100 by 10 - Stan State Art Faculty

DIRECTOR’S FOREWORD

In this age of COVID, artists continue creating and exhibiting work throughout the world, by moving into the virtual world. Artists have adapted to this change and have continued to create interesting and needed exhibitions. 100 by 10, is a virtual exhibition featuring 100 of the most important works created by our Art Department studio faculty members. Each of the faculty members shown in this virtual exhibition have chosen ten of his or her most important works. These works show a vast range in time and medias and were created over a vast periods of time, showcasing the growth and evolving change of the work and the artist. All exhibited works have been influential in shaping the development and career of each artist. This accompanying catalog gives a bit more insight into the works and ideas of each of the artists. The Department of Art hopes that this exhibition and catalog leads to interesting and important dialogues about the work with our students and gallery patrons.

I would like to thank the Department of Art Faculty members for the opportunity to exhibit their brilliant work, Brad Peatross of the College of the Arts, California State University, Stanislaus for the catalog design, Parks Printing for printing the catalog. We are also grateful and extend our warmest appreciation to the Instructionally Related Activities Program of California State University, Stanislaus, as well as anonymous donors for the funding of the exhibition and catalogue.

Dean De Cocker Director, University Art Galleries

California State University, Stanislaus

MARTIN AZEVEDO

Artist Statement

My imagery makes use of symbolism and ideas of archetypes as a means to explore ideas of masculinity, power, narrative, and allegory. I am interested in the simplicity of an image and its ability to convey the same, or different idea or meaning to a group or individual. I am interested in what happens when these symbols interact on the same plane and the conversation that occurs between many or few pieces layered together in one visual plane.

Now Lamented

This work is an expansion upon ideas and working methods I developed at the end of my time in graduate school. Printmaking is a medium that offers an amazing range of visual languages unique to each print method. I found myself stuck in the technical aspects of print and lost some of the excitement of working with the medium and the unexpected twists and turns it can take when you are first experimenting with the techniques. This series of work deals with the same content and ideas I explore in all my work but was, and is still an attempt to relinquish some of the planning and control that I constantly find myself clinging to.

MARTIN AZEVEDO

EDUCATION

2012 MFA in Printmaking, The Ohio State University, Columbus, OH

2009 B.A. Art/ Minor Art History, California State University, Chico, CA

2006 General Education course work, College Of The Sequoias, Visalia, CA

2004

Associates of Arts, Cuesta College, San Luis Obispo, CA

SOLO EXHIBITIONS

2016 If Destruction be Our Lot, Art Space on Main, Turlock, CA

2015 We Will Live Forever, C.O.S. Art Gallery, Visalia, CA

2014 Our Lot, Spire, Mobile, AL

Building Steam, Merced Art Gallery, Merced, CA

2013 100 Dialects, Roy G Biv Gallery, Columbus, OH

GROUP EXHIBITIONS

2016 Pacific States Biennial National Exhibition, University of Hawaii, Hilo, HI

Stand Out Print, Highpoint Center for Printmaking, Minneapolis, MN

Secrets, The Ohio State University Faculty Club, Columbus, OH

Invitational Printmaking Exhibition, Sagebrush Art Gallery, Sheridan, WY

Night Moves, The Cleaners at the Ace Hotel, Portland, OR

2015 Atlanta Print Biennia, Kai Lin Art, Atlanta, GA

Press & Pull, The Center for Visual Arts, Greensboro, NC

Printmaking Now, IMAGO Gallery, Warren, RI

4 x 6 24 Chambers: Contextual Language, Corridor 2122, Fresno, CA

La Arrache 4, Les Abattoirs, Riom, France

2014 Impressed, Tacocat, Columbus, OH

Conduit, Lake Region Arts Council, Fergus Falls, MN

Mash Up: Collages in Mixed Media, Islip Art Museum, Islip, NY

Pressure, LeSo Gallery, Toledo, OH

Impact-Influence, Carnegie Gallery at Columbus Metropolitan Library, Columbus, OH

2013 La Calaca Press 2013, Museo De la Ciudad, Cuernavaca, Mexico

Big Ten Prints, Lawrence Art Center, Lawrence, KS

Printmakers International, Art Center of Corpus Christi, Corpus Christi, TX

2012 Department of Art: Visiting Artists and Lecturers, Swing Space Gallery, Columbus, OH

Calacas, II La Calca Press International Print Exchange, Expression Graphics, Oak Park, IL, Corpus Christi TX, Ft. Lauderdale, FL, Michoacán, Mexico, Puerto Vallarta, Mexico

20/20 Vision 5th Edition, The Art of Contemporary University, The Fire House Gallery, Louisville, GA (Catalogue)

2012 Next Wave Part II Masters of Fine Arts Thesis Show, OSU Urban Arts Space, Columbus, OH (Catalogue)

Southern Graphics Conference Professional Portfolio Exhibition, The Big Ten Print Exchange, New Orleans, LA

2011 Kingsville Inksville, The University Of Texas Kingsville, Kingsville, TX

American Youth Printmaking, Liu Haisu Art Museum, Shanghai, China (Catalogue)

Printed Matters, Shot Tower Gallery, Columbus, OH

Impossible Things, The Ohio Art League, Columbus, OH

New Prints 2011/ Summer, The International Print Center, New York, NY Juror: Trenton Doyle Hancock

Recent Arrivals, The Ohio State University, Columbus, OH 2010 Last Gasp In Hasket Hall, The Ohio State University, Columbus, Oh

2008 Chico State Annual Juried Student Print Exhibition, Chico, CA Juror: Yuji Hiratsuka

Eibon II Print Exchange, Exhibition Kansas City Art Institute, Kansas City, MI

2007 Chico State Annual Juried Student Print Exhibition, Chico, CA Juror: Kurt Kemp

PROFESSIONAL PORTFOLIOS

2014 Law and Order, Participant, curated by Richard Peterson

2013 Frogman’s Print and Paper Workshop Portfolio, Participant, curated by Jeremy Manard

Secrets, Participant, curated by Sophie Knee

Lithoholics-Non Anonymous, Participant, curated by Richard Peterson

Transmogrify, Participant, curated by Jack Arthur Wood Jr

2012 La Calacas Print Exchange II, Participant, curated by Carlos Barberena

Part and Departure, Organizer/Participant

2011 Mini Print Portfolio and Exchange, Participant, curated by Chico State Print Club

BIBLIOGRAPHY

2011 Best In Show ‘The Atomic Explosion’ at Peter Blum, Plus “New Prints 2011/ Summer” at the International Print Center. The Village Voice, June 2011

AWARDS

2013 Greater Columbus Arts Council Professional Development Grant

2012 Fergus Family Scholarship for Thesis Research

2011 Charles Massey Jr Printmaking Scholarship

2008 Janet Turner Printmaking Scholarship

PERMANENT COLLECTIONS

Southern Graphics Council Print Archives Collection

Janet Turner Print Museum, Chico CA

Meriam Library Special Collections, Chico CA

DEAN DECOCKER

Artist Statement

My work is part of a continuing series, “Blue Jackets Return.” From the first winged-shaped structures to the current work, I have been exploring my interest in formal elements by transforming flat, twodimensional surfaces into three-dimensional objects. I derive much of my inspiration from everyday objects such as mailboxes, aircraft structures, wings, propellers, heavy machinery and architectural works. These objects become conceptual elements, which I transform into drawings. Then, via different techniques of construction, I fabricate many objects of inner structures and outer coverings that create volumetric enclosures. In recent years, my interest in racecar fabrication and collecting vintage BMX bicycles from the 1970’s has led to subtle changes to my work’s structure and color. My work of drawings, prints and photographs come from objects that inspire me and places that I have visited that make me think about time and space. Some of my newest print/painting work involves my interest in World War I and II military ship camouflage.

The titles of my works are a result of my interest in the construction techniques of World War II aircraft and the battles fought in the South Pacific.

Dean DeCocker is a Professor of Art at California State University, Stanislaus; he is also the Director of the University Art Gallery and the Art Space on Main Gallery. As an artist he has had 50 solo exhibitions and over 150 group exhibitions with mention of his work in over 90 articles and reviews. More of his work can be seen at deandecocker.com.

Free Flight

The shapes in “Free Flight” have been a very large and important part of my work. Inspiration was taken from looking at a side view of a propeller from a World War Two Corsair fighter airplane. The foreshortened view of the three bladed propellers turned into an outline that lead to this simple shape. Over time the original shape has morphed into more complex shapes that have the look of biomorphic objects, used in multiple combinations they create works that give the look of applied motion.

