260605 MW6 Mahler 5 & Charles Yang

concerts and events

April

Opera Star John Holiday

April 25

Young People’s Concert: The Orchestra Swings

April 29

May At the Still Point

May 1 & 2

Dayton Philharmonic Youth Orchestra Spring Concert

May 3

Gershwin’s Porgy and Bess In Concert

May 15 & 16

Memorial Day Celebration Concert

May 24

Dayton Ballet School Concert: Enchanted Tales

May 30

June

Mahler 5 & Violinist Charles Yang

June 5 & 6

Jazz Trumpeter Byron Stripling

June 21

Dear Friends FROM THE LEADERSHIP

As we enter the final months of our 2025–2026 Season, we find ourselves in a moment of both reflection and anticipation. With many more upcoming performances, there is so much left to experience— performances that celebrate the power of live music, movement, and storytelling at their very best!

This season also marks a couple of meaningful transitions. We are nearing the conclusion of Keitaro Harada’s first season as Music & Artistic Director of the Dayton Philharmonic Orchestra, a season that has been filled with fresh perspectives, curiosity, and renewed momentum on our stages. We also honor Kathleen Clawson’s final season as Artistic Director of the Dayton Opera, lauding her extraordinary leadership and the lasting impact she has made on our organization. Her influence will continue to resonate in future seasons on our stages and in the community we’ve built together.

As we look ahead, we remain committed to bold collaboration— uniting artists, audiences, and ideas in ways that reflect the vibrancy of our community. Thank you for being part of this season, and for joining us as we continue to imagine what comes next.

Patrick J. Nugent President and CEO

Joseph Zehenny DPAA Board Chair

this sceneyouris

Is this your first time at a DPAA event? If so, welcome! To ensure your visit is meaningful and enjoyable, we offer the following resources.

Box Office

The Dayton Performing Arts Alliance proudly partners with Dayton Live for its box office services. Contact the box office at (937) 228-3630 or visit the office in the Schuster Wintergarden.

Restrooms / Family Restrooms

Restrooms are available on each level of the Schuster Center and Victoria Theatre. An adult changing table is located in the family restroom on the Loge level.

Accessibility

DPAA is committed to providing access to the arts. If you have any specific needs or questions, please contact the box office.

Audio description is available upon request for patrons who have vision loss. Describers provide a live, objective, descriptive delivery of the visual elements of a performance in between the dialogue and/or music via a small receiver. Requests must be received two weeks prior to an event and are subject to the availability of the Describer. Arrange by calling the box office.

Assistive listening devices are available for all performances. Borrow a device from the kiosk in the lobby or from a house manager.

Sign language interpretation is also available upon request for performances at the Schuster Center and Victoria Theatre. Requests for sign language interpretation must be received two weeks prior to the event and are subject to the availability. Call the box office to make a request.

Military Appreciation and Discount Programs

In addition to our standard military discount, DPAA offers a Military Appreciation Program for active-duty military members, retired veterans with ID cards, and WPAFB government civilian employees in the region. Each household may receive four free tickets annually. Contact the box office to redeem.

Local Dining

Make it a night on the town! We recommend the following options: Bistecca, Blind Bob’s, Grist, Joui, Lily’s, Lucho, Meadowlark Restaurant, Mudlick Tap House, Salar Restaurant and Lounge, Sueño, Table 33, and Wheat Penny Oven & Bar.

Group Sales

Groups of 10 or more can save up to 30% on tickets! Contact Engagement & Patron Services Manager, Kate LaFollette, at (937) 535-5443.

Age Recommendation

Our events are recommended for age 6 and up.

Lost and Found / Security

If you lose an item at a performance or need assistance from the security team, call (937) 6377366. For the safety of those in the audience, behind the scenes, and on stage, everyone entering the performance space is required to pass through metal detectors.

Questions?

For additional ticket questions or information, contact our Engagement & Patron Services Manager, Kate LaFollette at (937) 535-5443.

