A SPECIAL THANK YOU TO ALL THE COMMUNITY MEMBERS WHO GENEROUSLY SHARED THEIR INPUT AND IDEAS!
WELCOME LETTER FROM MAYOR POPPA
On behalf of City Council and staff, I am proud to endorse the Roeland Park Public Art Master Plan. Public art is woven into the fabric of our community. This 10-year vision for our city is a vital part of Roeland Park’s broader future— alongside the Strategic Plan, Comprehensive Plan, and Climate Action Plan.
As Roeland Park continues to thrive, we are inspired by the Public Art Master Plan’s goals and vision. From small, temporary projects to bold, transformative installations that spark connection and creativity, this plan offers a clear roadmap for how public art can further enhance the exceptional quality of life in our community.
Through public art, both residents and visitors will deepen their connections with one another, with our city, and with our creative community. The Roeland Park Public Art Master Plan ensures that we will continue to enrich our shared spaces while fostering closer ties between nature, neighbors, and beyond.
Best Wishes, Mayor Michael Poppa
ARTS ADVISORY COMMITTEE LETTER OF SUPPORT
Dear Mayor Poppa and Members of the City Council,
On behalf of the Roeland Park Arts Advisory Committee, we are pleased to express our full support for the adoption of the Public Art Master Plan provided in partnership with Designing Local.
As one of the Committee’s 2025 Budget Objectives, the development of this plan was initiated to create a long-term framework and roadmap for the arts in Roeland Park. The plan outlines a clear vision for how public art can enrich our public spaces, reflect our community’s identity, and build a stronger sense of place. It also establishes policies related to the procurement, management, and ongoing maintenance of public art and the City’s art collection—ensuring responsible stewardship and sustainability over time.
Through a robust community engagement process—including surveys, focus groups, stakeholder interviews, and outreach at public events—the plan reflects input from residents, artists, businesses, and community partners. Participants consistently affirmed that public art plays an important role in enhancing the character and visibility of Roeland Park. Public art creates memorable destinations, draws people to our public spaces and commercial areas, and strengthens civic pride. Communities that invest in public art are more vibrant, more attractive to future residents and businesses, and better positioned for ongoing growth and progress.
The Public Art Master Plan provides a strategic approach that will allow Roeland Park to harness these benefits. By guiding the placement, funding, and care of public art, it ensures that future investments align with our community values and advance broader city goals— whether related to economic vitality, quality of life, or long-term competitiveness in the region.
The Arts Advisory Committee respectfully requests the City Council’s adoption of the Public Art Master Plan. We believe this plan will play a meaningful role in shaping a more vibrant, welcoming, and forward-looking Roeland Park, and we look forward to continuing our partnership with the Mayor, Council, and community as we implement this vision.
With gratitude, Roeland Park Arts Advisory Committee
1 INTRODUCTION
WHAT IS A PUBLIC ART PLAN?
WHAT IS A PUBLIC ART PLAN? AND WHAT WILL IT DO FOR ROELAND PARK?
Roeland Park’s Public Art Master Plan is a guide to assist the City in expanding and implementing a thriving public art program. It is also a reflection of the city’s past, present, and future through the range of creative and artistic experiences that enhance its public spaces. As the city looks to its next decade, this document provides strategic recommendations for public art projects and activations, informed by national best practices and community members. The Public Art Master Plan is both a snapshot of Roeland Park during the planning process, but it is also a living document that aims to achieve a number of goals pertaining to placemaking, belonging, and connectivity through public art. Functioning as both a reference and a roadmap for Roeland Park’s future public art, the Public Art Master Plan will provide unique recommendations for projects that will enliven the city and reveal its character.
WHO IS THIS PLAN FOR?
This plan was shaped by Roeland Park community members, and its objectives and ideas are informed by their biggest and boldest aspirations for public art. While the ideas in this plan are specific to public art, the plan’s engagement outcomes and understanding of the city as a whole can be applied broadly to other projects and city initiatives. The Public Art Master Plan was facilitated and is intended to be implemented by Roeland Park City Staff and the Arts Advisory Committee, with the support of Roeland Park’s Mayor and City Council.
WHAT IS THE HISTORY OF PUBLIC ART IN ROELAND PARK?
As longtime resident George R. Schlegel once said, “Truly, art is the magic in Roeland Park.” Over the last two decades, Roeland Park has built a magical collection of sculpture artworks and murals, which are mostly sited in City parks, public spaces, and commercial corridors. Roeland Park’s sculptures are largely abstract and created from traditional, durable materials (such as bronze and concrete), and its murals are vibrant compositions that enliven the built environment and have emerged through strategic partnership. Despite its 1.6 square mile footprint, Roeland Park features dozens of permanent and temporary artworks across the City. Artworks have been primarily acquired through purchase, donation, or private development percent for art contribution.
Throughout the planning process, stakeholders expressed a range of opinions about which current works in the collection are most impactful, or least successful. As Roeland Park seeks to build a collection that is as reflective of its community as possible, the planning process has provided an opportunity to assess the context and condition of the current collection as it relates to the goals outlined in this Plan. A sound public art policy and processes will support future decisions about the stewardship of works in the collection, and their possible relocation or responsible removal.
PUBLIC ART COLLECTION MAP
WHAT WE HEARD
The Planning team spoke with 22 individuals in the City of Roeland Park, whose backgrounds and professional affiliations include City administration, the arts, non-profit organizations, City Council, and beyond. Each stakeholder was asked about their:
• individual vision for public art in Roeland Park;
• reflections on the current collection;
• understanding of the challenges and opportunities facing the growth of public art in Roeland Park; and
• unique perspective of what is special about Roeland Park and its community.
Additionally, the Planning team hosted a virtual focus group with local artists and a pop-up engagement opportunity at R Park’s June 28 concert.
The following is a summary of community feedback across individual conversations, focus groups, and community workshops. The information is divided into small sections to provide a snapshot of themes from the stakeholders.
WHAT ARE THE FOUNDATIONAL NEEDS FOR PUBLIC ART IN ROELAND PARK?
• Comprehensive Policies: Currently, Roeland Park has only adopted policies for public art purchasing and donations. Many stakeholders expressed a lack of clarity around other processes for maintenance, commissioning work, and collection management.
