July 24, 2017, Issue 560
KKGO Builds A Tribe
To butcher a well-worn movie line, “If you build it ... they will build it.” At least, that’s been the experience of KKGO/Los Angeles and their almost two-year-old social media group Go Girls. Conceived as a way for the station to interact with listeners, the group has grown to 4,700 members and become something much more than originally intended. “We were looking for ways to reach out to our core listeners, and Country has a predominately female demographic,” PD Michael Levine says. “During a meeting we came up with starting a group on social media.” Launched in October 2015 on Facebook, Go Girls is steered by KKGO personality/ morning producer Amie Mangola, who Michael Levine seeds activities with what she calls “pixie dust.” Mangola will post a picture of a fairy, which is members’ cue that an event is upcoming. “Those posts will get hundreds of likes because the girls know there will be a contest that day.” Once a contest is posted, members have three hours to enter by commenting. The station typically organizes two or three events each month, and winners enjoy a wide range of experiences. “It can be everything from having lunch with an artist to backstage Amie Mangola passes or social events,” Mangola says. “We went horseback riding to the Hollywood sign. We’ve done escape rooms, hanging at a local country bar, giving away tickets. There’s a Paramount back lot tour we’re working on now.” A Go Girls group recently met for a wine tasting at the Four Seasons with Reviver’s Michael Tyler, and another enjoyed lunch with Dylan Scott. “We had 15 girls there eating ribs and steak, just chillin’ with Dylan,” Mangola says. “When would they ever get that opportunity?” There’s no cost to members and while the group does get mentioned on air, social media and events are overwhelmingly the focus. Go Girls outings can be tied to revenue, but that’s not the (continued on page 4)
Stock Photo: Valory’s Brantley Gilbert, Big Machine’s Carly Pearce, BMLG’s Scott Borchetta and pace car driver Jeff Gordon (l-r) at Sunday’s Brantley Gilbert Big Machine Brickyard 400 in Indianapolis.
Novelty: Actually Hearing Music
Something unexpected happened at a Nashville listening event for new Mercury artist Tyminski. No, it wasn’t just music from Dan Tyminski (Alison Krauss & Union Station, “Man Of Constant Sorrow”) in collaboration with songwriter/producer Jesse Frasure (“Fix,” “Dirt On My Boots”), though that was certainly unexpected. The real surprise at a gathering of well-lubricated music and radio hobnobbers was silence. “We’ve done a few listening events of late Cindy Mabe with some incredible vocalists and I’ve watched people talk all over the top of it,” says UMG/ Nashville President Cindy Mabe. “This is such a music-specific project where if you don’t really hear what’s happening and get
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July 24, 2017
MY TUNES: MUSIC THAT SHAPED MY LIFE RCA/Nashville SVP/Promotion Dennis Reese discusses his most influential music: 1. Stevie Wonder: I saw him in a 3000-person venue, sitting in the third row. 2. Glen Campbell: Such an important artist for me. It’s tough to pick one [favorite] song from him. 3. Marvin Gaye’s “I Heard It Through Dennis The Grapevine”: It was my first 45 purchase. Reese 4. Michael Jackson’s Thriller: It is the best album ever recorded. 5. Patsy’s Cline “Crazy”: I still cry at the end. One of my Mom’s favorites. • A highly regarded song or album you’ve never heard: Any Sex Pistols album. • “Important” music you just don’t get: Some of the NWA albums were tough because I wasn’t raised in that environment. But I knew they were important. • An album you played or listened to incessantly: It’s a tie between Billy Joe’s 52nd Street and Supertramp’s Breakfast in America. • Obscure or non-country song everyone should listen to right now: Beck’s “Morning Phase.” • One item in your music collection you’d rather not admit to enjoying: “Hot Child In The City” by Nick Gilder. the vibe, you’ll completely miss it. I didn’t want to see that happen.” Instead, attendees received wireless headphones as they entered the event space, where multiple screens and projectors displayed video pre-roll setting up the music to follow. Each headset had multiple channels, allowing users to switch between them to hear the audio accompanying the various visuals. Once Tyminski’s music started, the screens synched to video produced specifically for each of the songs.
