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Greenwich & Lewisham Weekender - February 14th 2024

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Weekender february 14 2024 • www.weekender.co.uk

Greenwich & Lewisham

Cinema / Theatre / education / arts / Music / Food & Drink / Family / Property

Like a phoenix rising

© Phil Crow Photography

How one summer can shape a lifetime


ADVERTORIAL

News from the Royal Borough of Greenwich

I live paycheck to paycheck and sometimes it’s hard to get groceries after paying the bills and rent.

- A young adult leaving foster care

Without these payments, we would struggle to keep our heads above water. - A family stuck in temporary hotel accommodation

We’re calling for government to continue vital cost of living support The government has failed to commit to keeping vital cost of living funding going past March 31, meaning 24,000 children, families, pensioners and care leavers face being worse off within a matter of weeks. We’ve used the Household Support Fund (HSF), to support people with cash through Greenwich Supports and to launch programmes that tackle food and fuel poverty.

www.royalgreenwich.gov.uk

This support looks set to end and so we’re campaigning for it to be extended.

or heating. It’s not the time to take this lifeline away, and that’s why we’re asking for your help.

Councillor Mariam Lolavar, Cabinet Member for Inclusive Economy, Business and Skills said: “The cost of living crisis is far from over so it would be completely irresponsible for the government to pull the plug on this funding. This money has been lifesaving for families who are, through no fault of their own, having to choose between eating

“Add your name to our petition to extend the Household Support Fund. We are asking for the government to show compassion and prevent people of all ages and backgrounds from falling through the cracks.

@royal_greenwich

“The HSF was launched to help vulnerable communities with the devastating effects of the cost of living crisis. Nobody could

royalgreenwich

royal_greenwich

honestly say that the crisis has come to an end, so why should the support we offer? The Household Support Fund is vital for councils like ours to offer a helping hand to those who need it most, and that’s why we’re campaigning to save it alongside dozens of other councils.” We’re calling for the HSF to be extended and you can help by signing our petition: royalgreenwich.gov.uk/ cost-of-living-funding

greenwichcouncil


Pick of the Week

editor

Eliza Frost

The

Greenwich & Lewisham Weekender is an independent weekly newspaper, covering the boroughs of Greenwich and Lewisham. We publish every Wednesday, covering every postcode sector of the borough, and boasting, by far, the highest weekly circulation in Greenwich. Each week, we deliver our paper to every Greenwich neighbourhood, with further copies stocked at convenient public stands. We are also the highest distribution newspaper in Lewisham. You can also view each edition online, as well as daily news and events, on our website: www.weekender.co.uk The Greenwich & Lewisham Weekender covers all aspects of life in the boroughs, including music, theatre, comedy, film, events, and food and drink, as well as all your community events and campaigns.

Weekender The Greenwich and Lewisham Weekender is a member of the Independent Press Standards Organisation (which regulates the UK’s magazine and newspaper industry). We abide by the Editors’ Code of Practice and are committed to upholding the highest standards of journalism. If you think that we have not met those standards and want to make a complaint, please contact 020 7231 5258. If we are unable to resolve your complaint, or if you would like more information about IPSO or the Editors’ Code, contact IPSO on 0300 123 2220 or visit www.ipso.co.uk Weekender Editor: Eliza Frost Media Partnerships: Anthony Phillips Advertising team: Clarry Frewin Advertising support: Katie Boyd Editorial: Michael Holland; Eliza Frost Design Manager: Dan Martin Design team: Ann Gravesen Finance: Em Zeki - Tel: 0779 883 3758 Managing & Commercial Director: Chris Mullany Managing & Editorial Director: Kevin Quinn Offices at: A202, The Biscuit Factory, Drummond Road, SE16 4DG. Printed by Iliffe Print Cambridge Ltd – www.iliffeprint.co.uk News: 020 7231 5258 /hello@cm-media.co.uk Ads: 020 7232 1639 / hello@cm-media.co.uk Finance: 0779 883 3758 / em@cm-media.co.uk www.weekender.co.uk @insouthlndn

Issue: GLW349

Family ballet in Blackheath Blackheath Halls are gaining a name for themselves for their family-friendly ballet. Let’s All Dance Ballet are back at the Lee Road venue this time with ‘The Magic Word’ involving a Forest Queen, who is rather spoilt and does not know how to ask nicely when she finds herself cold and hungry. Suitable for all ages with a message on discovering the beauty of sharing and the joys of true friendship. Saturday 24 February, 8.00pm Admission £9 Blackheath Halls, 23 Lee Road, SE3 9RQ www.blackheathhalls.com/whats-on/the-magic-word/

Baby Gospel in Woolwich This popular family concert returns to Woolwich Works after their previous sold-out shows. Baby Gospel is an uplifting family concert of soul, Motown and gospel music, featuring the astonishing vocal talents of London’s CK Gospel Choir, who have provided backing for artists such as Beverley Knight, Peter Andre and Alfie Boe. The whole family can enjoy singing and clapping along to hits by Marvin Gaye, Bob Marley, Adele, Jackie Wilson, Pharrell and more – as well as some traditional Gospel songs and nursery rhymes. This concert is baby-friendly and open to all ages – from newborns and school-aged children to grandparents.