Keitaro Harada’s Inaugural Season

The Dayton Performing Arts Alliance would like to acknowledge Trustee Barbara N. O’Hara for her generosity and vision.

Barbara was the catalyst for bringing Maestro Keitaro Harada to the Dayton Community. We wish to thank her and the following donors for their generosity:

Barbara N. O’Hara

Peter & Patricia Torvik

Tim & Mary Riordan

Grismer Tire Company

Barbara & Leib Lurie

Dr. Michael & Christine Manchester

Dr. Thomas G. Olsen & Mary Boosalis

Paul & Susanne Weaver

Kathleen & Joseph Zehenny

Nirmala Abraham & Scotty Blackburn

The Mary H. Kittredge Fund of The Dayton Foundation

Artistic Directors

Kathleen Clawson,

Artistic Director, Opera; Dr. Ron Anderson and Robb Sloan-Anderson Chair

Kathleen Clawson is a distinguished director, performer, and educator whose career has been defined by her deep commitment to opera. Clawson’s extensive directing work includes over 20 productions for the Dayton Opera and a long-standing association with The Santa Fe Opera, where her credits include staging two world premieres, and staging the Apprentice Scenes for over two decades.

Clawson first came to Dayton as a soloist with the Dayton Philharmonic. Now a retired mezzo-soprano, she performed with opera companies and orchestras throughout the country, and performed in musical theatre, including the “Mother Abbess” in an international tour of The Sound of Music.

A passionate advocate for arts education, she served as the Associate Director of The Santa Fe Opera’s Apprentice Singer Program for ten years and mentors the Dayton Opera Artists in Residence.

Keitaro Harada

Music and Artistic Director, Philharmonic; Sponsored by Barbara N. O’Hara

Armed with intensity and depth, Keitaro Harada consistently provides riveting concerts and opera performances in Asia, the Americas, and Europe. As Music and Artistic Director of the Savannah Philharmonic since 2020, Harada has transformed the orchestra and energized its audiences throughout the community with his imaginative programs and charismatic presence.

In 2024, Harada was named Permanent Conductor of the Tokyo Symphony Orchestra, Principal Guest Conductor and Artistic Partner for the Aichi Chamber Orchestra, and he begins a five-year tenure as Music and Artistic Director of the Dayton Philharmonic in the 2025–26 season. He has forged a close connection with the NHK Symphony Orchestra with whom he appears frequently and has recorded three albums. Harada is a recipient of the 2023 Sir Georg Solti Conducting Award.

Brandon Ragland

Artistic Director, Ballet; Sponsored by Dr. Troy Tyner and Dr. Ingrid Brown

Brandon Ragland has more than a decade of professional experience as a dancer, choreographer, and educator. He trained in Birmingham, AL, and has a bachelor’s degree in Dance-Arts Administration from Butler University. After graduation, Ragland danced with Alabama Ballet, followed by Louisville Ballet in 2010, spending 13 years as a leading artist. A respected choreographer, Ragland choreographed works for Louisville Ballet, Alabama Ballet, Ballet Arkansas, AROVA Contemporary Ballet, Next Generation Ballet, Sedona Chamber Ballet, and The Perla Ballet. In 2017, Ragland was honored to perform with the Black Iris Project at the Kennedy Center in Washington, D.C., as part of the Kennedy Center’s Dance Across America Program. He has received numerous awards, including “Best Artist” in Louisville Magazine and The Lift a Life Foundation’s “Emerging Leader in the Arts Award” from The Fund for the Arts.

