2025-2026 Season Program Book - Volume 1 by Columbus Indiana Philharmonic

PATRICK VOGT

Board of Directors // President

On behalf of the Board of Directors, our dedicated staff, the extraordinary musicians of the Columbus Indiana Philharmonic, and our passionate Notables, it is my great pleasure to welcome you to this performance. Together, we share a mission: to connect people to diverse musical experiences that create memorable moments, embody inclusiveness, and embrace life’s journey through music education, performances, and community events. Every note you hear tonight is the result of a community working in harmony— on stage, behind the scenes, and in the audience.

Whether this is your very first Philharmonic concert or you are a longtime friend returning for another season, we are grateful you have chosen to spend your time with us. For first time guests, we hope tonight sparks a lasting relationship with live music in Columbus. For our returning patrons, welcome back—you are part of the fabric of our story, and your continued presence inspires us to reach new heights.

This year marks our 38th season, Horizon—A Musical Odyssey. Throughout the year, we will journey across musical landscapes, exploring works that expand our perspectives and invite us to imagine what lies beyond the familiar. Like any great odyssey, this season is about discovery—of new sounds, new emotions, and new connections with one another. We invite you to join us for the full voyage, as each concert offers a unique chapter in this unfolding adventure.

If tonight moves you, we encourage you to share that experience. Tell your friends, family, and colleagues about the Philharmonic, and bring them along to our next performance. We have special promotions for new patrons, making it easier than ever to introduce someone to the magic of live music. After all, music is even more powerful when experienced with the people we care about.

Thank you for being here, for supporting the arts in our community, and for helping us carry our mission forward. Together, we will continue to create moments that resonate far beyond the final note.

IN LOVING MEMORY

Bob Haddad Sr.

Robert W. “Bob” Haddad Sr. (1932–2025) was a devoted husband, father, entrepreneur, philanthropist, and friend to many. After founding Columbus Container in 1972, Bob grew the company into a regional leader, creating jobs and fueling economic development across Indiana. Beyond business, Bob dedicated his life to service, holding leadership roles with countless civic, educational, and arts organizations, and receiving honors such as Small Businessman of the Year, Entrepreneur of the Year, and the Sagamore of the Wabash.

Together with his beloved wife Helen, Bob championed the arts in Columbus and beyond. Their generosity helped establish Helen Haddad

Isaac Selya is Music Director of the Columbus Indiana Philharmonic, Staff Conductor at the Dayton Philharmonic, and Founder & Artistic Director of Queen City Opera. His projects combine classical music with community collaborations, including the following:

About Isaac

» Mozart’s Super Flute; a production of Mozart’s Magic Flute set in the world of classic video games.

» Reconstructing Tchaikovsky’s lost Undina as an ecoopera focusing on sustainable energy production and water stewardship, presented in collaboration with Green Umbrella and the Cincinnati Nature Center.

» Defiant Requiem: Verdi at Terezín, commemorating the musicians of the Terezín Concentration Camp who performed Verdi’s Requiem as an act of defiance against the Nazis.

» Bach’s Coffee Cantata in collaboration with Deeper Roots Coffee and Green Umbrella, focusing on sustainable coffee production.

» Pairing classical repertoire with music from the Legend of Zelda video game, the Lord of the Rings films, and Wagner’s The Valkyrie

He conducted the Los Angeles stage premiere of Tchaikovsky’s Iolanta at Pacific Opera Project, in collaboration with the National Federation for the Blind, and with blind soprano Cristina Jones in the title role.

His guest conducting engagements include the Deutsche Kammerphilharmonie Bremen in Germany, the Xiamen Philharmonic in China, the National Symphony of Guatemala, and the Cincinnati Symphony Orchestra accompanying Cincinnati Ballet.

His performance of Wagner’s Siegfried was the first production of the work in Ohio in over a century. In recognition of his talent and entrepreneurialism, Musical America featured him as a Spotlight Artist. Committed to ensuring that music education is accessible to everyone, Isaac serves as a Cello Teaching Artist and conductor at the MYCincinnati Youth Orchestra, an El Sistema-inspired program in Cincinnati.

Isaac has provided scholarship to publishers Bärenreiter, Henle, Schott, Breitkopf & Härtel, and the University of Chicago Press/Casa Ricordi in the critical editions of the works of Bach, Beethoven, Bizet, Mascagni, Mendelssohn, Mozart, Stravinsky, Tchaikovsky, Verdi, Wagner, and Weber.

He is currently working with Bärenreiter and artificial intelligence-powered linguistics company ipipapa as chief editor of a new edition of Tchaikovsky’s Eugene Onegin, including a machine learning assisted transcription into International Phonetic Alphabet of the Russian text.

Isaac has also conducted performances with the Xiamen Philharmonic, the Dayton Philharmonic, the National Symphony of Guatemala, the Chelsea Symphony, and the Cincinnati Chamber Orchestra. He served as Assistant Conductor for Cincinnati Opera and the Glimmerglass Festival, where he conducted the firstever reading of the revised version of Philip Glass’s Appomattox, with the composer present.

