August 8 2016, Issue 511
Bummer Summer: Country Cools
Historically Country radio shines during the summer, which makes it the most useful period for gauging the format’s overall health. Unfortunately, Country seems a bit under the weather. The July 2016 PPM survey marked the first time in five months and the first July that more stations were down in share than up as the format experiences summer lows rarely seen since PPM became currency more than five years ago. Ratings softness is especially apparent among Persons 18-34, the demographic that drove record highs in 2014 and arguably fueled a more pop-driven sound. A wave of popularity experienced in recent years appears to be over. So what exactly is happening and where are those flighty millennials off to now? Country Aircheck tapped Nielsen VP/Audience Insights Jon Miller to provide a more complete picture, not to mention a recovery update following the skiing accident that left him hospitalized for more than a month earlier this year (CAT 3/18). Countin’ Of Youth: “Enjoy it while it lasts” was the position many veteran programmers took as P18-34 shares began to peak in 2014. The demo is notably fickle and listeners within it may finally be moving on to newer and shinier things. “The one thing that does jump off the page is Country’s 18-34 shares,” Miller observes. Jon Miller The demo’s 2014 peaks were 10.6 (June), 10.2 (July) and August (10.1). Barring a significant swing one way or the other in August (to be released late this month), the summer of 2016 will likely go down as the format’s weakest since 2012 (see page 8). The better news is that other segments of the audience remain relatively steady, though not unaffected. P25-54, for example, are down little more than half a share since the highs registered in June and July of 2014 (8.4 for both). So where is the 18-34 crowd going? One clue is found in July’s year-over-year numbers, which grew most for Classic Hits, Hot AC, Classic Rock and Urban (continued on page 7)
Fix-Uppers: Big Loud’s Chris Lane (c) celebrates his No. 1 “Fix” with team members including (l-r) twin brother Cory, Morgan Sweat, Joey Moi, Stacy Blythe, Clay Hunnicutt, Maggie Abrams, Roger Fregoso, Brandon Matthews, Lloyd Norman, Jeremy Groves and Tori Johnson.
Whisperin’ Bill: One For The Books
Country Music Hall of Famer, BMI Songwriting Icon and Grand Ole Opry member Bill Anderson’s biography title, Whisperin’ Bill Anderson: An Unprecedented Life In Country Music, isn’t an exaggeration. Beginning with Ray Price’s 1958 cover of “City Lights,” Anderson’s songs have charted in seven consecutive decades – a feat no other country songwriter has accomplished. His more recent hits include 2005 CMA Song of the Year “Whiskey Lullaby” and the 2007 ACM Single and Song of the Year “Give It Away.” Anderson’s nine lives include deejay, actor, game show/ talent show host, restaurant owner and even disco chart-topper. Anderson teamed with CMHoF’s Peter Cooper to write his memoir, out Sept. 1. Pre-order it here or here. A few excerpts: Anderson, 19 years old and living a double life as a musician and deejay, was fired from his first job in radio at WGAU-AM & FM/ Athens GA for playing country music. From there he went to WJJC/Commerce, GA and started hosting The Bill Anderson Show: Bill Anderson
© 2 0 1 6 Co u n t r y A i rc h e c k ™ — A l l r i g h t s r e s e r v e d . S i g n u p f re e a t w w w. c o u n t r y a i rc h e c k . c o m . S e n d n e w s t o n e w s @ c o u n t r y a i rc h e c k . c o m
August 8, 2016
My new show came on the air every afternoon at one o’clock, and for the first two and a half hours of my shift I played country music. Nothing but country music, and all the country music I wanted. Then about three-thirty, when the area high schools began to let out ... I rocked. I mean, up until the sun went down and our little thousand-watt daytime station signed off the air, I played Elvis and Jerry Lee and Chuck Berry and the Coasters and all the rest. And I liked it. Not as much as I liked country music, of course, but in those days rock ‘n’ roll was new and was a synonym for success. More than anything else in the world I wanted to be successful. My radio program slowly but surely began to build an Anderson at WGAU/Athens, GA in audience. The grown folks 1956. liked the country music I played and they seemed to respect my knowledge of the subject. The kids loved the loud rock and the fact that they never knew what I was liable to say or do next. I screamed and yelled. I deliberately screwed up commercials, messed up artists’ names and their song titles. I told jokes, I laughed when I should have been serious, and I played it straight when everyone else was cracking up. All over northeast Georgia it became the afternoon thing to do to turn the radio dial to 1270 and partake of the craziness. There were even a few times when our signal wasn’t confined to northeast Georgia. I snooped around and found out where the knob was on the transmitter that controlled the power output of the station, and I learned how to ease it up past our assigned thousand watts. It was illegal as robbing a bank, but when nobody was looking, I’d often do it. Some days when the ground was wet along the creek bank by our tower and nature was helping amplify our signal as well, listeners would phone me from parts of North Carolina, nearly one hundred miles away. Anderson’s songwriting success led him to Nashville and a decades-long career as both artist and writer. But by the mid-’80s he was no longer considered relevant as either. Then in 1992 Steve Wariner took Anderson’s “Tips Of My Fingers” back to the No. 1 spot on the charts, 32 years after Anderson’s version. On his hairstylist’s recommendation, Anderson called another of her clients, Vince Gill, and their co-writes – including Gill’s “Which Bridge To Cross (Which Bridge To Burn)” – led to Anderson’s re-
Page 3
birth as a Music Row songwriter: “Bridge” knocked down a door that I’d thought was closed forever. I had written another hit song, my first on the charts in more than 12 years. ... Having written the song with an artist of Vince Gill’s stature gave me instant credibility within Nashville’s new songwriting community, with writers who had never before given Bill Anderson a second thought. I started calling them. More importantly, they started calling me. On writing with young songwriters: When I started writing again – and started co-writing for the first time – I knew I was going to have to adapt, and I was willing to do that. ... I let a lot of young kids tell me a lot of things, and I benefited from that, greatly. There’s no sense in worrying about what you’ve done in the past, or what the person in the room with you has accomplished. ... A blank sheet of paper is a blank sheet of paper, whether you’ve written one hundred hit songs or never written one. It’s the great equalizer, and it’s intimidating. But if you can transform that blank sheet into words and melody, rhythm and rhyme, that’s a victory. That’s the thrill of creation, and that edge of the knife never dulls. On his unexpected career resurgence: I write this roughly thirty-five years after I was finished, and two decades since I gave myself permission to try a new approach, to contribute and create rather than pine for what once was or what I thought ought to be. My late-life reality has been far richer than any ought-to-be I could have imagined. And I’d like to thank my hairstylist. –Wendy Newcomer
Chart Chat
Some firsts are bigger – and louder – than others. So the No. 1 ascension of Chris Lane’s “Fix” means there are a lot of congratulations to go around. First to Lane and the folks who got it done led by Big Loud President Clay Hunnicutt, National Stacy Blythe and the promotion team of Roger Fregoso, Nikki Jimenez, Dave Kirth, Tyler Waugh and Maggie Abrams. The label’s founding partners, Seth England, Joey Moi, Craig Wiseman and Chief Zaruk, certainly deserve accolades as well. Record labels have launched with No. 1 singles in recent memory, and even with new artists, though generally under the auspices of existing label groups. To find a truly new entity (in Country, anyway) opening with a new artist Chris Lane No. 1, it might take going back to the Zac
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August 8, 2016
MY TUNES: MUSIC THAT SHAPED MY LIFE Elizabeth Elkins from Dreamlined/ in2une’s Farewell Angelina discusses the band’s most influential music: 1. Little Big Town’s Painkiller: There are four of us in Farewell Angelina. and we all come from very different musical backgrounds – but this is one album we all agree on. It’s a super smart record from a band who isn’t afraid of anything. 2. Emmylou Harris, Dolly Parton Elizabeth Elkins & Linda Ronstadt’s Trio: Three amazing songwriters, singers and heroes of ours. Those voices. 3. Bob Dylan’s Highway 61 Revisted: After all, we named our band after one of his songs. 4. Billy Joel’s Greatest Hits Volume I-III: You cannot deny the songwriting, the arrangements or the attitude. 5. Led Zeppelin’s BBC Sessions: Because there’s nothing like rock and roll, and Plant and company do it best. • “Important” music you just don’t get: The Talking Heads. • An album you played incessantly: Fleetwood Mac’s Rumours. • One obscure or non-country song everyone should listen to right now: Anything from Chris Cornell’s Higher Truth album. • Music you’d rather not admit to enjoying: Justin Bieber’s “Love Yourself.”
