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At Teekay Construction, Phillip Island is home. Whether it’s a new build or a renovation, we take pride in projects that respect the land they’re built on. Known for our attention to detail, we work closely with you and your architect to create a home that feels like it truly belongs.
Get in touch to talk about your project
STEPH STRINGS
In the quiet moments before a show, Steph Strings sits with her guitar. Her fingers tap lightly along the strings, testing sounds, settling in. It’s in these moments that the music breathes –intimate, raw, and alive, before spilling out to touch those gathered to listen. We follow her musical journey (along with her 1,000,000 followers).
WARREN REED
Warren Reed has been part of Coast from the very beginning. As one of the magazine’s founders, his incredible photography has told the story of this coastline, capturing its beauty and spirit over the past 20 years.
A world traveller, cyclist, and humanitarian, Emily Hulbert has journeyed across continents (18,000 kilometres to date), braving the open road on her bike to bring the gift of clean, safe water to some of the neediest communities. She’s making a tangible difference in the lives of all those she encounters.
robyn arianrhod
simon gilliland aidan weichard wendy dekunder graeme clauscen kasey wilson & aimee le page
If you ever tried to package DJ Geoff ‘The Hound’ Haynes into a box, you’d open the lid and find it empty. His life has always been messy in the best way … unpredictable, funny, dangerous, loud, occasionally disastrous, but always interesting.
Master photographer Phil Alder took to the skies to capture the coastline from a new perspective. Using his drone, he creates sweeping bird’s-eye views that reveal the beauty of nature and our local surf community.
phillip island wellington shire south gippsland 36 42 52 58 92 116
nimbin bunurong marine park
korumburra
In the flesh, he’s a muscular specimen. Bulging calves and forearms. Lean. Tanned. With piercing aquamarine eyes that signpost the intense focus required of a racing champion. But delve a little deeper, and X-rays reveal the full impact of Kyle Webster’s career in professional motocross.
From dawn surfs at their home break of Sandy Point, or a road trip to Cactus or Margaret River, surfing sisters Eva and Lilly Bassed love nothing more. Now their talent and determination see them carving a name for themselves on the competition circuit.
brian carr 42 58 98 102 116 154
simon gilliland warren reed
kara williams
lauren murphy
phil alder
Brian Carr has seen it all – and photographed it. For over 50 years, there has been nothing he can’t shoot. While commercial photography pays the bills, his passion lies in shooting live music and people who might not ordinarily find themselves a photographer’s muse. With or without a lens, Brian knows how to tell a story.
In an era where beige and muted tones currently rule, Ann-Maree Gentile’s ceramic creations literally explode with colour. It’s hard to know where to look, as bright, clay creatures and characters appear everywhere in quirky shapes and varying sizes.
It’s amazing how life goes full circle. If you had asked me years ago to look into a crystal ball, I wouldn’t have imagined finding myself back in the editor’s chair – more than two decades after starting Coast with this young bloke (to the right). And yet, here we are. Our love for this coast has never faded, so perhaps it was only natural to be drawn back to a magazine that celebrates everything we adore about this place we call home.
We thought COVID had marked the end of an era for Coast. But thanks to the passion and persistence of fellow creative (and now publisher) Annette Spinks – one of the most persuasive people I know – the magazine found new life. And somehow, she convinced me to return as well – along with our creative team.
It’s a joy to share this 20th anniversary collector’s edition with you. While Coast has always looked forward, this issue allows us to pause and look back on two decades of storytelling, creativity, and community.
In a world that can feel heavy at times, this edition is a celebration of goodness and the people who make humanity so much better. You’ll meet Emily Hulbert, a young Phillip Islander cycling the globe to deliver water filters to vulnerable communities. You’ll feel lifted by the sunshine spirit and joy of musician Steph Strings, and dive beneath the surface with Simon Gilliland, whose work reveals the beauty and fragility of our marine parks.
From the breathtaking landscapes captured by Warren Reed and Phil Alder to the heartfelt moments shared within our own team, this issue carries a special significance. Congratulations to Amelie on your new arrival, and a warm welcome to Casey, our new designer. This issue feels especially meaningful.
It’s nice to be back!
PUBLISHER Annette Spinks
EDITOR Aissa Reed
SUB EDITOR Chloe Kent
WORDS Katie Cincotta, Aissa Reed, Sally O’Neill, Christina Aitken, Taylor Hammond
PHOTOGRAPHY Warren Reed, Andrew Harrison, Lauren Murphy
DESIGN Casey Bourekas
SOCIAL MEDIA Coast Media
PRINT MANAGER Nigel Quirk
ADVERTISING MANAGER Trudy Mantell
0491 337 188 ads@coastmedia.com.au
SUBMISSIONS ARE WELCOME
Writers, photographers and content creators, send your ideas to editorial@coastmedia.com.au
Coast magazine is printed using vegetable based inks on an elemental, chlorine free paper. The stock is FSC certified and is manufactured using the ISO 14001 environmental management systems. Printed in Australia under ISO 14001 Environmental Certifications.
We respectfully acknowledge and pay our respects to the original story tellers, the Traditional Owners of the Country where Coast is produced and distributed - the Gunaikurnai, Bunurong, Boonwurrung and Wurundjeri peoples and pay respects to Elders, past, present and emerging and all First Nations Community members.
To our incredible readers, valued advertisers and creative collaborators - thank you for helping shape something truly special over the past two decades.
Here’s to the stories we’ve shared and the many more still to come.
Explore every issue and relive our journey online.
Melanie of MSR Ceramics discovered her love for clay after experiencing burnout in a high-pressure finance career. Seeking meaning and joy, she enrolled in a hand-building course that transformed her path. Today, her self-taught, ever-evolving practice celebrates form and imperfection, creating pieces that radiate warmth, authenticity, peace, and connection. Rockpool-inspired trinket dishes draw on organic, nature-based design, with forms and glazes that reflect the movement and colours of the ocean.
MSR Ceramics, Korumburra msrceramics.com
LIFE’S A PUZZLE!
Made in Australia, this unique jigsaw is created by local artist Lisa McLure. Her 1000-piece jigsaw was a result of hundreds of hours spent painting and drawing, in and around Phillip Island for inspiration. Lisa says, “This one has lit a fire in me to create more. I have so many fun ideas to explore.” Watch this space. lisamclureartist.com.au
The Next Wave celebrates the beauty, growth and diversity of an open-water swimming community in bayside Melbourne. Through stunning photography and intimate reflections, it captures the joy, resilience, and friendships forged in the sea. Thirty-six swimmers share how the water heals, challenges, and transforms them, offering stories of hope, courage, wonder, and gratitude. Readers will be moved and inspired! fionabasile.com/next-wave
Deb Rielly was a local legend who gave so much to her community. She created Keeping Kids on Track Fun Run to encourage young people and families to get active out in the environment. Sadly, Deb passed away in 2019, but the run was resurrected after COVID as the Deb Rielly Run for the Kids, recognising her huge contribution to this community. This year’s event was bigger and better than ever, and celebrated the memory of this beautiful lady.
Keeping Kids on Track on Facebook
Get ready, kiddos! Ready Steady Go Kids is a multi-sport, super fun program for 1.5 to 6-year-olds. Delivering a combination of physical and emotional benefits, this vibrant program is led by Coach Emma and is designed to build confidence and self-esteem and boost school readiness skills.
readysteadygokids.com.au
2 COAST PEOPLE
Waves rule the roost for the Bassed family. From dawn surfs at their home break of Sandy Point or a road trip to Cactus or Margaret River, surfing sisters Eva and Lilly love nothing more. Now their talent and determination see them carving a name for themselves on the competition circuit, supported all the way by parents Derek and Megan.
“The sisters are personality opposites. Eva is a talker and Lilly a gal of few words.”
Surfing is literally “like walking” for elder sibling Eva – a natural flow she can’t even recall learning but will never forget – a total muscle memory.
Both girls had their first surf aged two when Derek took them into the waves with the hope they would love the sport as much as he does. His plan seems to be working out well so far.
The sisters are personality opposites. Eva is a talker and Lilly a gal of few words. In competition, they have each harnessed their natural style, worked hard and achieved amazing results. Eva has found it challenging, while for Lilly contests are her favourite part of surfing life.
Lilly describes her big sister as “annoying”, but it’s obvious she admires her talent and ability to win almost every time they compete against each other.
Eva has kinder words. “Lilly is super brave and determined;
she will never give up. She’s amazing and shows me what hard work is. I remember before the Under 14s State Titles Lilly said: ‘Just bang it, Eva. ’ Those words stayed in my head, and it won me that final for sure,” she recalls.
As eldest, Eva led the charge. “When I was nine, I begged Mum and Dad to let me start competing. I struck a deal with them that if I surfed every day for two weeks, I could do my first groms comp at Ocean Grove. It was really fun, and our first family surfing trip. I was a very confident kid in the waves, and all the other groms had parents assist to get out the back. I had to paddle out on my own after Dad gave me a little sympathy push! Looking back, it was good, I learnt the hard way!”
Next, Eva set her sights on the Australian Titles and fondly recalls the family caravan trip across the Nullarbor to Margaret River to compete in the Under 14s aged 12. It was part of her life plan – when she was six, she wrote her goal to “become a
pro surfer and top five in the world” on a piece of paper that still sits in her drawer.
“We got up at four am and paddled out in the dark to get waves before the masses came out. I had never seen so many people – I was used to much smaller comps.” She came fourth, proving her talent and potential.
“I then made the state rounds my focus, but I got so nervous and upset if I lost – it would break my heart. My results were 100 percent impacted by the pressure I was putting on myself. I knew I had the ability, was doing well in my free surfs and then I made mistakes at events. My motivation started to fizzle.”
She worked with a sports psychologist who helped her gain perspective and is now studying psychology with a mission to help other kids not lose sight of their dreams, like she almost did.
Lilly also has a “big dream” to be a pro surfer, yet her experience so far has been different to Eva’s. Being a few years younger and with their Dad (a top surfer in his own right) as head coach and shaping their boards, she remains quietly determined with no thought of giving up.
“Sometimes I can control my nerves really well, and I go out there determined and surf well because of that. Other times I make mistakes, because I’m thinking too much and trying too hard. It depends if it’s a good or bad day,” says Lilly.
Mum Megan adds that Lilly loves training and is the one who is up and in her wetsuit at five am after already completing an hour of strength work – all so she can get a surf in before school. Then she will spend four or five hours out by herself until she gets a wave she’s happy with and can “rest easy”.
None of this dedication has gone unrecognised, with both girls having surfed state and nationals, trialled for Bells, and Eva has completed legs of the professional World Surfing League tour.
Whatever the challenges and wherever they may travel, they will never forget their home break at Sandy Point and the joyous free expression of surfing they discovered across their childhoods. It’s where the sisters have surfed “99 per cent of their waves”, much of the time just the two of them or with few others out. It’s heavy and can be challenging, but the break provided a solid training ground and springboard for two determined groms to compete on the national and international stage and make their dreams come true.
“I say Sandy Point is Australia’s tiniest town,” laughs Eva. “It just feels like home, and I feel so calm surfing there.”
@sportsmind_au
Steph Strings
In the quiet moments before a show, when the stage lights are still dim, and the crowd’s hum is only just beginning to build, Steph Strings sits with her guitar. Her fingers tap lightly along the strings, testing sounds, settling in. It’s in these moments that the music breathes – intimate, raw, and alive, before spilling out to touch those gathered to listen.
“Her relationship with the guitar wasn’t instant brilliance. It was devotion.”
Steph Strings is not just a musician; she is a storyteller, a dream-weaver, and a soulful alchemist who transforms everyday experiences into melodies that linger long after the last note fades. Her songs weave together vulnerability, strength and a restless curiosity about the world around her.
At 25, with an album climbing charts and international tours stretching across continents, she still laughs like the kid who once played the Australian anthem at primary school assembly. She talks about her first $50 pub gig like it was a lottery win. She still seems faintly surprised that this – all of it – is her life.
“I still feel like that same kid,” she says, grinning.
Steph grew up in Melbourne’s east, in a home where music wasn’t just background noise – it was the soundtrack to her life. The car had a soundtrack. The kitchen had a soundtrack. When her dad cooked, blues filled the house. The King spun so often on rotation that Elvis became one of her first words, after mum and dad. Her mum added pop and Irish music – melodies rich with emotion and storytelling.
Somewhere in that swirl of blues grit, Celtic soul and a touch of showmanship, Steph’s sound began forming long before she ever stepped on a stage.
Though Melbourne shaped her early years, her heart was always tugged south toward Phillip Island. Her grandparents had a house there, and childhood weekends were spent barefoot and sun-warmed, hair salted by the sea. The Island meant freedom. Space. A slower, truer rhythm.
Then lockdown came, and what began as a temporary move became permanent. The Island stopped feeling like an escape and started feeling like home.
Now, when she returns to North Fitzroy, it feels unfamiliar. Her dad once woke there half-asleep, convinced he was on the Island, and walked straight into a wall on his way to the bathroom. The body knew where it belonged before the mind did. “He scored a black eye for that one,” she laughs.
More relatives have drifted south, too – cousins, aunts, family friends – gathering as if pulled by a tide. Steph is visibly lighter when she talks about it. “I’m just happier down here. It’s a great place to get creative.”
And yet, for someone shaped by the coast, the ocean has always been complicated.
Steph has a genuine phobia of octopus. Not playful – but visceral. A blanket shifting in dim light can spark panic. A dressing gown draped oddly can give her pause. Flat, still water is hardest of all – the unknown beneath the surface unsettling in a way she can’t quite rationalise. “They’re incredibly intelligent,” she says. “That’s what freaks me.”
There’s something poetic about that – that what unsettles her most is awareness. As a child, she struggled to enter calm water unless surrounded by others. Waves feel safer. Movement feels reassuring. “I’m not going to see octopus catching waves, am I?” she laughs.
So she swims where the water moves. She practices positive self-talk. She edges gently toward fear rather than pretending it isn’t there. It’s a small but telling detail: Steph doesn’t deny fear. She walks into it anyway.
That same quiet courage runs through her music.
Her relationship with the guitar wasn’t instant brilliance. It was devotion.
Her dad had taught himself to play, and older cousins would sit in the living room teaching her songs – even epics like Stairway to Heaven. She’d watch for hours, absorbed. Those cousins would perform for family, turning ordinary afternoons into tiny concerts. “I don’t think they realise how much that impacted me,” she says.
She began piano at seven but didn’t connect with it. Guitar was difficult at first, too – she wasn’t immediately exceptional. But something in her refused to let go. “I just knew I had to reach my best at guitar.”
As a child, she would play from nine in the morning until four in the afternoon without stopping. No food. No breaks. Just immersion. Her mum worried, but Steph wasn’t lost – she was discovering something sacred.
Today, she’s one of Australia’s most distinctive young guitarists. She plays in open tunings, often holding the guitar upright, tapping along the neck as if it were a piano. The technique is percussive, intricate, mesmerising to watch. It began practically – early gigs had no stage, and people at the back couldn’t see her hands. So she lifted the guitar neck.
A spontaneous solution became her signature.
Inspired by Australian roots artists, she shaped a sound that blends rhythmic drive, blues textures and Celtic undertones. But now, there’s something unmistakably Steph about it –confident, alive, rhythm-forward and expansive.
For years, she played only instrumentals. She didn’t sing publicly until she was 20. Her voice felt vulnerable in a way her guitar never had. “I wouldn’t even sing in the shower,” she laughs.
The turning point came at a high school talent show. She performed a flamenco-style instrumental, using a loop pedal to build layers of rhythm. When the crowd erupted, something clicked.
“That’s my superpower,” she realised.
She began posting guitar videos online – face hidden at first, too nervous to be fully seen. She messaged guitar pages around the world asking them to repost her clips. Slowly, her audience grew.
At 15, someone offered her $50 to play at a pub in Kew. She said yes immediately. Most of her followers were overseas, but her extended family filled the venue. The booker assumed she had a strong local draw and kept rehiring her. She busked at Camberwell Market and earned more than she would have in a café job. She organised her own shows. Supported established artists. Built everything step by step. When her now-manager Joe reached out, she was wary. In
her teenage imagination, managers were controlling and money-driven. They met for coffee – several times. Within minutes of the first meeting, she sensed he was genuine. Years later, they are still mates and working together.
Her album Feel Alive reached number two on the ARIA charts. Her song Lion, written after a summer where she felt disconnected from herself, earned an environmental award nomination. It began in frustration – too much screen time, too many stagnant habits. She intuitively knew she had to get back into nature. “I belong in the wild,” she wrote.
What started as self-reflection became empowerment. On stage, Lion turns communal. It’s the only moment she calls preachy, encouraging audiences to reconnect with their animal selves – to remember they are nature.
Despite the accolades, and 1m+ followers on Instagram, she remains unshakeably grounded.
After shows, she meets fans at the merch table. She remembers names. She listens. Touring North America, she met a little girl who told her she was her favourite musician. Weeks later, the girl’s mother sent a video of her dancing wildly around the living room to Steph’s vinyl – a treasured birthday present.