Page 3
“The audio is so intertwined with visual imagery,” Mabe says. “We brainstormed about how people can get the impact of what he’s trying to accomplish and experience [the lyrics] at the same time. He’s such a deep writer, we knew it wouldn’t work if people were talking over their drinks the whole time.” UMGN enlisted Sound Off, a company that touts silent disco, outdoor cinema and wellness events, among other uses of its technology. “This company has several options, so it wasn’t completely customized to us, but there was definitely some customization,” Mabe says. “They flew in the day before and we did a walkthrough of the space and probably went through the whole program 100 times up to the event. “We came up with using the different channels so people could tune in to the various things going on in the world that have sort of informed this music – some positive, some negative,” Mabe says. “The idea was to build an anticipation or even anxiety until we seamlessly switched to the music. “We knew trying to get through the whole record would be tough, but we hoped we could keep everyone’s attention through six songs,” she says, noting the event exceeded her expectations. The real test? Taking off her headphones. “We were in an old church and it was quiet the whole time,” she says. UMGN plans to take the Tyminski event to New York and Los Angeles. No word on how quickly the technology can be adapted for No. 1 parties and every other industry event plagued by all of our big mouths. –Chuck Aly
Chart Chat
Congrats to Rascal Flatts, Kris Lamb, Erik Powell and the Big Machine promotion staff on landing this week’s No. 1 with “Yours If You Want It.” The chart-topper is the first single from their album Back To Us. Writers are Jonathan Singleton and Rascal Flatts the late Andrew Dorff. And kudos to Adrian Michaels and the WEA crew on notching 36 adds for Michael Ray’s “Get To You,” topping this week’s board.
News & Notes
Community KAWB/Abilene, TX adds JPR’s Jeremy Robinson for afternoon host duties.
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July 24, 2017
OFF THE RECORD: Dylan Scott Curb’s Dylan Scott puts an industry spin on the artist interview: I grew up listening to KJLO/Monroe, LA. That was the station to listen to. The first time I heard myself on the radio, I was driving in Tennessee with the volume down low. I was talking to a buddy of mine and heard the music playing and thought, Dylan Scott “That sounds really familiar.” It didn’t click at first – that’s me! The scariest part of radio tour was all of it, because I’m this young kid out there who has no idea what he’s doing. But I love food, and there was a lot of it I got to try across the country that I wouldn’t get to try anywhere else, so that was fun. Every time I’m at a truck stop, I get Cow Tales. I won’t buy just one; I’ll buy the whole box. They’re caramel with a sweet cream center. I’d love to have dinner with the late Keith Whitley. I’m a huge fan. And I’d order pizza. Keith Whitley and pizza – that’s the best combination. I love old-school country. But at the same time, I grew up listening to Lil Wayne and T-Pain, Maroon 5 and Kings of Leon. So my music goes anywhere from old-school country to the pop side of country. My last impulse buy was a Big Green Egg grill. It was more than I wanted to pay, but it was July 4th and I’d wanted one for a long time. It was so worth it. I’m a redneck. I love my hunting and fishing and NASCAR. But it’s hard to do redneck things when you don’t have a lot of land. I wish I’d written Tim McGraw’s “Live Like You Were Dying” (written by Craig Wiseman and Tim Nichols). It’s an amazing song. And it made a lot of money. I’d have been fine with that, too. I have to have an iron on the road with me for my clothes, so I’m not wearing wrinkled jeans and shirts. And I have to have my hairspray. I had a song on a previous EP called “Mmm, Mmm, Mmm.” My least favorite interview question back then was, “Why’d you name it that?” That was a horrible phase of questions, so I’m glad that’s over with. I’d love to be stuck in New York City. It’s a special place. I proposed to my wife there. We still go back for a few days whenever we can, just to hang out.
Page 4
Darryl Worley has signed with Nashville-based Kinkead Entertainment Agency for exclusive live bookings. RCA Studio B celebrates its 60th anniversary Aug. 17-Oct. 29 with surprise performances during random public tours and unique after-hours programming. More here. Randy Rogers Band have launched an online auction to benefit The MusiCares Foundation, with a grand prize of lunch with the band and two tickets and passes to RRB’s July 29 show in Austin. Bid here. Hudson Moore is a brand ambassador for GIVN Water, which provides one day of clean drinking water from each bottle sold. Montgomery Gentry will headline the 9th Annual Country on the Beach in Key West, FL Oct. 1-4 benefiting the T.J. Martell Foundation. More here.
The Week’s Top Stories
Full coverage in the archives at countryaircheck.com. • RJ Meacham was promoted to Curb National Dir./Promotion & Chart Strategy (7/17). • Clay Henderson was named Mgr./Special Projects & Syndication as Rick Hughes joined Reviver (7/17). • Kenny Rogers revealed his final concert date (7/18). • Chris Stapleton and Thomas Rhett were added to 2017 iHeartRadio Music Festival (7/18). • Dingo stepped down at CMT Radio (7/19). • iHeartMedia addressed its financial status (7/20).