UPDATE
Brown Band and Bigger Picture. But there’s no need for parsing. Big Loud ringing the bell first time out is a big deal. And a loud one. Kudos as well to Matthew Hargis and the BMLGR promotion crew on securing 32 adds for Florida Georgia Line’s “May We All,” which features Tim McGraw. The song tops this week’s board. Finally, KJUG/Visalia, CA has been operating on a back-up transmitter since July 29 and the market’s Mediabase monitor is unable to pick up the station. Consequently, KJUG has been temporarily removed from the reporting panel.
News & Notes
Lee Family Sports KART-AM/Twin Falls, ID flipped to Classic Country last week (8/1) and added a simulcast on translator K234CT.
Page 5
Bristol Broadcasting has agreed to purchase a translator and two stations, including Country WMEV/Marion, VA, from Holston Valley for $1,750,000. Radio vet Chris Diaz has joined Steel City’s Hot AC WLTJ/ Pittsburgh in mornings. Kacey Musgraves and Joe Walsh have been added to the lineup for the Sept. 27 Country Music Hall of Fame and Museum’s All for the Hall Los Angeles benefit concert. Balcony
Seek & Employ
Here’s a list of job seekers and open gigs. Not listed? Send info here and we’ll include you in a future update.
Available Jobs
iHeartMedia/Hunstville has an opening for a PD for Country WDRM and Top 40 clustermate/translator W293AH (Kiss FM). Airchecks and resumes to SVP/Programming Erich West here. Cherry Creek/Helena, MT has an opening for an OM and PD/morning host for Country KBLL. Airchecks and resumes to Group PD Mark Elliott here. Neuhoff’s WFMB/Springfield, IL has an opening for a morning co-host (CAT 7/28). Airchecks and resumes to PD Dave Marsh here. Cumulus/Grand Rapids is searching for a cluster OM and Country WTNR (Nash FM) PD (CAT 7/22). Three years of cluster management experience is required; airchecks, resumes and ratings history here. Blakeney WBBN/Laurel, MS has an opening for morning cohost. Resume and mp3 aircheck here. Forever WFGS/Murray, KY is searching for a PD. “We need a strong leader who can continue to grow the Froggy brand across all platforms,” says Dir./Programming Jared Mims. Materials to him here. Cumulus’ WFMS/Indianapolis is still searching for a «live and local» midday personality. Airchecks and resumes to OM/ PD Stephen Giuttari here. Consultant Phil Hunt has openings for experienced PDs for future openings at client stations. Materials here. Cumulus’ WKHX/Atlanta is searching for an experienced Executive Morning Show Producer for the station’s Cadillac & Dallas. View an in-depth job description and apply here. CBS Radio KMLE/Phoenix has an opening in mornings, joining existing team Chris & Nina. Submit a resume and video here.
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August 8, 2016
Saga WVVR/Clarksville, TN is searching for a morning cohost (CAT 5/24). Three years of on-air experience is required; airchecks and resumes here. CBS Radio’s KNCI/Sacramento has an opening for a PD (CAT 6/27). At least five years programming experience is required and a four-year degree in a related field is preferred. Apply here. iHeartMedia WSIX/Nashville has an opening for MD/nights. More than three years radio experience and a four-year college degree, preferably in communications or broadcast journalism, are required. Apply here.
Searching
Hannah Martin Former ACM Lifting Lives Manager hnmartin21@gmail.com
Tonya Campos Former Mt. Wilson KKGO/Los Angeles PD t.campos@sbcglobal.net Dean Warfield Former WSM-AM/Nashville PD deanwarfield@comcast.net Kassidy Stewart Former Hart Media/Bullseye Dir./Promotions & Content kassidy@goncc.com Larry “Big Red” Stevens Former KGRT/Las Cruces, NM PD/morning host breakfastwithbigred@gmail.com
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Kelley Cash Former KVOO/Tulsa personality kelleycashradio@gmail.com Brian Hatfield Former KYGO/Denver APD/MD brianhat@aol.com Rick Kennis Former WGTY/York, PA Dir./Promotions rick@rickkennis.com
Bummer Summer: Country Cools (continued from page 1) Contemporary (see page 8). The last two have grown consistently year over year since 2012 and Classic Hits generated its best two PPM showings P18-34 in each of the last two months. Pie Wholes: Miller says there’s an important caveat to all this, particularly with regard to P6+ and 25-54. “Share represents how much of the overall pie your station is getting,” Miller says. “What’s interesting is that if you look at 6+ and 25-54, the shares are down year to year, but the audience is trending up a little. So the overall pie has grown, at least mildly.” Why? Look no further than evolving PPM measurement following Nielsen’s rollout of its enhanced CBET technology last year. The company made improvements to counter widespread adoption of the Voltair processor, which was being used to overcome perceived deficiencies in PPM encoding. As for how much more audience is being captured, Nielsen found an average increase of 15% overall when compared with
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August 8, 2016
Page 8
July PPM Format Share Trends P18-34 Format
July '12
July '13
July '15
July '16
Adult Contemporary
6.3%
6.2%
5.7%
6.5%
6.2%
All Sports
3.2%
2.9%
3.1%
3.3%
3.4%
Alternative
5.1%
5.2%
5.2%
4.9%
4.9%
Classic Hits
3.4%
3.4%
3.7%
3.5%
4.0%
Classic Rock
3.3%
3.7%
4.1%
4.7%
4.8%
Contemporary Christian
1.9%
2.1%
2.3%
2.4%
2.2%
Country + New Country
8.6%
9.9%
10.2%
9.6%
8.7%
Hot Adult Contemporary
6.4%
6.3%
7.3%
7.7%
7.1%
Mexican Regional
5.7%
5.6%
5.3%
4.4%
4.7%
News Talk Information
3.5%
3.4%
3.2%
3.4%
3.9%
12.8%
12.4%
12.4%
12.4%
12.2%
Spanish Contemporary
3.1%
3.0%
2.6%
2.5%
3.2%
Urban Adult Contemporary
3.5%
3.3%
3.6%
3.4%
3.5%
Urban Contemporary
4.8%
5.5%
5.6%
6.4%
6.7%
Pop Contemporary Hit Radio
the prior version of its technology. “We have also looked at year over year differences by format as each PPM book has rolled out this year,” Miller says. “In the most recent July survey we can see that Spanish-language formats are up 16% from last July, followed by spoken word and Urban at around 10%.” The
Country P18-34 Shares (PPM) June '12
July '12
Aug '12
8.6%
8.6%
8.4%
June '13
July '13
Aug '13
9.6%
9.9%
9.8%
June '14
July '14
Aug '14
10.6%
10.2%
10.1%
June '15
July '15
Aug '15
9.4%
9.6%
9.7%
June '16
July '16
Aug '16
8.8%
8.7%
??
