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Program Notes: Home Alone & Ingrid Michaelson with the Colorado Symphony

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MOVIES AT THE SYMPHONY 2025/26 HOME ALONE 2: LOST IN NEW YORK PERFORMED BY YOUR COLORADO SYMPHONY JASON SEBER, conductor Friday, November 28, 2025 at 7:30pm Saturday, November 29, 2025 at 7:30pm Boettcher Concert Hall

20th Century Studios

Feature Film with Live Orchestra Directed by Chris Columbus Written & Produced by John Hughes Original Score Composed and Arranged by John Williams Executive Producers Mark Radcliffe, Duncan Henderson, Richard Vane This film is rated “PG”

©1992 20th Century Studios. All Rights Reserved Original Soundtrack available wherever you stream music.

The performance is a presentation of the feature film Home Alone 2: Lost In New York with a live performance of the film’s score. Out of respect for the musicians and your fellow audience members, please remain seated until the conclusion of the end credits.

CONCERT RUN TIME IS APPROXIMATELY 2 HOURS INCLUDING A 20 MINUTE INTERMISSION. SOUNDINGS 2 0 2 5/ 2 6

PROGRAM I


BIOGRAPHIES

JOHN WILLIAMS, composer In a career spanning more than six decades, John Williams has become one of America’s most accomplished and successful composers for film and for the concert stage, and he remains one of our nation’s most distinguished and contributive musical voices. He has composed the music and served as music director for more than one hundred films, including all nine Star Wars films, the first three Harry Potter films, Superman, JFK, Born on the Fourth of July, Memoirs of a Geisha, Far and Away, The Accidental Tourist, Home Alone and The Book Thief. His 50-year artistic partnership with director Steven Spielberg has resulted in many of Hollywood’s most acclaimed and successful films, including Schindler’s List, E.T. The Extra-Terrestrial, Jaws, Jurassic Park, Close Encounters of the Third Kind, the Indiana Jones films, Munich, Saving Private Ryan, The Adventures of Tintin, War Horse, Lincoln, The BFG, The Post and The Fabelmans. His contributions to television music include scores for more than 200 television films for the groundbreaking, early anthology series Alcoa Theatre, Kraft Television Theatre, Chrysler Theatre and Playhouse 90, as well as themes for NBC Nightly News (“The Mission”), NBC’s Meet the Press, and the PBS arts showcase Great Performances. He also composed themes for the 1984, 1988, and 1996 Summer Olympic Games, the 2002 Winter Olympic Games. He has received five Academy Awards and fifty-three Oscar nominations, making him the Academy’s most-nominated living person and the second-most nominated person in the history of the Oscars. He has received seven British Academy Awards (BAFTA), twenty-five Grammys, four Golden Globes, five Emmys, and numerous gold and platinum records. In 2003, he received the Olympic Order (the IOC’s highest honor) for his contributions to the Olympic movement. He received the prestigious Kennedy Center Honors in December of 2004. In 2009, Mr. Williams was inducted into the American Academy of Arts & Sciences, and he received the National Medal of Arts, the highest award given to artists by the U.S. Government. In 2016, he received the 44th Life Achievement Award from the American Film Institute – the first time in their history that this honor was bestowed upon a composer. In 2020, he received Spain’s Princess of Asturias Award for the Arts as well as the Gold Medal from the prestigious Royal Philharmonic Society in the UK, and in 2022 he was awarded an honorary knighthood of the British Empire as one of the final awards approved by Her Majesty Queen Elizabeth II. In January 1980, Mr. Williams was named nineteenth music director of the Boston Pops Orchestra, succeeding the legendary Arthur Fiedler. He currently holds the title of Boston Pops Laureate Conductor which he assumed following his retirement in December 1993 after fourteen highly successful seasons. He also holds the title of Artist-in-Residence at Tanglewood. Mr. Williams has composed numerous works for the concert stage, among them two symphonies, and concertos commissioned by several of the world’s leading orchestras, including a cello concerto for the Boston Symphony Orchestra, a bassoon concerto for the New York Philharmonic, a trumpet concerto for The Cleveland Orchestra, and a horn concerto for the Chicago Symphony Orchestra. In 2009, the Boston Symphony premiered his concerto for harp and orchestra entitled “On Willows and Birches”, and in the same year, Mr. Williams composed and arranged “Air and Simple Gifts” especially for the first inaugural ceremony of President Barack Obama. In 2021, Williams premiered his second violin concerto with the Boston Symphony Orchestra at Tanglewood along with soloist Anne-Sophie Mutter, for whom he composed the work.