KKGO Builds A Tribe point. “Any advertising connection is secondary,” Levine says. “If we have an advertiser who is a good fit, we’ll do something, but 90% of it is simply a social media presence that allows us to reach out and interact with listeners in a key demo.” Levine says hav-
(continued from page 1)
Go Girls with Michael Tyler
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July 24, 2017
ing such an active listener group has other benefits, like “bouncing music ideas around. For instance, we weren’t on the William Michael Morgan single but had so many comments liking him that we added it. So it can provide some anecdotal evidence from a programming perspective as to what listeners are thinking.” Girls Power What Levine and Mangola didn’t expect was the group to take on a life of its own. “Once we launched, it grew organically,” Levine says. “We sort of took a back seat as people were sharing and posting about their lives.” The growth started online, as members invited others to join the group, which became a sort of haven for women who happen to be country fans. “We allow anyone who’s part of Go Girls to post,” Mangola says. “And it’s all about female empowerment, being uplifting and positive. There’s no cyber bulling allowed and if we see anything I delete it immediately, but that’s really not been a problem. I just don’t have a lot to monitor.” Mangola even shared her experience with IVF, discussing fertility and women’s health awareness with the group. “We use the platform to do as much good as we can.” Levine adds, “We’ve been really encouraged at the extent to which people were comfortable posting. That’s really the biggest surprise At a Dodgers vs. Angels game is the level of
Page 6
With Dylan Scott
sharing and how Go Girls are quite protective of the group, other listeners and the station as a whole. And Amie is doing an amazing job leading it. Finding the right person was really important.” Beyond online, Go Girls are making connections in real life, too. “We have groups that travel together to shows,” Mangola says. “We made bracelets for them and at concerts they’ll run up to each other and instantly form friendships. They’ll post photos wherever they go, even international vacations. They are very proud and loud. And pixie dust is a big deal. When I see Go Girls, they’ll give me pixies and fairy wings. This is more than just music, it’s creating a culture we’re really proud of.” As Levine notes, “It’s really grown to be a lifestyle brand beyond simply the music, which is also a goal for the station.” Also, Trisha Yearwood is now a member and her husband has a suggestion on a name change; watch here. –Chuck Aly Lon Helton, lon@countryaircheck.com Chuck Aly, chuck@countryaircheck.com Wendy Newcomer, wendy@countryaircheck.com Paul Williams, paul@countryaircheck.com (615) 320-1450
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July 24, 2017
Page 8
Seek & Employ Available Jobs
Here’s a list of job seekers and open gigs. Not listed? Send info here and we’ll include you in a future update: Cox KKBQ & KTHT/Houston are looking for a Dir./Production and Account Executives for the cluster. Apply here. Broadway KEGA/Salt Lake City is looking for an APD/afternoon host. Send materials here. iHeartMedia WDRM/Hunstville, AL is looking for a PD/afternoon host. Details here, send materials here. Mississippi WOKK/Meridian, MS is looking for a PD/morning show co-host. Send materials here. Cumulus KIZN/Boise is seeking a morning co-host. Apply here. Beasley WKLB/Boston is looking for a Music Director. Info here. Cumulus WNNF/Cincinnati is looking for a PD/on-air host. Apply here. Cumulus WIVK/Knoxville has openings in middays. Apply here. Aloha Trust WFRE/Frederick, MD is looking for a midday host with imaging skills. Send materials here. Entercom KKWF/Seattle is looking for a morning show host. Details here. Scripps WKTI/Milwaukee is looking for a DOS, GSM, Dir./Pro duction and Account Executives. More here.
