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Issue 534 - January 23, 2017

Page 1

January 23, 2017, Issue 534

Q&A: Beasley’s Justin Chase

Seventeen radio stations were added to the Beasley fold when the dust settled on its acquisition of Greater Media last year (CAT 11/1) and a flurry of hires and promotions have followed as the company adapts. Among them were VP/Programming Justin Chase’s rise to EVP and the addition of Greater Media’s Buzz Knight in the VP role. Country Aircheck spoke to Chase to find out what the moves mean operationally, how the integration is going, where the company’s six Country stations fit into the picture and what’s on the horizon for radio. CA: What do you do and how has it changed? JC: The workload is the same, it’s just a different type of work. When I joined Beasley in 2009, I served as OM for Las Vegas under MM/GM Tom Humm, one of my early mentors. I programmed [Classic Hits] KKLZ and [Country] KCYE while working with the other PDs to develop a programming strategy for the cluster overall. So I was managing a staff, writing imaging, air-checking jocks, creating promotions and curating playlists. Now I’m working with our corporate officers like Caroline, Bruce and Brian Beasley, and our new VP/Programming Buzz Knight to Bill Mayne evolve, refine and promote our company programming strategy. I work directly with PDs and GMs in the company. They get to have all the fun at the local level, but I’m lucky to have the opportunity to help them develop ideas or strategy. I also work with our Chief Revenue Officer Heather Monahan to generate integrated revenue opportunities for clients. We’re always looking for ways to leverage a lot of our stations, especially Country, and are often able to put things together that benefit all six of them. (continued on page 7)

Can We Interrupt? Warner Bros./WMN’s Cole Swindell is surprised by WMN staff with a gold certification for “Middle Of A Memory” Saturday in Nashville. Pictured (l-r) are Brooke Hardesty, Jessica Rouse, Branden Bosler, Katie Bright, Tim Foisset, Swindell, Peter Strickland, Justin Luffman, Kristen Williams, Megan Joyce, Kati Salverson, Lisa Ray, Marieke Bianchi and Lauryn Snapp.

Seminar You Ready?

Last week’s chat with CRS Exec. Dir. Bill Mayne set the stage for CRS 2017’s strong tent pole offerings in speakers and even free hearing testing. Even in that, however, Mayne noted, “The main thing has always been the content.” For an overview of top sessions, this week’s issue turns to Agenda Committee Chair Tom Hanrahan Tom Hanrahan. “Thursday morning really kicks off hot and heavy with two things CRS is best known for, its mentoring breakfasts,” Hanrahan

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January 23, 2017

MY TUNES: MUSIC THAT SHAPED MY LIFE Sea Gayle's CJ Solar discusses his most influential music: 1. Creedence Clearwater Revival's Greatest Hits: My parents had that CD when I was little. When I started playing guitar, I learned every song on that album. I remember "Bad Moon Rising was the first song I ever learned to play. 2. Brad Paisley's Play: I was still in high CJ Solar school, and I remember thinking how cool it was that somebody like him would do an instrumental record. 3. Dierks Bentley, Blake Shelton & Brad Paisley, Grand Ole Opry: I went with my parents when I was a kid. I remember thinking, "Wow, this is awesome. Whatever these guys are doing, I want to do that." 4. Jeffrey Steele: The first time I heard "Gone," I was like, "Who is writing these songs?" It was super cool and had a rock feel to it, but with country lyrics. He had an album called Gold, Platinum, No Chrome, More Steele: Greatest Hits Vol. 11. I wanted to make music like that. 5. Bob Seger and Frankie Ballard, Bridgestone Arena: Frankie opened. I remember thinking how cool it was that somebody in country opened for Bob Seger, but also how amazing Bob was at 70 years old. Getting to see him sing "Turn The Page" live was incredible. • Highly regarded music you've actually never heard: I do like Adele, but I don't care for most pop music at all. I just don't listen to it. • "Important" music you just don't get: There's always one guy in the band, and it's usually the bass player, who plays Rush. I just do not get Rush. The main thing is, the lead singer's voice really annoys me. • An album you listened to incessantly: Steve Miller Band's Greatest Hits. When I was in high school, I'd put that CD on and fall asleep to it every night. I have the whole thing memorized. • One obscure or non-country song everyone should listen to right now: There's a band from England called Wolf Alice. They have this song called "Bros" that's pretty cool. • Music you'd rather not admit to enjoying: Maybe as a guy, I'm not supposed to, but I love Sheryl Crow. I'm a pretty big fan of hers.