Country P6+ Shares (PPM) June '12
July '12
Aug '12
7.5%
7.5%
7.4%
June '13
July '13
Aug '13
8.2%
8.4%
8.2%
June '14
July '14
Aug '14
8.6%
8.6%
8.4%
June '15
July '15
Aug '15
8.2%
8.2%
8.2%
June '16
July '16
Aug '16
7.7%
7.7%
??
July '14
differences vary by month and format, Miller says, and Country has experienced less of an increase than the formats mentioned. In March, for example, Nielsen put Country’s increase in the neighborhood of 7% (CAT 3/31). Peaks And Valleys: Country radio could bounce right back in 2017, of course, a possibility illustrated beautifully by Miller himself. In March he and a friend decided to do some backcountry skiing on Mt. Washington, a 6,288-foot New Hampshire peak and the most prominent mountain east of the Mississippi. “The Reader’s Digest version is that we got ourselves into a really dangerous situation and I fell 1,000 feet down the mountain,” Miller says, explaining that he had to be rescued and airlifted to a hospital more than 100 miles away. “It was pretty crazy – like something you’d see on the Discovery Channel.” More concerning than the bruises and broken bones – and there were many – was the brain injury Miller sustained. “The cognitive aspect of it was the big concern and that’s really what my recovery was based on,” he says. “I was extremely lucky in making a full recovery and to get back to my normal self and back at work. That doesn’t always happen and I’m very blessed by it.” Takeaways? “You can only imagine,” Miller quips. “It’s certainly a reminder that you are small and mother nature is in charge. I do still want to ski and am teaching my kids to ski, but I will definitely steer clear of the extreme stuff in the future. I got away with one here.” Miller was otherwise humbled by the outpouring of support. “My wife, family and I were just overwhelmed and I want to say thank you to everyone in the industry who reached out to us,” he continues. “There were so many and it was really wonderful. We live in a cynical world in cynical times and that was awesome.” Reach Miller here. See the July 2016 PPM Scoreboard on page nine for a station-by-station ratings view and the format’s highestcuming properties. –Russ Penuell Lon Helton, lon@countryaircheck.com Chuck Aly, chuck@countryaircheck.com Russ Penuell, russ@countryaircheck.com Jess Wright, jess@countryaircheck.com Wendy Newcomer, wendy@countryaircheck.com (615) 320-1450
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August 8, 2016
July 2016 PPM Scoreboard Country radio shares were down 1.5 % compared to last month and down 6.8% compared to July 2015. Of the 88 subscribing stations listed, 35 increased, 44 decreased and eight were flat.
May 6+ Share
Station/City WKHX/Atlanta WUBL/Atlanta KASE/Austin^ KVET/Austin^ KOKE/Austin WPOC/Baltimore WKLB/Boston WBWL/Boston WCTK/Providence (Boston) WKKT/Charlotte WSOC/Charlotte WEBG/Chicago WUSN/Chicago WNNF/Cincinnati WUBE/Cincinnati^ WYGY/Cincinnati^ WGAR/Cleveland WCOL/Columbus, OH KPLX/Dallas^ KSCS/Dallas^ KWOF/Denver KYGO/Denver WDRQ/Detroit WYCD/Detroit WPAW/Greensboro WTQR/Greensboro WWYZ/Hartford KILT/Houston KKBQ/Houston^ KTHT/Houston^+ WFMS/Indianapolis WLHK/Indianapolis WUBG/Indianapolis WGNE/Jacksonville WQIK/Jacksonville KBEQ/Kansas City^ KFKF/Kansas City^ WDAF/Kansas 500City KCYE/Las Vegas KWNR/Las Vegas KKGO/Los Angeles WGKX/Memphis WLFP/Memphis
KKGO
6+ Rank June Share
3.6 13 3.5 4.9 5 4.6 5 6 5.3 5.4 5 5.9 2.3 15t 2.3 7.1 4 6.8 4.6 6 4.4 2.5 16 2.3 1 22 1.2 6.4 2t 6.4 6.4 2t 7.5 2.3 20 2.4 2.6 16t 3 3.1 12 3.4 8.2 3 7.6 1.2 18 1.1 7.5 3 7.2 11.8 1 12.6 4.7 3t 5.1 3.5 9t 3.3 1.9 19 1.7 5.6 3t 6 2.8 16 2.8 5.3 6 4.7 4.8 6t 4.8 6.4 5 7.2 9 2 9.5 4 10t 3.6 5.2 5 5.9 2.9 16t 2.8 5.3 7t 5.6 5.3 7t 5.1 1.1 16 1 5.9 6t 6.1 8.1 3 7.7 4.3 11 4.5 3.9 12 3.8 3.8 13 4.2 3.3 12 3.1 5.2 6 5.6 2.3 17t 2.4 4.7 8 4.6 2.9 11 3.3
407.2 403.8
May Cume
June Cume
13 631,200 7 701,900 6t 310,400 3 338,700 16t 97,600 4 580,800 6 828,600 16 547,700 21 178,300 3 482,500 1t 515,000 18t 931,500 12 1,198,300 12 314,500 3 548,200 18 153,500 4 505,600 1 177,900 3 1,265,500 9t 1,055,700 20t 235,100 3 506,900 17 574,100 9 884,000 6 236,900 5 285,000 2 291,900 11t 976,200 5 1,086,000 17t 575,500 6 333,400 7 350,800 17t 100,200 5t 271,600 4 310,500 8t 332,900 14 295,700 10 307,300 13 233,600 4 239,200 17t 1,192,900 8 201,500 10 128,100
582,700 684,900 350,500 344,200 101,800 521,300 785,100 530,500 184,200 464,900 473,100 966,400 1,227,200 308,700 521,100 172,000 494,400 469,700 1,236,800 1,066,200 257,500 559,600 597,700 803,300 237,400 296,800 306,600 946,000 1,098,800 543,300 342,800 350,400 113,400 238,600 294,000 286,000 324,100 306,400 231,900 238,200 1,148,200 201,700 132,800
Rank
Page 9
The cume leader was Cumulus’ KPLX/Dallas with 1,236,800. CBS Radio’s WUSN/Chicago was second with 1,227,200. Legend: A “+” indicates a Classic Country outlet; a “^” designates coowned Country stations in the metro; “t” indicates a tie; and a “*” indicates a station best in that statistic. Ranks are among subscribers.
