C
NTENT
Asia’s media content and services directory
2026 VIETNAM FOCUS C
NTENT ASIA
1
Editorial Director Janine Stein janine@contentasia.tv Events Manager CJ Yong cj@contentasia.tv ContentAsia Marketing & Awards awards@contentasia.tv Production Rae Yong Associate Publisher (Americas, Europe) and VP, International Business Development Leah Gordon leah@contentasia.tv Assistant Publisher (Asia/Middle East) Malena Amzah malena@contentasia.tv To receive your regular free copy of ContentAsia, please email contentasia@contentasia.tv
© 2026 Pencil Media Pte Ltd. All rights reserved. This directory and its contents are protected by copyright and other intellectual property laws. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means – electronic, mechanical, photocopying, recording, or otherwise – without the prior written permission of the copyright holder, except as permitted by law. For permissions or inquiries, please contact: malena@contentasia.tv
INDEX A+E Global Media ...........................................5 ABS-CBN Studios .............................................. 6 All3Media International .................................. 7 AR Global Network ......................................... 8 Astro Malaysia ..................................................9 Banijay Rights ..................................................10 BEC World Public Company Limited (BEC) ......11 Boat Rocker Studios .......................................12 FOX Entertainment Global ............................13 Fremantle ........................................................14 Lionsgate .........................................................15 Media Prima Content & TV Networks ........16-17 Moonbug Entertainment ..............................18 MyContent Distribution .................................19 NBCUniversal Global TV Distribution ............20 OGM UNIVERSE ..............................................21 Paramount Global Content Distribution ......... 22 PBS Distribution .............................................. 23 Seven.One Studios Internationa ................. 24 Studio TF1 America ....................................... 25 Viaplay Content Distribution .........................26
All programme distribution companies were given the same opportunity to supply information for inclusion in ContentAsia’s The Big List 2026. Listings are not specific to Vietnam.
4
C
NTENT ASIA
A+E Asia 176 Orchard Road, #05-05 Singapore 238843 @LifetimeAsia @HISTORYasia @historyasia @lifetimeasia
Genres
Who’s who...
A+E Global Media maintains a robust catalogue of original and co-produced content from its international offices. Its Korea team has released several premium drama series over the past decade, with recent titles including Backstreet Rookie, A Good Day To Be A Dog, If You Wish Upon Me and The Witch. Two additional drama projects are scheduled for release in 2026. Meanwhile, the Japan team is a regional leader in premium factual content. Beyond Asia, the company is active in global co-productions, with recent scripted titles including The Kollective and Miss Scarlet and the Duke. Trailer
Steve MacDonald President, Global Content Licensing & International Patrick Vien Group Managing Director, International John Flanagan Senior Vice President & Managing Director, Japan and Southeast Asia Youngsun Soh Senior Vice President & Managing Director, Korea Amreet Chahal Director, Content Sales Asia E: Amreet.Chahal@aegm.com Rachel Tan Sales Coordinator, APAC E: rachel.tan@aegm.com
Trends & Outlook 2026 Buyers in Asia always want high quality content with well known stars attached. We look forward to showing clients our rich pipeline of factual series led by internationally known A-list talent coming back for second or third seasons, like The UnBelievable with Dan Aykroyd and Secrets Declassified with David Duchovny. They also want high volume, proven hits that succeed year after year across platforms, which we have in spades with our long running megafranchises like Ice Road Truckers, back for a new season. Finally, new true crime titles with partners like Dick Wolf underscore our reputation as global leaders in the genre.”
A+E Global Media boasts a catalog of factual and scripted series, TV formats and movies across a wide range of genres including crime and investigation, epic history, paranormal, reality entertainment, lifestyle, and biography.
Original production/co-production
Top shows are…
World War II with Tom Hanks For eighty years, the Second World War has remained the most devastating and defining conflict in human history. “World War II with Tom Hanks” is a landmark documentary event that reexamines the war through the lens of a new century. Genre: Factual
The UnBelievable with Dan Aykroyd Starring Dan Aykroyd (Saturday Night Live, Ghostbusters). This smart and entertaining series digs up the weirdest people, places, objects, and events in human history. Take cover from Boston’s Great Molasses Flood of 1919, where 2.3 million gallons of syrup demolished a neighbourhood. Try not to squirm with the tonsil guillotine, an 1800s medical instrument used to self-administer tonsillectomies. And marvel at FDR’s WW2 plan to use bats to bomb Japan. Genre: Factual
World War II with Tom Hanks
Trailer
The UnBelievable with Dan Aykroyd
Dr. Pimple Popper: Breaking Out
Trailer Dr. Sandra Lee, also known as Dr. Pimple Popper, is the most famous dermatological surgeon in the world and an internationally beloved personality. She has dedicated her life to sharing her incredible Asia focus in 2026 skills with her huge We are excited to show our clients the epic, 20audience, as she part series World War II with Tom Hanks, that helps hundreds of tells the story of this truly global conflict suffering patients Dr. Pimple Popper: Breaking Out like never before.The phenomenal who are unable Tom Hanks’s passion for and deep or unwilling to find treatment for their painful, oozing knowledge of this period of history cysts, fatty tumors, and infinitely complex, lifeaffecting helps elevate this can’t-miss project to dermatological issues. Now, Dr. Lee is ready to take something truly extraordinary. We get a her practice to the next level. The doctor has made comprehensive view of the war from a modern additions to her main office which include fresh, global perspective, with brand new scholarship, rarely seen archives, an entire new wing of patient rooms, and many new and vivid accounts of the human staff and doctors. For the first time, Dr. Lee will also be experience.” providing intimate self-shot footage of her life outside the office. Genre: Reality entertainment Amreet Chahal, Director, Content Sales Asia
6
C
NTENT ASIA
5
Programming: Syndication & Licensing
A+E Global Media is a global content-creation company boasting a thriving international co-production division with scripted and factual projects in all stages of production, a burgeoning formats business, and a massive pipeline of content coming from its US brands; all of which are in constant creation of original TV Movies, mega franchises, and docuseries. A+E’s pipeline reaches global audiences via its fully owned-and-operated channels across Asia, its channel partners around the world, and on every major platform and streamer.
Programming: Syndication & Licensing
Since 1953, ABS-CBN has been a premiere source of high-quality Filipino content and primarily involved in high caliber productions for television, online and over-the-top platforms, cable, satellite, cinema, events and radio, for both domestic and international markets. ABS-CBN’s road to transformation provided not only strong affinity with the local audiences, but also agility in going global, with 60,000+ hours sold worldwide in over 50 territories. Trailer
ABS-CBN Studios ABS-CBN Broadcast Center, Sgt. Esguerra Ave. corner Mother Ignacia St., Diliman, Quezon City, 1103 Philippines E: internationalsales@abs-cbn.com W: https://www.abs-cbn.com/internationalsales
Genres
Who’s who...
Original production/ co-production
Pia Laurel Sales Head, OTT and Co-production E: Pia_Bacungan-Laurel@abs-cbn.com Whatsapp/Viber: +63 917 5372573 Laarni Yu Sales Head, Europe, MENA, and Africa | Airlines E: Laarni_Yu@abs-cbn.com Whatsapp/Viber: +63 917 569 8531 Wincess Lee Sales Head, Asia and Latin America E: Wincess_Lee@abs-cbn.com Whatsapp/Viber: +63 998 991 5838
Laarni Yu
Wincess Lee
Trends & Outlook 2026 What we expect to see across the Asian content landscape, amid global uncertainty, is the likely resurgence of uplifting, feel-good content following years of more intense stories. Second, socially-relevant stories that engage with real issues will remain important for buyers. Finally, with advertising revenues still under pressure, many broadcasters and platforms will continue leaning on acquired and cross-border content to help sustain their programming slates.”
Asia focus in 2026 As we elevate the scale and quality of our productions, we aim to expand into new territories while deepening our presence in markets where we have strong audiences. Ultimately, our goal is to create stories unbound by borders while staying authentically Filipino.”
Our drama slate spans various genres from romance to family, to thrillers, crime, and action. We also produce LGBTQ+ stories reflecting diverse perspectives and experiences. Film-wise, we cater to a broad spectrum of audiences with titles covering romance, family, horror, and comedy.
First seen on Netflix Philippines, IT’S OKAY TO NOT BE OKAY – the Philippine adaptation of the hit Korean drama from CJ ENM and Studio Dragon – debuted at number one on the platform, consistently topping the viewing charts. The series follows a cynical author who is forced to confront her emotional wounds upon meeting a man who challenges her worldview. Romantic thriller THE ALIBI centers on the heir to a media empire who hires an escort to serve as his alibi after being accused of murder; their agreement turning into a dangerous dance within a web of secrets. The series successfully launched on Prime Video ahead of its TV release, consistently ranking #1 in the Philippines during its run. Strengthening our partnership with Prime Video, we’ve developed a new original series called THE SILENT NOISE that follows a family left fractured after a deaf young boy misinterprets his mother’s affair and causes a tragic accident. Launching March 20 th in the Philippines and in more than 240 territories worldwide, the series explores the cost of accountability, while aiming to raise awareness for the deaf community. As global platforms continually trust us to help build their local slates, we remain ever grateful and equally excited to share even more entertaining and thought-provoking stories with the world.
Trailer
Top shows are… It’s Okay to Not Be Okay Mia, a children’s book author with a dark past, gets romantically involved with Patpat, a psych ward caretaker who has dedicated himself to caring for his autistic older brother Matmat. As they confront personal traumas, they learn that where pain is shared, healing can begin. Episodes/length: 34x45 mins
Trailer
What Lies Beneath Four high school friends lie to incarcerate a man for killing their best friend and eventually drift apart. Years later, he escapes and a wave of murders shatters their fragile peace. Forced to reunite, the women must confront buried truths, concealed betrayals, and persisting traumas. Episodes/ length: 45x45 mins
Incognito
Pia Laurel, Sales Head, OTT and Co-production
Brought together by a rigid tactician, six ex-soldiers form a unit to undertake perilous contracts. But with each mission they accomplish, they draw the ire of a powerful enemy. Episodes/length: 52x45 mins
6
ASIAA NTENTASI CC NTENT
5
All3Media International Asia Pacific W: www.all3mediainternational.com @all3media_int
Genres Thanks to our expansive and high-quality catalogue we are able to meet the diverse and evolving needs of our clients: from premium scripted drama, factual documentaries, lifestyle, wildlife, and both scripted and unscripted formats
Original production/co-production Trends & Outlook 2026 Fewer commissions and tighter budgets are driving a sharper focus on strong, proven IP that can deliver across platforms, monetisation models, and stand out in a crowded market. Collaboration is becoming even more central, from funding and production to marketing and international rollout. The Asian market continues to grow locally and internationally in ambition. Recently The Traitors India aired on BBC in the UK, a testament to the strength of the local version and highlights the power of strong partnerships.” Asia focus in 2026 We are home to a very strong catalogue of IP across formats and finished content. Our experience with global hit “The Traitors” allows us to support partners, from development to production and rollout. On the scripted side, dramas like “Liar” from Two Brothers Pictures have proven highly adaptable formats. Our slate also continues to grow with returning titles and new projects such as a second season of “The Assassin” and recently launched “Secret Service”. Our key focus remains on the strength of the partnerships and the relationships we have built over time, based on trust and collaboration, which are central to everything we do in the region.”
The global format phenomenon The Traitors from IDTV continues a successful rollout, with Prime Video’s Hindi Series1 being awarded multiple Asian Academy Creative Awards and a second season coming up later on this year. We have also just announced Telegu language version also for Prime Video for 2026. Several other version will be coming to Asia in 2026 including Mongolia and Indonesia and few more to be announced! Australia and New Zealand will both launch a third season later year. An Indian adaptation of Studio Lambert’s bold reality format Rise and Fall has also proved hugely successful. This game of wealth and privilege, strategy and survival became Amazon MX Player’s most-watched unscripted show in the streamer’s history and has since been commissioned for a second season. Recent scripted format successes have seen the Indian adaptation of Shameless through our partnership with Rose Audio Visual for SAB TV in India. All3Media International has an additional 11 scripted formats either launching or commissioned by various partners across the market.
Top shows are…
Trailer
Secret Service A sophisticated globe-trotting series espionage thriller from Potboiler Productions, Secret Service stars Gemma Arterton as a senior MI6 officer in a desperate race to uncover evidence that a high-ranking UK politician may be working as a Russian asset. Genre: Thriller, Drama. Episodes/length: 5x1 hour.
The Circle (Format) Bold, buzzy and addictive, The Circle’s blend of human drama, tech intrigue, and social strategy makes it one of the most innovative reality formats today. Genre: Reality. Length: 1 hour.
Secret Service
Trailer The Circle
Incredible Encounter: When Socrates met Confucius The way we think in East and West can be traced back to two extraordinary men who lived over 2,000 years ago: Socrates and Confucius. This series follows their lives and ideas, comparing their views on human nature, ethics, and power as they confront humanity’s biggest questions. Genre: Documentary, History. Episodes/length: 2x45 mins.
Trailer
Incredible Encounter: When Socrates met Confucius 6
C
NTENT ASIA
7
Programming: Syndication & Licensing
All3Media International is one of the leading independent distributors of television programming and formats in the UK. As the distribution arm of All3Media Group, All3Media International manages a distribution catalogue spanning more than 35,000 hours of content across all genres.
Founded by three seasoned leaders in the entertainment industry – Jonathan Spink, Anne Chan, and Ronan Wong – AR is a unique powerhouse in the media landscape. Together, they drive international collaborations in the production of scripted series, movies, reality, and micro drama content. With a robust distribution network, AR represents premier studios across Asia, delivering a diverse array of content including K-dramas, C-dramas, animation, reality shows, and micro dramas.
AR Global Network 29-31F, Tower 5, The Gateway, 15 Canton Road, Harbour City, Tsim Sha Tsui, Kowloon, Hong Kong
Who’s who...
Anne Chan CEO T: +852 9516 8622 E: N@arasiaproduction.com Ronan Wong COO T: +861 86 0043 0809 E: RW@arasiaproduction.com
Anne Chan
Ronan Wong
Asia focus in 2025/2026
Anne Chan, CEO, AR Global Network
8 6
Movie, reality, animation and micro drama
Co-Production
• Movie: AR spearheads the Rocket Programme, a strategic movie co-development initiative connecting film companies from Taiwan, Korea, Thailand and Indonesia. Supported by Taiwan Six movies co-development collaboration Creative Content Agency (TAICCA) and organised in partnership with MyStory Entertainment, the initiative developed six feature-film projects from script stage to market-ready pitches, which were showcased at TCCF. • Variety: AR and Taiwan’s TAICCA launched the LEAP Co-Development Programme: Variety Show, attracting 85 submissions and featuring eight top Korean producers. It concluded with a final pitch at ATF 2024 in Singapore. • Pre-school animation: AR launched the All Star Pre-School Animated Series Creative and Co-Development Programme with Taiwan’s PTS XS to connect Korean and Taiwanese creators for co-productions. Two projects were selected and have entered development with leading Korean animation companies.
Micro Drama: Co-Production & Regional Distribution Over 150 micro dramas have launched across various platforms in the region to date, with several dedicated micro drama apps set to roll out on major telco shelves across Southeast Asia.
Top shows are…
Trailer Credit: Media Caravan
Collaboration is at the heart of innovation in content production and distribution. By working with leading studios and government partners, we’re tackling Asia’s market challenges head-on and aligning resources for greater impact. In 2024-2025, milestones included simulcasting six K-dramas across Southeast Asia and expanding into C-dramas and animation. As early adopters of micro dramas and dedicated platform apps, we’re focused on staying ahead of industry trends. Partnerships with Taiwan’s TAICCA, Singapore’s IMDA, and major studios have enabled initiatives like LEAP, the ALL Stars and the Rocket programmes.”
Genres
The Litchi Road The Litchi Road follows Liu Yuchun, a minor Tang Dynasty official, on a risky mission to deliver fresh litchis to Emperor Xuanzong’s concubine, Yang Guifei – only to be caught in the treacherous web of Imperial court politics. Genre: Chinese history/ costume drama. Episodes/length: 35x45 mins
The Litchi Road
The Maverick Academy
Trailer A groundbreaking opportunity for aspiring chef entrepreneurs, spearheaded by celebrity chef Alvin Leung, The Maverick Academy is an innovative show aims to inspire and mentor a new generation of culinary talent. With thousands of applicants from Hong Kong, Thailand, Indonesia, the Philippines, Malaysia, Singapore, Vietnam, and India, Alvin will guide his protégés through an exhilarating journey of self-discovery and The Maverick Academy growth. Genre: Reality/cooking (English-language). Episodes/length: 5x47-55 mins (acquired by Netflix, Mediacorp Singapore, TrueID Thailand, Cathay Pacific and Singapore Airlines).
The Mayor’s XXL Wife: Her Stunning Return (Micro Drama) 300-pound Sophia married her longtime love, expecting happiness. Betrayed by his assistant, she chose self-transformation. After losing weight, she stunned everyone and focused on her career until her regretful, arrogant husband shamelessly begged her back. Genre: Romance micro drama. (English-language). Episodes/length: 38x1.5 mins
C
NTENT ASIA
Trailer
The Mayor’s XXL Wife: Her Stunning Return
All Asia Broadcast Centre Technology Park Malaysia Lebuhraya Puchong-Sungai Besi Bukit Jalil, 57000 Kuala Lumpur Malaysia Corporate https://corporate.astro.com.my/ Commercial https://www.astro.com.my/ Astro GO https://astrogo.astro.com.my/ Content & Channel https://content.astro.com.my/ https://www.facebook.com/Astro
Who’s who...
Henry Tan Interim Group CEO, Astro Agnes Rozario Chief Content Officer, Astro
Henry Tan
Agnes Rozario
Genres Our content strategy is anchored in a 360-degree content approach, ensuring that every title is designed to thrive across multiple platforms – film, TV, OTT, social media, and immersive unpirateable on-ground experiences. This multi-platform mindset allows us to deepen audience engagement while unlocking diverse monetisation opportunities. Astro produces a wide range of genres including TV shows, films, sports, kids programming, animation, travel, live music competitions, and talent search formats. This genre diversity enables us to cater to different audience segments while maintaining creative and commercial agility.
Original production/co-production Co-productions have worked well in the film space enabling us both domestic and regional exposure for our films and well as strong support from sponsors. We place strong emphasis on original productions, with standout titles such as Aadhira, First Wives, and Big Stage Alpha, a boyband/talent discovery format that has already produced two music hits and built a loyal fanbase. We actively produce and co-produce across film, drama and non-scripted formats, including live shows. Our collaborations with clients and partners often involve developing creative solutions tailored to their audience and brand objectives.