Isaac’s conducting can also be heard on the soundtrack to the award-winning video game, Masquerada: Songs and Shadows He started his professional music career at the age of 18 singing in the chorus of the Great Synagogue in Jerusalem, Israel. He holds a BA from Yale College, where he was principal cellist of the Yale Symphony and sang in Yale’s Schola Cantorum. He completed an MM in conducting at Mannes College, where he won a competitive grant from the New School Green Fund to present a concert dealing with environmental advocacy. And he holds a doctorate from the University of Cincinnati-College Conservatory of Music, where his research focused on Mozart’s use of the baritone voice.

Isaac maintains a catalogue of parallel fifths and other voice leading irregularities he finds in the works of common-practice composers. You can see them, as well as his commentary on counterpoint at his blog, illicitfifths.tumblr.com.

Isaac is based in Cincinnati with his wife PinHsuan Chen, who is a violinist and personal trainer. They have three cats: Tosca, Aida, and Tamino.

Isaac Selya fast facts

pets

Tosca, Aida & Tamino (3 cats)

Cincinnati, OH birth place

favorite composer

W.A.

Mozart education

University of Cincinnati - College Conservatory of Music

Mannes College Yale College

MEET our musicians

VIOLINS

Jiangzhongnuo Tao, Concertmaster

VIOLA

Ryan Tolentino, Principal

Katherine Deneris, Assistant Principal

Jacob Burk

Nicolette Cheauré

Siyu Jiang

Ila Rondeau

Wan-Zhen Xie

Bowei Yang

CELLO

Kyle Johnson, Principal

BASS

Brenton Carter, Principal

Sponsored by the George E. & Catherine H. Shortle Foundation

Corey Watzek, Assistant Principal

Nicholas Blackburn

FLUTE

Laura Recendez, Principal

Notables Flute Chair

Donna M. Wilson

Jessica Harris, Piccolo

OBOE

Liza Saracina, Principal

CLARINET

Samantha Johnson-Helms, Principal

BASSOON

Corbin Krebs

Kathleen Moran, contra.

HORN

Harrison Tye, Principal

Charlotte Ulmer

Dave Poncar

Kenji Ulmer

TRUMPET

Eric Rodriguez, Principal

Jay Ellsmore

Keith Burton

TROMBONE

Matt Williamson, Principal

Kyle Malesevich

Carter Woosley, Bass Trombone

TUBA

Glen Dimick, Principal

TIMPANI

Jason Spangler, Principal

PERCUSSION

Brian McNulty, Principal

HARP

Julia Johnson, Principal

EDUCATION PROGRAMS

PHILHARMONIC YOUTH ORCHESTRA

The Philharmonic Youth Orchestra (PYO) provides an encouraging and challenging orchestral setting for middle and high school students. PYO musicians are mentored by Philharmonic musicians and perform in several concerts and ensemble groups each year, including an opportunity to perform side-by-side with the Columbus Philharmonic Orchestra. Membership is by audition.

COMMUNITY OUTREACH

ADVENTURE CONCERTS

Each year, thousands of area 3rd and 4th grade students explore the world of orchestral music at the Adventure Concerts. These concerts blend education and entertainment, exposing young children to the various instrument families of the orchestra, encouraging them not only to enjoy music, but also to explore making music.

The Philharmonic believes that arts programming is a critical component to a well-rounded education, and therefore has a strong commitment to education outreach initiatives, such as the Adventure Concert Preview Program where musicians tour area schools for hands-on learning. Philharmonic musicians participate in other outreach activities including many ensemble performances, company ribbon cutting ceremonies, concert receptions, wedding ceremonies, and festivals. CICC’s annual Love Chapel Gift Concert provides our youth the opportunity to encourage food donations to our local food bank.

MAKING MUSICchanges lives

COLUMBUS INDIANA CHILDREN'S CHOIR

NEIGHBORHOOD ACADEMY CHOIR

The CICC Neighborhood Academy Choir is part of the ICC/CIP effort to provide a short term, afterschool choral experience to serve local and regional schools. CICC offers a 5-6 week introductory choral education program with the opportunity for performance with the CICC Choir and members of the CIP. Past Neighborhood Choir Academies have included schools in Franklin, Batesville and Hope. Contact CICC Administrator Olivia Cain at cicc@thecip.org to help underwrite this program or to request to have an NAC at your location.

The Columbus Indiana Children’s Choir is a cooperative effort between the Columbus Indiana Philharmonic and the internationally renowned Indianapolis Children’s Choir. CICC is known for its excellence in music education and performance. CICC has shared its musical artistry as frequent guests for local schools, community organizations and beyond. Members of CICC have performed and toured across the continental United States, in Hawaii, Alaska and throughout Central Europe. The CICC also performed in New York City’s Carnegie Hall and Lincoln Center. CICC is a tuition-based, educational program. CICC consists of three treble voiced choirs of children and youth in 1st thru 9th grades.

STRINGS INVITATIONAL

The Philharmonic Youth Orchestra hosts several musical groups from surrounding communities at the annual Invitational under the direction of CIP Music Director Isaac Selya.

EDUCATION PROGRAMS

STRINGS CLASSES

The Philharmonic offers weekly strings classes in local elementary schools, with a concert presented at the end of each semester. Beginning, intermediate and advanced classes are offered.

