What I have Learnt in Architecture School
By Parinaz Zahedi Department of Architecture Politecnico di Torino
Portfolio of Selected Works
2020-2025
Who am I ?
know me better
2011 Freelance Photographer
Hey!
2015
Sabat Company Shiraz Iran Architectural Survey
2019
This is Parinaz an architect who has always been drawn to stories. Not only the ones written in books, but also the ones hidden within places, objects, and people. For me, design is a way of discovering, interpreting, and continuing these narratives. Through architecture, urban spaces, visual art, and object design, I explore how spaces can communicate meaning beyond their physical presence . My journey in architecture has taught me to observe, analyze, and create with intention, while art has shaped the way I imagine and question. Between logic and intuition, I search for the stories that shape our environments and the possibilities that emerge when they are reimagined .
2022 Red-Cube Shiraz Iran 3D Architecture Visualizer
2010 Hsc Towhid College
2014
2022
2015 BSc.Arch Shiraz University of Arts & Architecture
2019
Still learning, still questioning, and still discovering . new ways to translate stories into spaces
2023 Cinco Montreal Canada 3D Architecture Visualizer
Skills Modeling
3D max Revite
2023 MSc.Arch Politecnico di Torino -Architecture for Sustainability
2026
Rendering Vray Lumion
Graphical
Achievements KAIRA LOORO Competition 2024 global competition promoting sustainable architecture for humanitarian causes Structure Competition 2018 Structure competition organized by the University of Arts and Architecture
Photoshop Illustrator InDesign
Soft Skills
2015 Qavam Al-Din Competition Qavam Al-Din Competition, held on Architecture Day in Shiraz
Adaptibility Teamwork Curiosity Creativity
Teaching Assistanship
Language
APADEMY INSTITUTION
Persian - Native English - C1 Italian - A2
2018
Supervised practical lab sessions
3ds Max & V-Ray
2017 SHIRAZ University of Arts & Architecture Teaching Assistant Structural Statics & Reinforced Concrete
Contents
1. Garden Heal
Academic Studio | Politecnico di Torino
2025 .Experiments in thought
2. Urban Branching
Academic Studio | Politecnico di Torino
2024
Visions of the future
3. Déjà Vu Pavilion
Competition | Qavam Al-Din Competition
2020
4. FIROUZEH OFFICE TOWER
Constructed Project | Red-Cube Groupe
2019
.Architecture touching ground
5. VILLA NO.01
Constructed Project | Red-Cube Group
2020
6. VILLA NO.05
Constructed Project | Red-Cube Group
2022
GARDEN HEAL Location : Southern Senegal Type : Maternity Center Professor : Matteo Robiglio Competition : Kaira Looro
This project envisions a maternity healthcare facility designed for women in rural Southern Senegal, where over women lose tehir lives each year due to inadequate medical care and poor sanitary conditions. With one in sixteen women in Africa at risk of dying during childbirth, and a majority still relying on home births rooted in tradition, the need for accessible, dignified, and culturally sensitive care is urgent At the heart of the design lies the concept of a Healing Garden a series of protective courtyards that offer more than just shelter. These spaces act as sanctuaries where women can receive medical care, connect with each other, and engage in shared learning about health and motherhood. Through the careful interplay of natural elements light, sand, plants, and airflow the garden becomes a place of comfort, interaction, and community healing Constructed with local materials and vernacular techniques, the architecture draws from collective memory and regional identity, fostering a deep emotional connection between the space, its users, and the land. Adjustable windows ensure privacy and flexibility, while the spatial configuration supports both individual retreat and communal gathering. This project aims not only to provide a safe space for childbirth, but also to empower women through education, shared experience, and .environmental harmony
CONCEPT DIAGRAM
Site
Block N
Plan
Creating a courtyard to form an internal circular flow
staggering blocks to form large and smallcourtyards
