September 28, 2020, Issue 724
RAC On The 55th ACMs
Exec. Producer RAC Clark takes Country Aircheck inside the 55th ACM Awards: Were you prepared for the Entertainer tie? I had a clue it was a tie. I didn’t know if both artists would be there, but I certainly wanted them to be and made sure we went into the last act right on time.[Ed. Note: Because of the need for COVID testing, ACM CEO Damon Whiteside notified managers of winning artists in advance so they could be on site live.] I always have filler if we’re short – long goodnights and short goodnights. [CBS executive] Jack Sussman told me if we need to go long in an emotional moment, that’s okay. For instance, when Old Dominion accepted RAC Clark and talked about feeling the presence of everyone who isn’t here anymore, Jack and I gave each other a look. That’s what acceptance speeches need to be. Not the laundry list of your agent, manager and publicist. I knew CBS would stay with the Entertainer presentation if it came to it. Despite dominating the night, ratings and viewers were down substantially. What is the network saying? Nothing yet. We haven’t had that debrief. The Emmys had about the same rating in the demo but fewer viewers than we had. Everything is down. The television industry is in the same place the recording industry was in when streaming came in. There’s Hulu, Peacock, Netflix, Disney+ – broadcast networks are feeling the effects. And I heard that DishTV with its 12 million viewers wasn’t carrying CBS the night of our show. Even so, in a year when people are craving entertainment beyond seeing stars in their homes, we delivered a show people responded to on socials and in the music streaming numbers we saw after. We made an impact. How did this Nashville concept come together? It started with this crazy idea of three venues. When the decision was made to move to Nashville, what we (continued on page 9)
Juke Cox Hero: Records/Arista’s Matt Stell hosts a virtual happy hour for Cox staffers. Pictured (top, l-r) are the label’s Rusty Sherrill, Lauren Thomas, Ali O’Connell and Steve Hodges; (second row, l-r) Stell, the label’s Josh Easler, WWKA/ Orlando’s Steve Stewart and WHKO/Dayton’s Nancy Wilson; (third row, l-r) WHJO’s Aaron Woods, WNGC/Athens, GA’s Peter de Graaff, KKBQ/Houston’s Johnny Chiang and KCYY/ San Antonio’s Jeff Garrison; (bottom) KKBQ’s Christi Brooks.
Self-Care Tips: Anxiety Prime
The hopefulness that summer’s rise in temperature would slow the spread of COVID-19 has faded as yet another holiday weekend is in the rearview and the road ahead is as uncertain as ever. Many in the music industry are still working from home, the novelty of the short-turned-long-term solution wearing off and being replaced with feelings of isolation, anxiety and stress. Onsite Owner/ CEO Miles Adcox — a communication, personal growth and mental health consultant — discusses the importance of regular mental Miles Adcox health checks with Country Aircheck.
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September 28, 2020
“We often don’t think of mental health checks until we are already in a crisis or we’re at a deficit in our mental health,” explains Adcox. “That’s usually when it becomes obvious enough that we would check in on ourselves or other people would check in on us.” Adcox alternately advises proactivity through self-inventory. Action Planning: One exercise he recommends involves drawing a line down a piece of paper. On one side, rate your stress on a one-to10 scale, one representing not feeling much stress at all and 10 meaning your anxiety is through the roof. Similarly, rate your hope on the other side, ranging from feeling grounded and whole to hopeless. If you find yourself between three and six on either side, Adcox says “Welcome to being a human being right now.” He suggests finding “one safe person that you can check in with about where you are on that scale.” People in the seven-to-10 range should consider talking to a professional in the mental health space. “If you’re feeling a sense of despair, hopelessness and acute or high levels of stress, which can manifest through depression, anxiety and other lenses, then you ought to seek out some counseling and/or professional support,” Adcox urges. According to Adcox, there are two things the human brain fears the most: an unpredictable future and being/feeling isolated. With buses parked and venue doors closed, the industry received what he calls a “double whammy.” More isolation, less control. He says the goal is not to try to outrun or immediately solve those problems, but to “get somewhat comfortable with owning it, understanding it and discovering how you can mitigate it.” Emotional fitness, which he describes as “your feelings towards yourself and other people,” requires the same level of ongoing maintenance as physical fitness. Adcox suggests starting the day with a gratitude list, finding at least one or two people that you can check in with daily on how you’re feeling (“a feelings check”) and showing yourself grace. He elaborates, “Recognize we’re in the middle of doing things that we never thought we could do under circumstances that we never thought we’d be doing them under.” Getting Physical: Another activity Adcox advocates is an “emotional body scan.” This is a quick way to take inventory of emotional health in real time. Start by asking yourself, “What am I feeling?” Don’t overthink it: sadness, shame, fear, anger, anxiety. Then, “Where am I feeling it?” Drill down on where that emotion is in your body. He warns that step for first-timers may feel awkward. “We typically hold emotions in our body. Identifying where they are can help lower and release the energy and power that they hold.”
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The third one is, “How big is it?” “This goes back to the scales I was talking about earlier,” explains Adcox. “Give your emotion a number on a scale based on how big or small it feels. This exercise alone helps you get clarity.” He points to a “significant amount of science” supporting the notion that when you know it, own it, share it and have an appropriate, safe place to offload it, ambient stress can be lowered. “It gets our feet on the ground and helps us navigate circumstances in a more self-aware and informed way,” Adcox concludes. In next week’s part two, Adcox offers those in supervisory roles some tips and behaviors to look for in those they oversee. Connect with him on social media @milesadcox and reach him via email here; learn more about Onsite here. —Caitlin DeForest
Chart Chat
Congratulations to Lee Brice, RJ Meacham, Mike Rogers and the Curb promotion team on landing at No. 1 with “One Of Them Girls.” The song is the first single from Brice’s forthcoming fifth studio album, Hey World. Songwriters are Ashley Gorley, Dallas Davidson, Ben Johnson and Brice. Lee Brice And kudos to Kris Lamb and the Big Machine crew on notching 47 adds for Carly Pearce’s “Next Girl,” landing atop this week’s board. Effective this week, WKRO/Daytona Beach, FL; WPAW/ Greensboro, NC; WNCB/Raleigh; and KVOO/Tulsa have been added to the Country Aircheck/Mediabase reporting panel. KTGX/Tulsa has been dropped. Airplay for inclusion in the chart begins Oct. 4 and will be reflected in the chart published in Country Aircheck Weekly Oct. 12. “These changes were made based on Nielsen results from the Fall 2019 and Winter 2020 survey period,” says Mediabase. “Due to the pandemic and the advisory caution Nielsen Audio gave to subscribers, Mediabase is currently reviewing Spring 2020 data and will review for another change to come shortly.”