SUMMER CAMPS

Choral Festival and Strings Camp are offered to young aspiring musicians during May and June. Choral Festival is a weekend music camp for children graduating into grades 4-8. Participants enjoy singing, playing musical games, learning about vocal production, harmony, and much more! At Strings Camp, string musicians of all levels in grades 1-8 are encouraged to sign up for group lessons on violin, viola, cello, and bass taught by experienced instructors. Arts and crafts, swimming, miniature golf, and other outdoor fun are part of the daily schedule. Both camps culminate in performances open to the public.

OUR MISSION

Why we do what we do?

We connect people to diverse musical experiences that create memorable moments, embody inclusiveness, and embrace life’s journey through music education, performances, and community events.

OUR VISION

A regionally known performing arts organization that offers a multitude of inclusive arts driven activities focused on performing, visual, and culinary art forms. Who do we want to be?

OUR VALUES

Innovation • Connections • Collaborations

Creativity • Diversity • Excellence Integrity • Passion What drives our choices?

COMMITMENT TO DIVERSITY, EQUITY, AND INCLUSION

At the Columbus Indiana Philharmonic, we believe that music has the power to unite and inspire. We are committed to fostering an environment where diversity, equity, and inclusion are at the forefront of everything we do. We strive to create an inclusive space where all voices are heard and valued, regardless of race, ethnicity, gender, age, disability, sexual orientation, or socioeconomic background. Our goal is to enrich our community through the transformative power of music while celebrating and embracing the diverse perspectives that make our community vibrant and strong. We pledge to continually listen, learn, and take action to create a more equitable and inclusive environment for all.

American cellist Miriam K. Smith, student of Alan Rafferty and Dr. Sarah Kim currently at the University of Cincinnati, made her concerto debut at age 8 and has since performed as soloist with the Cincinnati Symphony, Louisville Orchestra, Wisconsin Chamber Orchestra, Youngstown Symphony, Hilton Head Symphony Orchestra, Kentucky Symphony Orchestra, London City Philharmonic and more.

Miriam is also a frequent chamber music performer, with many recitals and concerts given throughout the country. Her three commercial releases - Kodály (2024), and Momentum (2022), out on Azica Records, and first commercial release – Flair, out on MSR Classics – are available on all digital music streaming platforms. She was designated a first place winner in both the American Protégé International and American Fine Arts Festival competitions. Miss Smith was awarded the MacDowell Society Artist Grant in 2023 (Cincinnati) and was Young Arts winner for 2024. Most recently, she was a semifinalist in the 2024 Naumburg International Cello Competition.

Miriam lives with her family in Cincinnati and studies with Alan Rafferty. Outside of the concert hall, she holds a blue belt in the Israeli Defense Forces art of krav maga, and regularly participates and performs in ballet studio. Miriam plays on a 18th century cello of an unknown maker.

GUEST ARTIST SPONSOR Rick

Rick

& Alice Johnson

Opening Night

MISSION PRAGUE

Saturday • September 27, 2025 • 7:30 PM • Erne Auditorium

Columbus Indiana Philharmonic

Isaac Selya • Conductor

Miriam K. Smith • Cello

Theme from Mission: Impossible

Symphony No. 38 in D Major, K. 504, "Prague"

I. Adagio – Allegro

II. Andante

III. Finale: Presto

Cello Concerto in B minor, Op. 104

I. Allegro

II. Adagio, ma non troppo

Lalo Schifrin

W.A. Mozart

Antonín Dvořák

III. Finale: Allegro moderato – Andante – Allegro vivo

MISSION:PRAGUE CONCERT PRESENTED IN

COLLABORATION WITH

LANDMARK COLUMBUS FOUNDATION

Landmark Columbus Foundation (LCF) is a public resource and thought leader for Progressive Preservation in Bartholomew County; an advocate and educator for and about cultural heritage; and a source of inspiration to advance good design for public benefit. To fulfill its mission, LCF accomplishes Progressive Preservation efforts that assist in caring for buildings, landscapes, and art in Bartholomew County. It serves to educate and advocate for these cultural resources through research, conservation, fundraising, and documentation. It also runs two programmatic arms, Exhibit Columbus and Columbus Design Institute.

RICHARD MCCOY

Richard is the founding Executive Director of Landmark Columbus Foundation, a nonprofit organization dedicated to caring for, celebrating, and advancing the world-renowned cultural heritage of Columbus, Indiana. He has a long history of creating unique solutions to complex cultural heritage challenges and occasionally writes about arts culture.

Executive Director, Landmark Columbus

PROGRAM NOTES

urgency and syncopated accents evoke the architectural complexity of Prague itself—twisting alleys, baroque facades, and layers of intrigue. The inclusion of Schifrin’s music in this program creates an opening burst of momentum and mystery, preparing us for a deeper exploration of Prague through sound.

Argentine-American composer Lalo Schifrin (1932-2025) studied classical music and jazz piano in both Buenos Aires and Paris. Known for his skillful blending of jazz idioms with orchestral colors, Schifrin built a prolific career composing for film and television, including scores for Dirty Harry, Bullitt, and Cool Hand Luke. His music often bridges the refined sophistication of classical form with the visceral drive of jazz rhythm, making him one of the most versatile and influential media composers of the 20th century.

