYLE • JUNE 13, 2019

• NEW YORK

59 [CRIME] Two photocollages of French criminals, 1929. Gelatin silver prints, each unique, dissected and overpainted to heighten characteristic features for newspaper publication, with cropmarks etc., the verso of one reading “Bande de bandits qui pratiquaient l’agression nocturne contre les automobilistes,” dated September 9, 1929 (the inscription demonstrating that there is nothing new under the sun), both versos additionally with indistinct publication stamps, both dated 1929. Generally in sound condition. A highly unusual class of “mugshot,” probably constructed from arrest photographs from earlier offences. With Charles Schwartz Photography. C $600-900 See Illustration

60 CUNNINGHAM, IMOGEN (1883-1976) Magnolia Blossom, 1925. Gelatin silver print, 8 7/8 x 10 7/8 inches (225 x 276 mm), likely printed 1950s, dry-mounted to card, signed in pencil and dated on the mount (l.r.), the verso with Cunningham’s 1331 Green Street label with typed title and date. Minor indentation (not breaking the emulsion) noted in lower left, verso of mount taped to mat. Framed. A major image with a plentiful literature. See Margery Mann Imogen Cunningham: Photographs 1910-1973, University of Washington Press, Seattle, 1970, pl. 11; Richard Lorenz Imogen Cunningham: Ideas without End, a Life in Photographs, Chronicle Books, San Francisco, 1993, pl. 38, p. 103. C $6,000-9,000 See Illustration

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61 CURTIS, EDWARD SHERRIFF (1865-1952) [Cañón de Chelly, 1904]. Gold toned platinum print, 10 3/8 x 13 1/2 inches (262 x 243 mm), signed in ink (l.r.), copyright in negative (l.l.). Print apparently without defect, partially mounted on residue of original (?) dark brown mounting paper (cut down), housed in a Curtis frame.. C Property of Two New York Gentlemen $5,000-7,000 See Illustration

62 [DANCE-PHOTOGRAPHY] Group of approximately five hundred ballet photographs, 1960s-1990s. Gelatin silver prints, each 9 5/8 x 7 3/8 inches (245 x 190 mm), many with descriptive snipes on the verso, for the Bolshoi Ballet, New York City Ballet, the Joffrey Ballet, National Ballet of Canada, Royal Danish Ballet, Ballet Rambert, The Boston Ballet, Les Ballets Trockadero, Louis Murray Dance Company etc. A few with press cropping marks etc., but otherwise overall in attractive condition. A substantial archive of gelatin silver prints from many of the leading dance photographers of the period. C $1,200-1,800 See Illustration of Part

63 DOISNEAU, ROBERT (1912-1994) Le petit balcon [rue de Lappe, Paris], 1953. Gelatin silver print, 9 3/8 x 13 5/8 inches (240 x 346 mm), signed below image in black ink lower recto, titled on rear in ink. Fine example. C $2,000-3,000 See Illustration 64 DOISNEAU, ROBERT (1912-1994) Le Chant du Départ, (fragment) 1954. Gelatin silver print, 9 x 13 1/8 inches (240 x 346 mm), signed below image in black ink lower recto, titled on rear in ink. Fine example. C $800-1,000 See Illustration

65 DUGDALE, JOHN (b. 1960) Mark Beard with portrait of J.D., 1996. Cyanotype, 9 x 7 inches (229 x 178 mm), with Dugdale’s signature in ink, and the typed title, date and edition notations, on his studio label on the back of the photographer’s frame. Fine, framed. C Property of Two New York Gentlemen $600-900 See Illustration

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67 69 66 EMERSON, PETER HENRY (1856-1936) The village of Horning, 1886. Platinum print on original indented cartridge paper mount, 8 3/4 x 6 3/8 inches (222 x 164 mm). Some foxing to the mount, the image generally clean. This was prepared as plate V of Life and Landscape on the Norfolk Broads. With The Witkin Gallery. C $500-750 See Illustration

67 EVANS, FREDERICK D. (1853-1943) George Bernard Shaw, 1900. Gelatin silver print, likely printed circa 1900, image size 5 3/4 x 4 1/8 inches (145 x 104 mm), dry-mounted to double mount with a textured overmat stamped with Evans’s monogram, the same monogram visible from the verso of the print on the inner mount, recto dated in ink (l.r.). Some oxidation, a few faint scratches. C $800-1,200 See Illustration 68 EVANS, FREDERICK D. (1853-1943) Ulleswater, Grisedale Pass, Helvellyn circa 1900. Platinum print, image size 2 7/8 x 3 1/2 inches (73 x 91 mm), tipped to Evans’s ruled and tinted watercolor paper mount, recto initialled and titled by Evans in pencil (l.r.). A fine example. C $2,000-3,000 See Illustration

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70 69 FAURER, LOUIS (1916-2001) George Barrows in Robert Frank’s Loft, NYC, 1947. Gelatin silver print, 12 3/4 x 8 1/4 inches (325x 212 mm), signed and dated in ink on recto, signed, titled and dated in pencil on verso, numbered 2 from the edition of twelve. No defects noted in raking light. C $2,500-3,500 See Illustration 70 FAURER, LOUIS (1916-2001) Construction Site, Madison Avenue Looking Towards Rockefeller Center, circa 1949. Gelatin silver print, printed 1980-81, 11 3/4 x 7 5/8 inches (298 x 200 mm), signed and dated in ink on recto, signed, titled and dated in pencil on verso Signature slightly smudged. C $2,500-3,500 See Illustration

71 part

72 part

71 FENTON, ROGER (1819-1869) Group of four salt prints of Crimean War scenes, comprising Chasseurs d’Afrique; Zouave and Spahi, Attendants of Maréchal Pelissier; Major General Estcourt and Staff; and General Beuret and officers of his staff, all 1855-6,, printed 1856. The four on the the original large recessed card mounts with printed titling etc. by T. Agnew. Some foxing to mounts, one mount with a portion of card excised, the images generally in excellent condition. Fenton was in Crimea in March through June of 1855, with an assistant, a servant, and a horse-drawn wine merchant’s van retrofitted for photographic equipment and to serve as a darkroom. Though he was not able to capture the carnage (it was not possible to capture engagements given the long exposure times needed), his scenes are the first photographic reportage from a battlefield. C $5,000-8,000 See Illustration of Part

72 FENTON, ROGER (1819-1869) Group of four salt prints of Crimean War scenes, comprising General Bosquet’s Quarters; Zouaves; General Bosquet giving orders; and Brigadier Gen. McPherson and Officers of the 4th Division, all 1855-6, printed 1856. The four on the the original large recessed card mounts with printed titling etc. by T. Agnew. Some foxing to mounts, the images generally in good condition. Fenton was in Crimea in March through June of 1855, with an assistant, a servant, and a horse-drawn wine merchant’s van retrofitted for photographic equipment and to serve as a darkroom. Though he was not able to capture the carnage (it was not possible to capture engagements given the long exposure times needed), his scenes are the first photographic reportage from a battlefield. Included is a copy of The Camera Goes To War. Photographs from the Crimean War 1854-56. C $3,000-5,000 See Illustration of Part

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77 74

73 FOLSOM, JOHN (b. 1967) Hermalite Lake #2, 2004. Gelatin silver prints on board with oil and wax medium, 40 x 48 inches (1016 x 1220 mm), mounted to artist’s wooden stretcher and armature, verso signed, titled, dated and annotated. Minor abrasion (l.l.). C $1,200-1,800 See Illustration 74 FONSSAGRIVES, FERNAND (1910-2003) The Dancer, 1952. Gelatin silver print. 13 x 9 7/8 inches (332 x 252 mm), signed, titled, annotated and editioned in pencil on verso, this copy 14 from the edition of 50. Several minor retouchings noted, a fine example. Framed. C $2,000-3,000 See Illustration

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75 HANSON, PAMELA (b. 1954) Leslie, London, French Vogue, 1989. Gelatin silver print, 12 3/4 x 19 inches (327 x 484 mm), signed in pencil verso and numbered 3 from the edition of 15, with Hanson’s copyright stamp. Fine, with Bonni Benrubi backlabel. C $400-600 76 HENDRICKS, BARKLEY L. (1945-2017) Happy New Year. Philadelphia Pa., 1973. Gelatin silver print dry-mounted to card, 4 1/4 x 6 3/4 inches (103 x 172 mm), recto signed, titled, dated and numbered 1 from an edition of seven, all in pencil on mount; Together with Port Authority. New York, N.Y., 1971. Gelatin silver print dry-mounted to card, 4 1/4 x 6 3/4 inches (103 x 172 mm), recto signed, titled, dated in pencil on mount. Both prints framed. Photographic work by this noted African American artist. C $800-1,200 See Illustration

77 HENDRICKS, BARKLEY L. (1945-2017) Here comes the bride. Phila. Pa., 1975. Gelatin silver print dry-mounted to card, 9 5/8 x 9 5/8 inches (244 x 244 mm), recto signed, titled and dated (and signed again on print); Together with A.T.H. Choreographer #2, New London, Connecticut, 1978/79. Gelatin silver print dry-mounted to card, 4 1/4 x 6 3/4 inches (103 x 172 mm), recto signed, titled, dated in pencil on mount (and signed again on print). No defects noted in raking light.. Photographic work by this noted African American artist. C $800-1,200 See Illustration

80 78 HINE, LEWIS (1874-1940) [Two newsboys], circa 1910, probably taken for the National Child Labor Committee. Vintage gelatin silver print, 6 5/8 x 4 1/2 inches (167 x 117 mm), verso with the Hine Photo Company backstamp. Center of image inoffensively toned towards sepia, tiny loss to one corner, light wear overall. C $800-1,200 See Illustration

79 HINE, LEWIS (1874-1940) Worker in cotton mill, Alabama, 1910, probably taken for the National Child Labor Committee. Vintage gelatin silver print, 4 5/8 x 5 1/2 inches (117 x 140 mm), unstamped verso but notated with the negative number (1824). Slightly toned towards sepia, slight creasing, traces of old mount on rear. With the Lee Witken label “Original Lewis Hine Print made for the National Child Labor Committee” affixed to the rear mount. C $800-1,200 See Illustration