News & Notes
Ashley Gorley was named Songwriter of the Year for a record fifth time at the Nashville Songwriter Awards. Lucas Hoge signed a partnership with Batteries Plus – the
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September 28, 2020
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WI TH A day in the self-isolated life of The Cadillac Three’s Neil Mason: I’ve been home a lot more than I was in the past 15 years. My routine is waking up early with our new baby, Louella, getting some work done, writing a song on Zoom, more work, hanging out with Louella, more work, then sleeping … all while never really leaving the house. My wife, Chelsea, Louella and I are all living together. We’ve been so busy figuring out how to be parents that we haven’t had time to drive each other crazy. I’ve just been learning how to be a dad and fixing up the house. I’ve been writing as much or more than I was before, but exclusively doing it over Zoom, which really hasn’t been too bad. It took a minute to get used to, but it’s been one of the few things that have stayed consistent this year. I’m very grateful for songwriting. We launched our own livestream series from The Basement in Nashville called Country Fuzz Presents, which has featured not only full band livestream shows from TC3 but from lots of other artists in town: Drake White, A Thousand Horses, The Wild Feathers, Jillian Jacqueline,
Lauren Jenkins, Hey Steve, Austin Jenckes, Ray Fulcher, etc. It’s been a great way to feel connected to fans and the music community by creating an outlet for high quality live shows in a time where that is such a hard thing for so many of us because we can’t tour. We are also working in the community with Second Harvest Food Bank of Middle Tennessee to provide 100,000 meals over 100 days. It’s been awesome to see the support of not only the artists in Nashville but also the fans — how they have chipped in to help us reach that goal. [Editor’s Note: Donate here.] I’ve been bingeing the NBA Playoffs and eating dry roasted peanuts from Costco. So. Good. The silver lining is being able to be home with our baby in her first year. TC3 was supposed to be very busy touring in 2020 around our Country Fuzz record, which came out in February, but instead we have been home. So, if there is one silver lining to all that this year has brought, it’s been the time to be home with our families.
brand’s first artist deal. His series Hoge Wild will feature their products on future adventures.
The Week’s Top Stories
Full coverage at countryaircheck.com. • Radio, artists and industry pros reacted to the 55th ACM Awards in last week’s (9/21) Country Aircheck Weekly. • Townsquare/Lansing, MI’s Chris Tyler departed. (CAT 9/24) • Big Machine Label Group SVP/A&R Allison Jones was
... N EI L M AS O N
You Down With PPE (Yeah You Know Me)
elevated to EVP. (CAT 9/23) • WCCQ/Joliet, IL added USRN nationally syndicated Life With Lindsay for overnights. (CAT 9/22) • Ash Bowers was named Pres. of the Nashville division of Barry Weiss’ Records, with Jamice Jennings and Andy Elliott joining as Co-Heads/Promotion. (CAT 9/21) • Donate to support Warner/WAR Dir./Southeast Promotion Tom Starr here. • Chronicle: «Mr. Ed» Lambert, W.S. “Fluke” Holland.
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September 28, 2020
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RAC On The 55th ACMs
(continued from page 1)
didn’t want was to be in an empty Bridgestone Arena. Looking back, that was serendipitous in allowing us to spread the load of personnel across the three. We were able to effectively minimize population density. DCP’s Linda Gierahn was tireless in working with our safety protocol folks, Metro Davidson County, ACM – getting approvals from the unions and guilds – and putting it all into their own corporate overlay. I got tested seven times in 10 days. From everything I heard, everyone involved felt safe. Can you walk me through how that worked backstage and Miranda onstage? Lambert There were no dressing rooms; every artist was in a separate bus in the parking lot. Co-Producer Patrick Menton and his team made sure they were transported to the artist entry where one-way pipe-and-drape pathways got them to and from the stage completely isolated from other artists, staff or crew. The stage was Zone A – as mandated by the unions and guilds – where only essential personnel wearing masks and face shields could interact closely with the talent. Getting equipment onstage involved individual pods of crew members who were responsible for a band’s equipment. One group had Carrie Underwood’s gear. Another had Eric Church’s. They were all gloved and masked, with no chance of any other people touching that gear. After the equipment was set up onstage, it was sanitized. How did having three venues affect the creative process? When we booked the Bluebird Café, I couldn’t resist having Miranda Lambert there and suggested inviting Luke Dick and Natalie Hemby since it’s a songwriter venue. She was up for it. At one point we had Kane Brown slotted for the Bluebird, but as it developed, we began to see the song with a chorale in the Opry House balcony. Moving that created an opportunity at the Bluebird for Jimmie Allen. Co-Exec. Producer Raj Kapoor created a lot of different looks like utilizing the Glow Motion wristbands in the seats to give the effect of people in the pews or twinkling fireflies. The quiet at the end of the In Memoriam segment was perfect. How did that come together?
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We started with the idea of individual performances honoring Kenny Rogers, Charlie Daniels and Joe Diffie, then I said, folks, I think this is a mistake. We’ve lost so many people. Why not Jimmy Capps, considering we’re at the Opry House? That’s when I turned to the folks at the Academy and said, you’ve got to curate this list. We talked to Garth about “The Dance,” and he responded, “Listen to Trisha’s song.” Of course, it was so appropriate. Plus, I knew she could do the setup from a hosting perspective. It looked so great and we didn’t want to just drop in a package at the end. [Director] Glenn Weiss was saying he wanted to go slow. We had a bumper for a sponsor, but we moved that away and it ended beautifully. How were ACM’s diversity and inclusion efforts manifested onstage and behind the scenes? Having been interim CEO when the ACM was forming the D&I taskforce, I know how important it is to the Academy. From Keith [Urban]’s opening monologue to Kane’s song, Mickey Guyton and Jimmie’s performances, asking CeCe Winans to present Female – which also crossed genres and brought a greater sense of being in Nashville – having diversity out front was key. Being in Music City, highlighting the opening of the National Museum of African American Music with NMAAM board member Darius Rucker was important. We also had Amberia Allen writing for Keith after having great success working with her on Our Country. Any performances have a compelling backstory? Eric Church sent me a work tape in July – strumming and reciting “Ragged Old Flag” into “Stick That In Your Country Song.” As we got into it, we found the Cash estate and publishers are very protective. No matter how much talking I did trying to get it
Eric Church
