Patrick John Stuver FINDING VALUE IN THE LEFT BEHIND
Erlendur Fashion Week Icela n d
THE BUSINESS OF FASHION FROM AN ETHICAL STANDPOINT
Dísa Dungal
SHOWCASING DESIGNERS FROM ALL OVER THE GLOBE OCT-NOV 2024
Saving The Planet
DEFEATING DEATH TO LIVE HER DREAMS
$25.00
THE FALL ISSUE 1
OCT - NOV 2024 ISSUE # 60ICE
Visual Art| Patrick John Stuver
Finding
Value Patrick John Stuver Works to Create a Sense of Permanence
Patrick John Stuver
in the Left
Behind
D
rawing from a lifelong practice of working with found objects, California-based multi-media artist Patrick John Stuver describes his work as producing paintings and sculptures that are natural, free-flowing combinations of materials and ideas. Stuver?s ?talismans? and textural paintings use paint and other materials such as studio debris to create thick topographical layers that explore color, form and the natural world. ?Found object art, when successfully arranged, is fascinating. To take detritus or things left behind, reimagine them and combine them in ways that are outside their original intent or purpose and in doing so end up with something new? I find this to be incredibly rewarding,? he explains. Speaking about his practice, Stuver says his creative process always begins with materials ? both collected and made ? that are then met by ideas inspired by long and careful study of the natural world, as well as memories that re-emerge when the materials are under manipulation. ?Nature is full of macro and micro versions of the same patterns, and my observations often lead to the topographical features found in my work,? continues Stuver. ?I wander constantly, observing the organized chaos of the natural world, from tree bark to clouds to landscapes at different vantage points. These shifting patterns all feed into what I call my ?imagimemory?, where the memory of place and nature pulls at my consciousness.? According to Stuver, over the last two decades, his interest has transitioned from finding curious bits of discarded objects into a practice of gathering incurious materials
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such as packing paper, cardboard boxes, sawdust, paste, clay, dregs of glue, and pieces of woodworking. Based on a strong desire to rearrange the world by finding meaning in random patterns, his artworks often contain hidden messages and embedded sub-images. Elaborating on the phenomenon of face pareidolia, Stuver remarks resisting imagery that enables viewers to have an ?all-at-once? experience creates subtle Easter eggs that encourage a deeper relationship with the work. ?I don?t set out to create faces but [I ] cannot avoid seeing them either,? he says.
Stuver shares, ?I think my work is about pulling out patterns, shifts in shadows, and textural directions. I want a viewer of my art to find something new every time they look at one of my creations. Art should grow into the spaces it is placed in. Depending on color, light and position it may well be better one way or another, and I want viewers and collectors of my work to feel that kind of flexibility and sense of discovery.?
Sense of permanence and zero waste Having moved around the country regularly as a child, Stuver often found himself on the fringes and feeling a sense of impermanence or a lack of roots. The constant cycle of reconstruction he experienced during childhood has instilled a desire to create work that will last for generations. This commitment has impacted both Stuver?s creative process and outlook on the art viewer or receiver?s experience.
Diablo I, 2023, 24 x 24 in
?I suppose my practice now is about creating a sense of permanence with art made from styles and materials that can endure. I often test materials to make sure that years after creation they won?t collapse,? he says. ?I f I detect some form of instability, degradation or softening when a piece is curing, I disassemble and rebuild it. This is also the key reason I create all my canvases myself. I want my art to endure for hundreds of years, to outlive my collectors?great, great, great grandchildren.?
Doko I, 2023, 24 x 24 in
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A BA NNA NA W A LL....
D U C T- TA P ED O N A
A RT.
A banana is taped to a white wall with gray tape. A conceptual look at contemporary art. Ripe banana glued to a white isolated background. Free space for text and ads. I f you don't remember this scandal check out our blog in CREATI VMAG.COM (yes that really happened in 2019 the art was dubbed "Comedian" by artist M a ur izio Ca ttela n
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TH E U LTIM A TE M A RK ETIN G TO O L D U RIN G A RT W EEK IN M IA M I.