Designing a sloped roof for rainwater drainage
Raising the roof to promote ventilation
Detail Section Facade
1 . Straw roof diameter 50cm 2 . Sway_Bamboo rod 3 . Willow Brotche 4 . Wood plank 5 . Iron nails 6 . Backfilling 7 . Batten 5cm * 8cm 8 . Iron nails 9 . Gutter 10 . Iron nails 11 . Wood plank for second roof 1cm 12 . Rafter 3*5cm*8cm 13 . Bottom chord 2*5cm*8cm 14 . Web 5cm * 8cm 15 . L-shaped Steel 16 . Concrete bonding beam 12cm * 40cm 17 . Bamboo mat 1cm 18 . Windows Framework
1/20
19 . Shutter windows 20 . Glass Windows 21 . Rammed earth 40cm 22 . Interior antibacterial latex paint 2cm 23 . Wood skirting board 1.5cm * 15cm 24 . Moisture proofing 2cm 25 . Cement mortar plinth 2cm * 30cm 26 . Concrete foundation 60cm * 80cm 27 . Perforated canal cover 28 . Concrete drainage 29 . Cement mortar crushion 30 . Concrete Apron 6cm slope%5 31 . Caulking mastic 32 . Membrane 33 . Gravel filling 34 . Drain Pipe 35 . Concrete Floor 36 . Gravel filling
1:100
1 . Children Area 17 . 2 . Waiting Area 18 . 3 . Reception Area 19 . 4 . Resting Area 20 . 5 . Public Kitchen 21 . 6 . Changing Room 22 . 7 . Medical Room 23 . 8 . Consulting Room 24 . 25 . 9 . Medical Supplies 26 . 10 . Nursing Station 27 . 11 . Public Toilet . Neonatal Observation 12 13 . Resting Room (Doctor 14 . Resting Room (Patient 15 . Laundry Room 16 . Courtyard
Storage Room Delivery Room Dirty Room Surgery Room Scrub Room Preparation Private Yard Pre-delivery Praying Room Post Delivery Water Reservior
Detailed Plan
1:50
NATURAL VENTILATION ANALYSIS
LOCALIZED CONSTRUCTION PROCESS
N
Site Design & Technical Construction Diagram
Straw Roof
Battens
Bamboo Strips
Wooden Truss Bamboo Mat
Concrete Beam
Bamboo Fances Concrete Floor Rammed Earth wall Wooden pillars Fabrics
Roof Construction
The reeds of the two topcourses are curved over the ridge battens onto the other side and tucked below the topmost course there. A ridge layer is then stitched to these last two layers on the side facing away from the prevalling wind ; the bundles projecting above the ridge are like wise bent over onto the other side
The bundles are held inplace by sways, which are fixed by individuals willow brotches to a min. 10 cm thick undercoat, whichin turn is stitched to the battens. Stregth is achieved by the spreading action of the brotches
WOOD TRUSS CONSTRUCTION
Rod Extension
Eaves Node
Intermediate Node
Double Layers window Construction
Condition1
Condition2
Condition3
Condition4
Regular night: No light and no wind, privacy max
Hot night :wind in and without light
Heavy rain or windy day: light in and without wind
Regular day: wind and light can come inside
Bioclimatic Section
Direct Radiation diffuse radiation heating 9.48kWh per day
Average daily precipitation during the rainy season 10 mm
Average Ventilation 27.5ac/h ventilation Cooling 9.36 kWh per day
Roof overhangs provid shade for rooms
Gutters collect rainwater flowing down the sloped roofs
8:00 a.m
Evaporaspiration Cooling 0.48kWh per day
Windows the open up and down, when partially closed can be combined with roof shading to reduce direct radiation into the room
Roof, Wall and Ground floor Cooling -3.60kWh per day
The courtyard garden collects rainwater and cooling the rooms
Water falling from roof gutters flows into the drainage system for collection and diversion
Section A-A
1:100
URBAN BRANCHING Location : Turin, Italy Type : Urban Regeneration Professor : Massimo Crotti, Claudio Germak Louena Shtrepi, Anna Pellegrino
Urban Branching" is a comprehensive urban" regeneration masterplan that transforms the highly fragmented, car-dominated district of Corelli Tabacchi in Turin, Italy, into a vibrant, walkable, and resilient neighborhood. Currently divided by heavy infrastructure, the area suffers from severe physical and social barriers. The project actively solves this issue by reorganizing traffic flow, restricting through-car passages, and replacing wide roads with extensive pedestrian walkways and dedicated cycling networks that safely bridge previously isolated urban pockets The cornerstone of this transformation is the anticipated future metro station, which the design leverages as a primary multi-modal transit hub. From this central node, a prominent civic axis extends as a vital urban spine, branching organically into the surrounding residential fabric to improve neighborhood navigation and stimulate social interaction. Seamlessly integrated with public plazas, green roofs, permeable surfaces, and community urban farming plots, the masterplan effectively reclaims the human scale—turning a hostile infrastructure node into an eco-friendly public realm that enhances the well-being of the entire .community
