Preview Spring 2026 | De Gruyter & Deutscher Kunstverlag
PUBLISHER
De Gruyter / Deutscher Kunstverlag
Berlin Office
Genthiner Straße 13 10785 Berlin
T +49 (0)30 279076 0
F +49 (0)30 279076 11
Munich Office
Neumarkter Straße 28 81673 München
T +49 (0)89 76902 0
F +49 (0)89 76902 491
deutscherkunstverlag.de degruyterbrill.com
CONTACT
Dr. Katja Richter
Publishing Director Arts
T +49 (0)89 769 023 13 katja.richter@degruyterbrill.com
Kathleen Herfurth
Acquisitions Editor Deutscher Kunstverlag
T +49 (0)30 279 076 61 kathleen.herfurth@degruyterbrill.com
Dr. Pablo Schneider
Acquisitions Editor Deutscher Kunstverlag
T +49 (0)30 260 054 50 pablo.schneider@degruyterbrill.com
Dr. Anja Weisenseel
Acquisitions Editor De Gruyter / Deutscher Kunstverlag
T +49 (0)89 769 023 88 anja.weisenseel@degruyterbrill.com
Luzie Diekmann
Editor – Art Guides Deutscher Kunstverlag
M +49 (0)173 385 291 7
luzie.diekmann@degruyterbrill.com
Nicole Schwarz
Management Press and Marketing
M +49 (0)174 584 501 7 nicole.schwarz@degruyterbrill.com
Max Dornemann
Press and Marketing
T +49 (0)30 260 051 63 max.dornemann@degruyterbrill.com
Jennifer Harris
Social Media
T +49 (0)30 260 051 83 jennifer.harris@degruyterbrill.com
Kevin Schneider
Press and Marketing
T +49 (0)30 260 053 70 kevin.schneider@degruyterbrill.com
Dear Friends and Readers,
Since 1988, the Cultural Foundation of the German Federal States (Kulturstiftung der Länder) has supported museums, libraries, and archives in acquiring cultural assets of national significance. This valuable commitment is reflected in the Patrimonia series, with each volume dedicated to a specific acquisition. We are delighted that the Cultural Foundation of the German Federal States has now entrusted this important series to our publishing house, and that the first volume in its new design has already been published. As a special volume, it focuses on the important topic of how we engage with our cultural heritage.
Also new to our catalog is a presentation of selected titles from Böhlau Verlag. Its art-historical publications now expand our program with important series and individual titles.
In our spring preview, you will find exciting exhibition catalogues on new discoveries such as Tina Blau and Georg Lührig, a comprehensive overview of the history of the art market, the first volumes of the Herbert W. Franke edition, a new volume in the Bestimmungsbuch Archäologie series, and much more. I wish you an inspiring read and many stimulating discoveries!
Katja Richter Editorial Director Arts
Helen Frankenthaler 4
CARE MATTERS 6
Calabash Nebula 8
Jugendstil und Symbolismus: Georg Lührig 10
Tina Blau. Im Freien 12
Le Voyage en Tunisie de Wassily Kandinsky et Gabriele Münter 14
Dealing in Splendour 16
Krishna. Religion, Kunst und Popkultur 18
Die Zukunft des kulturellen Erbes 21
Kunst und Konstruktion / Art and Construction 22
Computergrafik – Computerkunst / Computer Graphics – Computer Art 23
Unwritten Biographies 24
Choreo-ethical Assemblages 25
Transdiscourse 3 28
Sticky Emotions 29
Striving for Independence 31
Transformative Feminisms 32
Historic Spaces and the Multisensory Experience 33
Zerstresst! 34
Bildformen des Rechts 35
Back to the Marshes 36
Umwelt & Archiv 37
The Anticipated Museum 38
Exhibition Ecologies 39
Infrastructures of Art Producing, Transporting, and Logistics from a Transnational Perspective 40 The Blind Icon 41
Zwischen Rollenklischees und Rebellion 42
A Collector’s Odyssey 43
Der Umgang mit NS-Raubgut 44
Thinking Provenance, Thinking Restitution 45
2026. International Yearbook of Futurism Studies 46
Oya Lace for Men 47
Spanish Dialogues on Picasso 50
Nach Canova 51
Francesco Bordoni (1574–1654) 52
Les tournois à la cour de France aux XVIe et XVIIe siècles 53
Der amputierte Herrscher 54
Rüstkammer Dresden 55
Werke aus Elfenbein 56
Heimsuchungsskulptur im Mittelalter 58
Aus Mangel an Licht 59
Die Sammlung der Zentralbibliothek Zürich. Teil 3. Kommentierte Ausgabe 60
Visual Culture in Medieval Syriac Traditions 61
Was ist (und was ist nicht) das Tschechische an der Architektur in Böhmen? 64
Industrie erben 65
Architektur von innen denken 66
Mittelalter als Entwurf 67
Pfeil- und Lanzenspitzen 68
BACKLIST
Selected Titles 70
Anita Haldemann (ed.)
Helen Frankenthaler
Pages 80 Ills. 120 color ills. Format 25.5 × 28.0 cm
ENGLISH APRIL 2026
DEUTSCHER KUNSTVERLAG
Exhibition
Kunstmuseum Basel, New Building April 18 to August 23, 2026
Helen Frankenthaler (1928–2011) was a pioneer of post-war American art. Her experimental work with paint and canvas made her one of the most significant artists of Abstract Expressionism. At the age of just twenty-three, she asserted herself in a male-dominated environment with the development of her trademark soak-stain technique.
Insights into Helen Frankenthaler’s life and creative work, travels, and artistic inspirations gained by examining key works from five decades
A close look at Helen Frankenthaler’s works compared and contrasted with those of her artistic role models – including Édouard Manet, André Derain, and Marie Laurencin
Her work would later serve a pivotal role in the transition from Abstract Expressionism to Colour Field painting. The catalogue accompanying the exhibition at Kunstmuseum Basel highlights fifty years of innovative painting, focusing especially on Frankenthaler’s intense engagement with art history.
With contributions by Anita Haldemann, Karen Wilkin, Amanda Kopp-Kempinski
An exhibition by the VERBUND COLLECTION, Vienna Albertina, Vienna March 13 to June 14, 2026
Care, welfare and nurturing work ensure the foundations of human coexistence. This exhibition catalogue of Vienna’s VERBUND COLLECTION presents works by artists who devote themselves to existential areas of caregiving.
They reflect upon a new ‘sign language of the kitchen’. They make paid and unpaid care work – often invisible and realised under precarious working conditions – visible as class politics. Touching photographs of care for elders show intergenerational solidarity. Female artists who are mothers address the evaluation of care work in the art world.
Works by the Feminist Avant-garde of the 1970s are thereby set into a lively dialogue with contemporary works. Thus, the publication aims to contribute to the appreciation of care work, which is predominantly performed by women.
With contributions by Marlene Streeruwitz, Vanessa Joan Müller, Sascia Bailer, María Laura Rosa, Nina Schedlmayer, Gabriele Schor, Thomas Macho, Martina Genetti, Jenni Tischer
Gabriele Schor (ed.)
CARE MATTERS
Art from the VERBUND COLLECTION, Vienna Pages 208 Ills. 100 color ills.
Format 19.0 × 25.5 cm
HC 978-3-422-80394-7 En ca. € 40.00
$ 44.99
£ 36.50
ENGLISH
JULY 2026
DEUTSCHER KUNSTVERLAG
Discussion of the highly relevant topic of care/nurturing/welfare
A lively dialogue between works from the Feminist avant-garde of the 1970s and contemporary works – including sculptures, objects, photographs, drawings and videos
Participating artists: Akihito Yoshida, Aneta Grzeszykowska, Anna Kutera, Anna Schölß, Annegret Soltau, Birgit Jürgenssen, Christine Lederer, Elizabeth Catlett, Frida Orupabo, Hannah Cooke, Karin Mack, Kirsten Justesen, Laura Ribero, Lena Henke, Letícia Parente, Lorna Simpson, Małgorzata Markiewicz, Margaret Raspé, Maria Pinińska-Bereś, Marlene Haring, Martha Rosler, Mary Sibande, Mierle Laderman Ukeles, Natalia Iguiñiz, Nicole Wermers, Renate Bertlmann, Rosemarie Trockel, See Red Women’s Workshop, Sophie Gogl, VALIE EXPORT
Exhibition Weltmuseum Wien
September 17, 2025 to January 11, 2026
The first volume of the new series WMW NOW is dedicated to the artist, activist, and farmer Tabita Rezaire, who presents a poetic, critical reconfiguration of knowledge in her work, combining indigenous cosmologies, African spirituality, ecofeminist perspectives, and scientific findings into a visually and conceptually dense practice.
Claudia Banz (eds.) Calabash Nebula
Tabita Rezaire and Her Cosmological Tales of Connection
WMW NOW 1 Pages 65 Ills. 12 color ills.
Format 15.0 × 23.0 cm
SC 978-3-68924-083-7 En
ENGLISH OCTOBER 2025 DE GRUYTER
First volume of the Weltmuseum’s new book series
Contribution to the museum’s current exhibition and research project
Five authors provide contributions from their respective fields to this project: artist Léa d. Allexandre, curator Inke Arns, environmental activist and writer Holly Bynoe, ethnobotanist Marc-Alexandre Tareau, and marine biologist and behavioural scientist Anja Wegner. Their texts open multi-layered approaches to Rezaire’s work and allow us to experience the productive
ways in which knowledge, practice, and aesthetics intersect.
Claudia Banz, Weltmuseum Wien
Exhibition
Museum Wiesbaden
May 22, 2026 to January 17, 2027
Georg Lührig (1868–1957) was among the artists who dominated Dresden’s art scene at the turn of the century, incorporating the trends of Art Nouveau and Symbolism into a mysterious, fascinating visual language of their own. Lührig’s oeuvre is characterised by considerable diversity of both form and content. He experimented with different materials and techniques,
Peter Forster (ed.), Museum Wiesbaden
Jugendstil und Symbolismus: Georg Lührig
Ein Meister aus Dresden
Pages 256
Ills. 250 color ills.
Format 24.0 × 28.0 cm
HC 978-3-422-80395-4
GERMAN JUNE 2026
DEUTSCHER KUNSTVERLAG
First comprehensive catalogue of Dresdenbased artist Georg Lührig’s work—with newly assessed material from his estate
A key contribution to research on Art Nouveau and Symbolism in Dresden
including charcoal, pencil, watercolour, and lithography. This richly illustrated catalogue documents the work of an artist who is ripe for rediscovery – with small studies on paper, large-format oil paintings, and monumental frescoes created as commissioned works for public buildings; also included are still lifes, landscapes, animal depictions, and portraits.
With contributions by Anna Ahrens, Birgit Dalbajewa, Andreas Dehmer, Jana Dennhard, Petra Eisele, Dörte Folkers, Peter Forster, Wolfgang Glüber, Robby Joachim Götze, René Grohnert, Rolf Günther, Dirk Helme, Joachim Kern, Inge Knoblauch, Helene Kokenbrink, Astrid Nielsen, Thomas Schmidt
MUSEUM
PFALZGALERIE
KAISERSLAUTERN
TINA BLAU IM FREIEN
Exhibition
Museum Pfalzgalerie Kaiserslautern
January 31 to May 25, 2026
The works of Austrian painter Tina Blau (1845 – 1916) were highly influential for 19th-century landscape painting. This publication presents her artistic output from 1861 to 1916, featuring around 60 works. Her paintings, produced in Vienna, Munich, and during numerous trips to Italy, France, and the Netherlands, are characterized by a distinctive visual language. She
Steffen Egle, Martina Padberg, Annette Reich (eds.)
Tina Blau
Im Freien
Pages 248
Ills. 95
Format 21.5 × 24.5 cm
HC 978-3-422-80406-7
GERMAN SPRING 2026
DEUTSCHER KUNSTVERLAG
A pioneer of 19th-century Austrian landscape painting, and an assertive woman in a male-dominated art world
painted her first pictures en plein air, directly from the subject; subsequently, she developed a consistent style of artistic expression embodying the dawn of modernism. This catalogue sheds light on her role as a pioneer of Austrian landscape painting and acknowledges her influence on modernism—as both an artist and a trailblazer for women in the art world.
With contributions by Johanna Elisabeth Bauer, Markus Fellinger, Karoline Feulner, Florian Heine, Katharina Lovecky, Martina Padberg, Annette Reich, Maximilian Schachner
Le Voyage en Tunisie de Wassily Kandinsky et Gabriele Münter
‘Nos impressions tunisiennes’
Pages 392
Ills. 800 color ills.
Format 21.0 × 26.0 cm
HC 978-3-422-80235-3 Fr € 69.00
$ 75.99 £ 60.00
FRENCH APRIL 2026
DEUTSCHER KUNSTVERLAG
First comprehensive study and cataloguing of Wassily Kandinsky’s and Gabriele Münter’s trip to Tunisia
Direct comparison of Kandinsky’s and Münter’s works
Presentation of 540 artworks, about half of which have never been published before
In 1905, Wassily Kandinsky and Gabriele Münter spent three months in Tunisia. Side by side during this little-documented trip, they created around 540 works, which are presented in this publication as a visual travel journal. Both were experiencing Arab culture for the first time in Tunisia, where they were fascinated by the alleyways of the medinas, folkish scenes, and Muslim places of worship, the mosques and cemeteries, as well as Arabic scripts and applied arts. This is the first publication devoted entirely to the little-known group of works from their Tunisian trip. Around half of the material has not been published before, presented here for the first time in a comprehensive catalogue and analyzed against the context of its creation.
Dominique Jarrassé, Professor emeritus University of Bordeaux
Isabelle Jansen, Gabriele Münter and Johannes Eichner Foundation, Munich
Matthias Mühling, Lenbachhaus, Munich
Exhibition
Gartenpalais Liechtenstein, Vienna January 30 to April 6, 2026
The mechanisms and phenomena of the modern and contemporary art market have existed for centuries. The production of copies and series was already a proven strategy for increasing efficiency in ancient Rome, a strategy that reached its peak in the 19th century. Mass-produced goods were exported on a large scale as early as 17th-century Antwerp, with dealers
Christian Huemer, Stephan Koja (eds.)