UPDATE

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says. Sales and programming sessions are among the most popular offerings each year. “It’s a chance for attendees to sit down for invaluable face time with the best of the best in sales or programming across market sizes.” The roundtable setting and rotational format fills up fast, so Hanrahan urges, “Get there early.” Panels kick off with “Speeding Toward Tomorrow,” focusing on radio in a driverless world. “Look back at how far we’ve come in the last 10 years,” Hanrahan says. “A decade ago the iPhone was brand new and the speed of innovation is only increasing. We’re going to explore the impact that has on brands.” Mentor Freshness: Last year’s buzz-panel gets a follow-up with “Women Empowering Women.” Calling it “one step further,” Hanrahan notes the importance of mentors. “We’ll see from different sides how some of our top industry leaders were able to navigate their path from being introduced into the business to eventually leading huge companies.” With a focus on the cross-pollenated business world, “You’re More Valuable Than You Think” touches on successful career transitions. “This is really designed to show attendees the job skills they may not know they have,” Hanrahan says. “For instance, Big Loud’s Clay Hunnicutt worked for us at iHeartMedia before leaving to help launch a successful record company. Obviously, he had some skills. And it’s better for all of us to recognize what skills we have now, while we’re employed, rather than be trying to figure that out when we’re thinking, ‘Now what am I going to do?’” “Cultivating The Farm Team” addresses a hot topic (see interview with Beasley’s Justin Chase, this issue). “Broadcast companies are doing some innovative things to find talent in areas we haven’t been looking, and we’re going to look at ways they’ve had success outside normal recruitment lanes.” Boot Strapping: Hanrahan also touts a roundtable format social media session giving participants applicable skills for use on the top platforms. “’Lace Up Your Boots & Get In The Game’ will have Facebook, Instagram, Twitter and Snap Chat experts talking about the most effective tactics,” Hanrahan says. “Capturing the Millenial Ear” is a “two phase” research study centered on what this large demo cell thinks about radio and music. “It’s important we find out what they really think, rather than put our head in the sand,” Hanrahan says. “The second portion of that is a live focus group in the session for direct interaction with the audience.” Finally, in another follow-up to 2016, “Coaching the Coaches” finds top talent telling how they like to be motivated. Last year’s panel was highlighted by Super Bowl winning coach Barry Switzer. This year, ESPN/ABC’s Kirk Herbstreit is joined HLN/Cumulus’ Robin Meade and Pop morning team Ace & TJ. “This is just one

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January 23, 2017

of many ways CRS is able to get more external voices and talent to shape a positive experience for attendees.” Be one. Register for CRS 2017 here. –Chuck Aly

Chart Chat

Congrats to Blake Shelton, Kristen Williams, Chris Palmer, Katie Bright and the WMN team on landing this week’s No. 1 with “A Guy With A Girl.” The song is the second chart-topper from If I’m Honest. And kudos to Bobby Young and the Capitol gang on securing 81 adds for Lady Antebellum’s “You Look Good,” topping this week’s board.

Colin Elmore has signed a co-publishing agreement with Wrensong/Reynsong Entertainment and Pat Finch Music Publishing. Colin Elmore and the Danville Train are in a production deal with Sony/Nashville and booked by WME. Rosanne Cash, Sonny Curtis, Frank Rogers and Steve Wariner will headline the Music Health Alliance benefit The First And The Worst as it returns for a third run March 1 at Nashville’s City Winery. Peter Cooper hosts. Contact MHA’s Shelia Shipley Biddy here.

The Week’s Top Stories Blake Shelton

Super Cushy Gig Alert

Coming up with witty slug lines and being wined and dined by country’s top artists is pretty much all there is to it if you want to be the newest employee at Country Aircheck. Well, that and the 1,500 word essay exam you have to score 100% on every day. Seriously, if you’ve got five years of radio or industry experience and think you might have a way with words, send your résumé here.

News & Notes

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Veteran broadcaster Mike Jenkins has joined Alpha/ Macon, GA as Market Mgr. The cluster includes Country KRES. Alpha WCEN/Saginaw, MI PD Joby Phillips added PD duties for Hot AC clustermate WGER. Premiere’s Bobby Bones will speak and Rodney Crowell will perform at TEDxNashville 2017, set for March 17-18. Details here. Black River’s Kelsea Ballerini will perform at the 2017 Symphony Fashion Show April 18 in Nashville. Details here. Grammy-winning producer Dave Cobb will be featured in the Country Music Hall of Fame’s Music Masters interview series Jan. 28 at 2pm CT inside the museum’s Ford Theater. More here. Collings Guitars has issued a second guitar in the name of the late Pete Huttlinger (CAT 1/19/16). The 2nd Limited Edition OM1 reflects his Huttlinger’s love of fly fishing with custom inlays. A portion of proceeds benefit the Pete Huttlinger Fund for cardiac research at Vanderbilt University Medical Center.

Full coverage at countryaircheck.com. • Bryan Switzer joined Westwood One as VP/GM Music & Entertainment. (1/23) • President Trump named FCC Comissioner Ajit Pai Chairman. (1/23) • Futuri Media promoted one and added two. (1/23) • Nielsen Audio released week-three diary ratings. (1/16-20) • iHeartMedia/Hunstville’s Nate Embry is leaving after 17 years. (1/20) • Programming vet Randy Bliss joined Beasley/Fayetteville, NC. (1/19) • WUVA/Charlottesville, VA sold to Saga. (1/18) • Renda/Fort Myers’ Randy Savage joined Cumulus/ Wilkes-Barre. (1/17) • WCTY/Norwich, CT’s Josh Mattei was promoted to nights. (1/17)

Q&A: Beasley’s Justin Chase

(continued from page 1) What has surprised you about the integration and what are the challenges? The integration is going quite well. Outside of a couple bumps, which are to be expected, I couldn’t be more optimistic for the future health and success of our company. I’ve been highly impressed with some amazingly talented people, in all departments. The new employees have brilliant and creative ideas and systems that will only make our company better. And many of these incoming stations and personalities are some of the strongest or most iconic brands in the radio business. What does an integration like this look like mechanically? There are internal systems and external systems that our listeners use – apps, websites and things like that – to navigate, and overall business philosophies. Most importantly there’s company culture. You get to pick and choose the best systems, and with Buzz’s extensive background with the incoming stations, he’s been critical to that exercise.