cleared, it was a corporate wall. I called Eric’s manager John Peets and said, “I need Eric to write a letter to John and Rosanne Cash explaining what he wants to do.” I’m never going to share that letter, but it’s the reason that performance aired. His passion about what he wanted to say and why allowed them to entrust him with their father’s legacy. We found a recitation Johnny did without instrumentation for a Ralph Emery special. We were able to clean that up so Eric could put his own acoustic playing behind it. We worked directly with the Cash estate for approval on those images of him. I called Jon Loba, because the publishing for “Ragged” is controlled by BMG, and asked him to help us out. There was a lot of sweat equity by a lot of people. Part of my job is to bring these things to life, but this was Eric’s vision. He pushed it over the top, and boy, did he deliver. ©2020 Countr y Aircheck™ — All rights reser ved. Sign up free at www.countr yaircheck.com. Send news to news@countr yaircheck.com
September 28, 2020
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WI TH A day in the self-isolated life of recently named Alpha KIAI/Mason City, IA PD/ morning host (CAT 8/24) Britt Pearson: Quarantine put a halt to my daily fluffy coffee purchase, going out to eat and traveling. And not driving 50 miles to and from work five days a week and within a fivestate area for concerts or rodeos had my Jeep living a sedentary life, too! While working from home, I was typically up at 5am and have coffee immediately before I log on and go on-air for the morning show. I also used to handle middays until 3pm. Afterward, I would go for an afternoon walk, then come back to jump on Zoom meetings for my side-hustle of web design and small business consulting. I typically have someone living here with me, but they’ve gone to help their family, so thankfully the possibility of driving someone else insane has been limited. Except for maybe my dog, Tana. I worked from home for about eight weeks, but I’m back in the studio now. Currently, everyone is in their respective offices, but we still do Zoom meetings and keep social distancing. Some of my new quarantine hobbies included hiking, growing flowers and veggies, designing websites and doing video editing and production. Quarantine allowed me to become more creative, because I had to think differently. Considering how people were living and working at home as well as
thinking about how all essential workers were handling their lifestyles forced me to make my content relatable to those groups. Events we typically did in person had to transition to Facebook Live, and artists that were doing radio tours are now coming to our office and our community virtually via weekly live streams. Going live online has made all the difference in the world! The studio radio world needed a technology update – just like our phones do – and even though we all hate change at first, it was great to realize all the cool stuff we could do by embracing a new platform. I totally dig new tech stuff and all the ways we can utilize what’s available to connect more to listeners and stay connected to musicians. There’s more of a “real world” experience when you can talk one-on-one with people without having to travel. Is it hard to switch your thinking? Sure. But, it’s cool to see people still connecting. I hopped on the bandwagon and did the Tiger King series, but lately I have been watching some old episodes of Bones, Heartland and the History Channel’s Ancient Aliens. I’m getting ready to start watching Yellowstone, too. As far as listening goes, I am all about the new and current country artists when they go live. You learn more about them and their music, so it’s like work and fun all in one. My go-to quarantine snack has been root beer floats. Odd, I know! The ability to be creative, get more sleep,
How did the Taylor Swift performance happen after a seven-year absence? DCP’s Mark Bracco has a close working relationship with her managers, Andrea Swift and Robert Allen, and her publicist and former ACM Lifting Lives chair Tree Paine. Mark had asked earlier in the summer, checked in and really stayed on it. When her new album came out with a song going to Country radio, he had already laid the groundwork. All props to him. How was the first show with a new host? I love every one that preceded him, but Keith Urban was the exact right host for this moment in ACM history. As a musician, passionate performer and master of ceremonies, he set the perfect tone. Working with our writers, they crafted something that fit the times and these venues. Did you consider using canned applause? Because we pre-taped performances at The Ryman, we experimented. No applause, light applause, regular applause with a music bed, just music. In the end, the applause just didn’t feel right. This isn’t sports. We embraced the silence, reprised previous performances or used library music in the transitions.
... BR IT T PE AR SO N
Shotgun Rider keep more cash in my wallet and spent less on oil changes has been great. I’ve put fewer miles on my vehicles, purged my closets and truly enjoyed the moment of something instead of thinking about what I need to be doing next. This temporary pause button has been liberating and has opened my eyes to what is truly necessary. I just wish it wouldn’t have come at such a high cost. Swap gardening tips with Pearson here.
Keith Urban
What did you learn? Diligence and patience. We had to make sure everyone was safe. That was the main concern, and we executed that as close to flawlessly as possible. And I may be a focal point in talking about all this, but it’s not just me. There were hundreds of people making this happen. I’m blown away by their professionalism and effort. They are all deserving of accolades. –Chuck Aly CAC
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SEEK & EMPLOY
September 28, 2020
AVAILABLE JOBS MIDWEST Summit KFDI/Wichita OM Justin Case is searching for a morning co-host. See the complete posting here; send résumés and airchecks to Case here. Hubbard WIL/St. Louis OM Tommy Mattern is looking for an MD/afternoon personality with a minimum of two years on-air experience, demonstrable ratings success stories and impeccable references. See the complete posting and apply here. Federated WQHK/Ft. Wayne, IN OM Jimmy Knight is searching for a morning co-host to join incumbent Josh Michaels. Send résumés and airchecks to Knight here. Griffin KVOO/Tulsa OM Steve Hunter is seeking a morning show host or team. See the complete job description here; send résumés and airchecks to Hunter here. MacDonald WKCQ/Saginaw, MI OM/PD Jason Addams is looking to add a full-time on-air personality for nights. Send résumés and airchecks to him here. NORTHEAST Forever WFGI/Johnstown, PA is seeking a full-time morning co-host. Send résumés, airchecks and salary requirements here. WVRC WKKW/Morgantown, WV PD Mike Vincent is searching for part-time on-air talent for weekend and fill-in positions. Send résumés and airchecks to him here. iHeartMedia/Baltimore RSVPP Jeff Kapugi is seeking a Dir./Creative Services for Country WPOC; programming duties and weekend/fill-in airshifts are also possible. Apply here; send résumés and creative composites to Kapugi here. Pamal WKLI/Albany, NY PD Jon Reilly is looking for a morning co-host to join incumbent Pete Kelly. Send résumés and airchecks here.