Free coding and recording sessions in Deptford If you’re aged between 16 and 24 and are interested in technology and coding, get down to the Albany in Deptford. The Albany’s six-week Creative Coding course is an introduction to web app development, including HTML, JavaScript, CSS, BootStrap, WordPress and an overview of SQL. Participants will be connected with a mentor and given support to apply for a job in the industry, too. And REZON8 – a youth-led record label created to assist young creatives who don’t ordinarily have direct access to support and recourses they would need to be creative and pursue a professional career in the music industry – are offering free recording sessions in their stateof-the-art studio for 14- to 25-year-olds. During the sessions, you will have the opportunity to learn recording techniques, the basics of sound engineering, how to structure music and more. Coding is every Tuesday and Wednesday evening www.thealbany.org.uk/projects/ccc/ REZON8 is every Wednesday, Thursday and Friday www.thealbany.org.uk/projects/rezon8-free-under-18s-recording-sessions/ Free – sign up online The Albany, Douglas Way, SE8 4AG

Saturday 24 February, 11.00am Admission: Standard £12, concessions £10 and babies under 6 months go free Woolwich Works, Stonecutters Studio, The Fireworks Factory 11 No. 1 Street, SE18 6HD www.woolwich.works/events/baby-gospel-4

Hot Wheels Monster Trucks Live: Glow Party Get revved up for a live monster truck show in the dark. Hot Wheels Monster Trucks Live Glow Party is coming to The O2 on Saturday 17 and Sunday 18 February. Hot Wheels Monster Trucks Live Glow Party brings fans’ favourite Hot Wheels Monster Trucks to life, including Mega Wrex, Tiger Shark, Demo Derby, Bone Shaker, Bigfoot and Gunkster. The new HW 5-Alarm, the fire truck hero of Hot Wheels Monster Trucks, will be introduced. Event performances will also feature a dazzling dance party, spectacular light shows, and Hot Wheels toy giveaways. There are also VIP packages, which include pre-show tickets allowing fans access to the competition floor, a backstage tour and the chance to meet drivers and get their autographs. Saturday 17 and Sunday 18 February, at 10am and 5pm Tickets cost from £46 The O2 arena, Peninsula Square, SE10 0DX www.theo2.co.uk/events/detail/hot-wheels-monster-trucks-live-glow-party

Madonna on the Rocks As a child, Marina had dreams. But now she has a child of her own, should she throw them in the nappy bin? Or follow them and risk becoming that nightmarish monster: a Narcissist Mother. Madonna on the Rocks at Greenwich Theatre is a neon-lit exorcism in a jazz bar. It’s about our egos, our responsibilities and our dreams. And the struggle to be an artist, or to have any sort of career at all really, and be a parent at the same time. This is a work-in-progress production, written and performed by Marie Hamilton with Fringe First winning director Hildegard Ryan, and Berlin-based, Cameron Mackintosh Award-winning composer Ben Osborn. Showing Wednesday 21 February to Friday 23 February, 7.30pm Ticket £5-£10, age 16+ Greenwich Theatre, Crooms Hill, SE10 8ES https://greenwichtheatre.org.uk/events/madonna-on-the-rocks-wip/

February 14 2024 3


Theatre

Camp Phoenix:

©©Phil Crow Photography

The advice we wish we had as kids

Looking back now, what advice would you give to your younger self? Coming to the Albany in Deptford on 7 and 8 March, the story of Camp Phoenix shows how one summer can shape a lifetime, writes Eliza Frost… 4 February 14 2024

Camp Phoenix follows the journey of 17-year-old Zia (David Carpenter). When they arrive at Camp Phoenix for a compulsory weeklong residential, they aren’t sure if it’s for them. The camp helps young people emerge from the dust of their younger selves, just like a phoenix. But not everything goes to plan… The production by touring theatre Zest Theatre has been directly developed through conversations with young people, including students from Lewisham College – some of whom will make up the cast at each of the show’s performances at the Albany on Thursday 7 and Friday 8 March 2024.

The Weekender spoke to Camp Phoenix writer Katie Greenall and director Toby Ealden to find out more… The Weekender: The story of Camp Phoenix was inspired by the voices of over 600 young people – how did their voices shape the story you tell on stage? Katie Greenall (KG): Over five weeks in January and February 2023, we met 600 young people across the country. We met pupils in Years 5 and 6 and asked them what they wanted, what mattered to them, what they cared about and what they were worried about, particularly focusing on any worries they had for the future and going to secondary school.

We then took the pupils’ comments to local college students in those areas, asking them to offer their wisdom or advice as the experts who had just been through that experience. So the show is full of their wisdom, their ideas, their worries and concerns, and also full of the people that we’ve met. There are characters in the show that are named after and inspired by the people we met in the places. What energy and expertise do Katie Greenall (writer) and Koko Brown (songwriter) bring to Camp Phoenix for their first professional commissions? Toby Ealden (TE): Commissioning new


Theatre

writers means a wider range of voices, experiences and approaches get heard. Katie and Koko bring their own creative practice and expertise to the show – something unique to them. You can feel that across the production.

come together and meet for the first time and, hopefully, in the end, without giving too much away, there’s a moment where we see how the people support each other and listen and hold space for each other.

of rest, community, listening and strategies to support mental wellbeing across the research process.

College students for the shows at the Albany]. So, it has to be engaging and meaningful to them, too.

What age is the show for, and what can the audience expect from the show?

How does the show encourage young people to make space for each other?

This is the first touring Zest Theatre production since before the pandemic, was that something that came up a lot in the responses of young people?

KG: This show is definitely designed for young people aged 9-11 who are about to embark on change. Still, it could also be for young people already in secondary school and the people who are supporting them through that time, whether it be parents, carers or teachers.

I hope it will support any young person from age 9-21, and their families and carers.