Wolfgang Amadeus Mozart

Symphony No. 38 in D Major, K. 504, "Prague"

Movements and Approximate Timings:

I. Adagio – Allegro (14 min)

II. Andante (8 min)

III. Finale: Presto (6 min)

Mozart’s Symphony No. 38 owes its nickname not just to the city of its premiere but to a meaningful relationship between composer and place. While Mozart’s operas—especially The Marriage of

PROGRAM NOTES

Completed in late 1786 and premiered in Prague in January 1787, the symphony is unique among Mozart’s late works. Unlike the typical four-movement structure, this piece comprises three movements—possibly because it was intended to follow an opera overture or simply due to time constraints. It opens with a grand Adagio introduction, the kind often reserved for the first movement of a dramatic opera. The music then bursts into an Allegro rich in polyphonic textures, a nod to the contrapuntal style of Johann Sebastian Bach and George Frideric Handel, whose music Mozart had studied under the influence of Baron van Swieten.

Indeed, this symphony is remarkable for its polystylistic construction: it blends sophisticated counterpoint with galant elegance, dramatic Sturm und Drang passages with buoyant lyricism. The second movement Andante provides operatic beauty and balance, while the finale sparkles with rapid scales and thematic interplay that reflect the playful and dynamic spirit of Prague’s cultural life.

written by Maestro Isaac Selya

A towering masterpiece of the cello repertoire, Dvořák’s Cello Concerto was composed during his time in the United States in 1894–95, but it is deeply rooted in the musical language of his Bohemian homeland. The work was inspired in part by the longing for home and by Dvořák’s admiration for the lyrical and expressive possibilities of the cello. Johannes Brahms, one of Dvořak’s mentors, never composed a cello concerto, despite having studied the instrument as a complement to his training as a pianist. After hearing Dvořák’s, he is reported to have exclaimed, “If I had known that one could write a cello concerto like this, I would have tried it myself!” Brahms’s admiration is telling: Dvořák’s concerto manages to balance the cello’s expressive range with the architectural structure of a large scale symphonic work, creating a dialogue between soloist and ensemble that is both intimate and expansive. The first movement is majestic and sonorous, weaving Slavic melancholy with sweeping Romantic gestures. The second movement—marked Adagio, ma non troppo—features a poignant quote from one of Dvořák’s earlier songs, a tribute to his sister-in-law Josefina, whose health was failing at the time. The finale is spirited and triumphant but ends with an introspective coda, perhaps an emotional farewell both to America and to Josefina, who died shortly after the concerto was completed.

Soloist Miriam K. Smith brings her profound musicality and deep connection to this piece, capturing the emotional resonance of Dvořák’s vision. The concerto is both a personal statement and a national one, reflecting Prague’s dual identity as a city of intimate beauty and grand historical depth.

PHILHARMONIC CHORUS direected by Caio Lopes

provides a unique opportunity for vocal training, the chance to perform in multiple languages, and the experience of working as a team to create powerful musical moments. If you can read music, love to sing, and are excited to grow as a musician, we are welcoming new members for the 2025-2026 season!

We rehearse Monday evenings, 7:00 to 9:00 PM at First United Methodist Church. For information, contact Lexi Schneider at 812-376-2638 or lschneider@thecip.org.

Caio Lopes is a Brazilian conductor based in Bloomington, Indiana. In addition to serving as Chorus Master for the Columbus Indiana Philharmonic, Caio is also an Associate Adjunct Professor of Music at the University of Indianapolis, Assistant Conductor and pianist for the Bloomington Chamber Singers, and Music Director at the First United Methodist Church in Columbus. As a graduate student at the Jacobs School of Music at Indiana University, Caio worked with all of the university concert choirs (Oratorio Chorus, University Singers, NOTUS, Singing Hoosiers and Pro Cantare), and served as an assistant chorus master for several productions at the IU Opera Theater. He was recently selected as an active conductor for the ACDA 2023 National Masterclass and the NCCO 2023 National Masterclass. Caio has completed the coursework for the Doctor of Music degree at the Jacobs School of Music, where he also earned his Master of Music degree. He received his Bachelor of Music degree from São Paulo State University in Brazil.

A LITTLE KNIGHT MUSIC

Saturday • October 25, 2025 • 7:30 PM • Erne Auditorium

Columbus Indiana Philharmonic Isaac Selya • Conductor

Columbus Philharmonic Adult Chorus Caio Lopes • Director

Overture to Euryanthe

Carl Maria von Weber

Skyrim — Dragonborn Jeremy Soule

Schicksalslied Johannes Brahms (Song of Destiny), Op. 54

INTERMISSION

Attack on Titan Medley Hiroyuki Sawano/REVO

Lohengrin Suite (arr. Selya/Schmid) Richard Wagner Act I Prelude

Lohengrin's Arrival

Elsa's Procession to the Cathedral Gathering of the Armies on the River Scheldt Act III Prelude

PROGRAM NOTES

Carl Maria von Weber

Overture to Euryanthe: 9 minutes

We open our knightly journey with the stirring overture to Carl Maria von Weber's Euryanthe, composed in 1823. Though the opera itself is rarely performed today, the overture has found lasting success in the concert hall. Weber's music is rich with harmonic daring and romantic fervor, and this overture—drawing from themes throughout the opera—paints a sonic tapestry of chivalric passion, supernatural elements, and heroic destiny.