Searching
•Broadway Former WWYZ/Hartford morning host 860-929-2356 broadway.radio@yahoo.com
Former KVOO/Tulsa and WKWS/Charleston/WV PD 417-499-4046 okccrash@gmail.com •Cheri Cranford Former GM Streamsound/Red Vinyl Music 615-473-6837 cheri.cranford@comcast.net • Bethany Linderman Former WGNA/Albany morning co-host 727-460-2389 linderman.bethany@gmail.com • Mike Preston Former KKWF/Seattle PD 206-979-2500 pljpreston@aol.com • Jeff Roper Former KCYY/San Antonio APD/MD/morning host 210-790-7099 ropershow@gmail.com • Jim Day Former WIL/St. Louis morning host 314-258-4365 jimdayshow@gmail.com • Rosey Fitchpatrick Former Dir./National Promotion Roseyfitch99@gmail.com • Wayne Manning Former Cold River Regional 801-361-2993 imaviator@yahoo.com •Roger Fregoso Former Big Loud Regional rogerfregoso29@gmail.com
•Big Chris Hart Former KUUB/KWFP PD/MD/Prod. Dir./afternoon host 775-830-1320 bigchrishart@hotmail.com •Travis Moon Former KAJA/KASE/KVET PD travismooncountry@hotmail.com •Crash Poteet
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July 24, 2017 LW
TW
Artist/Title (Label)
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
RASCAL FLATTS
24706
2405
8264
776
2
DyLAN SCOTT/My Girl (Curb)
23238
-2644
7566
2
3
THOMAS RHETT f/M. MORRIS/Craving You (Valory)
22239
-2400
6
4
BILLy CURRINGTON/Do I Make You Wanna (Mercury) ✔
21817
4
5
KEITH URBAN f/C. UNDERWOOD/The Fighter (Capitol)
7
6
9
3
1
1
3.962
158
0
-1092
52.174 -4.696
158
0
7440
-728
51.324 -4.571
159
0
2391
7300
805
49.161 5.983
158
0
21045
1067
7087
338
46.528 2.666
158
0
COLE SWINDELL/Flatliner (Warner Bros./WMN)
19584
972
6698
331
43.039 1.971
156
0
7
LADy ANTEBELLUM/You Look Good (Capitol)
18426
1070
6387
342
39.915 2.201
159
0
10
8
JUSTIN MOORE/Somebody Else Will (Valory)
18076
1101
6209
413
38.681
159
0
8
9
MIDLAND/Drinkin' Problem (Big Machine)
17955
415
6015
154
39.964 0.641
159
0
11
10
OLD DOMINION/No Such Thing As A Broken Heart (RCA)
17010
950
5685
260
39.033 2.565
159
0
12
11
DUSTIN LyNCH/Small Town Boy (Broken Bow) ✔
16159
1496
5300
431
35.665 3.679
159
0
18
12
JASON ALDEAN/They Don't Know (Broken Bow) ✔
12248
1608
4131
569
27.289 2.437
158
3
14
13
JON PARDI/Heartache On The Dance Floor (Capitol)
12229
1135
4169
391
26.556
159
0
13
14
BROTHERS OSBORNE/It Ain't My Fault (EMI Nashville)
12046
553
4273
177
23.946 1.034
158
0
15
15
KIP MOORE/More Girls Like You (MCA)
11376
486
3863
120
23.788 1.329
158
0
16
16
CHRIS LANE/For Her (Big Loud)
11214
426
3720
137
22.832 1.178
154
0
19
17
CARLy PEARCE/Every Little Thing (Big Machine)
9972
696
3437
211
19.889 1.129
152
0
25
18
KENNy CHESNEy/All The Pretty Girls (Blue Chair/Columbia) ✔
8800
1789
3042
594
17.495 3.505
149
10
23
19
KANE BROWN f/L. ALAINA/What Ifs (RCA)
8767
1211
2816
341
16.644 2.913
148
5
20
20
BRETT ELDREDGE/Somethin' I'm Good At (Atlantic/WMN)
8412
-60
3021
60
15.169 -0.051
156
1
21
21
LOCASH/Ring On Every Finger (Reviver)
8307
206
2883
83
16.622 0.843
151
0
24
22
GARTH BROOKS/Ask Me How I Know (Pearl)
8141
767
2729
198
15.436 1.299
151
4
22
23
MAREN MORRIS/I Could Use A Love Song (Columbia)
7903
314
2722
148
15.204 0.485