Dayton Ballet Company Dancers

Dayton Opera Artists In Residence

Dayton Ballet Studio Company

Mahler 5 & Charles Yang

June 5 & 6, 2026 • Schuster Center

ARTISTS

Charles Yang, violin

Keitaro Harada, conductor

Dayton Philharmonic Orchestra

PROGRAM

Kris Bowers For A Younger Self

1. Moderato ma non troppo

2. Larghetto (Gently)

3. Presto (With Ease and Confidence)

Charles Yang, violin

- INTERMISSION -

Gustav Mahler

Symphony No. 5

Part I

1. Trauermarsch (Funeral March)

2. Stürmisch bewegt. Mit grösster Vehemenz (Stormily agitated. With utmost vehemence)

Part II

3. Scherzo: Kräftig, nicht zu schnell (Strong, not too fast)

Part III

4. Adagietto: Sehr langsam (Very slowly)

5. Rondo-Finale

Masterworks support provided by Steve & Lou Mason

Masterworks Media Sponsorship provided by Discover Classical 88.1 WDPR/ 89.1 WUSO/89.9 WDPG

The Dayton Philharmonic Orchestra has recently acquired and is using The Peters New Critical Edition of Mahler’s Symphony No. 5, thanks to a donation from R. Alan Kimbrough.

About the Artist

Charles Yang Violin

Grammy Award-winning violinist

Charles Yang is the recipient of the 2018 Leonard Bernstein Award and has been described by the Boston Globe as a musician who “plays classical violin with the charisma of a rock star.” He has appeared at the festivals of Aspen, Ravinia, Caramoor, and Interlochen, and performed at Carnegie Hall, Lincoln Center, Metropolitan Museum of Art, Royal Danish Theatre, Walt Disney Concert Hall, Konzerthaus Berlin, and Beijing’s Forbidden City.

A compelling vocalist, crossover artist, and improviser, he is a member of Time for Three, an eclectic string trio that locates itself at the busy intersection of Americana, modern pop, and classical music. In 2023, the group received a Grammy Award in the category of “Best Classical Instrumental Solo” for its recording of Letters for the Future, featuring the music of Kevin Puts and Jennifer Higdon with the Philadelphia Orchestra and conductor Xian Zhang.

Yang—an adventurous composer, arranger, songwriter, and collaborator— co-wrote the original score to Land, a 2021 film directed by Robin Wright. He has also collaborated onstage with artists such as Steve Miller, Savion Glover, Jon Batiste, Gaby Moreno, Joshua Bell, Michael Thurber, Peter Dugan, and Misty Copeland. In 2019, he premiered Kris Bowers’s concerto For a Younger Self at Walt Disney Hall.

A Juilliard graduate, he began his violin studies with his mother, Sha Zhu, in Austin, Texas. Yang performs on the 1852 “ex-Soil” J.B. Vuillaume.

About the Concert

For A Younger Self

Kris Bowers (b. 1989)

From Kris Bowers, composer

When I was first commissioned to write this Violin Concerto, I began speaking with Charles Yang about different ideas to explore. Both of us having moved to New York as teenagers to attend Juilliard, we reminisced about the feeling we had adjusting to a new and incredibly overwhelming environment, and how tough it can be as a young person to overcome fear, stress, self-doubt, etc. At the same time, I couldn’t help but feel a similar sense of excitement and being overwhelmed as I embarked on this commission. Growing up in Los Angeles, as a kid, having a concert work of mine performed on the Walt Disney Concert Hall stage seemed like something I could only dream about.

This space and this part of downtown L.A. has been an integral part of my young life. I started piano and theory lessons just across the street at the Colburn School the day they opened at that downtown location in 1998. I competed in the Spotlight Awards at the Dorothy Chandler Pavilion (as well as had my high school graduation there), and I performed here at Walt Disney Concert Hall with my high school jazz band. Being in these halls and on these stages made me incredibly excited about the possibilities for my future and my own potential as a musician. It helped me envision myself with a career doing this.