Dealing in Splendour
A History of the European Art Market
Pages ca. 440
Ills. ca. 210 color ills.
Format 24.0 × 28.0 cm
HC 978-3-68924-107-0 En
ENGLISH FEBRUARY 2026 DE GRUYTER
A richly illustrated overview
An introduction to the history of the art market for a broad audience
With contributions from international experts as Alexandra Bounia, Sandra van Ginhoven, Sascha Kansteiner, Simon Kelly, Weixuan Li, Bénédicte Miyamoto, Kim Oosterlinck, Tom Stammers, Filip Vermeylen a. o.
profiting from international networks and shipping their wares worldwide.
Focusing on centers of innovation, influential figures, and important trade and art centers, this standard work traces the key developments that shaped the art market. For the first time, this volume tells the history of the art market from antiquity to the
19th century through essays by leading experts in the field.
Christian Huemer, Belvedere Research Center, Vienna Stephan Koja, LIECHTENSTEIN. The Princerly Collections, Vaduz–Vienna
Exhibition Museum Fünf Kontinente, Munich April 24 to November 8, 2026
Krishna is one of the most popular and multifaceted deities in Hinduism. This richly illustrated volume shows how Krishna has inspired people in India and far beyond for centuries: as a divine hero, lover, and teacher.
International contributions shed light on Krishna’s character in religion, art, and mythology, tracing his influence to modern popular culture. Using selected
Anne Hartig, Patrick Felix Krüger (eds.)
Krishna. Religion, Kunst und Popkultur
Pages 176 Ills. 100 color ills. Format 22.0 × 28.0 cm HC
GERMAN MAY 2026
DEUTSCHER KUNSTVERLAG
Unique overview of Krishna’s multifaceted character
Brings together art, religion and cultural history from the deity’s Indian origins to international popular culture
objects, the accompanying volume invites readers to explore Krishna’s enduring appeal from diverse cultural perspectives and offers fascinating insights into global cultural history.
With contributions by Uta Werlich, Anne Hartig, Patrick Felix Kruger, Isabella Nardi, Marion Frenger, Verena Widorn, Anishka Gheewala, Richard Holzl, Knut Martin Stunkel, Martin Papenheim, Neeraja Poddar
PATRIMONIA
Die Schriftenreihe der Kulturstiftung der Länder
For over three decades now, the Kulturstiftung der Länder (Cultural Foundation of the German Federal States) has been devoted to its statutory mission: supporting museums, libraries, and archives in the acquisition, dissemination, and preservation of artworks and cultural assets of national importance. The Kulturstiftung der Länder has been publishing the PATRIMONIA series since 1988.
PATRIMONIA presents in-depth scholarly analyses of selected acquisitions receiving support, developed in collaboration with those institutions funded. Thus, this fundamental research focusing on collections and objects is linked directly to the tasks of the Kulturstiftung der Länder, and its findings are reflected in the PATRIMONIA series. From 2025 onwards, the range of funded projects presented will be expanded to include special volumes, collected works, and topics such as restoration.
The next PATRIMONIA volumes are expected to focus on Caspar David Friedrich’s “Karlsruhe Sketchbook”, which was acquired jointly by the Klassik Stiftung Weimar, the Staatliche Kunstsammlungen Dresden, and the Stiftung Preußischer Kulturbesitz, and on the manuscript of a composition by Ludwig van Beethoven, the acquisition of which by the Beethoven-Haus in Bonn received support from the Kulturstiftung der Länder.
#Now available in the Deutscher Kunstverlag program
#Now also available digitally
#Open access
#New design
How can cultural heritage stay alive in a changing society dealing with climate change and armed conflict? And what political framework is necessary to shape a sustainable cultural landscape? In this volume, experts from the fields of culture, politics and science shed light on current challenges and future prospects in handling our
Hessisches Ministerum für Wissenschaft und Forschung, Kunst und Kultur, Kulturstiftung der Länder (eds.)
Die Zukunft des kulturellen Erbes
Strategien und Konzepte aus Politik und Praxis
Patrimonia 406
Pages 128
Ills. 4 b/w ills., 56 color ills.
Format 19.0 × 26.0 cm
SC 978-3-422-80358-9 Ger € 20.00
$ 22.99
£ 17.50
E-Book 978-3-422-80359-6 Ger Open Access
GERMAN
NOVEMBER 2025
DEUTSCHER KUNSTVERLAG
Current contributions to the debate
Positions from politics, culture, and academia
Innovative strategies for managing cultural heritage
cultural heritage. They present strategies that enable appropriate protection, contemporary communication, and sustainable development. The contributions provide valuable insights for anyone involved in the strategic development of cultural heritage and wanting to actively shape the future of our cultural identity.
With contributions by Timon Gremmels, Hartmut Dorgerloh, Markus Hilgert, Ulrike Lorenz, Sharon Macdonald, Hermann Parzinger, Eva Rödel, Olaf Zimmermann and others
Herbert W. Franke is regarded as one of the world’s first theorists of algorithmic processes, artificial intelligence, and digital media. In his publication Kunst und Konstruktion (Art and Construction), it becomes clear that he was a radical pioneer of an ‘artistic substance to technology.’ This volume in the edition presents his idea that future art would be shaped by co-
Susanne Päch (ed.),
Herbert W. Franke
Kunst und Konstruktion / Art and Construction
Physik und Mathematik als fotografisches
Experiment / Physics and Mathematics as photographic experiment
Edition Herbert W. Franke 1 Pages 272 Ills. 110 color ills. Format 17.0 × 24.0 cm
SC 978-3-422-80354-1 En/Ger € 48.00
52.99
42.00
E-Book 978-3-422-80357-2 En/Ger € 48.00
52.99
42.00
ENGLISH/GERMAN
MARCH 2026
DEUTSCHER KUNSTVERLAG
First volume of the German-English edition of the writings of Herbert W. Franke
Fusion of art and scientific phenomena
Herbert W. Franke as a pioneer of mathematically coded art
operation between human beings and machines. Franke formulated this notion as early as 1957, making Kunst und Konstruktion a seminal text. At a time when mathematics, the digital, and artificial intelligence are redefining our understanding of creativity in a radical way, Franke’s ideas seem well ahead of their time. Kunst und Konstruktion is a book that still challenges us to rethink
art in the light of a technologically determined world.
Herbert W. Franke (1927–2022), scientist, art theorist, Science-Fiction writer
Susanne Päch, publicist, Herbert W. Franke Foundation
In 1971, Herbert W. Franke presented Computergrafik – Computerkunst (Computer Graphics – Computer Art), the first compendium of an art form that was just beginning to emerge. His presentation of methodological, technical and artistic developments and their prospective future – also in the context of a rational art theory – gave Franke a profound influence on generative artists. To this day, his reflections
Susanne Päch (ed.), Herbert W. Franke
Computergrafik – Computerkunst / Computer Graphics – Computer Art
Methoden – Geschichte – Perspektiven / Methods – History – Perspectives
Edition Herbert W. Franke 2 Pages 320 Ills. 110 color ills. Format 17.0 × 24.0 cm
SC 978-3-422-80355-8 En/Ger € 48.00 $ 52.99
42.00
E-Book 978-3-422-80356-5 En/Ger € 48.00
52.99 £ 42.00
ENGLISH/GERMAN
MARCH 2026
DEUTSCHER KUNSTVERLAG
Standard work on the early history of computer graphics
Methods and devices in their first artistic application
Broad-based study of the beginnings of computer art
influence our understanding of the dynamic interactions between the fields of art, science and technology. In this volume, Franke examines more than 80 works of computer art, many of which are now viewed as icons of a new art movement. This early observation offers impressive insights into the history of computer-generated art, which is highly topical today.
Herbert W. Franke (1927–2022), scientist, art theorist, Science-Fiction writer
Susanne Päch, publicist, Herbert W. Franke Foundation
By the time of the Anschluss in 1938, nothing had been left unchanged at the School of Applied Arts, now the University of Applied Arts Vienna – “die Angewandte”. Jewish and politically ‘undesirable’ teachers and students had been expelled, and countless promising careers had come to an abrupt end. Their escape routes,
Bernadette Reinhold (ed.)
Unwritten Biographies
Brüche und Kontinuitäten. Künstler*innen der Angewandten Wien. Fractures and Continuities. Artists of the Angewandte Vienna 1933–1955
Edition Angewandte Pages 600
Ills. 100 ills.
Format 17.0 × 24.0 cm
SC 978-3-68924-087-5 En/Ger € 49.00
$ 53.99
£ 45.00
E-Book 978-3-68924-088-2 En/Ger € 49.00
$ 53.99
£ 45.00
ENGLISH/GERMAN JUNE 2026 DE GRUYTER
German-English publication with the latest research on the history of exile of artists in Viennese Modernism.
Critical institutional history in a culturalpolitical context.
Follow-up publication to “Sonderfall” Angewandte. Die Universität für angewandte Kunst Wien im Austrofaschismus, Nationalsozialismus und in der Nachkriegszeit
some spanning several continents, led to exile in the USA, England, Israel, South America, or Australia. Others, however, continued to work successfully throughout Austrofascism, the Nazi period and into the post-war years. With this anthology, “die Angewandte” goes in search of artists from all fields of art who have been com-
pletely forgotten or are only known to experts: Unwritten Biographies – a hitherto little-explored, decidedly ambivalent history of “die Angewandte” and Viennese Modernism.
Bernadette Reinhold, collection and archive, University of Applied Arts Vienna
How can we understand the world around us through our bodies, ethical considerations and œkological awareness, and actively shape it through cosmopoietic, generative forces?
Choreo-ethical Assemblages – Embodied Research as Cosmopoietic Œkology is an investigation of the interconnections between choreography, ethics and œkology through em-
Mariella Greil Choreo-ethical
Assemblages
Embodied Research as Cosmopoietic Œkology
Edition Angewandte Pages 440 Ills. ca. 200 ills. Format 16.0 × 31.0 cm
HC 978-3-68924-089-9 En € 44.00
48.99
E-Book 978-3-68924-090-5 En € 44.00
48.99
40.00
ENGLISH MAY 2026 DE GRUYTER
Interdisciplinary perspective: connects choreography, ethics, and ecology, thereby engaging diverse disciplines such as dance studies, philosophy, psychotherapy, ecology, and artistic research
Innovative research methods: introduces new approaches such as micro-phenomenological embodiment to explore subjective experience
bodied research. The book presents micro-phenomenological actualisation and purposeful polysemy as methods for exploring subjective experiences and opening them up to diverse interpretations. “Choreo-ethical assemblages” are used to perceive the constant creation of consciousness, socio-aesthetic sensitisation and epistemic singularities.
Mariella Greil, artist and researcher, University of Applied Arts Vienna
978-3-0356-2705-3
978-3-0356-2706-0
978-3-0356-2706-0 EN
The book series of the University of Applied Arts Vienna
Transdiscourse 3: Women in Art, Science, and Body Politics unites 26 international women from the arts to explore dynamic intersections of science, body politics, and inclusive futures. Through creative approaches and collaboration with scientists, they reflect on the ethics of care and urgent social and environmental issues. Divided into five themes (contextualisations, personal reflections, exhibitions, conversations and investigations), the
Also of interest
Jillian Scott (ed.)
Transdiscourse 3
Women in Art, Science, and Body Politics
Pages 240
Ills. 60 b/w ills., 40 color ills.
Format 19.5 × 24.0 cm
SC 978-3-68924-141-4 En € 49.00
53.99
45.00
E-Book 978-3-68924-148-3 En € 49.00
53.99
45.00
ENGLISH DECEMBER 2025 DE GRUYTER
Interdisciplinary collaboration, with artists and scientists working together on topics such as representation, creative work, and ethical issues
A feminist and inclusive focus on the ethics of care, human rights, and sustainability –with a clear perspective on pressing environmental issues and women’s rights
An exciting, thematic mix of theory, personal experiences, exhibition, and practice – an important source of inspiration, exchange
authors explore how power operates on and through the body, affecting human rights, sustainability, bodily representations and personal expressions. Transdiscourse 3 is a unique space for dialogue and a vital transdisciplinary resource, designed to inspire and encourage others to engage with creativity, discovery and change.
Art meets Science: essays by female artists, curators, and theorists inspired
Andrea Gleiniger, Angelika Hilbeck, Jill Scott (Eds.)
Transdiscourse 1 Mediated Environments
Pages 216
Ills. 15 b/w, 69 in color
Format 20.7 × 23.88 cm
SC 978-3-99043-364-5 En
€ 42.79 / $ 60.00 / £ 37,00
ENGLISH OCTOBER 2010 AMBRA VERLAG
by science Gender and Representation explored internationally through key themes A vital resource for scholars of cultural analysis and gender representation
Jill Scott, Media artist, curator, writer, and artand-science researcher; professor emerita, Zurich University of the Arts (ZhdK), founder of the Artists-in-Labs Program
This publication compares the two artists Tracey Emin and Richie Culver, both of whom deal with themes such as emotionality, authenticity, and gender images. The starting points are self-staging and public responses to Emin’s and Culver’s artistic work. How do culturally encoded emotions, autobiographical narratives, and gender images intertwine in the two oeuvres?
Carolin A. Heel
Sticky Emotions
Zur Geschlechterspezifik künstlerischer Identität
Pages 272 Ills. 32 color ills.
Format 17.0 × 24.0 cm
GERMAN MARCH 2026 DE GRUYTER
First academic monograph on Richie Culver
New insights into the art of Tracey Emin
Exploring emotion, gender, and identity through cultural and media Transformations
Does Culver’s work reveal the appropriation of a previously female-encoded emotionality, or a shift towards a gender-neutral artistic identity? A comparative reading of their work highlights specific modes of self-presentation and affective addressing –in the field of tension between subjectivity, pop culture, and art-historical inscription.