156
0
27
24
ERIC CHURCH/Round Here Buzz (EMI Nashville)
6448
615
2408
202
1.525
141
1
26
25
EASTON CORBIN/A Girl Like You (Mercury)
5987
109
2068
64
11.455 0.054
139
2
Yours If You Want It (Big Machine) ✔
53.78
11.08
1.34
2.53
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Chart Page 1
July 24, 2017 LW
TW
Artist/Title (Label)
Total Points +/- Points Total Plays +/- Plays Audience +/- Aud Stations ADDS
29
26
BRAD PAISLEy/Last Time For Everything (Arista)
5879
904
2101
295
9.945
1.556
140
11
28
27
CHRIS JANSON/Fix A Drink (Warner Bros./WAR)
5590
342
2066
203
10.175
0.7
131
5
17
28
ZAC BROWN BAND/My Old Man (SouthernGrnd/Elektra/WAR)
5469
-5184
1676
-1912
12.897 -8.783
159
0
31
29
LUKE COMBS/When It Rains It Pours (River House/Columbia)
5423
1272
1753
415
10.617 2.554
128
8
30
30
BIG & RICH/California (B&R/New Revolution)
4574
225
1600
70
6.585
0.288
126
1
34
31
AARON WATSON/Outta Style (Big)
4262
303
1278
137
8.603
0.51
81
3
35
32
LANCO/Greatest Love Story (Arista)
4186
460
1493
192
7.066
0.437
118
6
32
33
MORGAN WALLEN/The Way I Talk (Big Loud)
4136
26
1532
24
7.577 -0.283
120
3
36
34
MIRANDA LAMBERT/Tin Man (RCA)
3813
281
1192
100
5.82
0.396
114
4
CHRIS yOUNG/Losing Sleep (RCA)
3550
523
1097
125
6.581
1.242
96
6
5.652
0.753
114
3
39
36
RUSSELL DICKERSON/Yours (Triple Tigers/Sony)
3485
367
1174
128
37
37
JAKE OWEN/Good Company (RCA)
3355
-45
1103
10
5.933 -0.064
102
7
38
38
ADAM CRAIG/Just A Phase (Stoney Creek)
3283
114
1191
44
5.044
118
1
42
39
WALKER MCGUIRE/Til Tomorrow (Wheelhouse)
2613
77
884
22
5.464 -0.045
96
1
41
40
HIGH VALLEy/She's With Me (Atlantic/WEA)
2530
-41
826
28
3.852 -0.188
73
1
43
41
LEE BRICE/Boy (Curb)
2241
20
732
28
3.811 -0.145
79
5
45
42
BROOKE EDEN/Act Like You Don't (Red Bow)
1953
32
733
36
2.09
-0.052
91
0
48
43
DEVIN DAWSON/All On Me (Atlantic/WEA)
1930
260
620
78
2.812
0.46
74
7
47
44
KELSEA BALLERINI/Legends (Black River)
1820
118
614
38
2.803 -0.026
76
7
49
45
GRANGER SMITH/Happens Like That (Wheelhouse)
1791
209
737
110
2.182
0.315
94
6
WALKER HAyES/You Broke Up With Me (Monument/Arista)
1790
492
518
125
3.65
1.145
45
11
0.27
76
6
Debut 46
0.161
50
47
JORDAN DAVIS/Singles You Up (MCA)
1763
247
589
79
2.357
46
48
JERROD NIEMANN/God Made A Woman (Curb)
1732
14
599
11
2.265 -0.027
76
1
Debut 49
PARMALEE/Sunday Morning (Stoney Creek)
1558
143
566
47
2.094
0.293
65
1
Debut 50
BRANTLEy GILBERT/The Ones That Like Me (Valory)
1488
130
532
66
1.865
0.067
72
1
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Chart Page 3
July 24, 2017 Country Aircheck Add Leaders
Activator Top Point Gainers
Adds
MICHAEL RAy/Get To You (Atlantic/WEA)
36
BILLy CURRINGTON/Do I Make You Wanna (Mercury)
750 ✔
DARIUS RUCKER/For The First Time (Capitol)
28
LUKE COMBS/When It Rains It Pours (River House/Columbia)
724 ✔
BRETT yOUNG/Like I Loved You (BMLGR)
16
JASON ALDEAN/They Don't Know (Broken Bow)
638 ✔
DIERKS BENTLEy/What The Hell Did I Say (Capitol)
13
BRAD PAISLEy/Last Time For Everything (Arista)
11
OLD DOMINION/No Such Thing As A Broken Heart (RCA)
522 ✔
DAN + SHAy/Road Trippin' (Warner Bros./WAR)
11