Alpha/Fredericksburg, VA is looking for a Market Mgr. for the cluster, which includes Country WFLS. Interested candidates can see a complete job description and apply here. Alpha WFLS/Fredericksburg, VA Dir./ Content Bill West is searching for a morning cohost to succeed the retiring Jessica Cash. Apply here; reach West here. SOUTHEAST Cumulus WKAK/Albany, GA PD Bill Dollar is looking for an afternoon personality/Production Dir. Apply here. Cumulus WKDF/Nashville PD Paul Williams is looking for an afternoon personality with five-plus years of experience. See the complete job posting and apply here. Cumulus/Shreveport, LA is searching for a VP/MM to succeed Aaron Criswell. See the complete job posting and apply here. RWPC Pres. Scott Huskey is on the hunt for a PD/afternoon personality to join Gulf South WTVY/Dothan, AL. The position will also include cluster-wide Digital Brand Mgr. responsibilities. Send résumés and airchecks here. SOUTHWEST Townsquare KQBR/Lubbock, TX Brand Mgr. Lance Ballance is seeking an APD/on-air personality to succeed Jan Miller. Send résumés and airchecks to him here. WEST COAST Badlands/Rapid City, SD is searching for a GM/DOS who can build, train and motivate a team for the cluster that includes Country KRKI. Interested parties can send résumés and references here. Ruby Radio/Elko, NV VP/Programming
Tom Chase is seeking on-air talent for the cluster that includes Country KBGZ and Classic Country translator K263BD. Applicants can send cover letters, résumés and airchecks to Chase here. Bonneville KYGO/Denver PD Brian Michel is searching for a morning co-host to join incumbent Tracy Dixon. Reach Michel here, and apply here. Frontier/Juneau, AK GM Cherie Curry is seeking an OM/PD/on-air talent for the cluster that includes Country KTKU. Send résumés with references and an aircheck to Curry here. Townsquare KUAD/Ft. Collins, CO Dir./ Content Brad Hansen is looking for a morning host or team to succeed Jordan Soto and Michael Mason. View the complete job description here; send résumés and airchecks to Hansen here. OTHER Cherry Creek Media Group PD Mark Elliott is searching for experienced OMs and PDs for future openings. The company’s Country properties include KAAR/Butte, MT; KCIN & KIYK/St. George, UT; KMON/Great Falls, MT; KGGL/Missoula, MT; KKXK/Montrose, MT; KWCD/Sierra Vista, AZ; KYSN/ Wenatchee, WA; KYYZ/Williston, ND; and Classic Country KMON-AM/Great Falls, MT. Candidates with a minimum of three-to-five years of experience and a background in programming multiple formats in small to medium sized markets can send résumés, airchecks and programming philosophies to Elliott here. RWPC Co-President and consultant Scott Huskey is on the hunt for a Country PD/on-air talent in a medium market in the South. Send résumés and airchecks to him here. PLA Media Exec. Dir. Mark Logsdon is seeking a part-time Coord./Publicity to work a minimum of 30 hours per week. Send résumés, references and writing samples here.
SEEKING JOBS •Cactus Jack Former Entercom/Phoenix Dir./Production GoGoJack@msn.com 602-430-5908 •Heather Stevens Former WQXK/Youngstown, OH middays Heather.Stevens2019@gmail.com
•Cory Mikhals Former KIZN/Boise morning co-host CoryProductions@icloud.com
•Tom Travis Former iHeartMedia/Oklahoma City SVPP TomTTravis@gmail.com
•Bill Hickok Former KBMR/Bismark, ND morning host BillHickok1950@gmail.com
•”Big” John Horton Former KFSA/Ft. Smith, AR afternoon host BigJohn@TheBigJohnShow.com
•Chuck Knight Former iHeartMedia/Austin-San Antonio RSVPP ChuckKnightMedia@gmail.com
•Dave Conrad Former WBCT/Grand Rapids, MI afternoon host DConrad82@gmail.com
•Kris Richards •Tony Kelly Former WUSN/Chicago morning producer Former WKJO/Smithfield, NC afternoons KellyT_60468@yahoo.com FireCop947@yahoo.com 708-642-8518 •Jason Ryan •Greg Cole Former WWQM/Madison, WI nights Former WKCQ/Saginaw, MI OM/PD JROnTheAir@gmail.com GCole27000@gmail.com 916-502-4734
•Jonathan West Former WKTI/Milwaukee afternoons JSWest33@yahoo.com 320-774-9300
•AJ McCloud Former WWFF/Huntsville, AL APD/ afternoons AJ.McCloud@charter.net 256-503-2301
•Doug Dodds •Kristin Monica Former ZFKY/Grand Cayman PD/morning Former WQNU/Louisville APD/mornings host Kristin@RadioKristin.com DougDoddsEmail@gmail.com •Marc Lavik (aka Dave Marcus) Former on-air talent ZimaGuy@gmail.com 401-467-6737 •Denis “Catfish” Miller Former KSNI/Santa Maria, CA afternoons DenisMil@hotmail.com
•Paul Cannell Former WRKN/New Orleans PD PFCannell@gmail.com •Mac Daniels Former KPLX & KSCS/Dallas PD MacDaniels@me.com
•Dan Mason •Amy Nic Former iHeartMedia/Mobile, AL-Pensacola, Former WAMZ/Louisville afternoon host FL SVPP AmyNicRadioChick@gmail.com DLafayette@yahoo.com •Ron “Keyes” Stevens •Dave Schaefer Former WQRB/Eau Claire, WI Former iHeartMedia/Farmington, NM SVPP afternoon host & Country KTRA PD RonStvns@yahoo.com DRSchaefer@gobrainstorm.net •Lee France •Ginny Rogers Brophey Former KAGG/Bryan, TX PD/midday host LeeFranceWV@gmail.com Former WBWL/Boston PD GinnyBrophey@gmail.com •Scott Davidson •Brittany Tully Former WHOF-HD2/Canton, OH PD/ Former WYNK/Baton Rouge PD on-air host Davidson1023@gmail.com BriLynn718@gmail.com •Brian Cleary Former WEZL/Charleston, SC PD BRCleary@aol.com
•Trace Hamilton Former WEBG/Chicago night host TheTraceHamilton@gmail.com
•Steve Knoll Former KMAG/Ft. Smith, AR PD/ on-air talent SteveKnoll@cox.net
•Daryl Thomas Ledyard Former WBBS/Syracuse on-air talent DarylLedyard@gmail.com