Pride of the Fleet, plexiglass, metal powder coat, 76” x 24” x 10”, 2005

DEAN DECOCKER

EDUCATION

1989 Claremont Graduate University, Claremont, CA, M.F.A.

1987 California State Polytechnic University, Pomona, CA, B.A.

1980 Don Bosco Technical Institute, Rosemead, CA, A.S. in Offset Lithography Color Separation

TEACHING

2003–Present Professor, Department of Art, California State University, Stanislaus, Turlock, CA

2002 Adjunct Professor, Sculpture, Department of Art, California State University, San Bernardino, San Bernardino, CA

1997–2003 Adjunct Professor in Studio Practices/Theory in Sculpture, Painting and Drawing, Department of Art, Claremont Graduate University, Claremont, CA

1990–2003 Shop Practices and Gallery Methods, Department of Art, Claremont Graduate University, Claremont, CA

PROFESSIONAL

2003–Present University Art Gallery, Director, California State University, Stanislaus, Turlock, CA

1993–2003 Gallery Director, Department of Art, Claremont Graduate University, Claremont, CA

SOLO EXHIBITIONS

2020 Looking Glass Series – Dean De Cocker, Stan State Art Space, California State University, Stanislaus, Turlock, CA

2019 Low Tide, John Stuart Rodgers Faculty Development Center, California State University, Stanislaus, Turlock, CA

2018 Catalina, JAYJAY, Sacramento, CA

Return to the Big Pacific, Merced Multicultural Center, Merced, CA

2017 A Return to the Speed Flags, John Stuart Rodgers Faculty Development Center, California State University, Stanislaus, Turlock, CA

2016 Time and Tides, Part of the Carnegie Art Center’s Centennial Celebrations, Carnegie Art Center, Turlock, CA

The Shore Patrol, The Art Institute of California, Sacramento

Welcome to the Pacific, Art Space on Main, California State University, Stanislaus, Turlock, CA

2015 Tropical Boom Towns, Merced College, Merced, CA

When Flat Tops Ruled the Waves, John Stuart Rodgers Faculty Development Center, California State University, Stanislaus, Turlock, CA

2014 Specific to the Pacific, JAYJAY, Sacramento, CA

2013 Lightning Strikes, Chartreuse Muse, Modesto, CA

2012 Running at Full Tilt, JAYJAY, Sacramento, CA

2011 On the Way to Sulfer Island, Beaver Street Gallery, Flagstaff, AZ

Made in the Pacific, Center for Contemporary Art, Sacramento, CA

2010 Pacific Winds, Skinner Howard Art, Sacramento, CA

Oahu before Dawn, Frumkin Gallery, Santa Monica, CA

Dean De Cocker, Works for the President, The President’s Gallery, California State University, Stanislaus, Turlock, CA

2009 High Tide Limn Gallery, San Francisco, CA

3rd Annual California Centered: printmaking, Featured Annual Honorees Solo Print Show Merced Multicultural Center, Merced, CA

2008 Return to Pearl, 643 A Project Space, Ventura, CA

Battle of a Shallow Sea, John Stuart Rodgers Faculty Development Center, California State University, Stanislaus, Turlock, CA

2007 Sources of Victory, Limn Gallery, San Francisco, CA

Return of the Black Cat, Beaver Street Gallery, Flagstaff, AZ

Like the Yorktown, Ventura College Gallery, Ventura, CA

Taken from over 55 Solo exhibitions starting in 1989

GROUP EXHIBITIONS

2017 a la mode, Davis Art Center, Davis CA

Summer Group Show, JayJay, Sacramento, CA

2016 Sculpture in the Garden, Sam and Alfreda Maloof Foundation for Arts and Crafts, Alta Loma, CA

2015 California State University Stanislaus, Recent Work- Department of Art Faculty, Merced College, Merced, CA

2014 Art Faculty on Main, Art Space on Main, Turlock, CA

Art Auction 2014, Crocker Art Museum, Sacramento, CA

2012 In Praise of Collecting, Carnegie Art Center, Turlock, CA

Art Auction 2012, Crocker Art Museum, Sacramento, CA

2011 Art Auction 2011, Crocker Art Museum, Sacramento, CA

2010 For Roland, BunnyGunner, Pomona, CA

Benefit Art Auction, Huntington Beach Art Center, Huntington Beach, CA

Art Auction 2010, Crocker Art Museum, Sacramento, CA

Faculty Exchange, First Street Gallery, Humboldt State University, Humboldt, CA

2009 Lust for Machines, Dean De Cocker and Matt Furmanski, Santa Ana College Main Art Gallery, Santa Ana, CA

Benefit Art Auction, Huntington Beach Art Center, Huntington Beach, CA

Art Auction 2009, Crocker Art Museum, Sacramento, CA

2008 2332 Huntington Beach Art Center, Huntington Beach, CA

Benefit Art Auction, Huntington Beach Art Center, Huntington Beach, CA

2007 Research from the Department of Art @ John Stuart Rodgers Faculty Development Center, CSU Stanislaus, Turlock, CA

Benefit Art Auction, Huntington Beach Art Center, Huntington Beach, CA

Taken from over 100 group exhibitions starting in 1985

BIBLIOGRAPHY

2014 Dean De Cocker and Peter Wayne Lewis @ JayJay, Janurary 22, 2015

Peter Wayne Lewis ‘Temporal Paintings’ & Dean De Cocker ‘Specific to the Pacific’. November 7, 2014

Critics picks for Sacramento’s Second Saturday. , November 6, 2014

2012 Running at Full Tilt, Catalog, JAYJAY, Sacramento, CA

Olivant, David, In Praise of Collecting, Catalog Carnegie Art Center, Turlock, CA

2011 Ren, Clark, On the Wall. Flagstaff Live, October 6 – 12, 2011 Vol. 17 issue 40

First Friday Art Walk, Highlighted Galleries. the Noise arts and news, October 2011 #125

Art Galleries and Openings. Sactown, August/September 2011

Art Picks. Midtown Monthly August 2011

d’ART. Sacramento News and Review August 11, 2011

2010 De Angelo, Darlene. Dean De Cocker Point Luck. Catalog, Andi Campognone Projects

Dalkey, Victoria. Dean De Cocker’s ‘icily elegant’ sculptures on display at Skinner/Howard Gallery. Sacramento Bee April 18, 2010

Art Review: Rogelio Manzio, Dean DeCocker at Skonner Howard., May 7, 2010

Current Los Angeles Contemporary Exhibitions: Doug Simay’s Best Picks,,February 2, 2010

2007 Pulse. Flagstaff Live May 3 – 9, 2007

Jerome. Art Beat. The Noise, arts and news May 7, Number 72

Taken from over 55 articals starting in 1989

SELECTED COLLECTIONS

The Crocker Museum, Sacramento, CA

Robert V Fullerton Art Museum, San Bernardino, CA

Laguna Beach Museum, Laguna, CA

Orange County Museum of Art, Newport Beach, CA

Riverside Art Museum, Riverside, CA

Natomas Charter School, Sacramento, CA

Bank of Sacramento, Meridian Plaza, Sacramento, CA

Merrill Lynch, Sacramento, CA

Sprint, Santa Clara, CA

JAMES DEITZ

Artist Statement

My work is my statement

Black Sails

“Black Sails” is my most recent painting and incorporates some of the issues that I have been working on lately. Although I have always enjoyed breaking imagery down to the core information, it is only recently that I have returned to abstraction without a clear narrative. I have chosen either square or just off square formats and the use of forty-five degree angles because they seem to be the most difficult to work with.

JAMES DEITZ

EDUCATION

1986 M.F.A. Drawing and Painting, University of Washington, Seattle, WA

1984, B.F.A. Drawing and Painting, University of North Dakota, Grand Forks, ND

VISITING ARTIST

2006–2020 California State University, Stanislaus, Turlock, CA

2020 Paderborn University, Paderborn, Germany

2004 University of Arizona, Tucson, AZ

2003 Pierce College, Lakewood, WA

1992 University of North Dakota, Grand Forks, ND

TEACHING EXPERIENCE

Foundations Drawing Color, Color Theory

Drawing II: Composition Foundations Printmaking

Intermediate Drawing Intaglio

Advanced Drawing Monoprint, Monotype

Figure Drawing Relief Printmaking

Foundations Painting Advanced Printmaking

Painting From Observation Text and Image

Intermediate Painting Mixed, Media, Collage

Advanced Painting Art In Action

Painting from Unconscious Independent Study

Foundations 2-D Design BFA Candidate Review

SOLO EXHIBITIONS

2020 James Deitz, Stan State Art Space, Turlock, CA

2013 James Deitz, Chartreuse Muse Gallery, Modesto, CA

2011 James Deitz Paintings, Vermillion Gallery, Seattle WA

2010 James Deitz, California State University, Stanislaus Art Gallery, CA

2010 James Deitz, Paintings and Print Collages, Francine Seders Gallery, Seattle, WA

2008 Seattle: Land, Water, Sky, Upstairs Gallery, Francine Seders Gallery, Seattle, WA

2006 Paintings, Upstairs Gallery, Francine Seders Gallery, Seattle, WA

2004 James Deitz Drawings, The Cedar, New York, NY

2003 James Deitz, Fine Arts Gallery, Pierce College, Lakewood, WA

2002 New Work, Art Center Gallery, Seattle Pacific University, Seattle, WA

2000 Dialogue, Francine Seders Gallery, Seattle, WA

1999 Interiors, Upstairs Gallery, Francine Seders Gallery, Seattle, WA

1998 Toys, Upstairs Gallery, Francine Seders Gallery, Seattle, WA

1997 James Deitz Paintings, Fine Arts Gallery, Pierce College, Tacoma, WA

1996 Mexico, Francine Seders Gallery, Seattle, WA

1994 Drawings, Upstairs Gallery, Francine Seders Gallery, Seattle, WA

1993 New Work, Francine Seders Gallery, Seattle, WA

1991 An Introduction, Upstairs Gallery, Francine Seders Gallery, Seattle, WA

1990 Paintings, King County Arts Commission Gallery, Seattle, WA

1990 Recent Work, Blake Gallery, Seattle, WA

1989 Drawings, Robert Allman Gallery, Seattle, WA

1987 Ink Drawings, Browning Arts, Grand Forks, ND

SELECTED GROUP EXHIBITIONS

2017 Art Faculty Exhibit, Art on Main, Turlock, CA

2015 Text and Image, Chartreuse Muse Gallery, Modesto, CA

2014 CSU Art Department Faculty, Merced College Art Gallery, Merced CA

2014 Art Faculty on Main, Art Space on Main, Turlock, CA

2012 Art of Justice, Stanislaus Family Justice Center, Chartreuse Muse, Modesto, CA

2012 In Praise of Collecting, Carnegie Arts Center, Turlock, CA

2010 Art Faculty Exhibit, University Art Gallery, CSU Gallery, Turlock, CA

2008 Art Faculty Exhibit, John Stuart Rogers Building, CSU, Stanislaus, Turlock, CA

2008 On the Wall, Steele Gallery, Gage Academy of Art, Seattle, WA

2005 Drawings: James Deitz, Gail Grinnell, Caryn Friedlander, Francine Seders Gallery, Seattle, WA

2002 North Dakota Museum of Art Annual, North Dakota Museum of Art, Grand Forks, ND

2000 4 x 4: Four Decades of School of Art Alumni, Jacob Lawrence Gallery, Seattle, WA