That being said, I was rarely in the audience for concerts in these spaces, and when I look back on my relationship with classical music, I always wish I had appreciated it more. On some level, I felt like I didn’t belong, and although I studied classical piano alongside jazz until graduating high school, it seemed like classical music just wasn’t “for me.” As a young black boy, I didn’t see myself in the audience members, the classical composers that were presented, or even in the other students I was in school with. Not seeing myself in these spaces helped me create an internal narrative that I didn’t belong.

COMPOSED 2019–2020

PREMIERE

February 8, 2020; Los Angeles, California

LAST DPO

PERFORMANCE

DPO Premiere

APPROXIMATE DURATION

26 minutes

For A Younger Self, continued

Kris Bowers (b.

1989)

Film music began to change that for me. It wasn’t until I developed a deep love and appreciation for the film scores of composers like John Williams, Danny Elfman, Quincy Jones, John Powell, Howard Shore, and Jerry Goldsmith that I began listening back to classical and orchestral music, and really seeing/hearing where they were coming from. All of a sudden, the music of Ravel, Prokofiev, Beethoven, Brahms, Steve Reich, and others came alive for me, and although this field wasn’t much more diverse, it was a profound inspiration to see how these composers combined their personal musical styles with their classical training. Not to mention that at times, great storytelling can transcend race and gender, and I still found inspiration in the heroes of the films I watched as a kid.

This being my first concert work for orchestra, the shape and sound of the piece began to unravel throughout the composition process. Having learned so much about storytelling as a film composer, I wanted to see if I could convey a narrative through the shape and pacing of this piece. Using Charles and his violin as the protagonist, I wondered if there was a way for me to follow the format of “The Hero’s Journey” while at the same time adhering to the rules and traditions of the violin concerto.

When we meet our hero at the beginning of the piece, he is somewhat melancholic and timid, and pretty soon we feel he is almost being pushed around by the orchestra. The orchestra represents life in this way, and can be both the bully and the mentor. So we go back and forth between these moments of chaos and anxiety, to these gentler sections that represent the pining for tranquility, nostalgia, love, etc.

The second movement is a moment for our protagonist to finally have that moment of peace and reflection. It’s in this movement that we hit our “Mid-Point,” and our hero finally takes control of the narrative. He is now driving the orchestra, flowing through with much more ease and acting from a place of love rather than fear.

Lastly, we reach the climactic final movement in which the hero and what he’s learned is put to the test, and the ease in which he exhibits his self-confidence and assuredness amidst the chaos is on full display.

On some level, writing this piece became a way to send a message to the younger version of myself, in terms of finding a way to maintain balance and inner peace in this chaotic and troubling world, and also as a way to encourage and celebrate my curiosity and love for so many types of music. I am so thankful to the American Youth Symphony and the LA Phil for this opportunity, which has helped me rewrite my own narrative that someone like me doesn’t belong in this space; performances like this can continue inspiring other young composers that have ever felt like they don’t belong.

Symphony No. 5

Gustav Mahler (1860–1911)

From Chad Arnow, Trombone / Bass Trombone

Gustav Mahler’s Symphony No. 5 stands as a prime example of a late Romantic era symphonic masterpiece. Though it was written in the early part of the 20th century, it has all the hallmarks of late 19th romanticism: moments of deep darkness, optimism, extreme tenderness and beauty, quiet calmness, and intense storms. Over its five movements, the listener hears a funeral march, a “vehement storm,” a scherzo that alternates between light and dark, a sublime Adagietto, and a rousing, hopeful finale. As with other composers from this era, Mahler shifts moods often and without warning.

As with other Mahler symphonies, the Fifth is a mental and physical workout for the entire orchestra. Unlike the succinct Italian instructions in most classical music, Mahler gives lengthy, specific instructions in German. Phrases like “Allmählich (aber unmerklich) etwas ruhiger” (“gradually [but imperceptibly] somewhat quieter/calmer) and “Stürmisch bewegt. Mit grösster Vehemenz” (“Stormily agitated. With utmost vehemence”) abound throughout the music. Though unusual, they give the musicians a detailed insight into Mahler’s mindset.