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SEEK & EMPLOY
September 28, 2020
SEEKING JOBS •Shawn Carey Former KXXY/Oklahoma City on-air talent Shawntze@sbcglobal.net •Christian “CHoff” Hoffer Former WBCT/Grand Rapids, MI weekender Christian@heychoff.com •Ryan McCall Former WGLR/Platteville, WI MD/afternoons RyanMcCall@yahoo.com •David Dean Former KXDD/Yakima, WA afternoons DaviDean5@gmail.com •Dan Jessop Former KKUT/Pleasant, UT Station Mgr. DanJessop@msn.com •Kasper Former WUSN/Chicago afternoons KasperShow@gmail.com and www. KasperShow.com
(continued) •Jeff “Reyn” Reynolds Former Brewer WQLK/Richmond, IN mornings JNolds0509@gmail.com 765-465-0568 •David Sommers Former WDJR/Dothan, AL PD DSommers997@yahoo.com •Tricia “TJ” Jenkins Former Cumulus/Westwood One nationally syndicated The Ty Bentli Show morning host Tricia.Jenkins21@gmail.com •Brian McKay Former WXTU/Philadelphia middays, Dir./Production BMackDJ@gmail.com
•Toni Marie Former KWJJ/Portland APD/middays ToniMarieRadio@gmail.com
•Guy David Former KYGO/Denver mornings GuyDavid02@gmail.com Agent: David Brody, 877-888-1267
•Brian “Wookie” Kostek Former WDSY/Pittsburgh APD/MD/afternoons BKostek24@gmail.com
•Jason Pullman Former WUSN/Chicago mornings PimpYourPromo@gmail.com
•Chuck Edwards Former WYCD/Detroit mornings ChuckOn995@yahoo.com •Terry Phillips Former Entercom/Detroit Dir./Creative Services Terry@TerryPhillips.com •Bernadette Gibbons Former Entercom/New York Coord./ Promotions BernGibbons23@gmail.com •Jeff Pierce Former Saga/Portland, ME OM JefferyPierce@me.com •Blair Thomas Former WXCY/Wilmington, DE mornings BThomas330@yahoo.com •John Shomby Former Nash Dir./Programming & WKDF/Nashville PD JohnShomby@gmail.com •Brad King Former WBYT/South Bend, IN APD/MD/middays BradKingRadio@yahoo.com and here •Dr. Don Carpenter Former WYCD/Detroit mornings Dr.DonCarpenter@gmail.com •Tony Russell Former KUPL/Portland mornings Tony@TonyRussellInsurance.com 425-999-6127 •Jake Byron Former KUPL/Portland mornings JakeByronMedia@gmail.com •Adam Rondeau Former WCVL/Charlottesville, VA mornings BrondeauShow@gmail.com •Corey Dillon Former KNUC/Seattle afternoons/Social Media Mgr. CoreyDillonRadio@gmail.com
•Presleigh Webb Former KTCS/Fort Smth, AR mornings PresleighWebb@gmail.com •Jeff Hunt Former WXCY/Wilmington, DE MD/evenings JeffreyJHunt@gmail.com 570-309-4698 •Brent Jones Former Capitol Dir./Midwest Promotion DBJones615@gmail.com 615-482-5653 •Kim Brixton Former WNWN/Battle Creek, MI mornings/middays KimBrixton@gmail.com •Mark McKay Former Riser House Dir./Southeast Promotion MMcKay973@gmail.com •Fletcher Keyes Former WWQM/Madison, WI PD KeyesCreative@gmail.com www.FletcherKeyes.com •Steve Richards Former Townsquare/Albany, NY OM SVal622@sbcglobal.net 901-481-2669 •Ken Steel Former WQMX/Akron PD/afternoons KenSteelRadioGuy@gmail.com •Jody Wheatley Former WQMX/Akron MD/ Promotions Dir. JodyWheatley13@gmail.com •Kelley Bradshaw-Brock Former WKDF/Nashville afternoons KellyBra13@gmail.com 423-802-4987
SEEKER SPOTLIGHT ADAM RONDEAU Former WCVL/Charlottesville, VA mornings BrondeauShow@gmail.com Check out The Brondeau Show demo featuring Bryan Shine and Ariel here. “What we bring to a station is a show. Not just any show – a genuine show where listeners can relate to us, because we are just like them. We open up about our personal lives, keep our screw ups to create content and actively work to be unlike other shows. We’re personality driven, and between the three players, we bring extensive on-air experience, voice tracking, audio and video editing and production, remote broadcast abilities, emcee experience, social media expertise, podcast abilities, extensive Music Master knowledge, Promotion Director and Program Director experience and probably other valuable stuff that will make you love us.”
•Sean McMaster Former Pamal/Albany, NY on-air SMC1167@gmail.com
•Chris Huff Former KILT/Houston PD CHuff73@hotmail.com
•DeAnna Lee Former KKWF/Seattle middays DeAnnaLeeDance@gmail.com
•Erin Austin Former KILT/Houston Asst. MD/middays ErinAustinOnline@gmail.com
•Tim Taylor Former KWJJ/Portland afternoons Tim.Taylor1@comcast.net
•Greg Raneiri Former KSON/San Deigo APD/MD/ nights G.Raneiri@gmail.com
•Tim Richards Former Entercom/Phoenix VP/Branding, KMLE PD Tim915@gmail.com •Marty Brooks Former WLFP/Memphis MD/afternoons Marty.Headrick@gmail.com •Alek Halverson Former KKWF/Seattle Interim PD/ afternoons AlekHalverson22@gmail.com •Mandy James Former KMNB/Minneapolis mornings MandyJKDSN@gmail.com
•Amber Rainey Former KSON/San Deigo middays AmberRaineyOnAir@gmail.com •Jared “Marshall” Goldberg Former KMLE/Phoenix APD/middays & Cluster Dir./Digital Programming ImJaredGoldberg@gmail.com •Tami Rumfelt Former WPAW/Greensboro afternoons TamiRumfelt@gmail.com •Mike Allan Former WNSH/New York nights MikeAllanRadio@gmail.com
•Chris “Fish” Shatek Former KMNB/Minneapolis middays/Dir. Creative & Imaging ChrisShatek@gmail.com
•Darlene Evans Former WKIS/Miami middays DarleneInc@yahoo.com
•Ginny Harman Former KFRG/Riverside mornings GinnyHarmanVO@gmail.com
•Josh “JT” Holleman Former WIL/St. Louis afternoons JHolleman1015@gmail.com
•Nina D. Former KMLE/Phoenix afternoons MissNinaD@gmail.com
© 2 0 2 0 Co u n t r y A i rc h e c k ™ — A l l r i g h t s r e s e r v e d . S i g n u p f re e a t w w w. c o u n t r y a i rc h e c k . c o m . S e n d n e w s t o n e w s @ c o u n t r y a i r c h e c k . c o m
September 28, 2020 LW
TW
Artist/Title (Label)