Steph’s eyes still light up telling that story. “To inspire someone like that – that’s wild.”
She speaks often about gratitude – for her partner Laura, who travels with her whenever possible; for family who treat her career like any other job. She returns from tour and nothing changes. They ask how work was. They tease her. They love her the same. “I feel ridiculously lucky,” she says.
Of course, growth brings pressure. Bigger stages, larger teams, greater responsibility. Sometimes doubt creeps in –imposter syndrome, the quiet fear of limits.
“I just want to spread as much joy and love as possible.”
But she holds close a quote a friend once shared: the mind is a brilliant servant, but a lousy master.
Her heart leads.
Songwriting remains mysterious. She describes it as walking into a room where songs already exist. Some days, several are waiting. Other days, nothing for months. She has thousands of voice memos – fragments of melody, mumbled lyrics. “It works maybe two percent of the time,” she laughs. “But that two percent is bloody good.”
She observes people – in cafés, in passing conversations – then retreats to nature to process. Human experience offers complexity; nature offers clarity. Between the two, metaphor forms. That’s where her songs live.
If she weren’t a musician, she says she’d be a high school teacher. She loves young people. Loves teamwork. Loves helping someone believe in themselves. In many ways, she’s already doing that – just with a guitar in her hands.
If her younger self could see her now? “She’d be like, you’re joking!”
And what dreams remain?
“I just want to spread as much joy and love as possible.”
From playing in her bedroom by the sea to international festivals. From $50 pub gigs to chart-topping albums. From octopus fears to lion-hearted anthems.
Steph Strings proves that extraordinary talent and extraordinary kindness can coexist. That you can play with ferocity and live with gentleness. That you can lift a guitar high above your head and still keep your feet firmly on the ground.
Wild. Grounded. Generous. Lion-hearted.
And still – beautifully uncomplicated.
When I meet motocross champ Kyle Webster at his new home – a romantic Cedar ranch set against the rolling hills of Korumburra –he’s at the end of the driveway with both hands full – his five-monthold baby boy Miller under one arm, and his mini dachshund Winnie in the other.
It might be a stressful haul for the average man, but Kyle is standing there smiling – blissful with the balance – giving off the kind of calm energy that seems at odds with a noisy 450cc bike bursting around a track.
His fiancé Jaiden says he’s always been this chill. They’ve been together for a decade, from friends in high school in Perth to life partners now with a house on an acre, a baby, two sausage dogs, and Kyle at the top of his game after winning back-to-back motocross championships in 2024 and 2025.
Their partnership began at 19 after a friend helped fast-track them out of the friend zone. “We always had a thing for each other, and when Kyle moved to Sydney to race at 18, we got talking on Snapchat and my friend told him that I thought he was really attractive …” says Jaiden.
Cue the rom-com soundtrack to a long-distance romance, with Jaiden eventually following her man to the semi-rural town of Camden in NSW. She worked as a barista while studying nutrition, as Kyle climbed the MX1 ranks.
In the flesh, he’s a muscular specimen. Bulging calves and forearms. Lean. Tanned. With piercing aquamarine eyes that signpost the intense focus required of a racing champion.
But delve a little deeper, and X-rays reveal the full impact of Kyle Webster’s career in professional motocross. His thoracic back bones from T5-T11 are fused with rods and screws. Metalwork and bone grafts help piece together his legs and feet. One arm carries burn scars from a scorching tailpipe.
As he approaches his 30th birthday, Kyle admits it’s a Terminator-type situation.
“I’ve got a fair bit of metal in there. The X-ray view on the back is pretty good – just plates everywhere,” he says. Turns out you don’t get to rise to the top of motocross
“We always had a thing for each other, and when Kyle moved to Sydney to race at 18, we got talking on Snapchat. . .”
without some baggage – the trophies, and the scars. Flying on a bike at full throttle, around tight corners, over precarious peaks, through dirt, dust, sand and mud – all against the clock – is a risky gig, especially among the industry’s best.
The quiet-spoken daredevil who now calls Gippsland home has been riding motorbikes since the age of two, after his father introduced him to the sport. The family moved from Durban in South Africa to the UK, later settling in Western Australia – always with a bike on the horizon.
“I got my first bike at two, and I started racing at four. By the age of 11, we were in Perth.”
The thrills are undeniable, but so are the spills – the worst of them was at a race in Bacchus Marsh when he was 21.
“I went over the bars, and my bike just landed on top of me.”
For 45 terrifying minutes, Kyle was paralysed from the waist down.
“Couldn’t feel anything from the belly button down. I was shitting myself.”
Jaiden found out about the crash from a friend who watched the horror unfold at the circuit.
A long text from Kyle confirmed he was in hospital and could only feel half his body. He remembers feeling suspended in time, contemplating what a spinal injury could mean for not just his motocross career, but his entire existence.
But within an hour, the sensation returned, like a rush of hot water spilling over his legs. The paralysis, known as spinal shock, was temporary.
The ensuing three-month recovery was tough on everyone. Jaiden says she remembers them trying to move house with Kyle on a mobility scooter, and both of his feet in moon boots.
“I couldn’t weight bear for about eight weeks. This sport has lots of highs and lots of lows. But it’s normal for what we do. It happens to you, it happens to other people, so you’re used to those emotions,” says Kyle.
What makes the motocross rollercoaster a little easier to bear is his support crew – his two coaches (one for his body, one for the bike), his adoring fiancé, their baby boy Miller, and his Honda racing team.
When they flew recently to a race in New Zealand, their joyful bub joined them, as they learn to juggle the demands of pro sport and parenthood.
Does the prospect of Miller growing up and wanting to ride scare him?
“I think it’s going to be hard for him not to, if he’s around us. We’ve got the space now for him to ride around. But I wouldn’t push him into it.”
He’s been an easy-going baby so far, much like his father.
“He’s quite calm. Like me. Just not when I’m on a bike,” s ays Kyle.
“Yeah, he’s not very calm on the bike. I’ll say that,” says Jaiden. The 2026 race calendar began in Wonthaggi in March, the place where Kyle won his first race.
“I’ve always liked that track. It’s a little bit sandy. The track
moves around a little bit more than if it’s full clay. I prefer it.”
When it rains, motocross can be chaos. A wet track is harder to control.
“It’s really slippery. You have to be more careful, more patient. Mud is the great equaliser.”
Once in Indonesia, Kyle’s bike got bogged and had to be dragged out by several track hands.
“Motocross is a risky sport, sometimes. I try not to think about it too much. Just minimise the risks. Know when to push and when not to. But there are always the uncontrollables.”
As he approaches 30, it’s a bucket list of ticks that sees him approaching the 2026 race schedule with some serious cred. While he’s been tagged as an underdog in the past, it seems he’s leading from the front at an age when most riders start to contemplate retirement. Casey Stoner packed it in at 27, right after the birth of his first child, saying he was ready to focus on family.
“I don’t think having Miller has changed my perspective on racing, but I’ve never had such a big distraction away from racing. That’s been cool. It’s nice to have something else to think about.”
Jaiden feels like Kyle has been calmer on the track since they had a baby, but she continues to worry about the dangers of the sport.
“I go through phases of worry with Kyle. I get more anxious if I watch him have a crash.”
One of the biggest jumps on the circuit, LaRocco’s Leap in
Michigan, is not only high and wide at 37 metres (120 feet) but invisible on entry.
“When you take the jump, you can’t see the down ramp. You can’t see anything,” says Kyle.
He admits he was nervous the first time he took on that iconic leap, but became inspired after watching fellow Aussie MX legend Chad Reed take it on.
The competition is motivating. In 2025, he raced alongside Sunshine Coast brothers Jett and Hunter Lawrence, as the three riders represented Australia in the sport’s version of the Olympics, the Motocross of Nations.
Kyle and Jett may train together, but when they hit the racetrack, they diverge as enemies.
“It’s a good motivator. We both push each other along during the week. We’re mates, but we’re competitive. I feel like it doesn’t really matter if you’re hanging out with someone. You are only going to be your best on that race day. I don’t feel the need to hate someone to want to race against them. I guess there’s plenty of people who can’t do that.”
Not sure if Ronaldo and Messi are catching up to practice set pieces and precision passes.
Kyle insists that success on race day involves so many factors – the weather conditions, the track, the bike, the rider’s physical and mental state.
“There are a lot of variables with motocross. You can only control what you can control.”
And when things go wrong, he tries not to dwell on it. Spends his downtime on coffee, project planning at their new property, and being terrible at golf, basketball, pickleball, and swimming.
“Yeah, I swim like a brick. Too boring,” he admits.
Screaming around on a bike at 60-120kph – that’s his sweet spot, as he sharpens his focus for eight rounds of racing, in pursuit of a championship trifecta.
Ruts – lines in the track
Booter – a big jump
Rough, sketchy – a bumpy track
Webby – no 96, Kyle Webster
Since taking over Hotel in 2024, Owner Dale is determined to bring the Esplanade of Cowes back to life with his Asian Fusion Restaurant that opened back in October 2025 and his latest venture, Wild Fox – an upcoming breakfast & lunch spot where the famous Mad Cowes once was.
More than just a pub, Hotel is widely known amongst both locals & tourists for their Prawn Linguine, their original cocktail creations (ask anyone about the Lemon Cheesecake), & full table service.
The view of the Westernport Bay is an added bonus.
Inspired by the greatest Asian Fusion Restaurants in Melbourne, Sister Lū is the new place to be, dishing up locally sourced, 100% Gluten Free Asian Eats.
Sink into a comfy booth, grab a glass of wine.. or a bottle and order a bunch of plates. Our menu is designed for sharing and creating a conversation.
Dale has given the people what they want by finally re-opening a cafe along the Esplanade, after the venue sat empty since 2021.
Wild Fox has taken overwhat was once Mad Cowes, and is set to open in June 2026, offering an all day breakfast and lunch menu, both dine in & takeaway.
Mathematician Robyn Arianrhod
Isn’t it wonderful to pinpoint a moment in your life that feels like a catalyst? One of those lightbulb epiphanies drawing you forward toward some exciting, unknown possibility. For mathematician and author Robyn Arianrhod, one such magical marker happened in a remote cabin in the wilds of northern NSW.
i² = j² = k² = ijk
As a child, Robyn’s early spark for mathematics was almost scotched by the sexism of the era.
“Back then (in the 60s), girls were widely considered to be inferior to boys intellectually, especially when it came to maths and physics. It was widely assumed that if we did well at school, we were memorising.”
At high school, she was told her performance to date was commendable, but simply might not go the distance for a career in maths.
“I was told ‘you’ve done really well, so far, but be aware that girls tend not to be able to do the higher stuff in maths and physics. I guess that my experience was not too different
from the women pioneers of maths over the previous two hundred years.”
Despite the dissuasion, she took on a university degree in science, but found the experience overwhelming, especially with her confidence in tatters.
She earned the degree, but buoyed by the activism of the 70s, took a sharp turn away from mainstream society –dropping out of her Honours year to try out the hippy life in Nimbin and elsewhere in northern NSW, where she lived off grid for five years as part of the counter-culture movement. The community had no electricity, no running water, no toilets, no phones. But it was rich in conversation and the pursuit of knowledge.
“Back then (in the 60s), girls were widely considered to be inferior to boys intellectually, especially when it came to maths and physics. It was widely assumed that if we did well at school, we were memorising.”
“It was fascinating. We tried to grow our own food. Made our own music. Had lots of conversation. It was about sharing resources. I learnt to live on very little. It was about living a rich life – emotional, aesthetic and social rather than material and competitive,” reflects Robyn now at 74.
Freedom in the bush wasn’t always glamorous, of course. The sewage system was simply digging a pit. Away from waterways to avoid polluting their patch. Communication was basic but provided some DIY fun.
“We found some old field telephones at an army disposal store, and laid a cable between the houses, using a handle to turn a magnet that generated a current. That was the thing I missed most from the outside world, a phone.”
Surprisingly, those joyful hippy days did trigger a U-turn back to education, in what Robyn describes as her life’s ‘scenic route’ towards mathematics.
“It was actually how I got back into maths, because I had a lot of time to read. Popular science was getting a boost –knowledge about black holes was starting to become public. As hippies looking at consciousness, that really was far out.”
Back in 1968, the world was gifted some big picture perspective, awestruck by the Earthrise photograph, which was captured from the lunar orbit on Apollo 8. The Hasselblad pic of the Earth rising over the moon remains one of the most influential environmental photographs ever taken.
“The Earthrise picture was so important in the late 60s and early 70s, it showed us how fragile we are, how precious and beautiful the Earth is, that you can’t keep pumping pollutants into it, thinking it will just go somewhere else. It led to a broader cosmic picture,” says Robyn.
While many of her fellow commune members were experimenting in their own ways during the era of ‘peace, love and mung beans’, Robyn delved inwards.
“Black holes challenged our imaginations. I got quite intrigued, studying by candlelight in my cabin.”
She had so many questions and so few answers. Spurred on by a friend, she decided to drop into the “nearby” New England university, wanting to discover more about this invisible collapse of stars – an event horizon so strong that nothing could escape it, not even light.
“So, I rocked up and just asked, ‘Is there anybody here I could
talk to about black holes?’ and they said, ‘Yes, go and talk to Dr Taylor’. He had a big fat book on his desk called Gravitation, and I realised there was so much to know.”
Inspired, she enrolled in his self-directed course and eventually moved back to Melbourne to start her PhD at Monash, on exact solutions of Einstein’s equations of gravity.
Robyn’s parents were loving and supportive of her educational aspirations, despite not fully understanding her desire for knowledge in and of itself. Her father was a carpenter and her mother a homemaker, which made their daughter a trailblazer, defying the status quo for women in mathematical science and going on to become one of the relatively few female maths lecturers in Australia at the time.
Robyn says while the rise of feminism has created new opportunities, the pushback of the ‘Manosphere’, as spotlighted by Louis Theroux’s newest documentary on social media’s ultra-masculine male influencers, shows the progress of equality may not be sequential.
“We’ve made so many gains in some areas, but we’ve gone back in others,” she says.
Having always loved literature and writing, the softly spoken academic gained attention for publishing several books, including Vector - A Surprising Story of Space, Time, and Mathematical Transformation. She wrote the book in her 70s from her home on the Bass Coast as proof that age is no barrier for a busy brain and a passionate heart.
Robyn fell in love with Gippsland when she was visiting friends, moving in the last few years from ‘the hills’ of The Dandenong Ranges – to Bass Coast and its spectacular coastline. She says it’s been a boon to be able to write, research and communicate globally, from a regional location.
Vector was nearly four years in the making, winning her the 2025 NSW General History Prize for the book’s evocative telling of the way mathematical symbolism encodes ideas, and the history of the pioneers who pieced together the working of these powerful concepts, vectors and tensors.
“They are languages that have helped us uncover mysteries of the universe as if we were gods,” she writes.
When she talks about maths, her expression ripples with excitement – displaying a desire for genuine informational engagement that shines across the mathematical complexities of Vector.
“What I wanted to get across is not necessarily expertise in maths, but an appreciation of how extraordinary it is, and what a part of our shared culture and history it is.”
In Vector, we learn that vectors and tensors, these elegant containers of data, help power robotics, wind turbines and other electromagnetic devices, artificial intelligence and machine learning for better, and for worse – from chatbots, medical diagnostics, and self-driving cars to cyber fraud, global job disruption and dis- and mis-information – the AI revolution is underpinned by complex maths.
Robyn explains that 5,000 years ago in present-day Iraq, humans were scratching ‘cuneiform’ script into clay discs as a means of tracking goods and land. One thousand years later, pebbles and abaci became the computational tools to create the numbers and extend the rules of mathematics. It took another few thousand years to get to modern vectors and tensors.
Yet in just a few decades, artificial intelligence has the world on edge – inspired by its democratisation of access to expertise, but equally terrified by the potential for harm, foremost of which is to render humans obsolete.
“The godfather of AI, Geoffrey Hinton, worries if AI will have consciousness because for the first time in human history we will have an alien intelligence. Smarter than us, because it’s stolen all our data,” she says.
Hinton went on to tell podcaster Stephen Bartlett on DOAC (Diary of a CEO) that perhaps the only job he could safely recommend to his grandkids was a trade like plumbing, which would still prove difficult for bots to perform in the immediate future.
Robyn argues that while the merits of AI are undeniable, it’s the control of its advancement by a handful of billionaires that threatens humanity.
“It’s sinister in a way that they gave us all this tech for free to lure us in, scooping up our data, hijacking our dopamine responses, and now we have inventors who have worked for these companies and since left, saying they wish they had not created it.”
This 21st-century tech fever pitch has taken thousands of years to reach this crescendo.
“Mathematics is a language that builds on itself. We’ve now got the expertise of thousands of years, and an increasingly educated population. We also have neoliberalism, which has given tech companies unfettered power to develop and experiment with AI, with little regulation.”
The next part of humanity’s evolution may be beyond anyone’s control, but serious thinkers like Robyn aren’t giving up hope.