• Clear Workflows: Like many mature municipal public art collections across the US, Roeland Park’s collection emerged from a combination of donations and one-time projects. As a result, the City has not yet established a clear process for public art implementation among City staff.
• Maximizing Space and Leveraging Unconventional Canvases for Public Art: Given Roeland Park’s compact footprint, the Public Art Master Plan should offer creative strategies for public art placement that is nimble, surprising, and efficient in its placement. The goal is to integrate art seamlessly into the urban fabric and everyday life, enhancing walkability and sparking curiosity.
• Going Beyond Sculpture: Roeland Park’s dynamic, robust sculpture collection is a treasured community asset, but many residents feel that future public art in the City should challenge conventional notions of what public art could be. There’s a strong desire to expand beyond traditional static sculptures to include murals, painted infrastructure (crosswalks, fire hydrants, water towers, utility boxes, streetlights), temporary installations, functional art (benches), and performing arts (music, theater, dance).
WHAT WE HEARD
WHAT
SHOULD PUBLIC ART IN ROELAND PARK EMBRACE?
• Public Art for all in Roeland Park: A consistent emphasis across all stakeholder conversations was the desire for public art that authentically responds to the community’s identity, needs, and stories. Many agree that public art is a source of unity and belonging, and the collection can more fully reflect this through its inclusivity and historical context.
• Vibrant, Dynamic, Joyful Public Art Experiences: With a median age of 36.7, Roeland Park is a relatively youthful, family-focus community. Its public art should embrace playful experiences that engage minds of all ages, and spark wonder for all. Future public art projects should also aim to be interactive when appropriate in order to activate the collection and engage imaginations.
• Recurring Programming and Signature Experiences: Given the Roeland Park’s primarily suburban layout, with parks nestled in each corner of the City, Roeland Park should embrace public art-focused programming and activations that yield temporary projects. This approach allows the City to invest in temporary projects that do not require the long-term maintenance of permanent projects, while also efficiently leveraging resources to surprise and inspire the community.
• Its Close-Knit, Community-Minded Approach: With nearly 7,000 residents, Roeland Park may be small, but it is mighty in its community-first approach. The City’s future public art can similarly leverage the sense of connection and belonging that touches each corner of the City in its public art planning, projects, and experiences.
WHAT IS THE IDENTITY OF ROELAND PARK?
Roeland Park’s authentic small-town feel is a quiet treasure in the heart of a major metropolitan area. Its high-spirited community, recreation and park amenities, and future-focused outlook are among its greatest assets. As Roeland Park anticipates its growth in the next decade, the City’s small, yet mighty community seeks to strengthen its sense of belonging and inspiration through its public art program.
SURVEY RESULTS
The Roeland Park Public Art Master Plan survey received 109 responses from community members and interested parties. The online survey was open to the public from May 7th, 2025 to July 28th, 2025. The majority of survey responders were Roeland Park residents between the ages of 22 and 44 (48%).
WHAT IS YOUR RELATIONSHIP TO ROELAND PARK?
WHERE WOULD YOU LIKE TO SEE MORE PUBLIC ART IN THE CITY?
DO YOU IDENTIFY AS AN ARTIST?
WHAT IMPACT SHOULD PUBLIC ART HAVE IN THE AREA?
BEAUTIFIES BUILDINGS, STREETS, AND CITY-OWNED FACILITIES
BUILDS PRIDE IN THE CITY
STRENGTHENS ROELAND PARK’S IDENTITY
ANCHORS PLACES WHERE PEOPLE GATHER
ENHANCES THE BUILT ENVIRONMENT
CREATES WHIMSICAL SURPRISES
CELEBRATES ROELAND PARK’S DIVERSITY
ENCOURAGES PEOPLE TO VISIT
SPARKS CONVERSATION
CREATES AN OPPORTUNITY FOR REFLECTION AND MEDITATION
HONORS THE HISTORY OF ROELAND PARK
CREATES SELFIE SPOTS
WHAT TYPES OF PUBLIC ART WOULD YOU LIKE TO SEE MORE OF IN ROELAND PARK?
SURVEY RESULTS
PUBLIC ART IN ROELAND PARK SHOULD FEEL:
WHAT CHARACTERISTICS, PLACES, AND/OR VALUES ARE UNIQUE TO ROELAND PARK?
VISION & STRATEGIES FOR PUBLIC ART
VISION STATEMENT FOR THE ROELAND PARK
PUBLIC ART MASTER PLAN
Public art in Roeland Park is a vibrant celebration of our unique spirit, fostering unity, fun, and a sense of wonder� By activating imaginations and deepening our connection with nature, public art reflects the creativity, belonging, and vibrancy that define our city today, tomorrow, and for years to come�
STRATEGIES FOR PUBLIC ART IN ROELAND PARK
The following approaches for public art projects in Roeland Park support this plan’s vision statement. By aligning project recommendations with this set of specific goals, the plan will become both a guide for future projects and a work plan for actionable steps toward expanding the program. Each of the following strategies are described in detail in the next Chapter:
PLACEMAKING THROUGH PUBLIC ART
SMALL SPACES, BIG IMPACT
PUBLIC ART TYPOLOGIES & PUBLIC ART MEDIA
Public art projects can have a range of positive, impactful outcomes in public spaces and communities. This section outlines some different types of public art interventions, engaging opportunities for public involvement in art, and strategies to select public art sites. Private entities or other partners may find that this guide is a helpful resource when pursuing privatelyfunded public art projects.
SCULPTURE
Sculptures are three-dimensional original artworks that can be made of any material that offers structural stability and durability. Permanently-placed sculptures are scaled to their surroundings and typically do not move from the location in which they are installed, but temporary sculpture displays can be mounted on a concrete foundation with a pre-cast bolt pattern. Whether contemporary, whimsical, traditional, or something else, sculptures are often the focal points of civic art. Sculptures may commemorate and celebrate our history, express civic pride, or be installed as culturally-defining showpieces for the town.
Sculptures can take on many shapes and sizes and often fit well when created in or alongside gateways, parks, gathering spaces, and community centers. Because sculptures allow communities to celebrate and enhance their civic identity, they are especially appropriate in parks and downtown settings.
The Makers Monument by Mark Reigelman, Columbus OH, 2022
ENVIRONMENTAL ART
Environmental art is any kind of outdoor public art that uses materials with a direct connection to nature, landscaping, or organic materials. Environmental art can be temporary or permanent, and its scale can vary. Its thematic context often addresses environmentalism and sustainability, but it can also call attention to the City’s existing landscape and natural settings.