KG: Hopefully in lots of ways. There are a few different ways how we model making space for others in the show with our character: Les, who advocates for the young people and holds space for them, including Zia, our everyman that we follow. We see how the young people learn and support each other when they

TE: Covid didn’t explicitly come up that often, but the impact on general wellbeing and mental health did. The most inspiring conversations we had were with 9- to 10-year-olds who offered the wisest insights into tackling the challenges of life. We repeatedly heard about the importance

Also, it’s worth saying that there is a youth cast; the show is going to be performed by college students in each of the locations [Lewisham

TE: People can expect it to be uplifting and wholesome, yet it also challenges you to perceive the world from a young perspective. It’s funny, adventurous and honest, and it includes five brand-new songs, which are proper earworms! Finally, what advice do you wish you’d had when you were a kid? KG: To encourage and emphasise

the things that made me unique, rather than try and change them – and to have confidence that those will be the things that help me find my people and my space and my job, rather than prohibit me. TE: Take each day at a time rather than always thinking too far into the future. To be present in each moment and not let the stresses of life distract you from who you are meant to be. The Albany, Douglas Way Deptford, SE8 4AG Thursday 7 and Friday 8 March 2024 www.thealbany.org.uk

February 14 2024 5


spotLiGht © Charles Emerson

Greetings from Ireland With just one more week to catch Robyn Lynch’s debut exhibition at Greenwich’s NOW Gallery, The Weekender puts it under the spotlight

Interweaving notions of Irish identity and cultural narratives, while reminiscing fond nostalgic memories of growing up on the outskirts of Dublin in a pre-social age, Irish-born, London-based menswear designer Robyn Lynch’s Greetings from Ireland is not to be missed. The debut exhibition was awarded the NOW Gallery 2023 Fashion Commission. It is a bouncy castle getaway into the not-soserious world of Lynch, and it’s showing until 25 February.

“From assisting another designer as an intern to now having the opportunity to showcase the development of my brand from inception to date in the same space is a full 360 moment for me.

Greetings from Ireland exposes the vigorous research, design and documentation process behind the scenes of Lynch’s label, shining light on the community and collaborators who have helped shape the brand.

“I am extremely honoured to be given the opportunity to celebrate Irish creatives and culture within the gallery walls.”

Lynch says: “Being awarded the NOW Gallery 2023 Fashion Commission has been a monumental moment for my brand. I have been an admirer of the NOW Gallery Fashion Commission since it was established in 2015, when I got the opportunity to assist on Phoebe English’s commission while interning at the brand.

Housed within an alien-like giant smiley face bouncy castle caged by scaffolding, Lynch partners with Irish artist, set designer and longterm collaborator Rory Mullen to create the paradox installation. The pair bring together their shared vision and playful design approach to create a structure symbolic of the brand, embodying Lynch’s

nostalgic inspiration, light-hearted humour and rough and ready aesthetic, still a work in progress. The exhibition culminates in a retrospective documenting the brand’s journey from working on the kitchen table to the present day, weaving together behind-the-scenes footage from the studio to fashion week, alongside a snapshot of the community and creatives who have adopted and grown with the brand. The documentary-style film captures the vibrant energy of Lynch, depicting the final stages of the creative process, the showcase of the brand, when a collection is born and worn in the real world. Set designer Rory Mullen says: “Inviting the viewer to enter into an inflatable structure – enveloping and immersing them in Robyn’s memories, family, national identity and sense of humour that is essential to her brand. The structure is influenced by 1960s utopian housing, bringing together its ideals of optimism and playfulness.” So, bounce along this week and catch the exhibition before it says goodbye. Showing until 25 February NOW Gallery, Soames Walk, SE10 0SQ www.nowgallery.co.uk

February 14 2024 7


The People’s Theatre Company

There was an Old Lady who Swallowed a Fly Education Pack

There was an Old Lady who Swallowed a fly

DctbTshnm OTbi

What's On 2024

Box office 020 8463 0100 • blackheathhalls.com • & DANCE PART OF TRINITY LABAN CONSERVATOIRE OF MUSIC The People’s Theatre Company

www.ptc.org.uk

SAT 18 Nov, 9 Mar, 2.30pm 11amSat & 3pm

The Rheingans Sisters Fri 5 Apr, 8pm

Sun 26 Nov, 7pm

Blackheath Halls present:

Fauré & Elgar 1

Sun 17 Mar, 7.30pm

Sat 24 Feb 1pm & 3pm

Teach Rex: Velociraptor Show Wed 10 Apr, 10am & 12.30pm


COMMUNITY TRUST At The Heart Of The Community

NEWS FROM CHARLTON ATHLETIC COMMUNITY TRUST

Charlton Women’s player meets students as part of mental health workshop

Godfrey joined the students to share her own football journey.

As part of Children’s Mental Health Week, 20 students from Hurstmere School in Sidcup took a trip to The Valley as part of the Premier League Inspires programme, meeting Charlton Women’s midfielder Freya Godfrey to discuss the importance of mental health. Premier League Inspires is a personal development programme which uses the power of football to inspire young people aged 11-18 at risk of not reaching their potential, to develop the personal skills and positive attitudes needed to succeed in life. The Hurstmere students took part in a mental health workshop delivered by CACT staff members discussing the signs of poor mental health and good mental health. In groups, they came up with ideas on what they can do to raise awareness for mental health and signpost people to get the help they need.

CACT staff delivered a mental health workshop at The Valley to 20 young people.