The overture's introduction sets a dark, mysterious tone before erupting into brilliant orchestral passages that evoke both the nobility and the emotional intensity of its titular heroine, Euryanthe. The work's grand sweep and structural cohesion mark it as a predecessor to Wagner's music dramas and embody the early Romantic ideal of music as an emotional and narrative force.

Weber (1786–1826) was one of the leading figures of early German Romanticism. A cousin of Mozart’s wife Constanze, he was a gifted pianist, conductor, and critic, and served as court conductor in Dresden. His operas—especially Der Freischütz and Euryanthe were pivotal in shaping German opera, shifting it away from the Italian style toward a national voice imbued with folk elements and supernatural themes. Euryanthe, based loosely on medieval chivalric tales, tells the story of a noblewoman whose honor is tested through deception, but ultimately vindicated with the help of her true knight, Adolar.

Jeremy Soule

Skyrim — Dragonborn: 4 minutes

No exploration of knights in music would be complete without the modern mythology of video games. Jeremy Soule's iconic main theme for The Elder Scrolls V: Skyrim (2011) has become a cultural touchstone for a new generation. Entitled Dragonborn, the piece combines the visceral power of Nordic chant with orchestral might, capturing the awe and scale of epic fantasy landscapes.

written by Maestro Isaac Selya

The text, sung in the game’s constructed dragon language, celebrates the return of the prophesied hero who will battle ancient evils and restore balance to the world. With pounding rhythms and soaring brass, Dragonborn channels the same musical archetypes found in Wagner and Holst, forging a direct line from the heroic traditions of 19th-century music to contemporary storytelling.

Soule (b. 1975) has been described as "the John Williams of video games." Trained in composition but self-taught in digital production, he built a successful career in gaming soundtracks, creating lush, immersive scores for series such as Guild Wars, Icewind Dale, and Neverwinter Nights. His music helped redefine the artistic potential of video game soundtracks, demonstrating that interactive media could inspire works of symphonic grandeur.

Johannes Brahms Schicksalslied (Song of Destiny), Op. 54: 16 minutes

Brahms's Schicksalslied is a philosophical and emotional meditation on the human condition. Composed between 1868 and 1871, it sets a text by Friedrich Hölderlin contrasting the serene, eternal world of the gods with the tragic, fleeting path of humanity.

The piece is scored for chorus and orchestra and unfolds in three sections: a radiant evocation of divine tranquility, a stormy lament for mortal suffering, and a return to the opening music—but without voices, suggesting the ineffable distance between divine peace and human experience.

Though not overtly about knights, Schicksalslied aligns with the existential questions often posed in chivalric literature: fate, honor, sacrifice, and the search for meaning in a transitory life. Brahms’s score is deeply moving, combining classical balance with Romantic intensity.

Johannes Brahms (1833–1897) was one of the foremost composers of the Romantic era. Known for his mastery of form and emotional

PROGRAM NOTES

Hiroyuki Sawano / REVO

Attack on Titan Medley: 6 minutes

This medley from the anime phenomenon Attack on Titan captures the sonic power and narrative drive that have made the series a global sensation. With music composed by Hiroyuki Sawano and REVO, these themes fuse symphonic grandeur with metal, rock, and electronic elements to mirror the emotional and physical battles at the heart of the series.

Attack on Titan explores the collapse of civilization and the resilience of those who fight to defend what remains. The score is as muscular as the titans themselves, featuring soaring vocals, aggressive percussion, and orchestral drama. In the context of this program, it speaks to the evolving nature of the knight archetype: no longer clad in armor, but still driven by duty, honor, and courage.

Hiroyuki Sawano (b. 1980) is a Japanese composer and arranger known for his intense, cinematic sound. His scores for anime and video games combine orchestral heft with modern intensity. REVO, founder of the band Linked Horizon, composed the series’ iconic opening themes, which became viral hits and helped introduce anime music to wider international audiences.

Richard Wagner

Lohengrin Suite (arr. Isaac Selya & Audrey Schmid): 27 minutes

Richard Wagner's Lohengrin (1850) tells the story of a mysterious knight who arrives in a swan-drawn boat to defend the honor of the noble Elsa, who stands falsely accused of murdering her younger brother. Lohengrin,

written by Maestro Isaac Selya

earth, suggesting a celestial origin for Lohengrin himself.

• Lohengrin’s Arrival: Trumpets and shimmering harmonies announce the hero’s appearance in a boat guided by a swan, a moment of awe and reverence.

• Elsa's Procession to the Cathedral: A dignified and moving march underscores Elsa’s solemn entry to her wedding, filled with both hope and apprehension.

• Gathering of the Armies on the River Scheldt: Martial rhythms and layered brass celebrate the mustering of knights for battle.

• Act III Prelude: A triumphant fanfare opens the final act.