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January 23, 2017

How are responsibilities being handled structurally between you two? I’ve known and respected Buzz for many years and it’s a thrill to work with him day-to-day. At the moment he’s mostly working to help us integrate the new stations into the company. And that’s been helpful not only to me, but to all our corporate employees. After Buzz and I get through the integration, we’ll likely split focus a little, perhaps based on formats or regions. How hands-on are you at the local level? Beasley is a live and local company, so we give our stations autonomy and freedom, within reason, to operate locally. We are not a top-down company. I’m not saying that’s bad; it’s just not our style. It works better for us when a local PD takes ownership of his or her station and gets to take full credit for success. Beasley is different than a lot of other companies in that we are publicly traded, but still family-run. Their name is on the building, so they’re very involved in and want to know what’s happening locally. But we don’t make decisions for people. You’ll never hear me calling in adds or dictating promotions, but we certainly offer opportunities if there’s not something better going on locally. There are things we control from the corporate office, systems like our centralized app, for example, but we feel like it works better when local PDs are making decisions. It’s one of things that attracted me to Beasley in the first place. How important are Beasley’s Country properties and how is the format different than the others you oversee from a responsibility perspective? Operationally, Country needs a little more attention than the average format, simply due to its active nature. No other format has more artist-related events and promotions and our stations sincerely appreciate and value their relationships with Nashville. Personally, I had the time of my life programming our Country station in Vegas before I came to Naples. Anyone who knows me knows my passion for the Country format. And Beasley has a long history with Country and our corporate staff shares that passion. We’re very excited to grow our Country footprint by adding WKLB/ Boston. We have terrific PDs in place at all six Country stations with an incredible live and local staff that takes a lot of pride in their commitment to their local communities and to Nashville.

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What’s your view on the current landscape for Country? The product coming out of Nashville seems stronger today than it was 6-12 months ago and we’re seeing healthy passion scores. There were massive 18-34 numbers around the time of the bro country movement and there’s been a lull as some of that has declined, but it does seem like there’s something working right now and I feel good about it. There seems to be a better balance of pop, rock and traditional sounds. There does seem to be a strong interest in ‘90s Country and we’ve certainly taken notice. I think that stations looking at the best of the best from that period, within reason, could actually grow some of the 35-54 numbers that have always been the format’s bread and butter. And radio overall? What are we doing well as an industry and where do we need to improve or be vigilant? There’s a general sentiment and trend for more talent development and that’s a great sign for the long-term health of our industry. We need to be vigilant on how we fit into the connected car and working more closely with the car companies to that end. What are you seeing with talent development that’s different than before? Maybe it’s just my perception, but as I talk to other people in my position – programmers, group owners and others – it seems like certain companies are realizing that it’s the future of our business. We are on the hunt for new talent and, in a lot of cases, developing people in our own cities by taking time to grow and coach. How aggressive is Beasley with regard to the connected car? We are only working with companies or partners that are focused on developing relationships with the manufacturers. And people above me like [CEO] Caroline Beasley, who’s very active with industry-related organizations like the NAB, are encouraging our industry to become more involved with car manufacturers. Unfortunately, solutions aren’t going to be one-size-fits-all. Every car company has their own technology, look, feel and dash, so it’s going to be a challenge to develop technology that will work with every single car moving forward. And that’s exactly why we need to be close to them. Reach Chase here. –Russ Penuell

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January 23, 2017

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Seek & Employ Available Jobs Here's a list of job seekers and open gigs. Not listed? Send info here and we'll include you in a future update. GCC Bend's KSJJ/Bend, OR is searching for a morning show producer/air talent. Airchecks and resumes here. iHeartMedia/Huntsville has a Dir./Creative Services opening. Materials to SVP/Programming Erich West here. Hall's WCTY/Norwich, CT is searching for an overnight talent. Materials to PD Dave Elder here. Cumulus' WIVK/Knoxville has an opening in middays. Apply here. iHeartMedia's WNCB/Raleigh has an opening for a PD. Apply here. Scripps' WKTI/Milwaukee is searching for a PD/afternooner. Apply here. Townsquare/Duluth, MN has an opening for a GM. Apply here. CBS Radio's WUSN/Chicago has an opening for a PD. Apply here. Mid-West's WRTB/Rockford, IL is searching for an afternoon personality. Reach Steve Summers about the position, which includes imaging duties, here. West Virginia Radio's WKWS/Charleston, WV has an opening for a PD/air personality. Materials to MM Bob Visotcky here. Beasley's WKLB/Boston has an opening for a morning show host. Airchecks and resumes to PD Mike Brophey here. Zimmer/Cookeville, TN is searching for an engineer. Three years experience is required. Materials here. Leighton's KZPK/St. Cloud, MN has an opening in evenings. Airchecks, resumes and social media links here. Beasley's WKML/Fayetteville, NC is searching for an MD/ morning co-host. Materials to PD Dean Severance here. W&B's WLVK/Elizabethtown, KY is searching for an APD/ MD/afternooner. Materials to Owner/GM Rene Bell here. Townsquare/Amarillo, TX has an opening for an OM and Top 40 PD. Materials to Market President Brice Sheets here. iHeartMedia's WEBG/Chicago has an opening for a Dir./Promotions. Apply here. Adams' WBTU/Fort Wayne, IN has an opening for an APD/ middayer. Materials to PD Randy Alomar here. Bristol's WXBQ/Johnson City, TN has an opening on the morning show. Materials here. Zimmer's KCLR/Columbia, MO has an opening in middays. Airchecks and resumes here. Cumulus' WMDH/Muncie, IN is searching for a PD/afternoon personality. Apply here. Cumulus/Lexington has an opening for PD of Country combo WLXX & WVLK. Apply here. Midlands' WWNQ/Columbia, SC has on-air openings for all dayparts. Airchecks and resumes to Managing Partner/Programming & Operations Keith Clark here. Townsquare's WOKQ/Portsmouth, NH has an opening for an air talent. Airchecks and resumes to OM JC Coffey here. AJG's WKKW/Morgantown, WV has an opening for a morning host. Materials here. Cox's KCYY/San Antonio has an opening in afternoons. Three years of experience is required. Apply here. CBS Radio's KNCI/Sacramento has an opening for a PD. At least five years programming experience is required and a fouryear degree in a related field is preferred. Apply here.