80 HOFER, EVELYN 241. Metropolitan, Paris, 1967. Dye transfer print, 17 x 13 1/4 inches (430 x 335 mm), verso titled, dated, signed and numbered 10 (presumably from the edition of ten). Image in generally excellent condition, margin taped at head to mount. Framed. C $1,500-2,500 See Illustration

81 KANAGA, CONSUELO (1894-1978) End of summer, circa 1950s. Gold tinted gelatin silver print, 7 5/8 x 7 5/8 inches (195 x 194 mm), dry-mounted to card, signed in pencil on mount (l.r.), titled (apparently in Kanaga’s hand) on verso. Framed. C $500-700 See Illustration

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83 85

82 KARSH, YOUSUF (1908-2002) Pablo Picasso, 1954. Oversize gelatin silver print, dry-mounted to card, 19 3/4 x 15 3/4 inches (502 x 400 mm), signed in black ink on mount (l.r.). No defects noted. Framed. C $4,000-6,000 See Illustration and Front Cover

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83 KÉRTESZ, ANDRÉ (1894-1985) [Belgian road], 1928. Gelatin silver print, 7 x 9 5/8 inches (178 x 245 mm), dry-mounted, recto signed and dated in pencil. Framed. C $1,500-2,500 See Illustration

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84 KÉRTESZ, ANDRÉ (1894-1985) Homing Ship [Central Park Boat Basin, New York], 1944. Gelatin silver print, printed circa 1970, 13 5/8 x 10 1/2 inches (345 x 267 mm), signed and dated “A. Kertesz 1944” in pencil on verso. No defects noted in raking light. C $2,000-3,000 See Illustration

85 KÉRTESZ, ANDRÉ (1894-1985) [Meiji Shrine, Tokyo, Japan,] 1968. Gelatin silver print, 10 1/4 x 13 5/8 inches (260 x 345 mm), verso signed and dated in pencil. Faint surface marks noted on print. Framed. C Property of Two New York Gentlemen $1,000-1,500 See Illustration

87 86 KLEIN, WILLIAM (b. 1928) Gun I, New York, 1955. Gelatin silver print, 18 x 12 3/4 inches (458 x 325 mm), signed, dated and titled in pencil verso. Fine example, no defects noted. C $2,500-3,500 See Illustration

87 KLEIN, WILLIAM (b. 1928) Boy + 1$, New York, 1955. Gelatin silver print, 19 3/4 x 15 3/8 inches (505 x 390 mm), signed, dated and titled in pencil verso. Fine example, no defects noted. C $2,000-3,000 See Illustration

88 KLEIN, WILLIAM (b. 1928) Atom Bomb Sky, New York, 1955. Gelatin silver print, 12 1/4 x 18 inches (312 x 458 mm), signed, dated and titled in pencil verso. Fine example, no defects noted. C $3,000-5,000 See Illustration

89 KREMENTZ, JILL (b. 1940) Andy Warhol and Alfred Hitchcock, 1974. Gelatin silver print, 18 1/2 x 14 1/2 inches (472 x 368 mm), signed (l.r.), dated (l.l.), verso with Krementz’s credit stamp, note in pencil “printed by I.B..” Framed. C Property of Two New York Gentlemen $1,200-1,800 See Illustration

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93 90 LANIER, HENRY WYSHAM and ABBOTT, BERENICE Greenwich Village Today and Yesterday. New York: Harper & Brothers, (1949). Stated first edition. Publisher’s black cloth in dust jacket. 9 1/6 x 6 inches (23.5 x 15.25 cm); xiv, 162 pp., illustrations after Abbott’s photgraphs throughout. The jacket lightly worn and price-clipped, but overall in excellent condition, the cloth bright, a clean, fresh copy overall. C Property of a Maine Collector $400-600

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91 LARTIGUE, JACQUES-HENRI (1894-1986) Bibi at the Eden Roc Restaurant, Cap d’Antibes, n.d. Chromogenic print, printed later, 10 1/8 x 10 1/8 inches (258 x 258 mm), signed (l.r.), also with Lartigue’s sunburst in ink. Some fading. Framed. C $800-1,200 See Illustration 92 LARTIGUE, JACQUES-HENRI (1894-1986) [Zissou takes off his ZYX 24, Rouzat], 1910. Gelatin silver print print, printed later, 9 1/2 1/8 x 13 1/4 inches (240 x 336 mm), signed (l.r.), additionally with Lartigue’s sunburst in ink. Framed. C $800-1,200 See Illustration

93 LEATHERDALE, MARCUS (b. 1952) Two images from Dugdale’s Bharat series. Comprising Rani Usha of Jodphur, 1992; and ‘Ramesh’/Ratwa Adivasi with goat, 1993-6. Two toned gelatin silver prints, the largest 15 x 13 inches (380 x 330 mm), recto signed by Leatherdale in ink in Urdu (l.r.), signed, titled, inscribed and dated on the versos in pencil, numbered from the editions of ten. Fine, framed. C Property of Two New York Gentlemen $400-600 See Illustration 94 LYNES, GEORGE PLATT (1907-1955) [Hanging male nude], 1941. Gelatin silver print, 9 x 7 1/8 inches (227 x 181 mm), verso with George Platt Lynes hand stamp. Very minor abrasions to upper corners, generally a fine example. C Property of Two New York Gentlemen $1,500-2,500 See Illustration Next Page

96 95 LYNES, GEORGE PLATT (1907-1955) [Untitled [Jonathon Tichenor], 1943. Gelatin silver print, 9 3/8 x 7 3/8 inches (240 x 191 mm), verso with George Platt Lynes hand stamp. No defects noted; Together with LYNES, GEORGE PLATT? Male buttocks, n.d. Gelatin silver print, 9 7/8 x 8 inches (251 x 200 mm), verso unstamped. some handling marks, creases to corners; And BELLAS, BRUCE [=BRUCE OF HOLLYWOOD]. Joe D’Allesandro, 1966. Gelatin silver print, 16 1/2 x 13 1/2 inches (428 x 328 mm). Framed. C Property of Two New York Gentlemen See Illustration

97 96 LYNES, GEORGE PLATT (1907-1955) [Aldous Huxley], 1946. Vintage gelatin silver print, 9 1/4 x 7 3/4 inches (2402 x 191 mm), verso with George Platt Lynes hand stamp and lettered “Condé Nast Publications, annotated in another hand. Faint scratch, possible toner stain at upper right along the margin, notations about the history of the image on the verso. According to the note, taken while Lynes was running the Vogue Studios in Hollywood. C Property of Two New York Gentlemen $1,200-1,800 See Illustration

97 LYNES, GEORGE PLATT (1907-1955) [Carlos McClendon, back to window], 1947. Gelatin silver print, 9 7/8 x 7 5/8 inches (251 x 192 mm), verso with Platt Lynes’s stamp (145 E. 52nd Street address), and later notations in pencil. Print in generally excellent condition. Framed. With Robert Miller Gallery. C Property of Two New York Gentlemen $1,500-2,500 See Illustration

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98 part

99 98 LYNES, GEORGE PLATT (1907-1955) Group of seven vintage gelatin silver prints from the 1948 Balanchine Orpheus, each approximately 9 x 7 1/2 inches (230 x 185 mm) or the reverse, several with the hand stamps on the verso of George Platt Lynes. The group generally in fine condition, framed. The Ballet Orpheus was commissioned from Stravinsky by the Ballet Society. It was choreographed by George Balanchine, with props designed by Isamu Noguchi. Most of the present images are of the lead dancers, Nicholas Magallanes and Francisco Moncion. It was this ballet that led to the invitation of the Society to become the permanent ballet company of the City Center of Music and Drama, under its new name, the New York City Ballet. C Property of Two New York Gentlemen $7,000-10,000 See Illustration of Part

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99 LYNES, GEORGE PLATT (1907-1955) Group of two images. [Orpheus and Eros], 1948. Gelatin silver print, likely vintage, 9 x 6 inches (226 x 151 mm), verso unstamped; Print in generally excellent condition. Framed; Together with a second print, apparently from the same production, 9 x 7 1/2 inches (232 x 190 mm), similarly unstamped. Toner stains at extreme lower right. Framed. C Property of Two New York Gentlemen $1,500-2,500 See Illustration

100 part

101 100 LYNES, GEORGE PLATT (1907-1955) Two images of Jack Fontan, Laguna, California, 1950s. Gelatin silver prints, 9 1/4 x 7 3/8 inches (236 x 186 mm) and & 1/2 x 9 1/4 inches (190 x 237 mm), verso with Platt Lynes’s hand credit stamp. Print surface in generally excellent condition, one verso dust-soiled. Framed. A similar pair was recently offered as simply “Young man in doorway” and “Male nude in bed,” the Jack Fontan identification is from a gallery label, but this is a generally accepted identification. With Lynda Hyman Gallery. C Property of Two New York Gentlemen $2,000-3,000 See Illustration of Part

102 101 LYNES, GEORGE PLATT (1907-1955) [Francisco Moncion, Fire Island], 1952. Toned gelatin silver print, 9 1/2 x 7 1/2 inches (240 x 191 mm), verso with George Platt Lynes hand stamp. Two faint marks not breaking the surface of the emulsion. C Property of Two New York Gentlemen $1,500-2,500 See Illustration

102 MAN RAY (1890-1976) [Portrait of Juliet Browner], late 1940s. Gelatin silver print, 9 7/8 x 7 7/8 inches (252 x 198 mm), the verso with Man Ray’s stamp (Manford 22). Framed. A fine example of this noteworthy portrait of Juliet by Man Ray, probably printed before 1951 and the couple’s move to Paris. C $2,000-3,000 See Illustration