W W W .C REA TIVA RTW EEK .C O M
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Mold Your M ind. Conquer Your World.
MOGULMI NDSET.ONLI NE
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W ho's W ho| Sustainable Fashion Kesi Gibson M od el : Karishma Ph ot ogr ap h er : Kona Kamai Fash i on D esi gn er : Kesi Gibson Cr eat i ve D i r ect i on : Club Debut St yl i n g: Kesi Gibson
KYU BY KESI Infusing Heritage and Ethics into Fashion Empowering Conscious Consumers and Entrepreneurs through Ethical Luxury 44 | NeoBoCREATIV | Oct - Nov 2024 |www.creativmag.com
K KYU BY KESI , founded by Kesi Gibson, embodies a brand ethos deeply rooted in values of individuality, sustainability, and ethics. Central to its philosophy is the mantra "Putting Humanity Back into Fashion," a principle that guides every facet of the brand. Kesi?s Jamaican heritage serves as a foundation, inspiring not only the aesthetics of the brand but also its mission to create fashion that empowers, respects the planet, and champions ethical practices in an industry often dominated by fast fashion.
Th e I n f l u en ce of Jam ai can H er i t age on K YU BY K ESI : Kesi?s Jamaican heritage is integral to the soul of KYU BY KESI . The island's vibrant culture, bold colors, and rich tradition of craftsmanship can be seen in the brand?s designs, but it goes beyond aesthetics. Jamaican culture is rooted in a deep sense of community and resilience, values that KYU BY KESI integrates into its fashion philosophy. The brand?s commitment to "Putting Humanity Back into Fashion" reflects Jamaica?s strong connection to nature and the value placed on self-expression and individuality. KYU BY KESI merges creativity with purpose. Each collection offers more than fashion? it tells a story of empowerment, aiming to inspire individuals to express themselves authentically while making a positive impact on the world. The brand doesn?t follow trends but prioritizes creating timeless, ethically-made pieces that celebrate diversity and culture. I n this way, Kesi?s Jamaican roots serve as both a creative and ethical guide for the brand.
Et h i cal L u xu r y i n Pr act i ce:
KYU BY KESI takes pride in promoting ethical luxury, ensuring that every step of its production chain aligns with its core values of sustainability and fairness. Ethical luxury, as defined by the brand, involves designing beautiful, high-quality fashion while considering the well-being of people and the planet. Kesi and her team work closely with artisans and suppliers who share their commitment to fair wages, safe working conditions, and sustainable practices. By focusing on the humane side of fashion, KYU BY KESI strives to create pieces that are not only luxurious but also socially and environmentally responsible.
KYU BY KESI seeks to shift this mindset, encouraging consumers to embrace a "buy better" philosophy instead of "buy more." To further this message, the brand has partnered with Club Debut to produce a docuseries, aimed at educating a broader audience about
The brand places great emphasis on selecting raw materials with care, ensuring minimal waste and environmental impact throughout the production process. This focus on sustainability, however, comes with its challenges. Ethical suppliers and sustainable materials often come at a higher cost, making it difficult to compete with fast fashion prices. Nevertheless, KYU BY KESI remains steadfast in its mission, educating consumers on the value of investing in ethically-made fashion rather than mass-produced, disposable clothing.
Photographer: Josie Zetina
sustainable fashion.
Em p ow er i n g Ot h er Cr eat or s:
Challenges in Building a Sustainable Fashion Brand: The journey of building KYU BY KESI has been both rewarding and challenging. One of the major hurdles is competing against the fast fashion industry, where low costs and quick turnarounds dominate. Sourcing sustainable materials and partnering with ethical suppliers often comes with a higher price tag, which can be challenging for a young brand. However, Kesi and her team remain committed to their values, refusing to compromise on quality or ethics.