Searching • Chris Borchetta Former Star Farm Sr. Dir./Promotion chrisborchetta@gmail.com • Jim Day Former WIL/St. Louis morning host 314-285-4365 jimdayshow@gmail.com • JD Daniels Former WJMQ/Brand Mgr/ & Afternooner 920-277-5483 jddaniels.radio@gmail.com •Jeff Kapugi Former CBS Radio VP/Country, WUSN/Chicago PD jeffkapugi@gmail.com •Wes McShay Former Cumulus/Montgomery, AL OM/PD 208-758-5435 wesgardipe@gmail.com • Derek Gunn Former Stoney Creek regional and KBUL/Reno, NV PD Gunnderek@hotmail.com • Jeff Miles Former WKLB/Boston morning host radiojeff@icloud.com • Chappel Fisher Formerly middays at WZZK/Birmingham djonair@aol.com • Brian Rickman Former Townsquare/Tyler, TX OM/PD brian.c.rickman@gmail.com • Rosey Fitchpatrick Former SSM Dir./National Promotion Roseyfitch99@gmail.com • Wayne Manning Former Cold River Regional 801-361-2993 imaviator@yahoo.com • Doug Montgomery Former iHeartMedia/Grand Rapids SVP/Programming, Premium Choice PD and iHeartCountry Brand Coord. dougmontgomery@icloud.com • Kristen Kee Former Sony/Nashville Mgr./Marketing kristen.kee@gmail.com • Kassidy Stewart Former Hart Media/Bullseye Dir./Promotions & Content kassidy@goncc.com • Kelley Cash Former KVOO/Tulsa personality kelleycashradio@gmail.com • Brian Hatfield Former KYGO/Denver APD/MD brianhat@aol.com • Rick Kennis Former WGTY/York, PA Dir./Promotions rick@rickkennis.com

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January 23, 2017

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Fall 2016 Diary Scoreboard Week 3 Here are Fall 2016 (9/8-11/20) Nielsen Audio diary ratings results from Jan. 16-20, listed alphabetically by market. Ranks (in parentheses) are among subscribers. NonStation/City

12+ Share Last Book

12+ Share Fall 2016

subscribing stations in published markets are excluded. Legend: A “+” indicates a Classic Country outlet; “t” indicates a tie; and a “*” indicates a station best in that statistic. Station/City

12+ Share Last Book

12+ Share Fall 2016

WGEE/Appleton, WI^+

6.0 (3)

4.4 (4)

KDES/Palm Springs, CA

2.8 (10t)

2.4 (14)

WNCY/Appleton, WI^

11.3 (1)

11.8 (1)

KPLM/Palm Springs, CA

4.1 (7)

6.2 (3)

WPKR/Appleton, WI

2.2 (7)

1.7 (8)

KBUL/Reno, NV

4.0 (7)

4.7 (5)

WKXC/Augusta, GA

7.4 (3)

7.1 (1)

KOLC/Reno, NV^

2.6 (11t)

3.6 (8)

WLUB/Augusta, GA

2.8 (9)

3.7 (8)

KWFP/Reno, NV^

2.0 (14t)

3.5 (9)

KAYD/Beaumont, TX

1.9 (8)

2.7 (8)

WSLC/Roanoke, VA

10.9 (1)

11.4 (1)

KYKR/Beaumont, TX

5.6 (4)

6.2 (3t(

WYYD/Roanoke, VA

4.7 (5)

4.9 (5)

KRYS/Corpus Christi, TX

6.4 (3t)

7.2 (3)

WCEN/Sagninaw, MI

5.4 (4t)

5.0 (5t)

KAMO/Fayetteville, AR

NA

1.9 (9)

WKHI/Salisbury, MD

1.0 (14t)

2.5 (7t)

KCYT/Fayetteville, AR

3.2 (7)*

2.4 (7)

WKTT/Salisbury, MD

1.7 (11)

2.5 (7t)

KKIX/Fayetteville, AR

10.3 (1)

10.6 (1)

WWFG/Salisbury, MD

6.6 (1)

7.1 (2)

WKML/Fayetteville, NC

10.7 (2)

7.9 (3)

WJCL/Savannah, GA^

3.3 (11t)

3.5 (10)

WFBE/Flint, MI

3.3 (7)

4.3 (5)

WZAT/Savannah, GA^

1.9 (16)*

1.4 (12)

WBTU/Fort Wayne, IN

6.5 (1)

5.2 (2)

KRMD/Shreveport, LA

4.7 (5t)

4.0 (6)

KUAD/Ft. Collins, CO

6.4 (1)

6.2 (1)

KXKS/Shreveport, LA

4.5 (8)

3.8 (7t)

KXBG/Ft. Collins, CO

2.5 (6t)

2.7 (6)

KOMG/Springfield, MO

3.5 (10)

5.3 (5t)

WJXN/Jackson, MS^+

3.0 (9)

1.3 (12)

KSWF/Springfield, MO

5.7 (3t)

5.3 (5t)

WMSI/Jackson, MS

3.9 (8)

4.0 (5)

KTTS/Springfield, MO

8.2 (1)

10.9 (1)

WUSJ/Jackson, MS^

4.3 (6t)

3.8 (6t)

KKUS/Tyler, TX^+

4.9 (4)

4.3 (9)

WBUL/Lexington, KY

9.3 (1)

9.5 (1)

KNUE/Tyler, TX

6.6 (3)

6.4 (3)

WLXX/Lexington, KY

2.9 (11t)