Godfrey stopped by to join the students for a Q&A session all about her footballing career and how she looks after her mental health. The 18-year-old opened up about how she has struggled with her own mental health as a young footballer: “When I was younger I went through some struggles. I was dropped from England which I think was quite tough but it was from my own attitude which I think was tough for me to overcome.” She went on to address why it’s important to talk to young people about mental health:

After the event, a group of students will start working together on their own social action plan and propose their strategy for raising awareness for young people’s mental health, supporting the Premier League’s Inside Matters mental health campaign.

“From a young age you need to start being aware of signs and signs in your mates. Making sure that people can get the best help as soon as possible, it doesn’t just affect adults so I think making children aware of that is really important.”

Then the group were lucky enough to get a private tour of The Valley exploring the home and away changing rooms as well as heading out pitch side.

Help support CACT’s work in the local community by becoming a Friend of CACT today by visiting: cact.gives/donate

February 14 2024 9


history

Enderby Wharf’s role in laying ocean cables

Lay Lines Bobby LLoyds art work on Enderby Wharf

Mary Mills

Over the last couple of weeks Greenwich Industrial History Society members have been busy writing an application to Historic England for listing the cable loading equipment at Enderby Wharf. Do you know about this relic equipment? It’s on a jetty at Enderby Wharf on the Greenwich Peninsula riverside. If you are at the Cutty Sark Pub on Ballast Quay you can walk down the Riverside path past all the new flats called Riverside Gardens – or you can follow it on Google Street View. Just before you get to Enderby House Pub, there is all this old machinery on a jetty, you can’t miss it. It’s been there for many, many years and it’s a unique example of equipment which was used to load cable from the factory where it was made onto the ships which were going to lay it in the ocean – and that cable takes your information and messages all round the world. The old equipment left there now is obviously relatively modern – but it represents over 150 years of cable for communications being loaded here on to the big cable laying ships to be laid at the bottom of the oceans. Always remember that until the 1920s almost all the world’s subsea cable was made here in Greenwich. So that cable gear represents a lot in the history

taken over by Morris Cranes. Morris were very helpful but investigations to locate any archive information proved impossible. A brass licence plate with vital information on it had been removed from the crane by persons unknown some years previously.

Coaster Twidale at Lovells -an everyday scene until the 1990s.

The upriver crane had been manufactured by Anderson Grice but very little was known about it. Information from Bristol suggested that it was capable of handling 5 tons only but men who worked on site say that it could handle 10 tons. It seems amazing that there should be so little information available about two such relatively modern pieces of equipment.

of the worldwide communication we take for granted these days. I am reminded of a similar attempt to get a different lot of machinery listed on a nearby wharf. It was only 22 years ago but then things were very different. In 2001 we tried to get listing status for two cranes at Lovell’s Wharf. Lovell’s was on the first bit of the Riverside Path from Ballast Quay – on what is now Riverside Gardens flats. It’s the bit of riverside you will have walked on to get to the machinery at Enderby Wharf. The wharf had been operated for the past 80 or so years by Bristol based wharfingers, Shaw Lovell. Anyone who was around there before the 1990s will remember how it was always very

busy with ships alongside the wharf and there was also a large 1960s office block. In 1982 the wharf was handling 118,000 tons of cargo a year - steel, aluminium, galvanised sheeting and gas pipes, as well as timber. Later it was used for short term storage of building materials. But we all knew it would be up for ‘development’ sooner rather than later, although ships were calling there right to the end. Two cranes remained on site after work there ended... Cranes like them were once very common around the Port of London but they have now completely disappeared. It’s strange to think that many people these days will have no idea what the busy riverside used to be like – everywhere all movement and activity with big crane jibs swinging out to vessels alongside and the river

itself full of ships. It’s the noise of the river you miss the most – when it all closed down the silence was deafening. The two tall ‘Scotch derricks’ at Lovells were a dramatic part of the Riverside. We did a bit of research to find out more about them to try and get them recorded and maybe preserved. Shaw Lovell’s records did not reveal when they had first acquired them; both had been used elsewhere. We understood that their lattice-framed style probably dated them to before 1950 and both were electrically powered. The down river crane was the ‘Butters’ crane brought here from Dublin Custom House in the mid1970s and which could handle 20 tons. Butters were Glasgow based crane manufacturers who had been

In the course of getting information together one young bloke climbed up the crane. I’m sorry I can’t remember his name, but he came from Deptford and always wore a cap on back to front. He took a lot of photographs of what would have been the crane driver’s view. We tried to put in an application to get them listed but it wasn’t acceptable and we were told that English Heritage did not list machinery. Now I knew through my national contacts in the world of industrial history that a number of consultancies had been commissioned about doing just that. I remember sending copies of some of the documents to the then chief Greenwich planner – someone who generally kept abreast of new developments - but he knew nothing about any of this. Greenwich Planners were however very supportive of keeping the cranes and were working with some potential developers who had ideas about ways in which they could be used. It was all useless. One Saturday


history Enderby Wharf -some of the preserved cable loading gear Lovells Wharf crane at work 1984

One of the Lovells cranes 1990s

morning at 6 am a demolition crew arrived and demolished both of the cranes on behalf of the site’s freehold owners. I always suspected that it was because film makers who wanted to use Ballast Quay for historical location shots were complaining about them being in the way. Ironically the one witness to this demolition was apparently a former crane driver, living on the top floor of the Harbour Master’s House – and by the time he managed to contact anybody that morning the cranes were gone. Things are different now. English Heritage was being divided up some years ago and the part of it dealing

with listings is now ‘Historic England’. There are many new members of staff and most of the ‘traditional old-school conservationists’ have retired. New staff are graduates of a range of disciplines and, I am told, much more aware of what they don’t know. There is ‘an appreciation of all the varied aspects of the past’ ... ‘learning the lessons of what has been lost’. So, things look a lot brighter for getting listing status on the machinery at Enderby Wharf, which is just a short distance on from where the cranes were. But there are some other issues at