PROGRAM II

C O LO R A D O S Y M P H O N Y.O R G


BIOGRAPHIES

JASON SEBER, conductor Jason Seber is known for his inviting and engaging approach on and off the podium. A strong believer in the eclectic experiences which today’s symphony orchestras offer their communities, he strives to make music of many genres and styles accessible, relevant, and meaningful to diverse audiences across the country. Seber has conducted many leading American orchestras, including the Baltimore, Colorado, Detroit, Houston, Indianapolis, Kansas City, Milwaukee, Nashville, National, North Carolina, Phoenix, San Diego, and St. Louis Symphony, the Louisville and Minnesota Orchestra, the Buffalo Philharmonic, and the Cincinnati Pops, among others. Upcoming performances include debuts with the Oregon Symphony and the Dallas Symphony. Seber has conducted over 25 full feature films and has had the pleasure of performing with a wide range of artists including Patti Austin, Mason Bates, Andrew Bird, Boyz II Men, Ashley Brown, Melissa Etheridge, Ben Folds, Cody Fry, Renee Elise Goldsberry, Indigo Girls, Wynonna Judd, Lyle Lovett, Katharine McPhee, Natalie Merchant, Brian Stokes Mitchell, My Morning Jacket, Leslie Odom Jr., Aoife O’Donovan, Pink Martini, Ben Rector, Stephen Schwartz, Doc Severinsen, Lindsey Stirling, Violent Femmes, and Bobby Watson. Seber served as Associate Conductor of the Kansas City Symphony from 2016 to 2022. In this position he led the Symphony in over 300 performances on the Classical, Pops, Classics Uncorked, Family, Film + Live Orchestra, Education, and Christmas Festival series. He also served as co-host for the Symphony’s podcast, Beethoven Walks into a Bar. Prior to Kansas City, Seber was the Education and Outreach Conductor at the Louisville Orchestra from 2013 to 2016 and Music Director of the Louisville Youth Orchestra from 2005 to 2016. A passionate advocate for music education, Seber has led the Honors Performance Series Orchestra in-concert at Carnegie Hall, Sydney Opera House, and Royal Festival Hall in London. He is a frequent guest conductor of the National Repertory Orchestra each summer and he has served as the All-State Orchestra conductor for Georgia, Kansas, Missouri, and Pennsylvania.


Dolly Parton’s Threads: My Songs in Symphony JAN 3-4 SAT 7:30 | SUN 2:30 COLORADOSYMPHONY.ORG COLORADOSYMPHONY.ORG


HOLIDAY 2025/26 A HOLIDAY EVENING WITH INGRID MICHAELSON CHRISTOPHER DRAGON, conductor Sunday, November 30, 2025 at 7:00pm Boettcher Concert Hall

Tonight’s concert features GRAMMY® and EMMY®-nominated singer-songwriter/composer Ingrid Michaelson performing her biggest hits, songs from her acclaimed holiday album Ingrid Michaelson’s Songs For The Season, and selections from her latest studio album For The Dreamers. In addition to her own gold and platinum hits “The Way I Am,” “Girls Chase Boys,” and “You & I,” Michaelson has received critical acclaim writing for Broadway (“The Notebook The Musical”) and screen (Hulu’s Tiny Beautiful Things and Little Fires Everywhere), making this a perfect kickoff to the holiday season. Enjoy the show! CONCERT RUN TIME IS APPROXIMATELY 2 HOURS INCLUDING A 20 MINUTE INTERMISSION. COLORADO SYMPHONY IS PROUDLY SUPPORTED BY