FIBER
Fiber art is any kind of artwork that uses natural or synthetic fiber materials as the primary component of its overall composition. Fiber art can take forms including wall hangings, tree wraps, suspended sculptures, or screens. Examples of fiber materials include fabric, yarn, polyurethane materials (like tarp), and mesh.
Bending Arc by Janet Echelman, St. Petersburg, FL, 2020
The Troll That Hatched an Egg by Thomas Danbo, Dayton, OH, 2021
PUBLIC ART MEDIA
FUNCTIONAL ART
Functional art is ordinary infrastructure that has been reimagined and designed by an artist. Integrating unique designs into infrastructure may be an affordable and efficient way to create a major visual impact. Some possible options for functional art installations include bike racks, planters (either suspended or installed on the ground), benches, play equipment, medians, subdivision walls, trash cans, transit stops, storm drains, manholes, monument signage, sidewalk treatments, and more.
MURALS
Murals are two-dimensional compositions that can take many forms, including paint or tile applied directly onto a surface, graphic reproductions printed onto vinyl adhered to a surface, or created on a panel that is affixed to the building. Environmental conditions, artwork display duration, artist ability, timeline, and budget are all considerations that affect which mural application style is suitable for a project. While curating permanent works of art as part of the collection is important, ephemeral works such as murals allow for the exposure of many artists over a short period of time rather than a few artists over a long period of time.
Sullivant Bright, Designing Local
Armstrong by Eduardo Kobra, Cincinnati, OH, 2016
LIGHT INSTALLATIONS
Artists use lighting in creative and interesting ways in order to manipulate the built environment with limited physical impacts. Light installations may be used on existing buildings, in parks on substantial landscape features, or as part of a larger installation of sculpture. They may be especially useful and impactful when used in infrastructure projects.
MOSAICS
Mosaics come in many shapes and sizes and include glass or ceramics. The relative flexibility of the application of mosaics responds well to many art contexts. Mosaics can be inlaid for flooring or wall elements, or they may be a component of a sculpture. One innovative use of mosaics is in tactical repair, which could take the form of a surprising micro work of public art in cracked surfaces or asphalt.
The 16th Avenue Tiled Steps by Aileen Barr and Colette Crutcher San Francisco, CA, 2004
Night Lights Denver, Denver, CO, 2020
PUBLIC ART MEDIA
MULTIMEDIA
Multimedia installations may combine many other art types in ways that expand the imagination. Video, lighting, sculpture, murals, and more can be combined to make multimedia installations. Multimedia installations are especially useful for temporary or popup installations.
TIME-BASED MEDIA
Time-based media is art that is created using photography, video, film, and/or audio whose composition transpired over a period of time. Time-based media artwork has clearly-defined beginning and ending points. This kind of artwork may run on a loop and is suitable for environments whose conditions are not suitable for traditional artwork materials. Time-based media typically assumes the form of projection mapping onto buildings, or sound-based artworks.
Cleveland, OH
Questions for the Curious Orchard by Nate Mohler, Palo Alto, CA, 2023
PUBLIC ART PLACEMENT STRATEGIES
ITERATIVE PUBLIC ART PROJECTS
An iterative project is one that has many parts united by the same theme. For example, the City may commission an artist to create a series of sculptures placed in various locations around the park, united by the theme “Larger Than Life Flowers.” Iterative projects establish a “trail” for the community to follow across a predetermined area, making them a great option for retail areas, parks, or historic town centers.
SINGLE-PRESENTATION PUBLIC ART PROJECTS
Single-presentation public art projects are those that do not repeat in multiple locations and their compositions are limited to one site. Examples of these kinds of projects include, a large-scale sculpture commissioned for a City facility; a unique mural on the facade of a community center; or light installation that is engineered to complement the detailed architecture of a historic building. Singlepresentation projects may be temporary or long-term, and they are primarily characterized by their function as a landmark in public space
Invisible Border MAD Architects, Milan, IT, 2016
Chroma by Savannah College of Art and Design, 2017
PUBLIC ART APPROACHES
INTERACTIVE
Interactive art is not a medium but rather a way for artwork to be designed with people in mind. Artwork can be defined as interactive if it aims to create a dynamic experience, where the public are not just onlookers but they can experience the artwork through senses beyond sight. Interactive art may use traditional media or new technology but either way interaction is always at the center.
PUBLIC PERFORMANCES
Dance, theater, spoken word, or another type of public performance can be staged in public space or alongside public art. These displays have a particular relevance when staged at the unveiling of public artworks.
Savannah, GA
Impulse by CS Design and Lateral Office, Montreal, CA, 2015
POP-UP & TEMPORARY ART
Pop-up and temporary art are public art opportunities that exist in a community between one day and two years. Though temporary art is not intended to live for a generation, it can have a lasting impact on a community by creating a sense of surprise and joy in unexpected places. Some ideal locations for temporary installations include construction sites, sidewalks, lanes, parks, and temporarily empty spaces and storefronts. Photography, chalk art, and artworks made using natural materials are ideal mediums for temporary, rotating experiences. Temporary art can be cost effective and easy to execute, providing opportunities for additional artist engagement. In whatever form, its short lifespan gives energy to the space and drives excitement among the community. Temporary art may also invite collaboration, be it with local schools or community groups, to rotate artwork over short periods of time.
SITE SPECIFIC
Site-specific art is artwork that is aesthetically, conceptually, and/ or thematically connected to the unique circumstances, culture, history, and environment of a particular site. Site-specific art can take many forms, and may be permanent or temporary. In this approach to art-making, artists extensively research the place, site, or area where the site-specific artwork will be placed. Site-specific art tells the story of a place through its surroundings, enriching the experience of the place itself.
The Blue Trees by Konstantin Dimopoulos, Pensacola, FL, 2024
Los Trompos by Esrawe + Cadena
PUBLIC ART APPROACHES
COMMUNITY PARTICIPATORY ART
Participatory art involves the community or a public group in the process of art-making, as guided by an artist. Artwork that emerges from a participatory experience enhances and celebrates its process and participants over short or long periods of time. Collaborative art pieces engage people to generate feelings of community pride and ownership.