Asia focus in 2026 Looking ahead to 2026, our primary focus in Asia will be guided by relevance and audience behaviour. We aim to champion local IPs and stories that extend beyond Malaysia, unlocking better monetisation and distribution opportunities with regional partners. Live original formats will remain a core offering, while we continue building a pipeline of digital and social-first content designed for engagement and monetisation.”
Trends & Outlook in the next 12 months
Agnes Rozario, Chief Content Officer, Astro
First, generative AI and hyper-personalisation will be leveraged on more by platforms to tailor experiences, enabling more dynamic and responsive storytelling. This will not only enhance viewer satisfaction but also open new avenues for data-driven monetisation. Sports remains one of the genres that consistently delivers real-time audience attention but will be the focus of fewer platforms given the costs as well as expertise to deliver that best-in-class experience. Third, we foresee a surge in on-ground experiences that are both un-piratable and monetisable – meet-and-greet events with K-stars, concerts, and fan activations and extensions of big hits eg Netfliux’s K-pop Demon Hunters Sing Along in cinemas. These formats offer unique value propositions for both audiences and brands.”
Dia Imamku
Agnes Rozario, Chief Content Officer, Astro
8
Top shows are… Trailer
Another Malaysian drama series by Siti Rosmizah where Humairah is forced to marry Amiruddin to save her family from financial hardship and a villainous cousin, Dahlia. Despite her initial resentment and pretense of love, Humairah experiences her true feelings for Amiruddin as she navigates societal pressures and the return of her past love, Rafiq. The story explores themes of true love, sacrifice, and the strength of a husband’s devotion. Episodes/length: 53x45 mins
Big Stage Alpha
Trailer A Malaysian singing competition series focused on showcasing and developing talented male artists, particularly to build a new boy group, Alpha. Episodes/length: 8x150 mins
Sepak Takraw League (STL) STL is on an 11th season continues to be a prominent professional sepak takraw league in Malaysia, a sport native to Southeast Asia. Matches are broadcasted live on Astro and sooka. Episodes/length: more than 164 matches (60mins-90mins per match)
C
NTENT ASIA
9
Programming: Syndication & Licensing
Astro Malaysia Holdings Berhad is Malaysia’s leading content and entertainment company, reaching 5.2 million homes, 8,900 enterprises, 16.3 million weekly radio listeners, and 13.5 million monthly digital visitors. We offer Astro Pay-TV, NJOI Prepaid, sooka OTT, and Astro Fibre broadband. Our Ultra and Ulti Boxes deliver 4K UHD and HD streaming, with access to Astro Originals, live sports, and global streaming apps. Through Astro Radio and digital brands like AWANI, SYOK, and Gempak, we connect Malaysians to stories that matter.
Banijay Rights 20th Floor, Lotus Grandeur Veera Desai Road extension Andheri West, Mumbai – 400053 India W: www.banijayrights.com E: sales@banijayrights.com
Genres
Who’s who...
Top shows are…
Rashmi Bajpai EVP Asia, Banijay Rights E: Rashmi.Bajpai@banijayrights.com Pertash Koul VP Sales, Asia, Banijay Rights E: pertash.koul@banijayrights.com
Rashmi Bajpai
Pertash Koul
Asia focus in 2026 In 2026, our objective is to have continued success in the region by focussing on key markets and super brands while finding new opportunities. We also want to scale the regional footprint of our popular formats within high-growth Asian territories. We are executing a strategy of focused market penetration, leveraging our library of high-quality, proven IPs to provide partners with a low-risk, high-reward content. We are confident that most of our formats have a high renewal score and lead to more sustained business in smaller territories.”
Banijay Rights is the global distribution arm of media and entertainment powerhouse, Banijay Entertainment, handling almost 230,000 hours of top-tier content across all genres, including scripted, entertainment, factual and family. We also specialise in bringing powerhouse formats such as MasterChef, Big Brother, Deal or No Deal, Survivor and LEGO Masters, to the Asian market, providing localised versions of the world’s most successful entertainment brands.
Richard Gadd’s Half Man (Mam Tor Productions – a Banijay UK company – in association with Thistledown Pictures) premiered on HBO and BBC One at the end of April. It’s a visceral story with a stellar cast and we are excited about placing it in Asia. Fear Factor: House of Fear (Endemol Shine North America for Fox) had a record-breaking launch recently. It’s a refreshed version of an iconic format which has a broad appeal and now comes with an added twist of reality gameplay. Additionally, Let’s Play Ball (Endemol Shine Nederland, Talpa Studios, Signal. Stream) is the format to watch out for. With its simple production and yet deeply satisfying conclusion, this celebrity-driven, social media-friendly gameshow also serves as an exceptional tourism pitch for the various territories showcased in its high-octane episodes.
Half Man
Fear Factor: House of Fear
Original production/ co-production
Despite global market volatility, our stellar IP continues to hold ground. We’re Let’s Play Ball delighted that MasterChef Asia will return, featuring the finest culinary talent from across the continent vying for the ultimate crown. Produced by CreAsia Studio (part of Endemol Shine India) in collaboration with Warner Bros. Discovery (WBD) and Macao Tourism in Macao, the series is available for licensing outside of WBD-reserved territories starting in Q4 2026. MasterChef further continues its winning run, spanning to territories like Pakistan and Sri Lanka, while the sucTrends & Outlook 2026 cessful launch of The Face Men Thailand (Season 4), has gained significant Community-led formats that facilitate real-time viewer engagement traction across both linear TV and Netare set to be the “showstoppers” of 2026, aligning perfectly with the flix following its relaunch last year. The burgeoning trend of creator-content partnerships. Pinoy Big Brother: Collab Edition 2.0 Social media has evolved beyond a mere promotional tool; it is now a has provided a solid headstart, further full-scale innovation lab offering massive monetisation potential. As the creator economy continues to thrive, we are entering the ideal window consolidating our position as the marto leverage the synergy between creators and established content, ket leader for formats in the territory. allowing both to benefit from each other’s unique strengths. Additionally, we are thrilled to see Lastly, we anticipate a massive resurgence in reboots. In an increasingly Deal or No Deal return to the Philipuncertain M&A landscape, reboots serve as a critical risk-mitigation pines after a decade-long hiatus. And strategy. By revitalising shows with proven track records, we can leverage our commitment to fresh, creative existing fandoms while tapping into the powerful combination of cost energy is highlighted by exciting new efficiency and nostalgia.” additions like Football Island and the Indian-origin fitness reality format Rashmi Bajpai, EVP Asia, Banijay Rights Battleground.
10
C
NTENT ASIA
9
Programming: Syndication & Licensing
Leading global distributor, Banijay Rights, represents a world-class, multi-genre portfolio of almost 230,000 hours of standout programming. Handling the distribution for media and entertainment powerhouse, Banijay Entertainment, the division specialises in the exploitation of premium scripted and non-scripted brands to broadcasters worldwide.
BEC World Public Company Limited 3199 Maleenont Tower Floor 2-4, 7, 9-10, 30-34, Rama 4 Road, Klongton, Klongtoey, Bangkok 10110 Thailand Social Media Ch3Thailand for CH3 Official CH3Plus for CH3 OTT Scan to visit BEC.thaitv3.com
Who’s who...
Duangnapa (Hong) Termkraisri AVP – IP & Contract Management E: Duangpana@becworld.com Piyachat (Bik) Artavan AVP – International Content Management E: piyachat_a@becworld.com Nantika (Eve) Nuchpoom Senior Account Manager, International Business E: Nantika_n@becworld.com Kawalin (Gift) Chantawatkul Senior Account Manager, International Business E: Kawalin_c@becworld.com
At BEC World, we are fundamentally a content company dedicated to producing TV serials and movies that resonate in Thailand and the ASEAN region. We constantly strive to be the best storytellers in the industry. Our diverse range of productions features tentpole titles that highlight Thailand’s rich history and culture, as well as popular genres like ROM-COM, drama, and BL/ GL, all of which have garnered international fans.” Tracy Ann Maleenont Assistant to Group COO, BEC World PLC
6
Genres We offer a variety of genres, including romance, comedy, drama, fantasy, and LGBTQ+.
Asia focus in 2026 Our focus in 2026 is to expand BEC’s regional footprint through strategic partnerships, co-productions, and talentled franchises, while strengthening our digital ecosystem via 3Plus. At the core of everything, we remain committed to maintaining the highest content quality as Thailand’s leading content creator – delivering premium, culturally authentic stories that resonate across Asia and beyond. Tracy Ann Maleenont, Assistant to Group COO, BEC World PLC
Top shows are…
Trailer
Brothers / สองหัวใจ
Dom, a talented young boxer, goes undercover to infiltrate the powerful crime empire of Oab, a key figure in a nationwide syndicate. As the mission grows more dangerous, Dom’s wife Fon – a determined police officer – enters the criminal world to protect him. There, she unexpectedly reunites with Oab, her first love, who vanished years ago and now wants her back. As loyalties blur between duty, love, and betrayal, the trio is pulled into a dangerous web of secrets. Meanwhile, a ruthless cop named Champ manipulates events from the shadows. As the truth emerges, their lives collide in a high-stakes battle that will change everything. Trailer
Wrong Side of the Rainbow / รักหักหลัง
Pie thought she had finally moved on when she married Pun, the kind man who mended her broken heart. But her world unravels when Win – her first love and the one who left her shattered – reappears as Pun’s close friend. Old passions reignite, exposing buried secrets that threaten to destroy everything Pie has built. As truth, betrayal, and desire collide, Pun, Pie, and Win are forced to confront the past and the painful choices that bind them. In this tangled web of love and lies, can they find forgiveness – or are some wounds too deep to heal? Trailer
Beneath the Lies / ตะวันลวง
Rawee and Phakorn grew up together, not by blood but as brothers, sharing a bond closer than family. However, their relationship begins to unravel when Alyssa, the woman they both love, enters their lives. As a secret love triangle forms amidst the turmoil, Phakorn suddenly falls ill, prompting Rawee to uncover that he is the rightful heir to a vast fortune. With the power to save his brother’s life, Rawee sacrifices everything, believing this will lead to a happy resolution. Yet, what seems like closure is merely the start of a tangled web of lies that will alter their lives forever.
CC NTENT ASIAA NTENTASI
11
Programming: Syndication & Licensing
BEC World Public Company Limited (BEC) is Thailand’s leading entertainment powerhouse, producing and distributing premium Thai-language content for over 56 years. As the operator of Channel 3 and the streaming platform 3Plus, BEC delivers top-rated dramas, news, and variety shows, producing over 500 hours of new programming annually featuring Thailand’s biggest stars. Through its global licensing network and 3Plus’s AVOD and SVOD services, BEC brings the best of Thai entertainment and authentic Thai culture to audiences in Thailand and worldwide.
An independent, integrated global entertainment company, Boat Rocker Studios’ mission is to tell stories and build iconic brands across all genres and media. With offices around the world, Boat Rocker brings end-to-end creative expertise, robust business operations, and global franchise capabilities across Scripted, Unscripted, Documentary, and Kids & Family. Its services span production, distribution, and brand & franchise management. In partnership with Industrial Brothers, Boat Rocker develops, produces, and exploits Industrial Brothers’ original animated series for preschool and family audiences.
Boat Rocker Studios 17/F, Millennium City 3 370 Kwun Tong Road, Kwun Tong Kowloon, Hong Kong T: +852 3759 1675 W: www.boatrocker.com https://boatrockercontentsales.com/ @boatrocker @Boat Rocker Studios
Genres
Who’s who...
Trends & Outlook 2026
Henry Or SVP, Strategic Partnerships, Asia Fabien Ching Senior Manager, Global Sales & Licensing, Asia
Fabien Ching
Scripted, Factual, Kids & Family (live action & animation), Feature Documentary
Original production/co-production Boat Rocker Studios has partnered with Japan‘s AX-ON, a subsidiary of Nippon TV, and Finland’s ICS Nordic to co-produce Blood & Sweat, a new eight-part premium scripted crime thriller series for Japanese streamer Wowow and Finland‘s Nelonen. The series is set to air in Japan in April 2026 with Boat Rocker distributing the series globally.
Mega-media consolidation seems unlikely to end any time soon. We will likely see consolidation extend to the production industry with M&A occurring at indie studios. We’ll see more format remakes and co-production between diverse territories, as many producers have become risk averse and are looking to share the cost and rights with partners, and draw on the success of proven formats. While the use of AI in content production has become more common than ever, the industry might start discussing protocols for its usage to avoid ambiguity and protect creatives. Henry Or, SVP, Strategic Partnerships, Asia, Boat Rocker Studios
Top shows are… Asia focus in 2026 While continuing to distribute our catalogue is a key focus, we are proud to present our first international co-production drama with our Japanese and Finnish partners and are excited to foster new potential co-production opportunities. We’ve also closed numerous scripted format deals in Asia for our own IP and third-party deals for Chinese remakes. This is now a core line of business for Boat Rocker Studios in Asia. We will be representing international studios, helping them bridge their content with the east via our strong connections in the region.
Blood & Sweat Two detectives from different cultures embark on a joint investigation into a mysterious serial murder case that stretches from Finland to Japan. Genre: Scripted, Thriller. Episodes/length: 8x45 mins
Dino Ranch: Island Explorers The Cassidy clan head to the mysterious Dino Island, home to Uncle Jack Cassidy and lots of new dinosaur species. Genre: Kids & Family, Animated. Episodes/length: 52x11 mins
Blood & Sweat
Trailer
Great Estates Using cutting-edge drone and aerial photography, Great Estates reveals Britain’s most magnificent country houses and palaces from an entirely new perspective. Genre: Unscripted, Lifestyle. Episodes/ length: 4x60 mins
Dino Ranch: Island Explorers
Trailer
Henry Or, SVP, Strategic Partnerships, Asia, Boat Rocker Studios
Great Estates 12 10
C
NTENT ASIA
Trailer
Best Medicine
FOX Entertainment Global 10201 W. Pico Blvd Los Angeles CA, 90064 W: foxglobal.com E: foxentglobal@fox.com
Who’s who...
Prentiss Fraser President, Fox Entertainment Global Kit Yow Director, Content Sales – APAC E: kit.yow@fox.com Joyce Smith Director, Sales – AUS & NZ
A brilliant surgeon leaves Boston to become a doctor in the small town where he spent childhood summers. Despite his medical skills, his rude manner alienates locals as he battles hidden phobias and struggles with personal connections. Genre: Drama. Cast: Josh Charles, Abigail Spencer, Annie Potts, Josh Segarra, Cree
Murder in a Small Town
Best Medicine
Trailer
Karl Alberg moves to a quiet coastal town to soothe a psyche that has been battered by big-city police work, but finds himself needing to call upon all his skills to solve the murders that continue to wash up on his shore. Genre: Drama. Cast: Rossif Sutherland, Kristin Kreuk Joyce Smith
Prentiss Fraser
Asia focus in 2026 Our focus is simple: bringing great content and great brands to audiences wherever they are. Asia remains one of the most innovative media markets in the world, and we are focused on expanding partnerships across broadcasters, streamers, digital platforms, and emerging content ecosystems. We are particularly excited by the convergence of premium entertainment, creators, and fandom. Audiences do not think in platform silos. They follow stories, talent, and communities. Our job is to help partners connect globally recognized IP with those evolving audience behaviors. Whether it is a major franchise, a talent led brand, or a new format, we are focused on building businesses that can grow across platforms, markets, and audiences. Kit Yow, Director, Content Sales – APAC
Animal Control A group of animal control workers begin to see their lives complicated by humans and not so much by animals. Genre: Comedy. Cast: Joel McHale, Vella Lovell, Ravi Patel, Grace Palmer, Michael Rowland
Murder in a Small Town
Trailer
Trends & Outlook 2026 Premium brands, franchises, and talent continue to matter. Animal Control In a crowded marketplace, recognizable IP cuts through the noise. Audiences increasingly gravitate toward content they know and trust, making established franchises and talent-led brands more valuable than ever. At the same time, vertical video is rapidly emerging as a meaningful new content business. What began as a mobile-first format is evolving into a scalable entertainment ecosystem with its own audiences, creators, and monetization models. The opportunity extends beyond short-form content to identifying the next generation of talent, IP, and franchises. Another key growth engine is the newly formed FOX Creator Studios, which partners with the world’s most influential and prolific creators. From our deep global distribution expertise to world class ad sales, brand partnership, marketing and production capabilities, FOX is uniquely positioned to help creators scale and grow their ideas and brands worldwide. Since the studio was introduced in January, their creator roster spans verticals from food and comedy to automotive and lifestyle with top creators such as iconic chef Gordon Ramsay, comedian Tom Segura, and viral creators like Josh Richards, Emelia Hartford and My Nguyen’s MyHealhyDish, all partnering with FOX to create premium IP, original formats, and enduring entertainment brands for global audiences. Advances in AI and localization are also making content more global and more accessible. Great stories can travel farther and faster than ever before, creating new opportunities for rights holders, platforms, and audiences across Asia. At the end of the day, profitability is always in style. The companies that win will combine great content, strong brands, smart distribution, and sustainable business models. Kit Yow, Director, Content Sales – APAC
8
C
NTENT ASIA
13
Programming: Syndication & Licensing
Backed by FOX’s globally recognized brand and broad distribution platforms, FOX Entertainment Global delivers premium storytelling from world-class creators through a rapidly expanding pipeline of original programming and co-production partnerships. Our breakthrough content spans every genre – from bold scripted series and trailblazing animation to iconic unscripted entertainment, daring documentaries, and epic films – sparking conversation, shaping culture, captivating viewers, and bringing the best in entertainment to audiences everywhere.
Fremantle is a leading global creator, producer and distributor of some of the world’s most successful content across Entertainment, Drama & Film, and Documentaries. Amplifying local stories on a global scale, Fremantle produces and delivers premium, multi-genre IP across the 28 territories it has a presence in. Fremantle is a proudly independent group of content creators, and home to some of the biggest entertainment formats, compelling international dramas, award-winning films and high-quality documentaries.
Fremantle 1 Boon Leat Terrace Harbourside 1, Unit 07-03 Singapore 119843 T: +65 6307 7227 Programme information can be found here: https://fremantlescreenings.com/
Genres Across Asia, Fremantle distributes formats and finished content in all genres – Entertainment, Drama, Documentary and Lifestyle.
Production
Fremantle continues to see strong momentum across Asia, with several flagship formats achieving significant milestones and finding new audiences across the region. In the Philippines, Family Feud recently celebrated its fourth anniversary on air and remains one of the country’s most popular game shows. In Cambodia, Who’s Who... The X Factor Cambodia has returned after nearly seven years off air and is Haryaty Rahman enjoying a fantastic run, generating impressive numbers across digital and social EVP Distribution Asia, International platforms. Meanwhile, Take Me Out Thailand is currently airing its 20th season, E: haryaty.rahman@fremantle.com a remarkable milestone that reflects its enduring appeal with Thai audiences. Each of these shows has taken its own journey, but together they demonstrate Asia focus in 2026 how well-loved formats can continue to evolve and remain Our focus in 2026 is to unlock new sources of value relevant for audiences over time. These successes reflect the for our partners and our IP. We’re looking at more strength and longevity of Fremantle’s format portfolio, as well creative ways to develop, finance and monetise as the value of our partnerships across the region.
content. This includes strategic partnerships, branded entertainment, co-productions and new commercial models that can help content travel further and generate value across multiple platforms and markets. As traditional funding models continue to evolve, we believe the biggest opportunities in Asia will come not just from great storytelling, but from rethinking how content is funded, distributed and commercialised.”