KANE BROWN f/L. ALAINA/What Ifs (RCA)
518 ✔
WALKER HAyES/You Broke Up With Me (Monument/Arista)
11
DUSTIN LyNCH/Small Town Boy (Broken Bow)
486
WATERLOO REVIVAL/What Guy... (Show Dog/New Revolution)
11
KENNy CHESNEy/All The Pretty Girls (Blue Chair/Columbia)
470
CHRIS STAPLETON/Broken Halos (Mercury)
10
JUSTIN MOORE/Somebody Else Will (Valory)
464
JOE NICHOLS/Never Gets Old (Red Bow)
10
COLE SWINDELL/Flatliner (Warner Bros./WMN)
420
KENNy CHESNEy/All The Pretty Girls (Blue Chair/Columbia)
10
LADy ANTEBELLUM/You Look Good (Capitol)
351
Country Aircheck Top Point Gainers
Activator Top Spin Gainers
RASCAL FLATTS/Yours If You Want It (Big Machine)
2405
BILLy CURRINGTON/Do I Make You Wanna (Mercury)
2391
KENNy CHESNEy/All The Pretty Girls (Blue Chair/Columbia)
1789
JASON ALDEAN/They Don’t Know (Broken Bow)
1608
DUSTIN LyNCH/Small Town Boy (Broken Bow)
1496
LUKE COMBS/When It Rains It Pours (River House/Columbia) KANE BROWN f/L. ALAINA/What Ifs (RCA)
✔ ✔ ✔ ✔ ✔
BILLy CURRINGTON/Do I Make You Wanna (Mercury)
185
JASON ALDEAN/They Don't Know (Broken Bow)
161
LUKE COMBS/When It Rains It Pours (River House/Columbia)
148
KENNy CHESNEy/All The Pretty Girls (Blue Chair/Columbia)
126
KANE BROWN f/L. ALAINA/What Ifs (RCA)
124
1272
COLE SWINDELL/Flatliner (Warner Bros./WMN)
115
1211
JUSTIN MOORE/Somebody Else Will (Valory)
113
JON PARDI/Heartache On The Dance Floor (Capitol)
1135
OLD DOMINION/No Such Thing As A Broken Heart (RCA)
111
JUSTIN MOORE/Somebody Else Will (Valory)
1101
LADy ANTEBELLUM/You Look Good (Capitol)
110
LADy ANTEBELLUM/You Look Good (Capitol)
1070
DUSTIN LyNCH/Small Town Boy (Broken Bow)
107
Country Aircheck Top Recurrents
Country Aircheck Top Spin Gainers
Points
SAM HUNT/Body Like A Back Road (MCA)
18317
BLAKE SHELTON/Every Time I Hear... (Warner Bros./WMN)
15287
594
LUKE COMBS/Hurricane (River House/Columbia)
15023
JASON ALDEAN/They Don't Know (Broken Bow)
569
BRETT yOUNG/In Case You Didn't Know (BMLGR)
14362
DUSTIN LyNCH/Small Town Boy (Broken Bow)
431
FLORIDA GEORGIA LINE/God, Your Mama, And Me (BMLGR) 10202
LUKE COMBS/When It Rains It Pours (River House/Columbia)
415
JON PARDI/Dirt On My Boots (Capitol)
9718
JUSTIN MOORE/Somebody Else Will (Valory)
413
DAN + SHAy/How Not To (Warner Bros./WAR)
8601
JON PARDI/Heartache On The Dance Floor (Capitol)
391
DARIUS RUCKER/If I Told You (Capitol)
8582
LADy ANTEBELLUM/You Look Good (Capitol)
342
JOSH TURNER/Hometown Girl (MCA)
8250
KANE BROWN f/L. ALAINA/What Ifs (RCA)
341
FLORIDA GEORGIA LINE f/T. MCGRAW/May We... (BMLGR)
7846
BILLy CURRINGTON/Do I Make You Wanna (Mercury)
805
RASCAL FLATTS/Yours If You Want It (Big Machine)
776
KENNy CHESNEy/All The Pretty Girls (Blue Chair/Columbia)
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Chart Page 4