Carolin A. Heel, art historian and curator, Karlsruhe
OUR OYSTER SERIES
FEMINIST AND QUEER APPROACHES TO ARTS, CULTURES, AND GENDERS
Christiane Kruse, Sven Christian Schuch, Ileana Pascalau, Mona Behfeld (Eds.) Make - Get - Be Visible
A Queer_Feminist Perspective of Art and Design 2025. 304 Pages
112 colored illustrations 17.0 × 24.0 cm
SC € 59.00 / $ 64.99 / £ 54.00
German-English edition
ISBN 978-3-68924-215-2
E-Book ISBN 978-3-68924-036-3
Maike Hoffmeister Posthumane Männlichkeiten
Maskuline Cyborgs und queere Körper in der Kunst seit 1990 2024. 299 Pages
40 illustrations, 10 colored illustrations 17.0 × 24.0 cm
SC € 79,00 / $ 86.99 / £ 72.00
ISBN 978-3-68924-129-2
E-Book ISBN 978-3-68924-007-3
Amrei Buchholz, Alicia Fuentes Vega, Julia Kloss-Weber (Eds) Turning the Mirror Gendered Art Histories of Ibero-America and the Iberian Peninsula 2025. 248 Pages
55 colored illustrations 17.0 × 24.0 cm
Gebunden € 72.00 / $ 79.99 / £ 65.50
German-Spanish edition
ISBN 978-3-11-118249-0
E-Book ISBN 978-3-11118-324-4
Elana Shapira, Daniela Finzi (Eds.) It Hurts! Violence against Women in Art and Psychoanalysis 2025. 204 Pages
60 colored illustrations 17.0 × 24.0 cm
Broschur € 72.00 / $ 79.99 / £ 65.50
German-English edition
ISBN 978-3-11-133596-4
E-Book ISBN 978-3-11-133607-7
During the last decades of the 19th century, women used the camera, still a new technological apparatus, to establish independent lives as professional photographers. Women photographers had a particularly strong position in the Nordic countries, where photography became a tool with which to attain personal, economic, and political independence.
Sigrid Lien, Mette Sandbye (eds.)
Striving for Independence
Nordic Women Studio Photographers, 1860–1920
Oyster 7 Pages 496
Ills. 200 color ills.
Format 17.0 × 24.0 cm
SC 978-3-11-133893-4 En € 58.00
63.99
53.00
E-Book 978-3-11-133895-8 En € 58.00 $ 63.99 £ 53.00
ENGLISH APRIL 2025 DE GRUYTER
Counter-narratives of women’s independence in photographic histories
Bringing to light previously unknown Nordic women photographers
With contributions from leading scholars in photography studies from Denmark, Norway, Sweden, Finland and Iceland
Many hired only women assistants and remained unmarried, and some lived in lifelong relationships with women partners. Moreover, these women pioneers belonged to a generation which, for the first time, had the power to define their own visual representation as well as that of other women. Through a wide range of stories about individual photographers, this book
presents a counter-history to existing histories of photography, demonstrating the medium’s liberating potential for women for the first time.
Sigrid Lien, University of Bergen, Norway Mette Sandbye, University of Copenhagen, Denmark
This is the first major publication to re-evaluate the problematics that enmesh feminism, gender, and contemporary Nordic art. The book probes the shifting nature of the “Nordic” to challenge its popular image as liberal when it comes to genders, sexualities, and ethnicities. It questions the socalled wave model to suggest instead a history of sporadic (re)surfacings
Kerry Greaves, Birgitte Thorsen Vilslev (eds.)
Transformative Feminisms
Nordic Art in the Transcultural Present
Oyster 6 Pages 368
Ills. 52 color ills.
Format 17.0 × 24.0 cm
SC 978-3-11-133216-1 En € 79.00
$ 86.99
£ 72.00
E-Book 978-3-11-133225-3 En Open Access
ENGLISH FEBRUARY 2025 DE GRUYTER
Intervenes in and re-evaluates the problematics enmeshing feminism, gender, and contemporary Nordic art
With a special focus on decolonialism and transculturality
and submersions of feminism’s impact on Nordic art over the last sixty years. The intersectional, transhistorical, and transcultural focus nuances the Nordic and demystifies common tropes while reflecting the principal concerns of feminist art scholars working today.
The book contextualizes Nordic feminist art history and highlights themes addressing the most acute issues
facing Nordic art and feminism now: feminism and the welfare model; gender and the body; transculturality, de/ postcolonialism, (post)migration; and posthuman feminism.
Kerry Greaves, Birgitte Thorsen Vilslev, University of Copenhagen
This volume proposes a shift in the way we study historic spaces, moving from predominantly visual hermeneutics towards a cognitively informed, multisensory approach that considers light, sound, climate and movement as integral aspects of architectural experience. The premise is simple yet far-reaching. Historic rooms and ensembles were not merely passive con-
Matteo Burioni, Stephan Hoppe (eds.)
Historic Spaces and the Multisensory Experience
A Digital Exploration of Light, Sound, and Movement
Pages 288 Ills. 50 b/w ills., 64 color ills. Format 17.0 × 24.0 cm
SC 978-3-68924-247-3 En € 69.00
E-Book 978-3-68924-043-1 En Open Access
ENGLISH MARCH 2026 DE GRUYTER
New research approaches based on 3D, light, and sound simulation
Interdisciplinary contributions from international researchers
tainers for artworks or rituals; rather, they were dynamic perceptual spaces whose effects emerged from the interaction of material form and the people who experienced them. Recent advances in digital recording, simulation and sensor-based measurement enable us to describe these interactions with a precision that was previously unavailable to the humanities.
Matteo Burioni, Bavarian Academy of Sciences and Humanities, Munich Stephan Hoppe, Ludwig Maximilians University Munich
Fragmentation, simultaneity and overstimulation characterize our present-day world. Events appear in a flood of short messages, shared screenshots, or TikToks. The images in such media are fast, fluctuating, affective – they lead to stress and are stressed in themselves. This volume examines the phenomenon of media overload from an interdisciplinary perspective and proposes a new interpretative model for the visual cultures of our (digital) age with the concept
New aesthetic as well as (image)-theoretical perspectives on stress
Examining visual overburdening in digital cultures
Establishing the idea of Zerstressung as an aesthetical, political and analytical figure
of Zerstressung. Examining (resistant) image and knowledge practices, glitches, the Anthropocene era, and cultures of remembrance, the chapters discuss Zerstressung as an aesthetic as well as a political concept.
Nina-Marie Schüchter, Heinrich Heine University Düsseldorf Ines Röckl, University of Regensburg Jasmina Nöllen, Svetlana Chernyshova, Heinrich Heine University Düsseldorf
The omnipresence of AI currently raises questions not only about the promise of truthfulness made by technical media, but also about their legal regulation. Generative models such as Midjourney, Flux, and Lavida-O create new visual infrastructures that make it urgent to redefine legal norms. In legal history, technical images like photography and film have always been actants in the negotiation of copyright, intellectual property rights, or the right to one’s own image. When
Katja Müller-Helle, Claudia Blümle, Tom Holert (eds.)
Bildformen des Rechts
Juridische Schauplätze technischer Bilder
Bildwelten des Wissens 21 Pages 120
Ills. 50 color
Format 15.5 × 23.0 cm
SC 978-3-68924-091-2 Ger € 29.00
$ 31.99
£ 26.50
E-Book 978-3-68924-092-9 Ger Open Access
GERMAN MAY 2026 DE GRUYTER
Connects current debates about copyright, authorship, and intellectual property with the media history of photography, film, and AI art
Interdisciplinary and international perspectives from visual and media studies, legal theory, and comic illustration
With the first publication of an excerpt from Cornelia Vismanns Schrift Verfassung nach dem Computer (2006/2007)
judges wear VR glasses and thus virtualize the courtroom, forensic image evidence is analyzed digitally. Future scenarios in climate lawsuits are imagined with the help of attribution models, operational images help participate in constituting legal infrastructures. The new volume of Bildwelten des Wissens examines, at the intersection of Bildwissenschaft, media theory, and jurisprudence, the legal forms in which technical images are embedded and, conversely, how new image forms
in digital environments exert pressure on legal norms.
Katja Müller-Helle, Claudia Blümle, Humboldt University, Berlin Tom Holert, Harun Farocki Institut, Berlin
Back to the Marshes is the final volume in Barbara Baert’s tripartite study on the cultural impact of weather and environment, on the artistic symptoms of fertility and anxiety, and on the study of matter and medium. In this essay Baert explores the cosmological imagination, prehistoric graphemes, and the sensory experiences of marshes and wetlands, including their artis-
Barbara Baert Back to the Marshes
Myth, Method, Matter
Pages 150 Ills. 67 b/w and color ills.
Format 17.0 × 24.0 cm
SC 978-3-68924-085-1 En € 99.00
E-Book 978-3-68924-086-8 En € 99.00
ENGLISH APRIL 2026 DE GRUYTER
A multidisciplinary and cross-sectional analysis of the swamp
Interdisciplinary approaches from art, culture and the history of ideas
tic significance for raw and biological materials such as clay, mud and fungi.
The book develops into a fluid voyage of discovery that charts the role of material topologies and their artistic properties in human hands, and reflects on the obstacles accompanying the writing process and the epistemological crises it precipitated. It leads
Baert to reconsider the contemporary challenges of Bildwissenschaft in the Geological Turn.
Barbara Baert, KU Leuven
Also of interest
Barbara Baert
Looking Into the Rain Magic – Moisture – Medium
Pages 235 Ills. 40 b/w, 46 in color Format 17.0 × 24.0 cm
SC 978-3-11-072684-8 En E-Book 978-3-11-076062-0 En € 99.00 / $ 113.99 / £ 86.00
ENGLISH FEBRUARY 2022 DE GRUYTER
Barbara Baert
About Sieves and Sieving Motif, Symbol, Technique, Paradigm
Pages 134 Ills. 52 in color
Format 17.0 × 24.0 cm
SC 978-3-11-060614-0 En E-Book 978-3-11- 060821-2 En € 25,95 / $ 29.99 / £ 22.50
ENGLISH APRIL 2019 DE GRUYTER
In the first volume of the Zweierlei series, scientist and artist Daniel Wolter explores debate on environmental destruction in the GDR. To this end, he studied photographic collections from the archive of the GDR opposition group Robert Havemann Society, thus revealing links between the notions of ‘environment’ and ‘archive’ in the
Katharina Neuburger (ed.), Daniel Wolter
Umwelt & Archiv
Oppositionelle Umgebungen in der DDR Zweierlei. Schriftenreihe des Institut für Umwelt und Gestaltung 1 Pages 143 Ills. 92 color ills.
Format 17.0 × 24.0 cm
SC 978-3-422-80364-0 En/Ger € 28.00
24.50
E-Book 978-3-422-80393-0 En/Ger € 28.00
30.99
24.50
ENGLISH/GERMAN OCTOBER 2025 DEUTSCHER KUNSTVERLAG
New approaches in artistic research and art history
Focus on critical art and culture in the GDR
Photographic archive material from the GDR opposition
historical context of the GDR’s environmental movement. Drawing on a media-ecological perspective, Wolter correlates different categories of photographic depiction and highlights the juncture where environment is inscribed into the photographic image and, at the same time, interventions in the environment come about.
Daniel Wolter, artist and researcher
This publication delves into artistic practices and critical thinking that challenge and reinvent the traditional concept of the ‘museum’. Featuring a diverse range of case studies, it shows how contemporary artists, curators, and creative art practitioners are reshaping museum models to reflect the values, needs, and aspirations of the communities in which they have
Marta Jecu (ed.)
The Anticipated Museum
Artists, Heritage and Prospective Museologic Practices
Pages 416 Ills. 175 color ills.
Format 17.0 × 24.0 cm
HC 78-3-11-132445-6 En € 99.00
ENGLISH JUNE 2026 DE GRUYTER
Alternative, future-oriented, and exploratory visions of the museum
A practical toolkit of solutions for fostering functional and socially unbiased museums
emerged. From early 20th-century avant-garde movements to the neoavant-garde and today’s artist-founded museums, the book offers a rich historical perspective. It spans four continents – South America, Europe, Africa, and Asia – presenting visionary approaches and functional museum concepts based on artistic practice. The volume offers fresh insights into
how art can transform institutions and reimagine cultural spaces.
Marta Jecu, independent curator, researcher, University of Lisbon, Portugal
Exhibition Ecologies approaches exhibitions as ecological media, shaped by infrastructures, economies, and relations of power. Bringing together art-historical essays and curatorial reflections, this volume explores how exhibitions respond to the climate crisis while showing how ecological narratives intersect with colonial legacies, extractivism, and the rhetorics of legit-
Regine Ehleiter, Friederike Schäfer (eds.)
Exhibition Ecologies
Entanglements of Art, Institutions, and Politics in the Environmental Crisis
Pages 208
Ills. 45 color ills. Format 17.0 × 24.0 cm
SC 978-3-68924-251-0 En € 69.00
E-Book 978-3-68924-047-9 En Open Access
ENGLISH JUNE 2026 DE GRUYTER
Situates exhibitions within transdisciplinary ecological discourse
Links exhibition studies and environmental humanities to reveal the material, social, and political entanglements of exhibition-making
imation. Case studies – from museum collection displays to contemporary biennials – probe the ecological framing of exhibitions, opening debates on sustainability, decolonial justice, and institutional responsibility. Linking exhibition studies with environmental humanities, this book highlights both the risks of co-option and the transformative potential of exhibitions.
Regine Ehleiter, Witten/Herdecke University
Friederike Schäfer, Freie Universität Berlin
Adopting a transnational perspective, this book takes a look at the art history of production, transport and logistics with its heterogenous actors, objects, institutions, and their interwoven stories. The production of art goes along with complex infrastructures that are often unseen and associated with political and ecological challeng-
Burcu Dogramaci, Ursula Ströbele (eds.) Infrastructures of Art
Producing, Transporting, and Logistics from a Transnational Perspective
Pages 320 Ills. 145 color ills.
Format 17.0 × 24.0 cm
SC 978-3-68924-275-6 En
E-Book 978-3-68924-055-4 En Open Access
ENGLISH APRIL 2026 DE GRUYTER
Contribution to the growing field of infrastructural studies in art history from a transnational perspective
Art history of production, transport and logistics
Mapping the technical, political, and economic conditions of the cultural field
es. To what extent is mobility already taken into account in the production of art? What role do customs regulations, political border restrictions, and sustainability play? This publication focuses on contexts, networks, material flows and the conditions of production and distribution within the arts of the 20th and 21st century.