Trends & Outlook 2026 • Buyers are becoming more disciplined in their commissioning decisions, placing greater emphasis on content that can deliver measurable value and long-term returns. • While local content remains a priority, there is an increasing focus on stories that can resonate both locally and internationally. • We are seeing growing demand for IP that can live beyond a single commission or platform. Buyers are increasingly seeking content that can be adapted, extended and monetised in multiple ways, creating deeper audience engagement and longerterm value.” Haryaty Rahman, EVP Distribution Asia, International
12 14
Top shows are... Baywatch
The legendary series returns with a brand-new first season. Sporting the unmistakable red swimsuits, an all-new cast of lifeguards patrol the world’s most famous stretch of sand, delivering high-stakes rescues, explosive drama and plenty of beachside heat. Stephen Amell stars as Hobie Buchannon, alongside Jessica Belkin, Shay Mitchell, Hassie Harrison,Thaddeus LaGrone, Noah Beck, Brooks Nader and Livvy Dunne. David Chokachi reprises his original role as Cody. Co-produced by FOX Entertainment and Fremantle with showrunner Matt Nix (Burn Notice) and McG (Charlie’s Angels) directing. Genre: Drama. Episodes/ length: 12x60 mins
Kill Jackie Starring Oscar, BAFTA and Tony Award winner Catherine Zeta-Jones, joined by Daniel Ings (The Gentlemen) and based on the acclaimed novel The Price You Pay by Sunday Times best-selling author Nick Harkaway, writing as Aidan Truhen. Jackie Price has been living a luxurious existence for twenty years – selling fine art using sophisticated tax loopholes and, above all, trying to stay anonymous after escaping a dangerous past as an international drug smuggler. But life takes a lethal turn when she discovers The Seven Demons, a squad of terrifying hitmen, have been hired to kill her. From the creatives behind Killing Eve and Gangs of London, co-produced by Fremantle and Steel Springs Pictures. Genre: Drama. Episodes/length: 8x60 mins
The Michael Jackson Story
Trailer From Emmy award-winning 72 Films, The Michael Jackson Story is the definitive, in-depth story of one of the world’s most culturally significant and controversial figures, featuring rare intimate archive and revelatory interviews with those closest to him. The documentary is a deeply researched study of a trailblazing musical genius whose personal life remains a complex enigma, exploring the rise, controversy, and enduring legacy of one of the most successful pop stars of all time. Genre: Factual. Episodes/length: 4x60 mins
C
NTENT ASIA
Lionsgate Room 4912, Level 49, China World Tower B, No.1 Jian Guo Men Wai Avenue, Chaoyang District, Beijing 100004 W: https://lgtv.lionsgate.com/
Genres
Who’s Who...
The upcoming film slate combines established franchises with internationally diverse creative talent. Highlights include The Hunger Games: Sunrise on the Reaping, The Resurrection of the Christ and Caine, expanding the John Wick Universe with international action icon Donnie Yen. Lionsgate is also producing Karoshi, starring Teo Yoo and Cynthia Erivo, and The Furious, a martial arts thriller inspired by the golden age of Hong Kong cinema. On television, Lionsgate continues to invest in premium scripted programming, established franchises and high-profile adaptations, while leveraging its extensive library to serve broadcasters, streamers and digital platforms across Asia.
Annie Yim EVP, TV & Digital Distribution, Asia E: ayim@lionsgate.com Martine Druelle Ireland VP, TV & Digital Distribution, Asia E: mdruelleireland@lionsgate.com David McCawe Senior Director, Int’l TV & Digital Distribution, SE Asia E: dmccawe@lionsgate.com
Lionsgate offers a broad portfolio of scripted and unscripted film and television content across all major genres, underpinned by globally recognized franchises including John Wick, The Hunger Games, Saw, The Rookie, Spartacus and La La Land.
Original production/co-production
Top shows are...
Trailer
The Rookie
Martine Druelle Ireland
David McCawe
Trends & Outlook 2026/2027 • Hybrid Monetization: Platforms are moving beyond pure SVOD, using hybrid tiers and telecom bundling to combat subscription fatigue and drive retention. • AI-Accelerated Content Localization and Production Efficiency: Generative AI is reducing dubbing, translation, and production costs, enabling content to cross linguistic and geographic borders faster. • Franchise-IP as the New Growth Asset: Platforms are prioritizing proven franchises and deep catalogues as cost-effective, high-retention alternatives to originals, while audiences increasingly seek familiar characters, trusted stories, and established worlds.” Annie Yim - EVP, TV & Digital Distribution, Asia
12
After a life-changing event, John Nolan pursues his dream of becoming a police officer as the LAPD’s oldest rookie. Facing sceptical colleagues and high-stakes situations, his journey evolves alongside his fellow officers as they navigate life and relationships behind the badge. Genre: Drama
The Rainmaker
Trailer
Fresh out of law school, Rudy Baylor goes head-to-head with courtroom heavyweight Leo Drummond. Alongside his boss and her unconventional paralegal, Rudy uncovers two connected conspiracies surrounding the death of a client’s son. Genre: Drama
Robin Hood In the aftermath of the Norman invasion, Saxon forester’s son Rob and Norman noblewoman Marian fall in love and unite against corruption. As Rob leads a band of outlaws and Marian navigates the royal court, they fight for justice and freedom in a grounded reimagining of the legendary story. Genre: Drama
Trailer
Asia focus in 2026/2027 Lionsgate’s 2026 Asia strategy focuses on growth through franchise-led content, library monetization and diversified distribution. We are maximizing global franchises including The Hunger Games, John Wick, Now You See Me, Rambo, The Resurrection of the Christ, The Rookie and Spartacus, using new releases to drive demand across current and library content. Premium catalogue titles remain a key growth engine. Across television, we are prioritizing diversification, pricing flexibility and innovative business models to expand reach, strengthen partnerships and maximize the value of Lionsgate’s IP portfolio across Asia.” C
NTENT ASIA
15
Programming: Syndication & Licensing
Lionsgate is one of the world’s leading standalone content companies, driven by a bold, entrepreneurial culture and powered by iconic franchises, premium storytelling and a world-class content library.
Media Prima Content & TV Networks (MPCTN) is Malaysia’s leading integrated television and content group. Portfolio includes free to air channels TV3, 8TV, TV9 and ntv7, alongside streaming platform Tonton, content studio Primeworks Studios, home shopping network WOWSHOP, and artist management and music label Alternate Records & Talents. MPCTN delivers high-performing local IP across broadcast, digital, film and commerce, driving strong audience reach, box-office success and sustained consumer growth.
Media Prima Content & TV Networks (MPCTN) 31, Jalan Riong, Bangsar, 59100 Kuala Lumpur, Malaysia E: contentdistribution@mediaprima. com.my
Who’s who...
Nini Yusof CEO, Media Prima Content & TV Networks Devi Ponusami Manager, Content Distribution, Media Prima Content & TV Networks
Genres Media Prima Content & TV Networks (MPCTN) delivers programmes across multiple genres, with a defining strength in scripted drama. As Malaysia’s leading drama producer, MPCTN specialises in long form and micro drama series, anchored in romance, melodrama and family centred storytelling, with flagship titles drawing average viewership of around three million and strong audience loyalty across Malaysia, Brunei and Singapore. Beyond drama, MPCTN produces and distributes films in mass appeal genres including horror, comedy and action, designed to resonate widely as viewing habits continue to evolve across platforms. High-quality documentaries – recognised for a cinematic approach and focused on Islamic narratives, crime investigation, and educational content – further reinforce MPCTN’s position as a trusted storyteller across formats.
Original production/co-production
Devi Ponusami
MPCTN develops compelling, socially relevant original content rooted in real lives and everyday experiences, allowing audiences to connect authentically across platforms. MPCTN is actively involved in local production and regional coproduction. Recent and notable collaborations include documentaries such as Nomad Terakhir, reality and variety collaborations like Mr Player, as well as drama productions including Rumah Menanti Cahaya and Kicking of The Lemoi’s Dream. These projects reflect ongoing partnerships with Korea, China, Japan, Indonesia and Thailand, supporting cross-border creativity and extending the reach of Malaysian content across Southeast Asia.
Top shows are… Trends & Outlook 2026
Scripted fiction will remain the primary growth driver, led by long-form series and the rapid expansion of micro drama, which deliver strong engagement and scale effectively across platforms. Films will continue to play a key role, particularly in massappeal genres that perform well across theatrical and digital windows. At the same time, hybrid docudrama formats are gaining momentum, combining factual storytelling with cinematic treatment across investigative, social, travelogue and political engagement content.” Nini Yusof, Chief Executive Officer, Media Prima Content & TV Networks (MPCTN)
16
Trailer
Separuh Nafas Cinta / Forced to the Altar Abandoned on the eve of her wedding, Ariana is forced into a marriage of convenience with Hariz, her fiancé’s younger brother. What begins as a six-month agreement turns into a quiet nightmare under one roof – ruled by a cruel, unforgiving motherin-law. Trapped between duty and desire, Ariana and Hariz must survive love born out of sacrifice, pain, and impossible choices. Cast: Ariana Yusof, Zazzleen Zulkafli, Amri Dahlan (60x2/3 mins) Micro drama series (@dramasangat) TikTok
��
Keluarga Itu / That Family Behind the respected image of a revered Tahfiz figure lies a family quietly unraveling. As Iman and Chempaka struggle to hold their household together, long-buried secrets begin to surface – testing faith, loyalty, and the true meaning of righteousness. When belief is put on trial at home, can virtue survive its hardest test? Cast: Rosyam Nor, Umie Aida, Puteri Balqis Genre: Drama (28x42 mins) No.1 Malay drama in 2025 No.7 Google Trends of 2025 in Malaysia 1.2 billion social media reach (source: meltwater & sproutsocial) 11 million TV viewership in Malaysia
�� �� �� ��
C
NTENT ASIA
Trailer
Trailer A resilient single mother reunites with her first love and dares to believe in happiness again. But beneath the warmth of marriage lurks a vengeful mother-in-law and a web of lies meant to destroy it from within. Cast out yet unbroken, Husna’s quiet loyalty becomes the key that exposes betrayal – and restores truth where love was nearly lost. Cast: Izara Aishah, Remy Ishak, Zara Zya Genre: Drama (20x42 mins) Acquired by iQIYI; ranked top 5 throughout its run 800 million social media reach 9 million+ TV viewers in Malaysia (source: Nielsen) Aired on Singtel Singapore; among the platform’s most-watched dramas
�� �� �� ��
Trailer
BRU / BREW This award-winning drama series follows a bighearted mover who dreams of transforming his late father’s battered van into a mobile coffee business. Reality hits hard: capital constraints, ruthless competitors, demanding customers, and his own fiery temper. As ambition threatens to cost him his friendships and family, Shah learns that success means little if you lose the people who believed in you first. Cast: Shukri Yahaya, Siti Hariesa, Amerul Affendi Genre: Drama (10x21 mins) Directed by Nik Amir Mustapha, one of Malaysia’s most influential contemporary filmmakers, known for award-winning titles including KIL, NOVA, and Imaginur, which have elevated Malaysian cinema on both local & international stages.
��
Trailer
Jejak Rasul: Ramadan Di 3 Tanah Suci This season journeys through the heart of Ramadan across three sacred lands – Saudi Arabia, Jordan, and Palestine. From sahur in Makkah to tarawih at Jordan’s Sahabat Mosque and qiyamullail at the Cave of Hira, the series captures moments of devotion where faith, history, and reflection converge. Host: Fedtri Yahya Genre: Docu (20x15 mins) One of Malaysia’s longest-running religious documentary series A trusted Ramadan viewing staple
Trailer
�� ��
We will continue to deliver premium documentary and drama content, reinforcing our position as Malaysia’s leading content producer and a trusted regional supplier. Documentary remains a core pillar of our strategy, spanning magazine formats, investigative journalism, biopics, human-interest and travel storytelling, produced with strong cinematic execution and editorial credibility. Alongside this, our scripted drama slate continues to perform strongly with toprated and popular titles. Our 2026 focus is to scale documentary and drama productions regionally and deepen partnerships across Asia, positioning Media Prima as a preferred source of impactful, culturally relevant content that travels and delivers across markets.” Nini Yusof, Chief Executive Officer, Media Prima Content & TV Networks (MPCTN)
Tinta Syurga / Notes From Heaven This award-winning special documentary marks Nuzul Al-Quran by tracing the sacred journey of a hand-written Quran – from painstaking calligraphy to mass printing for public use. A rare glimpse into devotion, discipline, and the quiet beauty behind preserving the holy text for generations... Genre: Documentary (60 mins)
5 Rencah 5 Rasa / 5 Spices 5 Tastes
Trailer
Celebrates the richness of Malaysian cuisine as skilled chefs bring iconic dishes to life using the signature “5 Spices, 5 Tastes”. Blending traditional recipes with modern twists, each episode offers easy-to-follow cooking techniques, flavourful inspiration and a delicious journey through Malaysia’s diverse food culture. Host: Dato’ Fazlee Yaakob Genre: Cooking show (8x21 mins, 2024) Available on Discovery, AFC, meWatch Multi-season series, with earlier seasons featuring celebrity chef Sherson Lian
�� ��
C
NTENT ASIA
17
Programming: Syndication & Licensing
Asia focus in 2026
Sumpah Ibuku / A Mother’s Curse
Moonbug Entertainment 150 Neil Road, Level 2, Singapore, 088879 W: www.moonbug.com
Who’s who...
Amrita Sindhu Head of Distribution and Partnerships, APAC E: amrita.sindhu@moonbug.com
Genres Moonbug Entertainment offers family entertainment in Asia, through a mix of curation of our current content on linear and digital platforms with regional partners, and original content and collaborations with local partners such as Mediacorp and Sanrio. Our stories focus on music-driven learning, early childhood development, and everyday life skills. Designed for children aged 0–6 and trusted by parents globally, Moonbug’s portfolio combines high-quality storytelling, repeatable formats, and proven engagement across platforms. These genres are distributed widely across linear television, AVOD and SVOD platforms, as well as branded digital and social channels, ensuring broad reach and consistent audience engagement across Asian markets.
Original production/co-production
Amrita Sindhu
Trends & Outlook 2026 Omnichannel preschool is now the baseline. Young families move seamlessly be‑ tween YouTube, AVOD, SVOD and linear, and expect trusted kids’ brands to move with them. The op‑ portunity is to activate the same IP across open and closed ecosys‑ tems, optimised for discovery, safe profiles and long‑term retention rather than treated as silos. Preschool is increasingly educa‑ tion‑centric and co‑viewing led. Commissioners and advertisers priori‑ tise content that blends early learn‑ ing, social‑emotional development and cultural discovery in formats par‑ ents are happy to watch alongside their children, enabling curated “safe learning” hubs, themed rails and fam‑ ily‑resonant brand partnerships. 360° IP ecosystems are now ex‑ pected. Shorts, games, live experi‑ ences and location‑based activa‑ tions are core to keeping kids en‑ gaged within a platform’s universe, unlocking sponsorship and retail, and helping local services stand out from global players.”
Moonbug continues to develop local and locally relevant productions, collaborations, and formats for Asia, anchored by its globally recognised IP. Recent initiatives include a new multi-year global partnership with Sanrio to create a crossover preschool series, titled CoComelon Playdates with Sanrio Friends, bringing Hello Kitty, Cinnamoroll, and other Sanrio characters together with JJ and friends. Debuting in 2026, the series is positioned as a major tentpole for Asian audiences. Moonbug also works closely with regional channels and platform partners across Asia, including Moonbug Channel carriage with curated line-ups featuring CoComelon, Blippi, and Little Angel, supporting local scheduling, curation, and language versions. Blippi’s Singapore Adventures is a 20-episode co-produced live-action series with Mediacorp that takes Blippi to iconic Singapore locations. The series is tailored for regional families while remaining fully exportable to global markets. Additional brand collaborations include partnerships with travel and lifestyle brands such as AirAsia, through AirAsia Buds animated shorts, telling Asia-based adventure and discovery stories designed for young children and families.
Top shows are…
Asia focus in 2026 Deepening distribution in Asia means dedicated channels (Moonbug Channel, Blippi & Friends), localised productions and robust on‑demand libraries, plus branded partnerships and live or pop‑up activations that keep Moonbug IP front‑of‑mind, helping clients drive acquisition, retention and sponsorship‑led revenue around beloved children’s brands.”
CoComelon remains the world’s most-watched preschool brand, with new episodes focused on early learning, emotional development, routines, and family moments, available in multiple Asian language dubs.
Amrita Sindhu, Head of Distribution and Partnerships, APAC
Little Angel is a fast-growing preschool favourite featuring original songs that help children learn through everyday experiences, widely available in local Asian languages.
18
Blippi continues to perform strongly with new adventures that encourage curiosity, problem-solving, and real-world exploration, supported by extensive localisation.
ASIAA CC NTENT NTENTASI
15
Programming: Syndication & Licensing
Moonbug is an award-winning global entertainment company inspiring kids to laugh, learn, and grow. Home to some of the world’s biggest kids’ brands – including CoComelon, Blippi, and Little Angel – Moonbug makes enriching content available on more than 150 platforms worldwide, including Netflix, Disney+, BBC iPlayer, and YouTube Kids. Its brands also span music, audio, games, consumer products, and live experiences.
Programming: Programming:Syndication Syndication&&Licensing Licensing
MyContent Distribution is a Malaysian content distribution company specializes in acquiring and licensing a wide array of content across various platforms. Our catalog has a rich selection of films, television series, documentaries, and digital content, catering to the diverse tastes of audiences locally and internationally. MyContent is also actively involved in content production, collaborating with talented filmmakers, producers, and creative professionals to develop original and compelling projects. Through strategic partnerships, marketing initiatives, and a dedication to excellence, MyContent continues to shape the landscape of the entertainment industry in Malaysia.
MyContent Distribution Sdn. Bhd. Petaling Jaya, Selangor, Malaysia E: MyContent.Distribution@gmail.com W: https://mycontent.my/
Genres Malaysian films, documentary, series, magazine.
Original production/co-production MyContent produces originals, co-productions, and ready-made content.
Who’s who...