Enderbys. Next to the jetty where the machinery is are some steps going down into the river. These went to a small ferry where a man would pick people from the wharf and take them out to the cable ships moored in the river. They also covered Bendish sluice – part of the medieval system for draining the marsh. In around 2003 a lot of work was done on the Greenwich Riverside by the Groundwork charity. One of the things they commissioned was a project to replace the steps with a special hardwood on which was carved a history of the cable industry. This was overseen by a member of the local community who has looked after them ever since. She tells us now that she has recently had more work done on them. There are now gates to prevent them being damaged by vandals. There were other things at Enderbys which have been lost. That included a set of penstocks for the sluice which were demolished by the Council some years ago. Before all the flats were built if you stood on Enderby wharf

with your back to the river and looked towards Blackwall Lane through some gates - you were looking down the length of what had been an 18th century rope walk. What was the point of getting rid of that? Next to it was a large office block decorated with a frieze of gutta percha leaves. Gutta percha was the important insulator for all those cables lying on the bottom of the world’s oceans. That building was demolished with never a by-your-leave or thank-you. However there is something new here. There is a new(ish) art work consisting of seats and a table which are designed as replicas of various important cables made on the site. The artist was Bobby Lloyd and it was built because the Council put it into the planning consent for all those flats when the site was developed. Unfortunately there were no arrangements made for looking after it and keeping it clean and tidy. I hope this has been sorted out now – and if so, thank you to the Council Officer concerned.

Anyway - ‘good luck’ with the listing of the Enderby equipment. It’s very boring if after all this development everything all looks the same. Variety in the environment can be achieved in leaving behind something of its past. And with Enderby’s surely we need to tell people about the heritage here. All those tourists fiddling with their i-phones might like to know that Greenwich people played a big part in the technology which allows us to talk to each other all round the world. Pity that walking down to Enderby’s they won’t get much idea of what this riverside was like, when the river was The River. (sigh) Thanks – Alan Burkitt Gray, and many, many researchers on Enderbys including Stewart Ash and Richard Buchanan. With the cranes – many who had worked on the site, and the Shaw Lovell director. LBG Planners and the then Riverside Officer, and, of course, the man with the backwards cap.

February 14 2024 11


public notices

Royal Borough of Greenwich

Town & Country Planning Act 1990 (AS AMENDED) Town & Country Planning (Development Management Procedure)(England) Order 2015 Planning (Listed Buildings & Conservation Areas) Act 1990 (AS AMENDED) Planning (Listed Buildings & Conservation Areas) Regulations 1990 (AS AMENDED) Notice is hereby given that application(s) have been made to The Royal Borough of Greenwich in respect of the under mentioned premises/ sites. You can see the submissions and any plans at http://www.royalgreenwich.gov.uk/planning. If development proposals affect Conservation Areas and/or Statutorily Listed Buildings under the Planning (Listed Building and Conservation Area) Act 1990 (As Amended) this will be shown within the item below. Anyone who wishes to comment on these applications should be made in writing to Development Planning within 21 days of the date of this notice. Please quote the appropriate reference number. Date: 14/02/2024 Victoria Geoghegan Assistant Director - Planning and Building Control List of Press Advertisements - 14/02/2024 Publicity For Planning Applications Applicant: Site Address: Development:

Trademark Group 23/1603/F Site to the south-west of 27 Greenwich High Road, Greenwich, SE10 8JL Construction of a five-storey building comprising Office space (Use Class E) and residential units (Use Class C3) and associated refuse and cycle parking. [amended description]

(The development may impact on the setting of the Grade II listed building - Mumfords Grain Silo) Conservation Area: adjacent to Ashburnham Triangle Applicant: Site Address: Development:

Mr Boyraz 23/3823/F 33 THE VILLAGE, CHARLTON, LONDON, SE7 8UG Partial demolish the existing building and erection of rear extension providing four flats (Use Class C3) and commercial space (Use Class E) and all associated works Conservation Area: CHARLTON VILLAGE Applicant: Site Address: Development:

The Mayor’s Office for Policing and Crime (MOPAC) 23/3962/F METROPOLITAN POLICE, PLUMSTEAD POLICE STATION, 200 PLUMSTEAD HIGH STREET, PLUMSTEAD, LONDON, SE18 1JY Installation of an air source heat pumps within a raised plant enclosure, replacement of windows, the construction of a substation outbuilding and the installation of solar panels with associated external works. This may affect the setting of the Grade II Listed Building - Plumstead Library.