Via Giovanni Cravero
Pia z
za
Via Giovanni Cravero
Via G
So
fia
iam
ta
pe
Corso Regio Parco
ba ttis
rgil e
si
Go
tta
The project is situated in the Corelli Tabacchi district, a strategic yet highly fragmented urban territory located in the north-eastern quadrant of Turin, Italy
Via
Se
mp
rd
o
ion
e
Via Telemaco Signor
Via
Corso Regio Parco
Via
Go
m
Via
ne
Bo
pio
log na
Se
o rd
tta
Via
o
Characterized by a dense network of twentieth-century industrial infrastructure and major vehicular intersections, the site currently functions as a hostile border zone rather than a cohesive neighborhood. It is bounded by high-capacity transit corridors that sever the local topography, isolating nearby residential pockets, disrupting pedestrian flow, and creating severe physical and acoustic barriers within the public realm
Via Gottard
Via Gottardo
Via Gabriele Rosset
ti
Via Modesto Parole
tti
S Via pio
em ne
Via Maddalene
Via
Bo
log na
Via S. Gaetano da Thiene
e
mpion Via Se
B Via
a gn
olo
Via Sempione
Corso Terenzio Mamiani
SITE ANALYSIS
Existing Public Space New Public Space
Streets claimed for pedestrian Car Streets
Lighting Intensity High
Low
Corso Regio Parco
Via Ar
rdo
otta
naldo Fu
Via G
sinato
Via Maddalene
ino
Light Perception Sketches
These sketches study how artificial light is distributed along the street at night. Street lighting is designed around vehicles and leaves the pedestrian and cyclist path in relative darkness, creating a sense of insecurity for the people who use the public space most slowly and most closely
Noise Perception Sketches These sketches map how traffic noise shapes the experience of the street, with passing cars reaching around 67LB Car sound dominates the pedestrian and cyclist path and the public areas, while existing rows of trees act as the only buffer, pointing to vegetation as a key tool for making the street quieter and more liveable
Noise Survey Pe rc e ive d Aff e c tive Q ual ity
Pe rc e ive d Aff e c tive Q ual ity POI N T ٣ DA Y
POINT POI N T3٣ DA DayY
51-60
CChaotic HA O TIC
1
٤4
DA Y Day
٤
C HA O TIC
EXC ITIN G
٣
C HAChaotic O TIC
١
٢2
10
A NAnnoying N O YIN G
١1
M O N O TO N O US
C A LM
O YIN G PLEA S A N T NAnnoying Pleasant
٤
4
٣
3
٢
2
١
1
62-67
٢
Exciting EXC ITIN G ١
MON O TO N O US Monotonous
CCalm A LM
8
45-55
Uneventful UN EVEN TFUL
N ATUR A L N O IS E
٥5
45-55 62-67
N ATUR A LNoise N O IS E Natural
5
٢2
١1
C A LM
YINGG AAAnnoying NNNNOOYIN PLEAPleasant S AN T
٥ C A LM Calm ٤
Uneventful O THER N O IS E EVEN UN TFULN ATUR A L N O IS E
١
HUM A N
OOther THER NNoise O IS E
٤٤ 4
Natural N ATUR ANoise L N O IS E
TRAF FICNoise N O IS E Traffic 5٥ 4٤ 3٣ 2٢ 1١
٢ ١
47-60
DAYY٥ DA Day
IGHT HT NNIG Night
CHA HAOOTIC TIC CChaotic
A N N O YIN G
٤
EVENTFUL TFUL EVEN Eventful ٣ 5٥٥ ٢
٤٤ 4
١
EXC ITIN G
EXCITIN ITINGG EXC Exciting
PLEA S A N T
2٢٢ M O N O TO N O US
PLEASSAANNTT AN PLEA AN YINGG NNOOYIN Annoying Pleasant
1١١
C A LM
TRAF FIC N O IS E
TONNOOUS US MMOOMonotonous NNOOTO
LM CCAALM Calm
TONNOOUS US MMOOMonotonous NNOOTO
٥ ٤
LM CCAALM Calm
٣
O THER N O IS E
٢
Uneventful UNEVEN EVENTFUL TFUL UN
N ATUR A L N O IS E
Natural ATURAANoise NNATUR LLNNOOISISEE
O THER N O IS E
TRAFFIC FICNoise TRAF NNOOISISEE Traffic
TRAFFIC FICNoise TRAF NNOOISISEE Traffic 5٥٥ 4٤٤ 3٣٣ 2٢٢ 1١١
Uneventful UNEVEN TFUL UN ١EVENTFUL
Other THERNoise OOTHER NNOOISISEE
Natural ATURAANoise NNATUR LLNNOOISISEE
5٥٥ HUM A N 4٤٤ 3٣٣ 2٢٢ 1١١
Other THERNoise OOTHER NNOOISISEE
S o und So urc e s Human HUM A N
Human
HUMAANN HUM
Human
HUMAANN HUM
6 50-60
7
NNN
PLEASSAANNTT PLEA Pleasant
UN EVEN TFUL
HUM A N
Other O THERNoise N O IS E
N IG HT
٣٣ 3
1١١
N
Human HUM AN