Lyn Nasihin Managing Director Seelan Paul AI Driven Content Lead
Top shows are…
Trailer
Tegkang (Film)
Lyn Nasihin
Seelan Paul
With over 25 years in content and product development across TV, radio, and digital, Seelan is the former CEO of Media Prima Radio and former COO of Media Prima TV Networks. Widely respected for launching successful content products and championing audience-first strategies, he is now actively developing AI fluency to enhance storytelling and strengthen operational thinking. Bringing a builder’s mindset to this evolving space, he continues to craft meaningful, relevant content across multiple platforms.
Trailer
Set in the breathtaking highlands of Bario, Sarawak, Tegkang is a heartwarming and emotional drama that follows Rinai, a determined young woman with a condition that sets her apart, as she fights to fulfill a lifelong dream. Caught between tradition, truth, and love, her journey unfolds amidst the vibrant culture of the Kelabit tribe and the beauty of rural Sarawak. This Sarawakianmade film blends romance, disability, and empowerment – championing the strength of community and the spirit of perseverance. With rich cinematography and an authentic local voice, Tegkang is a powerful, universal story ready to move global audiences.
Grit: Bonnie Bunyau Gustin Grit: Bonnie Bunyau Gustin is an inspiring true story of resilience, grit, and triumph. From a quiet rural village to the world stage, it follows Bonnie Bunyau Gustin – a determined para powerlifter – who defies the odds, pushes through intense physical pain, and breaks world records on his way to Paralympic greatness. More than a sports story, Grit is a celebration of spirit, sacrifice, and the unyielding pursuit of excellence.
Tebus (Film) Tebus is a gripping Malaysian thriller about redemption, secrets, and second chances. When a former criminal is forced to confront his dark past to save his kidnapped daughter, he is pulled into a dangerous game of cat and mouse. With time running out and enemies closing in, Tebus delivers high-stakes suspense, emotional depth, and unexpected twists – showcasing the best of Malaysian action storytelling with global appeal.
C
A NTENT ASIC
NTENT ASIA
19 15
NBCUniversal Global TV Distribution is responsible for licensing and distributing NBCUniversal product to all linear and streaming platforms in North America and 200+ territories internationally. This includes a vast and diverse content portfolio of over 6,500 feature films and 170,000 television episodes, including current and classic titles, unscripted, kids, sports, news, and long-form and short-form programming from Universal Pictures, Focus Features, Universal Television, UCP, Universal International Studios, Sky Studios, Universal Television Alternative Studio, NBC Late Night properties, DreamWorks Animation, Universal Pictures Content Group, Telemundo, and more, as well as locally produced content from around the world.
NBCUniversal Global TV Distribution W: www.nbcuniversal.com Singapore (Asia HQ): 10 Collyer Quay, #20-05/10, Ocean Financial Center, Singapore 049315 T: +65 6675 1296 Japan: Atago Greenhills MORI Tower, Atago 2-5-1, Minato-ku, Tokyo 105-6208 Japan T: +81 3-6860-8974 Korea: 13th Fl. D1, D Tower, 17 Jong-ro 3-gil Jongno-gu, Seoul, Korea 03155 China: Room 1903-1908, ICC Office Building 2, No. 288 South Shaanxi Road, Shanghai, China, 200031
Who’s who...
SALES Chris Taylor Managing Director, APAC, TV Distribution and International Networks & DTC E: chris.taylor@nbcuni.com Rajiv Dhawn SVP, Sales Liaison, Asia E: Rajiv.Dhawn@nbcuni.com Atsushi Miyasaka SVP, Sales Liaison, Japan & Korea E: Atsushi.Miyasaka@nbcuni.com Esther Ahn VP, Sales Liaison, Korea E: Esther.Ahn@nbcuni.com Jessy Tse VP, Sales Liaison E: Jessy.Tse@nbcuni.com Susan Liu Director, Sales Liaison China E: susan.liu@nbcuni.com Gorden Li Director, Sales Liaison E: Gorden.Li@nbcuni.com Yuki Yoshida Sales Liaison Manager, Japan E: Yuki.Yoshida@nbcuni.com Lynn Zhou Sr. Manager, Sales Liaison (China & Mongolia) E: Lynn.zhou@nbcuni.com PRODUCTION Linfield Ng VP Formats, Distribution & Production Asia E: Linfield.Ng@nbcuni.com
Genres We license film and TV content from all genres.
Original production/co-production NBCUniversal Formats, a division of Universal Studio Group, handles global sales for scripted & unscripted formats. In 2025, the division continued distribution of Korean formats My Ranking (DiTurn) and Drive-Thru Oke (Space Rabbit), alongside The Secret Game Show, co-produced with ABC Japan. Key launches and returning series across Asia included Monk India (JioHotstar), Million Dollar Listing India Season 2 (Sony LIV), The Tonight Show Mongolia (Central TV), Don’t Ask Me Mongolia (Central TV), Hollywood Game Night Thailand Season 8 (Channel 3) and SNL Korea Season 7 (Coupang Play). In 2026, this momentum continues with Top Chef Mongolia (NTV), Hollywood Game Night Mongolia (Edu TV), SNL Korea Season 8 (Coupang Play) and Top Chef Vietnam Season 4 (VTV3).
Top shows are… War Wannabe barrister Johnny Warren, who, in his desperation to break into the closed world of high-end London law, accepts a deeply compromising and unethical job offer. He joins the team at TAYLOR AND BURN, but in reality, he’s secretly spying for rival law firm CATHCARTS, reporting back on their every move as they embark on the most high-profile and expensive celebrity divorce case either company has ever undertaken. Trailer
The Five Star Weekend Hollis Shaw (Jennifer Garner) is a famed cook and best-selling author who suffers a devastating loss. Unable to move forward, the death starts to expose the cracks in Hollis’ seemingly picture-perfect life. In an effort to overcome grief and find herself again, Hollis hosts a weekend away at her house on Nantucket with three friends from different stages in her life: her childhood, her 20s, 30s, and one surprise fifth star. Set against a luxurious, coastal backdrop, each of them will mature in ways they could never imagine as boundaries are pushed and secrets are exposed.
Dig This comedy centers on four women working at an archaeological dig in Greece who are at wildly different crossroads in their lives. When the team uncovers a longburied secret with the potential to rewrite history, they find themselves at the center of a high-stakes international conspiracy.
Asia focus in 2026 To ensure NBCUniversal’s content reaches audiences in ways that are both locally relevant and commercially effective, we are taking a dual approach: building strong, long-term licensing partnerships with leading platforms across each market, and expanding our portfolio of branded destinations — including Universal+, Studio Universal, Universal TV, Universal Action, and Universal Diva — to deliver a more curated, immersive experience. These branded environments are increasingly important as platforms look to differentiate and deepen engagement, offering a clear identity for our content and a scalable, plug-and-play solution for partners. At its core, our strategy is simple: combine the strength of NBCU’s global storytelling with a deep understanding of local audience preferences, delivered through the right mix of partnerships and branded experiences.” Rajiv Dhawn, SVP, Sales Liaison, Asia
20
C
NTENT ASIA
Chris Taylor, Managing Director, APAC, TV Distribution and Int’l Networks & DTC
OGM UNIVERSE Tomtom Mah. İstiklal Cad. Mısır Apt. No:163/17, Beyoğlu/İstanbul, Turkey Zip Code: 34433 W: www.ogmuniverse.com ogm_universe
Who’s who...
Ekin Koyuncu Karaman Global Distribution & Partnership Director E: ekinkoyuncu@ogmuniverse.com Mikaela Perez Sales Director (LATAM, US and IBERIA) E: mikaelaperez@ogmuniverse.com Canan Koca Sales Executive (CEE, Baltics & Europe) E: canankoca@ogmuniverse.com Mina Aslan Sales Executive (Asia, Africa, and Inflight) E: mina.aslan@ogmuniverse.com Nesrin Özkalay Marketing & PR Director E: nesrineyupoglu@ogmuniverse.com
Mikaela Perez
Canan Koca
Top shows are…
Trailer
The Fall Of The King Kenan Baran – The King – appears to have it all: wealth, power, and the perfect wife. But beneath the surface, betrayal, desire, and old wounds threaten to shatter his empire. When one woman from his past reclaims her strength and another from a modest life becomes an unexpected temptation, Kenan’s reign begins to crumble. The Fall of the King is a gripping tale of passion, power, and the The Fall Of The King inevitable price of a life built on lies. OGM Pictures Production, STAR TV Broadcast. Genre: Drama. Episodes/length: 42x45 mins Trailer
Six of Us
Six of Us is a powerful drama about six siblings – Azize, Cemo, Zeliha, Fidan, Samet, and Balım – who flee Istanbul after the brutal murder of their parents. Pursued by Azize’s estranged father, Yavuz, they struggle to survive until they find refuge with their uncle Aslan. Azize, the eldest, becomes the protector of her siblings and is forced into a marriage with Devran to end a blood feud, Six of Us sparking an unexpected love. As Cemo grapples with his rebellious nature and feelings for Melis, Zeliha hides a dangerous affair with Yusuf, while Fidan works tirelessly to keep the family together. Samet and Balım navigate the harsh realities of their new life. At its core, the series explores themes of family, love, sacrifice, and the fight for survival amid both external threats and internal turmoil. OGM Pictures Production. STAR TV Broadcast. Genre: Drama. Episodes/length: 96x45 mins Trailer
Dilemma
Mina Aslan
Nesrin Özkalay
Trends & Outlook 2025 Our priority at OGM UNIVERSE is to deliver premium, emotionally charged Turkish dramas that resonate with global audiences – and Asia is at the heart of that strategy. With younger viewers driving demand for bold, authentic storytelling, the appetite for high-quality, character-driven content continues to grow across the region. Global successes like The Fall of the King, Stickman, and Broken Destiny prove that Turkish drama travels. Our diverse slate of ready-made titles and adaptable scripted formats positions us perfectly to meet Asia’s evolving content needs.”
Dilemma is a gripping drama about Neslihan Turhan, a renowned journalist known for her honesty, who faces the most difficult choice of her life when her son is accused of murder. Torn between her dedication to the truth and her instinct to protect her child, Neslihan’s values are tested as her world unravels. Will she risk everything, even her son’s freedom, to pursue justice? This emotionally Dilemma charged series explores the limits of morality, truth, and motherhood in the face of unimaginable conflict. OGM Pictures Production, Amazon Prime Broadcast. Genre: Drama, Thriller. Episodes/length: 8x45 mins
Asia focus in 2025 Our focus is to deepen strategic partnerships across Asia, bringing OGM UNIVERSE’s premium Turkish dramas and scripted formats to new platforms and audiences. With proven global hits alongside exciting new titles launching in the 2025/26 season, we aim to expand our presence in key markets, drive localisation opportunities, and collaborate with broadcasters and streamers to meet Asia’s evolving content needs.” Ekin Koyuncu Karaman, Global Distribution & Partnership Director
C
NTENT ASIA
21 17
Programming:Syndication Syndication&&Licensing Licensing Programming:
OGM UNIVERSE, powered by OGM Pictures, was established in 2023 to centralize and distribute top Turkish drama series globally. Through partnerships and collaborations, it aims to connect with international buyers, offering a diverse portfolio of Turkish content. Expanding into new markets is one of the company’s goals, as well as collaborating and co-producing with global partners in the future. With this move, the company is strengthening global ties, fostering direct relationships, and positioning itself as the world’s go-to source for Turkish drama.
Paramount Global Content Distribution 5555 Melrose Ave. Los Angeles CA 90038 U.S. W: www.paramount.com
Who’s who...
Jonathan Greenberg EVP, Content Licensing Regional Sales, North Asia Nicole Sinclair SVP, Content Licensing, South Asia (Australia, New Zealand, SEA, India) June Choi VP, Regional Content Licensing – Korea, Taiwan, Hong Kong and Mongolia Hiromichi Sato VP, Content Licensing – Japan Teng Yong VP Content Licensing and Digital Sales, Kids Animation – China and Taiwan Alysha Chopra Executive Director, Content Licensing – SEA, India Chris Safford Executive Director, Content Licensing - SEA Trista Chang Director, Content Licensing – China Joyce Smith Director, Content Licensing – Australia, New Zealand Emily Brouggy Sales Manager, Content Licensing, Australia, New Zealand and SEA
Asia focus in 2026 In 2026, Paramount will continue to bring the best of Hollywood to audiences across Asia through strategic licensing of our acclaimed movies and series. By partnering with leading broadcasters and platforms, we’re delivering premium entertainment that captivates viewers and reflects our commitment to global storytelling. This approach strengthens our regional presence, deepens audience engagement, and reinforces Paramount’s role as a trusted source of world-class content in Asia’s dynamic media landscape.” Nicole Sinclair, SVP, Content Licensing, South Asia (Australia, New Zealand, SEA, India) 22
Genres Paramount Global Content Distribution licenses all genres including feature films, which includes non-theatrical releases, television series covering drama, comedy, unscripted including late night, daytime and reality competition, kids animation programming, international co-productions, factuals as well as news programming and documentaries.
Trends & Outlook 2026 • The demand for original new series and features plus franchise features will continue to be strong across Asia. Local content in North Asia will continue to dominate but strong Hollywood content will also continue to be in demand. • Short form vertical drama content will continue to grow across Asia. • Pre-K animation series continue to perform very well on the digital platforms in Mainland China and expect the trend to continue in 2026.” Jonathan Greenberg, EVP, Content Licensing Regional Sales, North Asia
Original production/co-production • Ray Donovan India Season 2 – Netflix launched on June 13, 2025 • The Good Wife India Tamil Season 1 – JioStar launched on July 4, 2025 • Vietnam’s Next Top Model Season 9 – VTV9 launched on August 3, 2025 • The Good Wife Hindi Season 2 – JioStar will launch on September 19, 2025
Mission: Impossible – The Final Reckoning
Top shows are… Mission: Impossible – The Final Reckoning Our lives are the sum of our choices. Tom Cruise is Ethan Hunt in Mission: Impossible – The Final Reckoning. Genre: Feature. Length: 169 mins
MobLand MOBLAND stars Tom Hardy, Helen Mirren and Pierce Brosnan as the head of an organized crime family, fighting for power within a global crime syndicate. Genre: Scripted series. Episode/length: 10x60 mins
PAW Patrol Nickelodeon and Spin Master Entertainment’s hit animated preschool series PAW Patrol stars seven heroic rescue pups Chase, Marshall, Rocky, Rubble, Zuma, Skye and Everest – who are led by a tech-savvy boy named Ryder. Together they work hard to protect the Adventure Bay community believing no job is too big, no pup is too small! The series features a curriculum that focuses on citizenship, social skills and problemsolving. Genre: Animated series. Episode/length: 13x30 mins
C
NTENT ASIA
19
Programming: Syndication & Licensing
Paramount Global Content Distribution, a division of Paramount, a Skydance Corporation (Nasdaq: PSKY), is a leading distributor of premium content across multiple media platforms throughout the global marketplace. The division’s portfolio is comprised of some of the world’s most recognized brands, including feature films and television programs from Paramount Pictures, Paramount Television, CBS Studios, CBS Media Ventures, CBS News, SHOWTIME Studios, Nickelodeon, MTV Entertainment Studios, Republic Pictures, Miramax and third-party partners including MRC. The division also has the largest distributed library of series and film titles, including global franchises such as CSI: Crime Scene Investigation, NCIS, Star Trek, the Yellowstone franchise, Top Gun and Transformers. In addition, the division licenses a diverse lineup of scripted and unscripted formats for local production and international co-productions.
Programming: Syndication & Licensing
The International team at PBS Distribution manages worldwide co-production and distribution of premium public media content. We bring acclaimed documentaries, award-winning factual series, and trusted children’s programming to global audiences.
PBS Distribution 1225 S. Clark Street, Arlington VA 22202 USA
Genres
W: pbsinternational.org
Original production/co-production
Who’s Who...
Türkiye’s Astonishing Antiquities
Anna Alvord Director, International Sales, Asia E: agalvord@pbs.org
Trends & Outlook 2026 • Renewed focus on current affairs and Asia’s role in global events Across Asia, there is a growing demand for programming that helps audiences navigate an increasingly complex global landscape, from shifting geopolitics and economic realignments to climate, technology, and security. As global events become more interconnected, broadcasters and platforms are seeking trusted factual content that provides context, clarity, and credible storytelling. • Stronger demand for local stories with global appeal Local storytelling is becoming a major driver of audience engagement across Asia. Streamers and broadcasters are increasing investment in projects that reflect local cultures and history, while resonating with audiences around the world.
Asia focus in 2026 Our primary focus in Asia in 2026 is to expand our partnerships across the region and deepen our collaboration with local broadcasters and streaming platforms. Our goal is to build long-term partnerships that bring globally relevant stories to audiences in Asia.” Anna Alvord Director, International Sales, Asia
24
PBS Distribution is known for high-quality factual programming in genres such as Science, History, Nature, Current Affairs, Arts & Entertainment, and Lifestyle.
Explore Türkiye’s rich past, visiting remarkably preserved ancient cities along Rome’s old mail route which connected seats of power and population. Modern imaging and drone footage reveal hidden details of these sites, uncovering secrets and mysteries while transporting viewers into the lives and achievements of early civilizations. Episodes/length: 4x60 mins
Trailer
Top shows are… Trailer
Rain Bomb Rain bombs generate massive rainfall and hurricane-force winds but are almost unknown to the general public. Will they get worse as the planet warms? And can we protect homes and businesses from their incredible power? Genre: Science & Current Affairs. Episodes/length: 1x45 mins, 1x60 mins
Remaking The Middle East: The U.S., Israel & Iran An investigation into how Israel ended up fighting wars in Gaza and Iran – and the role of the United States. The documentary traces Israeli Prime Minister Benjamin Netanyahu’s long campaign to defeat Iran, the conflict with the Palestinians, and Netanyahu’s difficult relations with the U.S. over peace and Iran’s nuclear ambitions. Genre: Current Affairs. Episodes/length: 1x120 mins
Trailer
Wild Hope At a time when news about the environment is filled with doom and people around the world feel increasingly fearful about the future, Wild Hope is changing the narrative with surprising stories that show we can still change course. This series of short films highlights the intrepid changemakers working to restore and protect our planet. Genre: Nature. Episodes/length: 8x30 mins
C C
ASIAA NTENTASI NTENT
More Info
23
Seven.One Studios International Medienallee 7, 85774 Unterfoehring, Germany T: +49 89 9507 7303 W: sevenonestudiosinternational.com E: sales@sevenonestudios.com
Who’s Who...
Genres Seven.One Studios International is known as a destination for strong commercial entertainment with broad appeal, spanning premium returning English language dramas, impactful foreign language dramas, innovative formats and a selection of premium factual content.