Applicant: Site Address:

Mr A Thorburn 23/4012/F FLAT 4 MANNA MEAD, 17 WEST GROVE, GREENWICH, LONDON, SE10 8QT Development: Installation of multiple rooflights, the replacement of rear dormer windows and assorted internal alterations to a upper floor flat in a Grade II* listed building. Conservation Area: WEST GREENWICH Applicant: Site Address: Development:

K M Partnership 24/0157/F THE VICTORIA, 757 WOOLWICH ROAD, SE7 8LW The construction of a new first and second floor rear extension to the existing property to create 4no. additional 1-person studio flats, including the alteration of an existing 2-bedroom flat to become a 1-person studio flat and all associated works Conservation Area: THAMES BARRIER & BOWATER ROAD Applicant: Site Address:

Mr Marco Armas 24/0288/HD 44 ARSENAL ROAD, ELTHAM, LONDON, SE9 1JU

Development:

Construction of a single storey rear extension with 2no. rooflights, installation of a second floor window to the rear elevation, a loft conversion with 1no. rooflight to the side roof slope and associated external works Conservation Area: PROGRESS ESTATE Applicant: Mr Mark Ransley 24/0347/HD Site Address: 26 CARADOC STREET, GREENWICH, LONDON, SE10 9AG Development: Construction of a single storey rear infill extension. Conservation Area: EAST GREENWICH Applicant: Site Address:

London & Quadrant 24/0369/HD 14 WHITWORTH STREET, GREENWICH, LONDON, SE10 9EN Development: Replacement of front timber windows and front entrance door with slimline Timber units. Replacement of rear uPVC windows and door with replacement double glazed uPVC units. Replacement of Fascia's and Soffits. Conservation Area: EAST GREENWICH Applicant: Site Address:

London & Quadrant 24/0370/HD 29 WHITWORTH STREET, GREENWICH, LONDON, SE10 9EL Development: Replacement of front timber windows and front entrance door with slimline Timber units. Replacement of rear uPVC windows and door with replacement double glazed uPVC units. Conservation Area: EAST GREENWICH Publicity for Listed Building Consent Applicant: Site Address: Development:

The Royal Parks Charity 23/3704/L Greenwich Park Bandstand, SE10 Repair and redecoration of the Bandstand to reverse issues contributing to fabric deterioration and dilapidation, reduce maintenance and secure the future of the asset. Conservation Area: GREENWICH PARK Listed Building: Grade 2 Applicant: Site Address:

Mr A Thorburn 24/0128/L FLAT 4 MANNA MEAD, 17 WEST GROVE, GREENWICH, LONDON, SE10 8QT Development: Installation of multiple rooflights, the replacement of rear dormer windows and assorted internal alterations to a upper floor flat in a Grade II* listed building. (The application site is in the West Greenwich Conservation Area). Conservation Area: WEST GREENWICH Listed Building: Grade 2* Applicant: Mr David Quarmby 24/0250/L Site Address: 61 ROYAL HILL, LONDON, SE10 8RZ Development: Installation of through floor lift. Conservation Area: WEST GREENWICH Listed Building: Grade 2

ROYAL BOROUGH of GREENWICH ROAD TRAFFIC REGULATION ACT 1984 – SECTION 14(1) WHITWORTH STREET PLANNED ROAD CLOSURE (ORDER) 1. 2.

WANTED

CARS + VANS ANY CONDITION ANY AREA PROMPT & POLITE SERVICE TELEPHONE

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12 February 14 2024

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5. 6. 7.

The Royal Borough of Greenwich intends to make this Order in exercise of powers under section 14(1) of the Road Traffic Regulation Act 1984. This is to facilitate works by Thames Water who need to carry out repair works. The Order will come into operation on 28th February 2024 and would continue to be valid for 18 months. However, the works are expected to take 5 days. The duration of the Order can be extended with the approval of the Secretary of State for Transport. The effect of the Order would be to temporarily prohibit vehicles from entering, proceeding, or waiting (including waiting for the purposes of loading or unloading), in Whitworth Street at the junction of Trafalger Road. Whilst the Order is in operation traffic will be diverted via the placing of the appropriate signage. Prohibitions remain in force; pedestrians are not affected, and vehicle access will be maintained wherever possible. Nothing in this Notice will apply to anything done with the permission or at the direction of a police constable in uniform or traffic warden, to emergency service vehicles, or to vehicles being used in connection with the works. The restrictions described above will apply only during such times and to such extent as shall be indicated by traffic signs as prescribed by the Traffic Signs Regulations and General Directions 2016. Queries concerning these works should be directed to the Royal Borough of Greenwich’s Directorate of Regeneration, Enterprise & Skills on 020 8921 6340.

Ryan Nibbs Assistant Director, Transport. The Woolwich Centre, 35 Wellington Street, SE18 6HQ Dated 01/02/24 (INTERNAL REF: PL/634/LA464105)