4.0 (7t)

KYKX/Tyler, TX^

3.2 (9)

2.0 (11)

WHKR/Melbourne, FL

4.1 (5)

2.8 (5)

KATJ/Victor Valley, CA

3.4 (3)

5.2 (3)

KATM/Modesto, CA

7.9 (1)

9.6 (1)

WORC/Worcester, MA

1.6 (6t)

2.2 (6)

WNSH/New York (Morristown, NJ)

3.8 (6)

5.1 (2)

WBBG/Youngstown, OH

4.1 (7)

3.6 (8)

KHAY/Oxnard, CA

4.3 (4)

3.6 (3)

WQXK/Youngstown, OH

9.9 (1)

9.8 (2)

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January 23, 2017

LW

TW

Artist/Title (Label)

Chart Page 1

Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS

2

1

BLAKE SHELTON/A Guy With A Girl (Warner Bros./WMN) ✔

28307

2205

9211

613

64.611 4.535

159

0

1

2

CARRIE UNDERWOOD/Dirty Laundry (19/Arista)

23662

-3449

7654

-1318

54.026 -7.48

159

0

4

3

THOMAS RHETT/Star Of The Show (Valory)

23459

1238

7808

453

53.695 2.683

159

0

5

4

DUSTIN LYNCH/Seein' Red (Broken Bow)

21851

1198

7266

419

49.248 2.938

159

0

6

5

LITTLE BIG TOWN/Better Man (Capitol) ✔

20895

2485

6828

901

47.268 4.303

159

0

3

6

KEITH URBAN/Blue Ain't Your Color (Capitol/Capitol)

19425

-4947

6218

-1701

46.742 -8.442

159

0

7

7

GRANGER SMITH/If The Boot Fits (Wheelhouse)

18866

980

6431

299

41.499 2.137

159

0

8

8

CHRIS YOUNG f/V. GILL/Sober Saturday Night (RCA)

18597

1439

6186

591

41.264 3.524

159

0

9

9

MAREN MORRIS/80s Mercedes (Columbia)

15894

270

5184

111

34.937 0.435

159

0

12

10

MICHAEL RAY/Think A Little Less (Atlantic/WEA)

15525

1388

5111

438

35.197 3.423

158

0

11

11

BRAD PAISLEY/Today (Arista)

15453

957

5126

330

36.016 2.155

159

0

10

12

ERIC CHURCH f/R. GIDDENS/Kill A Word (EMI Nashville)

15210

614

5036

244

35.842 1.899

159

0

13

13

JON PARDI/Dirt On My Boots (Capitol) ✔

15176

1543

4912

447

34.621 3.974

159

1

15

14

LUKE BRYAN/Fast (Capitol)

13667

1370

4482

438

32.952 4.013

158

0

14

15

LAUREN ALAINA/Road Less Traveled (19/Interscope/Mercury)

13302

838

4359

162

29.709 1.972

154

2

17

16

BRANTLEY GILBERT/The Weekend (Valory)

12066

422

4032

200

26.469 1.024

156

0

16

17

CHRIS STAPLETON/Parachute (Mercury)

11911

-43

3792

-56

26.056 0.024

159

0

18

18

GARTH BROOKS/Baby, Let's Lay Down And Dance (Pearl)

10470

455

3387

191

22.154 0.477

153

0

20

19

KELSEA BALLERINI/Yeah Boy (Black River)

9963

678

3209

219

22.279 1.347

156

0

19

20

HIGH VALLEY/Make You Mine (Atlantic/WEA)

9830

85

3225

37

19.755 0.111

155

0

22

21

JASON ALDEAN/Any Ol' Barstool (Broken Bow)

9515

880

3176

323

21.314 2.881

153

4

21

22

JOSH TURNER/Hometown Girl (MCA)

9317

278

3308

151

19.371 1.167

156

0

23

23

TRENT HARMON/There's A Girl (Dot/Big Machine)

7935

-54

2614

6

15.548 -0.572

150

0

24

24

CHRIS JANSON/Holdin' Her (Warner Bros./WAR)

7887

58

2822

11

13.39

0.052

154

0

25

25

DIERKS BENTLEY/Black (Capitol)

6982

458

2250

156

15.18

1.024

150

4

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January 23, 2017 LW

TW

Artist/Title (Label)

Chart Page 3

Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS

29

26

KENNY CHESNEY/Bar At The End Of... (Blue Chair/Columbia)

6894

1509

2262

532

15.827 4.825

141

8

26

27

DARIUS RUCKER/If I Told You (Capitol)

6335

128

2192

39

12.296 0.485

142

0

27

28

CRAIG CAMPBELL/Outskirts Of Heaven (Red Bow)

6141

557

2286

210

12.164 0.306

145

2

28

29

RUNAWAY JUNE/Lipstick (Wheelhouse)

5959

477

2015

144

11.056 2.386

147

1

30

30

DAN + SHAY/How Not To (Warner Bros./WAR)

5272

44

1709

34

10.797

0.05

135

4

31

31

MIRANDA LAMBERT/We Should Be Friends (RCA)

5065

295

1666

104

9.835

0.873

129

8

32

32

RAELYNN/Love Triangle (Warner Bros./WMN)

4304

44

1368

-19

7.606

0.085

116

4

LADY ANTEBELLUM/You Look Good (Capitol) ✔

3710

3710

1240

1240

9.594

9.594

81

81

Debut 33 34

34

DYLAN SCOTT/My Girl (Curb)

3591

153

1209

53

5.038

0.334

108

1

33

35

PARMALEE/Roots (Stoney Creek)

3560

108

1353

48

5.043

0.251

123

0

35

36

JUSTIN MOORE/Somebody Else Will (Valory)