Top shows are…
Joyce Dröse Sales Manager (Asia, Africa, Nordics, Inflight)
Trends & Outlook 2026 Crime drama will continue to be popular during 2026, particularly English language content with well-known talent. Our period drama set in 1900s Vienna is a good example. The whole fourseason boxset has been acquired by Japanese pay-TV broadcaster WOWOW. In the entertainment formats genre, demand for gameshows and quiz shows will continue to be strong. Our gameshow You Deserve has just been commissioned for a thirteenth season in Vietnam, having been running for over 10 years. We are also expecting a stronger market for reality TV to emerge. Our partner in Asia, Bomanbridge Media, has just clinched a commission for Married at First Sight in Mongolia! Married at First Sight is the world’s most successful relationship show and has been produced in over 30 territories around the world.”
Married at First Sight
Stranded on Honeymoon Island
Asia focus in 2026 Our primary focus for this year continues to be premium English-language drama. This includes the taut mystery drama The Gone, a coproduction between TVNZ (New Zealand) and RTE (Ireland), plus the high-end crime series Bosch. Based on the best-selling crime novels by Michael Connelly, seven seasons are now available. In the format space, we will be focusing on our major global franchises like Married at First Sight and Stranded on Honeymoon Island, The Gone alongside recent launches such as reality adventure series The Hunt: Prey vs Predator, commissioned by Channel 4 in the UK and JOYN/ProSieben in Germany.” Joyce Droese, Sales Manager (Asia, Africa, Nordics, Inflight)
24
24
C
A ASIA NTENT C ASI NTENT
25
Programming: Syndication & Licensing
Seven.One Studios International is a leading TV distributor of scripted, formats and factual shows from outstanding production companies, third party producers and digital content partners. With offices in Munich and London, Seven.One Studios International coproduces and finances global entertainment, and distributes hit content to over 200 territories Seven.One Studios International is part of Seven. One Studios, a ProSiebenSat.1 Media SE company.
STUDIO TF1 AMERICA is a leading international distributor of high-quality scripted television movies and series, bringing commercially driven programming to broadcasters, platforms, inflight entertainment and content partners around the world. One of the most prolific independent distributors in the scripted TV movie space, STUDIO TF1 AMERICA’s catalogue spans premium romance, feel-good entertainment, Christmas and holiday movies, female-skewed thrillers, true-event stories, crime and drama, alongside an expanding selection of scripted series.
Studio TF1 America 25 Wilton Road, SW1V 1LW, London W: https://studiotf1america.com @studiotf1america @STUDIO TF1 AMERICA
Who’s who:
Carolina Pribanic Sales Manager for Asia, Africa, Australia, New Zealand and Portugal E: cpribanic@studiotf1america.com
Trends & Outlook 2026/2027 Asia is a market constantly evolving, creating trends and technologies that often go on to expand worldwide. The key trends shaping Asia’s audiovisual market will be driven by the continued migration from linear to digital. We will see more AVOD/SVOD hybrids evolving into new models, as FAST evolved from AVOD, expanding digital channel opportunities on platforms such as YouTube and Bilibili in China. In my opinion, vertical drama will reach its peak and begin to decline by 2027. Its growth has been incredibly fast, but so has the supply, which is now beginning to match audience demand. Genre’s preferences will remain relatively stable, with drama, thrillers, horror and sci-fi dominating clicks and audiences continuing seeking escapism through stories where love and kindness prevail, and the good people always win.
Genres
Romance and romantic comedy Feel-good romance and romantic comedies designed to appeal to broad audiences and provide strong repeat value, especially made for daytime TV and suitable for all ages. Christmas and holiday A sweeping catalogue of Christmas and holiday movies ranging from romantic Christmas stories and royal celebrations to family-oriented festive entertainment. The Christmas offering is one of the company’s strongest international propositions. Thrillers A substantial collection of female-skewed thrillers, mystery, and crime dramas, including contemporary “woman in peril” narratives, domestic suspense and true-event inspired stories, along with book to screen movies. Series An expanding series slate including crime, thriller, drama and comedy titles.
Co-Production: Building International Scripted Partnerships STUDIO TF1 AMERICA is also expanding its role in international co-production. The Sunshine Murders marks an important step in this strategy, bringing together STUDIO TF1 AMERICA and New Zealand-based Cork Films on a scripted crime series commissioned by Channel 5 in the UK. Set between Athens and New Zealand, the series follows two very different half-sisters who form an unlikely crime-solving partnership. The Sunshine Murders is currently on Amazon Prime Video, trending in several countries, including UK, New Zealand and Europe.
Top shows are...
Trailer
Romance Me in the Wilderness When Paige, a disillusioned corporate worker, embarks on a journey to find her estranged aunt in the wilds of the Everglades, she encounters unexpected challenges and rekindles her love for nature – and possibly a romance with a rugged park ranger – while facing an urgent decision about her family’s land that could change her future. Genre: Romance, Family, Comedy. Episodes/length: 1x90 mins. Featuring Brittany Marsicek.
Ann Rule: Kidnapped in Her Own Home: The Martha Carelli Story
INSPIRED BY TRUE EVENTS – A devoted mother is taken hostage by a volatile fugitive hiding in her home. To Asia remains a key growth protect her family, she must territory, we keep actively outthink and emotionally mandeveloping relationships age him while in constant with broadcasters, pay-TV danger. Survival becomes a psychological chess match – and the operators, streaming plataftermath demands even greater strength. Genre: Thriller, Drama, forms and digital partners Crime, Action. Episodes/length: 1x90 mins. Featuring Stana Katic. across the region.
Asia focus in 2026/2027
Our proposition is particularly well suited to Asian markets where romance, family entertainment, Holiday programming and accessible female-skewed thrillers can complement locally produced programming.
Yes, Christmas When stressed-out single mom Dorothy falls under a magical holiday curse that forces her to say “yes” to every Christmas request, she’s thrown into a whirlwind of festive chaos. But with the help of her cheerful neighbour Walter, she just might rediscover the joy of the season. Genre: Family, Holiday, Christmas. Episodes/length: 1x90 mins. Featuring Camille Stopps.
Carolina Pribanic, Sales Manager for Asia, Africa, Australia, New Zealand and Portugal
12
C
NTENT ASIA
25
Programming: Syndication & Licensing
SCRIPTED FILMS AND SERIES BUILT FOR A GLOBAL AUDIENCE
Viaplay Content Distribution 610 Chiswick High Road London, W4 5RU, United Kingdom T: +44(0)2087425100 E: ContentDistribution@viaplaygroup.com W: www.viaplaycontentdistribution.com
Genres
Who’s Who...
A Life’s Worth – A Viaplay–Arte co-production set during the Bosnian conflict, exploring moral dilemmas within a forgotten European war. Starring Edvin Ryding, the drama has already earned international festival recognition. Vanguard – An SVT–N8 co-production distributed by Viaplay. Starring Jakob Oftebro, this sweeping drama spans the 1970s and 80s, beginning in New York and charting the rise of a visionary who reshaped media and telecoms – real-life Succession meets Wolf of Wall Street.
Vanda Rapti EVP Viaplay Select & Content Distribution E: vanda.rapti@viaplaygroup.com Alexandra Aldred VP Viaplay Select & Content Distribution E: alexandra.aldred@viaplaygroup.com Joan Cruells VP Partnership, Growth & Marketing, International SVOD E: joan.cruells@viaplaygroup.com Monty Ghai Asia SVOD Agent E: monty@brandwith.tv
Vanda Rapti
Alexandra Aldred
Our inventory spans high-end series and feature films across Nordic noir, crime, thriller and drama, alongside bold young-adult content and sports, lifestyle and crime documentaries. We specialise in distinctive European storytelling with emotional depth, authenticity and strong international appeal.
Two standout productions from our 2025 slate
Trends & Outlook 2026 Asia’s media landscape will be shaped by accelerating cordcutting - with tens of millions of subscribers expected to transition away from linear pay TV, alongside the rise of operator-led streaming bundles. Buyers are increasingly focused on adaptable IP, coproduction opportunities, and format sales that balance risk with creative ambition. Distinctive, character driven storytelling remains in demand, while consolidation, aggregation, and smarter deal structures will define the next phase of growth, creating new opportunities for collaboration across the region.” Vanda Rapti, EVP Viaplay Select & Content Distribution
Trailer
Top Shows are… Jana – Marked for Life
Joan Cruells
Monty Ghai
Asia focus in 2026 Asia is central to Viaplay’s international growth strategy as streaming bundles and telco partnerships reshape the region’s media landscape. Viaplay Select and Viaplay Film & Series provide partners with curated Nordic and European storytelling that helps them stand out in crowded markets while delivering high-quality content with built-in efficiencies. Our collaborations have included WOWOW in Japan, LGU+ in Korea, Mola in Indonesia and SBS in Australia. With rising demand for scripted formats, local adaptations, Nordic Noir, true crime and sports documentaries, Viaplay is well positioned to support partners across Asia in 2026.” Vanda Rapti, EVP Viaplay Select & Content Distribution
26
When Sweden’s top migration official is murdered, emotionally guarded prosecutor Jana Berzelius is drawn into a case that hits close to home. A mysterious boy at the crime scene bears the same scar as Jana, unlocking traumatic memories of her past as a child soldier. To stop a killer, she must confront the secrets she has buried. Based on Emelie Schepp’s bestselling novels, with over 3 million copies across 30 countries. Genre: Crime, Thriller, Nordic Noir. Episodes/ length: 6x45 mins
Trailer
Ronja, the Robber’s Daughter S1–2 A landmark Nordic fantasy, Ronja brings Astrid Lindgren’s classic to life with cinematic scale. In a mystical forest, Ronja forms a forbidden bond with Birk, the son of a rival clan, triggering a family feud as a ruthless bailiff threatens them all. Genre: Kids, Family, Fantasy, Adventure. Episodes/ length: 12x45 mins (2 seasons)
Trailer
Verstappen – Anatomy of a Champion This series offers unprecedented access to Max Verstappen, tracing his journey from childhood prodigy to one of Formula 1’s defining champions through intimate interviews. Genre: Biography, Sports Documentary. Episodes/length: 3x45 mins
C
A ASIA NTENT C ASI NTENT
23
Programming: Syndication & Licensing
Viaplay Content Distribution, Viaplay Group’s international division, delivers the best of Nordic and distinct European storytelling worldwide through three complementary models: content sales, the Viaplay Film & Series SVOD product, and Viaplay Select. The specialty SVOD service offers thousands of premium hours via partners such as Amazon Prime Video Channels, Comcast, Roku, Xumo, Canal+ (Polska), Rogers, while Viaplay Select provides a curated “service within a service” to streamers and PayTV Platforms now in 30+ markets.
C
NTENT ASIA
27
INDEX A+E Korea ............................................... 29 Celestial Tiger Entertainment ............... 30 Deutsche Welle (DW) .............................. 31 NHK WORLD PREMIUM ............................ 32 Portico Media ........................................... 33 Rewind Networks ..................................... 34 Vidio ........................................................ 35
All channels operating in or for Asia were given the same opportunity to supply information for inclusion in ContentAsia’s The Big List 2026. Listings are not specific to Vietnam.
28
C
NTENT ASIA
A+E Korea 32-14 Seoulsup 2-gil, Seongdong-gu Seoul 04769, Republic of Korea W: https://www.aegm.co.kr/
Who’s who...
Kim, Hyeyoung Senior Director, Content Business E: Hyeyoung.Kim@aegm.com John Flanagan Senior Vice President & Managing Director, Japan and Southeast Asia E: john.flanagan@aenetworks.com Youngsun Soh Senior Vice President & Managing Director, Korea E: Youngsun.Soh@aegm.com
Trends & Outlook 2026 Demand for premium Korean originals will remain strong across Asia, while platforms increasingly prioritize scalable IP and commercially efficient productions. Shortform and micro drama formats will continue growing rapidly, driven by mobile-first viewing habits and digital platforms. At the same time, AI-powered production and localization tools are expected to improve operational efficiency, reduce production costs, and accelerate content adaptation for multiple Asian markets.”
Original Production A+E Global Media recognized the global potential of Korean content early and established its presence in Korea in 2017 with the launch of the HISTORY and Lifetime TV channels, while immediately investing in and producing Korean original content. Over the past decade, A+E Korea has invested in 13 premium Korean Love in Sync drama series, distributing them globally across multiple platforms and territories. Two additional dramas, Love in Sync and Oh! My Guard, are scheduled for release in 2026. Key titles include Backstreet Rookie, A Good Day To Be A Dog, If You Wish Upon Me, and The Witch. Following the launch of the HISTORY and Lifetime channels in 2017, A+E Korea began investing in Oh! My Guard and producing Korean unscripted shows from its first year of operation, starting with 10 original titles. Over the past decade, the company has produced a total of 72 unscripted TV titles representing more than 910 hours of programming. Representative titles include League of Universities: The Athlete Boys, Travel Diary Series, Jae Friends: Village. Most projects were co-produced with Korea’s leading broadcasters, including MBC, KBS, and SBS, with many of these titles also distributed internationally.
Digital Studio
In response to the explosive growth of the digital content market, A+E Korea established its Digital Studio in 2018 to produce original digital-first entertainment content. Primarily distributed through YouTube, the studio has produced 47 digital unscripted titles totaling more than 180 hours over the past nine years. Its portfolio includes Dalla Studio, one of Korea’s leading YouTube entertainment channels. Among its flagship franchises is Asia focus in 2026 Nego King, Korea’s premier commerce-entertainment show, which A+E Korea has produced since 2022 In 2026, A+E Korea’s primary focus is to serve and is currently airingits eighth season. The series has as a global gateway for Korean accumulated more than 190 million views to date.
IP, helping premium local stories generate long-term value across international markets through A+E Global Media’s worldwide network. Beyond distribution, we are increasingly focused on codeveloping premium IP from the earliest stages with Korean creators and partners. Through global distribution and cross-border coproductions, we aim to build sustainable Korean content franchises that resonate not only across Asia, but also with audiences in Europe and other global markets.” Soh, Youngsun, SVP & Managing Director, Korea
32
C
TV Channels A+E Korea launched the flagship A+E Global Media channels HISTORY and Lifetime in Korea in 2017 and continues to operate them today. Since entering the Korean pay-TV market, the channels have achieved broad nationwide distribution, reaching nearly all major platform operators. HISTORY is available in approximately 20 million households, while Lifetime reaches around 30 million households, representing about 85% of total TV households in Korea. HISTORY primarily targets male audiences with a strong interest in factual entertainment, featuring premium A+E Global Media-produced documentaries alongside military, mystery, and science programming. Lifetime targets women aged 30–49, combining popular U.S. Lifetime reality series and TV movies with locally produced Korean original entertainment content.
NTENT ASIA
29
Channels: Linear & VOD
A+E Korea, launched in 2017, invests in and produces Korean dramas and unscripted content with top creators, operating HISTORY and Lifetime TV channels alongside a digital studio for original formats.
Channels
Celestial Tiger Entertainment (CTE) operates the first-ever Chinese movies app in the region, CMGO, as well as the largest bouquet of panAsian channels dedicated to Asian entertainment – Celestial Movies, CM+, CCM, Celestial Movies Pinoy, PopC, KIX, Thrill and Miao Mi. A leader in Asian and Chinese language content, CTE’s services cover the most popular entertainment genres in Asia and beyond.
Celestial Tiger Entertainment Suite 1603, Kwun Tong Harbour Plaza, 182 Wai Yip Street, Kwun Tong, Hong Kong T: +852 2239 6000 W: www.celestialtiger.com company/celestial-tiger-entertainment-limited
Who’s who...
Ofanny Choi Chief Executive Officer E: Ofanny.Choi@celestialtiger.com Annie Lim Vice President, Sales & Marketing E: Annie.Lim@celestialtiger.com Jamie Osmund Executive Director, Technology & Product E: Jamie.Osmund@celestialtiger.com
Annie Lim
Jamie Osmund
Trends & Outlook 2026
AI, Short form content & local production.”
CTE has eight core channel brands with 11 feeds, covering 12 territories. All channels are localized through subtitling or dubbing. Celestial Movies is the leading premium Chinese movie channel powered by exclusive output deals with top Hong Kong movie studios. CM+ features the latest Blockbusters and exclusive movies from across Asia in Singapore. CCM presents masterpieces of Chinese cinema, tapping into the worldrenowned Shaw Brothers Library amongst others. Celestial Movies Pinoy is a tagalized Chinese movie channel offering blockbusters and great classic movies. PopC showcases the best online movies from China. KIX is the ultimate destination for Asian action entertainment. Thrill is Asia’s first regional movie channel dedicated to the widely popular horror, thriller and suspense genres. Miao Mi is the Mandarin edutainment service created for preschool kids across Asia.
Target audience CTE’s channels appeal to a wide age group from 3-65, with something for everyone in the family. Celestial Movies, CM+, Celestial Movies Pinoy, PopC, KIX and Thrill target adults 18-45; CCM targets adults 35-65; and Miao Mi is for kids 3-6.
Asia focus in 2026
Channel/service
Expanding CMGO into more territories, even going beyond Southeast Asia.”
CTE offers all forms of ondemand rights across all linear channels. In addition, it has launched a SVOD Chinese Movies streaming app, CMGO, since August 2024 and the app is now available across all major platforms and telcos in Singapore and Malaysia. Other Southeast Asian market launches to follow.
Ofanny Choi, Chief Executive Officer
30
Linear television channels in Asia
30
Content strategy Most of CTE’s content comes from Hong Kong, China, Taiwan, Singapore and Malaysia, along with all Pay TV and Digital rights. Fresh content offering in 2026 looks to be at least 200 titles. Local original production in Asia is also one of the directions that CTE is exploring in 2026.
C
NTENT ASIA
77
Channels: Linear & VOD
DW is Germany’s international broadcaster. As an independent media outlet, we provide unbiased news and information around the world so that people can form their own opinions. DW’s coverage of current events is fact-based, with regionally relevant and dialog-oriented content in 32 languages on the focus topics of freedom and human rights, technology and innovation, health, education, science and environmental protection as well as German and European culture. DW’s TV and online services generate over 337 million users every week.
Content
Deutsche Welle Kurt-Schumacher-Strasse 3, 53113, Bonn, Germany T: +49.228.429 – 0 E: info@dw.com W: www.dw.com/en https://corporate.dw.com/en
DW content is distributed via its own platforms including TV channels, social media and the DW website as well as globally by around 3,000 distribution partners, regional and local media. Our primary focus is on leveraging social platforms to reach our target audience of young urban, educated, globally engaged adults aged 14-40, including professionals, decision-makers, academics, students, and internationally minded households seeking trusted European and international information.
Who’s who...
Daniel Vogelgesang Head of Distribution Asia/Australia E: Daniel.vogelgesang@dw.com
DW’s Asia distribution strategy is strengthened by extensive language customization and strong regional key partnerships in countries like Indonesia, Philippines, Vietnam, China and South Asia.
Trends & Outlook 2026
There are several key trends shaping Asia this year. Short-form and vertical video continue to dominate across social and mobile platforms, while local production and regional storytelling grow in importance. DW blends international perspectives with local needs. Collaboration with trusted distribution partners across Asia remains essential to building deeper audience connections and driving sustainable growth.”