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STATUTORY NOTICE CLOSURE OF HOLY FAMILY CATHOLIC PRIMARY SCHOOL TUDWAY ROAD, KIDBROOKE, LONDON, SE3 9YX DFE NO. 203/3657 Notice is given, in accordance with Section 15 (1) of the Education and Inspections Act 2006 (as amended by the Education Act 2011) and the School Organisation (Establishment and Discontinuance of Schools) Regulations 2013, that the Royal Borough of Greenwich in agreement with the Archdiocese of Southwark intends to close Holy Family Catholic Primary School with effect from 31st August 2024. Should the decision to close Holy Family Catholic Primary School be taken, all children attending the school would be supported to find places at alternative schools in line with parental preferences and/or within the area for September 2024. Within four weeks from the date of publication of this notice, any person may object to or make comments on the proposal by either: a) Emailing objections, comments, or questions to: school-place-planning@royalgreenwich.gov.uk or b) Writing to: Admissions, Place Planning & Capital Projects Service Royal Greenwich Children’s Services, First Floor, The Woolwich Centre, 35 Wellington Street, London SE18 6HQ. Responses must be received by 5pm on Friday 13th March 2024. The statutory notice will expire on 13th March 2024 and a decision must be taken by Cabinet no later than 8th May 2024 (subject to a 5-day call in period)¹. ¹ The Royal Borough of Greenwich will need to take the decision on whether or not to close Holy Family Catholic Primary School within two months of the end of the representation period. If the Council fails to take the decision within this time, it will pass all relevant material to the Office of the Schools Adjudicator (OSA), which will itself take the decision. STATUTORY PROPOSAL TO CLOSE HOLY FAMILY CATHOLIC PRIMARY SCHOOL The Royal Borough of Greenwich in agreement with the Archdiocese of Southwark, hereby publishes this statutory proposal under Section 15(2) of the Education and Inspections Act 2006 to close Holy Family Catholic Primary School with effect from 31st August 2024. NAME, ADDRESS AND CONTACT DETAILS: 1. School contact details: The school address is: Holy Family Catholic Primary School, Tudway Road, Kidbrooke SE3 9YX Telephone: 020 8856 2708 Email: sao@hfprimary.org 2. School category: Holy Family Catholic Primary School is a voluntary aided school 3. Local authority contact details: The Royal Borough of Greenwich, The Woolwich Centre, Wellington Street, Woolwich, London SE18 6HQ Website: www.royalgreenwich.gov.uk IMPLEMENTATION The planned implementation date for the closure of Holy Family Catholic Primary School is 31st August 2024 onwards. REASON FOR CLOSURE The closure of Holy Family Catholic Primary School is considered necessary because its operation is no longer deemed financially sustainable. This is considering the anticipated continued reduction in demand for primary school places in the local area and London in general, in the medium term. Holy Family Catholic Primary School pupil roll numbers have fallen consistently over the past years and as school budgets are based on pupil numbers, the school’s growing financial pressure is anticipated to get worse over the coming years. By the end of the 2023/2024 academic year, it is estimated that the school will be missing £118k in funding, which will rise to £362k by the end of next year and further increase in years to come. Low pupil numbers also impact school experience for students, as there are fewer opportunities to socialise and less staff to provide quality curriculum, which the students deserve. Keeping the school open is therefore likely to be detrimental to the education of the students on roll and extend the period of uncertainty around the future of the school. PUPIL NUMBERS AND ADMISSIONS The school has experienced a persistent reduction in roll number, with the total number of primary-aged pupils decreasing by 32% from 211 in January 2018 to 143 in January 2024. As a one form entry school, with capacity for 210 pupils aged 4 -11 (i.e., Reception Year through to Year 6), the level of admissions to the Reception Year has been persistently well below the Planned Admission Number of 30 and only 19 pupils were enrolled in Reception in September 2023. In the ongoing 2024/25 admission round, only six families have chosen the school as first preference, meaning that the school can only be certain of having six students in Reception in September 2024. Figure 1 below shows the number on roll in the school during January census between 2017/18 and 2023/24 academic years. This consistent reduction in roll number is expected to continue for the foreseeable future. Figure 1: Holy Family Pupil Numbers Jan census whole school roll figures

Academic Year

Nursery (FTE)

Reception

Total FTE

2017/2018

16

31

205

Total Roll 211

2018/2019

4

18

173

173

2019/2020

-

18

167

167

2020/2021

-

22

164

164

2021/2022

-

15

159

159

2022/2023

11

15

149

152

2023/2024

16.5

19

141.5

143

FTE = full time equivalent i.e. any part time nursery pupils reflect 0.5 Total Roll = all pupils are counted in full regardless of fulltime/parttime status Figure 2 below shows the current number of pupils on roll in each year group. The number of pupils in Year 6 is higher than those in other year groups, but as this cohort moves on, the total school roll will decline further. Figure 2: Holy Family Current Pupil Numbers by Year Group – as of January 2024 school census

No. of pupils

Nursery

Reception

Year 1

Year 2

Year 3

Year 4

Year 5

Year 6

18 (16.5 FTE)

19

15

21

18

12

15

25

There are 18 pupils in Nursery however three are part time so FTE = 16.5 Figure 3 below shows the gender split and the number of children with an Education, Health and Care (EHC) Plan enrolled at the school as at January 2024 school census. The consultation process on alternative schools for those children with EHC Plan has commenced in line with the statutory SEND process to ensure that these children are not impacted by the proposal to close the school, should it be implemented. Figure 3: Gender and SEN characteristics of pupils on roll by Year Group as of January 2024 school census: Male

Female

SEN Support

EHCP

Nursery

12

Reception

10

6

-

-

9

3

-

Year 1

7

8

3

-

Year 2

14

7

3

-

Year 3

10

8

4

-

Year 4

6

6

3

-

Year 5

7

8

2

2

Year 6

14

11

3

-

Total Roll

80

63

21

2

DISPLACED PUPILS, IMPACT ON THE COMMUNITY, BALANCE OF DENOMINATIONAL PROVISION AND TRAVEL As at the January 2024 census, there were 125 pupils on roll in Reception to Year 6. The closure of the school will not affect the children in Year 6 as they will be transferring to secondary in September 2024. As such, 100 pupils are expected to be affected by the decision to close the school in August 2024. Continues on next page


pubLiC notiCes Figure 4 below sets out the number of places available in Royal Greenwich schools within a reasonable distance to Holy Family Catholic School and shows that there are a total of 248 places available in schools within a reasonable distance to Holy Family Catholic School. This is evidence that there are enough spare capacity in local schools for alternative provisions to be made available for children likely to be displaced if the decision to close the school is implemented. Figure 4: Vacancies in Royal Greenwich Schools within a reasonable distance to Holy Family Catholic School School

R

Y1

Y2

Y3

Y4

Y5

Y6

Total (RY – Y6)