Burcu Dogramaci, Ludwig-Maximilians-Universität Munich Ursula Ströbele, Braunschweig University of Art
This book explores the inner facial feeling as a defining phenomenon for the poetics and theory of Russian painting. From the icon to Suprematism and the facelessness of the Gulag camps, the study traces the face, departing from its inner tactile sensitivity. The face (with its blind skin and its skinless eyes) occupies a liminal space
Fabian Heffermehl
The Blind Icon
Skin – Face – Eye in Russian Modernism
Image Word Action 11 Pages 176 Ills. 26 color ills.
Format 17.0 × 24.0 cm
SC 978-3-68924-194-0 En
ENGLISH MAY 2026 DE GRUYTER
First study of the tactility of the face in literature and painting
Unique interdisciplinary approach to interaction between image and body in Russian Modernism
Challenges traditional notions of the portrait in art history
at the intersection of the optic and the tactile senses. We build identity on the imagination of our faces seen on distance by others. At the same time, the face is inseparably bound to the nervous system. It is continuously felt with the interior organs of the head (muscles, tongue, skin), which abolish distance. Thus the face emerges as a
thin layer, a stratum that delineates the threshold between interiority and exteriority, between the self and its representation.
Fabian Heffermehl, University of Oslo, Norway
Examining the ways in which women have been viewed, portrayed, and silenced in art history remains a crucial challenge for the discipline. The authors of this volume expose mechanisms of visibility and invisibility, question the male-dominated canon, and offer fresh perspectives on strategies
Christian Philipsen, Adina Christine Rösch (eds.) Zwischen Rollenklischees
und Rebellion
Frauen in der Kunstgeschichte und ihre Darstellungen
Pages 120 Ills. 72 color ills.
Format 17.0 × 24.0 cm
SC 978-3-422-80388-6 Ger € 44.00
$ 48.99
£ 40.00
E-Book 978-3-422-80389-3 Ger € 44.00
$ 48.99
£ 40.00
GERMAN SPRING 2026 DEUTSCHER KUNSTVERLAG
A survey of feminist, queer and intersectional approaches
Connecting science and social debate
of female and queer self-representation. Historical and contemporary positions enter a dialogue—from early self-portraits to contemporary intersectional approaches. This volume invites readers to reconsider established narratives, so understanding art history as an open field and a dynamic
process grappling with power, the body, and identity.
With contributions by Adina Rösch, Alexandra Karg, Andrea Aranda, Anja Ilka Schneider, Anke K. Hoyer, Mona Behfeld, Paula Gauß, Nina-Marie Schüchter, Sandra Richter
A Collector’s Odyssey presents a case of agency and moxie in the face of ruthless Nazi persecution and organized plunder. It reconstructs the untold story of wartime refugee Marie-Anne de Goldschmidt-Rothschild and ascertains the contents and trajectory of her art collection. Yet it is less about provenance, or transfers of ownership, than about one collector’s resistance to relinquishing ownership.
Christel H. Force, Anna-Carolin Augustin, Katharina Weiler
A Collector’s Odyssey
How Marianne de Goldschmidt-Rothschild Saved her Paintings from Nazi Looting
Contact Zones 9
Pages 592
Ills. 152 color ills.
Format 17.0 × 24.0 cm
HC 978-3-11-123929-3 En € 99.00
$ 90.99
£ 75.00
E-Book 978-3-11-123949-1 En Open Access
ENGLISH APRIL 2026 DE GRUYTER
Reconstructs the untold story of Marie-Anne de Goldschmidt-Rothschild
Tracing the fate of an art collection during and after the Nazi Eras
Reveals the Nazi-era provenance of the Post-Impressionist artworks in the collection of de Goldschmidt-Rothschild
Beginning with the collection’s inception in Berlin and spanning two World Wars, it traces artworks secretly relocated to Paris, haltingly transported to the U.S., exhibited there, repatriated, then quietly dispersed. Her in-laws’ respective cases of despoliation and exile further highlight what Jewish collectors faced in Nazi Germany. This book restores their stories to memory, countering the Reich’s intended erasure.
Christel H. Force, art historian, independent curator, New York Anna-Carolin Augustin, German Historical Institute, Washington, D.C.
Katharina Weiler, Museum Angewandte Kunst, Frankfurt am Main
The National Socialist policy of persecution also aimed for a broad-scale, enforced redistribution of wealth and property. The reversal of this plundering began at the end of the Second World War under allied occupation and went through various subsequent phases in the Federal Republic of Germany. After the end of the Cold War, the handling of property assets from the Holocaust era was renegotiated once more. With the adoption of the Washington Principles on Nazi-Con-
Also of interest
Gesa Jeuthe Vietzen, Benjamin Lahusen (eds.)
Der Umgang mit NS-Raubgut
Ein historisch-kritischer Kommentar
Pages 304
Ills.
Format 17.0 × 24.0 cm
HC 978-3-68924-168-1 Ger € 48.00
$ 52.99
£ 44.00
E-Book 978-3-68924-020-2 Ger € 48.00
$ 52.99
£ 44.00
GERMAN APRIL 2026 DE GRUYTER
Critical assessment of current structures
fiscated Art in 1998, Germany decided against a legal solution, but nevertheless referred to the guidelines of postwar legislation. This placed the restitution practice implemented since 1998 in the tradition of restitution legislation since 1945, but without assuming legal status itself. The historical-critical commentary presented here systematically highlights these contexts and the tensions they have created. It provides access to the examination criteria and analyses their history of
Matthias Weller a.o. (Eds.)
Restatement of Restitution Rules for Nazi-Confiscated Art A Comparative Assessment
Pages 928
Format 17.0 × 24.0 cm
SC 978-3-68924-147-6 En
€ 119.00 / £ 108.50 / $ 130.99
ENGLISH MAY 2026 DE GRUYTER
interpretation up until the present day. The commentary provides an historical-critical appraisal, thus enabling a well-founded approach to Nazi-confiscated art, and develops the solutions of the past further for tomorrow.
Gesa Jeuthe Vietzen, Benjamin Lahusen, European University Viadrina, Frankfurt (Oder)
Tessa Rosebrock (Ed.)
OFFENE FRAGEN. Kunstwerke –Erwerbungen – Schicksale Provenienzforschung am Kunstmuseum Basel
Pages 256
Ills. 150 color ills.
Format 23.0 × 26.0 cm
HC 978-3-422-80277-3 Ger € 42,00 / $ 130.99 / £ 108,50
GERMAN JULY 2025
DEUTSCHER KUNSTVERLAG
Almost three decades since the 1998 Washington Conference on Holocaust-Era Assets, a new awareness of provenance research and practices of restitution has taken hold. This volume brings together voices from academia, museums and the art trade for a critical consideration of these developments, including essays that analyze restitution cases from a legal
Mary-Ann Middelkoop, Lucy Wasensteiner (eds.)
Thinking Provenance, Thinking Restitution
Art-Historical, Legal, and Museological Perspectivesr
Schriftenreihe der Forschungsstelle Provenienzforschung, Kunst- und Kulturgutschutzrecht 12 Pages 208 Ills. 40 b/w ills.
Format 17.0 × 24.0 cm
HC 978-3-68924-295-4 En € 59.00 $ 64.99 £ 54.00
E-Book 978-3-68924-298-5 En € 59.00
64.99
54.00
ENGLISH APRIL 2026 DE GRUYTER
A critical look at provenance research and restitution
Multidisciplinary approaches and methodology
perspective in the UK, France and Germany, explore provenance as a form of knowledge and through its materiality, and question how international museums and the art market have dealt with provenance and restitution practices in Munich, Vienna, and London. The volume contributes to current debates about the theory and methods of provenance research, today seen
as an expanded and multidisciplinary field at the intersection of law, history, anthropology and the art world.
Mary-Ann Middelkoop, University of Cambridge, UK Lucy Wasensteiner, University of Bonn
The Futurist art movement, founded by F. T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. Volume 16 of the International Yearbook of Futurism Studies is an open issue and looks at how Futurism shaped local, regional, national and individual
Günther Berghaus (ed.) International Yearbook of Futurism Studies 2026
Pages 600 Ills. 30 b/w ills. Format 15.5 × 23.0 cm HC 978-3-68924-093-6 En
ENGLISH FEBRUARY 2026
DG ARTS
Interdisciplinary research on Futurism
With reviews and exhibition reports, and a comprehensive report on new publications on Futurism
aesthetics in Italy, Russia, Britain, Germany, Belgium, Poland, Yugoslavia and Mexico. The ten essays are followed by a regional report on Japan, critical responses to exhibitions, conferences and publications, and an annual bibliography with details of 225 new books on Futurism.
Günther Berghaus, University of Bristol
Gesellschaft der Freunde islamischer Kunst und Kultur e.V. (ed.), Kathrin Müller, Gérard J. Maizou
Oya Lace for Men
Textile Jewels from Turkey
Pages 120 Ills. 100 color ills.
Format 24.0 × 28.0 cm
HC 978-3-68924-273-2 En € 79.00 $ 86.99 £ 72.00
E-Book 978-3-68924-054-7 En € 79.00 $ 86.99 £ 72.00
ENGLISH MARCH 2026 DE GRUYTER
From the 16th century onwards, Zeybek groups could be found in western Turkey, operating as bandits and later as rebels. At the beginning of the 20th century, the Zeybek and their leaders, known as the Efe, were recognized as freedom fighters and wore a special fez wrapped in cloth and decorated with colorful needle-lace – the famous
First systematic analysis and description of the Efe Oya, Turkish needle lace for men
Large-format color illustrations
Efe Oya. Today, this needle lace is employed in Turkish folk art and provides inspiration for fashion designers. In this publication, the Efe Oya are being presented comprehensively for the first time, along with large-format illustrations. Several examples of the Efe Oya are reproduced in original size, including detailed descriptions
of the materials and techniques used, as well as summaries of their history, characteristics and varied significance.
Volker Adolphs, Anna Niehoff, Roman Zieglgänsberger
Volker Adolphs (Ed.)
Preface by: Stephan Berg Alexej von Jawlensky Gesicht – Landschaft – Stillleben
2020. 144 Pages
120 color illustrations
24.0 × 31.0 cm
HC € 34.00 / $ 39.99 / £ 31.00
ISBN 978-3-422-98526-1
Vanessa Sondermann (Ed.)
With contributions by: Kunibert Bering, Susanne Deicher, John Morgan, Cornelia Nowak, Vanessa Sondermann, Hans-Peter Thurn, Alexander Zschokke
Walter Kaesbach und die Kunstakademie Düsseldorf
2024. 312 Pages
96 illustrations, 105 color illustrations
22.5 × 30.0 cm
HC € 44.00 / $ 48.99 / £ 38.50
ISBN 978-3-422-80203-2
Stiftung Ada und Emil Nolde Seebüll, Doerner Institut Bayerische Staatsgemäldesammlung, Hamburger Kunsthalle (Eds.) Emil Noldes Malweise "Eine Farbe verlangt die andere" 2022. 240 Pages
250 color illustrations 24.0 × 30.0 cm
HC € 38.00 / $ 43.99 / £ 34.50
ISBN 978-3-422-98719-7
Kai Hendrik Schlusche
Graffiti Expressionism DARE / Sigi von Koeding in Basel 2024. 176 Pages
191 color illustrations 23.0 × 25.0 cm
SC € 38.00 / $ 41.99 / £ 33.50
English-German edition
ISBN 978-3-422-80231-5
Arthur Fink, Claudine Grammont, Josef Helfenstein (Eds.) Matisse, Derain, and their Friends The Parisian Avant-Garde 1904–1908
Kirchner, Lehmbruck, Nolde Geschichten des Expressionismus in Mannheim
2025. 192 Pages
150 color illustrations
23.0 x 27.5 cm
HC € 44.00 / $ 48.99 / £ 38.50
English-German edition
ISBN 978-3-422-80339-8
Steffen Egle, Sören Fischer, Annette Reich (Eds.) Rudolf Levy Magier der Farbe 2023. 328 Pages
200 color illustrations 22.0 × 27.0 cm
HC € 44.00 / $ 46.99 / £ 37.00
ISBN 978-3-422-80166-0 E-Book ISBN 978-3-422-80362-6
Bernhard Maaz (Ed.)
Pinakothek der Moderne Munich Modern Art Collection 2025. 344 Pages 13 illustrations, 275 color illustrations 15.0 x 21.0 cm
SC € 24.00 / $ 26.99 / £ 21.00
ISBN 978-3-422-80345-9
This book provides a critical, multidisciplinary and innovative approach to the work of Pablo Picasso (1881–1973).
International museum and university scholars, experts on Spanish art and Spanish cultural history, discuss the continuities and ruptures of Picasso’s own artistic practice in relation to
María López-Fanjul y Díez del Corral (ed.)
Spanish Dialogues on Picasso
Pages 144 Ills. 45 color ills. Format 17.0 × 24.0 cm
SC 978-3-68924-186-5 En € 69.00 $ 75.99 £ 63.00
E-Book 978-3-68924-026-4 En € 69.00 $ 75.99 £ 63.00
ENGLISH MARCH 2026 DE GRUYTER
Reconsidering Picasso’s work in the context of Spanish art and cultural history
Spanish art history, covering the representation of gender in his work and its continuity with the Western tradition until the present day; the iconographical takeovers from pre-1800 Spanish artists previously overlooked; the relevance of national identity during his exile; the reception of Picasso in Spain
during Francoism and the first years of democracy; and the use of language(s) when talking about Picasso and his work.
María López-Fanjul y Díez del Corral, Museo de Bellas Artes de Asturias, Oviedo, Spain
This book focuses on 19th-century sculpture in Rome, a subject that has received little attention to date. While art history has predominantly recounted the triumph of modernism as a narrative of French painting and dismissed Roman sculpture as an outdated, academic reiteration of classicist forms, the essays gathered here reveal its unexpected vitality and
Anna Frasca-Rath, Johannes Myssok (eds.) Nach Canova
Skulptur in Rom 1822–1870
Pages 256 Ills. 114 color ills.