Most content is sourced from DW’s global newsroom, documentary units, international correspondents, and Asia-focused regional editorial teams. For 2026, the focus remains daily news, current affairs, documentaries, science, business, culture and lifestyle topics plus continued local original digital production in South and Southeast Asia.
Asia focus in 2026
Our primary focus in Asia in 2026 is to leverage DW’s strengths in international and local storytelling, combining both with our trusted brand. We work with strong regional distribution partners to reach the right audiences effectively. At the same time, we emphasize dialogue and reflect diverse perspectives, including an authentic approach to women’s stories. Our aim is to bring global stories to life in locally relevant ways.” Daniel Vogelgesang, Head of Distribution Asia/Australia
C
NTENT ASIA
31
NHK WORLD PREMIUM is NHK’s flagship Japanese-language subscription service, offering a curated selection of the best programming from Japan’s public broadcaster. Following the recent release of its OTT distribution rights to streaming providers worldwide, the channel is now well positioned to expand its global digital footprint, unlock new platform partnerships, and meet growing international demand for premium Japanese content across OTT ecosystems.
Japan International Broadcasting Inc. Shibuya First Tower 8th Floor 1-2-20 Higashi, Shibuya-ku Tokyo 150-0011, Japan W: https://nhkworldpremium.com/en/ operator
Who’s who...
Hiroshi Maeda President and CEO For enquiries regarding NHK WORLD channels, please contact the dedicated team at: E: nhkworld_asialatam@jibtv.com
Expanding NHK’s Digital Reach
By opening streaming distribution to platform operators worldwide, JIB aims to extend NHK’s reach beyond traditional broadcast carriage. In particular, across Asia and Latin America, we see this as an opportunity to further strengthen our presence in key growth markets.” Hiroshi Maeda, President & CEO
Channels & Services NHK WORLD PREMIUM and NHK WORLD-JAPAN are the international services provided by NHK, Japan’s public broadcaster. NHK WORLD PREMIUM is the international Japanese language channel, offering a curated selection of programming tailored for dedicated viewers worldwide. Content includes documentaries, news, current affairs, lifestyle programmes and entertainment shows, all presented in Japanese. NHK WORLD-JAPAN, meanwhile, is a 24/7 English language channel delivering news, current affairs, documentaries and features that showcase Japanese life and culture to global audiences. Both channels are exclusively distributed worldwide by NHK’s subsidiary, Japan International Broadcasting Inc. (JIB).
Target Audience NHK WORLD PREMIUM serves Japanese nationals overseas and Japaneselanguage learners worldwide, while NHK WORLD-JAPAN targets English-speaking audiences interested in Japan, particularly regional influencers in key markets.
Top Titles NHK NEWS 7 is NHK’s flagship evening news programme, covering the day’s major stories in depth. Combining on-site reporting and interviews, the show delivers a comprehensive and multi-faceted perspective on current events. Grand Sumo Sumo is without a doubt, one of the most Japanese of sports, boasting a history of more than 1500 years. Today, the sport is known as “Grand Sumo”. People come to watch the competition and experience the excitement. Brothers in Arms is a sweeping historical drama about two brothers rising from humble beginnings to help shape a nation. In 16th-century Japan, Koichiro lives contentedly as a village farmer until his older brother Tokichiro returns home. Now a vassal to the young local lord Oda Nobunaga, Tokichiro urges Koichiro to join him so they can become samurai and make their mark on the world. After a fateful encounter with Nobunaga, Koichiro witnesses the lord’s bold and daring tactics in defeating the formidable Imagawa Yoshimoto. Inspired, he chooses the path of the samurai – a decision that leads the brothers into a life of relentless trials and hardship during an era of warlords and social upheaval.
© NHK
With Mother is an educational entertainment programme for children aged two and above. Featuring songs, exercises, puppet shows and animation, the series supports emotional development, self-expression, language skills and physical growth in young children.
© NHK
32
C
NTENT ASIA
Channels: Linear & VOD
Portico Media is a Taiwan-based media and entertainment hub specializing in digital TV channel distribution, targeted media verticals and the parent company behind the global streaming service, GagaOOLala. Over two decades, Portico Media has introduced 30+ international TV channels to Taiwan, working with major media companies including NBCUniversal, Paramount Global, A&E, Rock Entertainment and Blue Ant. In 2017, the company launched GagaOOLala, the LGBTQ+, BL and GL streaming platform, that currently hosts over 1,600 titles and serves 6 million members worldwide.
Portico Media 8F, No. 164, Sec. 2, Dunhua South Road, Da’an District, Taipei City 106, Taiwan T: +886 2 2377 9901 W: www.porticomediacenter.com
Who’s who…
Jay Lin Founder and Chief Executive Officer E: jlin@porticomedia.com Joyce Lin Vice President E: joyce@porticomedia.com Nicolas Lin Head of Business Development and Partnerships E: nicolas@porticomedia.com
Joyce Lin
Nicolas Lin
Trends & Outlook 2026/2027 In 2026, the focus is on AI-powered localisation and dubbing, acquiring and marketing vertical microdramas and expanding online and offline fan engagement through regional and global fan meetings and events.” Focus in 2026/2027 Key priorities include developing GagaOOLala’s Spanish-language UI/ UX for LATAM, building a comprehensive data lake to better target global audiences and adapting to the evolving SEO, AEO and GEO landscape.”
Portico Media is a leading distributor of international linear TV channels in Taiwan. The company distributes 19 premium international channels and over 1,500 hours of VOD content to Taiwan’s digital TV ecosystem reaching over 4.2 million digital cable and 2 million IPTV households. Portico Media works with some of the world’s biggest media networks to bring the widest range of international programmes to Taiwan through 64 IPTV, digital cable and MSO operators, including CHT MOD, Kbro, TWM Broadband, Home+, TBC and more as well as major streaming platforms such as Hami Video, MyVideo, friDay Video, CATCHPLAY+, LiTV, and LINE TV. Based in Taiwan, GagaOOLala offers the widest range of legally licensed, international LGBTQ+, BL and GL content, along with its own original productions, to audiences worldwide. The platform currently hosts over 1,600 titles, including films, series, shorts, microdramas, documentaries, animation and variety shows, with new, curated content added on a weekly basis. The platform’s newest features include Verticals, GagaOOLala’s offerings of vertical microdramas and Discover, a designated content discovery hub featuring trending clips and highlights.
Target Audience Portico Media serves broad audiences across Taiwan through internationally recognised and celebrated entertainment, lifestyle, news, movies, kids, family, factual and scripted programming, with offerings tailored to different demographic and interest groups. GagaOOLala targets LGBTQ+ and queer audiences as well as BL and GL fans worldwide, particularly Gen Z and Millennials, who are seeking diverse, inclusive stories with strong Asian representation.
Content Strategy Portico Media partners with leading global media brands and content providers including Paramount Global, NBCUniversal, A&E Networks, Rock Entertainment, Blue Ant, CinemaWorld and Al Jazeera to bring established international IP and premium programming to Taiwan across linear, VOD, IPTV, cable and streaming platforms. GagaOOLala focuses on Asian and international LGBTQ+, BL and GL content with a strong emphasis on titles from Taiwan, Thailand, Japan, South Korea and other markets from Asia. Its strategy combines offering licensed titles with original productions and new weekly arrivals to strengthen its position as a trusted global destination for LGBTQ+, BL and GL entertainment.
Jay Lin, Founder and Chief Executive Officer
36
C
NTENT ASIA
33
Incorporated and headquartered in Singapore, Rewind Networks is a multimedia branded entertainment company, dedicated to providing the best-in-class TV content to audiences across Asia. Home to HITS, HITS MOVIES, and HITS NOW, Rewind Networks has expanded into 12 markets and secured partnerships with major telcos and pay-TV operators since its founding in 2012. Founded by seasoned media leaders, Avi Himatsinghani and Sandie Lee, Rewind has established a strong foothold in over 22 million homes and continues to thrive in the era of streaming.
Rewind Networks’ maiden venture launched in 2013 as a linear pay-tv service, featuring a curated selection of the greatest television drama and comedy series from the past few decades in HD.
Rewind Networks 21 Media Circle, #06-05 Infinite Studios, Singapore 138562 T: +65 6635 3982 W: https://www.rewindnetworks.com/ @company/rewind-networks-pte-ltd-
Launched in 2018, Rewind Networks’ second channel showcases a curated collection of iconic HD films from the 1960s to the late 2000s, featuring titles from major studios.
Who’s who...
Avi Himatsinghani CEO E: avi@rewindnetworks.com Sandie Lee Chief Content Officer E: sandie@rewindnetworks.com
Trends & Outlook 2026 AI adoption in workflows and operations in addition to the widely talked about contributions in content production and storytelling. Short form vertical videos and micro dramas will proliferate rapidly providing overwhelming choice to viewers on the move - but this will lead to renewed appetite for quality long form storytelling that is more meaningful in a lean back large screen experience. Curated playlists and ease of discovery will be a critical driver for marquee content consumption. Ancillary sports content and programming will be key to maintain and drive sports fandom and to sustain viewer interest for live sports. Short form social content and match highlights alongside docu-style reality elements and high-end sports documentaries will be a critical component of wholesome sports television offerings.” Avi Himatsinghani, Chief Executive Officer, Rewind Networks
Launched in 2023, HITS NOW is the ultimate destination for top-rated drama series, exhilarating reality shows, the best entertainment news, and exciting game shows. With its clever, cutting-edge, and up-to-date content, HITS NOW appeals to the most discerning audience looking for the best in entertainment, all in one place.
Target Audience The channels attract a core audience aged 25-65, with a balanced gender profile and a slight female skew. HITS appeals to fans of iconic TV series, HITS MOVIES to blockbuster and classic film enthusiasts, and HITS NOW to viewers seeking top-rated dramas, reality shows, entertainment news, game shows, and live events.
Channel The channels are available as 24/7 linear TV services, delivering a curated entertainment experience on a unified regional feed. HITS and HITS MOVIES offer catch-up on demand for selected titles, while HITS NOW provides catch-up access across almost its entire content library. Localisation is supported through selected subtitle languages for key markets.
Advertising Available through regional pay-TV platforms, the channels offer sponsorship, advertising, and promotional partnership opportunities across Asia.
Content Content is sourced through long-standing partnerships with leading studios and distributors, including Paramount, NBCUniversal, Amazon MGM Studios, Sony Pictures, Disney, Warner Bros. Discovery, Lionsgate, Fremantle, Banijay, Hallmark, ITV Studios and New Regency. This broad catalogue delivers a premium mix of scripted series, blockbuster films, reality formats, entertainment specials and timeless favourites for audiences across Asia.
2026 Highlights
Trailer Beverly Hills 90210 in HD on HITS, Kenny Rogers as The Gambler movies, a Bruce Lee tribute and The Matrix Trilogy on HITS MOVIES, Asia focus in 2026 alongside star showcases We are constantly trying to featuring Marilyn Monroe, improve the proposition of our John Travolta and Paul channels and yet retain the Newman. HITS NOW essence of each channel. Loyal Beverly Hills 90210 continues with major viewers are hard to come by and we don’t take them for granted so we premieres including experiment with time slots, scheduling Survivor 51, the Live Emmy Awards, and Hell’s Kitchen. and content mix to up our ratings and prove our overall value to our affiliates Original Productions and viewers. We are also looking into how AI can improve overall efficiency While no local original productions are currently in development, in terms of time and effort across all opportunities remain under active consideration. Discussions with facets of our operations.” rights owners and production partners are ongoing, with the aim of bringing original Asian productions to the portfolio in the future. Sandie Lee, Chief Content Officer, Rewind Networks 34 36
C
NTENT ASIA
PT Vidio Dot Com SCTV Tower 12th-14th floor, Jl. Asia Afrika Lot. 19 in Kota Administrasi Jakarta Pusat, DKI Jakarta, 10270, Indonesia W: www.vidio.com @company/vidio-dot-com
Vidio is Indonesia’s leading OTT platform and a comprehensive entertainment ecosystem, offering premium content accessible anytime and anywhere from worldclass sports and live TV streaming to licensed content and exclusive Vidio Original Series. For more than Who’s who... a decade, Vidio has delivered Teguh Wicaksono “Lebih Dari Hiburan” (More Than Chief Marketing Officer of Vidio Entertainment), creating emotional Mark Francis connections and shared experiChief Content Officer of Vidio ences with audiences across Indonesia. Vidio’s strong content ecosystem Asia focus in 2026/2027 and ability to reach diverse audiences have consistently strengthAs the ened its market leadership. Based business on Nielsen Streaming Content Ratlandscape ings (Mobile + Linear) for Januaryfor content May 2026, Vidio maintained its and streaming position as the No. 1 OTT platform is rapidly in Indonesia by audience reach. changing, Meanwhile, the latest Media Partwe’re ners Asia (MPA) and AMPD Online constantly challenging Video Consumer Insights: Southourselves to unlock the next east Asia Q2 Report shows that chapter of Vidio. From a growth Vidio reached 5.8 million paying standpoint, Indonesia is still subscribers across Southeast Asia very promising, but even for a in Q2 2026, ranking third regionally market leader like us, it comes and among the platforms with sigwith many challenges. Our nificant subscriber growth. This refocus is to give enough room to flects Vidio’s ability to engage autake calculated risk in order to diences across segments through a identify our next chapter while broad and relevant premium content offering. improving our current offering For sports fans, Vidio broadcasts more than 70 prestigious global and national within premium sports and competitions, including the FIFA World Cup 2022, Summer Olympics, Premier entertainment.” League, UEFA Champions League, BRI Super League, SEA V League, Proliga, Wimbledon, Formula 1, MotoGP, and more. Vidio has also served as the official Teguh Wicaksono broadcaster for major multi-sport events, including the Tokyo 2020 Olympics and Chief Marketing Officer of Vidio the 2018 Asian Games, embodying its “More Than Win or Lose” spirit. Beyond sports, Vidio is a pioneer in original content production, with the most original titles among Indonesian OTT platforms. To date, Vidio has Trends & Outlook 2026/2027 produced more than 110 Original Series spanning diverse genres that resonate with Indonesian audiences. • LIVE TV/ Sports and Appointment viewing Vidio also continues to deepen audience engagement by in general will increasingly matter as developing products and experiences that respond to evolvsubscriber growth isn’t the only story. ing interests and needs. Through Pay Per View, audiences can Creating quality engagement, and access premium experiences including combat sports such as lots of it requires a significant ent BYON, HSS, SSKO, stand-up comedy and beauty pageants, offering. while fandom monetization enables fans to support idols through • Streamers and platforms who Virtual Gifts and talent-show voting. Vidio Shopping, developed rely too heavily on one kind of IP in collaboration with Shopee,connects relevant products with may find it harder to sustain their audiences within the right viewing moments. niche. Built on reliable technology infrastructure, Vidio continues to • GenAi will be increasingly strengthen its comprehensive entertainment ecosystem, bringing deployed towards MicroDramas together premium entertainment, world-class sports, and locally and animation.” produced Original Series for Indonesian audiences. Mark Francis Chief Content Officer of Vidio
32
C
NTENT ASIA
35
Channels: Linear & VOD
Amid Indonesia’s competitive OTT landscape, Vidio has established itself as the country’s leading homegrown streaming platform. Built on four core pillars – sports, Vidio Originals, live TV, and licensed content – Vidio delivers premium entertainment to millions. Since 2019, it has produced over 110+ Original titles and streams world-class sports, including the Premier League, UEFA Champions League, and other types of sports, powered by industry-leading streaming technology.
Asia’s content industry, in conversation
“EVERYONE WAS
A HOSTAGE”
Inside “Black Tide Island” with producer
Roger Cheng
BEING LOUD QUIETLY: Onat Diaz on directing “The Silent Noise” Building a Vertical Backbone: WenWen Han on the Global Short Drama Alliance
36
Surviving the Eight Days “Don’t Give Up On Formats Reset with a Week with Your BG Love Story” – Jin Woo Hwang Quark Henares Inside Thailand with Indra Suharjono
C
NTENT ASIA
Apple Podcasts
C
NTENT ASIA
37
INDEX Refinery Media ..........................................39 Revolution Media ...................................40 Something Special ...................................41
All production, post-production & studio facilities operating in or for Asia were given the same opportunity to supply information for inclusion in ContentAsia’s The Big List 2026. Listings are not specific to Vietnam.
38
C
NTENT ASIA
Production, Production, Post-production Post-Production&&Studio StudioFacilities Facilities
Refinery Media, headquartered in Singapore, is Asia’s leading producer of award-winning reality and lifestyle entertainment. Credits include Asia’s Next Top Model, The Apprentice: ONE Championship Edition, and SupermodelMe Revolution. The company’s latest productions include the inaugural season of Man of the Hour, a nonscripted series on horology, and Refinery’s first co-produced feature film, Mothernet, set to premiere on Netflix.
Trailer Refinery Media Pte Ltd 71 Seng Poh Road, #02-47 Singapore 160071 E: info@refinery-media.com W: www.refinery-media.com
Who’s who...
Karen Seah Founder & CEO E: karen@refinery-media.com
Genres Unscripted and scripted, spanning short-form and longform formats for brands, studios, broadcasters and digital platforms.
Latest Productions Man of the Hour (season 1)
TRENDS & OUTLOOK 2026 “Over the next year, Asia’s content landscape will be shaped less by individual formats and more by how projects are structured and financed. Crossborder co-productions are requiring clearer creative alignment earlier in the process, while tighter timelines and margin pressure are forcing producers to rethink scale, speed and consistency. These conditions are also accelerating more disciplined use of technology – particularly virtual production and AI – not to replace creativity, but to reduce friction and risk across production and post.” ASIA FOCUS IN 2026 “Our primary focus is a dual-track expansion, scaling our premium internal coproduction slate while leading a dedicated push into the micro drama space. We are not just testing the waters, we are leveraging our unscripted and scripted expertise to define the premium standard for short form storytelling. This allows us to capture the full spectrum of viewership, from cinematic streamers to mobile first audiences.” CREATIVE/TECHNICAL INNOVATION IN 2026 “We’re most interested in how virtual production and AI can shift decision-making earlier – helping creative teams resolve look, scale, and world-building before productions become costly to change. The impact isn’t just visual; it’s organisational. Earlier clarity leads to smoother shoots, fewer late adjustments, and more predictable post-production, which is increasingly critical in a fast-moving, multimarket production environment.” Karen Seah, Founder & CEO
Man of the Hour is an 8-episode adventure hosted by Wei Koh, taking viewers deep into the heart of watchmaking. From legendary watchmakers, skilled artisans to bold tastemakers, Wei reveals the stories, passions, and craftsmanship driving horology today, while exploring the traditions, innovations, and personal philosophies behind them. Each episode blends adventure, cultural discovery, and expert insight, showcasing not only the artistry of fine timepieces but also the places and people that define them. Genre: Docu-reality Handled full production cycle: Development/Production/ Post Filming location: Geneva, Paris, L.A., Singapore Airing on: Discovery Asia, Discovery+ U.S. and Prime Video
Mothernet Mothernet is a poignant family drama centred around 16-year-old Rama who is trying to navigate life after a tragic accident leaves his mother in a coma. With the help of an artificial intelligence program, Rama and his father embark on a journey of reconnection and healing. (Co-production with Indonesia’s Base Entertainment)
Upcoming Productions Man of the Hour (season 2) In its second season, Man of the Hour delves even deeper into the captivating world of horology, exploring the legacies of some of the most iconic and legendary watch brands. Filmed across new locations around the globe – from the shores of Lake Geneva to the ateliers of Paris, the timeless streets of Rome, and the vibrant pulse of Singapore – the series offers unprecedented access to the stories behind names that have become synonymous with luxury and craftsmanship.