Brooklands

3

4

3

5

0

3

7

25

Ealdham

9

7

7

2

0

0

5

30

Haimo

17

0

5

6

0

14

13

55

Henwick

14

14

2

6

1

13

4

54

Horn Park

0

0

8

7

7

17

4

43

kidbrooke Park

4

0

8

0

4

0

0

16

Middle Park

2

0

1

1

1

9

0

14

St Thomas Moore

5

0

0

3

0

0

3

11

Wingfield

0

0

0

0

0

0

0

0

Total vacancies

54

25

34

30

13

56

36

248

Figure 5 below shows the number of vacancies in Catholic primary schools nearest to Holy Family Catholic Primary School. This shows that for those parents seeking to continue with Catholic education for their children, there are enough spare capacity in Catholic schools within a reasonable distance to Holy Family Catholic Primary School. Accordingly, as at the time of publication of this notice, there are 250 spare places within Catholic schools within a reasonable distance to Holy Family Catholic Primary School. Figure 5: Vacancies in Catholic Primary Schools nearest to Holy Family Catholic Primary School Places Available

R

Y1

Y2

Y3

Y4

Y5

Y6

Total RY – Y6

13

9

6

5

0

7

0

40

Greenwich Notre Dame Our Lady of Grace

4

0

1

0

0

1

0

5

St Joseph’s

14

8

10

9

13

8

6

68

St Mary’s

0

0

0

0

0

0

0

0

St Thomas Moore

5

0

0

3

0

0

3

11

Good Shepherd

0

1

0

4

0

4

0

9

Holy Cross

0

0

1

1

1

0

0

3

St Augustine’s

0

6

1

1

7

1

0

16

St Matthew Academy

7

10

0

1

4

9

0

31

St William of York

1

5

9

9

0

0

0

24

St Winifred’s

6

5

4

1

14

4

9

43

Total vacancies

50

44

32

34

39

33

18

250

Lewisham

The evidence set out in Figures 4 and 5 above shows that given the availability of places in both local non-faith schools and Catholic schools, the impact on the community of the closure of Holy Family Catholic Primary School will be reduced. Figure 6 below shows the number of baptisms conducted by the Catholic parishes around Holy Family Catholic Primary School between 2019 and 2022. This suggests that the number of Catholic families likely to attend Mass regularly in the parishes around the school has reduced by 36% between 2019 and 2022. This infers that the impact of the closure of Holy Family Catholic Primary School on Catholic families in the Catholic parishes around the school will be limited. Figure 6: Baptism data for Catholic Parishes around Holy Family Catholic Primary School. Parishes\Baptism 2019 kidbrooke

17

2020

2021

2022

25

14

13

Lewisham

92

78

31

47

Blackheath

50

48

19

32

Lee

23

24

12

24

Greenwich

57

57

57

28

Greenwich East

11

10

10

16

Total Baptism per year

250

242

143

160

3%

43%

36%

% reduction since 2019

Working collaboratively with the Archdiocese of Southwark, measures are being put in place to facilitate redeployment (where possible and appropriate) of staff likely to be displaced by the closure to other Catholic schools within the Archdiocese where there are staff vacancies. Where redeployment is not possible, appropriate individual support will be offered to limit the impact of the closure on affected staff. In addition, the Trades Unions and relevant professional associations will be consulted with regular liaison maintained with them throughout the closure process, if closure is agreed.

14 February 14 2024


Architecture. Management. Sustainability

Image: Peckham Plant House Planning consent granted November 2023

Contact Andy to arrange a consultation WhatsApp or call: 07977 203 741 email: hello@andymatthews.studio


ADVERTORIAL

News from the Royal Borough of Greenwich

Reducing serious violence across Royal Greenwich The Royal Borough of Greenwich has published our Serious Violence Strategy, to help everyone in the borough feel safer by preventing and reducing serious violence. The strategy outlines and builds upon the joined up work the Council already does with its partners through the Safer Greenwich Partnership (that includes the MET Police, NHS and National Probation Service amongst others) to analyse the causes of serious violence locally, with a focus on prevention and early intervention. Councillor Ann-Marie Cousins, Cabinet Member for Community Safety and Enforcement, said: “No one should have to experience, or live in fear of violence, and preventing it is a key priority for Council and the Safer Greenwich Partnership. Our Serious Violence Strategy paints an honest picture of the types of violence in our borough, but it also builds on years of tireless partnership working and many achievements so far (such as our Safehaven Superhubs and Anti-Knife Crime campaign) to reduce serious violence, improve everyone’s quality of life, and make Royal Greenwich a safer place to be.”

3. Prevent and stop violence and exploitation through disruption and enforcement. 4. Safeguard locations where the risk of violence or exploitation is higher, by working with communities and partners to address concerns. 5. Engage with communities to build confidence, resilience and trust in services ability and commitment to respond to community concerns. 6. Address inequality and ensure fair access to culturally relevant support and services. 7. Ensure the use of services appropriate to victims’ needs and that front line staff are confident to identify and support victims, including use of referral pathways to enable victims to benefit from specialist services. 8. Ensure robust arrangements are in place to lead and monitor progress of the strategy and to adjust delivery to meet changing needs.

Read the full strategy: royalgreenwich.gov.uk/ The Serious Violence Strategy’s serious-violence-duty

aims for year ahead...

1. Prevent young people from being drawn into violence or exploitation as either victims or perpetrators. 2. Support young people already involved in violence or exploitation to sustain positive behaviour.

www.royalgreenwich.gov.uk

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