Station/City
May 6+ Share
6+ Rank June Share
WKIS/Miami 2.3 16t 2.2 WNSH/New York (Middlesex) 4 8 3.8 WKTI/Milwaukee 3 13t 3 WMIL/Milwaukee 6.6 2 6.3 KEEY/Minneapolis 6.3 5 5.8 KMNB/Minneapolis 5 9t 4.7 WKDF/Nashville^ 3.9 13 3.7 WSIX/Nashville 4 10t 4 WSM-FM/Nashville^ 5.9 6 7.3 WSM-AM/Nashville 2.2 16 2 WNSH/New York (Nassau) 2.8 14t 2.6 WNSH/New York 2.1 17t 2.1 WOTW/Orlando 1.4 16t 1 WWKA/Orlando 3.9 12 3.7 KMLE/Phoenix 5 5 4.1 KNIX/Phoenix 3.9 9t 3.8 WXTU/Philadelphia 5.5 5t 5.2 WDSY/Pittsburgh 6.2 6 7 WPGB/Pittsburgh 4.1 11 4.6 KWJJ/Portland 6.5 3 6.7 KUPL/Portland 4.9 6t 5.5 WCTK/Providence 7.5 4 8.2 WNCB/Raleigh 3.8 10t 3.7 WQDR/Raleigh 5.8 6 5.6 KFRG/Riverside 3.5 6 3.2 KBEB/Sacramento 3 12 3.5 KNCI/Sacramento 4.6 5 4.4 KNTY/Sacramento 2.3 17 2.1 KEGA/Salt Lake City 1.7 20t 1.6 KSOP/Salt Lake City ^ 5 8 5.9 KSOP-AM/Salt Lake City ^+ 1.7 20t 1.5 KUBL/Salt Lake City 5.5 5t 5.3 KAJA/San Antonio 5.4 3t 5.7 KCYY/San Antonio^ 6.2 2 6 KKYX-AM/San Antonio^+ 1.6 19t 1.8 KSON/San Diego 4 8 4.2 KRTY/San Jose 3.7 6t 4.7 KKWF/Seattle 3.1 15t 3.9 KMPS/Seattle 3.5 10t 3.9 KSD/St. Louis 4.2 14 4.4 WIL/St. Louis 4.9 9 5.2 WFUS/Tampa 4.8 6t 4.3 WQYK/Tampa 4.8 6t 4.8 WMZQ/Washington 3.7 10t 3.4 WIRK/West Palm Beach 4.7 4t 4.5
Rank
May Cume
June Cume
18 439,400 426,200 9t 174,400 195,900 14 286,500 286,100 3 377,400 403,000 5t 766,900 714,000 11 707,100 661,800 12t 276,700 263,100 10t 275,40 255,100 2 305,600 297,800 16t 54,800 49,600 16t 216,800 189,800 18 1,137,600 1,175,200 19 117,100 99,900 12 233,500 216,300 7t 703,200 655,800 9 614,800 639,100 6 947,200 934,200 3t 437,200 413,100 9 322,000 338,600 2t 542,900 559,900 1 436,200 494,200 3 413,300 393,100 11t 233,600 223,300 6 326,800 322,900 6 385,400 342,500 10t 221,000 235,000 7 330,700 335,800 17 201,300 192,400 19t 188,700 199,400 5t 317,800 335,200 21 49,000 44,500 8t 443,400 399,800 4 570,000 583,600 2 642,900 620,800 18t 122,200 142,300 6 439,500 439,400 5 183,100 186,100 8t 523,000 525,400 8t 551,200 517,000 13 536,900 539,000 6t 509,900 514,500 9 469,500 454,500 5 437,400 438,400 12 661,800 577,400 6 183,600 163,700
407.4 392.2
392.0
385.4 368.6
400
Format-Wide PPM
361.5
359.9
Jan
Feb
391.3 392.8
358.9 363.3
316.1
Aggregate share for Nielsen Audio subscribing stations month to month.
300
Jul
Aug
Sep
Oct
Nov
Dec
Hol
Mar
Apr
May
Jun
Jul
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August 8, 2016
Page 10
Spring Diary Scoreboard Here are Spring 2016 (3/24-6/15) Nielsen Audio diary ratings results from Aug. 1-4, listed alphabetically by market. Ranks (in parentheses) are among subscribers. Non-subscribing stations in published markets are excluded.