Format 17.0 × 24.0 cm HC 978-3-68924-288-6 Ger
GERMAN MAY 2026 DE GRUYTER
Rediscovery of 19th-century sculpture
Novel perspective on Rome as a centre of art
Innovative quality of classicist sculpture
international scope. Despite the rise of new artistic centres in Paris and London, Rome remained a global hub for sculptural production. It was here that innovative works were created and exported, and it was here, too, that the foundations of American sculpture were laid. The volume reconstructs the conditions of production within this international milieu and explores
the creative innovations that unfolded within the dynamic interplay between tradition and modernity.
Anna Frasca-Rath, University of Erlangen
Johannes Myssok, Düsseldorf Art Academy
Trained in Giambologna’s Florence, Francesco Bordoni (1574–1654) was active in Medicean Tuscany and France, where he became first sculptor to the Bourbon dynasty. He worked on major royal commissions – from the equestrian monument on the PontNeuf to the sculpture in the gardens at Fontainebleau and Saint-Germain-
Giulia Cicali Francesco Bordoni (1574–1654)
Dalla bottega del Giambologna alla corte di Francia – Le opere, il il réseau, gli affari
European Identities and Transcultural Exchange 5 Pages 440 Ills. 99 color ills.
Format 17.0 × 24.0 cm
HC 978-3-68924-198-8 It € 119.00
ITALIAN MARCH 2026 DE GRUYTER
A central figure in artistic exchange in the Early Modern period
An artist who epitomizes the excellence fostered by the Medici court
en-Laye – and imported marble and artworks from Italy. This book reconstructs his career, exploring the changing status of artists, his role in royal building sites, and collaborations with French and Italian masters, including the Francini engineers. Through archival research and critical readings of works and context, the study opens
new perspectives not only on Bordoni – a key figure in early modern artistic mobility – but also on artistic practices, networks, and patrons connecting Florence and Paris.
Giulia Cicali, Histara, École Pratique des Hautes Études, Paris
Often associated with the mediaeval world, tournaments were still an important part of courtly life during the Renaissance, being among the most lavish and impressive public royal celebrations of their time, especially in France. Beyond the traditional chivalric ritual, bringing together nobility and monarchy in a carefully crafted spectacle, the best court artists and craftsmen were called upon to create
Marina Viallon Les tournois à la cour de France (1490–1620)
European Identities and Transcultural Exchange 7 Pages 448 Ills. 140 color ills. Format 17.0 × 24.0 cm HC
FRENCH MARCH 2026 DE GRUYTER
First thorough, large-scale study on tournaments
Interdisciplinary approach exploring material, artistic, social and historical aspects of such events
Vivid evocation of what were once among the most impressive and elaborate courtly spectacles in Renaissance Europe
sets, armour, costumes, or even texts and music for such events. This publication offers a first exploration of the nature and evolution of French royal tournaments, from Charles VIII to the first years of Louis XIII’s reign. Using all the textual, archival and artistic sources available, this study provides a vivid picture of those lavish, spectacular performances that were once a focal point of French courtly life.
Marina Viallon, Metropolitan Museum of Art, New York
Why did an unknown Dutch artist paint a portrait of a Moluccan ruler with an amputated arm in the 17th century? Yannis Hadjinicolaou uncovers the fascinating story behind this unusual depiction of Sultan Sayfoedin, who ruled Tidore, one of the Moluccas islands in northeastern Indonesia, from 1657 to 1687. He examines the reasons for portraying Sayfoedin’s amputation,
Yannis Hadjinicolaou Der amputierte Herrscher
Ein niederländisches Porträt des Sultans von Tidore
Pages 112
Ills. 30 color ills.
Format 13.0 × 21.0 cm
HC 978-3-422-80369-5 Ger € 24.00
$ 26.99
£ 21.00
E-Book 978-3-422-80372-5 Ger € 24.00
$ 26.99
£ 21.00
GERMAN MARCH 2026 DEUTSCHER KUNSTVERLAG
New perspectives on topics such as political iconography, transculturality, materiality and disability
Critical global art history
interprets the significance of his attire, and traces the provenance of the painting, now housed in the Czartoryski Museum in Krakow. Hadjinicolaou highlights the importance of Sayfoedin’s partnership with the Dutch East India Company and the carnation trade, showing how the portrait reflects the complex interplay between colonial power and local authority.
Yannis Hadjinicolaou, University of Bonn / Ludwig Maximilians University Munich
Permanent exhibition in the Armoury of Dresden’s Royal Palace, starting in March 2026: “Masks and Crowns – Festive Culture and Representation of Power”
Since the 16th century, Dresden’s Royal Palace has been a venue for glittering balls, masquerades, and rituals of political power. In the restored banquet halls, the Rüstkammer (Armoury) presents works of art belonging to the most precious relics of European festive culture. In the Großer Ballsaal (Great Ballroom), the sun mask of Augustus the Strong, silver armour, imaginative insignia, horses with sumptuous riding equipment, and a sleigh decorated with
Holger Schuckelt, Marius Winzeler
Staatliche Kunstsammlungen Dresden (eds.)
Rüstkammer Dresden
Masks and Crowns – Festival Culture and Representation of Power
Pages 160
Ills. 120 color ills.
Format 15.0 × 23.0 cm SC 978-3-422-80311-4
ENGLISH APRIL 2026
DEUTSCHER KUNSTVERLAG
Internationally unique testimony to festive culture and the representation of power from the 16th to the 19th century
hundreds of bells are reminders of magnificent festive celebrations. Symbols of power take centre stage in the Propositionssaal (Proposition Hall): Insignia ranging from the electoral hat and coronation mantle to medals and busts of Saxon monarchs are on display in the place where Saxony’s first constitution was proclaimed in 1831. The collection, which has undergone extensive restoration in recent years, is being presented for the first time in this dedicated publication.
With contributions by Sebastian Bank, Sylvia Karges, Gernot Klatte, Mirko Lohaus, Christine Nagel, Astrid Nielsen, Viktoria Pisareva, Stefano Rinaldi, Claudia Schnitzer, Holger Schuckelt, Julia Weber, Marius Winzeler
Comprising over 500 individual items, the collection of modern ivory artworks at the Herzog Anton Ulrich Museum is one of the most extensive in Germany and Europe. The carved sculptures, reliefs and turned vessels offer an excellent overview of this art form; most can be traced back to the 18th-century in Brunswick. The collection – which includes objects made of
Regine Marth Werke aus Elfenbein
Herzog Anton Ulrich-Museum, Kunstmuseum des Landes Niedersachsen
Pages 592
Ills. 815 color ills.
Format 24.0 × 30.0 cm
HC 978-3-422-80387-9 Ger € 76.00 $ 83.99 £ 69.50
GERMAN JULY 2026
DEUTSCHER KUNSTVERLAG
Richly-illustrated reference work covering all genres of historical ivory art, mainly from the 16th to 18th century
Scientifically founded reappraisal of a significant collection
With works by Balthasar Permoser, Ignaz Elhafen, Leonhard Kern, Balthasar Grießmann, Jørgen Christensen Garnaas, Ferdinand Boy, Johann Christoph Ludwig Lücke, and others
rhinoceros’ horn and hippopotamus’ teeth, for example, as well as ivory –focuses on sculptures and reliefs with mythological and religious subjects. Some magnificent works were crafted using a combination of ebony, deer antler, and coloured enamels. Turned pieces amaze us with their technical perfection. This inventory catalogue sums up the current state of know-
ledge and presents all the works in detail along with extensive illustrations.
Regine Marth, Herzog Anton Ulrich-Museum, Braunschweig
The encounter between the two pregnant women Mary and Elizabeth known as the “Visitation” was a popular motif in medieval sculpture.
Katja Triebe documents the extensive body of work featuring this motif for the first time. Exemplary individual analyses, including of major art historical works such as the Visitations in
Katja Triebe Heimsuchungsskulptur im
Mittelalter
Über ein allegorisches Motiv und seine Körper Verflechtung – Aushandlung – Opazität 5 Pages 576
Ills. 330 color ills.
Format 17.0 × 24.0 cm
HC 978-3-68924-207-7 Ger € 89.00
$ 97.99
£ 81.00
E-Book 978-3-68924-048-6 Ger € 89.00
GERMAN DECEMBER 2025 DE GRUYTER
First comprehensive study on the “Visitation” as a motif in medieval sculpture
Innovative interpretation methods and perspectives for sculpture research
With a catalogue of approximately 200 works
Bamberg Cathedral and the Monastery Church of St. Katharinental, offer fresh interpretations of already much-discussed works. The study reveals how the sculptures engage their audience intellectually, physically, and emotionally, and uncovers the works’ multifaceted allegorical significance. The female bodies served as an opportu-
nity to negotiate political, theological, social, and gender-specific themes. Innovative analytical methods raise new questions and perspectives for sculpture research.
Katja Triebe, Humboldt University, Berlin
Was the post-antique depiction of cast shadows really a Florentine innovation of the 1420s, as Giorgio Vasari and subsequent scholarship have led us to believe? In this study, Gerd Mathias Micheluzzi undertakes the first comprehensive examination of this question, combining art-historical inquiry with an interdisciplinary approach. Through detailed analyses of Early
Gerd Mathias Micheluzzi
Aus Mangel an Licht
Funktionen des Schlagschattens in der italienischen Malerei (ca. 430–1430)
Imaginarien der Kraft 8 Pages 672
Ills. 202 color ills.
Format 15.0 × 24.0 cm
HC 978-3-68924-119-3 Ger € 99.00
$ 108.99
£ 90.00
E-Book 978-3-68924-003-5 Ger € 99.00
$ 108.99
£ 90.00
GERMAN JUNE 2026 DE GRUYTER
First systematic study of the cast shadow in Italian painting, literature, and natural philosophy of the Middle Ages
Revises a long-standing topos in art histor
Christian mosaics, medieval knowledge traditions, and Italian illuminated manuscripts, wall and panel paintings from the 14th and early 15th centuries, he demonstrates that the cast shadow occupied a more substantial role in pre-Renaissance visual culture than has hitherto been acknowledged. His study uncovers a rich history of visual experimentation, in which develop-
ments were intertwined yet neither constant nor teleologically directed towards the imitation of nature
Gerd Mathias Micheluzzi, DFG Centre for Advanced Studies ‘Imaginaria of Force’, University of Hamburg
This third volume of the collected illustrated Early Modern broadsides from the holdings of the Central Library in Zurich completes the edition. Following volumes 1 and 2, which contain the broadsides from the “Wickiana,” volume 3 contains mostly anonymous pamphlets, some of which display texts by authors like Johann Fischart, Johann Wilhelm Simler, Johann Mi-
Michael Schilling (ed.)
Deutsche illustrierte Flugblätter des 16. und 17. Jahrhunderts Pages 500 Ills. 230 b/w ills. Format 29.5 × 40.0 cm HC 978-3-11-114440-5 Ger
E-Book 978-3-11-222205-8 Ger
GERMAN JUNE 2026 DE GRUYTER
High-quality edition with large-format images
In-depth scholarly commentary
chael Moscherosch, and Paul Gerhardt. Some of the illustrations are by wellknown artists as well. The prints are reproduced in large format and accompanied by scholarly commentary.
Michael Schilling, Otto-von-Guericke-Universität Magdeburg, Germany
While spread across the globe from North Africa to China, the visual culture of Syriac Christian communities remains to be fully incorporated into medieval art studies. This volume analyzes the forms and developments of Syriac art and material culture across the medieval world. Showcasing the diversity of medieval Syriac art and its influences, the first part studies Syriac Christian ritual sites and the second part analyzes the interconnectedness
Emily Chesley (ed.)
Visual Culture in Medieval Syriac Traditions
Sense, Matter, and Medium 13 Pages 590
Ills. 33 b/w ills., 98 color ills.
Format 17.0 × 24.0 cm
HC 978-3-11-143705-7 En € 117.95 $ 129.99 £ 107.50
E-Book 978-3-11-143738-5 En 978-3-11-143766-8 En € 117.95
ENGLISH
DECEMBER 2025 DE GRUYTER
The first English-language edited volume devoted to the geographical breadth of Syriac art and archaeology
Introduces art historians to medieval Syriac art
of Syriac art across the Middle East and Asia. These are bookended by theoretical essays evaluating the category of Syriac art and the historiography of the field. Chapters examine illuminated manuscripts, monumental architecture, burial sites, and church wall paintings in varied geographical locales. The volume contributes to the ongoing work of expansion in medieval art history by studying the interconnectedness of art and artisans in an increasingly global
world, even as it draws attention to the understudied field of Syriac art history and introduces new sources for medieval art. It thus promises utility for medieval art historians, scholars of Syriac Studies, and specialists of the Middle East and Central Asia.
Emily Chesley, Princeton University, Princeton, NJ, USA
ART AT BÖHLAU –A FOCUS ON AUSTRIA
Birgit Schwarz Geniewahn: Hitler und die Kunst 3rd revised edition 2024. 397 pages 17.5 x 24.5 cm
Hardcover € 40.00
ISBN 978-3-205-22094-7
E-Book ISBN 978-3-205-22097-8
Felicitas Heimann-Jelinek, Daniela Schmid
„Eine Krone mit verschiedenen Verzierungen samt Glöckl und Steinen“ Judaica-Sammlungen in Österreich
2024. 160 pages approx. 179 b/w and color ills. 21.5 x 28.6 cm
Hardcover with dust jacket € 50.00
ISBN 978-3-205-22105-0
E-Book ISBN 978-3-205-22106-7
Ilsebill Barta, Marlene Ott-Wodni, Alena Skrabanek Repräsentation und (Ohn)Macht
Die Wohnkultur der habsburgischen Prinzen im 19. Jahrhundert – Kaiser Maximilian von Mexiko, Kronprinz Rudolf, Erzherzog Franz Ferdinand und ihre Schlösser
2019. 748 pages 672 b/w and color ills. 22.0 x 28.7 cm
Hardcover € 89.00
ISBN 978-3-205-20035-2
E-Book ISBN 978-3-205-20036-9
Andrea Witzmann wien. herzschlag
2020. 261 pages b/w and color ills. 21.4 x 28.2 cm
Hardcover € 49.00
ISBN 978-3-205-21176-1
Please contact Karin Gasch for further information: karin.gasch@boehlau-verlag.com
Eva B. Ottillinger (ed.)