Beyond designing clothing, KYU BY KESI is dedicated to empowering other entrepreneurs and creators. Through collaborations with artisans and makers, especially within its sub-brand, Kyu Melange, the brand provides resources, training, and visibility for small business owners. This collaborative approach not only enriches KYU BY KESI ?s collections but also helps local artisans grow their businesses, creating a ripple effect of positive impact. I n addition to these collaborations, KYU BY KESI offers workshops and mentorship programs for aspiring fashion entrepreneurs. These initiatives focus on sustainable business practices, creative development, and ethical fashion, ensuring that the next generation of designers is equipped to navigate the industry with purpose and integrity.
Educating consumers about the importance of ethical fashion has also been a challenge. Fast fashion has conditioned many people to expect cheap clothing with rapid production cycles. www.creativmag.com |Oct - Nov 2024 | NeoBoCREATIV | 45
FeaturedStories| Visit Iceland
TheLandof Fire, Ice, andUnforgettabl e Adventure
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ICELAND celand, the land of fire and ice, has captivated travelers for centuries with its dramatic landscapes, awe-inspiring natural wonders, and unique culture. Situated in the North Atlantic Ocean, this island nation is home to a rare juxtaposition of active volcanoes, expansive glaciers, rugged fjords, and serene hot springs. I n this expose, we?ll delve into I celand?s most breathtaking sights, from volcanic powerhouses to frozen glaciers, while exploring the country?s unique climate and vibrant cultural scene.
I
I celand's history is deeply rooted in its Viking heritage and unique geographic position in the North Atlantic. The island was first settled in the late 9th century by Norse explorers, led by I ngólfr Arnarson, who arrived from Norway around 874 AD. Early settlers established farms
and developed a society based on the Alþingi, one of the world?s oldest parliaments, founded in 930 AD at Þingvellir. This era is famously recorded in the I celandic sagas, narratives that blend history and mythology to recount the lives of settlers and their struggles. I n the 13th century, I celand fell under Norwegian rule, followed by a Danish monarchy in 1380. Despite periods of hardship, including plagues and volcanic eruptions, I celand maintained a distinct cultural identity. I n 1944, amid World War I I , I celand declared independence from Denmark and became a republic. Since then, it has grown into a progressive, prosperous nation celebrated for its environmental consciousness, renewable energy innovations, and vibrant cultural heritage.
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Special Events | Iceland Fashion Week
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PORNOGRAPHERS MarcoWol ff Jeff Guarino Robert Arnar
ICELAND
D IVERS ITY IN FA S H IO N
ORGANIZERS Founder EFWICarl ottaTateOlason Co-Founder EFWIBarbaraNyakinyua BiancaHal lveig
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CreativTravels | Turkey
Highland Iceland Blue Volcano Lake 96 | NeoBoCREATIV || Oct Jul --Nov Aug2024 2024 | ww.creativmag.com |www.creativmag.com
volcanic crater lake is a lake in a crater that was formed by explosive activity or a collapse during a volcanic eruption.There are multiple blue lakes in the I celandic Highlands, including lakes in volcanic craters and other blue lakes:
A
H na usa pollur La ke A dazzling blue lake in a volcanic crater that formed about 11,000 years ago. The lake's striking blue color contrasts with the darker browns, greens, and grays of the surrounding landscape. Víti
sulphurous, opaque blue water. The water temperature is usually around 22?30°C, and visitors can bathe in the lake. However, the area is remote and the roads are challenging, so visitors should be aware of slippery paths and hot mud. Fr oststa sta ða va tn A blue lake located behind the Rhyolite Ridge, north of the wardens' hut at Landmannalaugar. The lake is popular with anglers and is rich with trout and arctic char. H olm sa r lon A big blue lake in the Highlands that's accessible by 4x4 vehicle
A geothermal lake in a caldera on the shores of Öskjuvatn that's known for its warm,
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