July 24, 2017 COUNTRY AIRCHECK ACTIVITY GRANGER SMITH/Happens Like That (Wheelhouse) Moves 49-45* 1791 points, 737 spins 6 adds: WUBL, WyRK, WPCV*, KIZN*, WKXC, KUAD WALKER HAyES/You Broke Up with Me (Monument/Arista) Debuts 46* 1790 points, 518 spins 11 adds: KILT, KKBQ*, WKHX*, WUBL, WDRQ*, KWOF, KyGO, WPGB, WLFP, WAMZ, WBUL JORDAN DAVIS/Singles You Up (MCA) Moves 50-47* 1763 points, 589 spins 6 adds: WNSH*, KILT, KMLE, WAMZ, WGNA, WBUL JERROD NIEMANN/God Made A Woman (Curb) Moves 46-48* 1732 points, 599 spins 1 add: KHEy PARMALEE/Sunday Morning (Stoney Creek) Debuts 49 * 1558 points, 566 spins 1 add: KBEQ BRANTLEy GILBERT/The Ones Like Me (Valory) Debuts 50* 1488 points, 532 spins 1 add: KUBL* DRAKE WHTE/Makin’ Me Look Good Again (BMLGR) 1387 points, 443 spins; no adds CODy JOHNSON/With You I Am (Cojo) 1314 points, 216 spins; no adds BRETT yOUNG/Like I Loved You (BMLGR) 1303 points, 407 spins 16 adds: KKBQ*, WUBL, KKWF, KMLE, KSD, KUPL, KWJJ, WWKA*, WGH, KBQI, WTGE, KATM*, KSSN, WOGK, WGTy, WUSJ
A D D DAT E S July 31
LEVON/Ms. Marianne (Columbia)
August 7
Brandon Lay/Speakers, Bleachers And Preacher (EMI Nashville)
August 14
Chase rice/Three Chords & The Truth (Broken Bow)
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CHECK OUT 7/28
Joe Nichols Never Gets Old (Red Bow) Nichols’ new album includes the first single/ title cut, written by Steve Moakler and Connie Harrington. Other tracks are “We All Carry Something,” “I’d Sing About You” and Nichols’ rendition of the 1992 Sir Mix-A-Lot hit, “Baby Got Back” featuring comedian Darren Knight. Lucas Hoge Dirty South (Rebel Engine) Hoge co-wrote seven out of 10 tracks, including the current single/title cut. Other writers include Sam Hunt, Shane McAnally and Josh Osborne (“Halabamalujah”), and Ben Glover and Phillip LaRue (“Boom Boom”). Logan Mize Come Back Road (Big Yellow Dog) Leading with first single “Ain’t Always Pretty,” written by Brett and Brad Warren, Chris Stevens and Lance Miller, Mize’s 12-track project also includes three co-writes and was produced by Dan Agee.
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Chart Page 5
July 24, 2017 LW
TW
Artist/Title (Label)
Points
+/- Points
Plays
RASCAL FLATTS
9974
335
2242
+/- Plays Stations ADDS
4
1
3
2
KEITH URBAN f/C. UNDERWOOD/The Fighter (Capitol)
9855
140
2243
51
53
0
1
3
DyLAN SCOTT/My Girl (Curb)
9837
-975
2230
-189
49
0
5
4
COLE SWINDELL/Flatliner (Warner Bros./WMN)
9358
420
2106
115
53
0
Yours If You Want It (Big Machine)
72
52
0
2
5
THOMAS RHETT f/M. MORRIS/Craving You (Valory)
9204
-1088
2124
-201
49
0
6
6
LADy ANTEBELLUM/You Look Good (Capitol)
9117
351
2068
110
53
0
8
7
JUSTIN MOORE/Somebody Else Will (Valory)
8453
464
1889
113
53
0
9
8
BILLy CURRINGTON/Do I Make You Wanna (Mercury) ✔
8334
750
1878
185
52
0
7
9
MIDLAND/Drinkin' Problem (Big Machine)
8304
271
1835
64
53
0
OLD DOMINION/No Such Thing As A Broken Heart (RCA) ✔
8000
522
1775
111
53
0
11 10 12 11
DUSTIN LyNCH/Small Town Boy (Broken Bow)
7152
486
1571
107
52
0
13 12
BROTHERS OSBORNE/It Ain't My Fault (EMI Nashville)
6264
-328
1441
-51
53
0
16 13
JASON ALDEAN/They Don't Know (Broken Bow) ✔
6078
638
1255
161
52
2
14 14
KIP MOORE/More Girls Like You (MCA)
5844
35
1236
12
52
0
15 15
JON PARDI/Heartache On The Dance Floor (Capitol)
5832
276
1320
87
53
1
18 16
CHRIS LANE/For Her (Big Loud)
4842
332
1054
52
52
0
17 17
BRETT ELDREDGE/Somethin' I'm Good At (Atlantic/WMN)
4644
-16
970
15
50
0
19 18