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
LEE BRICE
One Of Them Girls (Curb)
27541
973
8530
272
52.969
2
KANE BROWN/Cool Again (RCA) ✔
27097
2288
8480
786
1
3
LUKE COMBS/Lovin' On You (River House/Columbia)
26250
-1540
8099
4
4
JASON ALDEAN/Got What I Got (Macon Music/Broken Bow) ✔
24237
1353
5
5
JAMESON RODGERS/Some Girls (River House/Columbia)
20622
6
6
TIM MCGRAW/I Called Mama (Big Machine)
7
7
MATT STELL/Everywhere But On (Records/Arista)
10 9
2
1
3
2.04
156
0
48.538 3.623
156
0
-568
51.865 -1.768
155
0
7731
499
45.202 3.196
156
0
830
6479
268
38.129 2.481
156
0
19489
893
6119
239
36.528 1.805
156
0
18289
1023
5726
309
33.764 3.122
156
0
8
BLAKE SHELTON f/G. STEFANI/Happy Anywhere (Warner/WMN) ✔ 16804
1381
5376
535
30.571 3.273
156
0
9
HARDY f/L. ALAINA & D. DAWSON/One Beer (Big Loud)
16307
770
5112
296
28.507 1.323
154
1
11
10
RUSSELL DICKERSON/Love You Like I Used To (Triple Tigers)
15887
1243
4904
360
30.041 2.414
155
0
12
11
MORGAN WALLEN/More Than My Hometown (Big Loud)
15238
883
4729
241
28.936 2.136
155
0
13
12
PARKER MCCOLLUM/Pretty Heart (MCA)
14860
861
4641
259
26.606 2.586
154
0
8
13
CHASE RICE/Lonely If You Are (Dack Janiels/Broken Bow)
14843
-1507
4611
-286
24.237 -3.203
153
0
14
14
JON PARDI/Ain't Always The Cowboy (Capitol)
13174
462
4210
108
23.793 1.234
155
1
15
15
CHRIS LANE/Big, Big Plans (Big Loud)
12165
758
3849
270
21.151 2.404
146
2
16
16
DAN + SHAY/I Should Probably Go To Bed (Warner/WAR)
11408
208
3721
153
0
17
17
KENNY CHESNEY/Happy Does (Blue Chair/Warner/WEA)
11143
414
3417
152 19.278 0.544 -130 19.476 0.904
153
1
18
18
KIP MOORE/She's Mine (MCA)
10318
-234
3319
-28
17.564 -0.515
154
1
19
19
LADY A/Champagne Night (BMLGR)
9940
251
3121
112
15.378 0.217
156
2
21
20
DUSTIN LYNCH/Momma's House (Broken Bow)
7458
-38
2239
-15
11.717
150
0
28
21
KELSEA BALLERINI/Hole In The Bottle (Black River) ✔
7380
1364
2337
395
10.208 2.376
151
5
23
22
RASCAL FLATTS/How They Remember You (Big Machine)
7270
477
2180
158
10.735 0.632
152
0
24
23
ERIC CHURCH/Stick That In Your Country Song (EMI Nashville)
7255
532
2348
140
10.548
1.34
150
4
27
24
DARIUS RUCKER/Beers And Sunshine (Capitol)
6941
700
2190
224
10.684
1.27
150
2
26
25
NIKO MOON/Good Time (RCA)
6917
415
2129
160
9.687
0.894
133
2
0.66
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Chart Page 1
September 28, 2020 LW
TW
Artist/Title (Label)
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
25
26
CHRIS STAPLETON/Starting Over (Mercury)
6799
272
2170
117
30
27
TENILLE ARTS/Somebody Like That (19th & Grand)
4843
41
1521
-6
6.413
41
28
FLORIDA GEORGIA LINE/Long Live (BMLGR) ✔
4680
1752
1357
572
7.658
29
29
LAUREN ALAINA/Getting Good (Mercury)
4592
-369
1573
-112
31
30
DYLAN SCOTT/Nobody (Curb)
4582
120
1505
32
31
BROTHERS OSBORNE/All Night (EMI Nashville)
4417
126
33
32
JORDAN DAVIS/Almost Maybes (MCA)
4375
36
33
MORGAN WALLEN/7 Summers (Big Loud)
37
34
35
11.881 0.144
137
2
0.697
141
2
3.829
121
13
5.125 -0.113
134
0
44
5.965
0.042
131
5
1423
55
6.054
0.063
133
3
108
1429
29
5.885 -0.121
137
3
3925
194
1124
38
6.933
0.299
79
4
MAREN MORRIS/To Hell & Back (Columbia)
3786
386
1204
101
5.046
1.511
116
7
35
BRETT ELDREDGE/Gabrielle (Warner/WMN)
3699
-39
1110
-12
5.051
0.148
111
1
34
36
TAYLOR SWIFT/Betty (Republic/MCA)
3672
-124
1210
39
3.733 -0.698
117
2
42
37
BRETT YOUNG/Lady (BMLGR)
3216
301
1011
112
5.484 -0.034
106
10
40
38
PARMALEE f/B. BROWN/Just The Way (Stoney Creek)
3073
105
1054
21
3.434
97
4
39
39
GABBY BARRETT/The Good Ones (Warner/WAR)
2997
-36
1026
14
3.306 -0.221
105
2
43
40
RUNAWAY JUNE/We Were Rich (Wheelhouse)
2751
-4
911
14
2.645
0.066
104
1
44
41
BRANTLEY GILBERT/Hard Days (Valory)
2671
18
866
9
2.924
-0.03
106
1
LITTLE BIG TOWN/Wine, Beer, Whiskey (Capitol)
2656
243
807
40
2.725
0.402
94
3
0.063
46
43
J. ALLEN & N. CYRUS/This Is Us (Records/Columbia/Stoney Creek)
2368
-22
828
9
2.023
0.053
96
2
49
44
JAKE OWEN/Made For You (Big Loud)
2291
120
700
70
2.826
0.328
79
14
47
45
COLE SWINDELL/Single Saturday Night (Warner/WMN)
2221
-3
645
14
3.203
0.214
69
3
48
46
ZAC BROWN BAND/The Man Who... (Home Grown/19th & Grand) 2207
32
809
-1
2.387
0.082
77
3
50
47
ROBERT COUNTS/What Do I Know (Arista)
2140
104
619
29
2.785
0.376
78
7
Debut 48
CAROLINE JONES/All Of The Boys (Mailboat)
1758
-35
661
-20
1.105 -0.039
83
0
Debut 49
RYAN HURD/Every Other Memory (RCA)
1528
11
443
2
1.596
0.025
53
1
Debut 50
OLD DOMINION/Never Be Sorry (RCA)
1407
-222
391
-36
1.861 -0.103
52
3
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Chart Page 3
September 28, 2020 Country Aircheck Add Leaders
Activator Top Point Gainers
Adds
1814 ✔
CARLY PEARCE/Next Girl (Big Machine)
47
FLORIDA GEORGIA LINE/Long Live (BMLGR)
KEITH URBAN w/PINK/One Too Many (RCA/Capitol)
44
JASON ALDEAN/Got What I Got (Macon Music/Broken Bow) 1288 ✔
CLAY WALKER/Need A Bar Sometimes (Show Dog)
19
KEITH URBAN w/PINK/One Too Many (RCA/Capitol)
JAKE OWEN/Made For You (Big Loud)
14
BLAKE SHELTON f/G. STEFANI/Happy Anywhere (Warner/WMN)
892 ✔
MIRANDA LAMBERT/Settling Down (RCA)
14
CHRIS STAPLETON/Starting Over (Mercury)
766 ✔
FLORIDA GEORGIA LINE/Long Live (BMLGR)
13
MIRANDA LAMBERT/Settling Down (RCA)
712
BRETT YOUNG/Lady (BMLGR)
10
TIM MCGRAW/I Called Mama (Big Machine)
692 653
1099 ✔
CHRIS JANSON/Waitin' On 5 (Warner/WAR)
7
KELSEA BALLERINI/Hole In The Bottle (Black River)
MAREN MORRIS/To Hell & Back (Columbia)
7
HARDY f/L. ALAINA & D. DAWSON/One Beer (Big Loud)
638
ROBERT COUNTS/What Do I Know (Arista)
7