BIOGRAPHIES

INGRID MICHAELSON GRAMMY® and EMMY®-nominated singer-songwriter/composer Ingrid Michaelson is a force in the music industry, known for her distinctively soulful folk-pop style. Her music is released on the label she founded, Cabin 24 Records, including her latest studio album, For the Dreamers, as well as her gold and platinum hits, “The Way I Am,” “Girls Chase Boys,” and “You and I.” She’s scored songs for television, including Little Fires Everywhere (EMMY® nomination) and Tiny Beautiful Things (both for Hulu), and was executive music producer for Apple TV+’s Slumberkins, creating original songs for the series. She made her Broadway onstage debut in Natasha, Pierre and The Great Comet of 1812 and in 2024 made her Broadway composer debut writing the music and lyrics for the musical, The Notebook. She additionally co-produced the GRAMMY®-nominated The Notebook: Original Broadway Cast Recording album. For the latest from Ingrid Michaelson please visit www.ingridmichaelson.com

PROGRAM VI

C O LO R A D O S Y M P H O N Y.O R G


BIOGRAPHIES

CHRISTOPHER DRAGON, conductor Australian conductor Christopher Dragon is the Music Director of Greensboro Symphony Orchestra, newly appointed Music Director of the Philly Pops, former Music Director of the Wyoming Symphony Orchestra and is the Resident Conductor of the Colorado Symphony. He joined the Colorado Symphony in the 2015/2016 Season as Associate Conductor – a position he held for four years. For three years prior, Dragon held the inaugural position of Assistant Conductor with the West Australian Symphony Orchestra, which gave him the opportunity to work closely with Principal Conductor Asher Fisch. Dragon has a versatile portfolio ranging from live-to-picture performances including Nightmare Before Christmas, Toy Story and Star Wars: Return of the Jedi, a wide variety of collaborations with artists such as the Wu-Tang Clan, Cynthia Erivo and Joshua Bell, to standard and contemporary orchestral repertoire such as Danny Elfman’s Percussion Concerto; all areas of which he has become highly sought after. Christopher has become known for his charisma, high energy and affinity for a good costume, consistently delivering unforgettable performances that has made him an audience favourite. Recent highlights include his sold-out symphony tour with Gregory Alan Isakov, which included debuts with the Los Angeles Philharmonic and Nashville Symphony, a new orchestral collaboration with Nathaniel Rateliff and his successful German debut with the WDR Funkhausorchester. Christopher is highly sought after as a guest conductor and has worked with the Los Angeles Philharmonic, San Francisco Symphony, National Symphony Orchestra, Nashville Symphony, Atlanta Symphony, Utah Symphony, Cincinnati Pops Orchestra, San Diego Symphony, Pacific Symphony, Omaha Symphony, Louisiana Philharmonic Orchestra, Rochester Philharmonic Orchestra, Chicago Philharmonic, Pacific Symphony, Singapore Symphony Orchestra, Orquestra Sinfônica de Porto Alegre and the New Zealand Symphony Orchestra. In Australia, he has guest conducted the Sydney, Melbourne, Adelaide and West Australian Symphony Orchestras. His 2015 debut performance at the Sydney Opera House with John Pyke and the Sydney Symphony Orchestra was released on album by ABC Music and won an ARIA the following year. He has also conducted at numerous festivals including the Breckenridge and Bangalow Music Festivals, with both resulting in immediate re-invitations. At the beginning of 2016 Dragon conducted Wynton Marsalis’ Swing Symphony as part of the Perth International Art Festival alongside Wynton Marsalis and the Jazz at Lincoln Center Orchestra. Christopher began his conducting studies in 2011 and was a member of the prestigious Symphony Services International Conductor Development Program in Australia under the guidance of course director Christopher Seaman. He has also studied with numerous distinguished conductors including Leonid Grin, Paavo and Neeme Jarvi at the Jarvi Summer Festival, Fabio Luisi at the Pacific Music Festival and conducting pedagogue Jorma Panula. SOUNDINGS 2 0 2 5/ 2 6

PROGRAM VII


Harry Potter and the Goblet of Fire™ in Concert JAN 16-18 FRI-SAT 7:00 | SUN 1:00 COLORADOSYMPHONY.ORG COLORADOSYMPHONY.ORG


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Program Notes: Home Alone & Ingrid Michaelson with the Colorado Symphony by Colorado Symphony - Issuu