EXCITIN ITINGG EXC Exciting
٣
٢
٣3
4
EVENTFUL TFUL EVEN Eventful ٥٥ 5
TRAF FIC N O IS E
٥
M O٤ N OMonotonous TO N O US
Traffic Noise ٤4
PLEA S A N
C HA O TIC
UN EVEN TFUL
TRA FFIC N O IS E
3
HAOOTIC TIC CCChaotic HA
NIG IGHT HT N Night
2٢٢ M O N O TO N O US
٣
62-67
DAYY DA Day
EXC ITIN G
DA Y
PO IN TT10 PO IN ١١ ٠٠ POINT EVEN TFUL
٣٣ 3
TRA FFIC N O IS E
9 55-60
٤ ٣
UN EVEN TFUL
2
PO IN IN TT8٨٨ PO POINT
٥
C HA O TIC
PLEA S A N T A N N O YIN G
٣3 45-60
N IG HT Night
Eventful EVEN TFUL 5
PO IN T ١ ٠
N IG HT
EVEN TFUL
٥
٢
Exciting EXC ITIN G
AN N O YIN G
DA Y
POPOINT IN T ٦ 6
EVEN TFUL ٥
NNight IG HT
Eventful EVEN TFUL ٥5
PO IN T ٦
N IG HT
S o und So urc e s
Master Plan
1:500
Bicycle Parking
Water Point
Metro Station
Kiss & Go Parking
Rest Area
Sport Area
Parking for Neighborhood Water Point
Different Pavimentation
Central Canopy Plaza
Sitting Area
Bar
Public Bathroom Interactive water Feature Sport Area Public Bathroom Bus Stop
Underground Parking
New Car Road for the Mobility
Sitting & rest Area
The Connections Plan Detail 1:200
٠,٠٠m ٠,٠٠m
ASPHALT / SP
٠,٠٠m ٠,٠٠m
١,٢٠m
ENTRANCE OF THE STATION
٠,٠٠m ٠,٠٠m
Mixed Resins / SP
١,٢٠m
GRASS / P
GREEN PLATES / P ٠,٠٠m ٠,٠٠m
ASPHALT / SP
٠,٠٠m ٠,٠٠m
GRASS / P
Design Strategies Plan Detail 1:50
M٣
M٤
M٦
1,20m
M٥
M٢
A
A
M١
CONCRETE STRUCTURE: CONCRETE MODULES (٢,٠٠ m Each) ٥٥ cm
1/10
Connection of the Canopy
١ cm
٥٥ cm
Concrete Module Detail ١٥°
Metal Structures: Zoom in for the connections of the cannopy Scale ١:١٠
٥.٠٠٠٠
15
5.0000
Permeable concrete Permeable concrete Filteration layer Filteration layer Permeable Bed setting aggregates Permeable bed setting aggregates Permeable crushed aggregates Permeable crushed aggregates
Cement layer above water insulation Cement layer above water insulation
Reinforced concrete
Reinforced concrete
1/10
Déjà Vu Pavilion Location : Shiraz, Iran Type : Pavilion Supervisor : Qavam Al-din Architecture Competition Workshop
Architecture possesses the profound capacity to function as a communicative medium, operating across multiple spatial and social scales—from the intimate threshold of a neighborhood pocket to the broader collective consciousness of an entire city, nation, or global community. Unlike purely textual or visual representations, the built environment engages the human sensorium simultaneously. By orchestrating light, acoustic resonance, natural scents, and the tactile qualities of material surfaces, architecture transcends passive observation. It embeds its narrative directly into the embodied perception of the visitor, allowing spatial experiences to resonate deeply within human memory and subconscious thought Within this framework, architecture becomes a powerful vehicle for critical ecological dialogue. Urgent yet frequently abstract messages such as the accelerating consequences of climate change and environmental degradation often suffer from public fatigue when communicated solely through data or repetitive discourse. When spatialized, however, these crises cease to be distant statistics. Architecture translates ecological precarity into a tangible, physical confrontation, transforming the visitor from a passive spectator into an active participant. By giving form and texture to natural loss, the built environment captures genuine empathy, prompting immediate reflection on the fragile relationship between human habitat and the natural world
When the architecture is created, life flows into it once again Passage experiences familiar colors and scents, and the wind blows the sound of nature
The created landscape is a familiar narrative from within
Path
Concept The apparent climatic changes, and especially the issue of water crisis, are considered by the people of Shiraz to be tangible changes in the . This river passes from the northwest to the south east of the city of Shiraz and eventually flows into the lake of Maharlu, and along the way forms a diverse urban landscape. In the past, common reed grew, in most parts of Khoshk riverside . There have been many uses of dried reed. The most commonly used methods for applications of these materials was in exterior curtains in the facade and exterior windows of the houses, which, in addition to the properties of the prevention of light radiation, is also memorable for people in Shiraz after many years. Today, with a dramatic decrease of water in the Khoshk river (as a seasonal river), this type of vegetation is destroyed, as some of the curtain knitters use reed carried from the Caucasus parts