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105

103

104 103 MAPPLETHORPE, ROBERT (1946-1989) Gladioli, 1979. Gelatin silver print flush mounted to card, 13 7/8 x 13 7/8 inches (352 x 352 mm), signed and dated by Mapplethorpe in lower margin (l.r.), numbered 2 from the edition of ten, verso with Mapplethorpe’s back stamp, also signed and dated in pencil. Verso slightly toned. Framed. Provenance: Lawson deCelle Gallery, San Francisco, 1980 (sales receipt). C $4,000-6,000 See Illustration 104 MAPPLETHORPE, ROBERT (1946-1989) [Ashton Hawkins and friend, for Vanity Fair, 1985. Gelatin silver print, 10 x 10 inches (252 x 252 mm), signed and dated by Mapplethorpe in lower margin (l.r.) and presented “for Ashton” (l.l.), with a photocopy of a presentation of this photograph on Vanity Fair letterhead from Elizabeth Biondi at the magazine. No defects noted. Framed. C Property of Two New York Gentlemen $2,000-3,000 See Illustration 30 DOYLE • JUNE 13, 2019

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106 105 NAMUTH, HANS Spring, East Hampton, L.I. [East Hampton, L.I. abstract artists/ painters on the beach], 1962. Gelatin silver print, 10 1/4 x 13 inches (262 x 330 mm), verso with Namuth’s stamp (marked in ink “not for reproduction”) , titled in pencil. Overall about fine. Artists include: Buffie Johnson, Al Held, Lester Johnson, Howard Kanovitz, Michael Goldberg, Syd Solomon, Lee Krasner, Balcomb Greene, Sylvia Stone, John Little, Elenor Hempstead, Elaine de Kooning, Adolph Gottlieb, David Porter, Rae Ferren, James Brooks, Arline Wingate, Tania and Louis Schanker etc. C $600-900 See Illustration 106 NEWTON, HELMUT Los Angeles Allure, 1997. Digital chromogenic print, 21 1/2 x 14 1/4 inches (545 x 362 mm), signed (on image, u.r.) titled and dated (lower margin). No defects noted. This image was shot for Allure Magazine. C $2,000-3,000 See Illustration

107

108

107 [PHOTOGRAVURE] Group of three Camera Work photogravures. Comprises EVANS, FREDERIC H. Ely Cathedral, across the Nave and Octagon, 1903. From Camera Work IV; STIEGLITZ, ALFRED. Snapshot. From my window, New York, 1902. From Camera Work XX; and STEICHEN, EDWARD. Balzac—The Open Sky, 1908. From Camera Work XXXIV/XXXV. Marginal damp stain to the mount of the second work, the image unaffected C $800-1,200 See Illustration 108 [PHOTOGRAVURE] Two Camera Work photogravures by Alfred Stieglitz. Comprises The Pool, Deal, 1910. From Camera Work XXXVI; and Excavating, New York, 1911. From Camera Work XXXVI. Both fine on original mounts. C $400-600 See Illustration

109 [PICASSO] Group of three photographs of Picasso artwork, all from the collection of Alfred Barr. Comprises BURCKHARDT, RUDOLPH. “Six Bathers” Bronze 1957-58. Gelatin silver print, ferrotyped, 7 5/8 x 9 inches (194 x 227 mm), verso with Burckhardt’s stamp (and that of Fine Art Associates), titled in pencil with a note “return to Barr” at upper right. Very light wear; YVROUD, L. [Pablo Picasso and boy, next to his bronze “Le Berger”, early 1950s, Vallauris Golfe-Juan, France]. Gelatin silver print, 5 3/8 x 3 3/4 inches (136 x 950 mm), verso with the photographer’s stamp, the notation “Barr”, signed in pencil by Picasso. Minor wear, handling marks etc,; small gelatin silver print, photographer unknown, titled in pencil on verso titled “3 in a row all painted on 26-4-56”, with “Barr” in pencil at upper left. Fine. Barr was the first director of the Museum of Modern Art, and an authority on Picasso. C $800-1,200

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110

112 part

111 part

110 PRINCE, RICHARD Untitled (Girlfriend) from “Cowboys and girlfriends” series, 1992. Ektacolor photograph on Kodak Professional paper, 15 1/8 x 23 inches (385 x 585 mm), verso marked A.P., (from the edition of twenty-six). Handling crease at lower center. C $3,000-5,000 See Illustration

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111 SCAVULLO, FRANCESCO (1921-2004) Francesco Scavullo. A Photographic Retrospective. Volume I. Song. Philadelphia: Motion Picture Group, 2005. One of 150 sets and 45 AP copies, of which this is number 25. Publisher’s black clamshell case. 24 x 20 inches; one sheet of text and ten large-format gelatin prints “hand-developed and selenium hand-toned under the personal direction of Francesco Scavullo and Sean Byrnes,” the print versos with the edition stamp, each signed by Byrnes and numbered 25/45. Portfolio lightly soiled, else about fine. Song features Mick Jagger, Sting, Janis Joplin, Bernadette Peters, Diana Ross, Cher, Luciano Pavarotti, Ravi Shankar, Lena Horne and Deborah Harry. C $3,000-5,000 See Illustration of Part

112 SCAVULLO, FRANCESCO (1921-2004) Group of four portraits. Gelatin silver prints, each 21 1/4 x 17 3/8 inches. Framed. The subjects include Sting, Bernadette Peters, Lena Horn and Rene Russo. C Estate of David E. Levy $1,000-1,500 See Illustration of Part

113

115

114 113 SHEIKH, FAZAL (b. 1965) Absul Kalan’s madressa, Afghan refugee village, Urghuch, Northern Pakistan, 1997. Comprises three geleatin silver prints, each image 9 3/4 x 11 7/8 inches (250 x 300 mm) on a fully exposed black background (sheet size 11 x 14 inches), each signed, titled and dated on verso in pencil. Fine condition. Framed. C $1,000-1,500 See Illustration

114 SMITH, EUGENE W. (1918-1978) The Spinner, Spanish Village 1951. Gelatin silver print, dry-mounted to card, 12 5/8 x 9 inches (322 x 230 mm), signed by Smith with a stylus recto (l.r.) Some toning to mount, a few minor marks noted to print surface. Unframed. A classic from Smith’s oeuvre, and one of his most reproduced images. C $2,000-3,000 See Illustration

115 STEICHEN, EDWARD (1879-1973) [Portrait of Henri Matisse], 1930. Gelatin silver print, 9 7/8 x 7 7/8 inches (251 x 200 mm), dry-mounted to card, with the notation “895 - One Matisse” in the negative, the mount verso with the photographer’s credit, ‘80 West 40th Street, New York” studio and Condé Nast copyright stamps on the verso. Some edge oxidation noted in raking light, the head of the mount with adhesions and discolorations from adhesive. C $5,000-8,000 See Illustration

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118

116

117

116 STERN, BERT (1929-2013) Marilyn Crucifix II, from The Last Sitting for Vogue, 1962, printed later. Large format pigment print, the image 21 3/4 x 18 5/8 inches (550 x 475 mm) on larger sheet, boldly titled by Stern on lower image and margin in red crayon, and numbered 1 from the edition of six, the verso with Stern’s stamp and signature in red crayon on verso. Sheet corners somewhat creased, clear of the image. Together with a Bert Stern Certificate of Authenticity, signed by Stern. C $4,000-6,000 See Illustration 34 DOYLE • JUNE 13, 2019

117 STERN, BERT (1929-2013) Marilyn Crucifix II, from The Last Sitting for Vogue, 1962, printed later. Digital chromogenic print, the image approximately 13 7/8 x 13 5/8 inches (352 x 345 mm), boldly titled by Stern on lower image in red crayon, and numbered 7 from the edition of twenty-five, the verso with Stern’s stamp and notations in red crayon. Framed. C $800-1,200 See Illustration

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119 118 STIEGLITZ, ALFRED (1879-1973) Reflections, Venice, 1897. Photogravure on paper, published in Picturesque Bits of New York and Other Studies, New York, 1897, 8 1/4 x 11 1/2 inches (213 x 292 mm) on larger sheet. Minor toning to edges of sheet. C $700-1,000 See Illustration

119 STIEGLITZ, ALFRED (1864-1946) [Icy Night, New York], 1898. Photogravure on printed sheet for Goerz Lenses, image 5 x 6 1/4 inches (128 x 160 mm), printed in 1911 for insertion into Camera Work IV, 1903. Fine condition. C $800-1,200 See Illustration

120

120 STIEGLITZ, ALFRED (1864-1946) [Portrait of Marie Rapp at 291], 1941. Platinum print, 9 3/4 x 7 7/8 inches (248 x 197 mm), unsigned and unstamped, but with an associated slip of card with a pencil inscription reading “Give one of these to your mother. The others are yours,” initialled by Stieglitz, the verso of this slip with typed credit, title and date. Framed. Rapp was Alfred Stieglitz’s secretary at his 291 Gallery, and a lifelong friend. She not only helped run the gallery but assisted with the publication of Camera Work. He photographed her many times. A close friend and confidante, she was an excellent subject, her natural grace and beauty resulting in a touching image. Rapp later married George K. Boursault, who was a member of the Photo-Secession. C $8,000-12,000 See Illustration

121 [STIEGLITZ, ALFRED] Alfred Stieglitz. Memorial Portfolio 1864-1946. Reproductions of 18 photographs... New York: Twice A Year Press, 1947. One of 1500 copies, text and plates in portfolio as issued. 16 x 11 7/8 inches (40.5 x 30 cm); 64 pp., Cover detached, spine of portfolio largely lacking, plates generally fine. C The Estate of Elizabeth H. Fuller $150-250

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122

124

123

122 STRAND, PAUL (1890-1976) Church, Coapiaxtla, Mexico from the Mexican Portfolio, 1940; offered with the two introductory leaves, signed by Strand in green ink. Photogravure, 6 3/8 x 5 inches (162 x 126 mm), on full sheet as issued in the first edition of the Portfolio. Fine condition. C $600-900 See Illustration

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123 SUDEK, JOSEF (1896-1976) Untitled [Panorama of Prague], likely 1950s. Vintage silver gelatin print, probably contact printed from overlapping medium format negatives, image size 3 3/8 inches x 11 1/4 inches (85 x 285 mm) on a fully exposed narrow black background (sheet size 3 3/4 x 11 1/2 inches), unsigned but annotated with several words (apparently in Sudek’s hand) in pencil on verso. . C $2,000-3,000 See Illustration