3224

121

1130

27

5.782

0.255

113

7

36

37

JAKE OWEN/If He Ain't Gonna Love You (RCA)

3069

105

963

32

4.986

0.205

114

5

RASCAL FLATTS/Yours If You Want It (Big Machine) ✔

3049

1541

983

492

5.57

2.66

113

20

37

39

CHASE BRYANT/Room To Breathe (Red Bow)

2982

100

1014

38

4.259

0.18

109

1

38

40

CHRIS LANE/For Her (Big Loud)

2905

173

985

25

3.727

0.203

114

1

39

41

LUKE COMBS/Hurricane (River House/Columbia)

2892

269

926

85

4.928

0.493

92

3

44

42

BRETT YOUNG/In Case You Didn't Know (BMLGR)

2445

543

896

211

4.308

0.815

85

9

COLE SWINDELL/Flatliner (Warner Bros./WMN)

2430

1204

671

323

4.736

2.1

67

30

LOCASH/Ring On Every Finger (Reviver)

2343

92

719

28

3.798

0.025

85

4

BILLY CURRINGTON/Do I Make You Wanna (Mercury)

2269

79

772

9

3.7

0.275

95

3

HUNTER HAYES/Yesterday's Song (Atlantic/WMN)

1857

-100

673

37

2.182 -0.223

78

1

FLORIDA GEORGIA LINE/God, Your Mama, And Me (BMLGR)

1703

852

423

223

3.238

1.306

52

31

TYLER FARR/Our Town (Columbia)

1654

-78

550

-19

1.576 -0.033

83

0

SETH ENNIS/Woke Up In Nashville (Arista)

1643

419

583

117

1.413

0.064

89

15

CHASE RICE/Everybody We Know Does (Columbia)

1596

-180

457

-40

2.25

-0.493

70

0

Debut 43 40

43

44

46

Debut 47 46

48

Debut 49 45

50

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January 23, 2017

Country Aircheck Add leaders LADY ANTEBELLUM/You Look Good (Capitol) FLORIDA GEORGIA LINE/God, Your Mama, And Me (BMLGR) COLE SWINDELL/Flatliner (Warner Bros./WMN) RASCAL FLATTS/Yours If You Want It (Big Machine) KRISTIAN BUSH/Sing Along (Wheelhouse) MICHAEL TYLER/They Can't See (Reviver) SETH ENNIS/Woke Up In Nashville (Arista) BROTHERS OSBORNE/It Ain't My Fault (EMI Nashville) BRETT YOUNG/In Case You Didn't Know (BMLGR) KENNY CHESNEY/Bar At The End Of... (Blue Chair/Columbia) MATT GARY/Back (In2une) MIRANDA LAMBERT/We Should Be Friends (RCA)

Chart Page 4

Activator Top Point Gainers

Adds 81 31 30 20 17 17 15 10 9 8 8 8

LADY ANTEBELLUM/You Look Good (Capitol)

1415 ✔

KENNY CHESNEY/Bar At The End Of... (Blue Chair/Columbia) 1342 ✔ CHRIS YOUNG f/V. GILL/Sober Saturday Night (RCA)

1112 ✔

LITTLE BIG TOWN/Better Man (Capitol)

982 ✔

LUKE BRYAN/Fast (Capitol)

913 ✔

RASCAL FLATTS/Yours If You Want It (Big Machine)

887

MICHAEL RAY/Think A Little Less (Atlantic/WEA)

784

DUSTIN LYNCH/Seein' Red (Broken Bow)

711

FLORIDA GEORGIA LINE/God, Your Mama, And Me (BMLGR) 615 BRANTLEY GILBERT/The Weekend (Valory)

Country Aircheck Top Point Gainers

568

Activator Top Spin Gainers

LADY ANTEBELLUM/You Look Good (Capitol)

3710

LITTLE BIG TOWN/Better Man (Capitol)

2485

BLAKE SHELTON/A Guy With A Girl (Warner Bros./WMN)

2205

JON PARDI/Dirt On My Boots (Capitol)

1543

RASCAL FLATTS/Yours If You Want It (Big Machine)

1541

KENNY CHESNEY/Bar At The End... (Blue Chair/Columbia)

1509

CHRIS YOUNG f/V. GILL/Sober Saturday Night (RCA) MICHAEL RAY/Think A Little Less (Atlantic/WEA)

✔ ✔ ✔ ✔ ✔

LADY ANTEBELLUM/You Look Good (Capitol)

298

KENNY CHESNEY/Bar At The End Of... (Blue Chair/Columbia)

253

CHRIS YOUNG f/V. GILL/Sober Saturday Night (RCA)

232

LITTLE BIG TOWN/Better Man (Capitol)

209

RASCAL FLATTS/Yours If You Want It (Big Machine)

178

LUKE BRYAN/Fast (Capitol)

171

1439

DUSTIN LYNCH/Seein' Red (Broken Bow)

161

1388

MICHAEL RAY/Think A Little Less (Atlantic/WEA)

156

LUKE BRYAN/Fast (Capitol)

1370

FLORIDA GEORGIA LINE/God, Your Mama, And Me (BMLGR)

120

THOMAS RHETT/Star Of The Show (Valory)

1238

JOSH TURNER/Hometown Girl (MCA)

115

Country Aircheck Top Recurrents

Points

BRETT ELDREDGE/Wanna Be That Song (Atlantic/WMN)

15516

901

FLORIDA GEORGIA LINE f/T. MCGRAW/May We All (BMLGR)

14925

BLAKE SHELTON/A Guy With A Girl (Warner Bros./WMN)