1995 The Painted Table, Seattle, WA

1994 Retrospective, AG47 Gallery, Seattle, WA

1993 Hands Off Washington, Crocodile Cafe, Seattle, WA

1993 The New England Fine Art Institute, State of the Art ‘93, New England Art Expo

1993 Art Works for Aids, Seattle Center Pavilion, Seattle, WA

1992 12th Northwest International, Whatcom Museum, Bellingham, WA

1992 New Artists to the Gallery, Summer Show, Francine Seders Gallery, Seattle, WA

1992 34th North Dakota Print and Drawing Annual, North Dakota Museum of Art

1991 The Artist in the Art: Self Portraits, BumbershootFestival, SeattleCenter, Seattle,WA

1991 25th Anniversary Exhibitions: The Later Years 1986-1990, Francine Seders Gallery, Seattle, WA

1990 Seven Seattle Artists, AG47 Studio Gallery, Seattle, WA

1990 Never Before Funded Show, Seattle Arts Commission, Seattle Center, Seattle, WA

1990 WPA (Workers Produce Art), Galleria Potatohead, Seattle, WA

1988 30th North Dakota Print and Drawing Annual, North Dakota Museum of Art

1986 Masters of Fine Arts Exhibition, Henry Art Gallery, University of Washington, Seattle

1985 Works in Progress, Department of Fine Arts, University of Washington, Seattle, WA

1985 University Bookstore Invitational Juried Show, Seattle, WA

1984 Bachelor of Fine Arts Exhibition, Hughes Fine Arts Gallery, University of North Dakota, Grand Forks, ND

1983 North Dakota Governor’s Show, One-Year Tour, Selected Cities

SELECTED PERMANENT PUBLIC COLLECTIONS

4Culture, King County Arts Commission, Seattle, WA

Seattle Arts Commission

Zevenbergen Capital, Seattle, WA

State of Washington: Washington State’s Art in Public Places Program, Mattawa, WA, Auburn, WA

REVIEWS

2000 Still lifes with twists, Matthew Kangas, Art in America, (Special to the Seattle Times)

1994 Lawrence exhibit is this month’s star at galleries, Robin Updike, The Seattle Times

1992 Two artists turn fragments into wholes, Regina Hackett, The Seattle Post-Intelligencer

1990 Gallery Review, 911 COCA, (Center on Contemporary Art), Seattle, WA

DANIEL EDWARDS

Artist Statement

In 2020 my son Rodman and I uploaded busts representing BLM and civil rights to be available for free download to everyone interested in supporting those movements. We wanted people to know that it was presented with love by the father-and-son team of sculptors, Daniel and Rodman Edwards. We said in a statement, “While protesting is pivotal, there are plenty of other effective modes of activism. We agreed that using our talents was the best way we could show our support. As we are now seeing the removal of the statues that are monuments to systemic racism, we believe it is time to put the power of commemorative statuary into the

peoples’ hands. For the first time in history, individuals have the right to choose who they wish to memorialize forever.” We were appealing to a vast community of people with access to 3D printers, who could download our busts and present them to their communities. There has been approximately 2,000 downloads of the work so far, and people have used them for memes, augmented reality videos and large scale monuments.

I have been working with some of these themes for decades, but this time there was an urgency to contribute in a direct way, which is what we were able to do through a 3D viewing and sharing site called Sketchfab.

DANIEL EDWARDS

EDUCATION

2001 MFA, Drawing and Sculpture, New York Academy of Art, New York, NY.

1994 BFA Sculpture, Herron School of Art, Indiana University, Indianapolis, IN.

1988–90 MFA Program, New York Academy of Art, Warhol Scholarship from Estate of Andy Warhol.

PUBLIC SCULPTURE AND COMMISSIONS

2004 Olympians of the New York Athletic Club, bronze, New York Athletic Club, New York, NY.

2002 Wm. DeHart Hubbard, Olympian, 6’x 8’ bronze, Southwest Ohio Regional Transit Authority, Cincinnati, OH.

2000 Young Thoroughbred with Child, bronze life-size, Buckingham Companies, Indianapolis, IN.

1998 Affirmed: The Last Triple Crown Champion, bronze, 125% life-size, Champions Farms, Louisville, KY.

Bronze Water Fountains (two), University of Indianapolis, Indianapolis, IN.

Dean Charles Emerson, bronze life-size bust, I.U. School of Medicine, Indianapolis, IN.

Senator Wendell Ford, bronze, twice life-size, Louisville Airport Authority, Louisville, KY.

1996 Governor Matthew E. Welsh of Indiana, bronze life-size, Indiana Statehouse, Indianapolis, IN.

1995 Landmark for Peace: The MLK Jr. and RFK Memorial (Groundbreaking ceremony performed by President Clinton, Martin Luther King III and Senator Ted Kennedy), sponsored by the Indiana Pacers, Indianapolis, IN.

Jimmy Doolittle Award, Hudson Institute (Recipient: Barry Goldwater; Guest speakers: Dan Quayle, William F. Buckley, and Sen. Sam Nunn), National Press Club, Washington, DC.

Workers’ Memorial, Indiana Government Center, sponsored by AFL-CIO, Indianapolis, IN.

1994 Mother Seton with Child, bronze life-size, St. Vincent Hospital, Indianapolis, IN.

Josef Gingold Memorial Gold Medal for the International Violin Competition, Indianapolis, IN.

SELECTED BOOKS WHICH REFERENCE WORKS

Jennifer Tyburczy (Jan 11, 2016). Sex Museums: The Politics and Performance of Display. University Of Chicago Press. ISBN-13: 978-0226315249. Renée Cramer (Oct 21, 2015). Pregnant with the Stars: Watching and Wanting the Celebrity Baby Bump. Stanford University Press. ISBN-13:9780804796743. Ana Rita Ferreira, Ana Nolasco (2014). Creative Processes in Art: Proceedings of the International Colloquium. FBAUL. 9789898771063.

Christopher Schaberg, Robert Bennett (2014). Deconstructing Brad Pitt. Bloomsbury Publishing USA. ISBN-13:9781623561932.

McCallum, Jack and Wertheim, Jon (2012). Sports Illustrated Book of the Apocalypse: Two Decades of Sports Absurdity. Diversion Books. ISBN 1938120159, 9781938120152.

Abe, Donyale (2012). Called to the Childbirth Profession: Opportunities for Doulas, Birth Educators, and You. Dreams2Life Publishing. ISBN-10: 0615578128. ISBN-13: 978-0615578125.

Lintott, Sheila and Sander-Staudt, Maureen, Editors (2011). Philosophical Inquiries into Pregnancy, Childbirth, and Mothering: Maternal Subjects. Routledge Studies in Contemporary Philosophy. [Hardcover] ISBN-10: 0415891876. ISBN-13: 978-0415891875. Edition: 1

Urban, Otto M. Curator (2011). Decadence Now: Visions of Excess. Artefakt/Arbor Vitae. ISBN 978-8087164600.

Smit, Christopher R. (2011). The Exile of Britney Spears: A Tale of 21st Century Consumption. Intellect, Limited. ISBN 9781841504100.

Garson, Helen S. (2011). Oprah Winfrey: A Biography (Greenwood Biographies). ABC-CLIO, Incorporated. ISBN 9780313358326.

Reese, Jenny (2011). Off the Record Guide to the Life and Political Career of Hillary Rodham Clinton. Webster’s Digital Services. ISBN-10: 1241129444 ISBN-13: 978-1241129446.

Kelley, Kitty (2010). Oprah: A Biography. Crown. ISBN 073937785X

Sturken, Marita and Cartwright, Lisa (2009). Practices of Looking: An Introduction to Visual Culture 2nd edition. Oxford University Press, USA. ISBN 978-0195314403.

Mancoff, Debra (2009). Icons of Beauty: Art, Culture, and the Image of Women. Greenwood. ISBN 978-0313338236.

Schechter, Harold (2009). The Whole Death Catalog: A Lively Guide to the Bitter End. Random House Publishing Group. ISBN 9780345499646. Reiter, Mark (2009). The Final Four of Everything. Simon & Schuster Adult Publishing Group. ISBN 9781439126080.

Benjamin, Louis (2009). The Naked and the Lens: A Guide to Nude Photography. Focal Press. ISBN 9780240811598.

Wilks, Timothy (2008). Prince Henry Revived: Image and Exemplarity in Early Modern England. Paul Holberton Publishing. ISBN 9781903470572.

Jobson, Robert (2008). Harry’s War: The True Story of the Soldier Prince. John Blake Publishing Ltd. ISBN 9781844546725.

Kokoli, Alexandra M. (2008). Feminism Reframed: Reflections on Art and Difference. Cambridge Scholars Publishing. ISBN 978-1847184054.

Newkey-Burden, Chas (2007). Paris Hilton: Life on the Edge. Gardners Books. ISBN 9781844544578.

SELECTED DISTINCTIONS

In Touch Magazine (2018), “Celeb Statues of Limitations” featured with Marc Quinn as the only artists named. Architectural Digest (2018), “The Most Beautiful Civil Rights Monuments in America.”

In Touch Magazine (2015), “Bizarre Exhibit of the Week” for Shroud of Scientology. Time Magazine (2014), “The Top 16 Breastfeeding Controversies.”