Smoke Signals by Joe Boruchow, Photo Courtesy of Mural Arts Philadelphia
ROELAND PARK PROJECT IDEAS
INTRODUCTION
This section is organized by a series of strategic opportunities, each of which considers placement, approach, and thematic context. Each strategy builds upon the community’s reflections around the current collection, as well as their desire for the future of public art in Roeland Park. Project ideas are not listed in any particular order, and are presented as nimble opportunities that could be implemented in other areas of the City. Each project includes foundational implementation details, which are defined in the following table.
Proposed Locations
Investment
This is a list of locations in Roeland Park where the recommended project type would be most successful, or most efficiently implemented. Note that all proposed locations were identified at the time of writing the plan, and as available sites for public art in Roeland Park increase, the City should remain flexible in their identification of prospective public art sites.
Unlike typical municipal capital projects or RFPs for services, public art projects are not value engineered, nor are their budgets typically selected based on a “best value” offer. When a public art project is identified, its budget is carefully determined by a number of criteria, including available resources, and the anticipated life span and materials. Investment recommendations in this plan are based on average costs for similar public art projects at the time of this plan’s writing, and should be understood as a starting point to determine a project’s budget. Costs are always subject to change.
Cost Considerations
Implementation Considerations
In order to maximize a public art investment, this section outlines recommended additional improvements or strategies for a particular project. Information in this section should inform the overall investment.
As with any city project, advanced and efficient planning on the front end can go a long way in achieving a strong outcome. The same goes for public art projects, which can greatly benefit from understanding the factors that tie into a project’s implementation or life span. This section outlines key logistical and administrative considerations that will inform how a project comes to life.
Impact
Complexity
All public art projects have some degree of positive community impact, but the impact can range based on the placement, material, or duration of a project. A project’s overall anticipated impact is identified in this section.
Based on a public art project type or budget, its complexity may vary. This metric considers each recommended project’s level of complexity to ensure balance in implementation capacity as projects are planned year to year.
PLACEMAKING THROUGH PUBLIC ART
INTRODUCTION
Placemaking culminates in many strategies, practices, and technical interventions to create fun, vibrant spaces that foster belonging and connection. Public art is one factor to achieving this outcome, and this section outlines specific projects that will lead to a stronger sense of place in Roeland Park.
PLACEMAKING THROUGH PUBLIC ART
CREATIVE CROSSWALKS
Painted crosswalks are a high-impact opportunity to enhance pedestrian safety and enliven local streets. Given the residential nature of Roeland Park, these public art projects are a vibrant option for conveying the city’s character through an unexpected medium. Painted crosswalks could be centered around each neighborhood’s identity and have a meaningful, site-specific connection to the history and identity of each ward.
Proposed Locations
Roesland Elementary School, City Hall (across 51st Street), neighborhood crosswalks, Roe Lane and West 48th Street, 53rd at St. Agnes, Mission and 51st, maybe 55th near Fairway
$1.20 - $1.25 per square foot for materials, plus $45 per square foot for artist fees. For example, a 360 square foot crosswalk would cost up to $20,000 ($16,200 for artist fees + $500 for materials), depending on the design and project scope.
Cost Considerations
Painted crosswalks, like any mural project, are not considered a long-term or permanent investment. When selecting material choices and overall budget, project owners should consider their desired permanence for this project. Traffic grade paint applications have a life span of at least five years, with appropriate maintenance
1. Traffic-grade materials should be used. These are not typical acrylic paints, such as those used for exterior settings (vinyl siding, decks, etc.). These projects are best suited for less detailed designs, given the complex mixing process for traffic-grade paint.
Implementation
Considerations
2. Prior to installing any painted crosswalks, the roadway should be assessed for any material failures and needed repairs, which should be documented and addressed before painting.
3. If collaborating with schools, or if a crosswalk is proposed for any non-City owned streets, appropriate partners and contacts should be consulted.
Impact High
Karen Macken, Santa Rosa, CA (2018)
The Art of Chase, West Hollywood, CA (2019)
PLACEMAKING THROUGH PUBLIC
ART
CREATIVE SHADE STRUCTURES
One of R Park’s most beloved amenities is its large pavilion, which is the site for so many community activities and gathering opportunities. Smallerscale shade structures could make for a more comfortable and interesting park experience at one of Roeland Park’s smaller green spaces, but larger opportunities for artist-designed pavilions or shade structures could be explored at the City’s pool, or as part of the Nall Park expansion project. The overall theme for these projects could connect to nature through tree-like or floral imagery, such as large-scale petals or leaves that provide shade and gathering space.
Proposed Locations
Roeland Park Pool, Nall Park, R Park
Investment $60,000+
Cost Considerations
Implementation Considerations
The overall project budget will be determined by the intended footprint of the shade structure, but even the smallest artistdesigned shade structure can have a major placemaking impact.
Consider any funding opportunities that coincide with predetermined or anticipated shade features that are included as part of a park renovation or other capital project.
Impact High
Complexity Low
Bobby Zokaites, “Botanical Canopy” (2025), Phoenix, AZ, Cortez Park Photo courtesy of Aaron Rothman.
Murals are a quick, cost-effective method of enliving public spaces and inspiring the community. The City’s 47th Street and Aldi Staircase murals are wellloved in Roeland Park, and express the community’s appreciation of Roeland Park history, nature, and colorful spirit. Building on the success of these projects, new mural opportunities should be explored in Roeland Park along commercial corridors and city-owned buildings. The Public Art Master Plan also recommends a “Call for Walls” programming idea, described later in the Plan.
While this project considers murals on private property, the reccomendation is not suggesting painting over existing murals, but rather seeking additional opportunities for murals at crucial gateways
Proposed Locations
Roe Lane and West 48th Street, Community Center
Investment $20,000+
Cost Considerations
Implementation Considerations
The overall project budget will be determined by the space available for mural implementation. As a rule of thumb, murals range from $45-$55 per square foot, inclusive of all costs (materials, artist fee, etc.).
If a mural project is proposed for placement on private property, an easement will be needed to clarify expectations and responsibilities of all parties involved in the project. Additionally, the project owner should be aware of the material of the mural surface before confirming a mural site; some exterior building materials, such as unpainted brick, are not as suitable for murals as others. For these cases, explore other options such as painted panels or applied vinyl.