Columbus, IN 47201

5th Street, Suite 110

Columbus, IN 47201

Phone: 812-375-9850

445 5th Street, Suite 110

Columbus, IN 47201

Phone: 812-375-9850

Phone: 812-375-9850 445 5th Street, Suite 110

Richard Wagner (1813–1883) revolutionized opera with his concept of the Gesamtkunstwerk—a total artwork combining music, poetry, and stagecraft. His influence extended far beyond music into literature, philosophy, and politics, and may have lain the groundwork for modern cinematography. Lohengrin marked a turning point in his career, blending traditional operatic elements with the innovations that would come to define his later masterpieces such as Tristan und Isolde and The Ring Cycle

Phone: 812-375-9850 445 5th Street, Suite 110 Columbus, IN 47201 Phone: 812-375-9850

CONCERT SPONSORS OUR SPONSORS

Jorge & Judy Morales Jorge & Judy Morales

RETROPHONIC CHRISTMAS

Saturday • December 6, 2025 • 3:00 PM • Erne Auditorium

Columbus Indiana Philharmonic Kelly Kuo • Conductor

Columbus Philharmonic Adult Chorus

Caio Lopes • Director

Columbus Indiana Children's Choir

Melissa Garcia • Director

Christmas Festival

Leroy Anderson

It’s the Most Wonderful Time of the Year Andy Williams

The Christmas Waltz Peggy Lee

The Man with the Bag Kay Starr

Christmas at the Movies Bob Krogstad

A Star Dances An Angel Sings Greg Gilpin/Daniel Powers

Tomorrow Shal By My Dancing Day John Rutter

I’ve Got My Love to Keep Me Warm Ella Fitzgerald

White Christmas Eydie Gormé

Sleigh Ride Eydie Gormé

INTERMISSION

Let It Snow! Lena Horne

Snowbound Sarah Vaughan

My Favorite Things Eydie Gormé

Christmas Day Gustav Holst

Santa Claus Is Coming to Town Ella Fitzgerald

Have Yourself a Merry Little Christmas Judy Garland from Meet Me in St. Louis

Kay Thompson’s Jingle Bells Andy Williams

Joan Ellison has been praised for her "vocal prowess.... [and] organic grasp of the classic songs" by Michael Feinstein, and has made a specialty of reviving Judy Garland’s repertoire from the golden Hollywood years to her Carnegie Hall concert and television show, including restoring Ms. Garland’s glorious original orchestrations. Of her NYC solo cabaret show at Feinstein’s/54 Below, Cabaret Scenes Magazine wrote: “[Joan is] Judy-esque in appearance and…a near voice double for her idol.”

JOAN ELLISON

Recent concert highlights include her symphonic pops concert, Get Happy! A Judy Garland Celebration, with the Toledo, Jacksonville, Portland, New Haven, Springfield, Punta Gorda, Bartlesville, Southwest (IL), New Albany, and Paducah Symphonies, the Pops Orchestra of Bradenton and Sarasota, and the Cleveland Pops; Holiday appearances with the Erie Philharmonic, Augusta Symphony, and Cleveland Pops; sold-out performances in Florida of her one-woman theatre piece, All Happiness, Judy Garland; Judy and Liza at the Palladium with the Santa Rosa Pops; a concert for the annual Judy Garland Festival in Judy’s birthplace of Grand Rapids, Minnesota; “The American Musical on Stage and Screen” as part of the 2019 Bard Music Festival (NY); and a songfor-song recreation of Garland’s 1961 Carnegie Hall concert hosted by Judy’s daughter, Lorna Luft, and conducted by Michael Berkowitz (Liza Minnelli’s conductor/drummer), with Joan and Broadway divas Debbie Gravitte and Karen Mason. Her new symphony concert, It’s Magic! Joan Ellison Swings in High Fidelity, premiered in 2023 with the North Charleston Pops and Whiting Park Festival Orchestra and celebrates the most dazzling singers, songwriters, and arrangers of the midtwentieth century. Songs recorded by Rosemary Clooney, Doris Day, Lena Horne, Peggy Lee, Ella Fitzgerald, Keely Smith, Judy Garland, and Eydie Gormé are on the bill, featuring the restored original arrangements. Her cabaret concert celebrating the Garland Centennial, Love Finds Judy Garland, played theatres

vocalist

Pops with the symphonies of New Albany and Enid (OK).

In 2016, Joan embarked on a mission to restore Judy Garland’s original orchestrations. At Michael Feinstein’s invitation she serves as Editor of the Judy Garland Carnegie Hall Concert Restoration Project for the Judy Garland Heirs Trust. Recently, Joan was given the privilege of restoring the newly-rediscovered MGM film arrangement of “Over the Rainbow.”

Joan made her Cleveland Pops Orchestra debut at Severance Hall in 2005 and has since sung more than 65 concerts coast-to-coast with the Santa Rosa Pops, Evansville Philharmonic, Erie Philharmonic, Cleveland Jazz Orchestra, National Repertory Orchestra, Wheaton Pops, Canton Symphony, Ashland Symphony, Enid Symphony, Bemus Bay Pops, Tuscarawas Philharmonic, Lakeside Symphony, Ohio Valley Symphony, and Whiting Park Festival Orchestra.

In 2016, she played the role of Ms. Garland in the first U.S. professional regional production of The Boy From Oz. In addition to touring the country with shows she co-created, Love Finds Judy Garland and Gershwin On the Air, Joan has played classic leading-lady roles including Julie in Carousel, Nellie in South Pacific, Lizzie in 110 in the Shade, and Eliza in My Fair Lady (in concert). Her critically-acclaimed second album, “Retrophonic Gershwin” (2015), was recorded at Oberlin's Clonick Hall and mixed and mastered by Grammy-winning engineer Robert Friedrich.