Made in Austria Möbeldesign 1948–1960 2026. 160 pages, b/w and color ills. 21.0 x 28.1 cm
Softcover € 32.00
ISBN 978-3-205-22457-0
Claudia Lingenhöl
Kleinbauten der Stadt Wien
2023. 284 pages b/w and color ills. 17.0 x 24.0 cm
Softcover € 49.00
ISBN 978-3-205-21780-0
E-Book ISBN 978-3-205-21781-7
Eva B. Ottillinger (ed.)
Josef Frank und die anderen Neue Möbel 1920–1940 2025. 160 pages b/w and color ills. 21.0 x 28.1 cm
Softcover 28.00
ISBN 978-3-205-22276-7
Kunsthistorisches Museum Wien (ed.)
Jahrbuch des Kunsthistorischen Museums Wien
Band 23
2024. 272 pages b/w and color ills. 23.5 x 31.0 cm
Hardcover € 130.00
ISBN 978-3-205-22187-6
E-Book ISBN 978-3-205-22188-3
In this pointed collection of texts, Jindřich Vybíral questions national images of history and examines the architecture of Central Europe from a transnational perspective. He shows how players from the Czech Republic and Germany shaped art and building culture together and examines migration, the circulation of ideas and stylistic influences. His approach transcends
Jindřich Vybíral
Was ist (und was ist nicht) das Tschechische an der Architektur in Böhmen?
Architekturgeschichte und Historiographie in Mitteleuropa
Pages 480 Ills. 300 b/w ills., 150 color ills.
Format 17.0 × 24.0 cm
HC
GERMAN DECEMBER 2025 BIRKHÄUSER
Texts on the history of architecture and art in Central Europe
Viewing method from an inclusive perspective
Cloth binding with ribbon marker
national borders and contributes to a new understanding of Central European art history – a clever, inspiring look at cultural interdependencies.
Jindřich Vybíral, University of Art, Architecture and Design, Prague
Rome is not only the city of antiquity and the Baroque; it was also a centre of industrial production, today the home to a vibrant contemporary cultural scene. This comparative study focuses on the Museo Centrale Montemartini, the MACRO, the MAXXI, and the former slaughterhouse Ex-Mattatoio, which generated vital impetus for the cultural initiative of Roma 2000
Anne Scheinhardt Industrie erben
Kunst, Architektur und Städtebau auf den produktiven Brachen Roms
Pages 584
Ills. 184 color ills. Format 17.0 × 24.0 cm
HC 978-3-68924-075-2 Ger € 89.00
$ 97.99
£ 81.00
E-Book 978-3-68924-076-9 Ger € 89.00
$ 97.99
£ 81.00
GERMAN APRIL 2026 DE GRUYTER
Closes a gap in urban historical research relating to Rome
Innovative, multi-perspective study on reuse as a phenomenon
Uncovers new archive material on industrial sites in Rome
at the turn of the millennium. The multidisciplinary publication not only examines the history of architecture, use, and neighbourhood in relation to the critically analyzed sites, it also contextualizes the case studies with regard to the emergence of heritage, musealization and urban planning concepts. Employing a methodical approach, Anne Scheinhardt reflects
on how largely ignored industrial site are evolving into significant cultural heritage
Anne Scheinhardt, Deutsches Architekturmuseum (DAM), Frankfurt/Main
Until the end of the 19th century, architectural theory was based firmly on practice, belonging primarily to the domain of architects concerned with construction, materiality, and design. A significant turning point came with the work of art historian August Schmarsow, who was the first to establish space as an autonomous category within architectural theory. He argued that the perception of space by the human subject is a fundamental precondition to architectural activity, and
Julia Selzer Architektur von innen denken
Zur Genese und Ausgestaltung des Raumkonzepts von August Schmarsow
Kunstwissenschaftliche Studien
Pages 416
Ills. 29 color ills.
Format 17.0 × 24.0 cm
SC 978-3-422-80349-7 Ger € 72.00
79.99
E-Book 978-3-422-80350-3 Ger € 72.00
79.99
63.00
GERMAN
JANUARY 2026
DEUTSCHER KUNSTVERLAG
First comprehensive analysis of Schmarsow’s writing on architectural theory
Examination of intellectual- and scientifichistorical contexts as well as interdisciplinary references
Reconstructing an overall picture of Schmarsow’s architectural theory
that the design of space constitutes the essence of architecture. This intervention initiated a reorientation in the understanding of the built environment that has remained effective into the modern era. This study investigates the conditions, sources, and stages of development that shaped this conceptual shift.
Julia Selzer, art historian, Zurich
In the 19th century, artistic engagement with medieval architecture was closely connected to its academic study. Alongside art historians, architects and painters also played a key role in collecting, organizing, and communicating knowledge about architectural history. This publication shows that not only objective docu-
Christina Clausen Mittelalter als Entwurf
Künstlerische Perspektiven der frühen Architekturgeschichte im 19. Jahrhundert
Ars et Scientia 33 Pages 352 Ills. 119 color ills.
Format 17.0 × 24.0 cm
HC 978-3-68924-309-8 Ger € 79.00 $ 86.99
72.00
E-Book 978-3-68924-073-8 Ger € 79.00
86.99
72.00
GERMAN JUNE 2026 DE GRUYTER
Transnational perspective on European images of the Middle Ages during the 19th century
Design-based research practice in the 19th century: Part of the current debate on research by design
mentation, but above all the creative transformation of historical buildings was a particular strength of research in architectural history. Starting from a transnational comparison of architectural paintings, museum installations, garden spaces, and projects for the preservation of monuments, cross-genre strategies for dealing with
historical designs are analyzed and re-evaluated as creative contributions to the emerging discipline of architectural history.
Christina Clausen, Technical University Darmstadt
Volume 10 in the series Bestimmungsbuch Archäologie presents the wide variety of arrowheads and spearheads found in German-speaking countries from the Palaeolithic Age to the 1st millennium AD. For thousands of years, human beings have used their era’s best materials to make effective long-range weapons. Comprising stone, antler, bone, bronze or iron,
Ulrike Weller Pfeil- und Lanzenspitzen
Erkennen. Bestimmen. Beschreiben.
Bestimmungsbuch Archäologie 10
Pages 296
Ills. 340 b/w ills., 16 color ills.
Format 17.0 × 24.0 cm
SC 978-3-422-80328-2 Ger € 22.00
$ 24.99
£ 19.50
GERMAN
JANUARY 2026
DEUTSCHER KUNSTVERLAG
Final volume in this popular series
First comprehensive systemization of preand early historical weapons such as arrows, spears, and lances
Suitable for scientists as well as interested laypeople
they were designed to kill or injure animals when hunting or other human beings in conflict. The aim was always to optimize performance and ballistic properties for differing purposes. Based on a systematization employing morphological characteristics, which is also clear to laypeople, Volume 10 offers an additional reference work for the identification of a highly diverse
group of archaeological artifacts.
Ulrike Weller, Landesmuseum Hannover with the collaboration of Veronika Fischer, Mario Bloier, Doris Lettmann and Christof Flügel
ARCHAEOLOGY FOR EXPERTS AND ENTHUSIASTS
Ronald Heynowski, Angelika Abegg-Wigg Arm- und Beinringe Erkennen. Bestimmen. Beschreiben.
2023. 416 Pages
439 illustrations, 56 color illustrations 17.0 × 24.0 cm
SC € 22.00 / $ 24.99 / £ 19.50
ISBN 978-3-422-80138-7
Ronald Heynowski Landesstelle für die nichtstaatlichen Museen in Bayern (Ed.) Gürtel Erkennen – Bestimmen – Beschreiben
2020. 260 Pages
297 illustrations, 63 color illustrations 17.0 × 24.0 cm
SC € 19.90 / $ 22.99 / £ 18.00
ISBN 978-3-422-98429-5
Ulrike Weller Landesstelle für die nichtstaatlichen Museen in Bayern (Ed.)
With contributions by: Ronald Heynowski Messer und Erntegeräte Erkennen. Bestimmen. Beschreiben.
2022. 200 Pages
131 illustrations, 16 color illustrations 17.0 × 24.0 cm
SC € 19.90 / $ 22.99 / £ 17.50
ISBN 978-3-422-98924-5
Ulrike Weller, Hartmut Kaiser, Ronald Heynowski Kosmetisches und medizinisches Gerät Erkennen – Bestimmen – Beschreiben
2016. 180 Pages
75 illustrations, 190 color illustrations 17.0 × 24.0 cm
SC € 19.90 / $ 22.99 / £ 18.00
ISBN 978-3-422-07345-6
La verrerie artistique de Saint-Prex Innovations artistiques et techniques
Sibylle Walther (eds.)
2025. 128 pages. 24.0 × 24.0 cm
201 color ills.
SC 978-3-68924-256-5 Fr
€ 49.00 / $ 53.99 / £ 45.00
Resist, Reclaim, Retrieve The Long History of the Struggle for the Restitution of Cultural Heritage and Ancestral Remains
Taken under Colonial Conditions
Larissa Förster, Jan Hüsgen, Sarah Fründt (eds.)
2024. 202 pages. 17.0 × 24.0 cm 22 color ills.
SC 978-3-11-099968-6 En
€ 49.00 / $ 53.99 / £ 45.00
E-Book 978-3-11-098924-3 En
€ 49.00 / $ 53.99 / £ 45.00
China and the West Reconsidering Chinese Reverse Glass Painting
Elisa Ambrosio, Francine Giese, Alina Martimyanova, Hans Bjarne Thomsen (eds.)
2022. 292 pages. 17.0 × 24.0 cm 152 color ills.
HC 978-3-11-071175-2 En
€ 49.95 / $ 57.99 / £ 45.50
E-Book 978-3-11-071177-6 En Open Access
The Belvedere: 300 Years a Venue for Art
Stella Rollig, Christian Huemer (eds.)
2023. 398 pages. 23.0 × 28.0 cm 268 color ills.
HC 978-3-11-118631-3 En
€ 49.00 / $ 56.99 / £ 44.50
E-Book 978-3-11-118651-1 En
€ 49.00 / $ 56.99 / £ 44.50
Bare Bodies – Thresholding Life
Mariella Greil (ed.)
2023. 208 pages. 16.5 × 24.0 cm 3 b/w ills., 43 color ills.
SC 978-3-11-134137-8 En
€ 42.00 / $ 46.99 / £ 38.50
E-Book 978-3-11-134144-6 En
€ 42.00 / $ 46.99 / £ 38.50
Ricarda Denzer – ganz ohr / all ears
Audio Trouble, Para-Listening, and Sounding Research
Ricarda Denzer, Christian Höller (eds.)
2023. 192 pages. 16.5 × 23.5 cm
61 b/w ills., 92 color ills.
SC 978-3-11-134216-0 En/Ger
€ 45.00 / $ 49.99 / £ 41.00
E-Book 978-3-11-134223-8 En/Ger
€ 45.00 / $ 49.99 / £ 41.00
Lumières nouvelles sur le sacré
Arts verriers du Groupe de Saint-Luc Camille Noverraz, Valérie Sauterel (eds.)
2024. 204 pages. 17.0 × 24.0 cm 143 color ills.
HC 978-3-68924-116-2 Fr
€ 59.00 / $ 64.99 / £ 54.00
E-Book 978-3-68924-000-4 Fr Open Access
The European Qur’ān Encounters with the Holy Text of Islam from the Ninth to the Twentieth Century Jan Loop, Naima Afif (eds.)
2024. 128 pages. 17.0 × 24.0 cm 43 color ills.
SC 978-3-68924-182-7 En
€ 29.00 / $ 31.99 / £ 26.50
E-Book 978-3-68924-025-7 En
€ 29.00 / $ 31.99 / £ 26.50
A General History of Chinese Art, vol. 1-6 Xifan Li (ed.)
2022. 2701 pages. 21.0 × 26.5 cm
185 b/w ills., 545 color ills.
HC 978-3-11-079063-4 En
€ 799.00 / $ 920.00 / £ 726.50
New Media in Art History Tensions, Exchanges, Situations Régine Bonnefoit, Melissa Rérat, Samuel Schellenberg (eds.)
2023. 144 pages. 14.8 × 21.0 cm 44 color ills.
HC 978-3-11-118592-7 En
€ 42.00 / $ 46.99 / £ 38.50
E-Book 978-3-11-118600-9 En
€ 42.00 / $ 46.99 / £ 38.50
The Octopus On Diversities, Art Production, Educational Models, and Curatorial Trajectories Başak Şenova (ed.)
2024. 256 pages. 18.0 × 26.0 cm 13 b/w ills., 330 color ills.
SC 978-3-11-136534-3 En
€ 42.00 / $ 46.99 / £ 38.50
E-Book 978-3-11-136554-1 En
€ 42.00 / $ 46.99 / £ 38.50
Ruth Schnell – WORKBOOK Mirrors of the Unseen Peter Weibel, Katharina Gsöllpointner (eds.)
2023. 360 pages. 21.0 × 27.0 cm
33 b/w ills., 354 color ills.
SC 978-3-11-124998-8 En
€ 45.00 / $ 49.99 / £ 41.00
E-Book 978-3-11-125010-6 En
€ 45.00 / $ 49.99 / £ 41.00
Marcel Duchamp Rrose Sélavy
Mocking Art Lars Blunck
2025. 240 pages. 24.0 × 17.0 cm 73 b/w ills.
SC 978-3-68924-248-0 En
€ 59.00 / $ 64.99 / £ 54.00
E-Book 978-3-68924-042-4 En
€ 59.00 / $ 64.99 / £ 54.00
It Hurts! Violence against Women in Art and Psychoanalysis
Elana Shapira, Daniela Finzi (eds.)
2025. 204 pages. 24.0 × 17.0 cm 60 color ills.
SC 978-3-11-133596-4 En/Ger
€ 72.00 / $ 79.99 / £ 65.50
E-Book 978-3-11-133607-7 En/Ger
€ 72.00 / $ 79.99 / £ 65.50
(Re)made in China Material (Dis)connections, Art, and Creative Reuse
Anna Grasskamp (ed.)
2025. 240 pages. 17.0 × 24.0 cm 55 color ills.