Star Magazine’s Star Weekly Awards (2013), “Most Disturbing Art” for the fetal portraits of Kim Kardashian’s and Kate Middleton’s unborn babies. Maxim Magazine’s Sexiest Things in America (2012), for “Sexiest Sculpture of Teen Idols: Justin and Selena as One”. Most Annoying People 2009. Produced by Shine for BBC TV4. BBC London’s list of the “100 most annoying people of 2009”. Listed at number 63, between Bernard Madoff and Charlie Sheen.

The Art Newspaper’s “Bartlebooth Award” (2005), London. Award given to ten artists from around the world, who made art that pushed the boundries.

Sports Illustrated’s “This Week’s Sign of the Apocolypse” (2005). Dubious distinction given by Sports Illustrated for The Ted Williams Memorial Display.

JESSICA GOMULA-KRUZIC

Artist Statement

My work embraces a variety of mediums, from interactive multi-projector video installations within mazes of semi-transparent fabric, to straightforward single channel videos, to augmented reality landscape images. In all of these works, dance, movement, and the physical body serves as a way to examine social constraints and the shifting dialog of the body within the built and natural environment. My work considers a range of environments, from natural locations, to empty stages, to abandoned buildings, and even environments that have been digitally augmented. The goal of my work is to engage the viewer directly by moving them from the role of observer into the role of participant by breaking the fourth wall, and to create a dialog around how people interact with an environment, while still giving participants room to explore, interpret, and imagine for themselves.

The Den

The Den is important to me, personally, because of the spontaneous nature of the filming, the natural and mundane actions of the performer, and the experimental construction of the layers of video and animation during post-production. It reminds me that you can’t force a transformation to happen -you have to carefully create the conditions for one, and then hope.

JESSICA GOMULA-KRUZIC

SOLO EXHIBITIONS

2017 Complicit Participants: Jessica Gomula. Art Space on Main. Turlock, CA.

2016 Gemperle Gallery Centennial Exhibition. Carnegie Art Center. Turlock, CA. ACTION. Faculty Development Center. Stanislaus State, Turlock, CA.

2014 Art Faculty on Main. Building Imagination Center, Turlock, CA.

2012 Ssshhhh! Alameda Public Library. Alameda, CA.

2011 Meet Your Neighbor public art installation. Modesto Art Museum. Throughout downtown Modesto, including over 35 storefronts. Modesto, CA.

2009 Semantic Frottage, video installation. Mistlin Gallery, Modesto, CA.

2008 Life’s Tantric Love Triangles. 21 Grand Gallery, Oakland, CA.

B.O.O.B. (Breastfeeding Outside Our Bedrooms). Austin, TX.

Infinite Transformations of Desire. CSU University Gallery, Turlock, CA.

2007 Love’s Receipts. Truckee Meadows Community College, Truckee Meadows, NV.

2000 Transformations. University Galleries, Illinois State University, Normal, IL.

FILM PRODUCTION

2020 A Place to Train. Dance for Film. 3 min. Director and Producer.

2020 Best Performance Art, Avalonia Film Festival. Ormond Beach, FL.

2020 Canada Shorts - Canadian & International Short Film Festival. Award of Merit. Saint John, New Brunswick, Canada.

2020 100 from 10. Stan State Art Space. Turlock, CA.

2020 Portsmouth Shorts::Cut Film Festival. Portsmouth, United Kingdom.

2020 LAMPA International Film Festival. Perm, Perm Krai, Russia.

2020 3 Minute Film Festival, Santa Barbara, CA.

2020 Action! International Film Festival. Encinitas, CA

2020 Wales International Film Festival. Swansea, Wales.

2020 FLOW Festival. Plantation, FL.

2020 FilmFest by Rogue Dancer. Raleigh, NC.

2020 BonDance International Film Festival), Hizenyumekaidou Ninja village. Saga, Japan.

2020 Asian Cinematography AWARDS (ACA), Quezon City, Philippines.

2014 - 2020 Eleven Dimensions. Experimental. 40 min. Director and Producer.

2020 100 from 10. Stan State Art Space. Turlock, CA.

2017 Maker Faire. Shanghai, China.

2017 Complicit Participants. Turlock, CA.

2016 Veritable Vicissitudes. Champlain College, Burlington, Vermont.

2014 International Symposium of Electronic Art. Dubai, UAE.

2014 Art Faculty on Main. Turlock, CA.

2015 - 2020 Center for Human Services.12 Shorts. 3-5 min. each. Executive Producer.

Directors: Max Sanchez, Maria Davila, Zac Estrada, Trinidad Moreno, Vincent Garcia, Hudson Berdino, Marisol Zazueta, Humberto Maldonado, Nathan Pimentel, Justin Gale, Taylor Bergthold, Favian Rodriguez.

2018 Mutable Spirals of Ascension. Dance for Film. 9:12 min. Director and Producer.

2020 Culver City Film Festival. Shorts Daily, Roku Channel. Marina del Rey, CA.

2020 FilmFest by Rogue Dancer. Raleigh, NC.

2020 100 from 10. Stan State Art Space. Turlock, CA.

2020 Spring Grove International Film Festival. Spring Grove, MN

2019 One-Off Moving Images Festival. Valencia, ES.

2019 One-Off Moving Images Festival. Gol, Norway.

2018 InShort Film Festival. Lagos, Nigeria.

2018 Midpen Media TV, Channel 30. Palo Alto, CA.

2018 Becoming Human. Burlington City Arts Center, Burlington, VT.

2018 35th Scary Cow Film Festival. San Francisco, CA.

2017 Wasp Men from Mars. Sci-Fi Short. 17 min. Best Boy Grip. Directed by Gerrit Thompson.

2018 I Hella Love Shorts Film Festival. Oakland, CA

2018 Geek Film Festival. Long Beach, CA.

2017 100% Manusia Film Festival. Jakarta, Indonesia.

2017 Scary Cow Film Festival. San Francisco, CA.

2016 Quotidian Mandala. Dance for Film. 8:41 min. Director and Producer.

2019 Idaho Screendance Festival, Boise, ID.

2018 InShort Film Festival. Lagos, Nigeria.

2018 Midpen Media TV, Channel 28. Palo Alto, CA.

2018 Austin Spotlight Film Festival. Austin, TX.

2017 Pembroke Taparelli Arts and Film Festival, Los Angeles, CA.

2017 Cinema New York City. New York, NY.

2017 Best Shorts, La Jolla, CA. Award of Recognition, Women Filmmakers.

2017 Complicit Participants. Turlock, CA.

2016 DOUBLE VISION @ City Hall. Montpelier, VT.

2016 30th Scary Cow Film Festival. San Francisco, CA.

2015 Filling Her Shoes. Experimental short. 10 min. Director and Producer.

2020 100 from 10. Stan State Art Space. Turlock, CA.

2019 World Music and International Film Festival. Arlington, VA.

2018 Midpen Media TV, Channel 30. Palo Alto, CA.

2018 Glendale International Film Festival. Glendale, CA.

2017 Complicit Participants. Turlock, CA.

2015 Resident Artists’ Workshop. Safehouse for the Performing Arts. San Francisco, CA

2015 Modesto 2034: Glimpses of the Future. Documentary Short. 4 min. Executive Producer. Directed by Michael George

2015 Gen Con Film Festival. Indianapolis, IN.

2015 Intendence Film Festival. Denver, CO.

2015 Columbia Gorge International Film Festival. Washougal, WA

2015 New Work from the Bii. Turlock, CA.

2015 Mini-Supreme. Comedy. 10 min. Production Assistant. Directed by Micheal Phillis.

2015 Palm Springs International Shorts Fest. Palm Springs, CA.

2015 Frameline International LGBTQ Film Festival. San Francisco, CA.

2015 Outfest LA. Los Angeles, CA.

2015 Q! Film Festival. Jakarta, Indonesia.

2015 Reel Pride. Fresno, CA.

2015 Reeling LGBT Film Festival. Chicago, IL.

2015 Out on Film. Atlanta, GA.

2015 Dayton LGBT Film Festival. Dayton, OH.

2015 Seattle LGBT Film Festival. Seattle, WA.

2015 ReelQ International LGBT Film Festival. Pittsburgh, PA.

2015 Milwaukee LGBT Film / Video Festival. Milwaukee, WI.

2015 25th Scary Cow Film Festival. San Francisco, CA.

2014 Dreams of Affection. Experimental short. 7 min. Director and Producer.

2015 CSU Stanislaus Art Faculty Invitational. Merced, CA.

2015 New Work from the Bii. Turlock, CA.

2014 RAW 2014. San Francisco, CA.

2014 Art Faculty on Main. Turlock, CA.

2013 Modesto Modernism. Documentary Short. 14 min. Director and Co-Producer.

2014 Art Faculty on Main. Turlock, CA.

2013 Eames: The Architect and the Painter + Modesto Modernism. Turlock, CA.

2013 Modesto International Architecture Film Festival. Modesto, CA.

DANIEL HESKAMP

Artist Statement

These works were created to show appreciation for the lives of plants and animals that exist beyond our domesticated environments; those considered insignificant, forgotten, or discarded. Often overlooked are the ways we memorialize the plants and creatures with whom we share our homes, neighborhoods, and planet. These multi-media works provide a space to acknowledge and revere their existence. I use an historiographical methodology and track the evolution of humankind’s connection with flora and fauna in the development of our culture. These multidisciplinary works focus on several species of plants and animals, categorized according to the nature of our interactions with them. The work is contextualized by the history and imagery of early Christian relics and ossuaries. Raised in a Roman Catholic household, my earliest experiences with art, design, and allegory were the ornate decorations found in Catholic churches. This iconography is seen in paintings and illustrations depicting characters and narratives from the Bible, in embellished objects often cast in gold or precious metals, stained glass windows, furniture, and architectural fittings.