124 SUDEK, JOSEF (1896-1976) Untitled [Studio doorsteps], vintage silver gelatin contact print from a large format negative, 1958, image size 4 5/8 x 3 3/8 inches (116 x 87 mm) on a fully exposed black background (sheet size 9 1/8 x 7 inches), unsigned but annotated with two words (apparently in Sudek’s hand) in pencil on verso. Minor oxidation—i.e. silvering to the background. C $800-1,200 See Illustration

125

128

126 125 TELBERG, VAL (1910-1955) [Lost Insurrection Series], circa 1954. Gelatin silver print (likely vintage), photomontage, 13 7/8 x 10 7/8 inches (350 x 278 mm), verso signed, dated and titled in pencil. One corner with creasemarks. Val Telberg was a photomontagist, born of Finnish parents in Russia and raised in northern China. He is well-known for his work with Anaïs Nin, including the illustrations for her House of Incest. Collection of Barry Friedman; sold by Christie’s October 12 1998, lot 66 ($2,760); to Elaine Lustig Cohen (Ex Libris); to the present owner. C $1,000-1,500 See Illustration

126 ULMANN, DORIS (1882-1934) [Brother William Anderson, Shaker Settlement, Mount Lebanon, New York, 1926 or 1927]. Rich toned print (likely platinum) dry-mounted, 8 x 6 inches (200 x 150 mm), pencil signed on mount (l.r.). Mount lightly age-toned. Framed. C $1,500-2,500 See Illustration

127 VON GLOEDEN, WILHELM, Baron (1856-1931) Three photographs of nude Sicilian youths, 1890s. Salted paper prints, each roughly 6 1/2 x 4 5/8 inches (165 x 115 mm) or the reverse, one with Von Gloeden’s hand stamp and notations, one without stamp but of the same subject, a third with the stamp of Van Gloeden’s cousin Guglielmo Plüschow, all circa 1890. Images with generally strong, even tones. C Property of Two New York Gentlemen $800-1,200

128 WATKINS, CARLETON E. (1829-1916) Yosemite Falls 2630 ft, before 1874. Albumen print on publisher’s (likely I. Taber) hand-lettered card mount, 11 1/2 x 7 1/2 inches (295 x 192 mm). Some foxing to the lower portion of the mount, the print with rich, strong tones. C $800-1,200 See Illustration

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129

130

131

129 WARHOL, ANDY (1928-1987) Bill Wyman biting chest, published on the Rolling Stones Love You Live album sleeve, 1977. Unsigned Polaroid with the notation “3” in red wax pencil below the image and the notation “RW 4” or “AW 4” to the verso margin, the image 3 1/4 x 3 1/4 inches (82 x 82 mm); framed. Some cracking to lower portion of image. This polaroid comes from a series of “bite” images made by Warhol for the album sleeve of the Rolling Stones’ 1977 album Love You Live. This image of Bill Wyman biting a man’s chest appears on the right side of the center spread. C $2,500-3,500 See Illustration 38 DOYLE • JUNE 13, 2019

• NEW YORK

130 WESTON, EDWARD (1886-1958) Peppers [5P], 1929. Silver gelatin print, 7 3/8 x 9 3/8 inches (188 x 240 mm), signed on verso of mount by Cole Weston, the printer (with the Edward Weston stamp) and titled and annotated in his hand. Some lightstain to mount, which bears traces of tape where affixed to the mat. Prepared from the original negative. C Estate of Felice Ross $4,000-6,000 See Illustration

131 WESTON, EDWARD (1886-1958) [Dunes], Oceano, 1936. Gelatin silver print, 7 3/8 x 9 3/8 inches (188 x 240 mm), dry-mounted, verso with estate stamp, signed, dated and titled by Cole Weston in pencil Slight toning to mount, no image defects noted in raking light. With Lee Witkin, 1989 (back mount label). C $2,000-3,000 See Illustration

132

133 part

132 WESTON, EDWARD (1886-1958) Nude, [negative] N45-CH-1, 1945. Gelatin silver print, 7 3/8 x 9 3/8 inches (188 x 240 mm), dry-mounted, verso with estate stamp, signed, dated and titled by Cole Weston in pencil, with the notation in pencil “L.D.W. Estate.” Slight toning to mount, no image defects noted in raking light. Christie’s 1016, lot 435 (sticker); with Lee Witkin, 1989 (back mount label). C $1,000-1,500 See Illustration

133 YAIRI, YUVAL (b. 1961) Group of three images. Comprising West Bridge, 2004. C-print, 13 1/3 x 39 inches (340 x 990 mm), from the edition of 5; Together with Shira at the Window, 2004. C-print, 15 x 13 3/4 inches (380 x 345 mm), from the edition of 25; And View from a window, 2004. C-print, 16 3/8 x 17 3/4 inches (410 x 440 mm), from the edition of 7. Each framed, with back labels of Andrea Meislin Gallery, New York. C $800-1,200 See Illustration of Part

End Of Sale VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 39

FIND YOUR REAL ESTATE ADVOCATE Our agents understand that buying or selling a home is not just a two bedroom or one bedroom; it is the community you are looking to build and the relationships around you. We have the agents who understand your needs that listen and care.

Find your real estate advocate at New York Properties. contact@bhhsnyp.com

88 Greenwich Street, 1707 Studio | 1 Bathroom Anne Flanagan | Licensed Real Estate Salesperson

$820,000 Condominium 646.677.1026

212.710.1900 | CONTACT@BHHSNYP.COM 590 MADISON AVENUE, NEW YORK, NEW YORK @bhhsnewyork

bhhsnyproperties.com © 2019 BHH Affiliates, LLC. An independently operated subsidiary of HomeServices of America, Inc., a Berkshire Hathaway affiliate, and a franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.® Equal Housing Opportunity.

GLOSSARY The following examples define some of the terms used in this catalogue. The reader is reminded that all of the terms and descriptions used in this catalogue as to authorship, period, culture, source or origin for any property are made and used as qualified statements and opinions only, and are subject to the Conditions of Sale and the Terms of Guarantee. In connection with the attribution of authorship, as described in paragraph 2 of the Terms of Guarantee, the following terms are used in this catalogue, and are defined as follows:

FURNITURE AND DECORATIONS REGENCY ROSEWOOD SOFA TABLE First quarter of the 19th century. This heading with the date included means that the piece is, in our best judgment, of the period indicated with no major alterations or restorations. REGENCY ROSEWOOD SOFA TABLE This heading without inclusion of a date indicates that in our best judgment, the piece, while basically of the period, has been substantially altered or restored and in some cases it may also indicate that the piece has been constructed from old parts. REGENCY STYLE SOFA TABLE The inclusion of the word “style” in the heading indicates that, in our opinion, the piece is an intentional copy or reproduction of an earlier work or style of works.

PAINTINGS NICOLAES MAES In our best judgment the work is by the named artist. This is our highest category of authenticity in the present catalogue. ATTRIBUTED TO NICOLAES MAES In our best judgment, while the work is of the period of the named artist, and on the basis of style can be ascribed to him, we cannot state with certainty that it is by him. SCHOOL OF NICOLAES MAES In our best judgment, the work is of the period of the named artist, by a pupil or close follower of the artist, but is not by the artist.

SIGNED NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is a recognized signature of the artist and appears in one of the six areas of the painting designated as follows: (u.l.) Upper left (l.l.) Lower left (u.r.) Upper right (l.r.) Lower right (u.c.) Upper center (l.c.) Lower center BEARS SIGNATURE, NICOLAES MAES In our best judgment, the signature, monogram, initials or other similar indicia of authorship is not that of the artist and may have been added at a later date. DATED In our best judgment, the date indicated on the work is the date the work was executed. DATED (FOR BRONZES) In our best judgment, the date indicated when the original model was executed. Since the exact date of the casting of a bronze sculpture is often unknown and illustrations in reference books may not specify which particular cast is discussed or illustrated, it should be pointed out that dates of execution and entries listed under Literature in the individual catalogue entries do not necessarily refer to the castings included in the sale.

PRINTS

EDITION Information regarding the size of the edition is given when possible. SIGNATURE Only manuscript signatures of the artists are indicated. Signatures “in the plate” are not mentioned since they are considered part of the image. QUALITY AND CONDITION An attempt has been made to give relevant information concerning the quality of the impression, the size of the margins and the condition of the prints when possible. These descriptions are qualified statements or opinions only, and are made subject to the Conditions of Sale and Terms of Guarantee. The print sleeves are the property of Doyle New York and are not included in the sale. MEASUREMENTS As with any description in this catalogue, measurements are qualified statements or opinions and are subject to the Conditions of Sale and Terms of Guarantee. Doyle New York shall not be liable for any mistakes in measurements. Measurements have been made to the best of our ability, and are given in inches to the nearest 1/4 inch and millimeters, height before width. Unless otherwise indicated, etchings and engravings are measured by the dimensions of the plate marks.Woodcuts, lithographs and silkscreens are measured by the dimensions of the images. All pictures are framed unless otherwise noted in this catalogue.

NAME OF THE ARTIST Subject to the Conditions of Sale and Terms of Guarantee set forth in this catalogue, and except where stated as being “after” or “attributed to” an artist, each lot is by the artist appearing at the head of the lot, except in the case of lots containing works by more than one artist. TITLE If there is a generally accepted title for the print, that title is given in upper case at the beginning of the lot description. If the work has no title or the title is unknown to us, a descriptive title is given in brackets. REFERENCES Information from the standard catalogues of the artists’ works is cited when possible following the title.

CIRCLE OF NICOLAES MAES In our best judgment, the work is of the period of the named artist and closely related to his style.

MEDIUM The mediums are described as fully as possible, although secondary techniques may not be listed.

MANNER OF NICOLAES MAES OR AFTER NICOLAES MAES OR FOLLOWER OF NICOLAES MAES In our best judgment, although the work is in the style of or a copy of a work by the named artist, it is of a later period.

DATE The date given is that of the original plate, block, stone or screen. It is not necessarily the date at which the impression offered for sale was printed.