“In the end, it’s about human will. We worked well together as a world to avoid nuclear war since World War II, and we also banned the cloning of humans. Because AI technology came in this neoliberal age, where the market is given free rein to encourage innovation, the horse has bolted. It can help us to do brilliant things, but on the other hand, we remember HAL and Skynet!”
If it’s looking like a downward spiral, she hopes we can change course, tread a safer path, hopeful for the clean green world that she dreamed of as a young woman living off the grid, even if she’s not around to see it.
Simon Gilliland
For as long as he can remember, the water has been a sanctuary for Cape Paterson local, Simon Gilliland – a place of peace, a source of inspiration, and a never-ending classroom. “When I’m in the water, I feel like I belong . . . it’s my spiritual home,” Simon says, a sparkle in his eye. “There’s nothing like swimming with stingrays or schools of fish, or diving down to see the magic beneath the surface.”
For Simon, the ocean isn’t just a hobby or an escape; it’s a way of life. A relationship that’s spanned decades, one he has nurtured since childhood. “I’ve been diving for years,” he says, his voice soft with reflection. “Before I even picked up a camera, I used to spearfish from my kayak. I’d tie 30 feet of rope to my leg and jump off into the channel. I swam to Undertow Bay and back, dragging that rope behind me. It wasn’t about the sharks or the danger; it was about being in the water. The ocean has always been where I feel most alive.”
He smiles as he talks about his deep connection to the sea, a relationship that goes far beyond just adventure. “It’s a whole different world under there. People see the big blue patch, but they have no idea what’s beneath. It’s like a temperate rainforest underwater here at Cape Paterson – totally unique.” He’s spent so much time underwater that he’s developed what he calls a “mind map” of the ocean floor, knowing where all the reefs and marine life live, often right in his own
“I want people to understand that every wave is different, that there’s a whole world under the water that needs to be protected.”
backyard. “I know where all the animals are,” he says with a knowing smile. “The stingrays, for example, sometimes I feel like they know me. I can get up close with them. It’s like they’ve figured me out.” He now only shoots with a camera and feels some regret of his spearfishing days. “When you see these magnificent creatures in their own environment, you just want to protect them.”
His love for the underwater world has driven him to capture its beauty. “I started photographing the ocean when I got a camera from a friend. I couldn’t surf at the time because of a back injury, so I took up the camera instead. And that was the start of it.” Over the years, Simon has turned underwater photography into both an art form and a way to advocate for marine conservation. It was also a conversation with a local Aboriginal person at a community gathering that helped shape his passion for capturing the beauty of nature. “I asked how I could be an effective ally in reconciliation?”
The reply stayed with him – “Show up with respect. Support Aboriginal culture, and care for country by speaking up if you see or feel that something is happening that harms the community or the natural environment.”
Simon left the conversation with a renewed sense of purpose – to live not by what could be taken from nature, but by what could be given back. From that moment, he began his journey of celebrating the beauty of our coast’s underwater landscape, with the intention of sharing it with others.
There are many lessons to be learned from nature. “The most satisfying footage I’ve ever got was when I least expected it,” he laughs, recalling an experience where, in the middle of winter, he found himself swimming in the murky waters off the coast. “I thought it was going to be a quiet day, but then the sun broke through the clouds, and a beautiful spotted stingaree danced in front of me. It was like a gift. The ocean has taught me to let go of expectations, and just be in the moment.”
The ocean may be Simon’s spiritual home, but his life extends well beyond the water’s edge. Raised in Wonthaggi, a small coastal town in Victoria, Simon was taught early on the value of community and connection to the land. His family’s roots run deep in this part of the world. “My grandparents met here in the 1920s,” Simon shares, his voice warm with history. “Grandad was a farmer in New Zealand before he came to Wonthaggi to work as a miner. My great-grandparents, Gibby and Jesse Hanson, were involved in the Union Movement and Women’s Auxiliary –real community-minded people. I think I inherited that.”
Growing up, Simon spent his summers camping at Cape Paterson. It was there, near the water, that Simon’s connection to nature was truly formed. “We’d spend our summers down at the boat ramp, like half of Wonthaggi. It was about the
“We’d spend our summers down at the boat ramp, like half of Wonthaggi. It was about the beach, the ocean, and the family.”
beach, the ocean, and the family. I played football for the Wonthaggi Rovers too, but it was always about the beach for me.” As a kid, he had dreams of becoming a marine biologist. “I used to devour books on the ocean,” he says with a laugh, “but being a country kid, that felt like a far-off dream. Still, the ocean was always my favourite place to be.”
Although Simon didn’t pursue marine biology, his love for nature and the outdoors never wavered. He spent several years living in Margaret River, Western Australia, following a spur-of-the-moment decision to hit the road with a friend. “I ended up with $200, no phone, and a bag of food,” he recalls. “My mate was homesick after a week, and I stayed there, living life on my own terms. I worked at the shipyards and had a blast.” His years in WA only deepened his love for the natural world and solidified his sense of adventure.
Eventually, Simon returned home to Cape Paterson, where he and his partner, Alisha, found a piece of land to call their own. “We were living in a little place that was smaller than a caravan,” Simon says, chuckling. “One day, we wrote down what we wanted from life. Both of us wrote down the same things – living close to nature, being part of a community, and teaching our kids how to grow food.” Their dream of a
“ It’s a whole different world under there. People see the big blue patch, but they have no idea what’s beneath.”
big house soon morphed into a simpler, more fulfilling life. “We bought 10 acres at Cape Paterson, and it was the best decision we ever made. It’s the perfect spot to raise a family and live a life of simplicity.”
Simon and Alisha’s life is rooted in sustainability. Simon’s work as a horticulturist and his love for revegetation have turned their land into a thriving habitat for native plants and animals. “When I started revegetating the property, it was all about observing nature’s reaction to my input,” Simon admits. “Over time, I learned how to nurture the land, and now we’ve got over 100 species of indigenous plants here. The land has come alive.” Simon’s deep respect for the land extends to his reverence for Indigenous culture, knowledge and practices. “We live on Bunurong land,” he explains. “The First Nations people have a deep knowledge of caring for land, and how fire was used to regenerate species. It’s something I’ve come to appreciate, and I try to use fire in a way that helps the land regenerate.”
The simple, fulfilling life Simon leads has always been centred on nature. He keeps bees, grows his own food, and even dabbles in blacksmithing with his kids. “Luka, my son, wanted to learn blacksmithing when he was eight,” Simon recalls. “So we started doing lessons, and then I built a forge.
Now we recycle old materials, repurpose things, and make stuff together. It’s a great way to teach the kids about sustainability and hands-on learning.”
Family is everything to Simon. “The boys are really connected to the land and the ocean,” he says proudly. “They love being outside, whether it’s snorkelling, playing in the garden, or just getting involved in whatever project I’m working on.” Luka and Zavier often share observations about their experiences in nature, whether on land or in the ocean. “It’s moments like these that make me feel like I’m passing something on. I want them to know how special the natural world is and how important it is to take care of it.”
“I thought it was going to be a quiet day, but then the sun broke through the clouds, and a beautiful spotted stingaree danced in front of me. It was like a gift.”
“I feel like I’m passing something on. I want my boys to know how special the natural world is and how important it is to take care of it.”
Simon’s photography isn’t just a personal passion; it’s also part of a bigger mission to inspire others to care for the environment. Through his Instagram account, gilli_wild, he shares his love for the ocean and encourages others to see the beauty in it. “I want people to understand that every wave is different, that there’s a whole world under the water that needs to be protected. If I can get people to see it through my lens, then maybe they’ll appreciate it more.”
As a father, a partner, and a member of the community, Simon believes that living in tune with nature is the key to happiness. “It’s not about the stuff you have; it’s about the life you build around the things you love. I want my kids to grow up with a deep appreciation for nature and the ocean, and I want them to know how to live sustainably.”
Through his work, his passions, and his family, Simon Gilliland embodies the spirit of someone who lives not just for himself, but for the world around him. He’s a man who understands that we are all connected to nature – and that the more we nurture it, the more it nurtures us in return.
words aissa reed photos ian ryan & wcc supplied
On a winter morning along the rugged shores of Phillip Island, the ocean feels alive with anticipation. The horizon stretches wide and wild, and somewhere beyond it, giants are on the move. This is the magic behind the Phillip Island Whale season – a time that transforms the quiet coast into one of awe, discovery, and connection.
At the centre of it all is Wildlife Coast Cruises, a locally owned and operated business whose story is as compelling as the whales themselves. What began in 1999 as Bay Connections has evolved into a leader in marine ecotourism, driven by the vision of owner John Dickie, who transitioned from commercial fishing to follow a deeper passion for wildlife, sharing the ocean’s wonders with others.
Years of experience in Hervey Bay, one of the world’s leading whale-watching destinations, helped shape this journey. Spending most of the year at Phillip Island and heading north for the whale season, the team built a deep understanding of these encounters. In 2012, that experience came home, with whale cruises around Phillip Island growing into a standout winter experience.
And what an experience it is. As the boat cuts through the swell, eyes scan the horizon – then suddenly, a spout. A tail. A breach. The unmistakable presence of a Humpback Whale.
At up to 18 metres long, these gentle giants command attention, yet it’s their curiosity that truly captivates. At times, they glide right up to the vessel in what’s known as a “mugging” encounter – close enough to lock eyes, close enough to feel the sheer scale of them.
Other moments are pure spectacle. Feeding frenzies erupt as whales surge through bait balls, joined by diving seabirds and darting dolphins. It’s nature at full throttle – raw,
chaotic, and unforgettable. With an 85-90 percent sighting success rate last season, these encounters are not just possible – they’re more than likely.
But the ocean always has surprises. The rare return of the Southern Right Whale last year, after a two-year absence, was a powerful reminder of the fragility of these populations. With only around 5,000 left in Australian waters, every sighting matters. Even more thrilling are the occasional appearances of Orca, apex predators that add drama to an already extraordinary season.
Yet what truly sets this experience apart is the deeper connection it fosters. Every cruise is also a chance to contribute to real science. Through partnerships with Happywhale, passengers and volunteers become citizen scientists, helping photograph and identify individual whales. These fluke images are piecing together migration stories across oceans – over 500 new identifications added in just two seasons.
An important part of the season is the annual Phillip Island Whale Festival, bringing this spirit of discovery to life. Originally launched between Wildlife Coast Cruises and the Dolphin Research Institute, it has grown into a vibrant community event attracting thousands. There are talks, workshops, and shared stories – all celebrating the incredible journey of the whales and the people working to protect them.
Even technology plays a role. The Wildlife Whale App connects a growing community of ocean enthusiasts with real-time sightings, turning everyday observers into active participants in the migration story.
In the end, the Phillip Island Whale season isn’t just about watching whales. It’s about feeling part of something bigger – standing on the edge of the continent, breathing in the salt air, and witnessing one of nature’s greatest journeys unfold before your eyes.
wildlifecoastcruises.com.au (03) 5952 9500
Tucked amongst endless, rolling hills, Korumburra is a charming South Gippsland gem where life feels just that little bit slower – in the best possible way. With its rich dairy farming roots, friendly locals, and a mix of scenic drives, cosy cafés, boutique finds, and nearby coastal escapes, it’s the kind of place you’ll want to stay a little longer.
Hungry? You’re in for a treat. Korumburra’s food hub is quietly thriving, with options that surprise and delight. For something a little different, Tsuko Japan serves up fresh, homemade Japanese dishes in a beautifully styled space. For something quick and easy, head to Burra Brewing for the best pizza and beers in town. Planning a picnic or entertaining at home? Burra Larder + Pantry is your go-to for regional, artisanal goodies that showcase the best of Gippsland.
This small town is big on character. Merchants is a treasure trove of carefully curated secondhand fashion and unique wares. For something truly special, MSR Ceramics (within Small Forest Shop) offers handcrafted pottery by local maker Melanie, each piece as beautiful as it is unique.
Whether you’re a seasoned plant lover or just starting out, Burra Garden Supplies is bursting with life. From vibrant indoor greenery to outdoor essentials, it’s the perfect place to refresh your space and get inspired.
History comes alive at Coal Creek, a fascinating open-air museum that brings Korumburra’s coal mining past to life. Wander through recreated buildings, explore the stories of early settlers, and soak up a slice of South Gippsland history.
More than anything, it’s the feeling of Korumburra that stays with you. The rolling hills, the warm welcomes, the unhurried pace – it’s a place to switch off, breathe deeply, and enjoy.
Serving fresh, small-batch beer brewed on site, paired with great food in a relaxed and welcoming setting.
open fri-sun, 12pm - late kitchen closes 8pm
5658 1446
burrabrewingco.com.au
enquiries@burrabrewingco.com.au
Warren Reed has been part of Coast from the very beginning. As one of the magazine’s founders, his incredible photography has told the story of this coastline, capturing its beauty and spirit over the past 20 years. Here are a selection of his favourite images.
“It’s
been such a privilege to photograph the amazing people and landscapes that make this region so special.”
aissa reed
Enjoy some GRIMM Tales from the Brothers Grimm –adapted and created by Shake & Stir. GRIMM beckons you into a world where fairytales are reimagined with a profound intensity. Be warned – these bedtime stories may cause nightmares. Within darkened corridors and haunting landscapes, Cinderella, Little Red Riding Hood, and many other intriguing characters emerge from the shadows, the truth behind their stories – warts and all – boil and bubble to the surface.
18th August @ 7.30pm
Berninneit, 91-97 Thompson Avenue, Cowes cultural.venues@basscoast.vic.gov.au
LITTLE WING PUPPETS
PRESENT SPIKE!
For those who love shadow puppetry, Spike! is the story of an egg stolen by a greedy rat, to be found by a young girl. She is playing alone because she is being bullied by other children. The baby echidna that hatches has no spikes yet, and she doesn’t know what kind of creature he is. Will they both discover their “spikes” and find a way to stand up to their bullies? Join a workshop after the show. Recommended for 3 to12-year-olds.
4th July @ 10 am
Cardinia Cultural Centre
40 Lakeside Boulevard, Pakenham cardiniaculturalcentre.com.au
FRANK MESARIC: GIPPSLAND GOTHIC
Gippsland Gothic is the first major retrospective exhibition of works by Gippsland-based artist Frank Mesaric. An artist of national standing, his highly detailed paintings and sculptures are compelling in their attention to detail, while achieving a balance between reality and illusion. Spanning more than 50 years of art, Gippsland Gothic is a fascinating journey through the unseen side of Gippsland.
6th June – 23rd August
70 Foster Street, Sale gippslandartgallery.com
Pictured left | Frank Mesaric Crow and Mask, 2009 Oil on canvas, 150 x 120cm Private collection. © frank mesaric
Looking for something different this winter? Head east to experience East Gippsland’s magical winter festival. The region comes alive in a month-long festival of food, light, music, art and culture. With epic winter feasts, stunning, hand-made lanterns, projection art, street parties, live performances, nature-based activities, workshops, wellness and more, there’s something for everyone.
19th June – 19th July Events throughout East Gippsland egwinterfest.com.au
Every winter, Phillip Island becomes a stunning coastal stage as humpback and southern right whales visit nearby waters. The Island Whale Festival celebrates these gentle giants with family-friendly events, marine education, and whale-watching opportunities. Held during peak season, it showcases winter’s wild beauty, crisp sea air, dramatic coastlines, and unforgettable wildlife encounters just two hours from Melbourne for all visitors.
Locations around Phillip Island islandwhales.com.au
Back by popular demand, The Drones are re-forming for a one-off tour of Australia in 2026. Sauntering along the edges of chaos and precision, The Drones built a reputation off the back of their iconic live shows, delivering epic performances that are both confrontational and liberating at the same time. Don’t miss your chance to see one of Australia’s greatest underground bands live.
12th September @ 7.30pm
The Archies Creek Hotel 89-91 Archies Creek Road, Archies Creek archieslcreekhotel.com.au
Loch Village Food and Wine Festival
June 7, 10am–3pm
Loch Railway Reserve, Loch lochvillage.com
Showcasing the best of South Gippsland, enjoy regional produce, wines, beers, ciders and spirits with live music and a fantastic festival vibe.
Cheesemaking workshops
June 2026 (see website)
Wattle Bank Farm, 85 Desmond Road, Wattle Bank hello@wattlebankfarm.com.au
Cheesemaking is a wonderful skill accessible for all to learn. Over three to four hours, you will learn how to make Labneh, Ricotta, Feta and Halloumi.
Sonicrats – Museum of Horrible Sounds
June 27 and July 12, 9am–4pm
Cardinia Cultural Centre, 40 Lakeside Boulevard, Pakenham cardiniaculturalcentre.com.au
Blending cutting-edge technology with creativity, it encourages participants of all ages to create and appreciate ugly and horrible sounds as genuine artistic expressions.
Andrew Swift
June 27, 7pm–9.30pm
Cardinia Cultural Centre, 40 Lakeside Boulevard, Pakenham cardiniaculturalcentre.com.au
Self-described as ‘a gateway drug to country music’, Andrew Swift’s music fuses gritty soundscapes of guitar and synth with stadium-sized backbeats.
