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REDLINING CULTURE draws on big data, literary history, and close readings to analyze the persistence of whiteness in American publishing. Richard Jean So ranges across Toni Morrison’s tenure as an editor at Random House; the careers of writers such as Octavia Butler, Henry Dumas, and Amy Tan; and biases in book reviewing and awards. He argues that rather than seeing the postwar period as the era of multiculturalism, we should understand it as the invention of a new form of racial inequality— one that continues to shape the arts and literature today. “It’s easy to say that American publishing has
“With clarity and conviction, So makes the case
taken steps to reduce racial inequality, indicated
for why quantitative methods matter for the study
by the expanding list of published novels by
of literary culture. But more than that, he shows
nonwhite authors since World War II. So refutes
what these methods can do: reveal patterns of
that statement with this data-driven account that
inequality, identify examples of resistance, and
brings literary and historical methods together. A
enrich our understanding of the structural forces
breakthrough in book history, this pathbreaking
that shape what we read and why.”
study about publishing, authorship, race, and
—Lauren Klein, coeditor of Debates in the Digital
recognition is essential reading.”
Humanities
—Maryemma Graham, founding director of the Project on the History of Black Writing, University of Kansas
“Redlining Culture is a book of landmark significance, both for digital humanities and for literary studies at large. So demonstrates that
“So conducts groundbreaking data analysis of
scholars have underestimated the persistence
modern and contemporary American literary
of inequality in postwar fiction. In supporting
production, making visible, at scale, the denial
that thesis, he also shows that quantitative
of opportunity, attention, and distinction to
models can help us understand every stage in
writers of color. An ambitious work in cultural
the production of literary value—from authorial
analytics, Redlining Culture will be a model for
and editorial decisions, to book reviews, to
future work in the field.”
the distribution of prizes and academic
—Kinohi Nishikawa, author of Street Players:
consecration. At once ambitious and startlingly
Black Pulp Fiction and the Making of a Literary
clear, the book provides a blueprint for a new
Underground
kind of literary history.” —Ted Underwood, author of Distant Horizons:
RICHARD JEAN SO is assistant
Digital Evidence and Literary Change
professor of English and cultural analytics at McGill University. He is the author of
ISBN: 978-0-231-19772-4
Transpacific Community: America, China, and the Rise and Fall of a Cultural Network (Columbia, 2016). D E S I G N : L I SA H A M M
COLUMBIA UNIVERSITY PRESS / NEW YORK
C U P. CO L U M B I A . E D U
PRINTED IN THE U.S.A.