The most recent works were created after I moved across the United States from Schaumburg, Illinois to Visalia, California. In an effort to better understand my new environment I took clippings from various flora found within my backyard. Over the course of one month I illustrated a different plant clipping each day. After fifteen days I started over again drawing the same clippings after they began to decompose. I have continued this practice every year since. These prints were created by combining my interest in traditional botanical illustration, catholic imagery from my childhood, as well as digital patterning. The way we treat other organisms on this planet can be an indication of how we treat each other. The

ideology of speciesism is continuously expanding in our culture. As our population grows so does our impact on other species. This art aims to create an open dialogue and explore further understanding of speciesism and memento mori.

The Fall and Rise of St. Sebastian

The Fall and Rise of St. Sebastian is woodcut created to suggest High Renaissance print traditions that place importance on every area of the picture plane, while equating artistic expression and craft with spiritual devotion. Additionally, it references Baroque-era prints in which chiaroscuro and dramatic foreshortening provoke a more emotional, visceral response. The animal motif and radiant aura serve as vehicles for spiritual contemplation. The grass along the bottom of the picture plane hints at a natural environment to connect the iconography to earthly origins and departure.

Saint Sebastian was martyred by arrows, while deer are often hunted using bows. It is believed that Sebastian was led into a field and tied to a post or tree where he was executed for his belief in Christianity. Had he denounced his faith, he may have been spared. A similar comparison can be made to the way deer are often baited with food to a particular area where they can be killed (executed) more easily. In addition to food, deer and other animals are often hunted to control population and the spread of diseases. Christians were martyred to control religious ideology that was contrary to political rule.

Opposite, top to bottom:

The Fall and Rise of St. Sebastian, woodcut, 48” x 33”, 2016

Death of Dahlia, serigraph, 18” x 24”, 2020

Life of Dahlia, serigraph, 18” x 24”, 2020

DANIEL HESKAMP

EDUCATION

2016 Master of Fine Arts, Texas A&M University - Corpus Christi, TX

2012 Bachelor of Fine Arts, Northern Illinois University, DeKalb, IL

2011 Santa Reparata International School of Art, Florence, Italy, Summer Session, Printmaking Course

2008 Associate in Science, McHenry County College, Crystal Lake, IL

TEACHING EXPERIENCE

2018–2020 Lecturer, Printmaking, California State University – Stanislaus, Turlock, CA

2017–2020 Adjunct Art Instructor, Drawing, College of the Sequoias, Visalia, CA

Adjunct Art instructor, Digital Art, College of the Sequoias, Visalia, CA

Adjunct Art instructor, Color and Design, College of the Sequoias, Visalia, CA

2014–2016 Instructor of Record, Printmaking, Texas A&M University - Corpus Christi, TX

Instructor of Record, Design, Texas A&M University - Corpus Christi, TX

Instructor of Record, Art Appreciation, Texas A&M University - Corpus Christi, TX

GRANTS/AWARDS / SCHOLARSHIPS

2016–2017 7th Annual International Artist-in-Residence programme, Auckland Print Studio, Auckland, New Zealand

Juror Prize, Printwork 2016, Artist Image Resource, Pittsburgh, PA

2016 Excellence in Printmaking, SAMC award, Texas A&M University - Corpus Christi, TX

2016–2015 Teaching and Research Assistantship, Texas A&M University - Corpus Christi, TX

2015 1st place, Bigger than the Press, Texas A&M University - Corpus Christi, TX

2014–2015 Teaching and Research Assistantship, Texas A&M University - Corpus Christi, TX

2014 3rd place, Pidgeon Feeders, Islander Gallery, Corpus Christi, TX

2013–2014 Graduate Gallery Assistantship, Texas A&M University - Corpus Christi, TX

Summer Art Camp Coordinator, Texas A&M University - Corpus Christi, TX

Gamblin Graduate Scholarship, Gamblin Artist Colors Co., Portland, OR

2010 Dorothea Bilder Fine Arts Scholarship, Northern Illinois University, Dekalb, IL

EXHIBITIONS

2019 13th Annual California Centered: Printmaking Exhibition, Merced Multicultural Arts Center, Merced, CA

Tattoo Stories, Arts Visalia, Visual Art Center, Visalia, CA

Transmissions from Pressure Island, University of North Texas, Denton, TX Transmissions from Pressure Island, Lewis Carnegie, Austin, TX

2018 Auckland Print Studios: Editions, Solander Gallery, Wellington, New Zealand

Annual Art Show, Arts Visalia, Visual Art Center, Visalia, CA

Multiple Originals: Eight Printmakers from the Central Valley, Corridor 2122 Gallery, Fresno, CA

Faculty Exhibition, COS Art Gallery, College of the Sequoias, Visalia, CA

Under the Influence, Lowbrow Denver, Denver, CO

2018 Boarding for Breast Cancer: Dew Tour, Charity auction, Long Beach, CA Art Mixer, Barmageddon, Tulare, CA

12th Annual Art Auction, Charity auction, COS Art Gallery, College of the Sequoias, Visalia, CA

2016–2017 The Visceral Hand, Rivet Gallery, Columbus, OH Printwork 2016, Artist Image Resource, Pittsburg, PA

Vis a Vis, Jack Olson Gallery, Northern Illinois University, Dekalb, IL

2016 Solo Exhibition, Expanding Our Empathy, Weil Gallery, Texas A&M University – Corpus Christi, TX

Night Moves, The Cleaners, Portland, OR

My Rules, North View Gallery at PCC Sylvania, Portland, OR

5th Student International Small Print Show 16, Extra Art Gallery, El Minia University, El Minia Egypt

Return to Pressure Island! The Lion’s Nest Gallery, Austin, TX

La Merienda, Islander Gallery, Corpus Christi, TX

2015 Art Hop, Georgetown Arts Center, Georgetown, TX

Pressure Island: Apparitions and Hallucinations, The Lion’s Nest Gallery, Austin, TX

2014 Pidgeon Feeders, Islander Gallery, Corpus Christi, TX

President’s Council Art Scholarship Competition, Art Museum of South Texas, Corpus Christi, TX

48th Annual National Drawing & Small Sculpture Show, Joseph A. Cain Memorial Gallery, Del Mar College, Corpus Christi, TX

GENERation printerOSITY, Museum of Contemporary Craft, Portland, OR

À l’arrache, sur le site des Abattoirs, Riom, France

2013 100@100, Islander Gallery, Corpus Christi, TX

2012 Spring 2012 BFA Show, Jack Olson Gallery, Northern Illinois University, Dekalb, IL

Hate Breeders, (Traveling Portfolio Exhibition)

Highlands University, Las Vegas, New Mexico

Atrium Gallery, Fresno State University, Fresno, California

Bliss Hall Gallery, Youngstown State University, Youngstown, Ohio CPIT Design School, Christchurch, New Zealand

Saltgrass Printmakers, Salt Lake City, Utah

Your Printshop is in Another Castle, Yetee Gallery, Aurora, IL

2011 Solo Exhibition, Scientific Basis of Human Activity, Pleasant Street Gallery, DeKalb, IL

SRISA Printmaking 2011, Santa Reparata International School of Art, Student Exhibition, Florence, Italy

Varying Perspectives, University of Colorado at Boulder, Third Floor Exhibition Space, Boulder, CO

Suite Revenge, Gallery 215, Northern Illinois University, DeKalb, IL

Grudge Match: The DPA and the Carnival of INK!, Evil Prints Studios, St. Louis, MO

PUBLICATIONS

2019 Meet Dan Heskamp, interview, Published by Voyage Phoenix

Giant Squib, Published by COS Quill Club

2018 Auckland Print Studios: Editions, Published by G & E Print and Art Edition Magazine

The Life and Death of Plants, Self-published

2016 Expanding Our Empathy, review, written by Jack Wood, Published by ÆQAI http://aeqai.com/main/2016/05/expanding-our-empathy/ Death as a Landscape Vol.1 27 Jan-11 Apr 2016, Self-published

2015 Keith Ledger No. 2, Published by Michael Weigman

Relief Zine, Published by Izzy Jarvis

2012 Towers: Literary and Creative Arts Magazine #92, Published by Northern Illinois University

CHAD HUNTER

Artist Statement

To me, plein air painting must be more than a simple copy of a scene. Yes, it should capture the light and shadow, texture, color but in the end it must be an emotional response by the artist. I try to communicate the feeling of a scene through my paintings. I strive to paint what cannot be painted: the energy, the poetry, or the interpretation rather than a literal representation.

Paul Bunyan Tames River

Since I’ve included three different styles of images for this show, selecting my most important image is difficult. The choice came down between Cage Match Competition (Luchador Mask) and Sunset under Pier (plein air watercolor) and Paul Bunyan Tames River. In the end, Paul Bunyan Tames River must be my selection since this helped launch a new direction in my children’s book illustration and received national attention.