Like many late Romantic composers, Mahler’s use of the brass is more extensive and varied than what is seen in earlier eras. Important, defining melodies are in the brass parts, from the opening funeral march in the trumpet to the obligato horn solo in the Scherzo. As a brass player, Mahler symphonies are some of the most challenging and rewarding pieces to perform.

Listeners can sit back, close their eyes, and enjoy the wild ride or they can watch my amazing colleagues work their Schwänze (tails) off as we perform one of the greatest symphonic works ever written.

COMPOSED 1901–1902

PREMIERE

October 18, 1904; Cologne, Germany

LAST DPO PERFORMANCE

February, 2017; Neal Gittleman, conductor APPROXIMATE

DURATION

70 minutes

Meet our Musicians

CHAD ARNOW

Chad Arnow plays trombone / bass trombone and has been with the DPO for 26 years. Learn more about him by scanning the code below.

Celebrating Milestone Anniversaries with the DPO

We proudly recognize these musicians for their years of artistry, dedication, and service to our orchestra and community.

Retiring DPO Musicians

With gratitude and admiration, we honor these musicians as they take their final bow and celebrate their lasting contributions to our artistic legacy.

* Charles Pagnard retires as Principal Trumpet, but continues with the DPO as 2nd Trumpet

2025–2026 Season!

Jazz Trumpeter Byron Stripling

June 20 at 7:30pm • Schuster Center

Byron Stripling, Conductor and Soloist

Dayton Philharmonic Orchestra

FEATURING

“Maple Leaf Rag” • “What a Wonderful World” • “This Little Light of Mine” “When the Saints Go Marching In” • And more!

Trumpet virtuoso Byron Stripling leads the way in an electrifying evening of jazz classics. With his signature blend of brilliance and showmanship, he breathes new life into beloved standards, delivering a performance packed with energy, soul, and irresistible swing.

Dayton Philharmonic Orchestra Musicians

PERCUSSION

to come

to come

to come

TROMBONE

Pianist Garrick Ohlsson performs with the Dayton Philharmonic Orchestra on opening night of the 2025–2026 Masterworks Series

Dayton Philharmonic Orchestra Endowed Chairs

* Denotes leave of absence

1 J. Ralph Corbett Chair

2 Huffy Foundation Chair

3 Sherman Standard Register Foundation Chair

4 Jesse Philips Chair

5 F. Dean Schnacke Chair

6 Grace Counts Finch Chair

7 Edward L. Kohnle Chair in Memory of Andra Lunde Padrichelli, Principal Cellist 2003–2018

8 Gilbert and Patricia Templeton Chair

9 Paul and Susanne Weaver Chair

10 Dayton Philharmonic Volunteer Association/C. David Horine Memorial Chair

11 Dayton Philharmonic Volunteer Association Chair

12 Catharine French Bieser Chair

13 Rhea Beerman Peal Chair

14 Robert and Elaine Stein Chair

15 Frank M. Tait Memorial Chair

16 John W. Berry Family Chair

17 John Reger Memorial Chair

18 Bill and Wanda Lukens Chair

19 Zachary, Rachel and Natalie Denka Chair

20 Rosenthal Family Chair in Memory of Miriam Rosenthal, In Honor of Donald Donnett, Principal Timpani 1966–2023

21 Miriam Rosenthal Chair

22 Richard A. and Mary T. Whitney Chair

23 Daisy Talbott Green Chair

24 Demirjian Family Chair

Our Members Make the Magic!

Special thanks to all our DPAA Members who keep the classical arts thriving in Dayton with their annual donation.

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Blackburn

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OVATION! ($2,500+)

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Musicians of the DPO & staff of DPAA, in memory of C.

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* Fellow is no longer a membership level we offer. Please visit our website for more details about membership

Meet the Artists of DPAA

Go behind the scenes with the artists whose passion drives every performance.