Waterfront Lifestyle

Westport, CT • 9 Bluewater Hill • $2,990,000

Live the luxury waterfront lifestyle at private Bluewater Hill located in Compo Beach. Enjoy tennis on 2 private association courts or the Beautiful Long Island Sound sunrises and sunsets from the association’s private beach.

ELLEN BALAZS Licensed Real Estate Salesperson (203) 984-4543 EllenBalazs@bhhsne.com MLS# 170167730 A member of the franchise system of BHH Affiliates, LLC

CONDITIONS OF SALE 1. BINDING TERMS

The lots listed in this catalogue will be offered by Doyle New York as owner or as agent for consignor subject to the following terms and conditions. Where Doyle is agent, the contract is between seller and buyer. The following Conditions of Sale and Terms of Guarantee constitute the entire agreement with the purchaser relative to the property listed in this catalogue. By bidding at auction you agree to be bound by these terms:

2. AS IS

All lots are sold “AS IS” and without recourse and neither Doyle New York nor its consignor makes any warranties or representations, express or implied, with respect to such lots, except for the limited warranties expressly stated in the Terms of Guarantee section of this catalogue. Prospective buyers are strongly advised to examine personally any property in which they are interested, before the auction takes place, to determine its condition, size, and whether or not it has been repaired or restored. Except as otherwise expressly and specifically provided in the Terms of Guarantee, neither Doyle New York nor its consignor makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging; nor does a reference to particular defects imply the absence of others. References in the catalogue entry or the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The Terms of Guarantee are controlling, and no statement, whether written or oral, and whether made in this catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. All statements by Doyle New York in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied on as statements of fact. Except as stated in the Terms of Guarantee, neither Doyle New York nor the seller is responsible in any way for errors or omissions in the catalogue or any supplemental material. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue entry. Doyle New York and its consignor make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Doyle New York expressly reserves the right to reproduce any image of the lots sold in this catalogue.

The copyright in all images, illustrations and written material produced by or for Doyle New York relating to a lot, including the contents of this catalogue, is, and shall remain at all times, the property of Doyle New York and shall not be used by the buyer, nor by anyone else, without our prior written consent.

3. WITHDRAWAL

Doyle New York reserves the right to withdraw any lot at any time prior to the commencement of bidding for such lot and shall have no liability whatsoever for such withdrawal.

4. RESERVES

If the auctioneer decides that any opening bid is below the value of the lot offered, the auctioneer may reject that bid and withdraw the lot from sale; and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject that advance. Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which such lot will not be sold. No reserve will exceed the low estimate of the lot. Reserves are agreed upon with the consignor or, in the absence thereof, in the absolute discretion of Doyle New York. Unless otherwise announced by the auctioneer, all bids are per lot as numbered in the catalogue. Lots marked C preceding the estimate are consigned and reserved. Those marked • are reserved property in which Doyle New York has an interest. Doyle New York on occasion makes loans or advances funds to consignors. The auctioneer may implement the reserve by opening bidding on any lot by placing a bid on behalf of the seller. The auctioneer will not specifically identify bids placed on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve, by placing successive or consecutive bids for a lot or by placing bids in response to other bidders. Unless otherwise noted in the catalogue or by an announcement at the auction, Doyle New York acts as agent on behalf of the seller and does not permit the seller to bid on his or her own property.

5. ESTIMATES

Each lot in the catalogue is given a low and high estimate representing that range which, in the opinion of Doyle New York, represents a fair and probable auction value. When possible, the estimate is based on previous auction records of comparable property, condition, rarity, quality and provenances. The estimates are often determined several months before a sale and are therefore subject to change upon further research of the property, or to reflect market conditions or currency fluctuations. Estimates are subject to revision. Actual prices realized for items can fall below or above this range. An estimate of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Estimates do not include the buyer’s premium. Where “Estimate on Request” appears, please contact the Specialist Department for further information.

6. BIDDING

Doyle New York reserves the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid, as well as the right to refuse to acknowledge any bidder. The highest bidder acknowledged by the auctioneer will be the purchaser. The auctioneer has the right at his absolute and sole discretion to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, and to combine any two or more lots. In the event of error or dispute between bidders, or in the event of doubt on our part as to the validity of any bid, whether during or after the sale, the auctioneer has final discretion to determine the successful bidder, to continue the bidding, to cancel the sale, or to reoffer and resell the lot in dispute. If any dispute arises after the sale, the Doyle New York sale record shall be conclusive.

7. PURCHASER’S RESPONSIBILITY

Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder, subject to the conditions of sale set forth herein. Such bidder there upon assumes full risk and responsibility there for (including, without limitation, liability for or damage to frames and glass covering prints, paintings or other works). Although in our discretion we will execute orders or absentee bids or accept telephone bids as a convenience to clients who are not present at auctions, we are not responsible for any errors or omissions in connection therewith. When making a bid, a bidder is accepting personal liability to pay the purchase price as follows, unless it has been explicitly agreed in writing with Doyle New York before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Doyle New York, and that Doyle New York will look only to the principal for payment: The total purchase price to be paid by purchaser is the amount of the successful bid price plus a premium of 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Payment of each lot shall be made as follows: A cash deposit of not less than 25% of the purchase price (unless the whole purchase price is required at the sole discretion of Doyle New York) will be paid on the day of the auction. Deposits shall apply to all purchases made at this sale and not to any one particular lot.

Magnificent Mansion by the Beach in Sea Girt, NJ

$4,995,000

Come down the shore to 2 Chicago Boulevard and see this spectacularly designed home on an elevated and oversized lot and panoramic ocean views. This home has wide plank oak floors throughout its four floors, with many impressive millwork elements and natural stonework. All four bedrooms are en suite, giving everyone their privacy. The first floor takes full advantage of its open floor plan, centering on the family room that includes a large limestone wood burning fireplace and coffered ceiling. Exterior features include cedar siding and roof, natural stonework, and a bluestone porch, walkways, and patio. Topped off with the backyard cabana featuring a bar and full bath, and plenty of room for a pool. Truly a rare offering in one of the Jersey Shore's most desirable towns! 2-Chicago-Boulevard.com BRET VIOLETTE Broker-Associate Office: (732) 449-6200 Cell: (732) 221-4140 bret.violette@bhhsnj.com www.bhhsnj.com/bret.violette Sea Girt Office | 600 Washington Blvd, Sea Girt, NJ 08750 ÂŠ2019 BHH Affiliates, LLC. An independently owned and operated franchisee of BHH Affiliates, LLC. Berkshire Hathaway HomeServices and the Berkshire Hathaway HomeServices symbol are registered service marks of HomeServices of America, Inc.ÂŽ Equal Housing Opportunity.

CONDITIONS OF SALE CONTINUED Prior to the sale, the buyer must provide us with his or her name and permanent address and, if so requested, details of the bank from which payment will be made. The balance of the purchase price, if any, will be paid not later than 5 pm one (1) day following the day of the auction. Such payment shall be made in U.S. dollars by certified or cashier check drawn on a U.S. bank unless other arrangements are made with Doyle New York. The buyer will not acquire title to the lot until we have received all amounts due to us from the buyer in good cleared funds even in circumstances where we have released the lot to the buyer. Doyle New York reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Doyle New York a handling charge of $35 for any check dishonored by the drawee. At some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image, and Doyle New York does not accept liability for such errors. Any objects offered at this auction which contain materials from a species that is endangered or protected, including, but not limited to, ivory, coral and tortoiseshell, may require a license or certificate prior to exportation from the United States or an individual state and additional certificates or licenses for importation into another state or country. Some materials may not be exported, imported into other states or countries or resold. It is the purchaser’s responsibility to be aware of applicable laws and regulations and to obtain any required export or import licenses or certificates and any other required documentation. Further, the purchaser shall be responsible for on-time payment of the full purchase price of the lot, even if the obtaining of any such license is denied or delayed. Doyle assumes no liability for failing to identify materials from endangered or protected species or for incorrectly identifying such materials.

8. REMEDIES AVAILABLE TO DOYLE NEW YORK

In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 1 1/2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from our premises by the purchaser at their expense not later than (2) business days following its sale and, if it is not removed, Doyle New York reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver the property to a public warehouse for storage at the purchaser’s expense, to be released only after payment in full of all removal, storage, handling, insurance and any other costs incurred, together with payment of all other amounts due to us. Doyle New York shall have no liability for any damage to property left on its premises for more than (2) days following the sale.

If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor by law, including without limitation the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we shall be entitled in our absolute discretion to exercise one or more of the following rights or remedies: a) To charge interest at such rate as we shall reasonably select; b) To hold the defaulting buyer liable for the total amount due and to commence legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law; c) Cancel the sale of that, or any other lot or lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser; d) Resell the property whether at private sale or public auction without reserve, and the purchaser will be liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages; e) To set off the outstanding amount remaining unpaid by the buyer against any amounts which we may owe the buyer in any other transactions; f) Where several amounts are owed by the buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the buyer so directs; g) To reject at any future auction any bids made by or on behalf of the buyer or to require a deposit from the buyer before accepting any bids; h) To take such other actions as we deem necessary or appropriate; or i) To effect any combination thereof. In addition, a defaulting purchaser will be deemed to have granted and assigned to us a continuing security interest of first priority in, and we may retain as collateral security for such purchaser’s obligations to us, any property or money of or owing to such purchaser in our possession. We shall have all of the rights accorded a secured party under the New York Uniform Commercial Code with respect to such property and we may apply against such obligations all monies held or received by us for the account of, or due from us, to such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity. In the event the purchaser fails to pay any or all of the total purchaser price for any lot and Doyle New York nonetheless elects to pay the consignor any portion of the sale proceeds, the purchaser acknowledges that Doyle New York shall have all of the rights of the consignor to pursue the purchaser for any amounts paid to the consignor, whether at law, in equity, or under these Conditions of Sale.

9. LIMITED LIABILITY

If for any cause a purchased lot cannot be delivered in as good condition as at the time of sale, or should any purchased lot be stolen or mis-delivered or lost prior to delivery, Doyle New York shall not be liable for any amount in excess of that paid by the purchaser. We are not responsible for the acts or omissions of carriers or packers of purchased lots, whether or not recommended by us. Packing and handling of purchased lots by us is at the entire risk of the purchaser and Doyle New York will have no liability for any loss or damage to such items.