Impact High Complexity Low
Jacob “NTEL” Schell, “Veritate Duce Progredi” (2025), Fayetteville, Arkansas
Bloom by Nicole Ponsler, 2023
SMALL SPACES, BIG IMPACT
SOUNDSCAPES AND MUSICAL INTERVENTIONS
Soundscapes are a lesser-known form of public art that can range from a largescale, multi-sensory playscape to a more intimate experience for a few individuals. Ambient, nature-activated projects can enhance visitor experiences in parks and greenspaces, allowing for a deeper opportunity to engage in these settings. While digitally-based soundscapes are possible, analog projects will allow for greater enjoyment and maintenance over time.
Proposed Locations
Any Roeland Park parks and greenspaces
Investment $10,000+
Cost Considerations
Implementation Considerations
Soundscape projects vary based on desired permanence and level of technology. For example, an artist-designed windchime or voice-activated bench will be considerably less than a complex, digitally-based artwork that requires speakers, programming, and beyond. Analog projects will allow for lower costs and greater permanence.
When selecting placement for soundscapes or musical interventions, project owners should be mindful of a project’s possible proximity to residential areas. Impact
Credit:
Credit:
SMALL SPACES, BIG IMPACT
BANNER ACTIVATIONS
Utility poles are a conventional site for marketing banners and City promotion, but they are an unexpected canvas for public art. Leveraging utility poles for public art installations—as either twodimensional banners or 3-dimensional sculpture—incorporates visually remarkable interventions into otherwise ordinary spaces. This low-complexity project also encourages a wide pool of artists working in all mediums to participate in the public art process, given the frequent turnover of banners. With each banner cycle, artists could respond to a particular theme or idea, or present artwork that is unique all on its own.
Proposed Locations All Roeland Park-owned utility and light poles Investment
Banner: $1,000 artist honorarium + $1,000 printing and installation fees
Sculpture: up to $20,000 for a multi-site sculpture installation
Cost Considerations None
Implementation Considerations
Projects should be rotated every 6 months at least. This strategy allows for a new candidate pool of artists to submit designs and respond to ever-changing local culture.
Complexity Low
Artist- Lay Hoon Ho & Angie Quintanilla Coates, “A Tapestry of Home” (2025), Surrey, BC, Canada
Janice Wu (2022-2023), New Westminster, BC, Canada
SMALL SPACES, BIG IMPACT
TRAFFIC CIRCLE INTERVENTIONS + MEDIAN INTERVENTIONS
Similarly to Creative Crosswalks, activating Roeland Park’s residential medians through painted and sculptural interventions is a key strategy to enhancing safety in residential areas and enlivening the built environment. Roeland Park’s many medians and future traffic circles are key sites for public art interventions, especially given the City’s small footprint. Like Creative Crosswalks, these projects can be specific to each street or neighborhood, and offer a playful opportunity to distinguish Roeland Park from neighboring cities and towns.
Proposed Locations Future roundabout sites, or existing neighborhood medians
Painted interventions: Up to $10,000
Investment
Sculpture: For a permanent artwork, up to $15,000. For temporary artwork, a one-time investment for concrete foundations ($40,000) is needed, in addition to artwork loan fees, up to $10,000 per artwork for 18-24 months.
Cost Considerations
Implementation Considerations
Depending on intervention type (painted or sculptural) and duration (permanent or temporary), costs will vary.
For projects placed in mostly residential areas, collaborating with neighborhood groups for input or preferences will build enthusiasm and support for the program.
Impact Medium
Complexity Medium
TreeTown Murals, Ann Arbor, MI (2024)
Chalk Riot, Warwick Village Mini-Roundabout Mural (2024), Alexandria, VA
GATHERING, RECREATION, AND NATURE
NORTHINGTON SCULPTURE TRAIL
John Northington’s eight abstract, organic sculptures have existed in various locations throughout the City since their original donation to the City in either 2009 or 2010. As a collection of work by the same artist, the intended experience of these pieces would feel more comprehensive if they were displayed in closer proximity to each other, particularly in a natural setting. Extensive plans for Nall Park’s renovation include a new bike/ hike trail, which would be an ideal setting for the Northington sculptures. As part of the trail project, new plinths could be poured to re-site the sculptures for a one-time cost. Relocating these artworks away from high-visibility settings creates new opportunities for public art and placemaking interventions in these public spaces.
Proposed Locations Nall Park
Investment
To be determined, as part of Nall Park renovation
Cost Considerations None
Implementation Considerations
As part of artwork reinstallation, any Nall Park construction teams should be consulted to ensure that the scope of work can be absorbed into existing site plans. Additionally, trail user safety should be prioritized, and artworks should be placed within a safe distance from the path.
Impact High
Complexity High
Matzke Fine Art Gallery and Sculpture Garden
GATHERING, RECREATION, AND NATURE
PAINTED RECREATION SURFACES
- SKATEPARK AND BASKETBALL COURT
Uniquely-designed recreational courts are exciting, innovative, and dazzle residents and visitors alike. Granada Park Skatepark, situated almost directly across from City Hall, is a prime opportunity to infuse color and vibrancy into one of the most visited areas of Roeland Park. The R Park basketball courts could be painted with themes and images that speak to the former elementary school that once stood in the park’s place, offering a retrospective opportunity for reflection and celebration for all residents. Future plans for recreational courts could also include opportunities for painted treatments
Proposed Locations
R Park Basketball Court, or future locations for sports courts; Granada Park Skatepark
Investment $45-$55 per square foot of artist-painted surface
Cost Considerations None
Implementation Considerations
As with other painted surface projects, any surfaces that are to be painted should be assessed for any material failures and needed repairs, which should be documented and addressed before painting. All paints and sealants should be safe for use on recreational courts.
As the Mission Road expansion project continues, ensuring public safety for bikes and pedestrians is a key concern. Painted bike lanes will enliven the street while also supporting safety measures along this busy thoroughfare, and since Mission Road is a city border, the painted bike lane will also serve as a gateway artwork for Roeland Park, distinguishing it from neighboring towns.