SC 978-3-11-133147-8 En
€ 52.00 / $ 57.99 / £ 47.50
E-Book 978-3-11-133152-2 En Open Access
A Show of Hands Crafting Concepts in Contemporary Art Ileana Parvu (ed.)
2024. 220 pages. 17.0 × 24.0 cm 9 b/w ills., 42 color ills.
SC 978-3-11-101836-2 En
€ 49.00 / $ 53.99 / £ 45.00
E-Book 978-3-11-101873-7 En Open Access
Relational Acts Performance Practices and Media of Documentation
Barbara Büscher, Franz Anton Cramer, Ulrike Hanstein (eds.)
2025. 360 pages. 17.0 × 24.0 cm 72 color ills.
SC 978-3-68924-277-0 En
€ 48.00 / $ 52.99 / £ 44.00
E-Book 978-3-68924-058-5 En
€ 48.00 / $ 52.99 / £ 44.00
Sigmund Freud’s Figural Psychoanalysis Michelangelo’s Moses and the Collection of Idols Horst Bredekamp
2025. 160 pages. 15.0 × 24.0 cm 13 b/w ills., 36 color ills.
SC 978-3-68924-244-2 En
€ 28.00 / $ 30.99 / £ 25.50
E-Book 978-3-68924-044-8 En
€ 28.00 / $ 30.99 / £ 25.50
Make – Get – Be Visible
A Queer_Feminist Perspective of Art and Design Christiane Kruse, Sven Christian Schuch, Ileana Pascalau, Mona Behfeld (eds.)
2025. 304 pages. 24.0 × 17.0 cm 112 color ills.
SC 978-3-68924-215-2 En/Ger
€ 59.00 / $ 64.99 / £ 54.00
E-Book 978-3-68924-036-3 En/Ger Open Access
Under Construction Kunst, Männlichkeiten und Queerness seit 1970 Änne Söll, Maike Wagner, Katharina Boje (eds.)
2024. 231 pages. 17.0 × 24.0 cm 43 b/w ills.
SC 978-3-11-099109-3 En/Ger
€ 59.00 / $ 64.99 / £ 54.00
E-Book 978-3-11-134732-5
En/Ger
€ 59.00 / $ 64.99 / £ 54.00
Exhibiting Abstraction Strategies in the Propagation of an Avant-garde 1908–1915 Christina Bartosch
An Anarchitectural Body of Work Suzanne Harris and the Downtown New York Artists’ Community in the 1970s Friederike Schäfer
2023. 384 pages. 17.0 × 24.0 cm 79 b/w ills., 56 color ills.
SC 978-3-11-073868-1 En
€ 69.00 / $ 75.99 / £ 63.00
E-Book 978-3-11-220648-5 En
978-3-11-170439-5 En
€ 69.00 / $ 75.99 / £ 63.00
Art of the 1980s As If the Digital Mattered Patrick Frank
2024. 160 pages. 17.0 × 24.0 cm 24 b/w ills., 9 color ills.
HC 978-3-11-138463-4 En € 89.00 / $ 97.99 / £ 81.00
E-Book 978-3-11-138469-6 En
€ 89.00 / $ 97.99 / £ 81.00
Katharina Günther
2022. 446 pages. 17.0 × 24.0 cm 107 b/w ills., 51 color ills.
HC 978-3-11-072062-4 En € 59.90 / $ 68.99 / £ 52.00
E-Book 978-3-11-075590-9 En Open Access Francis Bacon – In the Mirror of Photography Collecting, Preparatory Practice and Painting
E-Book 978-3-11-072064-8 En 978-3-11-072066-2 En € 59.90 / $ 68.99 / £ 52.00
Glass in Architecture from the Pre- to the Post-industrial Era Production, Use and Conservation Sophie Wolf, Laura Hindelang, Francine Giese, Anne Krauter (eds.)
2024. 335 pages. 17.0 × 24.0 cm 165 color ills.
HC 978-3-11-079340-6
En/Ger/Fr
€ 59.00 / $ 64.99 / £ 54.00
E-Book 978-3-11-079346-8
En/Ger/Fr Open Access
Les Français et la Renaissance Idées et représentations de l’architecture, 1760–1880 Antonio Brucculeri
2024. 408 pages. 17.0 × 24.0 cm 218 color ills.
HC 978-3-11-069956-2 Fr
€ 82.00 / $ 90.99 / £ 75.00
The Sculptural in the (Post-) Digital Age Mara-Johanna Kölmel, Ursula Ströbele (eds.), Buket Altinoba, Claudia Giannetti, Elizabeth Johnson, Mara-Johanna Kölmel, Verena Kuni, Michael Rottmann, Karin Sander, Jens Schröter, Sasha Sobrino, Ursula Ströbele, Alexandra Weigand 2023. 242 pages. 17.0 × 24.0 cm 68 b/w ills.
SC 978-3-11-077505-1 En
€ 59.95 / $ 68.99 / £ 54.50
E-Book 978-3-11-077514-3 En Open Access
’Arbeit Macht Frei’ Representations and Meanings in Art Batya Brutin
2024. 128 pages. 17.0 × 24.0 cm
E-Book 978-3-11-117582-9 En
/ £ 108.50
Boccaccio und die bildenden Künste Dialoge, Spiegelungen, Transformationen Sebastian Schütze, Maria Antonietta Terzoli (eds.)
2024. 328 pages. 17.0 × 24.0 cm 114 b/w ills., 20 color ills.
HC 978-3-11-139681-1 Ger/It
€ 69.00 / $ 75.99 / £ 63.00
E-Book 978-3-11-139692-7 Ger/It
€ 69.00 / $ 75.99 / £ 63.00
Wenn der Wind weht / When the Wind Blows Luft, Wind und Atem in der zeitgenössischen Kunst / Air, Wind, and Breath in Contemporary Art
L. Scheffknecht, E. Strouhal (eds.), V. Kaspar-Eisert, H. Kromp-Kolb, P. Blom
2022. 232 pages. 24.0 × 30.0 cm
65 b/w ills., 125 color ills.
SC 978-3-11-078520-3 En/Ger
€ 48.00 / $ 55.99 / £ 43.50
E-Book 978-3-11-078524-1 En/Ger
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Jari Genser – It Is about Time 10 Jahre – 16 Werke / 1 0 Years – 16 Works
Jari Genser
2023. 132 pages. 24.5 × 32.0 cm
35 b/w ills., 16 color ills.
HC 978-3-11-106650-9 En/Ger
€ 42.00 / $ 48.99 / £ 38.00
E-Book 978-3-11-106656-1 En/Ger
€ 42.00 / $ 48.99 / £ 38.00
Liddy Scheffknecht – Points in Time Arbeiten/Works 2010–2020
Ernst Strouhal (ed.)
2021. 248 pages. 22.0 × 28.0 cm
28 b/w ills., 306 color ills.
HC 978-3-11-076943-2 En/Ger
€ 39.95 / $ 45.99 / £ 36.50
E-Book 978-3-11-076956-2 En/Ger
€ 39.95 / $ 45.99 / £ 36.50
Toxic Temple An Artistic and Philosophical Adventure into the Toxicity of the Now
Anna Lerchbaumer, Kilian Jörg (eds.)
2022. 256 pages. 17.0 × 24.0 cm 112 color ills.
HC 978-3-11-076914-2 En
€ 39.95 / $ 45.99 / £ 36.50
E-Book 978-3-11-076924-1 En
€ 39.95 / $ 45.99 / £ 36.50
Oskar Kokoschka: Neue Einblicke und Perspektiven / New Insights and Perspectives Régine Bonnefoit, Bernadette Reinhold (eds.)
2021. 452 pages. 14.8 × 21.0 cm
20 b/w ills., 43 color ills.
SC 978-3-11-072420-2 En/Ger
€ 39.95 / $ 45.99 / £ 34.50
E-Book 978-3-11-072422-6 En/Ger
€ 39.95 / $ 45.99 / £ 34.50
Arts & Dementia Interdisciplinary Perspectives
Ruth Mateus-Berr, L. Vanessa Gruber (eds.)
2020. 400 pages. 17.0 × 24.2 cm
32 b/w ills., 182 color ills.
HC 978-3-11-072047-1 En
€ 49.95 / $ 57.99 / £ 43.50
E-Book 978-3-11-072055-6 En
€ 49.95 / $ 57.99 / £ 43.50
Friedl Dicker-Brandeis Works from the Collection of the University of Applied Arts Vienna Stefanie Kitzberger, Cosima Rainer, Linda Schädler (eds.)
2022. 352 pages. 16.5 × 24.0 cm
50 b/w ills., 120 color ills.
HC 978-3-11-078906-5 En
€ 49.95 / $ 57.99 / £ 45.50
E-Book 978-3-11-078913-3 En
€ 49.95 / $ 57.99 / £ 45.50
Barbara Holub –Stiller Aktivismus / Silent Activism
Başak Şenova (ed.)
2022. 312 pages. 22.0 × 28.0 cm
43 b/w ills., 278 color ills.
HC 978-3-11-079081-8 En/Ger
€ 49.95 / $ 57.99 / £ 45.50
E-Book 978-3-11-079082-5 En/Ger
€ 49.95 / $ 57.99 / £ 45.50
LINDA BERGER – PEACH-BLOW MONOGRAFIE/MONOGRAPH
Linda Berger, Maria Christine Holter (eds.)
2021. 224 pages. 21.9 × 25.8 cm 12 b/w ills., 78 color ills.
HC 978-3-11-074475-0 En/Ger
€ 39.95 / $ 45.99 / £ 34.50
E-Book 978-3-11-074703-4 En/Ger
€ 39.95 / $ 45.99 / £ 34.50
inframince infra-mince infra mince TransArts at the University of Applied Arts Vienna / TransArts an der Universität für angewandte Kunst Wien Stephan Hilge, Roman Pfeffer, Nita Tandon, Gudrun Ratzinger, Franz Thalmair (eds.)
2021. 304 pages. 16.3 × 21.6 cm 303 color ills.
HC 978-3-11-072418-9 En/Ger
€ 39.95 / $ 45.99 / £ 34.50
E-Book 978-3-11-072424-0 En/Ger
€ 39.95 / $ 45.99 / £ 34.50
Kabarett Fledermaus @ Bar du Bois Aktualisierung eines Experiments der Wiener Moderne / Update of an Experiment of Viennese Modernism Cosima Rainer (ed.)
COMPANY. Fotografien und Fragmente über das Arbeiten Photographs and Fragments on Working Beatrix Zobl, Wolfgang Schneider, Ruth Horak, Monika Mokre, Erzsébet Pilinger, Tasos Zembylas
2019. 296 pages. 21.0 × 24.5 cm
SC 978-3-11-065766-1 En/Ger
€ 39.95 / $ 45.99 / £ 34.50
Being in Contact: Encountering a Bare Body
Mariella Greil
2021. 368 pages. 16.5 × 24.0 cm
168 b/w ills., 365 color ills.
SC 978-3-11-073939-8 En
€ 39.95 / $ 45.99 / £ 34.50
E-Book 978-3-11-073598-7 En
€ 39.95 / $ 45.99 / £ 34.50
The Amden Atelier 1999–2015
Roman Kurzmeyer
2015. 256 pages. 15.5 × 24.0 cm
40 b/w ills., 122 color ills.
SC 978-3-11-044042-3 En
€ 34.95 / $ 49.00 / £ 30.50
Werk – Zyklus – Körper / Work – Cycle – Body Madeleine Frey (ed.)
color ills.
Judith P. Fischer – Linie Form Raum / Line Shape Space Theresia Hauenfels (ed.) 2022. 256 pages. 20.5 × 26.0 cm 123 b/w ills., 169 color ills.
Plastic Ocean: Art and Science Responses to Marine Pollution Ingeborg Reichle (ed.)
2021. 272 pages. 20.0 × 25.0 cm 164 color ills.
Remix Von Gerhard Richter bis Katharina Grosse / From Gerhard Richter to Katharina Grosse
2025. 208 pages. 24.0 × 30.0 cm 120 color ills.
HC 978-3-422-80324-4 En/Ger
€ 44.00 / $ 48.99 / £ 38.50
GLOBAL Nuremberg 1300–1600
Benno Baumbauer, Sven Jakstat, Marie-Therese Feist (eds.)
2025. 350 pages. 22.0 × 27.0 cm 280 color ills.
SC 978-3-422-80341-1 En
€ 48.00 / $ 52.99 / £ 42.00
Kirchner, Lehmbruck, Nolde Geschichten des Expressionismus in Mannheim Johan Holten, Luisa Heese (eds.)
„Liebe Mutti!“ Postcards from Theresienstadt 1943–1944 with artworks by Inbar Chotzen Haus der Wannsee-Konferenz Gedenk- und Bildungsstätte (ed.) 2025. 160 pages. 24.0 × 17.0 cm 100 color ills.
HC 978-3-422-80306-0 En € 36.00 / $ 39.99 / £ 31.50
Triumph and Trauma of Images A Journey into Art History, Iconoclasm, Cult Controversy and Remembrance Culture
Jacques Picard
2025. 428 pages. 17.0 × 24.0 cm 17 b/w ills., 93 color ills.
HC 978-3-422-80291-9 En
€ 54.00 / $ 59.99 / £ 47.00
E-Book 978-3-422-80292-6 En
Jugendstil im Quadrat Art Nouveau Squared Heike Maria Johenning 2025. 224 pages. 20.0 × 20.0 cm 193 color ills. HC 978-3-422-80331-2 En/Ger
One Life for Two The Autobiography of Irving and Marilyn Lavin
Marilyn Aronberg Lavin 2025. 448 pages. 17.0 × 24.0 cm 103 color ills.
Hans-Hendrik Grimmling Malerei von 1978 bis 2024 / Paintings from 1978 to 2024 Annegret Laabs (ed.), Christoph Tannert, Annegret Laabs 2025. 132 pages. 24.0 × 28.5 cm 50 color ills.
„Die wahre Kunst ist immer da, wo man sie nicht erwartet“ / “True art is where it is not expected” Dubuffet, Chaissac, Soutter, Gill, Held, Wölfli Brigitte Hausmann (ed.) 2023. 112 pages. 21.0 × 26.0 cm 40 color ills.