Pause
View
Therefore, the use of reed as the main material of the Pavilion is desirable, in addition to impregnation with memories of the past, since it can contain a critical concept and alert the experiencers on the consequences of climate change. This is in line with the original idea of the designers of “De Javu”, which is " An archetypal narrative of a natural memory "
Transparency and permeability
LIGHTING 20 19
A B C D E F G H I J K L M N O P Q R S T 1.40 1.80
18 17 16 15 14 13 12 11 10 9
8 7
3.60 3.80 4.00
5.66 1.40 1.60
6 5
0.40
4 3
1.40
2 1
0.20
2.20 0.20 0.40
0.28 3.60 3.80 4.00
95 LED LAMPS
Night and Lighting In order to emphasize the sense of suspension, lighting has only been done on the floor. Also, this night-time lighting has been instrumental in increasing visual appeal and sense of social safety in this space as an urban pavilion
To minimize visual interference within the historic context, the Déjà Vu Pavilion integrates site-homogeneous materials and conceals its metal structure. Its resulting transparency and permeability ensure open sightlines and safety from the exterior, while framing unobstructed views of the surrounding garden from within
Project Parameters
Wind Control
Evaporation Cooling Humidiity
Solar Radiation Control
Shading
Eye Catching
Solar Radiation Analysis
Materia Transparency Privacy
Low Cost
Nostalgia
main material of Reed” supporte has been wellfeatures such as and etc
In the design structure, the te presence of stru and floor) has th space created floor were desi thickness. The tubes, with a dia the reed bund placed by an of causing the visu reed bundles suspension to th
al & Stucture
f the De Javu pavilion is “Common ed by a “Metal” Structure. Reed -chosen for having sustainability s affordability, availability, Shading
and construction of the metal eam tried to be very optimal. The uctural elements (columns, ceiling he least effect on the purity of the by the reed. The ceiling and the igned with the minimum possible columns were each composed of ameter equal to the diameter of 4 dles. Columns also have been ffset by a row inside the bundles, ual illusion to be lost between the and to convey the sense of he user
Metal Plates Mesh 6*2 cm Metal Tubes
6 Metal Tubes
Plywood Base Metal Grid
FIROUZEH OFFICE TOWER Location : Iraq Type : Commercial Client : Ali Jokar
Firouzeh is an office building designed in Iraq for an Iranian client. The main goal was to express Iranian identity in a contemporary form, without directly copying historical shapes. That identity is built around the color turquoise In Iranian architecture, turquoise has always held a special place, from the tiled domes and portals of historic mosques to traditional crafts. It stands for the boundless sky, for calm, and for reflection at dawn. The project's name comes from this idea The main volume is a glazed, cantilevered mass resting on a calm white podium, so it appears to float in the sky. The main facade is wrapped in horizontal, wave-like fins with turquoise edges. They shade the interior from the strong Iraqi sun, and their soft, flowing movement suggests wind or water At the upper corner, a curved volume rises out of the facade and breaks the building's skyline away from a simple box. Solid grey side walls frame this fluid facade. At ground level, the entrance combines geometric patterns with horizontal banding and includes a dedicated place for the company's name and logo
Plans
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7
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8 5 1 9
1
5
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1 5
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5 5 1 4 4 3 1 1 3
2
1
1
2
Ground Floor Plan 1 . 2 . 3 . 4 . 5 . 6 . 7 . 8 . 9 . 10 .