613

OLD DOMINION/Song For Another Time (RCA)

11260

CHRIS YOUNG f/V. GILL/Sober Saturday Night (RCA)

591

BILLY CURRINGTON/It Don't Hurt Like It Used To (Mercury)

11032

KENNY CHESNEY/Bar At The End Of... (Blue Chair/Columbia)

532

COLE SWINDELL/Middle Of A Memory (Warner Bros./WMN)

9684

RASCAL FLATTS/Yours If You Want It (Big Machine)

492

BRETT YOUNG/Sleep Without You (BMLGR)

9650

THOMAS RHETT/Star Of The Show (Valory)

453

TIM MCGRAW/How I'll Always Be (Big Machine)

8326

JON PARDI/Dirt On My Boots (Capitol)

447

LUKE BRYAN/Move (Capitol)

7930

MICHAEL RAY/Think A Little Less (Atlantic/WEA)

438

KENNY CHESNEY f/P!NK/Setting The... (BlueChair/Columbia)

7810

LUKE BRYAN/Fast (Capitol)

438

JASON ALDEAN/A Little More Summertime (Broken Bow)

7725

Country Aircheck Top Spin Gainers LADY ANTEBELLUM/You Look Good (Capitol) LITTLE BIG TOWN/Better Man (Capitol)

1240

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January 23, 2017

CoUNTRY AIRCHECk ACTIVITY BILLY CURRINGTON/Do I Make You Wanna (Mercury) Moves 42-45* 2,269 points, 772 spins 3 adds: WPOR, WUSH, WYCT HUNTER HAYES/Yesterday’s Song (Atlantic/WMN) Moves 43-46* 1,857 points, 673 spins 1 add: WCKN FLORIDA GEORGIA LINE/God, Your Mama, And Me (BMLGR) Debuts at 47* 1,703 points, 423 spins 31 adds including: KAJA, KASE, KBEQ, KCYE, KCYY*, KKIX, KRTY, KSCS*, KSOP, KSSN TYLER FARR/Our Town (Columbia) Moves 46-48 1,654 points, 550 spins; No adds SETH ENNIS/Woke Up In Nashville (Arista) Debuts at 49* 1,643 points, 583 spins 15 adds including: KATC*, KHKI*, KIIM*, KMLE, KPLX*, KUBL*, WCTO*, WDRQ*, WFMS*, WGKX* CHASE RICE/Everyboy We Know Does (Columbia) Moves 45-50 1,596, 457 spins; No adds RONNIE DUNN w/KIX BROOKS/Damn Drunk (Nash Icon/Valory) 1,535 points, 360 spins; No adds TUCKER BEATHARD/Momma And Jesus (Dot) 1,513 points, 566 spins 1 add: WRNS BROTHERS OSBOURNE/It Ain’t My Fault (EMI Nashville) 1,459 points, 463 spins 10 adds: KSON, WAVW, WDAF, WGNE, WKDF*, WNCY, WPOC, WTGE, WUSJ, WYCD

Chart Page 5

A D D DAT E S January 30

Caroline Jones/Tough Guys (in2une) Bailey Bryan/Own It (300/WAR) Marty Heddin/Game Changer (Dreamlined/Star Farm) Easton Corbin/Girl Like You (Mercury)

February 6

KANE BROWN f/Lauren Alaina/What Ifs (RCA) Adam Craig/Just A Phase (Stoney Creek)

February 13

Brooke Eden/Act Like You Don’t (Red Bow) Send yours to adds@countryaircheck.com

CHECK

OUT 1/27

Brantley Gilbert The Devil Don't Sleep (Valory) Gilbert's third studio album has 16 tracks and includes current single "The Weekend," which he co-wrote with Andrew DeRobert. A deluxe version features 10 additional songs – five demos and five live cuts. Lauren Alaina Road Less Traveled (19/Interscope Mercury) Alaina co-wrote all 12 tracks, including the album's first single and title track. The project was produced by busbee (Lady Antebellum, Maren Morris, Keith Urban) and co-writers include Meghan Trainor, Seth Ennis and Caitlyn Smith. Jesse Rice The Pirate Sessions III (–) Rice, a co-writer on Florida Georgia Line’s “Cruise,” offers his third album of “trop-rock/country” with lead single “Hangout With A Hangover.” Guests on the 10-track project include Michael Ray on “88 In The Shade.”

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January 23, 2017

LW

Chart Page 6

TW

Artist/Title (Label)

Points +/- Points

Plays

+/- Plays

Stations Adds

2

1

BLAKE SHELTON/A Guy With A Girl (Warner Bros./WMN)

11570

154

2371

18

53

0

4

2

LITTLE BIG TOWN/Better Man (Capitol) ✔

11441

982

2286

209

53

0

3

3

THOMAS RHETT/Star Of The Show (Valory)

11342

372

2329

61

52

0

5

4

DUSTIN LYNCH/Seein' Red (Broken Bow)

10158

711

2061

161

52

0

1

5

CARRIE UNDERWOOD/Dirty Laundry (19/Arista)

9646

-2103

1926

-453

47

0

7

6

CHRIS YOUNG f/V. GILL/Sober Saturday Night (RCA) ✔

9640

1112

1970

232

53

0

10 7

ERIC CHURCH f/R. GIDDENS/Kill A Word (EMI Nashville)

8793

484

1787

98

52

0

8

8

GRANGER SMITH/If The Boot Fits (Wheelhouse)

8763

292

1841

69

49

0

9

9

BRAD PAISLEY/Today (Arista)

8415

-51

1679

11

53

0

12 10

MICHAEL RAY/Think A Little Less (Atlantic/WEA)