Smoking Sundays @ The Grove
Every second and fourth Sunday of the month 27 Uren Road, Krowera info@thegrovegippsland.com
An indulgent lunch of slow-smoked BBQ, bold flavours, and local produce, paired with relaxed vibes, drinks on ice, and warm country hospitality.
Day cruising at The Prom 5257 4567 (to book)
Departs Tidal River, Wilsons Prom wandereradventures.com.au
Experience the unique sights of South Point, the lighthouse and the pristine beaches of Waterloo Bay, Refuge Cove and Sealers Cove. Enjoy the seal colonies at Skull Rock.
NAIDOC exhibition
Opening July 5
Wonthaggi Artspace, 1 Bent Street, Wonthaggi artspacewonthaggi.com.au
Enjoy the vibrant, regional artwork.
Emma Donovan
July 12 @ 6.30pm Berninneit, 91-97 Thompson Avenue, Cowes basscoastculturalvenues.com
First Nations’ singer Emma Donovan performs solo works and collaborations. Her presence on stages across the country feels both intimate and expansive at once.
Issi Dye Christmas Special
July 24 @ 10.30am
The Clubhouse, 11 Dr Sleeman Dr, Wonthaggi wonthaggiclub.com.au 56721437
Rock legend Issi Dye presents a Christmas-in-July special, singing all your Christmas favourites.
Island Whale Festival
July 3–5 Berninneit, 91-91 Thompson Avenue, Cowes islandwhales.com.au
The Island Whale Festival is a celebration of these gentle giants. Events across Phillip Island.
Spike – A journey through the world of shadow puppetry
July 4, 10am–10.45am
Cardinia Cultural Centre, 40 Lakeside Boulevard, Pakenham cardiniaculturalcentre.com.au
Follow Spike! The story of an egg stolen by a greedy rat. Little Wing Puppets make great theatre, with and for children.
Phillip Island Seal Cruise
5952 9500 (to book) Departs Cowes Jetty wildlifecoastcruises.com.au
Come aboard this spectacular two-hour coastal wildlife cruise and experience an up-close encounter with thousands of seals at Australia’s largest fur seal colony.
Mizuki
July 11, 7pm–9pm
Cardinia Cultural Centre, 40 Lakeside Boulevard, Pakenham cardiniaculturalcentre.com.au
Mizuki is a Japanese Australian pop artist based in Melbourne, blending nostalgic city pop influences with modern pop production and emotionally resonant songwriting.
Alex Lloyd
July 25 @ 7pm Meeniyan Town Hall, 97 Whitelaw Street lyrebirdartscouncil.com.au
Celebrating 25 years of Watching Angels Mend, it still feels like a record that found people when they needed it most.
Three-day Horse Trail & Camp
August 2026 (see website)
Wattle Bank Farm, 85 Desmond Road, Wattle Bank hello@wattlebankfarm.com.au
Going Bush (and beach) with a horse, a swag and an adventurous spirit.
Cookin’ on 3 Burners
August 1, 7pm–9.30pm
Cardinia Cultural Centre, 40 Lakeside Boulevard, Pakenham cardiniaculturalcentre.com.au
Cookin’ on 3 Burners are Australia’s undisputed kings of Hammond-organ deep funk and soul – serving up raw grooves, killer collabs and electrifying live shows.
Euphoric 2026
August 8, 7.30pm–10.20pm
Cardinia Cultural Centre, 40 Lakeside Boulevard, Pakenham cardiniaculturalcentre.com.au
Euphoric is a modern-day variety show. Come ready to laugh, cheer and be dazzled, where every performance is a showstopper and every night is an adventure.
Karin Ellis and Ken Griffith
Retrospective
August 10 – September 19
Artspace Wonthaggi, 1 Bent Street, Wonthaggi artspacewonthaggi.com.au
Enjoy the stunning artistic creations of Karin Ellis and Ken Griffith.
The Yachtski brothers
August 21 @ 9pm The Westernport, Marine Parade, San Remo thewesternport.com.au
Get ready to groove like it's 1979 with Australia’s hottest Yacht Rock tribute sensation.
Kongwak Market
Every Sunday, 10am–2pm 1487 Korumburra-Wonthaggi Road, Kongwak 0417 142 478
Vintage/retro and second-hand home wares, clothing, albums, art, jewellery, local produce, plants, books, live music, great food and coffee, plus a fun atmosphere.
Cruise Cape Woolamai
5952 9500 (to book)
Departs San Remo Jetty wildlifecoastcruises.com.au
Explore the most spectacular scenery Phillip Island has to offer at Cape Woolamai, with breathtaking sheer granite cliffs and caves, surrounded by turquoise water.
Grantville Market
1st Sunday of the month, 8am–1pm 1470 Bass Highway, Grantville 5657 7245
Produce and quality second-hand goods with over 100 stalls, including plants, seasonal fruits and vegies, second-hand collectables, antiques, food and more.
Open Studios – Art Connect South Gippsland
October 3-4, 10-11, 17–18
Different locations around South Gippsland artconnectsouthgippslandinc.com
From Loch to Toora (and everything in-between), explore our Artist Open Studios, Galleries and Art Installations.
Prom Country
Farmers Market
Third Sunday of the month, 8am–12pm
Foster War Memorial Arts Centre, 79 Main Street 5682 1345
Farm fresh produce and more.
Ruth Moody “The Wanderer Returns” Tour
October 10 @ 7pm
Meeniyan Town Hall, 97 Whitelaw Street lyrebirdartscouncil.com.au
An award-winning singer-songwriter and multi-instrumentalist from Winnipeg, Manitoba, Moody is known for her luminous soprano and evocative songwriting.
The Gospel According to Paul (theatre)
Oct 14 @ 7.30pm Berninneit, 91-97 Thompson Avenue, Cowes basscoastculturalvenues.com
Jonathan Biggins, one of Australia’s favourite comic actors, transforms into the visionary, reformer and rabblerouser, Paul Keating.
Mirboo North Market
October 31, 8.30am–1pm Baromi Road, Mirboo North visitgippsland.com.au
The Mirboo North Market is a lively country market held on the last Saturday of every month.
Inverloch Community Market
November 1st
A’Beckett Street, Inverloch 5663 5256
A fun indoor/outdoor craft market
Jumbunna Bush Market
November 8, 9am–1pm Main Hall, Jumbunna 5657 3241
A vibrant, country market
16 Days of Activism
November 25 – December 10
Wellington Shire (for more info) wellington.vic.gov.au
The 16 Days of Activism Against Gender-Based Violence is a global movement that calls for action to help prevent and end gendered violence in all its forms.
Cease & Desist
November 28 @ 7.30pm
The Clubhouse, 11 Dr Sleeman Drive, Wonthaggi wonthaggiclub.com.au 56721437
Cease & Desist joins Noah’s Gift for this annual charity event to raise money for the Royal Children’s Hospital.
Bass Coast Artists Society exhibition
November 30, Opening @ 7pm
The Goods Shed Murray Street, Wonthaggi basscoastartists.org.au
An open exhibition of regional artists.
Cardinia Cultural Centre
If you love live music but dread the long trek into the city, there’s good news closer to home this winter. Cardinia Cultural Centre is turning up the volume with its exciting Winter Sets Music Program – a vibrant season of live performances featuring some of Melbourne’s most compelling artists, right on your doorstep.
Running throughout the cooler months in the centre’s theatre, Winter Sets brings together several powerhouse acts spanning genres from indie and country to pop, funk and soul. Even better, most headline artists are supported by a dynamic local talent, celebrating the depth of creativity in our own community. It’s a chance to experience world-class live music without leaving the neighbourhood. Kicking off the lineup is Charlie Needs Braces, the captivating project of GuriNgai sisters Charlie and Miri. Known for their inventive use of live looping, sample pads and trumpet, the duo create energetic musical landscapes that blend storytelling, language and rhythm. Their vibrant performance style incorporates music, dance, puppetry and audience interaction, inviting everyone to join in through movement and call-and-response. It’s a joyful celebration of First Nations culture and language that resonates with audiences of all ages. Their remarkable work was recognised with the Archie Roach Award for Emerging Talent in 2023. This event will take place during reconciliation week.
Next up is acclaimed country artist Andrew Swift, a performer who has spent years refining his craft – and it shows. Swift’s fourth studio album, Lucky Stars, is both a heartfelt reflection and a triumphant moment in a career built on persistence. Describing his sound as “a gateway drug to country music,” Swift blends gritty guitar textures with synth layers and stadium-sized backbeats. The result has earned him millions of streams, multiple chart-topping releases and several Golden Guitar Awards.
Changing the mood, Melbourne-based Mizuki brings a dreamy fusion of nostalgic Japanese city-pop and modern pop production. Her emotionally resonant songwriting and warm, shimmering sound have won fans both in Australia and internationally. Performing with a full band and supported by Sasha Rechichi, Mizuki’s live show promises polished musicianship and an uplifting atmosphere.
For lovers of groove and soul, look no further than Cookin’ on 3 Burners, Australia’s undisputed kings of Hammondorgan-driven funk. Since forming in Melbourne in 1997, the trio have built a global reputation for their electrifying shows and vintage soul sound infused with modern energy. From international festivals to packed club stages, they’ve delivered their infectious grooves worldwide – this time joined by powerhouse vocalist Stella Angelico, with support from Michelle Morrison.
Closing the season is guitar virtuoso Nathan Cavaleri, whose remarkable career began in childhood when global icons took notice of his extraordinary talent. His latest project, Growing Pains, is a raw and deeply personal reflection on identity, resilience and the realities behind a life in the spotlight. Expect a powerful performance that moves far beyond music alone.
The Cardinia Cultural Centre is proud to bring such an extraordinary lineup to the local stage. And for true music lovers, there’s an added bonus: audiences who book more than one Winter Sets show receive a 15% discount.
The music doesn’t stop there. Following the success of the centre’s The Thursday Lounge series, Local Music Bites will showcase talented local performers including Stephanie Angelini, Paul Hogan, Ben Langdon, Ebony Portelli, Andrew Portelli and Michael Prizeman.
Presented in a relaxed cabaret-style setting with tables of ten, it’s the perfect excuse to gather friends, enjoy great music and even take a spin on the dance floor. This event will take place in the Lakeview Room.
This winter, unforgettable live music isn’t in the city – it’s right here at the Cardinia Cultural Centre. Stay tuned for more great acts coming your way.
For more information on the Winter sets and Local Music bites, visit cardiniaculturalcentre.com.au/shows
Featuring: Stephanie Angelini, Paul Hogan, Ben Langdon, Ebony Portelli, Andrew Portelli and Michael Prizeman with Mark Symonds.
Friday, 19 June 2026
7:00pm
Tickets from $25
This special event will be presented in a welcoming atmosphere of cabaret‑style setting, with tables of ten.
Gather your friends, book a seat or a table, and enjoy a night of great music, connection, and fun on the dance floor.
The bar and kitchen will be serving a special menu on the night, so come and make a night of it.
quirkydistillingco.au
If you ever tried to package Geoff ‘The Hound’ Haynes into a box, you’d open the lid and find it empty –Geoff already slipping out the side, grinning as he disappeared down the street. He was never meant to be contained. His life has always been messy in the best way . . . unpredictable, funny, dangerous, loud, occasionally disastrous, but always interesting.
Now, at 89, Geoff is surprisingly calm. He sits in the present like a man who’s already read the ending – and is perfectly fine with it. “Everything comes to an end,” he says with a simple shrug. “Trees, plants, animals, people. It’s just the cycle of life.” There’s no sadness in it, no fear – just the steady wisdom of someone who’s fallen off the edge a few times, dusted himself off, and kept walking.
This is the story of a kid from the streets of Kings Cross who grew to become one of Australia’s most electric DJs.
Geoff’s childhood made him older than his years – he had no choice but to grow up fast. Five tough years in a boarding school during the 1940s left him bruised and hardened, then at fifteen, he was dropped into Kings Cross with no money, no support, and no safety net.
“It was hard,” he says, without drama. “All you want to do is eat and exist.”
He learned to read people quickly. To trust slowly. To stay light on his feet. He didn’t choose the life of a loner – it was simply the hand he’d been dealt – and he learned to play it.
But even in the dangerous chaos of the Cross, one thing reached him – the radio. Late at night, he’d tune into a DJ named Tony Withers. Something about the rhythm, the cheek, and the effortless way he held a room full of listeners captivated – it flicked a switch in Geoff’s mind.
“He inspired me,” Geoff says. “Made me want to go into radio.”
It didn’t matter that he was painfully shy. Or simmering with anger. Or drinking more than anyone his age should. It lit a fire inside him – and he fanned the flame.
At 18, Geoff got his first job in radio – panel operating at 2UW in Sydney. “I was an alcoholic,” he says bluntly. He lasted six weeks before they let him go.
His life became a merry-go-round of being hired, fired and hired again.
He drifted into selling menswear for a while, but bored out of his mind, he decided to try radio again. He visited station after station, only to be told that his voice would never make it to air.
“I never believed them,” he says with a shrug. “I knew they were wrong,” he laughs.
His first on-air job was at 2LF in Young (country NSW). He didn’t even have the money for the train ticket. When he arrived, he watched a man ride a horse up the main street.
“I was horrified,” he laughs. “I was from the Cross, man – it was like the wild west out there!”
He lasted six weeks.
Then came Gunnedah. A giant snake lay across the studio doorway, and Geoff, reasonably, refused to step over it and went home. He tried to explain, but was fired again.
Orange came next. Then Wagga. In Wagga, he ‘accidentally’ broke into his future boss’s office with a half-starved Alsatian and a lady he’d met earlier at the pub. He was fired on the spot. However, the program manager Ted Thomas came to his rescue and became his lifelong friend, mentor and best man. Ted backed Geoff again and again, even when most wouldn’t.
“He even told me who to marry,” Geoff laughs. “She was a pretty girl. . . I met her at the local yacht club.”
On his honeymoon in Melbourne, Geoff stumbled into a job, returned to Wagga to pack up, and moved to the city, ready to try again.
Geoff bounced around for a while – selling records and working as a sales rep. When he heard rumours about a new radio show – 60 in Sound, a weekly countdown of the top 60 albums – he thought he’d get ahead of the game.
Cheeky as ever, Geoff pitched himself, presenting the idea as his own, before anyone had asked. He auditioned, and 3UZ hired him on the spot.
And suddenly, all the pieces of his loud, energetic personality snapped together. Radio fit him like a glove.
Soon, he burst onto stage at lunchtime pop concerts as
‘The Hound’, and people went wild. His energy was electric – cheeky, sharp, unpredictable. He wasn’t polished. He wasn’t polite. He was alive.
He met Frank Sinatra backstage at Festival Hall. “I was a huge fan,” Geoff says, eyes shining. Sinatra was warm, charming, leaning on a piano with a dazzling smile. Geoff spent twenty minutes chatting with him, just the two of them. “It wasn’t supposed to happen. But it did.”
That was the thing about Geoff – life cracked open for him in strange, unbelievably lucky ways – even when he was his own worst enemy.
A drunken night out landed him in the papers and in court. It was a minor offence, but the station panicked and fired him instantly.
“I’d just bought a house,” he says. “It was monstrous.”
But somehow, senior police officers – of all people – took him under their wing. They kept an eye on him, kept him moving in the right direction, and within a year, he was back on air and bigger than ever. His evening show exploded in popularity.
Then another misstep: a prank gone wrong. Fired again. This time properly.
He went back to Sydney with his confidence dented, but one bold radio manager saw what others didn’t. “What this guy can do on air is gold,” he said. And he was right.
“His energy was electric –cheeky, sharp, unpredictable. He wasn’t polished. He wasn’t polite. He was alive.”
Geoff rebuilt his radio career – hosting jazz at 2KY, breakfast at 2SM, talkback at 2GB, breakfast at 2UW. His voice had this unusual combination of warmth and bite – silken fire, as some described it. People loved him. He could sell anything, talk to anyone, carry an audience through dead airtime without breaking a sweat.
But Geoff was restless. Radio felt like a cage. And he never did like cages.
So… he quit.
Left it all behind. Moved to the Gold Coast. Bred quarter horses. Opened a car yard. Bought and sold almost anything that crossed his path – sometimes with great success, other times… disastrously.
“I never did any research or took advice,” he laughs. “I’d just jump in.”
At 47, he sold his shares in Triple M – too early, he later realised – and grabbed his passport. He wanted to roam. And roam he did.
He lived in Mexico. Wandered Guatemala. Slept in ditches. Bought dope from corrupt soldiers just to avoid trouble. Escaped drunken army officers in the back of a truck during a storm. Nearly drowned in remote lakes. Travelled through Costa Rica, where CIA and DEA agents prowled the borders.
“People in fancy resorts see nothing,” Geoff says. “I wanted to see everything.”
Then Geoff lost all his money investing in a pub with a charming Canadian ‘mayor’ who he later discovered was a conman. He ended up back in San Francisco with $26 to his name. Started again. He worked at KCBS in San Francisco for two years and interviewed Hunter S. Thompson – the chaotic king of Gonzo journalism himself – who ranted, swore, and slurred his way through the entire interview.