Station/City KABW/Abilene, TX KBCY/Abilene, TX KARX/Amarillo, TX^ KATP/Amarillo, TX KGNC/Amarillo, TX KPUR/Amarillo, TX^ WJLS/Beckley, WV KMTK/Bend, OR KSJJ/Bend, OR KCTR/Billings, MT KRKX/Billings, MT KBMR-AM/Bismarck, ND KKBO/Bismarck, ND KQDY/Bismarck, ND WHKX/Bluefield, WV WJLS/Beckley, WV (Bluefield, WV) KAGG/Bryan, TX KORA/Bryan, TX WKPE/Cape Cod, MA KHAK/Cedar Rapids, IA KKSY/Cedar Rapids, IA^ KMJM-AM/Cedar Rapids, IA^+ KALF/Chico, CA KHSL/Chico, CA KKCY/Chico, CA KATI/Columbia, MO^ KBBM/Columbia, MO KCLR/Columbia, MO^ KWWR/Columbia, MO WHAL-AM/Columbus, GA^+ WSTH/Columbus, GA^ KDWZ/Duluth, MN^+ KKCB/Duluth, MN KTCO/Duluth, MN^ WATQ/Eau Claire, WI^+ WAXX/Eau Claire, WI WQRB/Eau Claire, WI^ KBVB/Fargo, ND KVOX/Fargo, ND WEGX/Florence, SC WHLZ/Marion, SC (Florence, SC) WFRE/Frederick, MD WMZQ/Washington (Frederick, MD) KSNR/Grand Forks, ND-MN
12+ Share Last Book
12+ Share Spring 2016
2.7 (5) 7.4 (1) -- 5.7 (4) 8.2 (2) 1.1 (12) 19.4 (1) 4.0 (5t) 10.9 (1) 11.8 (1) 2.6 (7t) 10.4 (1t) 4.8 (6t) 8.8 (3) 10.1 (2) 5.1 (4) 5.3 (3t) 9.7 (1) 3.7 (7t) 12.6 (1) 6.3 (4t)* 1.0 (12) 4.4 (7t) 7.3 (1) 1.5 (12t) 1.4 (10t) 1.4 (10t) 8.4 (1t) 2.1 (9) -- 4.2 (7) 7.9 (2) 6.6 (4t) 4.8 (6) 7.7 (3t) 13.1 (1) 7.7 (3t) 5.9 (5) 5.1 (6t) 8.1 (3) 2.0 (9) 18.1 (1) -- 5.3 (4)
3.6 (5) 6.5 (3) 3.2 (10) 6.0 (3t) 7.4 (2) 1.4 (12) 18.8 (1) 5.8 (4t) 10.1 (1) 9.6 (1) 3.2 (7t) 8.9 (2) 3.2 (7) 8.9 (2) 11.0 (2) 5.0 (4) 4.6 (5t) 8.2 (1) 3.4 (9t) 9.0 (2) 4.3 (8) 0.5 (12) 3.9 (7t) 8.4 (1) 2.0 (12t) 1.4 (10t) 0.7 (12t) 7.7 (3t) 3.5 (8t) 3.7 (4) 1.9 (7) 9.4 (2)* 4.7 (8) 6.4 (5) 7.4 (4t) 13.0 (1) 8.0 (3) 6.0 (4t) 6.0 (4t) 7.6 (3 1.4 (9t) 15.1 (1) 2.5 (9) 6.7 (4)
Legend: A “+” indicates a Classic Country outlet; a “^” designates co-owned Country stations in the metro; “t” indicates a tie; and a “*” indicates a station best in that statistic.
Station/City KRNY/Grand Island, NE WKCY/Harrisonburg, VA WWYN/Jackson, TN KBTN/Joplin, MO^+ KIXQ/Joplin, MO KKOW/Joplin, MO^ WCOW/La Crosse, WI WKOA/Lafayette, IN WYCM/Lafayette, IN KRRG/Laredo, TX KLLL/Lubbock, TX KQBR/Lubbock, TX KAKT/Medford, OR KRWQ/Medford, OR KJLO/Monroe, LA WKNK/Panama City, FL WPAP/Panama City, FL WNUS/Parkersburg, WV-OH KOUT/Rapid City, SD KZZI/Rapid City, SD KALF/Chico, CA (Redding, CA) KNCQ/Redding, CA KMFX/Rochester, MN KWWK/Rochester, MN WBFM/Sheboygan, WI KKYY/Sioux City, IA^+ KSUX/Sioux City, IA^ KTWB/Sioux Falls, SD WDKE/Terre Haute, IN^+ WDWQ/Terre Haute, IN^ WTHI/Terre Haute, IN KIOK/Tri-Cities, WA^ KORD/Tri-Cities, WA^ KRMX/Waco, TX WACO/Waco, TX KOEL/Waterloo, IA WBGI/Wheeling, WV WOGH/Pittsburgh (Wheeling, WV) WOVK/Wheeling, WV KLUR/Wichita Falls, TX KOLI/Wichita Falls, TX WUSQ/Winchester, VA KDBL/Yakima, WA KXDD/Yakima, WA
12+ Share Last Book
9.6 (2) 13.2 (1) 4.3 (4) 5.4 (6) 12.2 (1) 3.4 (8) 10.4 (1) 12.8 (1) 2.0 (7) 9.1 (2) 6.7 (2) 4.6 (8) 6.2 (3t) 6.2 (3t) 10.6 (3) 3.7 (9t) 11.0 (1) 11.2 (1) 6.9 (1t) 2.3 (10) 1.1 (10t) 13.5 (1) 5.7 (4t) 9.7 (1) 9.4 (1t) 5.3 (8) 10.5 (1) -- 9 5.9 (5)* 8.5 (3) 16.0 (1) 3.5 (6t) 6.1 (1) 3.9 (5t) 9.6 (1t) 15.3 (1) 6.0 (6) 3.7 (9) 16.4 (1) 10.8 (1) 1.7 (4) 16.6 (1) 2.9 (11) 7.4 (3t)
12+ Share Spring 2016
10.3 (2) 10.9 (1) 4.3 (4) 7.0 (4t) 11.4 (1) 3.2 (8t) 10.6 (1) 10.5 (1) 2.8 (7)* 10.8 (2) 7.2 (2) 2.5 (11t) 7.2 (2) 5.7 (5t) 11.3 (3) 4.2 (9t) 10.2 (1) 12.0 (1) 7.1 (1t) 1.6 (10) 1.2 (9t) 12.3 (1) 5.5 (5t) 8.6 (1) 9.3 (1) 6.1 (8) 11.3 (1) .4 (1) 4.0 (6) 8.6 (4) 14.6 (1) 3.3 (7) 7.1 (1) 4.1 (4) 12.3 (1) 15.3 (1) 5.3 (5t) 4.0 (8t) 16.0 (1) 11.0 (1) 1.6 (4) 15.2 (1) 3.4 (10) 7.2 (2t)
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August 8, 2016
LW
TW
Artist/Title (Label)
Chart Page 1
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
3
1
CHRIS LANE/Fix (Big Loud) ✔
28021
1641
8105
466
55.828 2.997
156
0
1
2
ERIC CHURCH/Record Year (EMI Nashville)
27212
-755
8097
-99
52.059 -3.39
158
0
4
3
JON PARDI/Head Over Boots (Capitol)
24574
1050
7276
309
48.157 2.761
158
0
6
4
SAM HUNT/Make You Miss Me (MCA)
24547
1375
7089
416
49.067 3.535
158
0
5
5
DAN + SHAY/From The Ground Up (Warner Bros./WAR)
24518
1121
7128
275
48.023 1.933
158
0
7
6
JAKE OWEN/American Country Love Song (RCA)
23380
709
6932
300
46.124 1.706
157
0
2
7
FLORIDA GEORGIA LINE/H.O.L.Y. (BMLGR)
22985
-4093
6712
-1208
44.282 -8.205
158
0
8
8
KELSEA BALLERINI/Peter Pan (Black River) ✔
22407
1554
6490
415
44.505 3.542
158
0
10
9
JUSTIN MOORE/You Look Like I Need A Drink (Valory)
17689
355
5135
93
35.683 1.416
157
0
12
10