CHAD HUNTER

EDUCATION

2012 M.F.A. Visual Arts with emphasis in Graphic Design, Marywood University, Scranton, PA

1995 B.F.A. Illustration, Minor: Studio Art, Brigham Young University, Provo, UT

SHOWS

2017 Frank Bette Plein Air Paintout, Alameda, CA

California State Fair Plein Air, Sacramento, CA

2016 Benicia Plein Air Paintout, Benicia, CA

Capitola Plein Air Paintout, Capitola, CA

Carmel Art Festival Plein Air, Carmel, CA

2015 Chad Hunter: 20 Year Retrospect, CSU Stanislaus, Turlock, CA

Department of Art Faculty, Merced College Art Gallery, Merced, CA

2014 Faculty Show, Art on Main, CSU Stanislaus, Turlock, CA,

AWARDS & HONORS

2020 Presenter in State-wide Zoom, “Why Race?” A Racial Equity Learning Journey, California Arts Council

2019 Presenter, Society of Children’s Book Writers and Illustrators (SCBWI), Nor Cal Conference

2018 Children’s Literature Mentee Writing Award

Mentee Award, SCBWI LA International Conference

2017 1st Place Portfolio, SCBWI Northern California Conference

2nd Place, California State Fair, Plein Air

2016 1st Place Portfolio, SCBWI Northern California Conference

1st Place, Capitola Plein Air competition, Capitola CA

Honorable Mention, Society of Children’s Book Writers and Illustrators (SCBWI) Northern California Conference logo

1st Place Portfolio, SCBWI Northern California Conference

2015 1st Place, SCBWI Northern California Conference logo

2006–08 Gold Medal for Annual Report, MAC

2006 Best of Show for Coordinated Campaigns, CUES

Gold Medal for Direct Mail, CUES

1st Place, Plein Aire Competition, Turlock, CA

1999, 06, 07 Gold Medal for Coordinated Campaigns, CUES

1999 2nd Place Gallo Art Show, Modesto, CA

Private Funding Award, Stockton Art League Juried Exhibition

1998 Best of Show, Stockton Art League Juried Exhibition

1998 Gold Medal for Logo, MAC

CHAD HUNTER STUDIO ILLUSTRATION & DESIGN COMMISSIONS (PARTIAL LIST)

Washington Post

WordPerfect Magazine

Access Magazine

Utility Telecom

University of the Pacific

PacWest Telecom

Delicato Winery

Brubeck Institute

Salt Lake City Art Director’s Club

MURAL COMMISSIONS

Manteca Unified School District

August Knodt School

George Komure School

Golden Valley School

Golden West School

Joseph Widmer School

Lathrop High School

Lincoln School

McParland School

Manteca High School

PLEIN AIR COMMISSIONS

Clapper and Schmidt Wedding

Robird Event Wedding

Trejo and Busch Wedding

Kohenen and Van Houtte Wedding

COURSES TAUGHT

Foundation Drawing

Foundation Digital Media

Lettering and Typography

Graphic Design

Illustration

Visual Identity and Branding

Intermediate Graphic Design

Digital Photography

Web Design

Type and Image

REPRESENTED BY EAST/WEST LITERARY

Networking Magazine

Manteca CVB

Graphic Artist Guild (National)

Sactown Magazine

Mary Graham Children’s FDN

Power Contents, Korean publisher

Montag Press

Shakefest

SCBWI Nor Cal

Mountain House High School

Neil Hafley School

Sequoia School

Sierra High School

Stella Brockman School

Woodward School

Weston Ranch High School

Teter Architecture

Stanislaus Office of Education

Publication Design

Fundamentals/Observational Drawing

Image Manipulation

Digital Illustration

Intermediate Ad Campaign

Advanced Ad Campaign

Project Study

Digital Illustration

Illustrative Concept Design

ELLEN ROEHNE

Artist Statement

This new work is part of a larger series that deals with the things we carry with us throughout our lives or just for a moment. These may be physical, emotional, or psychological burdens or blessings; the things that make us uniquely human and influence how we relate to the world. What we hold close to our hearts, what we desperately grasp for, or what we allow to weigh us down; these are all part of the human condition. This is a subject that continues to surface in my work. How we personally manage what we carry with us through life impacts who we are and how we see the world.

The process of working with clay and mixed media is an integral part of the meaning behind each piece. I work through chance and accident, continuously making conscious and subconscious choices until the work feels finished. Creating with clay allows this fluidity to occur naturally. I am constantly adding, subtracting, pushing and pulling the clay until the figure emerges, oftentimes completely different than my initial intentions. I feel that this is an important aspect of my process. By allowing the clay to have a voice in the story I am telling, hidden secrets may be revealed, providing answers that I might not even know I was seeking.

Once the clay figures are built and bisque fired, the surfaces are stained, glazed, and undergo a second firing. This is also done in a very experimental way, combining glazes or firing multiple times until the desired effect is achieved. The nature of glazing is that it is unpredictable. This is what draws me to it, the unknown. There is a sense of magic and wonder every time the kiln lid is opened to reveal what occurred during the firing process.

I also use many found objects in my work which often add a human element or history of past use. These may be gifts from nature, items discovered on long walks, or refuse laying on the side of the road. I love to use things that others would consider trash

and give them a new life, seeing possibilities and beauty in the most mundane items. Overall, my creative process connects to the human condition, both mundane and profound experiences. Through building, glazing and enhancing these figures, I strive to tell a story that relates to the viewer in our shared existence.

Unconscious Wanderings

Unconscious Wanderings is my most significant piece in this show for a few reasons. First of all, it has inspired a whole new body of work about the connection between humanity and nature. It is also about serendipity, which is not new to my creative process. It was initially begun as a reaction to a book titled “How to Train a Wild Elephant” about meditation and the unconscious mind. I was almost finished but was not satisfied with the outcome until a friend gave a string of nails she found in front of her house. This was exactly what was needed and became the perfect crown to complete the piece. This piece also inspired me to build figures as puppets like this one, with various parts put together after firing, which speaks to the frailty of human nature. The thread that holds my work together is seeing the beauty in seemingly inconsequential items and including these as part of the narrative.

ELLEN ROEHNE

EDUCATION

1998 M.F.A. Sculpture, John F. Kennedy University, Berkeley, CA

1993 B.F.A. Ceramics, California State University, Chico, CA

1987 Mixed Media Studio Art, Romerike Folkehoyskole, Jessheim, Norway

SOLO EXHIBITIONS

2020 BEING (Human), FDC, California State University, Stanislaus, Turlock, CA

2019 Many Mini Memories, The Chartreuse Muse, Modesto, CA 2016 Transformations FD C, California State University, Stanislaus, Turlock, CA

2015 Labels Installation, The Chartreuse Muse, Modesto, CA

2011 Recent Work, Teagues, Longview, WA

2007 Lost and Found, University Gallery, California State University, Stanislaus, Turlock, CA

2005 The Muse, The Chartreuse Muse Gallery, Modesto, CA

1999 Animal Tales - performance and installation, Oakland Museum, Oakland, CA

New Work, CCAL Gallery, Modesto, CA

1998 Girls, Boys and Toys, Art Annex Gallery, Berkeley, CA

Labels, John F. Kennedy University Gallery, Berkeley, CA

1997 Tea Dreams, The Art Explosion Gallery, San Francisco, CA

1993 Figures on the Wall, Lew Oliver Gallery, Chico, CA

Dreams, University Gallery, California State University, Chico, Chico, CA

1992 Elements, Phoenix Gallery, Chico, CA

1991 The Figure, Sienna Gallery, Chico, CA

SELECTED GROUP EXHIBITIONS

2019 Things We Carry, The Chartreuse Muse, Modesto, CA

Tiny Anomalies, The Chartreuse Muse, Modesto, CA

2017 CSU Stanislaus Faculty Exhibition, Art Space on Main, Turlock, CA

2015 Speech Patterns The Chartreuse Muse, Modesto, CA

2014 Faculty Show ASOM Gallery, California State University, Stanislaus, Turlock, CA

2013–2017 The Art of Justice, Stanislaus Family Justice Center, Modesto, CA

2012 The Many Faces of Clay, Mistlin Gallery, Modesto, CA Figures of Speech, The Chartreuse Muse, Modesto, CA

2011 Found Again, The Chartreuse Muse Gallery, Modesto, CA 2009 2 Muse The Chartreuse Muse Gallery, Modesto, CA

2007 Opening, The Chartreuse Muse Gallery, Modesto, CA

2004 Hildegaard Festival, California State University, Stanislaus, Turlock, CA Alumni Exhibition, John F. Kennedy University Gallery, Berkeley, CA

Faculty Show, University Gallery, California State University, Stanislaus, Turlock, CA Women’s Work, The Chartreuse Muse Gallery, Modesto, CA

2001 Outside the Box, Modesto Art Center Gallery, Modesto, CA

Three Women, Sculptors Carnegie Art Gallery, Turlock, CA

2000 The Art of Recycling, Stanislaus County Fairgrounds, Turlock, CA

1999 Opening Tricks, Festival of the Arts, Berkeley, CA

1999 What is Art For? Oakland Museum, Oakland, CA

1998 Human Habit, William King Regional Arts Center, Abingdon, VA

Lead Into Gold, Gallery Route One, Point Reyes, CA

Animals and Their People, Sebastopol Center for the Arts, Sebastopol, CA

An Homage to Inspiration, Danville Fine Arts Gallery, Danville, CA

Re-Membering Arts, Annex Gallery, Berkeley, CA

Women Artists, New Work Central California Art League Gallery, Modesto, CA

Trash Into Treasures, YWCA Gallery, Oakland, CA

1997 Calcinatio, The Art Explosion Gallery, San Francisco, CA

Journey Into Wholeness, Center for the Visual Arts, Oakland, CA

Collage and Assemblage, Arts Benicia, Benicia, CA

Spring Show, The Art Explosion Gallery, San Francisco, CA

Between Dreams, Arts Annex Gallery, Berkeley, CA

1996 A Woman’s Worth, Wednesday’s Gallery, Santa Cruz, CA

Bay Area Artists, The Art Explosion Gallery, San Francisco, CA

13th Annual Dream Art Exhibit, Claremont Resort, Berkeley, CA

1995 Summer Art Show, The Art Explosion Gallery, San Francisco, CA

1993 California Clay Competition, The Artery, Davis, CA

37th Annual Student Exhibition, California State University, Chico, Chico, CA

1992 Feats of Clay, Lincoln Arts Center, Lincoln, CA

California Works, California State Fair, Sacramento, CA

National Women’s Month Show, Planned Parenthood, Chico, CA

Figurative Sculpture, California State University, Humboldt, Arcata, CA

1991 It Figures, Ayres Gallery, Chico, CA

1987 Romerike Art Show, Radhus Gallery, Jessheim, Norway

1986 International Art Exhibit, Romerike Gallery, Jessheim, Norway

SELECTED AWARDS, GRANTS & RESIDENCIES

2000–2003 Arts Enrichment Grant, Central California Art League, Modesto, CA

1999–2002 California Arts Council Grant, Artist in Residence, Stanislaus County, CA