“I didn’t know where the mute button was,” Geoff laughs. “Lucky no one complained.”
Then he returned to Mexico – only to be robbed of everything his first night back.
“That was the most terrified I have ever been,” he says.
With nothing left, Geoff went into the jungle. Literally. He lived in an abandoned horse stable for six months, battling hunger, dengue fever, ants, spiders, scorpions, and the constant fear that he wouldn’t make it out alive.
A local man helped him survive. That friendship changed him forever. “It was the making of me,” Geoff says quietly.
He also learned something surprising – “Fear disappears when you understand you are part of nature, not separate from it,” he says. Snakes slid past him during his ritual morning yoga. “They never bit me. If I got too close, they’d wave their heads – just telling me I was in their space.”
The jungle rewired him. It taught him that animals and humans live by vibration – energy, instinct, intention.
“He lived loudly. Bravely. Foolishly sometimes. Brilliantly, other times. He crashed through mistakes, climbed out of disasters, laughed at danger, and survived things that would flatten most people.”
“Most people walk around half-blind,” he says. “With no awareness.”
When you ask Geoff what life has taught him, he pauses for a long time. His eyes soften. He looks away, gathering something inside himself.
“That we are all one,” he finally says. “We’re all human – but it goes deeper than that.”
He explains how studying Daoism at university helped give language to what he’d always felt. There’s a line from the Dao he carries with him: Wary as a man in ambush; Open as a valley. To him, that meant being connected to everything. Being a part of the world around you rather than trying to control it.
“The jungle taught me that more than anything,” he says. “There was nothing to fear. I wasn’t separate from it – I was a part of it.”
Now, at almost ninety, Geoff has returned to South Gippsland to be closer to family. He sits in his small lounge reminiscing about his wild, messy, technicolour stories –and he doesn’t regret a single one.
He lived loudly. Bravely. Foolishly sometimes. Brilliantly, other times. He crashed through mistakes, climbed out of disasters, laughed at danger, and survived things that would flatten most people.
Ask if he’d change anything, and he just shakes his head.
“No,” he says softly. “It’s life.”
And one hell of a life it was.
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Emily Hulbert’s life is nothing short of extraordinary. A world traveller, cyclist, and humanitarian, she’s journeyed across continents, braving the open road on her bike to bring the gift of clean, safe water to some of the neediest communities. As she pedals the globe, Emily isn’t just covering miles – she’s pushing boundaries, confronting prejudices, and making a tangible difference in the lives of those she encounters. Her mission? To provide people with a fundamental right – access to clean water.
Right now, as I speak with her over the phone, it feels like she’s just next door. But in reality, she’s thousands of miles away, sitting in a modest, damp hotel room on the southern coast of Hainan, China, preparing for another day on the road. Her Aussie accent rings through, warm and familiar.
“It’s nice hearing an Australian voice,” she laughs when I mention how refreshing it is to speak to her, even though she’s a world away. “I’ve been speaking Mandarin for over five years now, which really helps in China. The other countries –well, it’s been a bit more challenging, to say the least!”
She says it nonchalantly, but the sheer scope of her journey is awe-inspiring. Born in London, Emily moved to Australia when she was 11, eventually studying physics at university. She was also an accomplished soccer player (for Melbourne Victory), a passion that took her to the U.S. on a scholarship. Soccer, she tells me, is a universal language – one that’s served her well in her travels. “You can roll up to any community with a ball, kick it around, and suddenly you’re not a stranger. It’s a great way to connect,” she explains. “It has this magical way of breaking down barriers. I think it helped me get through some of the lonelier moments of travelling.”
Yet, Emily’s journey today is not about playing soccer or seeking personal glory. It’s about helping others, especially through something as essential as water.
In 2024, Emily embarked on an adventure like no other –cycling across the world with the goal of providing clean water to people in need. The idea of cycling around the globe had always been on her mind, but it wasn’t until she learned about the nonprofit initiative Waves for Water that her mission truly took shape. She was drawn to the profound impact water filters could have on communities suffering from waterborne diseases.
“I wanted to ride around the world and give back, but I wasn’t sure how,” she recalls. “Then I heard about water filters, and it clicked. The impact was immediate. You see people getting healthier right away because they no longer have to drink contaminated water. That felt powerful to me.”
Emily’s passion for human rights and environmental justice fuelled her even further. She found herself aligning with the project, which she now dedicates her journey to. “It’s fascinating. Water is the foundation of everything – health, education, community. You can build a school, but if the
kids don’t have safe water and are constantly sick, what’s the point? So, I just started getting the filters myself, putting them on my bike, and heading out to wherever they were needed,” she shares with determination.
Her first experience working on the ground was in Indonesia, where she collaborated with Waves for Water on a project in Lombok. “That experience sealed the deal for me. I knew this was what I wanted to do for the rest of the journey. Every place I go, I’m helping people – literally saving lives – and I can see the difference.” She wanted to continue her mission of delivering clean water, and the Water Cycle project became her focus.
Starting in April 2024, Emily set off from the southwest corner of Australia, south of Perth. She was initially joined by a friend, but soon she would ride solo, learning vital survival skills along the way. “When you’re out in the desert, there’s no one to help you. You have to learn to fix your bike, handle the terrain, and be self-sufficient,” she says.
“It’s these moments of connection that make it all worth it. You realise, the world is full of kindness – if you open yourself up to it.”
Her journey through Australia was a pivotal learning experience. “I learned to connect with the land, to feel the heat of the sun, the wind, the earth beneath my wheels,” she says with a sense of reverence. “It’s almost meditative. You really feel like you’re part of the environment. It was an incredibly humbling start to this adventure.”
As Emily made her way north to Darwin, her plans took an unexpected turn. Instead of sailing across the Timor Sea as she had planned, she found herself learning to sail on a regatta team. “It was a blast! I had no experience, but I figured it out, and we won. That’s the thing about this journey –every new day brings a new challenge, a new adventure.”
From there, Emily’s trip took her to Bali, then eastward through Lombok, Indonesia, and onward to Singapore, Malaysia, Thailand, Cambodia, Laos, and Vietnam. Finally, she reached China. But her journey didn’t stop there.
“My goal was to cycle westward, head to India, Nepal, and
Pakistan,” she says. “India was phenomenal. But Nepal? That was the highlight of my trip. The mountains, the culture, the people. It’s the place I always want to go back to.” Emily has clocked up over 18,000 kilometres and continues to self-fund her trip by teaching Mandarin (online) to students.
Cycling through countries like India and Nepal opened Emily’s eyes to the vast disparities between wealth and poverty. Yet, in these moments of suffering, she found something incredibly powerful: human connection.
“The poverty in India, the inequality, it’s hard to process sometimes,” she admits. “But what’s so striking is the kindness. In Nepal, despite everything they lack, the people are so warm, so welcoming. They treat you like family.”
The road has been full of moments like this, where a seemingly simple act of kindness changes everything. One such moment occurred in Indonesia when Emily’s bike broke down on a beach. “A lady approached me, and although neither of us knew what we were doing, we spent the day chatting. She invited me to her shop, made me a meal, and shared her story with me. Her husband had just passed, and she was spending the New Year alone,” Emily recalls. “It’s these moments of connection that make it all worth it. You realise, the world is full of kindness – if you open yourself up to it.”
For Emily, her time on the road has been a profound exploration of the human spirit. “I’ve been so lucky to see humanity at its best. There’s a lot of negativity in the media, but when you’re out in the world, you see people doing small, beautiful acts of kindness all the time,” she says. “It really challenges the narrative we’re fed. And that’s why travel is so important – it shows you that the world isn’t as fractured as we might think.”
In China, where Emily spent months cycling across the vast and diverse landscape, she was struck by the kindness and generosity of the people. “China was nothing like what I expected. I thought I knew what it was going to be like by what we see in the media, but I had it all wrong,” she says. “There are so many layers to China. The diversity, the people –it’s mind-blowing. I’ve never felt more welcomed.”
Emily’s journey isn’t just about cycling for cycling’s sake. It’s about creating lasting change. Through her efforts, she’s raised funds to build wells in Pakistan, provided water filters to communities along the Myanmar-Thailand border, and has plans for more projects in Africa.
“It’s been incredible to see the impact of what we’re doing,” she says. “We’ve got 30 filter systems going to one of the most water-scarce places in Asia, and I’m hoping to make a difference in Eastern Africa next. But the work never ends. It’s a constant process.”
“You can roll up to any community with a ball, kick it around, and suddenly you’re not a stranger . . . It has this magical way of breaking down barriers . . .”
Her commitment to these projects doesn’t just stem from a sense of duty; it’s born from a deep love for the people she meets and the communities she serves. “Water is life,” she says simply. “Without it, everything else falls apart. That’s why I do this. To give people the opportunity to thrive.”
As Emily continues her travels, she’s constantly reminded of the privileges she holds – her health, her support system, and the freedom to live out this extraordinary adventure. “I’m so grateful for the chance to do this,” she says. “Every day feels like a gift. I wake up and think, ‘Wow, I get to live this life today.’ That’s a privilege I don’t take lightly.”
In the end, Emily Hulbert’s journey is more than just a story of cycling across the world. It’s about reconnecting with humanity, questioning societal norms, and making a real, lasting impact. She’s learned that kindness is universal, that we are all connected, and that no matter how big the challenge, one person’s actions can spark a ripple of positive change.
And as she pedals on, her mission remains clear: to make the world a better place, one pushed pedal at a time.
If you’d like to support impoverished communities by providing lifesaving water filters, you can make a donation to gofundme.com/f/water-cycle
A
poem by
Emily Hulbert (crossing South Sumatra)
A broken bike chain in hand, on the outskirts of a jungle
They pulled over without hesitation, they saw my struggle
With a smile so wide, ‘Get in’ I assumed she said
As men hoisted my bike into a crowded truck bed
She sat me in her living room, cracked walls hung photos faded
Beside these filled frames, the whole room remained vacant
Where we’d choose to have things, often in unnecessary piles
They piled the town in, filling the room with sincere smiles
And how can I tell her so she would believe
Although we have money, cars, houses and things
That it’s possible that she is truly richer than me
Yet perhaps in the brutality of chance, I’ve won the lottery
For it’s true I was born in a position of great fortune
The soils of my childhood rich in nutrition
In the form of opportunities, education and support
But once I arrive in her town I see there’s much more to be taught
For in this village you are not neighbours but family
How many of us know if our neighbours are truly happy
Or do they drink tea or coffee, have sons or daughters?
But it’s okay, we have more things, so surely they’ll like us.
And yet this town surrounds me, offering me home, food and help,
An incredible raw kindness that must be lived to be felt
So once again I implore her to believe she is rich, Affluent in compassion that one cannot teach
She spoke of her son’s passing, he was electrocuted in Jakarta
Left this world, his wife pregnant, soon to be a father
I’m left deeply defeated by life’s injustice and harshness, I now realise gratitude is the strongest sentiment we must harness
And attempt to understand the diverse human condition
To empathise, support and above all we must listen
Once more I tell her she’s rich, but who am I to speak?
When I have the fortune to pass through and just as easily leave
And I have the choice of a life full of flights, money and things
But what if, in the end, this leaves me empty and unconvinced
In this lottery of life, who really wins?
“A meal without wine is like a day without sun.”
TSUKO JAPAN
Tsuko is a little taste of Japan . . . right in the heart of South Gippsland. It feels so much more than a restaurant – it’s more like coming home. Set on the main street of Korumburra, this beautifully renovated space hums with warmth – where the sun spills across vintage, timber floors and long communal tables invite guests to sit, share, and stay awhile.
At the heart of Tsuko Japan is Atsuko Tanaka-Morrison, a self-described home cook whose passion for food is grounded in love, family, and connection. Having grown up in Osaka and lived in Australia for over two decades, Atsu brings a deeply personal approach to her cooking. “I’m a mum, not a chef,” she says, but what she creates is something truly special – honest, comforting Japanese food inspired by the meals she grew up with and now cooks for her own family. For Atsu, food is a way to connect people, and that philosophy is woven into every part of Tsuko.
together. At the communal tables, strangers begin as neighbours and leave as friends, sharing not just a meal but a moment together. It’s exactly what Atsu envisioned. A place where people come together over good, wholesome food and feel genuinely cared for.
The menu is a celebration of traditional Japanese comfort dishes, made fresh to order. Atsu’s signature ‘set meal’ dish, Teishoku, is a perfect introduction – a beautifully presented meal featuring miso soup, rice, daikon pickle, roasted pumpkin, a crisp sesame-dressed salad, and Agedashi tofu. The tofu is light and delicate, its golden exterior giving way to a silky centre, soaking up the dipping sauce. It feels both nourishing and deeply satisfying. Each element on the plate is thoughtfully balanced, creating a meal that is generous yet light. Atsu laughs, “It looks big, but I promise you won’t leave in a food coma!”
Equally memorable is the udon noodle soup with a vegetable and prawn tempura fritter. The clear dashi broth carries a spicy kick with the addition of a citrus pepper paste, lifting the umami richness and bringing a moorishness to every spoonful. Thick, hearty udon noodles
add substance, while the tempura fritter provides a perfect contrast – crispy, golden, and comforting. Finished with fresh shallots, it’s a bowl that feels like a warm hug. Oishi gohan (which translates to ‘delicious meal’) is certainly on
To end, the green tea and roasted sesame ice cream offers a simple, satisfying finish. The sesame ice cream stands out with its nutty, toasted flavour – which is rich without being heavy, and quietly memorable.
Beyond the food, Tsuko is very much a family story. Atsu works alongside her musician husband Rick (from the Sand Brothers), and their daughters Eileen and Zenna, creating a sense of care that extends to every guest. “I could not do what I do without the help of my family and my brilliant team.” The open kitchen invites you to see each dish being prepared fresh, reinforcing the idea that this is not fast food, but slow food made with patience and love.
Open for lunch, Tsuko Japan has become a beloved gathering place for locals and visitors. It’s somewhere you return to not just for the delicious food, but for the feeling it leaves behind – warm, connected, and quietly joyful.
tsukojapan.com | 0494 354 570 67 Commercial St, Korumburra
WE WELCOME YOU TO THE MIDDLE OF IT ALL!
A PLACE ABOUNDING WITH HIDDEN TREASURES AND SPECIAL FINDS
Whether it’s a quick bite, a leisurely lunch, or a weekend getaway, you’ll find something that feels just right in The Middle of Everywhere. Discover a place rich with hidden gems and unexpected delights, where every turn offers something worth savouring. From Licola and Dargo to the stunning shores of Golden Beach, Seaspray, Ninety Mile Beach, Sale, and Yarram - every stop feels like a highlight reel. Just 2.5 hours from Melbourne, a world of fresh local produce, coastal flavours, cosy cafés, boutique breweries, and inviting places to stay await. Come for the moment - stay for the experience. Life is good in The Middle of Everywhere! LET’S DINE
FINDING SOMEWHERE WONDERFUL TO EAT, DRINK OR STAY SHOULDN’T BE HARD IN THE MIDDLE OF EVERYWHERE!
Step into history at The Criterion Hotel, a grand 1865 landmark reimagined as a leading gastropub. Passionate about supporting local growers and producers, the kitchen showcases the very best of the region’s food bowl – bringing Gippsland to life on every plate. And if you’re not ready for the night to end, stay a little longer in one of their deluxe guest rooms.
The Criterion Hotel, Sale
In the heart of Sale, Society 301 delivers style, flavour and a vibrant social scene. With a tapas-inspired menu designed for sharing, it’s the perfect place to gather with friends over exceptional cocktails and great food. Whether you’re dining indoors or enjoying the outdoor space, the laid-back, yet lively vibe makes for an unforgettable night out.
Society 301, Sale
If you’re craving a dining experience that lingers long after the last bite, Tucka at Maffco Brewery and Distillery is a must-visit near Maffra. Celebrating the very best of Gippsland, the menu is crafted with care and packed with flavour – featuring premium beef and pork sourced directly from their own Benbullen Farm. Housed within a beautifully restored 1920s brick building, once the historic Willmere Milk Factory, the venue perfectly blends rich heritage with a warm, welcoming atmosphere.
Maffco Brewery & Distillery, Maffra
For a perfect pairing of scenery, wine and food, Glenmaggie Winery delivers it all. Known for its awardwinning wines and welcoming cellar door, it’s a place to slow down and savour the moment. The shared-style menu is made for connection – whether you’re cosying up indoors or soaking in the river valley views from the shaded deck.
Glenmaggie Wines, Tinamba West
Ready to treat your taste buds? A visit to A Taste of Avon Restaurant and Bar is more than just a meal – it’s a culinary journey. From the moment you walk in, you’re immersed in a world of mouthwatering flavours, handcrafted pasta and signature dishes that delight at every turn. With genuine country hospitality and a focus on fresh, locally sourced ingredients, it’s a dining experience you won’t forget.