Proposed Locations
Mission Road Bike Lane, any future bike lane sites on Roeland Park-owned streets
Investment $45-$55 per square foot of artist-painted surface
Cost Considerations None
Implementation Considerations
As with creative crosswalks, any surfaces that are to be painted should be assessed for any material failures and needed repairs, which should be documented and addressed before painting. All paints and sealants should be safe for bike and traffic use
Impact High
Complexity High
Singha Hon, “Aurora Dragon” (2024) New York, NY. Photography courtesy of Mischelle Moy Mississauga, Ontario, CA
GATHERING, RECREATION, AND NATURE
CARPENTER PARK ACTIVATIONS
Carpenter Park features several permanent public artworks already, but its proximity to the library render it a key site for temporary activations and popup experiences too. A literacy-centered chalk festival, featuring both visual and performing artists, could occur at least once a year to encourage reading and storytelling. Year-round, the Arts Advisory Committee could collaborate with other Roeland Park committees to support rainactivated poetry installations, which could feature poetry by local artists and schoolaged youth. Finally, artist-designed reading nooks, built for one person or a whole group, can activate the park as a space for sharing stories, broadening imaginations, and connecting with others.
Investment
Chalk Festival: $1,000 artist honorarium, includes materials
Rain-Activated Poetry: For rain-activated projects, special rainactivated materials cost $130 per 80-110 sq ft.. Artist honorariums for these projects should be at least $1,000 per project.
Artist-designed Reading Nooks: $5,000+
Cost Considerations None
Implementation Considerations
Partnering with the library, or other city partners, will ensure the greatest possible support.
Impact Medium
Complexity Low
Mass Poetry, Boston, Massachusetts
Mark Reigelman, “The Reading Nest”, Cleveland Public Library, Cleveland, Ohio
Chalk Festival, Savannah, Georgia
FROM ORDINARY TO EXTRAORDINARY
PAINTED FIRE HYDRANTS
Painted fire hydrants are a low-cost, impactful opportunity to spark joy in unexpected places. In most cities, hydrants undergo re-painting every one to two years. Local artists could be engaged to paint vibrant, visually-compelling compositions onto these ordinary surfaces, enlivening neighborhoods and commercial corridors with public art.
Proposed Locations Any Roeland Park fire hydrants
Investment $1,000 per hydrant
Cost Considerations None
Implementation Considerations
Permission from Roeland Park’s local fire agency should be confirmed before implementing this project. The local fire authority will need to collaborate with the project team to provide parameters for painting fire hydrants, addressing topics such as appropriate materials, intended duration, areas to avoid painting, and beyond. This project should not compromise public safety, or firefighters’ ability to execute their duties safely and appropriately.
Euphoria by Jaliyah Nicole, Smyrna, Georgia
FROM ORDINARY TO EXTRAORDINARY
TREE GUARD PROJECTS
Trees are a much-loved feature of Roeland Park. Through various public art interventions, these projects can celebrate the City’s special connection to trees and its role in Roeland Park. As the City explores plans for an arboretum, tree guard projects can be a uniquely-Roeland Park opportunity to create an exceptional experience for this beloved symbol of Roeland Park.
Proposed Locations Roeland Park parks, or city-managed landscaped areas
Investment $15,000 - $30,000
Cost Considerations
Overall cost depends on project type (painted or structural).
Implementation Considerations
Arboretum and tree markers should be included in these interventions. Any funding that is typically dedicated to tree markers could be leveraged alongside public art funding resources.
Impact Medium
Complexity Low
Debra Hampton
We All Shine Bright in Many Different Colors (14 of 14)
FROM ORDINARY TO EXTRAORDINARY
WHIMSICAL WASTE BINS
It’s easy to overlook a waste bin in any community, but their shape and placement on nearly every street corner also make them prime opportunities for enhancement through mosaics or paint. Either project type offers a varying degree of permanence, but both options offer opportunities for local artists to participate in public art projects, show community pride, and enhance these ordinary elements of the built environment.`
Proposed Locations
Any city-owned waste bins
Investment Up to $3,000 for mosaic projects, up to $1,500 for painted projects.
Cost Considerations Overall cost depends on project type (painted or mosaic).
Implementation Considerations
None
Impact Low
Complexity Low
Oakland. CA
Oakland. CA
FROM ORDINARY TO EXTRAORDINARY
UTILITY BOX PROGRAM
Utility boxes are the one of the most efficient opportunities for public art, especially in Roeland Park where smallscale utility boxes seem to be around every corner. Before pursuing a utility box program, Roeland Park should confirm which boxes it owns and operates. If there are boxes that are not in the City’s control, easements with the respective owners can be explored.
Proposed Locations
Any city-owned utility boxes or traffic cabinets
Investment $500 per artist
Cost Considerations Cost will vary based on box dimensions.
Implementation Considerations
Vinyl projects offer a greater range of project possibilities, as artists’ work is digitally transformed into the vinyl wrap. This option also offers straightforward maintenance, and can be replaced every 3-5 years. A third party contractor (other than the artist) is the best option for printing and installing the vinyl.
Impact Medium
Complexity Low
Mary and Dee Dodge, Coeur d’Alene, Idaho (2014)
Cathryne A. Trachok, Napa, CA
FROM ORDINARY TO EXTRAORDINARY
FUNCTIONAL ART PROJECTS
Roeland Park’s Mighty Bike project is an unprecedented public art opportunity to merge function with art. Similar opportunities around the city should be explored at all scales, ranging from whimsical artist-designed bike racks, to large-scale, one-of-a-kind parks and playscapes.
Proposed Locations
City gathering spaces and parks; future commercial centers
Investment $5,000+
Cost Considerations
Implementation Considerations
Costs vary, based on project; may range from $5,000 for benches and bike racks, to $1 million for play grounds.
Roeland Park’s City Engineer and/or Public Works Director should be consulted to understand any local requirements for safety regulations pertaining to public furniture and amenities.
Complexity Medium
Lynn, Massachusetts
Various Artists, Salt Lake City, Utah
PROGRAMMING AND PARTNERSHIPS
Strategic and creative programming can support this plan’s vision for public art in Roeland Park’s, with a specific focus on uplifting and highlighting Johnson County and Kansas City-based artists. The most successful programming efforts will coincide with or occur around signature Roeland Park events, and could even be subject to resource support outside of the public art fund. Finally, Roeland Park’s “small, but mighty” approach to projects of all sizes is no exception when it comes to public art: this plan encourages relationship and partnership building at all levels to ensure long-term support for public art, related programming, and visibility through the City.