CHRIS LANE/Big, Big Plans (Big Loud)
609
Activator Top Spin Gainers
Country Aircheck Top Point Gainers KANE BROWN/Cool Again (RCA)
2288
FLORIDA GEORGIA LINE/Long Live (BMLGR)
1752
BLAKE SHELTON f/G. STEFANI/Happy Anywhere (Warner/WMN)
1381
KELSEA BALLERINI/Hole In The Bottle (Black River)
1364
JASON ALDEAN/Got What I Got (Macon Music/Broken Bow)
1353
✔ ✔ ✔ ✔ ✔
FLORIDA GEORGIA LINE/Long Live (BMLGR)
316
JASON ALDEAN/Got What I Got (Macon Music/Broken Bow)
270
BLAKE SHELTON f/G. STEFANI/Happy Anywhere (Warner/WMN) 183 TIM MCGRAW/I Called Mama (Big Machine)
181
KEITH URBAN w/PINK/One Too Many (RCA/Capitol)
173 145
RUSSELL DICKERSON/Love You Like I Used To (Triple Tigers)
1243
HARDY f/L. ALAINA & D. DAWSON/One Beer (Big Loud)
MIRANDA LAMBERT/Settling Down (RCA)
1082
CHRIS STAPLETON/Starting Over (Mercury)
145
MATT STELL/Everywhere But On (Records/Arista)
1023
MIRANDA LAMBERT/Settling Down (RCA)
131
973
JAMESON RODGERS/Some Girls (River House/Columbia)
126
893
CHRIS LANE/Big, Big Plans (Big Loud)
119
LEE BRICE/One Of Them Girls (Curb) TIM MCGRAW/I Called Mama (Big Machine)
Country Aircheck Top Spin Gainers KANE BROWN/Cool Again (RCA)
Country Aircheck Top Recurrents
Points
786
LUKE BRYAN/One Margarita (Capitol)
14614
FLORIDA GEORGIA LINE/Long Live (BMLGR)
572
MADDIE & TAE/Die From A Broken Heart (Mercury)
13544
BLAKE SHELTON f/G. STEFANI/Happy Anywhere (Warner/WMN)
535
MORGAN WALLEN/Chasin' You (Big Loud)
12485
JASON ALDEAN/Got What I Got (Macon Music/Broken Bow)
499
GABBY BARRETT/I Hope (Warner/WAR)
12456
KELSEA BALLERINI/Hole In The Bottle (Black River)
395
SAM HUNT/Hard To Forget (MCA)
11548
RUSSELL DICKERSON/Love You Like I Used To (Triple Tigers)
360
B. SHELTON f/G. STEFANI/Nobody But You (Warner/WMN)
11199
MIRANDA LAMBERT/Settling Down (RCA)
314
CHRIS JANSON/Done (Warner/WAR)
10790
MATT STELL/Everywhere But On (Records/Arista)
309
MAREN MORRIS/The Bones (Columbia)
7711
HARDY f/L. ALAINA & D. DAWSON/One Beer (Big Loud)
296
OLD DOMINION/One Man Band (RCA)
7234
272
L. COMBS f/E. CHURCH/Does To Me (River House/Columbia)
7195
LEE BRICE/One Of Them Girls (Curb)
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Chart Page 4
September 28, 2020
COUNTRY AIRCHECK ACTIVITY COLE SWINDELL/Single Saturday Night (Warner/WMN) Moves 47-45* 2,221 points, 645 spins 3 adds: KEEY, WTQR, WYCT
A D D DAT E S October 5
REBEL HEARTS/Good To Go (RHR) LARRY FLEET/Where I Find God (Big Loud) INGRID ANDRESS/Lady Like (Warner/WEA) PRISCILLA BLOCK/Just About Over You (InDent /Mercury)
ZAC BROWN BAND/The Man Who... (Home Grown Music/19th & Grand) Moves 48-46* 2,207 points, 809 spins 3 adds: KASE, *KATM, *W1HC
October 12
ROBERT COUNTS/What Do I Know (Arista) Moves 50-47* 2,140 points, 619 spins 7 adds: KHGE, KTGX, KTST, *W1HC, WUBL, WUSJ, WYCD
October 19
CAROLINE JONES/All Of The Boys (Mailboat) Debuts at 48 1,758 points, 661 spins; no adds RYAN HURD/Every Other Memory (RCA) Debuts at 49* 1,528 points, 443 spins 1 add: WAVW OLD DOMINION/Never Be Sorry (RCA) Debuts at 50 1,407 points, 391 spins 3 adds: *KCYY, KSD, WAVW MIRANDA LAMBERT/Settling Down (RCA) 1,311 points, 384 spins 14 adds including: KAWO, KFRG, *KPLX, *KCSC, *KUBL, KUZZ, WDAF, WQYK, WSOC, WUBL CODY JOHNSON/Dear Rodeo (CoJo/Warner/WMN) 1,275 points, 320 spins 2 adds: WCKN, WXBQ
CHECK OUT 10/2
Dolly Parton A Holly DollyCreek) Christmas LINDSAY ELL/Want Me Back (Stoney Record/12Tone Music) 1,079 points, (Butterfly 345 spins Parton’s first holiday album in 30 years features classic 1 add: *W1HC Christmas songs as well as five original tracks she wrote and
one additional co-write with Kent Wells. The collection boasts duets with Michael Bublé, Billy Ray Cyrus, Miley Cyrus, Jimmy Fallon, Willie Nelson and her brother, Randy Parton.
LUKE COMBS/Better Together (River House/Columbia) SCOTTY MCCREERY/You Time (Triple Tigers) RILEY GREEN/If It Wasn’t For Trucks (BMLGR)
ASHLEY MCBRYDE/Martha Divine (Warner/WAR)
Send yours to adds@countryaircheck.com
CHECK OUT 10/2 Shania Twain The Woman In Me: Diamond Edition (Mercury) The Diamond Edition contains a newly-remastered version of the multi-platinum album, plus previously unreleased tracks, live recordings and 48-page booklet containing liner notes from Twain. It’s available in two and three CD configurations, with the remastered album available in LP and limited edition color variant LP versions, as well. Brent Cobb Keep ‘Em On They Toes (Thirty Tigers) Produced by Brad Cook, the album features 10 new songs including the title track, which was written by Cobb and wife Layne, and the pre-pandemic penned “The World Is Ending.” The project was created after Cobb moved back to his home state of Georgia after several years between Nashville and Los Angeles. Bobby Bare Sings Shel Silverstein Plus (Bear Family Records) The eight-CD LP-sized box set contains 137 songs representing six full albums, a total of 25 previously unreleased tracks and a handful of tracks penned by other songwriters. It’s accompanied by a 128-page hardcover book featuring a new interview with Bare, lyrics, discography and photos. Everette Kings of the Dairy Queen Parking Lot – Side A (Broken Bow) The duo’s Brent Rupard and Anthony Olympia co-wrote all 14 songs on Side A and Side B, teaming up with collaborators like Bryan Simpson, the Warren Brothers, Brent Cobb, Matt Jenkins and Bobby Pinson. Before recording with producer Luke Laird, they “whittled them into shape” during a monthly residency at Nashville’s Springwater Supper Club & Lounge.