She earned an M.M.T. and a Bachelor of Music degree in Voice from Oberlin Conservatory of Music. Early musical highlights while growing up in Iowa included playing Flora in The Turn of the Screw with the Des Moines Metro Opera, opposite Lauren Flanigan, and singing for Liza Minnelli when she came to town. She also serves as Teacher of Popular Voice at The Cleveland Institute of Music and for the M.F.A. Acting Program at the Cleveland Play House/Case Western Reserve University, and is a member of Actors’ Equity Association.

Currently Music Director of the Reno Chamber Orchestra and Associate Artistic Director of American Lyric Theater, Kelly Kuo has consistently championed the development of the next generations of musical talent and demonstrated a commitment to innovative programming, creative initiatives and advocacy of underrepresented voices in the concert hall.

KELLY KUO

Praised by the Cincinnati Enquirer as “a leader of exceptional musical gifts, who has a clear technique on the podium and an impressive rapport with audiences,” Maestro Kuo brings a dynamic versatility and nuance to a diverse and expansive repertoire of both symphonic and operatic works, including over 100 operas. His affinity for interpreting contemporary scores has led him to become a trusted musical authority in the development of new works. Highlights of previous seasons included productions with Lyric Opera of Chicago, Seattle Opera, Minnesota Opera, Cincinnati Opera, Des Moines Metro Opera, Glimmerglass Opera, Wolf Trap Opera, Merola Opera Program, Central City Opera, Kentucky Opera, Opera Memphis, Opera Columbus, and the Manhattan School of Music, and concerts with the Memphis Symphony Orchestra, Malta Philharmonic Orchestra, Sunriver Music Festival, Indianapolis Chamber Orchestra, Cincinnati Chamber Orchestra, and Olympia Symphony Orchestra. Upcoming engagements include debuts with the Carmel Symphony, Arizona Opera, Boston Lyric Opera, and Oberlin Opera Theater.

In 2008, Maestro Kuo became the first conductor of Asian descent to lead a performance at the Lyric Opera of Chicago, making his company debut with Porgy and Bess. He was named Emeritus Artistic Director of the Oregon Mozart Players in 2024 after having served the longest tenure in the organization’s history. An Oregon native and recipient of a Solti Foundation U.S. Career Assistant Award, Kuo continues to concertize as a keyboardist as the only pianist to have studied with two pupils of the Russian virtuoso Vladimir Horowitz.

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Robert & Kay Williams

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Sharon K Baldwin

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Catholic Parish

Winter Bottum

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THANK YOU TO OUR generous donors

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Maloney

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Schneider

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Walter Woolfolk

Madonna Yates

Patricia Yount

FRiDAY, October 3 @ 7:30PM 317 ProyectO led by Jacob Smith, bass vocals + drums SAXOPHONE

FriDAY, November 21 @ 7:30PM Val & Kenny and

FriDAY, December 19 @ 7:30PM

Conveniently located in the heart of Columbus, Indiana, the Holiday Inn blends modern comfort with Midwestern hospitality. Guests enjoy spacious rooms, thoughtful amenities, and friendly service—making it the perfect home base for business or leisure.

Welcome to your new favorite room in Columbus, where every corner has a story and every texture tells a tale

From bold patterns to cozy corners; we have reimagined our spaces with you and our neighborhood in mind

Design inspiration straight from our city’s iconic architecture

Come see what comfort with character looks like!

Our Gallery Bar & Bistro is open daily for breakfast, lunch, and dinner - serving up locally influenced dishes and creative cocktails in a colorful, art-inspired space

Hotel Indigo harvests fresh honey from our own rooftop hives, bringing a sweet local touch to every stay - just one of the ways we keep it fresh and community-focused

Meet Tripp, our Resident Ambassador! A friendly greeter and guest favorite, he’s always ready to welcome you with a tail wag and a smile

Our refreshed Belvedere room offers 3,000 sq ft of flexible space with a sleek new look and same Indigo personality It’s the perfect setting for holiday parties, corporate meetings, weddings, or any stylish celebration Let us help you bring your next event to life, right in the heart of downtown Columbus

salute! Donors

Kyle & Kristen (Bowden) Adams

In Memory of Donald Sjaardema

Willis & Catherine Bahnsen

In Memory of Sgt. Charles Knotek & Sgt. Willis Bahnsen Sr.

Paul & Pat Bippen

In Honor of John R Bippen Winter Bottum

In Memory of Cable M Ball, US Army 10th Air Force

Roger & Jan Brinkman

In Memory of Sherm Franz M.D., US Army Air Corps. & Nolan Bingham, Purple Heart

Donna Browne

In Honor of Edmond W Browne USMC

Daniel & Anita Burton

In Honor of David Burton. In Memory of WM Ernest, Hank Burton, & Mike Ernest

Charles & Martha Butler

In Memory of Carl F. Main, US Army WWII & James N. Butler, USAF Korea

John & Jean Chambers

In Honor of Vanessa Edwards

Marilyn & Jim Clerc

In Memory of Eugene Clerc & Ed Zuba

Colleen Coleman

In Memory of Carl Coleman & Richard Roseberry

Carolina & Richard Crossman

In Honor of Richard Crossman & Daniel Galdo

The Crossman Family

In Memory of Howard F Crossman & Lacy W Hinely. In Honor of Elliott Hinely

Joseph Hart Chapter of DAR

In Memory of Bartholomew County’s WWII MIA’s. Frances Scheidt US Navy, Chester McNealy US Navy, Ellis Whitis US Navy, George Irwin US Navy, James Stringer US Navy, Richard Regan US Navy, Aaron Essex US Army, Ernest Hogan US Army, Frank Sachleben US Army. Our Enduring Promise: We will always remember their sacrifice.