PUBLIC/PRIVATE PARTNERSHIPS
Introduction
The City’s highly successful One Percent for Art program is a standout example of public-private partnerships through public art. This section outlines several other opportunities to partner with other private and public entities to amplify public art resources and efforts in Roeland Park.
The Arts Council of Johnson County
The Arts Council of Johnson County has the resources, network, and infrastructure to support ongoing advocacy efforts around regional public art. A long-term desire for the Council is to elevate the region’s capacity for local artists to thrive within the public art space. Many projects outlined in the Roeland Park Public Art Master Plan are appropriately-scaled opportunities for emerging local public artists to gain experience with the public art process, working with municipalities, and building their profile locally. Roeland Park’s size, presence, and availability of resources situate it as a City to support exactly these goals, with creative partnership opportunities through the Council. Additionally, the Council can serve as a valuable resource to convene neighboring municipalities’ public art committees and boards, which was an expressed desire from Roeland Park’s current Arts Advisory Committee. By bringing visibility
to the kinds of issues and topics facing other local public art committees, the region will strengthen its knowledge and understanding of resources, all in pursuit of becoming a highly reputable place where public art thrives.
Johnson County Transit/RideKC
Public art in transit is a popular programing across the United States, and is successful in areas of all population densities. Roeland Park can explore partnerships with RideKC to implement public art projects at City bus stops to enliven rider experiences and welcome visitors to Roeland Park. This strategy can also extend to regional trails and bikeways at county and state levels.
Public Art Opportunities through Public/ Private Easements
As mentioned in several areas throughout this plan, some public art projects may require easements, based on site ownership. One program to which this specifically applies is a “Call for Walls” program in which private property owners work with the City to allow murals funded in-part or in-whole by the City to be installed on their property. Not only does this kind of program build support for public art around Roeland Park, but also offsets some of the cost associated with mural installation. In alignment with the City’s public art policy, murals supported by this program may not advertise the
sponsoring business’s commercial activities, and both the private property owner and the City are responsible for various duties pertaining to mural upkeep and maintenance.
Many stakeholders expressed desire for a mural on the water tower sited in Roeland Park, which would serve as a vibrant landmark for the City. A project at this scale would be a larger investment and require a detailed understanding of rights and responsibilities between the water tower owner and the city, but such a project would also be a highly unique opportunity for Roeland Park.
Collaboration with City Departments and Other Roeland Park Committees
In order to maximize resources and align city-wide goals, the Arts Advisory Committee should collaborate with City Departments and other Roeland Park committees. The partnerships will not only increase the public art program’s visibility across the city, but it will also invite opportunities for creative and innovative project possibilities.
PROGRAMMING
Introduction
Public art programs are complimentary opportunities to activate the collection, draw attention to the local art scene, and highlight regional artists. A suite of programs can range from one-time celebratory occasions—such as artwork ribbon cuttings or pop-up performances— to year-round, signature opportunities. Whenever possible, the Arts Advisory Committee should collaborate with partnering organizations and other Roeland Park boards and committees to leverage resources and achieve multiple community goals.
Roeland Park 75th Anniversary Outdoor Gallery
On the occasion of Roeland Parks’ 75th anniversary in 2026, the Arts Advisory Committee could collaborate with local artists to create an outdoor gallery of artwork that celebrates the community and responds to Roeland Park’s history. This public art experience could convene a range of mediums, including photography, sculpture, temporary installations, and beyond. Fences or other permanent structures may be used to secure twodimensional artworks. The outdoor gallery could culminate in a largescale performance series in R Park to commemorate the city’s vibrant culture and creative spirit.
Pop-Up Concerts and Performances
Both the current Arts Advisory Committee and Roeland Park residents expressed a growing interest in seeing more popup opportunities for performing arts in Roeland Park. In order to most efficiently implement this kind of experience, Roeland Park may want to explore creating a PreQualified List for dancers, musicians and music groups, and performers, who could appear at pre-existing City events, or as standalone experiences in popular areas. Pop-up performance can occur at or near artworks in the collection, activating them in multidisciplinary and engaging ways.
Open-Air Artist Market
With so many gathering spaces embedded in residential areas, Roeland Park could become a regional hot spot to host regular outdoor artist markets. These cozy, community-centered events would highlight local creatives and stimulate local spending, while encouraging neighbors to connect in shared spaces. Additionally, plein air painting or other live art-making experiences could occur during these events, providing a unique opportunity for the public to engage with artists in a familiar setting. This program could start as an annual market, eventually evolving into a signature seasonal program.
PROGRAMMING AND PARTNERSHIPS
Artist-in-Residency Program
An Artist-in-Residency program is a paid opportunity that provides artists with resources (such as space or access to research tools) for a specific period of time. At the end of the Residency, an artist will reveal their final project, exhibition, or outcome to the public. A Residency opportunity in Roeland Park could take make forms, but in alignment with the plan’s goals, the City should pursue such an opportunity through either the George R. Schlegel Gallery or the Parks & Recreation Department.
Residency with the George R� Schlegel Gallery
This Residency opportunity could provide a local artist with an annual opportunity for a solo exhibition of newly-commissioned work for the gallery. Each Residency cycle could be centered around a specific topic, theme, or idea, which will inspire the site-specific work created by the selected artist.
Residency
with the Parks & Recreation Department
With rapid expansion of Roeland Park’s greenspaces and recreation areas, including art at these sites could come in the form of a Residency opportunity that is focused on ecology through public art. Either an individual artist or a
cohort of creatives could work with the Department to identify sites where they will create environmentally-engaged artworks that are responsive to the City’s passion for its natural spaces.
Gallery Programming
The George R. Schlegel Gallery is a beloved Roeland Park institution that has highlighted local and regional artists for over 30 years. Its highly successful exhibition program has fostered deep connections among artists regionally and nationally. The gallery’s current suite of programming engages residents and school-aged youth, providing valuable experiences with art making and creativity. As the gallery looks to its future, it should consider pathways for its exhibiting artists to also participate in public-facing projects and programs, in collaboration with the Arts Advisory Committee, broadening the gallery and the artist’s engagement with the Roeland Park community.