DIERKS BENTLEY f/E. KING/Different For Girls (Capitol)
16427
1394
4709
364
33.566 3.132
156
0
11
11
BLAKE SHELTON/She's Got A Way With... (Warner Bros./WMN)
16037
655
4603
190
32.302 1.156
153
0
13
12
KIP MOORE/Running For You (MCA)
14077
96
4144
38
26.594 0.133
156
0
15
13
TUCKER BEATHARD/Rock On (BMLGR/Dot)
13060
285
3868
90
25.488 0.281
149
1
16
14
ZAC BROWN BAND/Castaway (SG/Varvatos/Dot)
12686
31
3799
10
25.141 0.568
154
0
14
15
BRAD PAISLEY f/DEMI LOVATO/Without A Fight (Arista)
12660
-219
3684
-68
24.742 -0.518
158
0
18
16
WILLIAM MICHAEL MORGAN/I Met A Girl (Warner Bros./WMN) 12574
1038
3906
309
23.925 1.931
150
3
17
17
LOCASH/I Know Somebody (Reviver)
12395
845
3557
180
24.222 1.765
153
0
19
18
BILLY CURRINGTON/It Don't Hurt Like It Used To (Mercury)
11368
102
3348
82
22.382 0.419
153
3
20
19
BIG & RICH f/TIM MCGRAW/Lovin' Lately (B&R/New Revolution)
11339
195
3481
117
20.698 0.457
151
0
21
20
COLE SWINDELL/Middle Of A Memory (Warner Bros./WMN)
10388
243
2902
99
20.437 0.934
151
4
22
21
BRETT YOUNG/Sleep Without You (BMLG)
10059
361
2788
99
18.489 0.594
147
1
24
22
DRAKE WHITE/Livin' The Dream (Dot)
9637
127
2732
72
-0.017
148
1
23
23
JENNIFER NETTLES/Unlove You (Big Machine)
9611
38
2739
27
16.781 0.296
153
0
27
24
MIRANDA LAMBERT/Vice (RCA) ✔
9178
2301
2526
670
17.657 4.632
143
13
33
25
LUKE BRYAN/Move (Capitol) ✔
7904
2170
2220
706
14.676 3.838
132
15
16.8
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August 8, 2016 LW
TW
Artist/Title (Label)
Chart Page 2
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
30
26
JASON ALDEAN/A Little More Summertime (Broken Bow)
7631
1390
2248
425
14.018 2.017
141
13
28
27
GRANGER SMITH/If The Boot Fits (Wheelhouse)
7235
446
2188
161
12.044 0.731
148
4
26
28
OLD DOMINION/Song For Another Time (RCA)
7177
291
1961
72
13.184 0.114
135
4
32
29
KENNY CHESNEY f/P!NK/Setting The... (Blue Chair/Columbia)
7147
1148
1943
198
14.402
141
25
25
30
MAREN MORRIS/80s Mercedes (Columbia)
7123
48
1984
71
13.092 -0.212
143
1
29
31
BROTHERS OSBORNE/21 Summer (EMI Nashville)
6611
-151
1969
11
8.911 -0.464
141
0
34
32
TIM MCGRAW/How I'll Always Be (Big Machine)
6376
918
1805
246
12.93
1.817
132
10
36
33
BRETT ELDREDGE/Wanna Be That Song (Atlantic/WMN)
5604
565
1591
101
9.852
0.694
123
2
35
34
CHRIS STAPLETON/Parachute (Mercury)
5134
18
1597
23
6.633
0.117
137
3
37
35
THOMAS RHETT/Vacation (Valory)
4973
-13
1503
12
8.011 -0.067
112
8
38
36
JERROD NIEMANN & LEE BRICE/A Little More Love (Curb)
4538
115
1324
25
116
0
HIGH VALLEY/Make You Mine (Atlantic/WEA)
4525
276
1245
82
6.889 -0.053
99
4
112
1
5.94
1.47
0.123
40
38
CHRIS JANSON/Holdin' Her (Warner Bros./WAR)
3304
52
995
13
4.178
41
39
CHRIS YOUNG f/V. GILL/Sober Saturday Night (RCA)
3089
25
882
15
4.559 -0.132
96
2
48
40
LANCO/Long Live Tonight (Arista)
2889
518
722
115
3.797
0.642
79
14
43
41
MICHAEL RAY/Think A Little Less (Atlantic/WEA)
2855
118
886
23
4.281
0.151
87
2
42
42
DUSTIN LYNCH/Seein' Red (Broken Bow)
2821
78
810
24
3.336 -0.142
92
14
44
43
CRAIG CAMPBELL/Outskirts Of Heaven (Red Bow)
2685
91
939
10
3.611
0.038
95
0
45
44
RUNAWAY JUNE/Lipstick (Wheelhouse)
2616
55
751
15
2.905
0.059
86
1
46
45
JOSH TURNER/Hometown Girl (MCA)
2548
-6
827
18
3.697
0.028
94
2
THE BAND PERRY/Comeback Kid (Mercury) ✔
2145
2145
605
605
3.486
3.486
62
17
EASTON CORBIN/Are You With Me (Mercury)
2110
44
627
24
2.743
0.014
73
1
Debut 48
PARMALEE/Roots (Stoney Creek)
1855
109
612
38
2.165
0.11
74
1
Debut 49
GARY ALLAN/Do You Wish It Was Me? (EMI Nashville)
1779
77
514
24
1.42
0.013
72
1
Debut 50
JOSH ABBOTT BAND w/C. PEARCE/Wasn't That... (PDT/1608)
1654
97
416
20
2.914
0.219
49
1
Debut 46 49
47
0.137
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August 8, 2016
Country Aircheck Add Leaders FLORIDA GEORGIA LINE f/TIM MCGRAW/May We All (BMLGR) BRANTLEY GILBERT/The Weekend (Valory) KENNY CHESNEY f/P!NK/Setting The... (Blue Chair/Columbia) DYLAN SCOTT/My Girl (Curb) FRANKIE BALLARD/Cigarette (Warner Bros./WAR) THE BAND PERRY/Comeback Kid (Mercury) LUKE BRYAN/Move (Capitol) DUSTIN LYNCH/Seein' Red (Broken Bow) LANCO/Long Live Tonight (Arista) ADAM CRAIG/Reckon (Stoney Creek) JASON ALDEAN/A Little More Summertime (Broken Bow) MIRANDA LAMBERT/Vice (RCA)
Chart Page 3
Activator Top Point Gainers
Adds 32 26 25 20 19 17 15 14 14 13 13 13
Country Aircheck Top Point Gainers
KENNY CHESNEY f/P!NK/Setting... (Blue Chair/Columbia)
1375 ✔
MIRANDA LAMBERT/Vice (RCA)
1109 ✔
JASON ALDEAN/A Little More Summertime (Broken Bow)