10. DOYLE NEW YORK EMPLOYEES

Employees of Doyle New York are not prohibited from bidding on property. In the course of their employment it is possible that they may have access to information not available to the public.

11. WAIVER OF CONDITIONS

Any and all of these conditions may be waived or modified in the sole discretion of Doyle New York. The Conditions of Sale, Terms of Guarantee, the glossary, if any, and all other contents of this catalogue are subject to amendment by us by oral announcements made during the sale. Salesroom notices amend the catalogue description of a lot after our catalogue has gone to press. They are posted in the viewing galleries and salesroom or are announced by the auctioneer. Please take note of them.

12. All measurements and weight are approximate.

Doyle New York is not responsible for damage of glass covering paintings, drawings, other works or frames and lamp shades regardless of cause.

13. If any part of these Conditions of Sale is found

by any court to be invalid, illegal or unenforceable, the balance of the conditions shall continue to be valid to the fullest extent permitted by law.

14. The rights and obligations of the parties with

respect to these Conditions of Sale and Terms of Guarantee, as well as the purchaser’s and our respective rights and obligations hereunder, the conduct of the auction and any matters connected with any of the foregoing, shall be governed and interpreted by the laws of the State of New York. By bidding at auction, whether present in person or by agent, by written bid, telephone or other means, the buyer shall be deemed to have submitted, for the benefit of Doyle New York, to the exclusive jurisdiction of the federal or state courts located in the state and county of New York and waives any objection to the jurisdiction and venue of any such court.

III

L U X U R Y

C O L L E C T I O N

Coronado • Offered at $5,995,000 The Clements Group • Lic# 01120956 • 619.806.7052

bhhscalifornia.com ©2019 Berkshire Hathaway HomeServices California Properties (BHHSCP) is a member of the franchise system of BHH Affiliates LLC. BHH Affiliates LLC and BHHSCP do not guarantee accuracy of all data including measurements, conditions, and features of property. Information is obtained from various sources and will not be verified by broker or MLS. Buyer is advised to independently verify the accuracy of that information.

TERMS OF GUARANTEE Doyle New York warrants the authenticity of authorship of each lot contained in this catalogue solely and expressly subject to the terms and conditions set forth below.

1. DEFINITION OF AUTHORSHIP

“Authorship” is defined as the artist, artisan, workshop, designer, school, period, culture, or source of origin, as applicable and indicated in the description of the lot. The warranted information appears in bold print immediately following the individual lot number; no other language in the catalogue is warranted, including any supplemental material which appears below the bold print headings. Doyle New York is not responsible for any errors or omissions in any material, which appears below the bold print headings. The description of authorship in this catalogue may be amended by a supplement to the catalogue, or by notices or announcements at the time and place of the auction sale. This catalogue may contain one or more glossaries explaining the terminology used in the catalogue. All terminology used in this catalogue, including the contents of the glossaries, are merely qualified statements or opinions and are not intended or made as warranted statements or representations under these Terms of Guarantee. Doyle New York makes no warranties whatsoever, express or implied, with respect to any material in the catalogue, except as set forth in bold print headings following individual lot numbers in this catalogue and subject to the exclusions set forth below.

2. COVERAGE UNDER THE GUARANTEE

Subject to the exclusions set forth below in paragraphs 5 and 6, Doyle New York warrants the authorship (as that term is defined above) of each lot in this catalogue for a period of five years from the date of the sale of the lot.

The guarantee is made only to the original purchaser of record at the auction, and only the registered bidder for the lot at the auction will be considered as the original purchaser. The buyer must give written notice of claim within five years from the date of the auction. Doyle New York may require, at its option, to have the purchaser obtain at the purchaser’s expense the opinion of two recognized experts (approved by Doyle New York) in the field relating to the item in question, before Doyle New York determines whether to rescind a sale under the above warranty. Upon request, Doyle New York will provide the purchaser with the names of acceptable experts.

3. NON-ASSIGNABILITY

The benefits of this warranty are not assignable and shall be applicable only to the original purchaser of record (i.e., the registered bidder) and not to any subsequent owners (including, without limitation, donees, heirs, successors, beneficiaries or assigns) who have, or may acquire, an interest in any purchased property. The original buyer must have remained the owner of the lot without disposing of any interest in it to any third party.

4. SOLE REMEDY

The purchaser agrees that in the case of a breach of warranty under these Terms of Guarantee, he shall have no remedy other than rescission of the sale and the refund of the original purchase price paid. The original purchase price paid is defined as the amount of the successful bid price, plus the buyer’s premium. No rescission and refund will be made unless the item is returned to Doyle New York at 175 East 87th Street, New York, NY 10128, in the same condition as at the time of sale. The remedy of rescission and refund is exclusive and the purchaser waives any other remedy which may be otherwise available in law or equity. Doyle New York shall not be liable for any special, consequential or incidental damages incurred or claimed including, without limitation, loss of profits or for interest.

5. EXCLUSIONS

This warranty does not apply to: i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or ii. any catalogue description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalogue, or which were unreasonably expensive or impractical to use at the time of publication of the catalogue. The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago, and made with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of this Terms of Warranty.

6. LIMITED WARRANTY

As stated in paragraph 2 of the Conditions of Sale, neither Doyle New York nor its consignor makes any express or implied representations or warranties whatsoever concerning any property in the catalogue, including without limitation, any warranty of merchantability or fitness for a particular purpose, except as specifically and expressly provided in these Terms of Guarantee.

IV #

zachys

Private Sales & Estate Planning Zachys is committed to bringing the greatest collections to market in various ways. Auction is one of the most effective ways to maximize the value of your collection, and Zachys did nearly $80m in auction sales last year. Zachys is also a market leader in Private Sales. Zachys is uniquely suited to buy and sell collections that are better suited to private sales instead of auction because of our combined retail and auction divisions, and our Specialists throughout Asia, Europe and the United States. In 2018, Zachys did millions in private sales to collectors all over the world. Is Private Sale right for you? It may be. One of Zachys strengths is the ability to tailor a financial deal to the needs of you, the collector. Zachys is number one in auctions, for a reason: auction remains one of the best ways to sell rare wine. Consignors can take advantage of an upwards-rising market. That said, there are also reasons to consider an outright purchase or private sale. The best thing to do is speak to a Zachys Specialist, discuss your goals and outline a plan of action together. Estate Planning The best way to deal with the liquidation of a wine collection at some point in the future, is to plan now. In estate planning, too often the wine collection is forgotten, and this can be a huge mistake. From logistics to finances and sale strategy, Zachys can help plan the liquidation of a cellar far in advance. Start a conversation today with a Zachys specialist. You might be surprised to learn of all of the ways we can help. Zachys Wine Specialists are ready to assist you with all of your wine needs, whether consignment or sale.

Jeff Zacharia President jzacharia@zachys.com

Jamie Pollack Global Managing Director jpollack@zachys.com

Stuart Jakub Shoshana Filene Senior Specialist, New York Senior Specialist, New York sjakub@zachys.com sfilene@zachys.com

zachys

Fritz Hatton Senior Advisor fhatton@zachys.com

Charles Antin Senior International Specialist, New York cantin@zachys.com

Terrence Tang Head of Asia, Hong Kong ttang@zachys.com

Christy Erickson Head of Europe, Paris cerickson@zachys.com

Kim Busch Specialist, New York kbusch@zachys.com

Austin Zhang Sales Director, China xzhang@zachys.com

Ching Wong Specialist, Hong Kong cwong@zachys.com

Dora Kam Specialist, Hong Kong dkam@zachys.com

New York • Hong Kong • San Francisco • auction@zachys.com • zachys.com/auctions tel +1.914.448.3026 • tel +852.2530.1971 • fax +1.914.313.2350 • fax +852.3014.3838

INFORMATION ON SALES AND USE TAX RELATED TO PURCHASES AT AUCTION To better assist our clients, we have prepared the following information on Sales and Use Tax related to property purchased at auction.

WHY DOYLE NEW YORK COLLECTS SALES TAX Virtually all State Sales Tax Laws require a corporation to register with the State’s Tax Authorities and collect and remit sales tax if the corporation maintains a presence within the state, such as offices. In the states that impose sales tax, Tax Laws require an auction house, with a presence in the state, to register as a sales tax collector, and remit sales taxcollected to the state. New York sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York, regardless of the state or country in which the purchaser resides or does business.

WHERE DOYLE NEW YORK COLLECTS SALES TAX Doyle New York is currently registered to collect sales tax in the following states: New York and the District of Columbia. For any property collected or received by the purchaser in New York City, such property is subject to sales tax at the existing New York State and City rate of 8.875%.

WHERE DOYLE NEW YORK IS NOT REQUIRED TO COLLECT SALES TAX Doyle New York is not required to collect sales tax on property delivered to states other than those listed above. If the property is delivered to a state where Doyle New York is not required to collect sales tax, it is the responsibility of the purchaser to self-assess any sales or use tax and remit it to taxing authorities in that state. Doyle New York is not required to collect sales tax for property delivered to the purchaser outside of the United States.

RESTORATION AND OTHER SERVICES Regardless of where the property is subsequently transported, if any framing or restoration services are performed in New York, it is considered to be a delivery of the property to the purchaser in New York, and Doyle New York will be required to collect the 8.875% New York sales tax.

CERTAIN EXEMPTIONS Most states that impose sales taxes allow for specified exemptions to the tax. For example, a registered re-seller such as a registered art dealer may purchase without incurring a tax liability, and Doyle New York is not required to collect sales tax from such re-seller. The art dealer, when re-selling the property, may be required to charge sales tax to its client, or the client may be required to self-assess sales or use tax upon acquiring the property. If a not-for-profit or charitable organization is selling property through Doyle New York, it may be sold as a tax exempted purchase. The not-for-profit seller must be registered with the New York Department of Taxation and Finance as an exempt organization and the property must be picked up or delivered in New York. However, a compensating use tax is due from the buyer if any such lot is shipped to any of the states where Doyle New York maintains offices. It is the buyer’s responsibility to ascertain and pay all taxes due. Buyers claiming exemption from sales tax must have the appropriate documentation on file with Doyle New York prior to the release of the property.