Entrance Ramp Reception Waiting Room Office Lift Storage Wc Kitchen Dining Room
1
1
1/100
First Floor Plan 1 2 3 4 5
. . . . .
Office Lift Storage Wc Corridor
1/100
1
Second Floor Plan 1 2 3 4 5 6 7
. . . . . . .
Balcony Head Office Wc Waiting Room Meeting Room Lift Staff Lounge
1/100
The language of the facade carries into the interior. White wave-shaped shelves set against a turquoise backdrop repeat the flowing fins of the exterior, and plants grow between them to form a living green wall
Brick is one of the most authentic materials in Iranian architecture, used from the past until today, and here it meets dark metal and linear lighting to blend tradition with modernity
VILLA NO.05 Location : Shiraz, Iran Type : Residential Client : Omid Bakhsh
This Villa reinterprets the Persian garden for contemporary living. Following its three founding principles of enclosure, axis, and water, the site is wrapped by high walls and organized along a central axis, where a linear water channel and rows of trees lead from the street to the house. The result is a calm, inward-looking home where architecture and landscape are designed as one 1
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G R AV E L B
BUILDING VILLA NO.01 · FOOTPRINT
C
S1
S1
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+1.00
TERRACE
D R I V E W AY
Legend PERGOLA
Boundary wall
±0.00 ±0.00
Building Gravel Concrete paving Stone paving PA R K I N G
Wood deck
±0.00
Lawn Water
ENTRY
Plans
2 5
4
3
1
5 6
Ground Floor Plan
1/150
1 . Entrance 2 . Kitchen 3 . Bar 4 . Dining Area 5 . Living Room 6 . WC
First Floor Plan 1 . Bedroom 2 . Master Bedroom 3 . Bathroom 4 . Walking Closet 5 . Family Hall 6 . Terrace
1/150
VILLA NO.01 Location : Kodion, Shiraz, Iran Type : Residential Client : Maleki Moghadam
Set on a sloping site, Villa Kodion rises as a series of stacked white-brick volumes that open toward the south and east views, with shared spaces on the ground floor, bedrooms above, and a roof terrace on top. Its defining feature is a custom brick screen on the north-east corner, where white firebricks are laid in a rotated, staggered pattern. The projecting bricks catch shifting shadows throughout the day and filter light and air inside, turning a simple local material into a rich, textured facade
3
2
4
1
5
6 7
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Ground Floor Plan 1 . Living Room 2 . Kitchen 3 . Bedroom 4 . Bathroom 5 . Toilet 6 . Closet 7 . Bathroom 8 . Pool
1:100
1
2
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4
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First Floor Plan 1 . Family Sitting Room 2 . Kitchen 3 . Bathroom 4 . Bedroom 5 . Terrace
1:100
Roof Plan
1:100
1 . Kitchen & BBQ 2 . Rooftop
2
A3 01
Stairtop 11.18
Roof 7.68
First Floor 4.44
Ground Floor
Section 1
1:100
Stairtop 11.18
Roof 7.68
First Floor 4.44
Ground Floor
Section 2
1:100
Contact
parynaz.zahedi@gmail.com + 393513754047