A Taste of Avon, Stratford
Follow the irresistible aroma of wood smoke and you’ll find Smokehouse 81, where bold flavours take centre stage. Specialising in wood-fired chargrill and smoker cooking, this hidden gem in Rosedale serves up everything from crispy wood-fired pizzas to perfectly grilled meats and smokin’ hot favourites. It’s relaxed, flavour-packed dining with an atmosphere to match.
Smokehouse 81, Rosedale
A quick guide to the best eateries in GIppsland
AMARTI
2730 Traralgon-Maffra Road, Cowwarr 0408 070 854
Mediterranean-style menu
A TASTE OF AVON
39-41 Tyers Street, Stratford 0411 938 814
House made pasta a speciality
BANG BANG BAR & FOOD
4/18 Vista Place, Cape Woolamai 5922 4374
Coastal bar, chill vibe & Asian-style meals
BLUETTE ON BEAR
17 Bear Street, Inverloch 5115 8664
Funky vibes, stylish menu
BREWING BLISS
Cardinia Cultural Centre
40 Lakeside Boulevard, Pakenham 9989 6194
Delicious food and wine
BURRA BREWING
12 Commercial Street, Korumburra 5658 1446
Best beers, wood-fired pizzas and more
DIRTY THREE WINES
64 Cashin Street, Inverloch 5606 8128
Wines with soul & grazing boards
FIG & THE BAY
24 Liberty Crescent, Corinella 5678 0337
Stunning meals by the bay
GLENMAGGIE WINES
439 Mclachlans Road, Tinamba West 0437 357 050
Locally sourced (and grown) delights
GOMATHY’S KITCHEN
Sundays @ Kongwak Market Korumburra-Wonthaggi Road, Kongwak
Passionately prepared Indian, Asian & Malaysian
HOTEL PHILLIP ISLAND
11-13 The Esplanade, Cowes 5952 2060
Think views of the bay, Lemon Cheesecake Cocktails & Prawn Linguines
LAMEZLEIGHS COFFEE
HOUSE & EATERY
62 Ridgway, Mirboo North 5668 2455
Cozy, luxe vibe with fab coffee and wholesome food
MON DIEU CAFE
RESTAURANT
97 Church Street, Cowes 0403 231 987
Warm vibes, delicious bites and cosy corners
OCEAN VIEW HOTEL
3531-3533 Bass Highway, Kilcunda 5678 7245
Ocean views, sunsets and great pub meals
PROMONTORY RESTAURANT & WINERY
23 O’Gradys Ridge Road, Foster 5682 1538
Memorable meals overlooking Wilsons Prom
QUIRKY BAR & DISTILLERY
48 Bair Street, Leongatha 7048 4299
Delicious cocktails and snacks
RACV RESORT INVERLOCH
70 Cape Paterson-Inverloch Rd, Inverloch 5674 0000
Stunning restaurant and bar overlooking Bass Strait
SAN REMO FISHERMANS
CO-OP
170 Marine Parade, San Remo 5678 5206
Fresh off the boat. Delicious fish n chips
SAINT JULES
117 Marine Parade, San Remo 0451 924 003
Coffee, tucker & larder
SALTWATER
On the Jetty @ Beach Crescent, Newhaven 5926 6802
Delicious meals and wood fired pizza, right on the water
SILVERWATER RESORT
17 Potters Hill Road, San Remo 5671 9300
Offers gourmet breakfasts through to dinner
SMOKEHOUSE81
85 Prince Street, Rosedale 0487 646 379
Wood fired and chargrill smokers
SOCIETY301
301 Raymond Street, Sale 4103 8207
Tapas and cocktails
SISTER LU
16 The Esplanade, Cowes info@sisterlu.com.au
Asian inspired eats made for sharing
THE BAY GOURMET
127-129 Jupiter Blvd, Venus Bay 5663 7227
Relaxed dining, courtyard, coffee and preserves
THE BURRA LARDER & PANTRY
51 Commercial Street, Korumburra burrapantryandlarder.com.au
A celebration of local & artisanal foods
THE CAPE TAVERN
Surf Beach Road & Market Place, Cape Paterson 5674 8122
Friendly, casual, pub-style meals
THE CLUBHOUSE
11 Doctor Sleeman Drive, Wonthaggi 5672 1437
Relaxed dining experience
THE CRITERION HOTEL
90 MacAlister Street, Sale 5143 3320
Showcasing Gippsland’s incredible local produce
THE GROVE
27 Uren Road, Krowera 0457 111 026
Smoking Sundays, music, food & drinks
THE SANDBAR INVERLOCH
2 Cuttriss Street, Inverloch 0419 742 333
Beer garden, music & inlet views
THE WONTHAGGI CLUB
16 McBride Avenue, Wonthaggi 5672 1007
Bistro meals the locals love, open everyday
TRULLI
82 Whitelaw St, Meeniyan 5664 7397
A taste of southern Italy in Meeniyam
TSUKO JAPAN
67 Commercial Street, Korumburra 0494 354 570
Delicious, authentic Japanese food
TUCKA @ MAFFCO BREWERY
1 Maffco Lane, Maffra 5147 2885
A farm to fork restaurant
VINES ON AVON
446 Stratford-Maffra Road, Maffra 5141 1146
A gorgeous wedding, restaurant and events venue
WESTERNPORT HOTEL
161 Marine Parade, San Remo 5678 5205
Great pub food and bay views
WILD FOX
17 The Esplanade, Cowes Opening June 2026
Offering all day breakfast & lunch
ZEAL & FLOW
19 Market Place, Cape Paterson zealandflow.com
Specialty coffee and local treats
Shared plates of the season transcend to connected hearts, people and community.
Gathering around an abundant table showcasing the best of what the Gippsland season has to offer is more than just a meal, it is an opportunity to connect with friends and family, share stories, slow down, and create lasting memories. The autumnal colours of the season add to the warmth and conviviality of the region.
I absolutely love being able to capture the quality produce of our region and connect people to local purveyors and seasonal food through the art of visual storytelling on social media.
An invaluable reference that highlights local eateries, wineries, growers, markets, and local events. Fostering connections between people and businesses through the universal language of food.
Kara Williams
Foodies On Phillip Island
words nellie kerrison photos tamara erbacher
It is indeed bloody good when you realise this dish needs few ingredients yet produces an aromatic curry that’s perfect for impromptu dinners with friends. Use any type of curry paste that takes your fancy. We are using a mixture of two for extra depth, usually half red curry paste and half massaman curry paste for me. This recipe is thanks to my friend, Michele Curtis.
• Oil for cooking
• 2 onions, diced
2 tsp grated ginger
• 2 cloves garlic, crushed
• 4 tbsp curry paste (see note above)
• 1 kg blade or rump steak, diced or use 1 kg chicken thigh or breast, sliced or diced
• 3 cardamom pods, cracked
• 1 cinnamon stick
• 500 ml (2 cups) chicken or vegetable stock
250 ml (1 cup) tomato sugo
• Sea salt
• Cracked black pepper
Heat a large heavy-based saucepan over a medium heat.
Add oil, onions and ginger and cook until the onions just begin to soften.
Add garlic and curry paste and cook for 5 minutes, until fragrant but not allowing the spices to burn.
Add the beef (or chicken) and cook briefly for 2–3 minutes, just browning the meat. Add the spices, stock and tomato sugo and bring to the boil.
Reduce heat, cover and continue cooking for approximately 30 minutes, stirring occasionally.
Serve with rice, couscous or cauliflower rice.
Aidan Weichard
Life imitates art – or so they say. For artist Aidan Weichard, it’s a truth he lives and breathes daily. His bond with animals and nature pulse deeply through his colourful paintings, each brushstroke capturing the essence of his surroundings. On a clear, sunlit morning at his small farm near Garfield, the land itself feels like a living canvas – setting the perfect backdrop for Aidan’s creativity to flow.
As I arrive, I’m welcomed by two fluffy dogs at the farm-gate and watch a kitten dart after butterflies on the lawn. Nearby, young calves bounce around in the paddock, full of play. High in the oak trees, a group of galahs chatter loudly, their squawks ringing out across the farm. The air is crisp and fresh, brimming with life.
We settle on the sunny porch of his studio, with Disney the dog lying at our feet. The view from here feels like paradise. Aidan leans back, eyes on the paddocks stretching out before him. “You can take this place for granted if you’re not careful,” he says. “Then someone comes to visit, and they’re blown away by the quiet, the animals, the air. You see it through their eyes again and realise … we really live somewhere special, and I am so grateful for that.”
Aidan lives here with his wife, Jen, and their three young children, Lyrical, Monty, and Blue, in a home tucked away on this peaceful property.
Beyond the house, the land rolls out gently. Horses graze lazily, native birds flit through the trees, and kangaroos bounce in the distance. If you spend any time with Aidan’s work, it’s clear that nature is deeply embedded in every piece he creates.
Animals and flowers dominate his canvases: bulls captured in thick, expressive layers, native birds caught mid-flight, and wombats and quokkas emerging from vibrant splashes of colour. Some pieces overflow with wildflowers, bursting with life and energy. His paintings feel dynamic – full of movement, texture, and bold colour.
The roots of his art go back to his childhood in nearby Gembrook, where he grew up surrounded by sixteen acres of dense bushland. As a kid, Aidan would wander the land for hours, often alone, but never lonely. “I loved being out there by myself,” he says. “Just sitting, watching.” Sometimes, it was only the flash of a blue fairy wren darting through the bush, other times it was a wombat crossing a path or an echidna moving slowly through the leaves. In those quiet moments, time seemed to stand still.
“There’s something about seeing an animal in the wild,” Aidan reflects. “For a second, everything just goes quiet.” That feeling – of stillness mixed with energy – is something he continues to chase in his work.
Art has always been a part of Aidan’s life. His father, a sculptor, filled their home with tools, drawings, and half-finished projects. But Aidan didn’t always plan on becoming an artist. words aissa reed photos lauren murphy
After school, he pursued psychology and worked as a paediatric sleep researcher at a children’s hospital in Clayton. It was important, serious work that left a lasting impression, but creativity was never far from his mind. “Research is actually quite creative,” he says. “You’re constantly solving problems and looking at things in new ways.”
Aidan met his partner, Jen, while studying. She had come to Australia from Germany for a marketing internship. They quickly connected, and when Jen returned to Germany, Aidan felt motivated to make some changes. “If I’ve got any chance with this girl,” he laughs, “I’d better pull my socks up.”
He finished his degree with honours, but the real turning point came during a visit to a gallery in Sorrento. The walls were lined with paintings by artist John Giese, whose bold depictions of animals sparked something inside Aidan. “I walked out thinking, I want to paint again,” he says, despite being fully immersed in his work as a researcher at the time.
Soon after, he picked up his brush. His first piece was a large, vibrant bull – a bold, energetic painting that his friends immediately loved. Jen saw something else: the way Aidan seemed to come alive while painting. With little to no money to spare, she gave him a proper paint set and $500, encouraging him to buy canvases. “Just give it a go,” she told him. That support changed everything.
Aidan began painting in his spare time – nights, weekends, whenever he could. Bulls, in particular, became central to his work. Not because they symbolise strength, but because of their gentle curiosity. “When I was a kid walking to the skate park, the bulls would wander over to say hello,” he recalls. “Curious creatures. They could’ve walked right through the fences if they wanted, but they never did.” That calm, inquisitive nature became something Aidan wanted to capture on canvas.
His process is physical and layered. He uses acrylics, oils, spray paint, charcoal, and oil sticks to build texture and movement. “You’re building energy,” he explains. “The texture creates movement.” His palette is bold, with bright reds, blues, and yellows, but also grounded with earthy tones that reflect the Australian landscape.
Flowers appeared in his work almost by accident. After an unsold painting of quokkas came back from a show, Aidan painted flowers over the top. It clicked. Unlike animals, which he often begins with reference photos, flowers grow naturally on the canvas. “One flower becomes the centre,” he says. “Then the rest just grow around it.”
His studio is full of music and open jars of paint. Colours mix freely, and sometimes, a painting doesn’t work. “You just paint over it,” he smiles. But when everything falls into place, magic
“There’s something about seeing an animal in the wild. For a second, everything just goes quiet.”
“You hit a sweet spot where you’re not thinking anymore. You’re just doing it, you’re in the zone.”
happens. “You hit a sweet spot where you’re not thinking anymore. You’re just doing it, you’re in the zone,” he says.
These moments are when Aidan creates his best work.
Today, Aidan is a full-time artist. In 2019, with Jen pregnant and their future uncertain, he took the leap and left his hospital job. “It was scary,” he admits. “I nearly backed out.” But with Jen’s support, he succeeded. His paintings began showing in galleries, and social media helped collectors find his work. Art fairs across Australia allowed him to meet buyers face-to-face, something he loves. “When someone connects with a painting right in front of you,” he says, “it’s pretty special.”
Soon, Aidan’s work will travel further. He’s set to exhibit in Austin, Texas, introducing his art to a new international audience. But no matter where his paintings take him, the heart of it all remains the same: the quiet rhythm of the land, the fields, and the porch.
Disney shifts at Aidan’s feet and sighs softly in her sleep. Aidan gazes out over the paddocks, his thoughts drifting. “I feel incredibly blessed and deeply grateful for this life,” he reflects. “Here I am, in the studio, surrounded by nature and my family, just creating and making marks.”
But those marks – each one – carry with them the colour, energy, and quiet magic of the world he grew up in. Every time he paints, it’s as though he’s chasing something elusive, a feeling he can’t quite express. Yet, he continues to pursue it, driven by the search.
“It's not what you look at that matters, it's what you see.”
HENRY DAVID THOREAU
ARTIST PROFILE
Ann-Maree Gentile
Through a lovely rambling garden and beyond the bright-green front door lives a world of whimsy whipped into existence by ceramicist Ann-Maree Gentile.
In an era where beige and muted tones currently rule, Ann-Maree Gentile’s creations literally explode with vibrant hues. It’s hard to know where to focus as you enter her purpose-built studio – the newly finished construction is key to the life she is creating in South Gippsland after relocating from Melbourne.
Brightly coloured clay creatures and characters appear everywhere in quirky shapes and varying sizes, their simple shapes giving a folky, naive quality. Naked, raw figures waiting to be painted and fired, colourful dogs, fried eggs, and dancing women line the bench. Cut out shapes eventually to be mounted onto totem poles to join those that already adorn the cottage garden, are on the table. She talks excitedly about her next project of creating a mosaic, including handmade tiles on the exterior wall.
Ann-Maree loves living amongst her quirky creations. Each piece, she says, is like a friend – created with love and the result of a free flow of equal parts making and the clay revealing itself to her. They are daring, whimsical, fun and free – also themes that guide her artistic life.
“I love colour. I grew up in a brown house and don’t ever want that again,” she says, sitting on her blue couch in front of a wall that has seen many coats and is currently lilac.
Growing up in Doncaster, Melbourne, little Ann-Maree was a “natural maker” inspired by her crafty mother, who was a teacher with an endless curiosity.
“Mum was curious about life and just tried everything, then taught others. She won awards for her macramé and ran school holiday classes like making candles in electric frying pans with cords everywhere – it was an OH&S nightmare that would never get off the ground now,” she laughs at the precarious memory.
Despite being a “super crafty” kid, always making dioramas in shoe boxes and clothes for her dolls, Ann-Maree failed Year 12 art. This left her despondent and unsure where to go next. She “found herself” at Uni, completing a Bachelor of Arts majoring in Aboriginal Studies, working in a bank (“The worst job ever!”) and travelling.
“There is a bit of magic in clay; it has a mind of its own.”
“I love colour. I grew up in a brown house and don’t ever want that again.”
Then some pots her Dad had made, but not painted, caught her attention, so she picked up a paintbrush and decorated them.
“I enjoyed doing art again, so I thought I would do a course, and Dad suggested a proper diploma.”
The four-year TAFE course that followed allowed her to build and fine-tune practical skills in making and decorating clay and sculptural works.
“It changed my life. I learnt about kilns and glaze technology and met other potters. It all gave me enough skills to be able to choose art as a profession, not just a hobby.”
Surprisingly, after the course, she didn’t touch clay again for two years.
“I was working at a florist when my boss said, ‘You have to lift your game’. I said you’re right; I hate working here, I quit!”
It was the impetus she needed to hire a studio at Warrandyte’s Potters Cottage and her entrée to the clay community and life as a working artist. Ann-Maree’s whimsy can now be found in galleries across Australia, and throughout her career she has collaborated on exhibitions in Australia and overseas, taught at Box Hill Community Art Centre, been an artist in residence and more. “Things open up, and I say yes.”
Ceramics remain her constant and main profession, despite her love of drawing, painting, welding and larger sculptures.
“There is a bit of magic in clay; it has a mind of its own. You think you’re making one thing, and it emerges as something else. That’s the beauty of creating and being open to what
the material will do. I often don’t know where I stop and my art begins. There’s a nostalgia in the making – a conversation that’s not quite finished – I like to live with things for a while to work out if they need something else to go with them.”
South Gippsland lucked in when Ann-Maree relocated her studio from Melbourne. Still making for galleries, she has also thrown herself into the Gippsland arts and community, sitting on the committee for Manna Gum Neighbourhood House, running workshops and participating in projects such as the ArtCubes.