©2020 Countr y Aircheck™ — All r ights reser ved. Sign up free at w w w.countr yaircheck .com. S end news to news@countr yaircheck .com
Chart Page 5
September 28, 2020 LW
2
TW
1
Artist/Title (Label)
Points
LEE BRICE
One Of Them Girls (Curb)
12180
+/- Points
Plays
+/- Plays Stations ADDS
-16
2366
22
47
0
1
2
LUKE COMBS/Lovin' On You (River House/Columbia)
11784
-562
2269
-139
47
0
3
3
JASON ALDEAN/Got What I Got (Macon Music/Broken Bow) ✔
11677
1288
2294
270
48
0
5
4
TIM MCGRAW/I Called Mama (Big Machine)
9971
692
1918
181
46
0
4
5
KANE BROWN/Cool Again (RCA)
9824
314
1950
69
45
0
7
6
BLAKE SHELTON f/G. STEFANI/Happy Anywhere (Warner/WMN) ✔
9785
892
1787
183
48
0
6
7
JAMESON RODGERS/Some Girls (River House/Columbia)
9436
474
1815
126
48
0
9
8
HARDY f/L. ALAINA & D. DAWSON/One Beer (Big Loud)
8277
638
1623
145
48
0
8
9
MATT STELL/Everywhere But On (Records/Arista)
7823
38
1526
27
45
0
10 10
MORGAN WALLEN/More Than My Hometown (Big Loud)
7715
608
1413
100
49
0
11 11
JON PARDI/Ain't Always The Cowboy (Capitol)
7123
49
1300
21
47
0
12 12
PARKER MCCOLLUM/Pretty Heart (MCA)
6806
165
1307
28
47
1
15 13
RUSSELL DICKERSON/Love You Like I Used To (Triple Tigers)
6372
592
1215
114
46
1
14 14
DAN + SHAY/I Should Probably Go To Bed (Warner/WAR)
6359
338
1181
63
47
0
16 15
KENNY CHESNEY/Happy Does (Blue Chair/Warner/WEA)
6062
332
1097
62
48
0
13 16
CHASE RICE/Lonely If You Are (Dack Janiels/Broken Bow)
6044
-214
1130
-41
42
0
18 17
KIP MOORE/She's Mine (MCA)
5597
-43
1085
5
45
0
20 18
LADY A/Champagne Night (BMLGR)
5222
351
983
46
46
0
21 19
ERIC CHURCH/Stick That In Your Country Song (EMI Nashville)
5139
353
908
70
47
1
22 20
CHRIS STAPLETON/Starting Over (Mercury) ✔
5018
766
909
145
45
1
23 21
CHRIS LANE/Big, Big Plans (Big Loud)
4302
609
836
119
45
0
24 22
DARIUS RUCKER/Beers And Sunshine (Capitol)
4054
444
694
66
48
0
25 23
KELSEA BALLERINI/Hole In The Bottle (Black River)
3100
653
588
104
45
2
36 24
FLORIDA GEORGIA LINE/Long Live (BMLGR) ✔
3032
1814
533
316
41
12
26 25
RASCAL FLATTS/How They Remember You (Big Machine)
2864
465
547
79
44
1
27 26
DUSTIN LYNCH/Momma's House (Broken Bow)
2358
196
496
33
42
5
28 27
BROTHERS OSBORNE/All Night (EMI Nashville)
1894
52
351
20
40
1
34 28
NIKO MOON/Good Time (RCA)
1755
446
348
74
42
2
32 29
MORGAN WALLEN/7 Summers (Big Loud)
1751
347
330
54
30
3
30 30
JORDAN DAVIS/Almost Maybes (MCA)
1723
32
310
17
40
1
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Chart Page 6
September 28, 2020 LW
Artist/Title (Label)
Points +/- Points
31 31
TW
BRETT ELDREDGE/Gabrielle (Warner/WMN)
1651
11
301
-4
36
0
29 32
LAUREN ALAINA/Getting Good (Mercury)
1600
-179
338
-39
35
0
33 33
LITTLE BIG TOWN/Wine, Beer, Whiskey (Capitol)
1511
193
254
28
22
1
1099
232
173
16
12
Debut 34
Plays
+/- Plays
Stations Adds
KEITH URBAN w/PINK/One Too Many (RCA/Capitol) ✔
1404
35 35
TAYLOR SWIFT/Betty (Republic/MCA)
1340
102
275
21
38
3
38 36
BRETT YOUNG/Lady (BMLGR)
1290
110
226
47
22
6
39 37
TENILLE ARTS/Somebody Like That (19th & Grand)
1234
59
261
2
39
1
37 38
MAREN MORRIS/To Hell & Back (Columbia)
1212
5
227
0
38
1
40 39
DYLAN SCOTT/Nobody (Curb)
1107
262
227
48
37
3
Debut 40
MIRANDA LAMBERT/Settling Down (RCA)
975
712
177
131
17
9
42 41
RUNAWAY JUNE/We Were Rich (Wheelhouse)
789
66
165
16
21
0
45 42
GABBY BARRETT/The Good Ones (Warner/WAR)
742
67
164
9
20
0
44 43
BRANTLEY GILBERT/Hard Days (Valory)
730
50
108
9
17
1
47 44
COLE SWINDELL/Single Saturday Night (Warner/WMN)
680
90
91
10
11
0
43 45
ZAC BROWN BAND/The Man Who Loves... (Home Grown/19th & Grand)
671
-26
140
-4
15
0
48 46
OLD DOMINION/My Heart Is A Bar (RCA)
620
40
63
5
2
0
59 47
JAKE OWEN/Made For You (Big Loud)
588
193
123
48
13
6
46 48
RANDALL KING/Hey Cowgirl (Warner/WEA)
585
-13
113
-2
11
0
50 49
KYLIE FREY/Spur Of The Moment (Deep Frey'd)
559
23
106
4
9
0
CARLY PEARCE/Next Girl (Big Machine)
547
190
80
26
6
1
52 51
LARRY FLEET/Where I Find God (Big Loud)
514
-4
66
-4
4
0
49 52
Debut 50
RYAN HURD/Every Other Memory (RCA)
514
-24
90
-2
10
0
Debut 53
CHRIS JANSON/Waitin' On 5 (Warner/WAR)
507
160
70
23
8
0
Debut 54
PRISCILLA BLOCK/Just About Over You (InDent/Mercury)
504
124
53
15
5
0
54 55
PARMALEE f/B. BROWN/Just The Way (Stoney Creek)
500
22
116
1
14
0
53 56
CAROLINE JONES/All Of The Boys (Mailboat)
484
1
122
1
20
0
55 57
CAM/Till There's Nothing Left (RCA/Triple Tigers)
480
30
48
3
1
0
56 58
TIFFANY WOYS/Loved By You (Tiffany Woys)
452
3
80
0
7
0
60 59
ERIC CHESSER/Date Night (Big Big Records)
413
24
77
4
7
0
56 60
LAUREN ALAINA f/L. GRAHAM/What Do You Think Of (Mercury)
410
10
41
1
1
0
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Chart Page 7