850 ✔
KELSEA BALLERINI/Peter Pan (Black River)
828 ✔
LUKE BRYAN/Move (Capitol)
740 ✔
DIERKS BENTLEY f/E. KING/Different For Girls (Capitol)
673
DAN + SHAY/From The Ground Up (Warner Bros./WAR)
552
LOCASH/I Know Somebody (Reviver)
491
JUSTIN MOORE/You Look Like I Need A Drink (Valory)
474
COLE SWINDELL/Middle Of A Memory (Warner Bros./WMN)
450
Activator Top Spin Gainers
MIRANDA LAMBERT/Vice (RCA)
2301
LUKE BRYAN/Move (Capitol)
2170
THE BAND PERRY/Comeback Kid (Mercury)
2145
CHRIS LANE/Fix (Big Loud)
1641
KELSEA BALLERINI/Peter Pan (Black River)
1554
DIERKS BENTLEY f/E. KING/Different For Girls (Capitol)
1394
JASON ALDEAN/A Little More Summertime (Broken Bow)
✔ ✔ ✔ ✔ ✔
KENNY CHESNEY f/P!NK/Setting... (Blue Chair/Columbia)
304
MIRANDA LAMBERT/Vice (RCA)
229
JASON ALDEAN/A Little More Summertime (Broken Bow)
209
KELSEA BALLERINI/Peter Pan (Black River)
200
LUKE BRYAN/Move (Capitol)
157
DIERKS BENTLEY f/E. KING/Different For Girls (Capitol)
157
1390
DAN + SHAY/From The Ground Up (Warner Bros./WAR)
122
SAM HUNT/Make You Miss Me (MCA)
1375
ZAC BROWN BAND/Castaway (SG/Varvatos/Dot)
102
KENNY CHESNEY f/P!NK/Setting The... (Blue Chair/Columbia)
1148
OLD DOMINION/Song For Another Time (RCA)
102
DAN + SHAY/From The Ground Up (Warner Bros./WAR)
1121
COLE SWINDELL/Middle Of A Memory (Warner Bros./WMN)
Country Aircheck Top Spin Gainers
Country Aircheck Top Recurrents
97
Points
LUKE BRYAN/Move (Capitol)
706
CARRIE UNDERWOOD/Church Bells (19/Arista)
18527
MIRANDA LAMBERT/Vice (RCA)
670
JASON ALDEAN/Lights Come On (Broken Bow)
16664
THE BAND PERRY/Comeback Kid (Mercury)
605
KEITH URBAN/Wasted Time (Capitol)
14562
CHRIS LANE/Fix (Big Loud)
466
DIERKS BENTLEY/Somewhere On A Beach (Capitol)
12655
JASON ALDEAN/A Little More Summertime (Broken Bow)
425
THOMAS RHETT/T-Shirt (Valory)
12485
SAM HUNT/Make You Miss Me (MCA)
416
CHRIS YOUNG & C. POPE/Think Of You (RCA/BMLGR)
10808
KELSEA BALLERINI/Peter Pan (Black River)
415
OLD DOMINION/Snapback (RCA)
9675
DIERKS BENTLEY f/E. KING/Different For Girls (Capitol)
364
BLAKE SHELTON/Came Here To Forget (Warner Bros./WMN)
9372
JON PARDI/Head Over Boots (Capitol)
309
THOMAS RHETT/Die A Happy Man (Valory)
8859
WILLIAM MICHAEL MORGAN/I Met A... (Warner Bros./WMN)
309
LUKE BRYAN/Huntin', Fishin' And Lovin'... (Capitol)
8667
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August 8, 2016
COUNTRY AIRCHECK ACTIVITY JOSH TURNER/Hometown Girl (MCA) Moves 46-45* 2,548 points, 827 spins 2 adds: KRST*, WWKA*
THE BAND PERRY/Comeback Kid (Interscope/Mercury) Debuts at 46* 2,145 points, 605 spins 17 adds including: KATC*, KATM*, KDRK, KKBQ*, KKIX, KMNB, KNCI, KPLM, KTST, WBWL EASTON CORBIN/Are You With Me (Mercury) Moves 48-47* 2,110 points, 627 spins 1 add: KDRK PARMALEE/Roots (Stoney Creek) Debuts at 48* 1,855 points, 612 spins 1 add: WCKT GARY ALLAN/Do You Wish It Was Me? (EMI Nashville) Debuts at 49* 1,779 points, 514 spins 1 add: WYCD JOSH ABBOTT BAND w/CARLY PEARCE/Wasn’t That Drunk (PDT/1608) Debuts at 50* 1,654 points, 416 spins 1 add: KBEB TRENT HARMON/There’s A Girl (Big Machine) 1,645 points, 470 spins 7 adds: KBEB, KKGO, KWJJ, W1MC*, WCTK, WDRQ*, WLFP ELI YOUNG BAND/Saltwater Gospel (Valory) 1,576 points, 441 spins 7 adds: KATC*, KRST*, WCKN, WIRK, WKMK, WOGK, WWQM THOMPSON SQUARE/You Make It Look So Good (Stoney Creek) 1,400 points, 414 spins 3 adds: WCKN, WKMK, WKSJ
Chart Page 4
A D D DAT E S August 15
Aaron Lewis/That Ain’t Country (Dot) keith urban/Blue Ain’t Your Color (Capitol)
August 22 None Listed
August 29
eric church/Kill A Word (EMI Nashville) Send yours to adds@countryaircheck.com
CHECK
OUT 8/12
Justin Moore Kinda Don’t Care (Valory) Moore’s fourth studio album contains his latest single “You Look Like I Need A Drink” and 11 other tunes penned by writers including Rhett Akins, Natalie Hemby, Rodney Clawson and Randy Montana. Brantley Gilbert guests on “More Middle Fingers” and the deluxe album adds five more tracks. Dylan Scott Self-Titled (Curb) Scott’s debut album includes “Crazy Over Me” as well as current single “My Girl,” written about Scott’s wife. Among the other 13 tracks are “Lay It On Me,” “My Town,” “Ball Cap” and “Beer Buddies.” The Cleverlys Cash Crop (Average Joes) Comedy/bluegrass group The Cleverlys’ six-song EP covers songs including Beck’s “Loser” and Beyonce’s “Say My Name.” The four-piece faux-family band describe themselves as “Bluegrass meets The Office” and the album was produced by Noah Gordon.