We Will Be Fine In a near-future island city ruled by an authoritarian regime, a family who make their living organising the belongings of the dead are abruptly forced into hiding. As they evade a government that tolerates no secrets, the family begin uncovering buried truths hidden within past cases – discoveries that challenge their understanding of power, memory, and whether confronting the past can still change the future. (Co-production with Taiwan’s Jules Et Jim Pictures)
C
NTENT ASIA
39 33
Revolution Media L3-I-4, Hive 5 Taman Teknologi MRANTI Lebuhraya Puchong - Sg Besi 57000 Bukit Jalil Kuala Lumpur, Malaysia T: +60 3 8996 3396 W: https://revo-media.com/ the_revolutionmedia
Who’s who...
Zainir Aminullah Chief Executive Officer E: zainir@revo-media.com
Trends & Outlook 2025 We will see more coproductions as the pressure to spread risks become more apparent. Markets will increase its appetite towards medium budget international series and features where the business case is easier to justify. More Asian original IP adaptations will be done for local markets as they are better cultural fit and budget range.” Asia focus in 2025 Revolution will revive our film slate, seek cross border partnerships and construct our own unique business model. We have developed high concepts and have ready screenplays that have been in hibernation since Covid and these stories are ready to be told. For our servicing business, we will secure more production hubs for unscripted shows where we can deliver better value to international clients. Malaysia offer a perfect blend of attractive locations, world class studios, international level production standards and financial incentives. Zainir Aminullah, Chief Executive Officer
Revolution Media Malaysia is a leading producer and production services provider in Southeast Asia, specialising in high-calibre international reality formats, scripted series, feature films and original IP for global platforms. With expertise in end-to-end production, crew coordination, location sourcing, and format adaptation, the company has supported a slate of internationally recognised titles for top broadcasters and streamers. Services include pre-production planning, casting, location logistics, and post-production, with a strong emphasis on safety and regulatory compliance – particularly in challenging environments such as jungles and remote locations. With a proven track record delivering to platforms such as Netflix, WeTV, and Viu and networks in Australia and U.K., Revolution Media Malaysia applies global production standards alongside local insight to bring compelling content to life.
Million Dollar Island production site
The Mole, Netflix
Productions* Tempting Fortune U.K. season 2 Genre: High-stakes adventure reality Premiered: March 2025 Client: Channel 4 (U.K.) Filming location: Langkawi, Malaysia
The Mole
Genre: High-stakes adventure reality Platform: Netflix (Global)
Million Dollar Island
Genre: High-stakes adventure reality Platform: FTA, OTT
The Ghost Bride, Netflix
Platform: Channel 4
Client: Netflix Filming location: Multiple states, Malaysia
Client: Seven Network Filming location: Langkawi, Malaysia
Villa Kristal
Genre: Crime comedy Client: WeTV Platform: WeTV (Southeast Asia) Services provided: Concept-to-delivery production, multilingual scripting, post-production
The Secret
Genre: Psychological thriller Premiered: August 2024 Client: Viu Platform: Viu (Regional) Services provided: Genre development, production management, post supervision, and VFX
The Ghost Bride
Genre: Period supernatural drama set in 1890s Colonial Malacca Client: Netflix Platform: Netflix (Global) Premiered: January 2020 Filming location: Malacca, Malaysia Services provided: Development, historical location scouting, international cast and crew coordination, cultural consulting, rebate administration *Only a selection is listed here. Full production credits available upon request.
40
C
NTENT ASIA C
NTENT ASIA
19
Production, Post-Production & Studio Facilities
Revolution Media, based in Malaysia, develops and produces series and feature films with Asian settings and themes for both local and international audiences. It is a preferred partner for multilingual, multiformat content, collaborating with clients across the US, UK, Europe, Australia, and Southeast Asia. Known for its high production standards, Revolution Media attracts international partners to shoot unscripted shows in Malaysia, leveraging its stunning locations, world-class studios, skilled crews, and financial incentives.
Production, Post-production Post-Production&&Studio StudioFacilities Facilities Production,
Something Special is Korea’s first independent TV format agency, founded by global format experts Jin Woo Hwang and Insoon Kim. Based in Seoul, the company specialises in creating, developing, and distributing original formats to the international market. With a strong emphasis on bold ideas and authentic storytelling, Something Special delivers high-impact formats that resonate with audiences worldwide. In addition to developing its own IP, Something Special collaborates with international companies to co-develop innovative formats tailored to global needs.
Something Special A-1705 Bldg., 583, Yangcheon-ro, Gangseo-gu, Seoul, South Korea T: +82 2 2093 7463 W: www.sspecial.co.kr E: sspecial@sspecial.co.kr www.linkedin.com/company/72292255
Who’s who...
Jin Woo Hwang President/Executive Producer E: jinwoo.hwang@sspecial.co.kr Insoon Kim EVP, Head of Content E: insoon.kim@sspecial.co.kr
Genres & Formats Reality competition, game show, music entertainment, factual entertainment, comedy
Original Productions & Collaborations Unforgettable Duet
Genre: Factual entertainment/music Premiere: 16 Sept 2024 (local) / 5 Nov 2025 (regional)
In Body Language (co-development & co-production with TBS Japan) Genre: Dating/dance
Fortune Train (co-development & co-production with Critical Content (U.S.) Genre: Reality competition
Trailer
Flagship Titles Unforgettable Duet Insoon Kim
Trends & Outlook 2026 Co-productions, co-financing, and co-commissioning. The upcoming year will mark a new era of cooperation across Asia. Whereas past international co-operations primarily involved collaboration among production staff, comprehensive partnerships are expected to take place in 2026.”
Asia focus in 2026 Something Special has been expanding our slate across various genres by combining Korea’s vibrant creative culture with global expertise. With our trusted partnerships and a reputation for originality, we will continue our journey as a key player in bringing Korean creativity to the global stage. If any territories in Asia are looking for something new, we are here to provide something special.”
Creative/Technical Innovation 2026 Each year we move closer to our goal of becoming the one-stop shop for Korean formats. With a diverse catalogue and partnerships with 20+ top creative talents, we’re ready to collaborate with international partners.” Jin Woo Hwang, President/Executive Producer
Unforgettable Duet is a heartfelt series about the power of music, family, and memories. The original unscripted series follows dementia patients whose families gather mementoes and select their favourite song to help them recall the past. Together, they ride on a Memory Bus filled with these deeply personal mementoes that reveal long-forgotten life moments for each of the participants. Unforgettable Duet is winner of Silver award at the ContentAsia Awards 2025. Genre: Factual entertainment/music Trailer
Still Alive Still Alive invites ten contestants to stay in a mansion for a day. There’s only one simple rule to in the mansion: “Never do what the Death rules say”. Contestants who fail to follow this rule will be eliminated instantly. The problem is that no one will tell them what the death rules are. They should figure the rules out themselves by collecting messages from the eliminated contestants and winning clues by completing challenges. New death rules will be given every five rounds. Premiere: September 2021 (local), TBC in 2026 (regional). Genre: Reality competition/comedy Trailer
Iron Squad
Iron Squad is Korea’s ultimate military reality competition, where elite reservists from the nation’s toughest special forces battle in extreme missions testing strength, focus, and teamwork. From the producers of Netflix’s Physical: 100, the show has four seasons on Channel A, with a new season commissioned for 2026. Genre: Reality competition/military
C
NTENT ASIA C
NTENT ASIA
41 19
The Big List Digital Directory 2026 ContentAsia’s Big List is the only directory of its kind, fully focused on Asia with lists of the top content providers, services, channels, platforms and people in key markets, including streaming/OTT/online players, free-TV broadcasters, pay-TV platforms, production houses, streaming/broadcast tech, regulators/ associations and others. The directory, distributed monthly, offers video value-adds as part of ContentAsia’s Screening Room. The Big List’s enhanced listings appear across multiple platforms, including yearround visibility at ContentAsia’s online destination at www.contentasia.tv. The initial distribution is via email to our full database of over 12,900 verified addresses, with links to the enhanced listings to our full database every two weeks.
Advertising Opportunities Double/single page enhanced listings, quarter-page logo listings, full-page display ads. Premium add-ons available for additional visibility
BE INCLUDED CONTACT US NOW Leah@contentasia.tv (Americas/Europe) Malena@contentasia.tv (Asia Pacific/Middle East) CJ@contentasia.tv (China/Taiwan)
www.contentasia.tv 42
C
NTENT ASIA
contentasia
C
NTENT ASIA
43
BoltOS, founded in 2017 and headquartered in London with offices in Singapore and Malaysia, transforms how content owners maximise value through turnkey and customised solutions that convert passive content into engaging experiences, elevating user retention and revenue. Our groundbreaking Immersive Panel© delivers real-time engagement features that unlock new ad inventory and create fresh monetisation opportunities, deploying seamlessly within existing apps or broadcast satellite TV.
BoltOS The Working Capitol 1 Keong Saik Road Singapore 089109 E: sales@bolt.global W: https://boltos.ai/ Tech Showcase: https://boltplus.tv/login https://www.linkedin.com/company/boltos/ https://x.com/boltplus https://www.instagram.com/boltplustv/
Who’s who...
Jamal Hassim Co-Founder, CEO United Kingdom E: jamal@bolt.global Harry Teper CCO, United Kingdom E: harry@bolt.global Michelle Peterson Clark CMO, Australia E: marketing@bolt.global Silvia Cebanu CRO, United Kingdom E: silvia@bolt.global Mustaffa Selamat Business Development, Singapore E: mustaffa@bolt.global
Capture Attention. Keep Audiences. Grow Revenue. In today’s crowded streaming landscape, the biggest challenge isn’t content – it’s keeping viewers watching, engaging, and coming back. That’s where BoltOS’ Immersive Panel© comes in: a seamless in-stream layer that transforms viewing from passive consumption to interactive dialogue, giving FAST platforms, OTT, and broadcast platforms the tools to boost engagement, reduce churn, and unlock new monetisation opportunities – without disrupting the viewing experience. No logins. No app downloads. Just instant interactivity built directly into your content.
Turn Viewers into Participants The Immersive Panel© is designed for the modern, multitasking audience. With interactive features layered directly into the stream, viewers can shop, chat, ask, read, and respond – all without leaving the screen. For content platforms, this means: 4 More ad inventory 4 Higher retention 4 Stronger user engagement 4 Lower churn rates
Built to Solve Your Biggest Challenges Whatever your platform, the Immersive Panel© helps you: • Increase revenue with dynamic ads and shoppable content • Retain viewers by making experiences more interactive and stickier • Boost engagement with features that invite curiosity and participation • Stand out in crowded markets with innovative, lean-forward experiences Whether you’re launching a new OTT platform or broadcast TV network, looking to deepen sports fan interaction, or monetising long-tail content, the Immersive Panel© equips you with tools to connect – and convert.
Custom Pluggable Panels to Match Your Content and Goals Choose the features that match your audience, your content type, and your business strategy: • Real-Time Chat + Ads Viewers talk in real time – and you monetise the conversation. Insert interactive ads into chat feeds for new revenue and stronger user connection. Devices Design - Tablet - Ai
How is your solution tailored to address infrastructure, user behaviour, or regulatory nuances in Asia in 2025? Winning and retaining content audiences in Asia isn’t one-size-fits-all and we don’t expect you to work alone. We are here to be your partner in charting a new path to success for your business. Our Immersive Panel is built to breathe new life into your content and your relationship with your viewers. The Immersive Panel allows your audiences to be fully involved with the content they love by chatting, asking questions, participating in content related quizzes, and perhaps even shopping (all powered by our IRIS AI engine). You can even reward your most loyal viewers via the Immersive Panel. Whether you are a major regional pay TV operator, a streaming powerhouse, or someone growing their content business, BoltOS can help you deepen your relationship with viewers and create new commercial/revenue opportunities. Our Immerse Panel can be inserted into the full spectrum of content delivery channels ranging from satellite to IP. The BoltOs team is comprised of experienced broadcast professionals who have operated in highly competitive and regulated content environments. We understand operational challenges and local licensing sensitivities and are prepared to assist you with these requirements and compliance. Our solutions are built with local compliance and cultural nuance at their core, so you can stay focused on creating great content, while we do the heavy lifting.” 44 26
C NTENT ASIA Jamal Hassim, CEO, BoltOS
Immersive Panel© - Chat
Technology Satellite Broadcast - Chat
Web App-Barca Shop
• Shoppable Streams Link what’s on screen to what’s in-store. Ideal for sports, lifestyle, and entertainment content, the Shop Panel helps convert attention into purchases. • Live Q&A with IRIS AI Let your viewers ask questions and get answers in real time. Stats, actor bios, live scores – all at their fingertips. • Deep Dives for Curious Minds Add context to news, docs, or factual content with relevant articles, explainers, or background info in the Read Panel. • Interactive Ads & Polls Go beyond passive impressions. Invite feedback, collect data, and drive conversions with surveys and interactive ad formats.
IRIS AI – Their Personal Content Concierge Deliver a personalised experience to your audience with IRIS AI. From providing instant answers to questions during a family movie to adding ingredients to their shopping list they spotted on your cooking programme, IRIS lets your content keep up with an audience on the move. The impact? More engagement, more impressions, and longer view time.
Works Everywhere Your Viewers Are Whether you’re streaming online or broadcasting via satellite, the Immersive Panel© integrates without friction: - OTT: Quick deployment on web, mobile, and connected TV with minimal engineering required. - Broadcast Television: Trigger interactivity via on-screen QR codes that activate second-screen experiences on any device – what we call Omni Device Mobility©. No downloads. No delays. Just direct engagement, globally scalable.
Bridging Broadcast and Digital Worlds Media is changing. It’s no longer just about delivering content – it’s about delivering experiences. Early adopters across EMEA are already using the Immersive Panel© to enhance programming across news, sports, entertainment, and lifestyle. Every deployment includes: 4 Implementation support 4 Plug-and-play templates 4 Customisable feature sets 4 Operational guidance for scale 4 Analytics dashboard 4 Compliance features to meet regulatory requirements The future of viewing – whether on broadcast or streaming – is interactive, intelligent, and income-generating. With our Immersive Panel©, your platform is ready to engage, convert, and lead.
Markets in Asia China, Hong Kong, India, Indonesia, Japan, Korea, Malaysia, Mongolia, Philippines, Singapore, Thailand, Taiwan, Brunei, Cambodia, Laos, Macau, Nepal, Pakistan, Sri Lanka & Vietnam.
C
NTENT ASIA
TV App - Rewards
TV App - Shop
What are the core problems your platform solves for content, streaming, or pay-TV businesses in Asia? If you’re creating content in Asia or anywhere in the world, chances are you’re battling familiar challenges; declining viewer engagement, rising distribution costs, limited monetisation options, and the constant struggle to stand out. You’re not alone. That’s why our tools are built to work for you – not the other way around. With BoltOS, you can easily add interactivity, drive new revenue, and keep audiences coming back – without heavy tech lifts or platform overhauls. You stay focused on telling great stories. We’ll handle the tech that helps those stories reach more people, earn more, and deliver real results. We’re here to quietly power your growth, behind the scenes – like a partner who’s always working to make your content go further.” Harry Teper, CCO, BoltOS
27 45
Be included
C
NTENT
@ MIPCOM, Cannes (Oct 2026) | DICM, Dubai (Nov 2026) ATF, Singapore (Dec 2026)
PUT YOUR BRAND IN FRONT OF
Digital advertising
12,200+ APAC CONTENT EXECUTIVES 12,200+ Verified Executives
V
22 APAC Markets
Market dailies Videos/Podcasts Awards
RESERVE YOUR CAMPAIGN TODAY! CONTACT OUR SALES TEAM
Americas / Europe Leah@contentasia.tv
NEWSLETTER
Print magazine
DIRECTORY
Asia Pacific / Middle East
China / Taiwan
Malena@contentasia.tv
CJ@contentasia.tv
MAGAZINE
AWARDS
MARKET DAILIES
1-14 June 2026 www.contentasia.tv | www.contentasiaawards.com
September 10-16, 2026
Celebrating Asia’s storytellers year round: Welcome to our new dedicated site focusing on ContentAsia Awards’ winners
Astro Fights Back “Wolong: The Mastermind” Releases 6 Sept
Toronto
6000+
1000+
400+
150+
Industry delegates Market Screenings
Buyers
Exhibition spaces
Early bird rates end June 5
Malaysia’s Astro put its new original Chinese series, “Wolong: The Mastermind”, on stage this week, gathering a cast from Hong Kong, Singapore and Malaysia for live appearances, and clearly doing its best to move beyond sports headlines that highlighted prime properties’ move to other platforms. The 13ep drama premieres on 6 Sept. The full story is on page 3
q Media Prima Profit Leaps; Content Sales Shine Media Prima posted a 9MFY26 profit of RM13.1m, up 89% year-on-year, as cost management offset a 6% revenue decline. Content sales were the quarter's best story.