CARLy PEARCE/Every Little Thing (Big Machine)
4588
285
1010
69
52
2
20 19
KENNy CHESNEy/All The Pretty Girls (Blue Chair/Columbia)
4583
470
931
126
52
8
22 20
MAREN MORRIS/I Could Use A Love Song (Columbia)
4173
316
822
55
51
0
21 21
GARTH BROOKS/Ask Me How I Know (Pearl)
3981
-43
873
4
49
0
23 22
BRAD PAISLEy/Last Time For Everything (Arista)
3732
227
784
90
50
9
24 23
LOCASH/Ring On Every Finger (Reviver)
3604
128
775
18
49
0
27 24
LUKE COMBS/When It Rains It Pours (River House/Columbia) ✔
3454
724
657
148
49
4
30 25
KANE BROWN f/L. ALAINA/What Ifs (RCA) ✔
3084
518
689
124
48
3
25 26
CHRIS JANSON/Fix A Drink (Warner Bros./WAR)
3069
50
595
22
48
0
26 27
ERIC CHURCH/Round Here Buzz (EMI Nashville)
2934
30
642
18
48
0
28 28
AARON WATSON/Outta Style (Big)
2804
92
579
20
42
2
29 29
EASTON CORBIN/A Girl Like You (Mercury)
2746
53
584
19
47
3
33 30
BIG & RICH/California (B&R/New Revolution)
1657
230
406
46
39
2
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Chart Page 6
July 24, 2017 LW
Artist/Title (Label)
Points +/- Points
31 31
TW
MIRANDA LAMBERT/Tin Man (RCA)
1455
-72
Plays
349
+/- Plays
6
Stations Adds
37
0
32 32
CHRIS yOUNG/Losing Sleep (RCA)
1422
-6
229
-1
25
1
35 33
JAKE OWEN/Good Company (RCA)
1148
120
184
15
29
1
36 34
LANCO/Greatest Love Story (Arista)
1123
169
221
44
31
1
41 35
KELSEA BALLERINI/Legends (Black River)
1065
305
193
52
19
2
37 36
LEE BRICE/Boy (Curb)
994
42
230
-12
22
3
38 37
MORGAN WALLEN/The Way I Talk (Big Loud)
949
61
195
11
31
2
42 38
CHRIS STAPLETON/Broken Halos (Mercury)
916
191
126
30
14
2
44 39
RUSSELL DICKERSON/Yours (Triple Tigers/Sony)
777
108
182
23
25
1
40 40
CODy JOHNSON/Wild As You (Cojo)
745
-24
145
-2
14
0
47 41
GRANGER SMITH/Happens Like That (Wheelhouse)
696
102
155
26
13
2
39 42
WALKER HAyES/You Broke Up With Me (Monument/Arista)
647
-150
95
-11
6
1
45 43
LITTLE BIG TOWN/When Someone Stops Loving You (Capitol)
613
-17
90
-2
8
0
54 44
ASHLEy MCBRyDE/A Little Dive Bar In Dahlonega (---)
590
110
59
11
1
0
52 45
JUSTIN MOORE/Kinda Don't Care (Valory)
590
80
59
8
1
0
50 46
ELI yOUNG BAND/Never Land (Valory)
562
30
66
3
2
0
48 47
ADAM CRAIG/Just A Phase (Stoney Creek)
543
-9
107
-5
26
0
51 48
A THOUSAND HORSES/Preachin' To The Choir (BMLGR)
519
-10
98
-1
8
0
46 49
JERROD NIEMANN/God Made A Woman (Curb)
518
-84
102
-13
12
0
57 50
LAUREN ALAINA/Doin' Fine (19/Interscope/Mercury)
504
34
111
7
10
0
60 51
LADy ANTEBELLUM/Heart Break (Capitol)
500
70
50
7
1
0
56 52
CARLy PEARCE/If My Name Was Whiskey (Big Machine)
480
10
48
1
1
0
43 53
BRETT yOUNG/Mercy (BMLGR)
480
-240
48
-24
1
0
53 54
RONNIE DUNN/I Worship The Woman You... (Nash Icon/Valory)
478
-30
162
-13
8
0
49 55
FLORIDA GEORGIA LINE/Smooth (BMLGR)
477
-62
54
-7
5
1
BRANTLEy GILBERT/The Ones That Like Me (Valory)
473
55
60
6
5
0
58 57
TyLER FARR/I Should Go To Church Sometime (Columbia)
459
0
58
0
3
0
55 58
LUCAS HOGE/Dirty South (Rebel Engine/Star Farm)
439
-32
75
-1
6
0
59 59
HIGH VALLEy/She's With Me (Atlantic/WEA)
433
-2
65
2
7
1
Debut 60
OLD DOMINION/Written In The Sand (RCA)
430
64
43
5
1
0
Debut 56
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Chart Page 7