ADMINISTRATIVE RECOMMENDATIONS
ADMINISTRATIVE RECOMMENDATIONS
SCALED PUBLIC ART FUNING (EXAMPLE)
PUBLIC ART FUNDING
01. Expand the Public Art Program’s current policy to include a Collection Management policy, which includes processes for loaned art, donations, maintenance, and deaccession.
02. Expand the Public Art Program’s current policy to include an Acquisition policy, which outlines processes for purchasing existing artwork and commission artwork for addition to the collection.
03. Pursue options for expanded public art funding to sustain the growing program:
001. Option 1: As part of CIP project budgets, set aside 1% of overall project budget for public art projects at project site.
002. Option 2: Increase public art budget allocations over the next eight years to scale program capacity, referring to the following chart as an example.
2� FORMALIZE A PUBLIC ART ADMINISTRATOR POSITION IN ORDER TO STREAMLINE AND OPERATIONALIZE PUBLIC ART COLLECTION OVERSIGHT AND IMPLEMENTATION�
The Public Art Administrator serves as a central point of contact and plays a key role in the administration of the City’s Public Art Program. This staff and/or consultant position will collaborate with various City departments to ensure the processes outlined in the Public Art policy are carried out efficiently and appropriately. Their responsibilities encompass various aspects of public art processes, including planning, collaboration, artist selection, project management, and art acquisition.
The City Manager will determine appropriate staffing structure to oversee citywide public art activities and manage the Public Art Program. Additional staff resources or outside consultants may be required to assist in implementing projects, particularly those of a larger scale. Responsibilities shall include, but are not limited to:
1. Work with various departments to develop potential projects for inclusion in the Public Art Program Update.
2. Coordination with other city planning efforts.
3. Present the Public Art Program Update as part of the City’s regular budget process to the City Council.
4. Coordinate and manage the Art Advisory Committee and its monthly meetings.
5. Coordinate with Art Advisory Committee to ascertain advice on any matter pertaining to public art, including:
a. preparing and presenting the Public Art Program Update to the Art Advisory Committee and City Council;
b. artist selection juries and process;
c. purchase of artworks;
d. commission and placement of artworks; and
e. Public Art Programming;
6. Coordinate the hiring of an outside consultant or agency to administer public art projects as needed.
7. Ensure various City departments are following the City’s Public Art policy.
8. Develop and maintain an inventory and documentation of the City’s collection of public art.
9. Assist with periodically surveying public art to determine if works require maintenance or other attention.
3� AUDIT CURRENT COLLECTION AND EXPLORE APPROPRIATE MAINTENANCE TREATMENTS
a. Consult updated Public Art Policy document for updated deaccession and maintenance processes.
b. Based on recent Collection Assessment, determine which pieces, if any, should be candidates for deaccession.
c. Develop a five-year maintenance plan for the collection.
ADMINISTRATIVE RECOMMENDATIONS
4� RELATIONSHIP BUILDING WITH PUBLIC AND PRIVATE ENTITIES
a. Strengthen partnership with The Arts Council of Johnson County to collaborate, share resources, and foster connections.
b. Consider hosting a workshop for regional municipal public art committees and boards, kicking off a regular convening for these groups.
c. Work with local businesses to explore public art easements and partnerships to increase spaces for public art projects.
5� ELEVATE OVERALL EXPERIENCE OF THE PUBLIC ART COLLECTION TO INCREASE COLLECTION
ACCESS AND VISIBILITY�
a. Consistent artwork signage is needed across the City’s collection in order to establish the collection’s identity and presence around town. Signage should include the following content: Title of work, artist name, medium, year installed, artist statement (If applicable). Interactive QR codes or other contextual strategy could be implemented at each artwork to provide additional information about each work in the collection.
b. The current Public Art Brochure could feature an artwork map to support residents’ knowledge of where permanent artworks are sited around the City.
c. The Collection’s current online presence could be enhanced with an online public art map that could double as a collection management system for the collection. If this option is pursued, the collection should be professionally photographed, as not all artworks have been formally documented.
d. Consistent and site-appropriate lighting should be installed for artworks that are currently illuminated.
APPENDIX
EXAMPLE IMPLEMENTATION CHART
FOR PUBLIC ART PROJECTS
The following implementation matrix provides recommendations for possible public art projects in Roeland Park. Availability of funds is subject to change year over year, and the guide below is intended to be used as a roadmap for the next three years. While the chart provides approximate project totals, projects may be funded through multiple or overlapping funding streams that are not exclusive to the City’s General Fund allocation for public art. This plan encourages creative and resourceful collaboration across departments to maximize Roeland Park’s capacity to fund public art.
Save 2% of remaining budget for large-scale project Varies
Banner Activations, pilot one 6-month cycle
Shade Structure
Whimsical Wastebins
Program: Roeland Park 75th Anniversary Outdoor Gallery
$10,000, for banner printing and artist honoraria (5 banner locations)
$50,000 *strong candidate for CIP funding
$5,000
$15,000
Save 2% of remaining budget for large-scale project Varies
Banner Activations, two 6-month cycles
$20,000, for banner printing and artist honoraria (5 banner locations)
Utility Box projects, pilot 4 priority locations up to $10,000
Artist-Designed Benches in Pocket Parks Up to $30,000
Program: Open Air Artist Market up to $5,000 for artist honoraria and administrative costs
Program: Carpenter Park Chalk Festival up to $5,000 for artist honoraria and administrative costs
Example Project Recommendations (cont�) Cost
FY 28
Annual Maintenance Allocation
$10,000 * increase per recommended phasing chart in Recommendation 1.4
Save 2% of remaining budget for large-scale project Varies
Mission Road Bike Lane Painting
Northington Sculpture Trail and artwork relocation
Painted Fire Hydrant project, pilot 5 priority locations
Program: Open Air Artist Market, two events in
$45,000 *strong candidate for CIP funding
$20,000 *some maintenance funds may be used, in addition to Nall Park project funds
$5,000
FY 28 up to $10,000 for artist honoraria and administrative costs (total for two events)
Program: Rain Activated Poetry pilot program in Carpenter Park up to $5,000 for artist honoraria and administrative costs
FY 28 Total $95,000+
DRAFT PUBLIC ART POLICY
A draft public art policy begins on the next page of the public art plan. This policy provides national best practices that will support consistent processes for collection care and acquisition, and ensure success for the public art program. At the time of presenting the Public Art Plan, the policy document has been reviewed by Roeland Park city staff.