LOCAL TAX ADVISORS As sales tax laws vary from state to state, Doyle New York recommends that clients with questions regarding the application of sales or use taxes to property purchased at auction seek tax advice form their local tax advisors.

If the property is delivered into any of the states in which Doyle New York is registered, Doyle New York is required by law to collect and remit the appropriate sales tax in effect in the state where the property is delivered. Property collected from Doyle New York premises by common carriers on behalf of the purchaser for delivery to the purchaser at his address outside of New York is not subject to New York Sales Tax. If it is delivered by the common carrier to any of the states where Doyle New York is required to collect sales tax, applicable tax will be added to the purchase price.

BUYING AT DOYLE Since 1963, Doyle New York has built a worldwide reputation for expertise, integrity and service. In our New York salesrooms, we hold approximately forty auctions annually featuring fine art, jewelry, furniture, decorative arts, books, prints, couture and a variety of other categories. Our global audience of buyers and sellers know the quality of our sales and appreciate our standard of service. If you are new to the auction process, please take a moment to review the following information. The following will help in understanding the auction buying process. All bidders should read the Conditions of Sale and Terms of Guarantee in this catalogue, as well as the Glossary or any other notices. By bidding at auction, bidders are bound by the Conditions of Sale and Terms of Guarantee, as amended by oral announcements or posted notices, which together form the sale contract between the successful bidder (purchaser), Doyle New York and the seller (consignor) of the lot.

BEFORE YOU BID Doyle New York produces both printed and Internet auction catalogues that contain descriptions of the property being offered and the presale estimates and are available prior to the sale date. Our free Internet catalogues, available at Doyle.com, also provide illustrations, direct communication with our specialists, and the ability to leave online absentee bids and track lots. The catalogues will help familiarize you with property being offered at the designated auction. In addition, Doyle.com offers a free Internet Personal Shopper that allows collectors to enter keywords of objects they are seeking. As each Internet auction catalogue is posted online, the collector is notified by email of any matches. A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require the production of bank or other financial references. PROVENANCE In certain circumstances, Doyle New York may print in the catalogue the history of ownership of a work of art if such information contributes to scholarship or is otherwise well known and assists in distinguishing the work of art. However, the identity of the seller or previous owners may not be disclosed for a variety of reasons. For example, such information may be excluded to accommodate a seller’s request for confidentiality or because the identity of prior owners is unknown given the age of the work of art. SPECIALIST’S ADVICE Prospective bidders may be interested in specific information not included in the catalogue description of a lot. For additional information please contact either a Doyle New York specialist or Doyle New York’s Client Services Department. You may also request a condition report from the specialist in charge.

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BIDDING AT AUCTION Auctions are open to the public without any admission fee or obligation to bid. Pre-auction viewings are open to the public free of charge. Doyle New York’s specialists are available to give advice and condition reports at viewings or by appointment. The auctioneer introduces the objects for sale - known as “lots” in numerical order as listed in the catalogue. The auctioneer accepts bids from those present in the salesroom, from telephone bidders, from Internet bidders or by absentee written bids left with Doyle New York in advance of the auction. LIVE BIDDING The most exciting way to participate at auction is the traditional method of bidding live in the salesroom with an auction paddle. Buyers who would like to bid may register for a paddle on the day of the sale upon entering the salesroom at least 30 minutes before the sale. The paddle is numbered so as to identify you to the auctioneer. To register, you will need a form of identification such as a driver’s license or credit card. If you are a first-time bidder, you will also be asked for your address, phone number and signature and a bank reference in order to create your account. To avoid any delay in the release of purchases, please pre-arrange check or credit approval through Doyle New York’s Credit Department at 212-427-4141 ext. 205. If you are bidding for someone else, you will need to provide a letter from that person authorizing you to bid on that person’s behalf. Issuance of a bid paddle is in Doyle New York’s sole discretion. Once the first bid has been placed, the auctioneer asks for higher bids, in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. As a courtesy to bidders, a currency board may be operated. It displays the lot number and current bid in both U.S. dollars and foreign currency. Exchange rates are approximations based on recent exchange rate information and should not be relied upon as a precise invoice amount. Doyle New York assumes no responsibility for any error or omission in foreign or United States currency amounts shown. TELEPHONE BIDDING Clients unable to attend the sale may still participate live by bidding on the telephone with a trained staff member on the auction floor. The Telephone Bid Forms are available on our Web site, in our printed catalogue, and through our Client Services Department. Please contact the Bid Department prior to the sale to make arrangements or to answer any questions you may have. Telephone bids are accepted only at Doyle New York’s discretion and at the caller’s risk. Calls may also be recorded at Doyle New York’s discretion. By bidding on the telephone, prospective buyers consent thereto. Telephone bids cannot be accepted for lot estimated below $1,000. Arrangements must be confirmed with the Bid Department at least 24 hours prior to the auction at 212-427-4141 ext. 242. Arrangements to bid in languages other than English must be made well in advance of the sale date. Doyle New York offers all absentee and telephone bidding services as a convenience to our clients but will not be responsible for errors or failures to execute bids.

ABSENTEE BIDDING For buyers unable to participate live in the salesroom or on the telephone, Doyle offers the option of Absentee Bids. Absentee Bids work exactly as if the bidder were in the salesroom bidding up to a predetermined price limit, except that the price limit is given confidentially to Doyle ahead of time. Absentee Bid Forms are available on our Web site, in our printed catalogues, and through our Client Services Department. Return the completed Absentee Bid Form to Doyle New York either by mail or by fax. When the lot that you are interested in comes up for sale, a Doyle New York representative will execute the bid on your behalf, making every effort to purchase the item for as little as possible and never exceeding your limit. The auctioneer may execute absentee bids directly from the rostrum, identifying these as “absentee bids,” “book bids,” or “order bids.” This service is free and confidential. For detailed instructions and information, please see the Doyle New York Absentee Bid Form at the back of this catalogue or on our Web site. In the event that identical bids are submitted, the earliest will take precedence. INTERNET ABSENTEE BIDS Buyers may also conveniently leave bids on our Web site through our Internet catalogues. These bids are executed at the auction in the same fashion as an Absentee Bid. LIVE ONLINE BIDDING BidLive! with a click of your mouse. Bidders from around the world now can experience the excitement of bidding live at Doyle on their computers. MAC USERS: Please use Firefox browser (download). BidLive!, powered by Invaluable, does not support iPhone or iPad at this time. Doyle New York does not guarantee that live Internet bidding will be uninterrupted or without error, or that Internet bids will be received.

BUYING AT DOYLE CONTINUED SUCCESSFUL BIDS Successful absentee bidders will be notified after the sale. Absentee bidders will receive a list of sale results if they enclose a stamped self-addressed envelope with their Absentee Bid Form. Printed lists of auction prices are available immediately after the sale on our Web site and at our galleries. While invoices are sent out by mail after the auction, we do not accept responsibility for notifying you of the result of your bids. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

AFTER THE AUCTION If your bid is successful, you can go directly to Purchaser Accounting to make payment arrangements. Otherwise, your invoice will be mailed to you. The final price is determined by adding the buyer’s premium to the hammer price on a per-lot basis. Sales tax, where applicable, will be charged on the entire amount. Payment is due in full immediately after the sale. However, under certain circumstances, and generally with the seller’s agreement, Doyle New York may offer buyers it deems creditworthy the option of an extended payment plan. Credit terms should be arranged prior to the sale. Please contact the Credit Department for information on credit arrangements for a particular lot. METHODS OF PAYMENT Accepted forms of payment include bank wire transfers, cash (in US currency up to $5,000), traveler’s check (in US currency up to $5,000), money orders (in US currency up to $5,000), or personal check made payable in US dollars drawn on a US bank, unless other arrangements are made with Purchaser Accounts. It is Doyle New York’s policy to request any new clients or purchasers preferring to make a cash payment to provide: verification of identity (by providing some form of government issued identification containing a photograph, such as a passport, identity card, or driver’s license), confirmation of permanent address and identification of the source of the funds. Invoices greater than $5,000 require payment by certified check, bank check or wire transfer. Credit cards are not accepted for payment of auction purchases.

To pay for a purchase by check, please see our cashier and fill out a Check Acceptance Account form. Until approved, you will not be permitted to remove purchases before the check has cleared. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Check acceptance privileges are reviewed from time to time by Doyle New York and may be granted or withdrawn at our sole discretion. Checks should be made payable to Doyle New York. Note that checks drawn on foreign banks may be accepted with the approval of the Credit Department, may not be accepted for values under $500, and that there is a $100 minimum collection charge on checks drawn on foreign banks located outside the U.S. Certified checks, banker’s drafts and cashier’s checks are accepted at Doyle New York’s discretion provided they are issued by a reputable financial institution governed by anti-money laundering laws. Instruments not meeting these requirements will be treatedas “cash equivalents” and subject to theconstraints noted above. Please direct inquiries regarding wire transfer or ACH credit to Steven L. Kuzio, 212.427.4141 ext. 202, steven.kuzio@doyle.com BUYER’S PREMIUM The invoice will include the successful hammer price of the item and the buyer’s premium. Doyle New York charges a premium to the buyer on the final bid price of each lot sold at the following rates: 25% on the first $300,000 of the hammer price of each lot, 20% on the portion of the hammer price from $300,001 through $3,000,000, and 12.5% on that portion of the hammer price exceeding $3,000,000. Applicable sales tax will also be added to the final total. New York Sales tax is charged on the hammer price, buyer’s premium and any other applicable charges on any property picked up or delivered in New York State, regardless of the state or country in which the purchaser resides or does business. Please refer to “Information on Sales and Use Tax Related to Purchases at Auction” in the back of the catalogue. All sales are final and subject to the Conditions of Sale. PICK-UPS Once your payment has been cleared, property may be released. Unless otherwise agreed by Doyle New York, auction purchases should be paid for and picked up at Doyle New York within 48 hours of the auction. Items left beyond the 48 hours may be subject to a storage fee (see below). Please note that the hours for removal of property are Monday through Friday from 8:15am until 4:45pm, except on auction days during which only purchases made that day may be picked up. As a courtesy to purchasers who come to Doyle New York to pick up property, Doyle New York will assist in the packing of lots, although Doyle New York may, in the case of fragile articles, choose not to pack or otherwise handle a purchase. Doyle New York will not be responsible or liable for damage to glass covering paintings, drawings or other works, or damage to frames, regardless of cause.