Along with friend Nicky Fraser, she runs the popular quarterly Meeniyan Makers Markets, and her summer pop-up store in the town allowed customers to enjoy “Ann-Maree world” and discover the sheer breadth of her work, sense of colour and fun.
Her life in art is fuelled by endless curiosity and simply turning up and doing it. Saying yes, trying new things, studying, teaching and asking for help when needed. It’s about taking a risk and seeing what happens and knowing that some things don’t work out, and that’s just fine.
“The world is pretty shit at the moment, so I feel really blessed to live here and be privileged enough to make art. It’s been a long and meandering path, but I feel I’m where I’m meant to be. The making makes me happy, and I know my work brings joy to other people.’
@amusingclay | Town and Country Gallery, Yarrragon
150cm x 175cm | acrylic
VIEWINGS BY APPOINTMENT | PHILLIP ISLAND
Twenty-one years ago on May 19, 2005, a group of residents and businesspeople met to discuss the possibility of a community bank being a viable business for the seaside township of Inverloch and to service the communities surrounding Inverloch.
A survey was undertaken of local people and businesses to determine the passion for such with an overwhelming positive response to the initiative.
The conversation to open a bank under a Bendigo Bank Franchise had been positive, but this was the first step, one which Terry and Lois Hall, who were current agents of the bank in the town, were leading the push for this to come to fruition.
A standing committee of 22 community spirited individuals worked over the next 11 months to set up the Company.
A community bank branch is a franchise that allows the local community to own and operate a Bendigo Bank branch where any profits after deducting operating costs can then be given straight back into the community.
Inspired by the model which had been set up in Lang Lang the committee commenced a campaign which had to realise at least $550,000 in one-dollar pledges to open its doors.
Local businesses, sporting groups, farmers, and residents quickly got behind the concept and in record time 750,000 ( $1.00 shares) were issued to 250 shareholders. The capital raising was so successful that shares were oversubscribed, with many would be shareholders missing out on a share allocation.
The bank officially opened on Monday, March 27, 2006 – less than one year after the commencement of the campaign.
Fast forward to 2026 the bank has more than fulfilled its vision of not only providing a banking service to the community, but by also giving more than $750,000 (in 20 years) to multiple groups in the district.
Substantial investments in the community include the Inverloch Surf Life Saving Club which was provided seed money to enable the new club house to be built along with various other funds to hold programs, buy lifesaving boats and other equipment.
The Inverloch Primary school was able to complete a multi-purpose room and more recently commence an anti-bullying program. Other sporting clubs have benefited with upgrades to lighting, netball courts, pitches, fencing and many other improvements.
Throughout the community more than 20 defibrillation units have been sponsored by the bank.
Other groups which have benefited by the foresight of the Inverloch community businesses and residents some 20 years ago are the Inverloch Cricket Club, Inverloch RSL, Inverloch Fire Brigade, Bass Coast Specialist School, Inverloch Tourism Association, amongst many others.
As an important employer in the community the bank has invested $6.3 million in employing staff during the 20 years since inception.
Now the only bank in town the current community has a great deal to thank those involved with the bank’s inception 21 years ago as it celebrates a strong, resilient, and vibrant banking environment which will continue to support its customers and community well into the future.
The bank currently employs five staff and is managed by a Board of seven volunteer directors, all with a variety of backgrounds and skillsets and with a passion for the local community.
“We celebrate the past and look forward to the future with great enthusiasm,” said the current Board Chair, Mark McCormack.
“Every time we meet as a Board we think of those who have come before us who campaigned so hard to get the doors open and make the business the success it is today. We thank them and the many staff and volunteer directors that have followed for their passion and commitment to our community bank.
“We see ourselves as custodians of the bank for the community and we encourage everyone to come and bank with us, and by doing so help us give back to the community in which we live”, he said.
Having just signed a further ten-year extension to the franchise agreement with Bendigo Bank and a further ten years on the property lease in Williams Street, the Board is very positive about the future.
“Like those that were so enthusiastic about starting up the bank, we need the next generation of passionate customers to start banking directly with our bank.
“This is the key to continued funding of life changing contributions back into the community. Every deposit, loan or insurance product taken out with the bank enables us to give more funding back through the grants and sponsorship program.
“We are community owned, community minded and here for the community and we ask they continue to support us as we have them for the past 20 years,” said Mr McCormack.
Time flies when you’re in the place you are meant to be
The past cannot be changed. The future is yet in your power
Slow down. Enjoy the simple pleasures in life
LONGBOARDERS
Nestled on 1.5 acres bordering picturesque farmland, Longboarders Micro-Resort is a serene coastal sanctuary just a 15-minutes stroll from pristine beaches. Featuring three luxury cabins and a large residence, it’s perfect for wedding groups, retreats, family get-togethers or romantic escapes. Relax with sundowners and smores around a fire pit while watching farmyard animals (and the occasional wallaby) graze next door.
longboarders.com.au
BANK FARM
Under a majestic gum tree sits a beautiful, rustic, off-grid cabin that overlooks the rolling hills of South Gippsland, just minutes from the ocean. The cabin is fitted with a comfortable queen-size master bedroom, three Japanesestyle bunk beds, a fully equipped kitchen and bathroom, full-size dining space and a Canadian indoor fireplace. A perfect spot to do as much or as little as you wish. wattlebankfarm.com.au
Where nature meets modern coastal design on Phillip Island. Three cabins are nestled in a rural setting, surrounded by native and indigenous gardens designed to provide privacy and support the abundant local wildlife. These ecofriendly cabins provide the perfect blend of solitude and comfort. Soak up the sun on our north-facing decks while you take in the natural surroundings. thegapretreat.com.au
Shelley Beach Retreat is a beautifully presented coastal escape for guests who value quality, comfort and style. Enjoy high-end furnishings, premium linen and a heated lap pool (summer months) set within a serene garden with an outdoor shower. Take in sweeping ocean views to Cape Woolamai and spot whales in season, all just a short stroll from Kilcunda’s cafés, General Store and Killy Pub. thebeachhousepeople.com.au
Set in a peaceful valley, this historic butter factory offers a unique and relaxing escape. Enjoy the spacious, open-plan living areas, or unwind in the nine-person outdoor spa surrounded by nature. Challenge friends and family to a game of table tennis or shuffleboard, or fire up the pizza oven or BBQ while the kids play on the swing out back. For a quieter moment, take a seat on the park bench and admire the sweeping lawn and the old factory buildings, softened by creeping vines. kongwakbutterfactory.com.au
Karkalla Beach House is a spacious, family and pet-friendly retreat in Inverloch’s sought-after Broadbeach area. Sleeping up to eight guests, it features open-plan living, modern comforts, and a secure outdoor space. Just a short walk to the beach with free access to Broadbeach Health Club facilities, it’s perfect for relaxing coastal escapes, family holidays, or group getaways in a peaceful setting. thebeachhousepeople.com.au
“Happiness is a small house, with a big kitchen.”
ALFRED HITCHCOCK
You can never waste an opportunity for ocean views. Harris Build certainly didn’t when they created the stunning coastal retreat Earlshall for emergency health care workers Matt and Tayla Brain, and their young family.
From its sloping heights in San Remo, the Earlshall vision came to fruition with the early engagement of Harris Build – the young family partnering with them well before town planning, to navigate the creation of their coastal dream home.
“Matt and Tayla have been an absolute pleasure to work with throughout the Earlshall build. Based in Cowes during the project, they approached the process with openness and trust, which made collaboration effortless from the very beginning. With clear communication, weekly email updates, and regular phone check‐ins, we were able to keep the project running smoothly and ensure they always felt informed and supported at every stage,” says director Troy Harris.
That seamless connection between owner and builder shines through in the seven-star, four‐bedroom, three‐bathroom residence, which sits calmly in its Bass Coast setting, now competing in the 2026 Master Builders Victoria Building Excellence Awards (2026) for Best Custom Home $1M-$2M.
Matt says what made the build experience so easy was that Harris respected all their requests, making them feel understood in their efforts to create a dream home overlooking the water.
“Aimee and Troy were incredibly attentive. Throughout the process, we noticed all of our requests or challenges were considered, and nothing was too hard, despite when we would change the plans or modify an idea when the build was already in motion.”
When they wanted to move a window from one wall to another, Harris made the change work.
Not only were they amenable to those little details, but Adapt Design and Harris Build were also collaborative throughout the design phase. It allowed Matt and Tayla to move from basic sketches and Pinterest photos to a complete vision and build.
Of course, as is true for most couples trying to decide on all the features and finishes of a new home, the first responders didn’t agree on everything.
“We were lucky that we both shared similar styles and ideas on what we wanted in our house (mostly!), so we predominantly agreed on colours, layout, etc., and prioritising entertaining spaces, although we do have some varying priorities as I wanted a bigger shed and Tayla wanted a bigger walk-in-robe,” says Matt.
The only difficult part of the build was time management, as the couple tried to juggle shift work and child-rearing with a toddler. But the result is a forever home that can withstand the elements. Crafted with recycled brickwork, James Hardie vertical cladding, and shiplap timber externally to anchor the house in the landscape, Earlshall is poised for a warm and timeless patina as it ages. Like shells on the shoreline, tinted by their enduring passage through the sea.
Harris says the design prioritises resilience and low upkeep: using stainless‐grade (marine grade) fixings, corrosion‐resistant coatings, sealed junctions, and weatherproof flashings to protect the fabric from coastal exposure. In the desire for sustainability, high‐performance glazing is carefully oriented to capture natural light and cooling sea breezes while thermal mass and passive solar strategies reduce energy use and running costs.
The family says it’s been a pleasure settling into the home, as they appreciate both its style and substance, with surprising storage and stunning sunset views.
“Our main challenge now is limiting the amount of sand we track in the house after another day at the beach and limiting the amount of additional painting our toddler wants to add to the walls!”
harrisbuild.com.au
A quiet shift is taking place in the way we design our homes. Cool minimalism is giving way to something softer, more grounded – spaces that prioritise warmth, texture, and a sense of calm.
This thoughtfully considered home renovation by Studio 44 captures that evolution beautifully. At its core is a layered material palette that feels both refined and inviting, where every element works in harmony to create a space that is as functional as it is emotive.
Warm, tonal hues wrap the interiors, moving away from stark whites and into a more nurturing spectrum of soft neutrals and natural finishes. Timber introduces an organic richness, while carefully selected stone elevates the space. Here, natural granite and marble are not simply surfaces, but features in their own right – expressive and textural as a work of art.
This connection to nature continues through the use of raw, earthy tiles and tactile finishes, bringing depth and authenticity to the home. Seamless material transitions further enhance the sense of cohesion, with surfaces flowing effortlessly from one application to the next, creating a sculptural, considered aesthetic.
“More and more, we’re seeing clients drawn to spaces that feel calm and comforting,” says Studio 44’s Managing Director, Dan Bruce. “It’s about creating an environment that supports the way they live – somewhere they can truly relax and feel at home.”
Beyond its materiality, the home has been redesigned with real life in mind. The layout encourages connection and ease, balancing everyday functionality with moments of quiet luxury. Subtle details, from statement lighting to layered finishes, add personality without overwhelming the space.
The result is a home that feels timeless yet deeply personal – a place where design and craftsmanship come together to create something enduring.
Completed by Studio 44 Interior & Alfresco Design in collaboration with Leongatha Kitchens & Bathrooms. Discover more at studio44.com.au
Design-Led Living
Custom Cabinet Maker. Design Studio. Registered Builder.
John Flanigan
Dip FMBM
Experienced Finance Specialist
With over 40 years’ experience in the finance industry l support my clients with their finance needs, processing the application, dealing with the lenders and conveyancers through to successful settlements.
Specialising in
- Established properties
- House & Land construction
- Investment properties
- Refinancing to improve lifestyle & reduce repayments
Support & Educate
- First home buyers
- Government scheme participants
- Local Football / Netball Clubs
Rhizome Building is a Gippsland based independent building consultant. With over eighteen years experience in a range of areas including site inspection, insurance claims, project management, remediation works and identifying defects and warranty issues. We are fully licensed and insured to provide expert building reports with a domestic building unlimited license in Victoria.
• Independent Building Defect Inspections
• Pre-purchase Building + Pest Inspections
• Building Rectification Consulting
• Expert Witness Reports
• Project Management • Design and Sustainability Consultation Our specialist services include:
A tiny, architecturally designed cabin will transform your coastal property in a big way. Small builds go where large, permanent structures cannot and allow you to elevate your lifestyle to offer income-generating luxury accommodation, fit the family, downsize in style or to live your best life out of the everyday.
Base Cabin is a national, boutique company with strong links to Gippsland. Co-founders Ryan McCormack and Dave Clark are pioneers in architecturally design-led modular cabins with a headstart on the recent zeitgeist of tiny home living.
Their range of architectural-led designs and custom projects now elegantly and gently sit in landscapes across Gippsland, Victoria and Australia.
Scaling down from a large house offers the perfect coastal lifestyle choice, giving you flexibility to create a new living space without the inconvenience, unpredictable costs or extended timelines of a traditional build.
Tiny homes also create new possibilities to build luxury accommodation – or the escape you dream of all week –almost anywhere. Imagine your outdoor bath under the stars on a mountaintop, or the sun setting over the ocean from your deck in the dunes.
Select from a range of architecturally designed options created to embrace small spaces or embark on a custom build. Each cabin is constructed in Base Cabin’s Gippsland factory and delivered to site, minimising disruption and avoiding weather-related delays.
“Our approach is always design-led, balancing architecture, interiors and our clients’ needs so every cabin feels considered and personal,” says Ryan. “Compact footprints and transportability are not compromises but creative prompts that result in more resolved, functional and innovative spaces.”
Ryan and Dave believe that constraints create better design. Knowing how essential every centimetre is leads to innovative solutions – furniture has multiple uses, incredibly smart storage solutions and fold-down tables, to name a few.
“We design hard-working, flexible spaces that do more with less. It’s amazing what you can fit into six metres by two and a half metres.”
Each cabin is fully relocatable, offering long-term adaptability – whether that’s repositioning on-site, resale, or a complete
change of setting. In Venus Bay, Base Cabin delivered a coastal retreat comprising two cabins linked by a shared deck with a fire pit and hot tub. Designed for both family use and short-stay accommodation, the project balances a family holiday getaway and earning income as a luxury coastal stay in equal measure.
This successful company was born from a conversation in 2018. Dave returned from months of travelling through Canada and America, living in a vintage van, and noted that beautiful, high-quality tiny homes were lacking in Australia. This led the pair to combine their skill sets to offer quality, tiny builds that combined architectural design, beauty and practicality at an affordable price.
“We wanted to prove that big ideas can be delivered in 20 square metres or less,” says Ryan, who manages the projects while Dave remains in charge of construction.
They teamed with architects and started out constructing projects in a Mirboo North farm shed. Today, the company builds up to 15 tiny homes a year in their factory in Korumburra, has a team of seven, collaborates with a network of architects and designers and utilises a trusted group of quality local trades.
Having secured their place as leaders in beautiful and small, the team has expanded into larger modular homes (up to 60sqm), applying the same principles of efficiency, sustainability and thoughtful design. These projects respond to evolving housing needs, from flexible living solutions to more permanent dwellings. Their same philosophy of compact and sustainable is used to deliver affordable housing solutions that respond to differing needs, such as the current housing crisis. The duo have also recently delivered a house to a family who had become homeless in the summer bushfires.
Finding their niche has allowed Base Cabin to reimagine and deliver coastal dream homes that put every centimetre to work for their valued clients.
Winner of the Coast/Next Wave/Nice Stack of Books photo competition
Energy, dynamism and strength are some of the qualities of open-water swimming that Gigi Anderson has captured here in her winning image, in the waters at Seaford, Victoria. “ I am drawn to the contrast of light and dark; surface bubbles and deep mystery.”
Photographer: Gigi Anderson @summagrafika follow @coastmagazine on our socials
A testament to the owners’ vision and the builder’s craftsmanship, this residence stands as a welcoming masterpiece where architecture, art and nature intertwine.
With over 30 years’ experience, DB Design delivers innovative, cost-effective building design solutions across residential, commercial, and multi-dwelling projects. Their consultative approach, expertise in passive solar design, and strong construction knowledge ensure spaces that are both practical and beautiful.
DB Design offers a complete, one-stop solution from concept to documentation.
03 5672 1144 | 47 Graham St, Wonthaggi
LIFESTYLE REVIEW
There’s something undeniably special about a home that’s been designed just for you. Not drawn from a catalogue, or adjusted to fit, but thoughtfully tailored to your lifestyle.
That’s the beauty of building with Aspire Designer Homes. It’s a process that starts not with a floor plan, but with a conversation.
How do your mornings look? Where do you naturally gather as a family? Do you love to entertain, or prefer quiet, private spaces to unwind? Questions like these help shape a home long before the first lines are drawn on a page.