8002

784

1583

156

52

0

11 11

MAREN MORRIS/80s Mercedes (Columbia)

7757

267

1614

65

51

0

KEITH URBAN/Blue Ain't Your Color (Capitol)

7435

-1478

1495

-295

43

0

13 13

JON PARDI/Dirt On My Boots (Capitol)

7425

260

1488

49

53

0

14 14

LAUREN ALAINA/Road Less Traveled (19/Interscope/Mercury)

6942

368

1343

77

53

1

17 15

LUKE BRYAN/Fast (Capitol) ✔

6787

913

1365

171

53

0

6

12

15 16

CHRIS STAPLETON/Parachute (Mercury)

6261

-264

1277

-44

48

0

16 17

GARTH BROOKS/Baby, Let's Lay Down And Dance (Pearl)

5905

-375

1163

-67

53

0

18 18

BRANTLEY GILBERT/The Weekend (Valory)

5888

568

1135

96

48

0

19 19

DIERKS BENTLEY/Black (Capitol)

5443

338

1030

65

53

1

20 20

KELSEA BALLERINI/Yeah Boy (Black River)

5427

398

1041

92

50

0

23 21

JOSH TURNER/Hometown Girl (MCA)

5046

530

1022

115

52

0

22 22

JASON ALDEAN/Any Ol' Barstool (Broken Bow)

4901

368

966

77

51

0

21 23

HIGH VALLEY/Make You Mine (Atlantic/WEA)

4820

265

966

62

45

0

27 24

KENNY CHESNEY/Bar At The End Of The World (Blue Chair/Columbia) ✔

4266

1342

813

253

51

9

25 25

CHRIS JANSON/Holdin' Her (Warner Bros./WAR)

3974

211

798

48

46

0

24 26

MIRANDA LAMBERT/We Should Be Friends (RCA)

3925

21

753

23

52

1

26 27

TRENT HARMON/There's A Girl (Dot/Big Machine)

3809

192

713

39

45

2

28 28

DARIUS RUCKER/If I Told You (Capitol)

3020

277

622

47

47

3

29 29

DAN + SHAY/How Not To (Warner Bros./WAR)

2336

136

419

16

38

0

30 30

CRAIG CAMPBELL/Outskirts Of Heaven (Red Bow)

2075

198

405

50

36

4

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January 23, 2017

LW

TW

Chart Page 7

Artist/Title (Label)

Points +/- Points

Plays

+/- Plays

39 31

RASCAL FLATTS/Yours If You Want It (Big Machine)

1839

887

385

178

Stations Adds

42

8

31 32

RUNAWAY JUNE/Lipstick (Wheelhouse)

1816

3

358

-2

37

1

32 33

BILLY CURRINGTON/Do I Make You Wanna (Mercury)

1648

9

287

7

24

1

33 34

JAKE OWEN/If He Ain't Gonna Love You (RCA)

1511

36

275

19

35

0

42 35

FLORIDA GEORGIA LINE/God, Your Mama, And Me (BMLGR)

1466

615

280

120

20

7

Debut 36

LADY ANTEBELLUM/You Look Good (Capitol) ✔

1415

1415

298

298

27

20

34 37

LUKE COMBS/Hurricane (River House/Columbia)

1362

142

275

32

28

5

35 38

JUSTIN MOORE/Somebody Else Will (Valory)

1235

23

250

9

32

3

36 39

DYLAN SCOTT/My Girl (Curb)

1164

-10

206

-1

23

0

54 40

COLE SWINDELL/Flatliner (Warner Bros./WMN)

1045

508

214

101

24

7

38 41

RAELYNN/Love Triangle (Warner Bros./WMN)

976

-68

205

-13

29

0

40 42

CHRIS LANE/For Her (Big Loud)

930

-12

199

-1

28

1

46 43

MORGAN WALLEN/The Way I Talk (Big Loud)

924

208

117

21

6

0

41 44

LOCASH/Ring On Every Finger (Reviver)

842

-42

153

-6

17

1

50 45

BROTHERS OSBORNE/It Ain't My Fault (EMI Nashville)

832

210

129

42

11

6

45 46

AARON WATSON/Outta Style (Big)

825

67

179

19

20

0

37 47

RONNIE DUNN w/KIX BROOKS/Damn Drunk (Nash Icon/Valory)

768

-387

129

-77

13

0

43 48

TYLER FARR/Our Town (Columbia)

736

-30

153

-7

16

0

48 49

CARLY PEARCE/Every Little Thing (Dot)

720

40

72

4

1

0

44 50

RYAN FOLLESE/Put A Label On It (BMLGR)

653

-110

98

-9

7

0

49 51

THOMAS RHETT f/J. SPARKS/Playing With Fire (Valory)

650

-20

65

-2

1

0

59 52

SETH ENNIS/Woke Up In Nashville (Arista)

645

196

101

38

12

5

53 53

LUKE COMBS/She Got The Best Of Me (River House)

640

90

64

9

1

0

51 54

PARMALEE/Roots (Stoney Creek)

622

18

135

7

23

0

58 55

BRETT YOUNG/In Case You Didn't Know (BMLGR)

610

127

132

24

21

5

47 56

CODY JOHNSON/With You I Am (Cojo)

581

-104

139

-20

10

0

56 57

DREW BALDRIDGE f/E. WEISBAND/Rebound (Cold River)

576

62

81

12

5

1

52 58

CHASE BRYANT/Room To Breathe (Red Bow)

560

6

111

0

19

0

Debut 59

BRETT YOUNG/You Ain't Here To Kiss Me (BMLGR)

540

130

54

13

1

0

55 60

CHASE RICE/Everybody We Know Does (Columbia)

504

-17

65

-1

5

0

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