978-3-422-80177-6 En/Ger
32.00 / $ 35.99 / £ 28.00 This Is Me, This Is You. Die Eva Felten Fotosammlung/ The Eva Felten Photography Collection Monika Bayer-Wermuth (eds.) 2023. 304 pages. 23.0 × 32.0
220 color ills.
978-3-422-80116-5 En/Ger
54.00 / $ 59.99 / £ 47.00 Matisse, Derain, and their Friends The Parisian Avant-Garde 1904–1908 Arthur Fink, Claudine Grammont, Josef Helfenstein (eds.) 2023. 352 pages. 21.5 × 28.5 cm 200 color ills. HC 978-3-422-80119-6 En
Xanti Schawinsky Vom Bauhaus in die Welt. From the Bauhaus into the World Torsten Blume, Annegret Laabs
2021. 160 pages. 23.5 × 28.0 cm
149 color ills.
HC 978-3-422-07470-5 En/Ger
€ 29.90 / $ 34.99 / £ 26.00
Der Sammler Curt Glaser / The Collector Curt Glaser Vom Verfechter der Moderne zum Verfolgten / From Champion of Modernism to Refugee Anita Haldemann, Judith Rauser (eds.)
2022. 288 pages. 22.0 × 28.0 cm 360 color ills.
SC 978-3-422-98879-8 En/Ger
€ 48.00 / $ 55.99 / £ 41.50
E-Book 978-3-422-80004-5 En/Ger
€ 48.00 / $ 55.99 / £ 41.50
Piranesi und sein Museum / Piranesi and his Museum
Die Restaurierung der Antike und die Entstehung des Style Empire in einer sich globalisierenden Welt / The restoration of antiquity and the genesis of the empire style in a globalizing world Caroline van Eck
2019. 144 pages. 12.5 × 21.0 cm 25 color ills.
SC 978-3-422-90000-4 En/Ger
€ 14.90 / $ 17.99 / £ 13.00
Age of Electricity Pioneering Achievements in Electrical Engineering
2014. 272 pages. 23.0 × 30.0 cm
HC 978-3-422-07254-1 En € 29.80 / $ 34.99 / £ 26.00
The Düsseldorf Art Academy Making History since 1945
2015. 480 pages. 24.0 × 30.0 cm 200 b/w ills., 200 color ills.
HC 978-3-422-07311-1 En
€ 44.90 / $ 51.99 / £ 39.00
The Solly Collection 1821–2021 Founding the Berlin Gemäldegalerie Neville Rowley
2021. 136 pages. 22.0 × 28.0 cm 65 color ills.
SC 978-3-422-98664-0 En
€ 36.00 / $ 41.99 / £ 31.50
Red Glow
Yugoslav Partisan Photography and Social Movement, 1941–1945 Davor Konjikušić
2021. 423 pages. 19.5 × 26.0 cm
570 b/w ills., 8 color ills.
HC 978-3-422-98640-4 En
€ 48.00 / $ 55.99 / £ 41.50
E-Book 978-3-422-98648-0 En Open Access
Becoming CoBrA Anfänge einer europäischen Kunstbewegung / Beginnings of a European Art Movement Christina Bergemann, Inge Herold, Johan Holten (eds.)
2022. 240 pages. 22.5 × 27.0 cm 200 color ills.
HC 978-3-422-99091-3 En/Ger
€ 42.00 / $ 48.99 / £ 36.50
India Tecton
Gebautes Indien / Architectural Expressions in India Kunststiftung K52 (ed.), Nicolaus Schmidt
2022. 256 pages. 30.0 × 24.0 cm 186 color ills.
HC 978-3-422-98762-3 En/Ger
€ 20.00 / $ 22.99 / £ 17.50
70 Years of Art in Architecture in Germany Ute Chibidziura, Constanze von Marlin
2021. 316 pages. 23.0 × 29.7 cm 200 color ills.
HC 978-3-422-98623-7 En € 45.00 / $ 51.99 / £ 39.00
Mission Rimini Material, Geschichte, Restaurierung. Der Rimini-Altar / Material, History, Conservation. The Rimini Altarpiece
Stefan Roller, Harald Theiss (eds.)
2021. 420 pages. 24.0 × 30.0 cm 315 color ills.
HC 978-3-422-98679-4 En/Ger
€ 54.00 / $ 62.99 / £ 47.00
Future Bodies from a Recent Past Sculpture, Technology, and the Body since the 1950s
Patrizia Dander (ed.), 2022. 240 pages. 22.0 × 29.0 cm 201 color ills.
HC 978-3-422-99024-1 En € 49.00 / $
/
/ $ 32.99 / £ 24.50
KOSCHIES - SURFACES Birgit Koschies, Axel Koschies (eds.), Sigrid Weigel, Klaus Honnef, Christoph Tannert
10 below left Hugo Erfurth, portrait Georg Lührig, 1911, oil pigment print, 37.1 × 28.6 cm, private collection; below right Georg Lührig, Rumänischer Park, 1900, oil on canvas, 112 × 182 cm, private collection
11 above Georg Lührig, Alter und Jugend, replica, 1924, oil on canvas, 140 × 145 cm, original from 1898 owned by the Staatliche Kunstsammlungen Dresden; below Georg Lührig, Pelikan, oil on canvas, 1900/01, 119 × 108 cm, Staatliche Kunstsammlungen Dresden
14 Gabriele Münter, Sousse – Zaouia of Sidi Bou Jaafar, entrance portal. Gabriele Münterund Johannes Eichner-Stiftung, 2696
15 above Wassily Kandinsky, Kairouan – Gathering in a Zaouia madrasa, pencil, 16.5 × 11.3 cm, Städtische Galerie im Lenbachhaus und Kunstbau München, GMS 324, sketchbook 18, p. 11; below Gabriele Münter, Tunis – Marabout of Sidi Messaoud with buildings, gouache, watercolor, black ink pen, pencil, 13.2 × 23.8 cm. Gabriele Münterund Johannes Eichner-Stiftung, Kon. 34/1
16 Claude Monet, Claude Monet, Grainstacks, Sun in the Mist, 1891, oil on canvas. Minneapolis Institute of Arts. Gift of Ruth and Bruce Dayton, The Putnam Dana McMillan Fund, The John R. Van Derlip Fund, The William Hood Dunwoody Fund, The Ethel Morrison Van Derlip Fund, Alfred and Ingrid Lenz Harrison, and Mary Joann and James R. Jundt. Public domain
17 above Willem van Haecht, The Art Cabinet of Cornelis van der Geest, 1628, oil on wood. Antwerpen, Rubenhuis. Public domain; below left Torso of Aphrodite, Medici type, early 2nd century AD, after an original from the early 3rd century BC, Parian marble, Sculpture Collection. Dresden State Art Collections. Photo: Elke Estel/Hans-Peter Klut; below right, Galleria dei Lavori; Baccio Cappelli, Girolamo Ticciati, Badminton Cabinet, 1720–32, Commessi di Pietre dure, ebony and gilded bronze. LIECHTENSTEIN. The Princely Collections, Vaduz–Vienna
24 left to right Fritz Janeba-House in Warrandyte, Victoria, Australia, 1948 Cover Australian Home Beautiful, Dec. 1949. RMIT Design Archives; Paul Kirnig, Österreich, poster, 1936. KUA Angewandte, 17283-2-Pl; Photo of the class General Department, 1932-33 with Fini Vogelbaum (later Rudiger-Littlejohn), László Matulay a.o. Estate Matulay
25 left to right Opening Up the Choreographic. Performance: Mariella Greil. Con-
cept & performance: Daniel Aschwanden, Mariella Greil, Charlotta Ruth. Photo by Mani Froh (2020); right Video still drowning in the depths by Victor Jaschke (2025). Performance: Luisa Pisetta Ravanelli, Mariella Greil. Concept: Mariella Greil
33 links Graz, Eggenberg Castle, Hall by candlelight. Photo: Matteo Burioni; right Garching, Supercomputing Centre, CAVE, Model of the Imperial Hall in Arnstorf Castle. Photo: Matteo Burioni
41 left The Savior Not Made By Hand, detail from the shrine for the holy relics of Prince Mikhail of Chernigov (1688), Tempera on wood, Archangel Cathedral, Kremlin, Moscow. Archive of the Author; right Kazimir Malevich, Torso in a Yellow Shirt (Complicated Premonition), 1932, Oil on canvas, 99 × 79 cm, Russian Museum, Saint Petersburg. Archive of the Author
43 left Portrait photography of Marie-Anne von Friedländer-Fuld with Pearl Necklace (later Baroness von Goldschmidt-Rothschild), n.d. Family archives; reproduced courtesy of Robert Miness; right Performance of the play “Der Bücherwurm” at the Friedländer-Fuld palais: from left Hans Wassmann, Marie-Anne, Curt Bois, Elisabeth Grube. Family archives; reproduced courtesy of Robert Miness
46 left Paul van Ostaijen, Het Sienjaal (The Signal, 1918), with a Futurist cover design by Floris Jespers); right Filippo Tommaso Marinetti: Irredentismo (1914). Ink, pastel, collage on paper. Lugano, private collection
53 left Second phase of a tournament outside the lists, in Chronique d’Enguerrand de Monstrelet, vol. 2, Genoa, around 1510, pen, gouache, and gold on paper; right Jousting with rings at the Château de Montagny in 1519, gouache on paper, Tournaments of Chambly and Bailleul, c. 1525–1545, Paris, BnF, Ms. fr. 1436, fol. 131v
54 left above Romeyn de Hooghe, The victory at the Battle of Makassar, colored engraving, 1670, 508 × 541 mm. Rijksmuseum, Amsterdam; left below Petrus Plancius, Moluccas, engraving, 1592; right attributed to Jasper Becx, Don Miguel de Castro,
1643, oil on canvas, 72 × 62 cm. Statens Museum for Konst, Kopenhagen
56 below Tankard with enamels and mythological scenes, southern Germany, Augsburg, around 1674, Herzog Anton Ulrich Museum, Braunschweig. Photo: Claus Cordes; bottom left Personification of summer by Balthasar Permoser, Dresden 1695, Herzog Anton Ulrich Museum, Braunschweig. Photo: Claus Cordes; below right Head of an old person (cane knob?), Northern Germany, around 1730, Herzog Anton Ulrich Museum, Braunschweig. Photo: Kathrin Ulrich
57 above Bacchic scene, Ignaz Elhafen (monogr.), around 1700, Herzog Anton Ulrich Museum, Braunschweig. Photo: Kathrin Ulrich; below Box with enamels, southern Germany, Augsburg, last third of the 17th century, Herzog Anton Ulrich Museum, Braunschweig. Photo: Michael Lindner
59 left Crossing the Jordan (above) and sending out the explorers (below), c. 432440, mosaic, Rome, Santa Maria Maggiore, northern nave. From: Wilpert, Joseph: Die römischen Mosaiken der kirchlichen Bauten vom IV.–XIII. Jahrhundert, Vol. 3. Freiburg/ Br. 1916, p. 23; Shadow Metaphor (Purg. III), c. 1335–1345, Florence. In: Dante Alighieri, Commedia, Biblioteca Medicea Laurenziana, Florenz, MS Strozz. 152, fol. 32v (detail). Biblioteca Medicea Laurenziana, Florence. Su concessione del MiC
60 Sirach, Alle Weißheit ist bey Gott, Zurich Central Library, EDR 2.1654.001, https://doi.org/10.3931/e-rara-142829
61 left to right The Last Judgment (Layer 3), Deir Mar Musa al-Habashi, Nebek, Syria, 1208/9. Photograph Mat Immerzeel; Symeon the Stylite’s final column within his cruciform church, Qal’at Sim’ān, Syria, 5th-6th c. Photograph Dina Boero; The Petros Kayrak, gravestone, Usharal-Ilibalyk, Kazakhstan, 1260-1308. Denis Sorokin, Archaeological Expertise LLP.
64 left to right Project for the parish church in Marienbad, facade, ca. 1843, Libussa X, 1851; Exhibition pavilion, SVU Mánes Praha, 1902, Otakar Novotný, Jan Kotěra a jeho doba, Praha 1958; Karl a Julius Mayreder: Competition for the spa colonnades in Karlovy Vary, 1906, aus: Der Architekt XIII, 1907
65 left Museo Centrale Montemartini, Sala Macchine, Statue of Diana in front of a diesel engine, photo 2017. Photo: Bibliotheca Hertziana – Max-Planck-Institut für Kunstgeschichte, Rome (Enrico Fontolan); right Museo d’Arte Contemporanea di Roma
(MACRO), view from the metal walkway on the 1st upper floor: foyer and auditorium with Bros’s installation „Andrea” (2012) at the glass roof, photo 2018. Photo: Bibliotheca Hertziana – Max-Planck-Institut für Kunstgeschichte, Rome (Enrico Fontolan)
66 below left Eduard Weber und Wilhelm Weber, Die Mechanik der menschlichen Gehwerkzeuge, Göttingen 1836, Tafel XV; Abb. 19; below right Stuart Durant, Ferdinand Dutert. Palais des Machines. Paris 1889, in: Lost Masterpieces, London 1999, Nr. 53
67 left Ficticious map, in: George Wightwick, The Palace of Architecture. A Romance of Art and History, London 1840, p. 4, Technische Informationsbibliothek Hannover (TIB), inv. f 2733; right Carl Georg Adolph Hasenpflug, A Medieval Town, c. 1830, oil on canvas, 91.8 × 122 cm, Hamburger Kunsthalle, inv. nr. HK-2702 / bpk. Photo: Elke Walford
68 left to right Socketed spearhead, Dorfmerkingen type – Weeze, Kleve district, length 30 cm, LVR-LandesMuseum Bonn, inv. nr. 2017.681,1-1; Socketed spearhead, Kirke Såby type – Schellhorn-Scharstorf, Plön district, length 25 cm, Schleswig, Museum für Archäologie Schloss Gottorf, Landesmuseen Schleswig-Holstein, inv. nr. SH1902-4.4 (KS 11145i); Winged arrowhead – Moisburg, Harburg district, length 2.7 cm, Archäologisches Museum Hamburg, without inv. nr.