1999-2000 Project Alive Grant, Stanislaus County Arts Council, Modesto, CA

1998 Susan Seddon Boulet Award, Berkeley, CA

Award of Merit, The Flame, Berkeley, CA

1992 Summer Arts Scholarship, California State University, Humboldt, Arcata, CA

SELECTED REVIEWS, PUBLICATIONS, & ARTICLES

Their Own Muse, The Modesto Bee, September 11, 2009

Beauty for Ashes, Lifewind Publications, October 2008

David Hill. A Work of Art for Trio, The Modesto Bee, February 2, 2003

Leo Stutzin. Outside the Box, The Modesto Bee, October 5, 2001

Artist’s Reception, Turlock Journal, July 27, 2001 Karen Hunt. The Jury’s In San Francisco Chronicle, February 12, 1999

Re-Membering, Video Interview, September 8, 1998

April Street. The Human Habit, William King Regional Arts Center Catalog, July 1998

Current Work Television Interview, Sputnik’s Rocket to Stardom, May 1998

Holly Metz. Woman on the Verge, Chico News and Review, December 9, 1993

Laura Weir. Ceramics of the First Order on Display, Davis Enterprise, April 1, 1993

Bjorg Ytterhus. Elevutstilling I Radhuset Jessheim Dagblad, February 3, 1987

Tom Haehre. Folkehoyskole med Fagerik Jessheim Dagblad, December 10, 1986

SUSAN STEPHENSON

Artist Statement

At a time of unprecedented visual abundance— when artists sift through hundreds of photos before layering them into a single image—I remain a steadfast oil painter, determined to continue my slowcooked practice of working from direct observation as much as possible. Rather than turning my back on the contemporary world, I am responding to it in the most primal means I know.

Everyday scenery is fodder for my paintings. Navigating a line between attraction and unease, I am torn between the lovely places that appeal to collectors and locations that some might find unpaintable. Traffic lights and stop signs inspire me, as does the way sunlight hits the “do not pass” lines in the road. Instead of pretending that electric lines are nonexistent, I use them to break the sky into visual patterns, letting them catch the light and become orange against the blue dome of the atmosphere. Every day, people are bombarded with chances to see beauty in the mundane and yet sleepwalk past them. Rather than wait a hundred years for our culture to look back wistfully at some of the things we currently overlook, I prefer to show their beauty right now—why wait?

My easy relationship with curvilinear perspective is partly due to growing up in a geodesic dome. After twenty years of using the wraparound view, it now permeates my work automatically, and the spatial relationships of

landscape define all of my work regardless of genre. I find it meditative to look for equilibrium among a work’s formal relationships and the visual cues from a particular location. As a result, balancing abstraction and reality has become one of my primary reasons for creating. Ultimately, I look for combinations of modern life and contemporary scenery that spark that peculiar blend of kooky and beautiful I find so compelling.

Sunday Afternoon,Turlock

Sunday Afternoon, Turlock, is an oil painting on a birch panel, and it was developed on location in downtown Turlock. I didn’t expect to find a new painting site on my way home from the Carnegie Arts Center, but that’s what happened: driving towards the railroad tracks, I noticed the sunlight turning a modest telephone pole luminous against the sky, and I had to stop and look around. Like many of my paintings, I stumbled into the idea of it while thinking about other things.

SUSAN STEPHENSON

EDUCATION

1992 MFA in Painting, Boston University, Boston, MA. Studied with John Moore.

1990 BFA in Studio Art - Painting, Louisiana Tech University, Ruston, LA. Graduated summa cum laude, Phi Kappa Phi.

SELECTED EXHIBITIONS

2020 LOCATION LOCATION LOCATION, The Chartreuse Muse Art Gallery, Modesto, CA.

2019 HERE THERE EVERYWHERE, Stan State Art Space, California State University - Stanislaus, Turlock, CA.

AN ARTISTIC LEGACY: 1 + 1 + 1, Phoebe & Belmont Towbin Wing, Woodstock Artists Association Museum, Woodstock, NY.

Catalog available. Curator: Janice La Motta.

OBSERVATIONS, Faculty Center for Excellence in Teaching and Learning, California State University - Stanislaus, Turlock, CA.

THE MIND’S I: SANTIAGO, Andrea Brunson Space, CV Galeria, Santiago, Chile. Curated by Anne Harris and Andrea Brunson.

2018 DRAWING FROM PERCEPTION VIII, Robert and Elaine Stein Galleries, Wright State University’s Department of Art and Art History, Dayton, OH. Curator: Catherine Kehoe

2017 THE MIND’S I, Dalton Warehouse, Los Angeles, CA. Curator: Anne Harris.

CONVERSATIONS: STUDIO & TABLE: Works by guest artists at the July-August,

2016 Joseph A. Fiore Art Center Artist Residency Program, Studio & Dinner discussions, The Gallery at Rolling Acres, The Joseph A. Fiore Art Center at Rolling Acres Farm, Jefferson, ME.

54th Annual Juried Competition, Masur Museum of Art, Monroe, Louisiana. Gia Hamilton and Daniel Stetson, jurors.

2016 ENDLESS SUMMER, Cate Charles Gallery, Westerly Land Trust, Westerly, RI.

2015 SUSAN STEPHENSON, Cate Charles Gallery, Providence, RI.

SUSAN STEPHENSON: An Informal Exhibition of a Visiting Artist, Loomis Chaffee School, Avon, CT.

2014 DOORS OF PERCEPTION: HOLLIS DUNLAP, NATHAN LEWIS, AND SUSAN STEPHENSON, Six Summit Gallery, Ivoryton, CT.

2011 A UNIQUE PERSPECTIVE: SUSAN STEPHENSON AND DEBORAH RANDALL, Cate Charles Gallery, Stonington, CT.

SUSAN STEPHENSON: GUEST ARTIST, Imago Gallery, Warren, RI.

2010 CONTEMPORARY REALISM BIENNIAL, Fort Wayne Museum of Art, Fort Wayne, Indiana.

2007 SUSAN STEPHENSON: INSIDE - OUT: Selections from the Past Eight Years, Stonington Vineyards Gallery, Stonington, CT.

2006 THE LANDSCAPE OF GOLF, Newport Art Museum, Newport, RI.

2005 LACFA AT THE THE ARNOT ART MUSEUM, Arnot Art Museum, Elmira, NY.

URBAN ESCAPE, City Lights Gallery, Bridgeport, CT.

2004 SUSAN STEPHENSON: COLOR AND LIGHT, Masur Museum of Art, Monroe, LA.

REALISM NOW: TRADITIONS AND DEPARTURES, Vose Gallery, Boston, MA.

MIAMI UNIVERSITY YOUNG PAINTERS COMPETITION, Hiestand Galleries, Oxford, OH.

2003 SUSAN STEPHENSON: RECENT PAINTINGS, South College, University of Massachusetts, Amherst, MA. Invitational.

2001 SUSAN STEPHENSON: RECENT WORKS, Stonington Vineyards Gallery, Stonington, CT.

AMERICAN LANDSCAPES, MFA Circle Gallery, Maryland Federation of Art, Annapolis, MD. Gary Vikan, Juror.

2000 PAINTINGS OF THE GRIFFIS ART CENTER, Pfizer Central Research Division, Groton, CT.

1999 SUSAN STEPHENSON: RECENT PAINTINGS, Stonington Vineyards Gallery, Stonington, CT.

1998 FIGURE DRAWING IN THE ACADEMY TRADITION: 1890 – 1998, Lyme Academy College of Fine Arts, Old Lyme, CT.

1997 VISIONS OF THE SEA, Gregory Gallery, Darien, CT.

1996 LANDSCAPES: A NEW ENGLAND VIEW, Gregory Gallery, Darien, CT.

1995 REFIGURING THE FIGURE, Creative Arts Workshop, New Haven, CT. Helen Cooper, Juror.

SELECTED AWARDS AND HONORS

Corporate Collections: Masur Museum, Pfizer Central Research, The Griffis Art Center.

Lecture: Up Close & Personal, Ocean House, Watch Hill, RI, May 2017.

Lecture: Center for Creative Arts, Lyme Academy College of Fine Arts, February 2016.

Creative Capital Professional Development Workshop, Providence, RI, 2011.

Painting Fellowship: Rhode Island State Council on the Arts, 2004.

Fellowship: Lyme Academy College of Fine Arts Faculty Travel Grant, 2002.

Artist in Residence: Ocean House Hotel, Watch Hill, RI, July, 2017.

Artist in Residence: Loomis Chaffee School, Avon, CT, January, 2014.

Artist in Residence: The Griffis Art Center, New London, Connecticut, 1994 – 95.

Artist in Residence: Association for Visual Artists, Chattanooga, Tennessee, 1993.

1992 NAN Award. Chosen by painting faculty, Boston University College for the Arts.

SELECTED BIBLIOGRAPHY

THE DAY, “Endless Summer” Kicks Off in Westerly. Amy Barry, July 24, 2016.

ARTIST ON ARTIST INTERVIEW, Polly Seip Blogspot: Interview with Susan Stephenson, by Polly Seip. October 1, 2014

STONINGTON-MYSTIC PATCH, “Susan Stephenson Paints Barefoot in the Borough,” by C.M. Glover. June 29, 2011.

THE DAY, “Capturing Color and Local Views,” by Amy Barry. November 3, 2011.

AMERICAN ART COLLECTOR, “Museum Curator: Old Lyme, Miss Griswold, and the Yale Art Gallery,” by John O’Hern. March, 2007. Pp. 56 - 61.

THE BOSTON GLOBE, “Exhibit is a Learning Experience,” by Christine Temin. December 10, 2003.