Zulfiya (Zulya) Bashirova Concertmaster, Dayton Philharmonic Orchestra

I grew up in Tashkent, Uzbekistan, where my love for music began the day my father brought me my first violin at the age of six. The moment I held it, I knew that the violin would become my lifelong path. I began my musical training at the V. A. Uspensky Republican Specialized Music School in Tashkent. I went on to earn my Bachelor’s degree from the State Conservatory of Uzbekistan, followed by a Master of Music degree from the Lynn Conservatory of Music and a Specialist in Music degree from the University of Michigan. Throughout my education, I had the privilege of studying with extraordinary musicians and renowned

violinists, including Elmar Oliveira and David Halen. DPAA drew me in with its unique structure as an organization that brings together all three genres I have always dreamed of working with. Being part of a symphony and performing great masterpieces in the Masterworks series is deeply fulfilling for me as a musician. I have always admired opera—its power, its emotional depth, and the beauty of the human voice. Ballet has also been one of my passions, and having the opportunity to perform with Dayton Ballet truly feels like a dream come true. I am eager to work with Maestro Harada in his inaugural season as Music Director and to be part of this new chapter for the organization.

Corporate and Foundation Partners

We thank our corporate and foundation partners for supporting DPAA’s mission, programs, and artists.

IMPRESARIO

AES Ohio Foundation

Virginia W. Kettering Foundation

Jesse and Caryl Philips Foundation

Miriam Rosenthal Foundation for the Arts

Schiewetz Foundation

Harry A. Toulmin, Jr. and Virginia B. Toulmin Fund of The Dayton Foundation

MAESTRO

The Charles D. Berry Foundation

The Berry Family Foundation

VIRTUOSO

Dayton Freight

Bill and Jackie Lockwood Fund to Support Opera

LEGATO

Dayton Aerospace

Dayton Daily News/Cox First Media

Kettering Health

The Mary H. Kittredge Fund of The Dayton Foundation

Marriott University of Dayton

The Shubert Foundation

The Troy Foundation

The Nick and Edna Weller Charities, Inc.

CONCERTO

Bob Ross Auto Group

Cox Media Group/WHIO

Discover Classical 88.1 WDPR/89.1 WUSO/89.9

WDPG

Jack and Debra Edelman Foundation

Grismer Tire Company

Hotel Ardent and Bistecca

iHeartMedia

The Charles F. Kettering Foundation

Mathile Family Foundation

WYSO Public Radio

ARIA

America 250 – Ohio Commission

The Disability Foundation

Houser Asphalt and Concrete

The Iddings Foundation

LION

Lockwood Family Foundation

ThinkTV

Victory Wholesale Group and the Kantor Family

SONATA

The Allegro Fund of The Dayton Foundation

Crown Equipment Corporation

The Dayton Hydraulic Co.

The Clark J. Haines Musical Scholarship Fund

Johnson Investment Counsel

The Kuntz Foundation

Nova Creative

PNC

Premier Health

University of Dayton

INTERMEZZO

AES Ohio

Appliance Gallery Dayton

Coolidge Wall

Enterprise Roofing

Harlamert Foundation

Henny Penny

KeyBank

Knack Video + Photo

League of American Orchestras

Sam Levin Foundation

LexisNexis

McCutcheon Music

Merrill Lynch

Morris Home

Opera America

Pickrel, Schaeffer and Ebeling

Sinclair Broadcast Group/FOX/ABC

Square One Salon and Spa

The Synergy Schade Team

Taylor Corporation

OVERTURE

Requarth Lumber Company

The Rubi Girls

Taft

Thompson Hine

Voss Auto Network

ADDITIONAL MAJOR SUPPORT PROVIDED BY:

Ohio Arts Council

Montgomery County Arts and Cultural District

Culture Works

The Dayton Foundation

Board of Trustees and Staff

OFFICERS

Joseph Zehenny, Chair

Patricia McDonald, Vice Chair

Rev. Joshua Ward, Secretary

Rodney Veal, Assistant Secretary

Timothy Riordan, Treasurer

Patrick Martin, Assistant Treasurer

Ed Tomme, Chair Emeritus

BOARD OF TRUSTEES

Dr. Nirmala Abraham

Dr. Ron Anderson

Libby Ballengee

Dr. Zachary Beck

Ashley Bethard

Sarah Burns

Jim Butler

Christopher Coombs

Allyson Danis

Dr. Samuel Dorf

Mary-Kathryn Haddad

Kathy Harper

Michael Howard

Dr. Xavier L. Johnson

Scott Jones

Robyn Lightcap

Peggie McQuiston

Shannon Joyce Neal

Barbara N. O’Hara

Sharon Schroder

Dori Spaulding

John Tate

Rick Thie

Abbie Trittschuh

Dr. Daniel Zehringer

ARTISTIC DIRECTORS EMERITUS

Thomas Bankston, Opera

Neal Gittleman, Philharmonic

ADMINISTRATION

Patrick J. Nugent, President and CEO

Teri Warwick, Chief Financial Officer & Chief Operating Officer

Michael Sieveking, Chief Information Officer

Milena Treer, Chief of Staff

ARTISTIC

Kathleen Clawson, Artistic Director, Opera

Keitaro Harada, Music and Artistic Director, Philharmonic

Brandon Ragland, Artistic Director, Ballet

Isaac Selya, Interim Staff Conductor

Steven Hankle, Director, Philharmonic Chorus

Carolyn Sweezy, Manager, Philharmonic Chorus

Maureen Hickey Haitch, Conductor, Philharmonic Youth Orchestra and Youth Strings

Michelle Mastin, Conductor, Philharmonic Junior Strings

Sharon Neumeister, Company Teacher and Rehearsal Assistant

Rachel Cahayla Wynne, Rehearsal Director and Dayton Ballet Studio Company Manager

DEVELOPMENT

Elaine Gounaris, Vice President for Philanthropy

Allie Haines, Director of Philanthropy

Lynnette Ivey, Director of Institutional Giving

Kate LaFollette, Engagement and Patron Services Manager

Anne O’Hara, Development Operations Manager

LEARNING AND COMMUNITY ENGAGEMENT

Jeaunita Ìféwándé Château Olówè, Vice President for Learning and Community Engagement

Jacqueline Griffin, Learning Programs Manager

Melissa McCoy, Engagement Programs Manager

Megan Forney, Dayton Ballet School Education Manager; Co-Director of Dayton Ballet School Ensemble

Gabrielle Sharp, Co-Director of Dayton Ballet School Ensemble

Elizabeth Sabol, Ballet School Registrar

Vicky Archibald, Ballet School Receptionist

MARKETING

Brittany Laughlin, Vice President for Marketing and Audience Development

Kate LaFollette, Engagement and Patron Services Manager

Sandyna Woodward, Marketing Coordinator

OPERATIONS

Chris Brislin, General Manager

Lyn Baudendistel, Wardrobe Supervisor

Josephine Baudendistel, Costume Assistant

Kelly DeLisle, Artistic Administrator

Maureen Hickey Haitch, Librarian

Sean Vore, Orchestra Personnel Manager

Katie West, Production Coordinator/ Assistant Librarian

The stagehands of IATSE Local 66

The wardrobe members of IATSE Local 886

GENEROUSLY SUPPORTED BY

HARRY A. TOULMIN JR. AND VIRGINIA B. TOULMIN FUND OF THE DAYTON FOUNDATION

JESSE AND CARYL PHILIPS FOUNDATION

BILL AND JACKIE LOCKWOOD FUND TO SUPPORT OPERA

MARY H. KITTREDGE FUND OF THE DAYTON FOUNDATION

ADDITIONAL MAJOR SUPPORT PROVIDED BY