Aug 19
Drake White Spark (Dot) Dolly Parton Pure & Simple (Dolly Records/RCA) Kiefer Sutherland Down In A Hole (Warner Music Nashville/Ironworks)
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August 8, 2016
Chart Page 5
LW
TW
Artist/Title (Label)
1
1
ERIC CHURCH/Record Year (EMI Nashville)
11090
-797
2239
-187
51
0
4
2
DAN + SHAY/From The Ground Up (Warner Bros./WAR)
10580
552
2185
122
52
0
5
3
SAM HUNT/Make You Miss Me (MCA)
10301
345
2101
84
52
0
6
4
JAKE OWEN/American Country Love Song (RCA)
10120
399
2151
95
52
0
8
5
KELSEA BALLERINI/Peter Pan (Black River) ✔
10102
828
2077
200
52
0
7
6
CHRIS LANE/Fix (Big Loud)
9737
72
2031
29
51
0
3
7
JON PARDI/Head Over Boots (Capitol)
9382
-949
1900
-213
47
0
2
8
FLORIDA GEORGIA LINE/H.O.L.Y. (BMLGR)
9123
-1585
1827
-335
45
0
10
9
DIERKS BENTLEY f/E. KING/Different For Girls (Capitol)
7767
673
1598
157
53
0
9
10
BLAKE SHELTON/She's Got A Way With Words (Warner Bros./WMN)
7764
81
1617
28
53
0
11
11
JUSTIN MOORE/You Look Like I Need A Drink (Valory)
7527
474
1541
95
50
0
12
12
ZAC BROWN BAND/Castaway (SG/Varvatos/Dot)
6957
440
1410
102
51
0
13
13
TUCKER BEATHARD/Rock On (BMLG/Dot)
6172
42
1227
1
48
0
14
14
KIP MOORE/Running For You (MCA)
6058
34
1296
9
49
0
15
15
BRAD PAISLEY f/D. LOVATO/Without A Fight (Arista)
5478
-86
1156
-24
50
0
17
16
LOCASH/I Know Somebody (Reviver)
5445
491
1074
90
49
1
16
17
BILLY CURRINGTON/It Don't Hurt Like It Used To (Mercury)
5343
169
1038
31
51
0
18
18
WILLIAM MICHAEL MORGAN/I Met A Girl (Warner Bros./WMN)
5178
234
1095
58
48
1
19
19
COLE SWINDELL/Middle Of A Memory (Warner Bros./WMN)
4955
450
987
97
51
0
2nd Week at No. 1
Points +/- Points
Plays
+/- Plays
Stations Adds
23
20
MIRANDA LAMBERT/Vice (RCA) ✔
4723
1109
933
229
51
4
20
21
BIG & RICH f/TIM MCGRAW/Lovin' Lately (B&R/New Revolution)
4384
98
871
10
40
0
21
22
BRETT YOUNG/Sleep Without You (BMLGR)
3737
-49
750
4
46
0
22
23
DRAKE WHITE/Livin' The Dream (Dot)
3699
70
755
17
46
1
29
24
JASON ALDEAN/A Little More Summertime (Broken Bow) ✔
3488
850
785
209
50
4
25
25
OLD DOMINION/Song For Another Time (RCA)
3472
418
716
102
50
3
30
26
LUKE BRYAN/Move (Capitol) ✔
3295
740
674
157
47
3
27
27
MAREN MORRIS/80s Mercedes (Columbia)
3123
383
654
81
49
2
36
28
KENNY CHESNEY f/P!NK/Setting The World On Fire (Blue Chair/Columbia) ✔
3104
1375
670
304
39
15
24
29
BROTHERS OSBORNE/21 Summer (EMI Nashville)
3079
-281
638
-52
48
1
26
30
JENNIFER NETTLES/Unlove You (Big Machine)
2993
137
623
25
39
0
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August 8, 2016
Chart Page 6
LW
TW
Artist/Title (Label)
Points +/- Points
Plays
+/- Plays
Stations Adds
31
31
TIM MCGRAW/How I'll Always Be (Big Machine)
2844
380
601
77
43
2
28
32
THOMAS RHETT/Vacation (Valory)
2546
-163
471
-29
39
1
33
33
GRANGER SMITH/If The Boot Fits (Wheelhouse)
2372
103
502
23
44
3
32
34
BRETT ELDREDGE/Wanna Be That Song (Atlantic/WMN)
2280
-51
454
-5
40
1
34
35
CHRIS STAPLETON/Parachute (Mercury)
1967
-104
423
-21
39
0
35
36
CHRIS YOUNG f/VINCE GILL/Sober Saturday Night (RCA)
1733
-99
314
-23
23
0
37
37
JERROD NIEMANN & LEE BRICE/A Little More Love (Curb)
1566
42
326
14
34
1
38
38
CHRIS JANSON/Holdin' Her (Warner Bros./WAR)
1217
-49
239
-9
23
1
39
39
AARON WATSON/Bluebonnets (Big/Thirty Tigers)
1156
39
246
6
18
0
40
40
HIGH VALLEY/Make You Mine (Atlantic/WEA)
1069
109
195
18
26
0
42
41
DARIUS RUCKER/If I Told You (Capitol)
810
41
171
7
19
1
41
42
JOSH TURNER/Hometown Girl (MCA)
795
17
172
-1
16
1
43
43
EASTON CORBIN/Are You With Me (Mercury)
759
-6
133
3
16
0
44
44
ELI YOUNG BAND/Saltwater Gospel (Valory)
672
-82
93
-12
7
0
46
45
DUSTIN LYNCH/Seein' Red (Broken Bow)
638
55
138
12
16
5
47
46
CRAIG CAMPBELL/Outskirts Of Heaven (Red Bow)
581
7
114
-1
8
0
52
47
JOSH ABBOTT BAND w/C. PEARCE/Wasn't That Drunk (PDT/1608)
580
98
148
23
7
1
50
48
TRENT HARMON/There's A Girl (Dot/Big Machine)
555
58
104
15
9
2
BRANTLEY GILBERT/The Weekend (Valory)
495
265
102
55
10
3
Debut 49 45
50
CLARE DUNN/Tuxedo (MCA)
489
-208
103
-37
11
0
48
51
KEITH URBAN/Blue Ain't Your Color (Capitol)
481
-65
51
-10
5
0
53
52
BRETT YOUNG/In Case You Didn't Know (BMLGR)
480
20
48
2
1
0
52
53
TOBY KEITH/A Few More Cowboys (Show Dog)
472
7
88
1
10
0
49
54
LANCO/Long Live Tonight (Arista)
469
-76
79
4
10
7
54
55
GARY ALLAN/Do You Wish It Was Me? (EMI Nashville)
466
18
94
4
10
0
58
56
RAELYNN/Love Triangle (Warner Bros./WMN)
446
32
48
6
2
1
56
57
RYAN FOLLESE/Float Your Boat (BMLGR)
430
0
43
0
1
0
FLORIDA GEORGIA LINE f/T. MCGRAW/May We All (BMLGR)
414
324
81
72
17
5
RUNAWAY JUNE/Lipstick (Wheelhouse)
374
-10
83
-1
8
0
CARRIE UNDERWOOD/Dirty Laundry (19/Arista)
354
74
43
15
7
0
Debut 58 59
59
Debut 60
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