Register now tiff.net/themarket
The full story is at www.contentasia.tv
www.contentasia.tv
|
www.contentasiaawards.com Subscribe for free here
|
contentasia-live.netlify.app
C
NTENT
Vietnam
INDEX Free TV Hanoi Radio Television .............................. 50 Ho Chi Minh City Television (HTV) ........ 50 Vietnam Television (VTV) .......................... 50 Vinh Long Television (THVL) ................... 50
Subscription TV AVG .................................................................... 50 FPT TV (FPT Thuyen Hinh) ....................... 50 Hanoi Cable TV ............................................. 50 Ho Chi Minh City Cable TV ....................... 50 MyTV ................................................................. 50 SCTV ................................................................. 50 VTVcab ............................................................. 50
Online/OTT Danet ................................................................ 51 FPT Play ........................................................... 51 Galaxy Play ..................................................... 51 Hplus ................................................................ 51 NetHub ............................................................. 51 Onme ................................................................ 51 Pops App/Pop Kids/Pop Kids Learn ...... 51 TV360 ............................................................... 51 VieON ................................................................ 51 VTVgo ............................................................... 51
48
48
Content Providers / Production / Post Production & Distribution Bee Communications ................................. 51 BHD (BHD Co., Ltd.) .................................... 51 Capital Studio ............................................... 51 Cat Tien Sa Media Group ......................... 52 DatVietVAC Group Holdings ................... 52 Dien Quan Media and Entertainment .... 52 International Media Corp (IMC) ..............52 Mega GS Entertainment Communication Group ............................................................... 52 Q.net Entertainment & Communication .... 52 Thaole Entertainment ................................ 52 TV Hub ............................................................ 52 VietContent Group ..................................... 52 Vietba Media ................................................. 52 VietCom Film Production ......................... 52 VTC Multimedia Corporation (VTC) ........ 52 Yeah1 Group .................................................. 52
C
NTENT ASIA
Regulators Authority of Broadcasting and Electronic Information (ABEI) ...................................... 52 Ministry of Culture, Sports and Tourism (MCST) ............................................................ 52
In numbers Population ...................................101.1 million Households ................................ 28.15 million Avg. household size ...................3.6 persons Pay TV subscribers ........................ 21 million OTT subscribers .............................7.4 million Smartphone subs ..................... 100.9 million Mobile broadband subs ........131.7 million* Fixed broadband ....................24.79 million** Source: Vietnam’s General Statistics Office (population 2024, households 2024). Authority of Broadcasting, Television and Electronic Information (ABEI) and Ministry of Information and Communications (Pay TV 2024, OTT 2024). Ministry of Science and Technology (Smartphone, broadband) * Ministry of Science and Technology, 27 August 2026 ** Ministry of Science and Technology, 26 July 2026 Trấn Thành’s “Bunny!!”
F
un fact: The top film on Netflix in Vietnam at the moment is American romantic dark comedy “Anora” about a street-smart sex worker from New York City who marries the son of a Russian oligarch. Did we expect Vietnam to be the only country in Asia where viewers watched this film enough to make it #1 for two consecutive weeks (24-30 Aug/31 Aug-6 Sept)? No. For both weeks, the film beat Vietnamese director Trấn Thành’s drama “Bunny!!”. Admittedly, “Bunny!!”, in its 14th week on Netflix’s Vietnam charts in early September, is nearing the end of its run, so the downward curve is natural. Also, Vietnam is not yet a priority market for Netflix the way Thailand or Indonesia are, so choices of domestic fare and marketing are limited. But still, during the latest week, “Anora” beat a mix of new and old titles in Vietnam, perhaps most surprisingly heartwarming Thai drama “Gohan” about a white, pink-nosed stray dog as he moves through various owners. “Gohan” placed 6th in its second week on Vietnam’s film top 10, behind U.S. crime thriller “The Whisper Man” (#2), and the 10-year-old American Western “The Magnificent Seven”. What’s our point? While theatrical skews heavily to domestic titles, Vietnam’s film tastes range as broad and wide as the most open of markets when it comes to streaming. Vietnamese films’ share of local box office this year is around 70%, according to industry stats; output is soaring, with projections of about 80 features in 2027 from ASIAA CC NTENT NTENTASI
less than 50 in 2025; production budgets are rising and there’s lively interest in coproductions. Although challenges – including IP protection and formal training – are clear, no one says Vietnam hasn’t earned its place around the world’s film table. Television? Not so much. For the most part, heavy regulation, high compliance costs and relatively low returns have wiped out much of international distributors’ initial enthusiasm for a market with a population of 100+ million. The death of Canal+’s long-running and dogged K+ platform, which closed January 2026 after 16 years and losses of US$225 million by mid-2025, didn’t help. At the same time, recent developments have given rise to cautious optimism, and talk of market potential is returning along with rumours of a domestic telcobacked Coupang-style e-commerce, content platform. Somewhere in the middle of despair and hope, there’s the formats sector. Once Asia’s bright spot, Vietnam’s adaptations of regional and international titles fell 74% from 19 productions in 2024 to 5 in 2025. A possible revival is led by the local adap-
tation of NBCUniversal Formats’ “Top Chef Vietnam”, produced by TV Hub, on Vietnam’s VTV3 in August. “Top Chef Vietnam” is the second big-brand adaptation announced in Vietnam this year. “The Face Vietnam” is also returning in a deal with Multimedia JSC after a three-year hiatus. The 10-episode fifth season airs on Vietnamese broadcaster VTV9 in October. A nice uplift. 49
49
C
NTENT
Vietnam Free TV Hanoi Radio Television Hanoi Radio Television started broadcasting in 1979, and today operates two free-to-air television channels – HanoiTV1/H1 (news and current affairs) and HanoiTV2/H2 (entertainment and general interest) – alongside cable television service HCaTV.
Ho Chi Minh City Television (HTV) Established as Saigon Television in 1975 and renamed Ho Chi Minh City Television (HTV) in 1976, HTV is Vietnam’s leading city broadcaster. Its flagship channels are HTV7 (entertainment) and HTV9 (news and general programming), supported by a portfolio of thematic and digital channels. An active buyer of international formats, HTV commissioned Fuji TV’s game show “Run For Money” in 2025. Other recent format adaptations include KBS Media’s “Return of Superman Vietnam” S3 (2025) and Workpoint Thailand’s “2Faces” (2025). In July 2026, HTV was folded into the new Ho Chi Minh City Press and Radio-Television Agency, a public non-business unit operating under the Ho Chi Minh City Party Committee. The agency brings together Sai Gon Giai Phong (SGGP) Newspaper, Tuoi Tre (Youth) Online Newspaper, HTV and public service unit, the Training and Communications Center.
Vietnam Television (VTV) National broadcaster Vietnam Television (VTV) launched in 1970 and operates a portfolio of national free-to-air channels including VTV1 (news and current affairs), VTV2 (science and education), VTV3 (entertainment and sports), VTV4 (international service), VTV5 (ethnic minority programming), VTV7 (education), VTV8 (Central Vietnam-focused service), VTV9 (Southern Vietnam-focused service) and VTV Can Tho (Mekong Delta service). VTV also operates digital platforms including VTVgo and has been active in international format adaptations, including a local version of reality show “Singer Auction Vietnam” S6 (2024). The broadcaster has also aired adaptations, “Shark Tank Vietnam” and “The Voice Kids Vietnam”, among others. 50
50
Vinh Long Television (THVL)
Ho Chi Minh City Cable TV
Founded in 1977, provincial broadcasterVinh Long Television (THVL) operates free-to-air channels THVL1 and THVL2, and has built nationwide reach through locally produced drama, entertainment and music programming, supported by a growing digital presence.
Subscription TV
Ho Chi Minh City Cable TV (HTV) was established in 2003 as the pay-TV arm of Ho Chi Minh City Television (HTVC) and is operated by pay-TV branch, HTV-TMS. The platform offers a mix of local, regional and international channels covering movies, sports, news, music, children’s programming, entertainment, education and lifestyle content through cable and digital television services.
AVG
MyTV
AVG Audio Visual Global JSC (AVG) launched An Vien Television (AVG) in November 2011. In January 2016, telco MobiFone acquired a 95% stake in AVG and rebranded the service as MobiTV in April 2016. In 2018, MobiTV was again renamed, to VivaTV. In September 2019, the share acquisition agreement between MobiFone and AVG was cancelled and AVG continues to integrate TV and telecommunication services, offering a mix of direct-to-home (DTH) satellite, digital terrestrial (DTT), OTT television and telecommunications services nationwide, with coverage across all 63 provinces in Vietnam. In the same year, VivaTV switched back to its original brand name, AVG. Subscription packages offer up to 150 channels carrying local and international content.
FPT TV (FPT Thuyen Hinh) FPT Play, a subsidiary of FPT Telecom, launched its IPTV service in 2010. In 2013, FPT Telecom received a pay-TV licence to operate digital and analogue cable television services nationwide. In 2021, the company consolidated its television and streaming operations under the FPT Play brand. Today, FPT Play offers approximately 200 local and international television channels alongside on-demand entertainment and sports content to more than one million households across Vietnam.
Hanoi Cable TV Hanoi Cable Television (HanoiCab) is the cable television service operated by Hanoi Radio and Television. The platform offers more than 170 SD and HD local, regional and international channels, alongside broadband bundles and valueadded services. C
NTENT ASIA
Created by Vietnam Posts and Telecommunications Group (VNPT), IPTV service MyTV launched in 2009 and rolled out its app extension in September 2020, enabling subscribers to access services across multiple connected devices. Today, the platform offers up to 180 local and international channels alongside VOD content, streaming partnerships and value-added services including games and karaoke.
SCTV State-owned Saigontourist Cable Television (SCTV), a joint venture between Vietnam Television (VTV) and Saigontourist Holding Company, was founded in 1992. Television services include analogue cable, digital cable and IPTV platforms, complemented by broadband and telecommunications services. The company also operates a portfolio of proprietary channels and streaming services.
VTVcab National broadcaster Vietnam Television established Vietnam Television Cable Corporation (VTVcab) in 1995. VTVcab offers more than 180 local and international channels covering news, sports, movies and general entertainment, alongside internet and digital television services.
Online/OTT Consumers in Vietnam have access to global/regional direct-to-consumer streaming services, including Apple TV+, iQiyi, Netflix, Prime Video, TVB Anywhere, Viu, WeTV and, from June 2026, HBO Max.
Homegrown services include...
Danet Vietnam’s TV production and distribution specialist, BHD, launched Danet in 2016. Danet offers free content (Danet Go), SVOD (Danet Buffet) and a la carte movie rental (Danet Cineplex) on multiple devices. The platform carries a mix of local and international movies and series. Subscription plans start from VND50,000/ US$1.90 per month, with options for quarterly, semi-annual and annual packages.
FPT Play FPT Telecom launched FPT Play in 2013, offering about 200 live TV channels spanning news, sports, entertainment and movies, alongside on-demand local and international films and TV series from Europe, U.S., Korea and China. Available across multiple connected devices, FPT Play has evolved into one of Vietnam’s leading OTT and IPTV platforms, also carrying premium sports rights and original productions. Subscription plans start from approximately VND44,000/US$1.70 per month for iZi package, with premium packages for sports and add-on content.
Galaxy Play Established in 2015, Galaxy Play (formerly Fim+) by cinema chain Galaxy Cinema offers original series, local films, Asian content and Hollywood movies across multiple devices. The platform also invests in Galaxy Play Originals and exclusive Vietnamese productions, with titles including “Sugar Baby 3” and “Hùng Long Phong Bá 3”. Subscription plans are available across multiple tiers, including monthly and annual packages.
NetHub NetHub is the OTT extension of AVG’s subscription service, complementing its DTH satellite and DTT platforms. The platform aggregates local and international content, with programming spanning movies, TV series, sports and family entertainment. AVG received its licence to operate OTT television services in August 2021.
Onme Onme is a video streaming platform jointly developed by VTVcab and Viettel. Best known for its live sports coverage, the platform also offers local and international TV channels, movies, TV series and entertainment content. Onme is available free to eligible VTVcab and Viettel subscribers, with additional premium content available through subscription packages.
Pops App/Pop Kids/Pop Kids Learn Founded in 2007, digital entertainment company POPS Worldwide operates the POPS App, offering a mix of original, local and international content spanning movies, TV series, animation, music and creator content. Its children’s platforms, POPS Kids and POPS Kids Learn, provide entertainment and educational content for young audiences and families.
VTVgo Operated by Vietnam Television’s digital division, VTV Digital, VTVgo is Vietnam’s national digital television platform. The service offers live TV channels, catch-up programmes, digital-exclusive channels and an extensive library of news, drama, entertainment, sports, documentaries and children’s content on demand.
Content Providers / Production / Post Production & Distribution Bee Communications Established in 2009, Bee Communications specialises in the production of entertainment, reality, game show and infotainment content. Recent productions include CSR programme “Mái Ấm Gia Đình Việt”, game show “Úm Ba La Ra Chữ Gì?” for VTV3, and licensed international formats such as “Nhạc Hội Song Ca” (“Duet Song Festival”).
BHD (BHD Co., Ltd.)
Viettel Telecom launched TV360 in 2020, offering about 200 local and international TV channels, live sports and on-demand entertainment content. One of Vietnam’s leading OTT platforms, TV360 also carries premium sports and entertainment packages through content partnerships. Subscription plans are available across multiple tiers, while selected content is offered free of charge.
Founded in 1996, BHD is one of Vietnam’s leading media and entertainment companies, specialising in film and TV production, content acquisition and distribution. The company has produced and localised international formats including “The Amazing Race Vietnam”, “MasterChef Vietnam”, and “Vietnam Idol Kids”, alongside scripted productions such as “Descendants of the Sun Vietnam”. BHD also operates streaming platform Danet and cinema chain BHD Star Cineplex.
VieON
Capital Studio
Launched in 2020 by DatVietVAC Group Holdings, VieON offers local and international TV channels alongside on-demand content, including Vietnamese originals, Hollywood movies and Asian dramas. The platform continues to expand its slate of original productions and exclusive local content, with recent titles including “Vì Mẹ Anh Phán Chia Tay” (“Because Your
Capital Studio provides post-production services including editing, colour grading, sound design and mixing, visual effects, animation and DCP mastering. The company also offers studio and equipment rental, production support and event production.
TV360
Hplus Hplus is the OTT extension of pay-TV operator Ho Chi Minh City Cable Television (HTVC), operated by HTV Technology & Media Services (HTV-TMS). The platform offers more than 90 live local and international TV channels, catch-up TV and an on-demand content. Hplus is available as a standalone streaming service and is also integrated with HTVC subscriptions.
Mom Said So”, 2025) and “Cô Đừng Hòng Thoát Khỏi Tôi” (“You Can’t Escape Me”, 2025).
ASIAA CC NTENT NTENTASI
51
51
C
NTENT
Vietnam Cat Tien Sa Media Group Founded in 1995, Cat Tien Sa Media Group (CATS) is one of Vietnam’s leading TV and film production companies. The company produces a wide range of entertainment, music, reality and drama content for broadcasters including VTV, HTV and Hanoi Radio Television. Productions include “Paradise Island” (“Đảo Thiên Đường”, 2024) and “King of Rap”(2020– present), alongside long-running franchises such as “The Voice Vietnam”.
DatVietVAC Group Holdings Founded in 1994, DatVietVAC Group Holdings is Vietnam’s first privately owned media company and one of the country’s leading media and entertainment groups. Its portfolio includes production house Dong Tay Promotion, TV drama producer M&T Pictures, and content licensing and distribution company TKL Media. Dong Tay Promotion’s production credits include local adaptations of “The Wall Duet”, “Idol”, “So You Think You Can Dance”, “Running Man Vietnam”, “2 Days 1 Night Vietnam” (2022) and “Run For Money Vietnam” (2025).
development, film production and distribution, cinemas, advertising and event management. Production credits include “Singer Auction Vietnam” (2020–21) for VTV3, while its film business also encompasses production, distribution and the Mega GS Cinemas chain in Ho Chi Minh City.
Q.net Entertainment & Communication Established in 2004, Q.net Entertainment & Communication specialises in TV channel distribution, content licensing and digital media services. The company distributes international television channels and content to major pay-TV platforms including VTVcab, MyTV, FPT Play and SCTV, and also provides advertising sales and media solutions.
Thaole Entertainment Founded in 2000, Thaole Entertainment specialises in content distribution, TV channel management, localisation and production services. The company also provides media rights management and broadcast consultancy for international companies entering the Vietnamese market.
Dien Quan Media and Entertainment
TV Hub
Founded in 2008, Dien Quan Media & Entertainment is one of Vietnam’s leading TV production companies, producing entertainment, comedy, reality, talent and factual programming for broadcasters and digital platforms. Productions include “Super Mom” (2024) and “Gia Đình HaHa” (“HaHa Family”, 2025), alongside a broad slate of variety and lifestyle programmes.
TV Hub is a TV and digital content production company specialising in entertainment, reality, talent shows, talk shows and TV series. Production credits include “Shark Tank Vietnam”, “Top Chef Vietnam”, “Raid the Cage Vietnam” for HTV7, and Vietnamese adaptations of Korean drama “She Was Pretty”.
VietContent Group International Media Corp (IMC) Established in 2008, IMC is a multimedia company specialising in television channel management, content production and film production. The group owns and operates entertainment channel TodayTV and women/family-focused channel YouTV, while also producing television entertainment and lifestyle programming and managing digital media businesses.
Mega GS Entertainment Communication Group Mega GS Entertainment Communication Group is an integrated entertainment company specialising in TV programme 52
Viet Content specialises in sports media rights, content production and distribution in Vietnam. The company holds and distributes broadcast rights for major international and domestic sporting events, while also producing live broadcasts, digital sports content/sports media projects.
Vietba Media Founded in 1999, Vietba Media specialises in TV production, content distribution and communications services. The company produces TV programmes such as “Hole in the Wall Vietnam, “Heaven or Hell”, “Golden Goal Vietnam” and “Don’t Lose Your Money Vietnam”. C
NTENT ASIA
VietCom Film Production Founded in 2006, VietCom Film Production (also known as VietCom Entertainment) specialises in TV programme production, international formats, drama series and feature films.
VTC Multimedia Corporation (VTC) Established in 1988, VTC Multimedia Corporation is a state-owned multimedia company specialising in digital content, online entertainment, media technology and digital services. The company operates through businesses covering content, telecommunications, IT solutions and media services, while providing content production and technology solutions.
Yeah1 Group Established in 2006, Yeah1 Group is one of Vietnam’s leading media, entertainment and technology companies, with businesses spanning content production, digital media, artist management, music publishing and media solutions. The company produces TV shows, series, web content and branded entertainment, with recent productions such as “Anh Trai Vượt Ngàn Chông Gai” (“Call Me by Fire Vietnam”) and“ Chị Đẹp Đạp Gió Rẽ Sóng” (“Sisters Who Make Waves Vietnam”).
Regulators Authority of Broadcasting and Electronic Information (ABEI) ABEI (under the Ministry of Culture, Sports and Tourism) oversees broadcasting, TV and electronic information activities, including licensing and regulation of online information services.
Ministry of Culture, Sports and Tourism (MCST) Vietnam’s state management body for culture, including press, publishing, broadcasting, cinema, advertising, arts and related cultural industries. Following the 2025 government restructuring, MCST oversees media-related areas previously managed by the Ministry of Information and Communications (MIC), including press, electronic information and broadcasting regulation.
Coming soon
THE BIG LIST 2026 Mongolia
BE INCLUDED!
CONTACT US NOW
To advertise in any of ContentAsia’s publications or online, contact Malena Amzah at malena@contentasia.tv (Asia, Australia and Middle East) or Leah Gordon at leah@contentasia.tv (Americas and Europe) or CJ Yong at cj@contentasia.tv (China, Taiwan)
www.contentasia.tv
contentasia