Tom & Kathy Dell

In Memory of Col. Darvin Appel

Deborah Divan

In Memory of Walter Divan

Jacque Douglas

In Honor of Gary Huffer & In Memory of Robert Huffer

Edward & Vivian Eckerly

In Memory of George Eckerly, US Army WWII

Greg & Vanessa Edwards

In Memory of Harry Edwards & Glen Robert Harden.

Nancy Edwards

In Honor of 1LT. Elijah W. Edwards, USAF

Sandy Etnyre

In Memory of Tony L. Etnyre

Melissa & John Fairbanks

In Honor of Mark A. Pillar, Maj. Gen. USAF (Ret)

Friends

In Memory of Marvin Sabatino, US Army

Evelyn Garwood

In Honor of Charisse D Garwood, USA. In Memory of Paul L Garwood, USN & Grant M Garwood, USA

Gary & Kristy Gron

In Honor of Bob Taylor, USAF

Joe & Linda Heldt

In Memory of William Heldt US Army, Richard Banet US Navy, Albert Jennens US Army Air Force

Toots & Jim Henderson

In Honor of our Grandson LT Jeffrey T Henderson, USMC

Kim & Helen Henderson

In Memory of Eric Henderson

Robin S Hilber

In Memory of Jack Foist, James Shomo, & Lynn Lowery

Matt, Theresa, & Molly Hotek

In Honor & Memory of all the Hoteks, Halfacre, & McCawley family members who have served.

Nancy Kistler

In Memory of Harold Geyer & Harold Kistler

Tom & Pam Lego

In Honor of Charles Wells Jr,

In Memory of Charles Wells Sr & William H Lego

Joe & Lisa Lohmeyer

In Honor of Steve & Chris Lohmeyer. In Memory of Fred & Henry Lohmeyer.

Joseph Mickel

In Memory of Robert & William Mickel, Army Air Corps WWII

Myron Miller

In Honor of SGT. Noah Miller

Mary Minniefield

In Honor of PFC Joshua Clendenen II & A1C Trinity Sandefur

Judy & Jorge Morales

In Memory of Fred R Coomes.

Julie & Chip Orben

In Memory of Robert Allen Orben

Lenora Parrott

In Memory of Clyde Parrott

Tom & Barbara Pickett

In Memory of Keith Pickett

Mark & Linda Pillar

In Memory of, PVT Roy Hunterman, USA, LTC George A. Pillar, USA, CPL Paul Hunteman, USA, CDR

Samuel A. Pillar, USN, E-7 Michael M. Pillar, USA, SFC Terry P. Pillar, USA, E-5 Harry McCawley, USA

Beth Booth Poor

In Honor of William E. Poor, Vietnam 1968-1971. In Memory of Robert W. Booth, US Air Force WWII 1941-1945.

A.C. & Donna Reeves

In Honor of A.C. Reeves, Army of Occupation (Berlin), David A. Fields

CSM, Army Reserves (Ret.), Col.

James B. Boynton Air Force (Ret).

In Memory of Alton C. Reeves, Army

WWI & Donald E. Boynton, Army

Air Corps WWII

Forrest A (Buck) Ritz II

In Memory of Forrest A Ritz

Bill & Nan Russell

In Honor of Ensign Samuel Russell

Paul & Linda Ryan

In Honor of Alan Love, USMC

John & Donna Sasse

In Memory of Martin H Schulz, US Army WWI

Colin Scheidt

In Honor of Mark A. Pillar, Maj. Gen. USAF (Ret)

Sherry Stark & David Tiede

In Memory of Bob Orben & Sherm Franz

Mark & Debbie Teike

In Honor of Richard Dechert, Rich Teike, & Merle Collingwood

Jim & Bev Tibbets

In Memory of our Parents

Voelz Body Shop, Inc

In Memory of Donald Louis

Cardinal

Don & Peggy Wampler

In Honor of Mark Wampler

John Whittington

In Memory of Red Whittington & Richard Stuart

Dr. Bob Williams

In Memory of PO Eddy Williams & PO John Williams

Laurie & David Wright

In Memory of Maj. Harold F. Mason, USAF, Robert W Reimers, US Navy, & Frederick Mason, WWI

Madonna Yates

In Memory of Robert P McCarter

As a Cleveland Clinic Connected member, this means we are connected to world-class care. From advanced heart care to breakthrough cancer treatments, your care team has access to Cleveland Clinic expertise —right here at Columbus Regional Health. This collaboration is all about our patients. • Access to Best Practices • Proactive Care • World-Class Treatment Plans • Smarter Technology