STORAGE FEES Pursuant to section 8 of our Conditions of Sale, we request that successful buyers collect their property within two business days following the sale. Should the property (except jewelry, coins, stamps or as announced by the auctioneer) remain on our premises for more than 31 days following a sale it will be transferred to an independent warehouse on the buyer’s behalf at the purchaser’s risk and subject to storage charges at the purchaser’s expense. As transferred property will no longer be in Doyle New York’s custody or care, Doyle New York will not be able to assist you with pick-up or shipping arrangements. To avoid storage charges, please arrange for the removal of your purchases as soon as possible. Please Note: Transfer to a Storage facility of uncollected purchases past the 31-day grace period will constitute delivery of the property to the buyer in New York State. As a result, buyer will be liable to pay New York State Sales Tax if not tax-exempt. The charges are payable to an outside Storage Company and therefore cannot be waived by Doyle New York. We encourage all buyers to collect purchased property within two business days following the sale. In order to collect property from Yorkville Van and Storage, buyers must present a copy of a paid invoice bearing a Yorkville warehouse release stamp. This warehouse release stamp can only be obtained from the cashier at Doyle New York’s main reception desk located at 175 East 87th St in Manhattan. SHIPPING Shipping is the responsibility of the buyer. Upon request, our Client Services Department will provide a list of shippers who deliver to destinations within the United States and overseas. Kindly disregard the sales tax if an I.C.C. licensed shipper will ship your purchases anywhere outside the state of New York or the District of Columbia. ENDANGERED SPECIES Certain property sold at auction, for example, items made of or incorporating plant or animal materials such as coral, crocodile, ivory, whalebone, tortoise shell, mother-of-pearl, etc., irrespective of age or value, may require a license or certificate prior to exportation and additional licenses or certificates upon importation to another country. Doyle New York suggests that buyers check on their government wildlife import requirements prior to placing a bid. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in the United States.

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SELLING AT DOYLE At Doyle New York, we commit our expertise, experience, market knowledge and global outreach to every sale. The numerous auction records set in our salesrooms are testimony to the advantages of selling property at Doyle. To make the auction process as easy and convenient as possible, our team of dedicated professionals will guide you through the entire appraisal and auction procedure. As part of our commitment to providing comprehensive auction services to collectors, institutions and estates, Doyle New York offers several options to those seeking to sell their property: consignment of the objects to auction at Doyle, outright sale of the objects to Doyle, a combination of both, or referrals to other organizations.

OBTAINING AN APPRAISAL The first step in selling property at auction is to obtain a free informal appraisal of the item. The appraisal includes an estimated value, which is the specialist’s best judgement as to what the object will sell for at auction. The figure is based upon the specialist’s expertise and knowledge of what similar items are fetching in the current auction market. There are various ways to obtain appraisals. Information and appointments to view property in your home or in the gallery can be arranged through our Scheduling Department, an appropriate Specialist Department, or a Doyle New York Regional Representative. Once your property has been evaluated, Doyle New York representatives can then help you determine how to proceed with the auction process. They will provide information regarding sellers’ commission rates and other charges, auction timetable, shipping and any other further services you may require. SUBMITTING PHOTOGRAPHS We welcome photographs of property to evaluate for possible auction if the property is not portable, or if you are not able to visit our galleries. If you have a large collection, a representative selection of photographs is acceptable. Please bring in the photographs or email photos of your objects to the Scheduling Department. You may also mail photographs to the Scheduling Department, or call them at 212-427-4141, ext. 260, to discuss your property and perhaps arrange an appointment with a specialist. Please be sure to include the dimensions, artist’s signature or maker’s mark, medium, physical condition, and any other relevant information. Our specialists will provide a free preliminary auction estimate subject to a final estimate upon first hand inspection.

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REGIONAL APPRAISAL DAYS Doyle New York’s Regional Representatives host free appraisal days on a regular basis throughout Connecticut, the metropolitan Washington, DC area, as well as in other areas throughout the United States. These popular events provide ease and convenience for collectors outside of New York who wish to sell their property at Doyle. At these events, we accept property for upcoming auctions in our New York salesrooms through both consignment and outright purchase.

SELLING YOUR PROPERTY CONSIGNING TO AUCTION In consigning property to auction, the seller retains ownership until the successful sale of the item at auction. When property is consigned to Doyle for auction, we devote the expertise of our specialists and professional staff to achieving outstanding prices at auction. THE CONSIGNMENT CONTRACT When you consign property to Doyle New York you will receive two copies of our Consignment Agreement, the legal document delineating the terms of sale. One copy should be initialed, signed and returned; the other kept for your records. Once the property is received in our gallery, you will be sent a Contract Schedule listing the property, the planned sale dates, the estimated price ranges, and the reserves will be listed, along with the agreed upon seller’s commission and other related fees. RESERVE PRICE Before an item is offered at auction, the consignor and Doyle New York may agree on a reserve price, a confidential minimum selling price. Unless a specific reserve is arranged, a discretionary reserve is fixed at fifty percent of the low estimate. If the consignor designates a reserve on a lot, and it remains unsold, there will be a buy-in fee charged on the reserve price. OUTRIGHT SALE TO DOYLE Outright purchase of property by Doyle allows the seller the advantage and convenience of immediate payment. Many sellers prefer this method of sale rather than consigning their property to auction and awaiting payment after the successful sale of the items. For further information please contact our Scheduling Department.

AFTER THE AUCTION RESULTS OF SALE You may track realized prices of your consigned property in real time and view all sales results online at Doyle.com. A preliminary settlement statement itemizing the hammer prices, commissions and fees is mailed to the consignor after the auction. You may also call us at 212-427-2730 for prices realized. PAYMENT TO CONSIGNORS Payment to consignors is mailed five weeks after the date of the sale, together with a final settlement statement. The amount of payment is the hammer price of each lot successfully sold, less the commission and any other fees.

ESTATE AND APPRAISAL SERVICES For forty years, Doyle New York’s Appraisal and Auction Services Department has worked with museums, corporate collections, banks and law firms, trust and estate professionals, heirs, and private clients across the nation providing our comprehensive appraisal and auction services. Our thorough, well-researched fair market appraisals have earned Doyle a solid reputation for professionalism, integrity and service throughout the United States. Doyle New York offers a full range of expert appraisal services, specializing in providing timely formal appraisals for estate tax and probate purposes. Our expert team of specialists and our professional staff bring years of experience to each appraisal. Full color digital photographs may be included in the appraisal in order to make each object easily identifiable. Depending on the location, we are happy to provide, at no charge, a preliminary walk-through examination to determine approximate costs and special needs. Appraisal fees are based on the scope of the property with travel expenses additional. Doyle New York will prepare a customized proposal tailored to the specific property under consideration for auction, including a commission and fee structure developed to maximize returns to consignors. We may also make an outright purchase offer on individual items or entire estates. As part of our focus on comprehensive estate liquidation, we offer our unique “Broomclean Service” – our own trucks and crew will transport the fine property to Doyle, remove remaining items, and leave the premises “broomclean.”

INFORMATION For more information please call 212-427-4141, ext 260, or email info@Doyle.com. For estate and appraisal services, please contact our Appraisal and Auction Services Department at 212-427-4141, ext. 227.

HAYLOFT AUCTIONS A division of Doyle, Hayloft Auctions opened in 2016 in the Port Morris neighborhood of the Bronx, New York, and expanded in 2018 to include a new location in Kensington, Maryland. Hayloft Auctions purchases estates and collections large and small throughout the North East and Mid-Atlantic areas, which are sold in timed online-only auctions hosted on HayloftAuctions.com. This service provides opportunities for those seeking to liquidate personal property of more moderate value than would be sold during a live auction event. We invite you to contact us for a complimentary proposal. NEW YORK METRO AREA: 929-303-3266 or info@HayloftAuctions.com WASHINGTON, DC METRO AREA: 301-348-5282 or HayloftDC@HayloftAuctions.com

AUCTION SCHEDULE JUNE

JULY

AUGUST

DOYLE+DESIGN® Auction: Wednesday, June 5 at 10am Exhibition: June 1 – 3

JEWELRY, WATCHES, SILVER & COINS BY ORDER OF THE PROVIDENT LOAN SOCIETY Auction: Wednesday, July 17 at 10am Exhibition: July 12, 15 – 16

DOYLE AT HOME® Auction: Wednesday, August 7 at 10am Exhibition: August 1 – 2, 5

FINE JEWELRY Auction: Wednesday, June 12 at 10am Exhibition: June 8 – 10 PHOTOGRAPHS Auction: Thursday, June 13 at 10am Exhibition: June 8 – 10

DOYLE AT HOME® Auction: Thursday, July 18 at 10am Exhibition: July 12, 15 – 16

JEWELRY & CONTENTS OF ABANDONED SAFE DEPOSIT BOXES Auction: Wednesday, August 14 at 10am Exhibition: August 1 – 2, 5

DOYLE AT HOME® Auction: Wednesday, June 26 at 10am Exhibition: June 22 – 24 THE ESTATE OF OLEG CASSINI Auction: Thursday, June 27

CATALOGUES

EXHIBITION HOURS

SELLING AT AUCTION

View the catalogues and leave bids online at Doyle.com, or for printed catalogues please call 212-427-2730 x203 or email subscriptions@Doyle.com

212-427-4141, option 5 or visit Doyle.com

We invite you to contact us for a complimentary auction evaluation of your collection. Please call 212-427-2730 or email info@Doyle.com

DOYLE

175 EAST 8 7 TH STREET

NEW YORK, NY 10128

212 - 4 2 7- 2 730

DOY L E .COM

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