INTERNATIONAL ARTIST, “Notable Exhibitions: Mentors and Protégés,” October/November, 2003. Pp. 18- 31.

REALISM NOW: TRADITIONS AND DEPARTURES, MENTORS AND PROTÉGÉS, Part 1, Published in 2003 by Vose Galleries, Boston, Inc.

THE WESTERLY SUN, “Seaport Gallery to Offer Prints by Ashaway Artist,” by Sara Ross Clark. June 25, 2002.

THE NEW YORK TIMES, “Wit in Force, Figures Talking to Each Other,” by William Zimmer. April 30, 1995.

TEACHING HISTORY

1995–2017 LYME ACADEMY COLLEGE OF FINE ARTS - Full-time Associate Professor

1995–96 SALVE REGINA UNIVERSITY - Sabbatical Replacement

1993–94 UNIVERSITY of LOUISIANA at MONROE - Adjunct Instructor

1990–92 BOSTON UNIVERSITY SCHOOL for the ARTS - Teaching Assistant

JAKE WEIGEL

Artist’s Statement

It is very difficult to determine a top ten list of anything, much less the most important works of art within a career, but I have done so under immense pressure and agony. The final works were selected for their intellectual rigor and material development over the past 34 years. My art continues to explore the human condition expands through several areas of study and connection with a personal narrative.

Weigel 10 (Far right)

As I reflect on the work of art selected for this presentation, this particular piece is important because I did almost absolutely nothing to create it. In fact, it was a mistake in creation. While the discomfort of this realization was almost impossible to overcome, shattering my ego in the process and creating the existentialist dread that all artists experience at several points over their lifetime, the ability to learn and move beyond this work became essential for me to continue my creative practice.

All: dimensions variable, 1986–present

JAKE WEIGEL

SOLO & TWO* PERSON EXHIBITIONS

2022 Untitled (For Now), Gallery 406, Elon University, Elon, NC

2021 Finding A Center in the Piece, Ernest G. Welch Galleries, Georgia State University, Atlanta, GA

2019 Under the Mountains, Frontier Space, Missoula, MT

2018 Latent Offerings, Art Space, California State University, Stanislaus, Turlock, CA

The Forgotten Orbits, Epekel Gallery, Merced, CA

Captured Orbits (In Three Acts), The InsideOut, Sacramento, CA

Act I: Blueshift

Act II: Anthropologies of a Photon

Act III: signs (for ( ))

SELECT JURIED* & INVITATIONAL GROUP EXHIBITIONS

2020 Let Now Be, Manifest, Cincinnati, OH* (Catalogue)

Habitat California: Flora & Fauna, Palos Verdes Art Center, Rancho Palos Verdes, CA*

2019 Packaged, Manifest, Cincinnati, OH* (Catalogue)

Craft Revolution, Orange County Center for Contemporary Art, Santa Ana, CA*

Nuance: Craftsmanship, Imagination and Innovation, Peters Valley School of Craft, Layton, NJ*

Anderson Ranch Annual Art Auction, Anderson Ranch, Snowmass Village, CO (Catalogue)

Architectonic, Foundry Art Centre, St. Charles, MO*

Poets in the Gallery, Josee Harris Gallery, Seton Hill University, Greensburg, PA

2018 140 Characters, Root Division, San Francisco, CA

Parsing Sign and Image, Art League Rhode Island, Providence, RI (Catalogue)*

Calligraphies in Conversation: In Search of Hidden Meaning, Ziya Arts Center, Berkeley, CA*

Anderson Ranch Annual Art Auction, Anderson Ranch, Snowmass Village, CO (Catalogue)

AP Art Review, Utah Art Alliance Art Hub, Salt Lake City, UT

Central California Art Association Juried Member Show (Juror Exhibit), Mistlin Gallery, Modesto, CA

SELECT GRANTS, AWARDS & RESIDENCES

2021 Visiting Artist, Sloss Furnaces National Historic Landmark, Birmingham, AL

Digitization and casting of Sloss wood patterns permanent collection and industry artifacts.

2020 Research, Scholarly and Creative Activities Grant (University), CSU, Stanislaus ($9,193) Investigation of digital processes for fabrication of public sculptures.

Research, Scholarly and Creative Activities Grant (College), CSU, Stanislaus ($5,000)

Investigation of CNC plasma cutting processes for fabrication of large public sculptures.

Instructional Related Activities Award, CSU, Stanislaus ($76,760)

Funding for four student assistants to operate 3D printers in sculpture and digital fabrication studios, 3D printing pens, 3D printer maintenance and computers for digital fabrication lab.

Dean’s Teaching Initiative Grant, CSU, Stanislaus ($500) For 3D Scanning Software

Dean’s Teaching Initiative Grant, CSU, Stanislaus ($500) For Student Assistant in Online Course Development

2019 Visiting Artist, Sloss Furnaces National Historic Landmark, Birmingham, AL

Use of photogrammetry to enlarge and cast sculptures with ceramicist Matt Long (The University of Mississippi) through the CNC milling process.

Research, Scholarly and Creative Activities Grant (University), CSU, Stanislaus ($7,000)

Investigation of CNC milling and woodworking technology.

Research, Scholarly and Creative Activities Grant (College), CSU, Stanislaus ($3,000) Investigation of CNC milling and woodworking technology.

Instructional Related Activities Award, CSU, Stanislaus ($30,000)

Funding for two student assistants to operate 3D printers in digital fabrication lab, 3D printing pens, 3D printer maintenance and computers for digital fabrication lab.

Dean’s Travel Initiative ($1,000)

For Under the Mountains solo exhibition at FrontierSpace in Missoula, MT.

Dean’s Travel Initiative ($900)

For professional service at Sloss Furnaces, Birmingham, AL.

2018 Pentaculum Invitational Residency, Arrowmont School of Arts and Crafts

Research, Scholarly and Creative Activities Grant (University), CSU, Stanislaus ($10,000)

Investigation of bronze and aluminum casting involving 3D printing.

Innovate, Design, Excel & Assess for Success (IDEAS) Grant, CSU, Stanislaus ($10,165)

For twenty 3D printers to develop a digital fabrication lab.

Innovate, Design, Excel & Assess for Success (IDEAS) Grant, CSU, Stanislaus ($5,000)

For creation of an experimental installation space in sculpture using a shipping container.

Instructional Related Activities Award, CSU, Stanislaus ($34,500)

For updating and further development of metal casting processes and metal fabrication facilities, funding for two student assistants to operate 3D printers in digital fabrication lab.

Dean’s Teaching Initiative Grant, CSU, Stanislaus ($500)

For mini CNC milling machine to produce prototypes from digital files.

Office of Service Learning Faculty Mini Grant, CSU, Stanislaus ($500)

Material for public benches developed in Public Art course.

WORKSHOPS

2021 CAD Designed & 3D Printed Part Molds, National Conference on Contemporary Cast Iron Art and Practices, Birmingham, AL

2020 CAD Designed Mold Systems, Anderson Ranch Arts Center (Online)

2019 CNC Patternmaking for Metal Casting, Anderson Ranch Arts Center

Sculptural Concrete Casting, Arrowmont School of Arts & Crafts

2018 Sculpture Foundations, Anderson Ranch Arts Center Program, Mississippi State University

LECTURES & PANEL PRESENTATIONS

2021 Digital Techniques for Metal Casting, National Conference on Contemporary Cast Iron Art and Practices, Birmingham, AL (Online)

2020 Discovering A Soul in the Computer: Unifying CNC and Analog Processes in Sculpture, Southeastern College Art Conference (SECAC), Virginia Commonwealth University (Online)

2019 Artist Lecture, Arrowmont School of Arts & Crafts, Gatlinburg, TN Courses on Sustainability: Visual Art & Ecology, Faculty Learning Community, CSU, Stanislaus

Faculty Spotlight, “3D Printing in the Arts”, CSU, Stanislaus

2018 Discovering A Soul in the Computer: Unifying CNC and Analog Processes in Sculpture, Southeastern College Art Conference (SECAC), University of Alabama, Birmingham

Latent Offerings, Art Space, CSU, Stanislaus

Visiting Artist Lecture, Georgia State University, Atlanta, GA

ACKNOWLEDGEMENTS

CALIFORNIA STATE UNIVERSITY, STANISLAUS

Dr. Ellen Junn, President

Dr. Kimberly Greer, Provost/Vice President of Academic Affairs

Dr. James A. Tuedio, Dean, College of the Arts, Humanities and Social Sciences

DEPARTMENT OF ART

Martin Azevedo, Associate Professor, Chair

Tricia Cooper, Lecturer

Dean De Cocker, Professor

James Deitz, Lecturer

Daniel Edwards, Associate Professor

Patrica Eshagh, Lecturer

Jessica Gomula-Kruzic, Professor

Daniel Heskamp, Lecturer

Chad Hunter, Lecturer

Dr. Carmen Robbin, Professor

Ellen Roehne, Lecturer

Dr. Staci Scheiwiller, Associate Professor

Susan Stephenson, Associate Professor

Jake Weigel, Associate Professor

Meg Broderick, Administrative Support Assistant II

Kyle Rambatt, Equipment Technician II

UNIVERSITY ART GALLERIES

Dean De Cocker, Director

SCHOOL OF THE ARTS

Brad Peatross, Graphic Specialist II Stan State Art Facutly - 100 by 10

November 13–December19, 2020 | Stan State Art Space, California State University, Stanislaus | 226 N. First St., Turlock, CA 95380

300 copies printed. Copyright © 2020 California State University, Stanislaus • ISBN 978-1-940753-55-3 All rights reserved. No part of this publication may be reproduced or transmitted in any form without the written permission of the publisher. This exhibition and catalog have been funded by Associated Students Instructionally Related Activities, California State University, Stanislaus.