This ensures the floor plan becomes something much more meaningful than a layout – it is a true reflection of your lifestyle. Open living zones that bring everyone together at the end of the day, while separate retreats offer space to relax and recharge. It’s about creating flow, comfort, and a sense of ease in the way each space connects.
And then there’s the land itself – often one of the most overlooked, yet powerful influences on good design.
A well-designed custom home doesn’t just sit on the block; it responds to it. Orientation is carefully considered so living areas capture natural light throughout the day, while windows are positioned to frame the best outlooks. Whether it’s a leafy streetscape, a coastal view, or simply a private garden, these connections to the outdoors can completely transform how a home feels to live in.
It’s these subtle, thoughtful decisions that elevate a home from functional to truly enjoyable.
Another advantage of custom design is the freedom it brings. There are no standard inclusion lists or boxed packages, just possibilities. From statement kitchens and tailored joinery to home offices, theatres, or quiet reading nooks, every detail can be shaped around your vision. The only real guide is your imagination.
What often surprises people is that a custom-designed home can be far more accessible than they first expect. With open, transparent discussions around the project budget from the outset, it becomes possible to align vision with reality
– refining ideas, managing expectations, and ultimately bringing a beautifully considered home to life without unnecessary compromise.
Of course, having that level of freedom also means having the right team by your side matters.
Working with an experienced builder like Aspire Designer Homes brings clarity and confidence to the journey. With a deep understanding of design, construction, and how to bring ideas together seamlessly, they help turn what can feel like a complex process into an exciting and rewarding experience.
In the end, a custom-designed home is more than just a place to live. It’s a home that feels intuitive from the moment you walk in – one that supports your lifestyle, embraces its surroundings, and grows with you over time.
And perhaps that’s the real luxury – living in a home that simply feels right.
aspiredesignerhomes.com.au
At Coast to Coast Conveyancing we take the stress out of property transactions so you can focus on what matters most. Whether it’s your rst home, an investment, or a complex transfer, we guide you every step of the way with clarity and con dence.
With Coast to Coast Conveyancing you’ll be working with a professional who understands the process, protects your interests and keeps you informed. We o er clear, dependable guidance across a wide range of property transactions.
20+ Years Of Conveyancing & Legal Practice
Fully Quali ed Lawyers And Conveyancers
Transparent Fixed Pricing & Quick Turnaround
Free Residential Contract Reviews
Local And Interstate Conveyancing
Genuine Local Knowledge And Sta
Supporting Local Clubs And Sports
O ces in Wonthaggi, Foster, Melbourne and Noosa
We are excited to introduce Holly Egan
to our team as the Senior Conveyancer in our Wonthaggi O ce. Holly is a Bass Coast local with over ve years experience conveyancing in the wider Gippsland Region. She is available at the Wonthaggi o ce ve days a week.
holly@coast2coast.net.au
Holly is supported by our local Property Lawyer, Angela Wallis who is available at both the Wonthaggi and Foster o ces and brings decades of Gippsland legal experience. She can assist with your conveyancing needs, as well as Wills and Powers of Attorney.
angela@coast2coast.net.au
“The success of her business wouldn’t be possible without her loyal staff, Tanya and Robyn, and the support of her mum and husband Josh.” spring 2015
15 minutes of fame
Wendy Dekunder has never been one to wait for opportunities – she creates them. At just 19, while most people were still figuring out their next step, Wendy was opening the doors to her first shop, Southern Harmony, in Inverloch. It was the early ’90s, long before online shopping or social media made business building easier. Armed with determination, a Melways that she admits she “couldn’t quite read”, and her beloved panel van, Wendy would drive to Melbourne hunting down suppliers the oldfashioned way – through word of mouth, guesswork, and the good old Yellow Pages.
Her first shop was a reflection of her at the time – a vibrant, hippie-style, clothing store filled with personality. “I thought – this is fun,” she recalls. That sense of curiosity and courage would become the foundation of a 20-year journey in business, one that has evolved as much as she has.
After selling her first shop at 22, Wendy explored real estate and focused on raising her young family. But the entrepreneurial spark never left. Small projects followed –selling Indonesian furniture, running warehouse sales – until one opportunity changed everything. In 2006, the very same year Coast Magazine began, Wendy set up shop in a shed on Cashin Street. That space became Southern Bazaar, a haven for vintage and mid-century furniture, and a business she would run for over a decade . . . and Coast Magazine has had the honour of working with Wendy every step of the way.
But Wendy has never believed in standing still.
As trends shifted - fuelled by renovation shows like THE BLOCK and changing tastes – she noticed customers moving away from second-hand toward new furniture. Rather than resist, she adapted. The business evolved again, relocating and expanding, eventually splitting into two distinct ventures: a furniture store and Style Mantra, a preloved clothing boutique in Inverloch’s main street.
“Clothing was always my first love,” Wendy says. “I’ve come full circle.”
Now, as Southern Bazaar celebrates its 20th anniversary, Wendy is preparing for her next chapter – selling the furniture side of the business to focus entirely on pre-loved clothing. It’s a decision that reflects her core philosophy: evolve or get left behind.
“You have to change with the times,” she explains. “You can’t just stick to what you like – you have to pay attention to what people want.” From retro to coastal, industrial to modern, Wendy has continuously reinvented her style. She’s a business chameleon, but it’s this adaptability that has kept her relevant for two decades.
Of course, the journey hasn’t been without challenges. Economic shifts, the impact of COVID, and her own health battles – have tested her resilience. Yet owning her business has given her the flexibility to step back when needed, supported by a loyal team, including long-time staff and her kids, Grace and Tom, her mum and her husband, Josh.
Together, they’ve built more than a business; it’s a family affair. Her children grew up among furniture deliveries and shop floors, with everyone playing a role. “We’re a team,” Wendy says simply. “I couldn’t do it without them.” Her devoted husband, Josh, has been by her side in the business for the past decade.
Ask her about highlights, and it’s not the sales or milestones that stand out – it’s the people. Long-time customers who became friends, homes she’s helped transform, and memorable encounters along the way. “I even met Mao’s Last Dancer – he was wonderful. He signed books for my kids and my mum – who is a huge fan!”
With an eye for design and an instinct for what works, Wendy describes her personal style as eclectic – a blend of old and new, much like her career itself.
Twenty years on, she’s still doing what she loves. Just differently.
“From his time as secretary, president, and now a proud life member, Graeme has helped shape the club into the thriving hub it is today.”
words aissa reed
For Woolamai Beach Surf Life Saving Club legend Graeme Clauscen, community isn’t just a word – it’s about a lifetime of showing up.
At nearly 90, Graeme looks back on a remarkable 65-year journey that began almost by accident. “I got dragged in as a volunteer,” he laughs, recalling his start in 1961. “And I never left.” What began as a way to contribute off the sand (as swimming was never a strength) – became a lifelong commitment. From his time as secretary, president, and now a proud life member, Graeme has helped shape the club into the thriving hub it is today.
Back then, the club was small – just ten members spending entire weekends patrolling the beach. Today, it boasts more than 1,000 members and stands as a cornerstone of the Bass Coast community. Graeme has seen it all: from the original Nissan hut clubhouse transported from Royal Park to the modern club that stands today. But for him, it’s always been about the people. “Some of those early members are still friends,” he says. “That’s what it’s all about.”
Graeme’s connection to the coast runs just as deep. His family’s holiday shack in San Remo, once a humble fishing hut, became the site of his permanent home nearly twenty years ago. And while he may have retired more than once, he’s still deeply involved, often found carefully curating scrapbooks filled with decades of local surfing stories, many clipped from the pages of Coast Magazine.
Those scrapbooks are more than a hobby – they’re a living
archive of the region’s surf community. Through his work with the National Surfing Reserve, Graeme has helped preserve not just waves, but history, culture, and the environment. “If something affects the beach,” he says, “we speak up.”
That same community spirit is perhaps best captured in the San Remo Channel Challenge – an event born from a conversation in a pub that has grown into one of the region’s most significant gatherings. From less than 20 competitors in its early days to 850 today, it’s a testament to what happens when a community rallies together. “We reckon it’s raised over a million dollars,” Graeme says. “And much more for the local economy.”
As Coast Magazine celebrates 20 years of storytelling, it’s people like Graeme who remind us why these stories matter. They connect us, preserve our shared history, and celebrate the quiet dedication that keeps communities strong.
“I’ve always admired the magazine,” Graeme says. “That’s why I kept every copy.”
And in many ways, Coast has been keeping people like Graeme, too – capturing the spirit of a coastline built not just on waves, but on unwavering community.
The year was 2006, and Coast Magazine had only just begun. A simpler time – it was somewhere between dial-up memories and the start of the digital age. Here’s a look back at what was hot (and what we loved) 20 years ago.
Before endless scrolling, there was MySpace – where your profile song said everything about you, and your “Top Friends” list really mattered.
Long before smartphones, flip phones were (considered) high tech. Buttons, not touchscreens – and that satisfying snap shut at the end of a call.
In 2006, waistlines were worn low and sunglasses were oversized. Trends may have shifted, but history suggests they’ll be back again.
The Nintendo Wii changed gaming – suddenly, everyone was up off the couch and part of the action.
Happy Feet brought dancing penguins to the big screen –and quickly became a family favourite.
The Mazda MX-5 was the sports car to be seen in around town.
Friday nights meant heading to the video store, browsing shelves and reading the backs of covers before making the all-important choice.
JOHN HOWARD
Was Prime Minister of Australia.
The iPod Nano was the go-to for music lovers – small, simple, and packed with your favourite songs.
Before viral TikTok trends, everyone was doing Borat impressions, “Very nice!”
Justin Bieber was discovered on YouTube.
Before streaming, record stores were where you discovered music. In 2006, CDs still ruled.
From the birth of rock and roll to the digital revolution, Brian Carr has seen it all – and photographed it. With a career spanning more than 50 years, Brian’s creative calling cards are everywhere. From freeway billboards to portraits and products, Brian’s extensive catalogue shows there is nothing he can’t shoot. While commercial photography pays the bills, Brian’s passions lie in shooting live music and people who might not ordinarily find themselves a photographer’s muse. With or without a lens, Brian knows how to tell a story.
Brian Carr’s commercial photographs are literally everywhere. If you’ve driven on the Bolte Bridge, looked for parking at the airport or wandered around the terminals, you have seen his work. His high-profile clients include Mazda, Volkswagen, Telstra and ANZ. Brian is a Wonthaggi local, but his images are slapped on the sides of buses, trucks and trams – each one an eye-catching contribution to Melbourne’s moving landscape.
It comes as no surprise that Brian grew up surrounded by photographers. His mother, Peg, was a nature photographer and amateur judge who would insist that Brian’s father stop the car if the light was right. It was not a shared passion – Brian’s long-suffering father snored through Peg’s slide shows, waking only to the sound of clinking teacups.
When Brian was ten years old, his uncle moved into their Warragul home. Frank Few was an American Indian and a WWII ex-US Marine combat cameraman. He survived a Japanese attack on the beaches of Guadalcanal in the Solomon Islands, swimming six shark-infested kilometres back to safety behind American lines. After the war, Few was a documentary cameraman for Walt Disney and later for the ABC in Melbourne. Brian was inspired by his uncle’s exploits but initially took a different path. Brian worked in a bank and other odd jobs – and he met his wife.
One Saturday night, 18-year-old Brian cruised past the Wonthaggi picture theatre in Graham Street with a friend. “There were two girls in the foyer. I said to my mate, ‘I’ll have the blonde one’; Jo is not the blonde one,” Brian laughs. Things moved quickly for the teenage pair, and they have been together ever since. They live just a few doors away from where Jo grew up. “I absolutely adore her,” Brian says. “To this day, I’ve never met a nicer person.” Brian describes Jo as empathic and knows he has struck gold if one of his photographs brings a tear to her eye. He could not imagine life without her. “I think we sort of blend into the one beam,” he says.
Four years after meeting Jo, Brian reconnected with an old school friend who had joined the Air Force to study photography. Freddie convinced Brian to sign up. At Laverton Air Force Base, Brian developed technical expertise that would benefit his future work.
Brian remembers going on a flight near Wilson’s Prom in the early 70s. They were to dispose of thin zinc sheets containing classified circuit plans to be dissolved at sea. They spotted a fishing boat and went down to have a look. “I grabbed the camera, buckled the monkey strap to the other side of the aircraft, then sat in the open door to photograph the boat,” Brian says. “We were climbing when suddenly the aircraft banked sharply right. I started slipping and let go of the camera, which went out the door into the drink.” The pilot had altered course as he had spotted a diving submarine. “We were ordered to stay in a circular pattern until a Neptune submarine chaser could arrive from Edinburgh in South Australia and take over. The pilot told me it was probably a Russian submarine.” Losing the large-format Linhof camera resulted in a lot of paperwork for Brian and a transfer to the darkroom.
After completing his contract with the RAAF, Brian pursued scientific photography, working in various university faculties until the 1980s, when the advertising boom shook things up. “They were telling me about how much money they were making out there, and I thought, ‘I’ve got to get onto this!’” Brian says. Not one to be hasty, Brian caught the tail end of the boom, and with three young children to support, juggled commercial and university work, and a diploma in photography at RMIT.
“I absolutely adore commercial work,” he says. “We’ve been on some big sets and big shoots where you’ve got ten people all concentrating on the one thing to get a result.”
Brian remembers a two-week-long shoot for Interflora to produce their catalogue. “They had three florists in the studio simultaneously making up arrangements for me and an art director to photograph. They were shot on medium format transparency film and had to be processed immediately for approval before the flowers wilted.” There was no room for artistic interpretation as Interflora wanted people to see what they were getting. “There were masses of flowers in the studio, it was so pretty and smelled wonderful,” Brian recalls. It is not always smooth sailing. Brian describes a close call with an advertising agency. “This job involved walking around with the client and the agency account manager, who’s pointing out things to shoot.” When Brian checked his film, he still had 36 shots left. “I went up to Tim and said, ‘I’ve got no bloody film in the camera!’” Brian improvised. “I said, ‘Look, Tim, you know those shots we’ve been doing? I think I could do a better job. Can we just go back and revisit them?’ Tim said, ‘That’s a good idea, if you think you can improve them?’ I said, ‘Yes, I can!’”
Brian has more than one photography gig. His lifelong love affair with music began when he heard rock and roll for the
“In advertising, nothing’s true. You just satisfy a client; you do whatever it takes . . . but in music, you’ve got to be honest, because people spot a phony a mile off.’’
first time in 1956, and from the 1970s on, his camera was his front row pass for countless gigs and pub nights.
“I can’t play a lick of music, but I enjoy it,” Brian says. “I feel comfortable when a band is playing. It’s my happy place.”
A selection of Brian’s impressive live music catalogue is published in his book Music City: A Slice of the Melbourne Music Scene. The predominantly Aussie line-up includes Marcia Hines, a young Paul Kelly, and Stephen Cummings at home, drawing on a cigarette. You will also find Archie Roach and Ruby Hunter, David Bridie and international acts like Ray Charles. Spontaneous and authentic, Brian’s sensitive images are an expert interplay of composition, light and emotion. Many photographs feature Melbourne’s lesser-known musicians, alongside the people who watched and hosted them. “I preferred bands that had to work five nights a week to put food on the table – they’re bringing up their families and life is tight for them… and they are fabulous musicians,” Brian says. His work honours ordinary places – the muchloved pubs, streets and gardens of Melbourne. Celebrating the hair and flares of the 1970s, one dramatic image set in the Fitzroy Gardens features Melbourne-based band, Stylus. They were the only Australian act to be released by Motown Records in America.
Photographing musicians is very different to commercial work. “In advertising, nothing’s true… You satisfy a client; do whatever it takes. You pull half a face off one picture and put
it on another to make their teeth look better. But in music, you’ve got to be honest, because people spot a phony a mile off,” Brian says.
The same could be said of Brian’s other projects. Brian’s centring of the ordinary is a standout feature in his noncommercial work. Brian’s series ‘The good ol’ boys’ depicts men at ease, seemingly unaware of the camera, leaning or lying on their cars or gathered at the bar. For a time, Brian was
a member of a collaborative photography collective M.A.P. (Many Australian Photographers). Amongst other projects, the group produced a photographic book and touring exhibition called “Beyond Reasonable Drought”, documenting climate change and drought across Australia. At Brian’s suggestion, the group featured Wonthaggi for their Single Town Project in 2013 and exhibited the photographs at The Coffee Collective.
“His lifelong love affair with music began when he heard rock and roll for the first time in 1956 . . .”
For the last 20 years, Brian has been working alongside his daughter Alys, an accomplished photographer in her own right. “She came straight after school,” he says. Brian describes Alys as a master of the long lens. “I can see the photographer she’s developed into, and I notice now they’re starting to ask for Alys, not me,” he says proudly. With a steady stream of commercial work coming in and work underway on a new series exploring children at play, it seems that Brian will never stop shooting.
You can view Brian Carr’s work at briancarrphoto.com
We specialise in high-quality custom homes and renovations, delivering exceptional results through transparent communication and reliable timelines.
Our focus is on creating spaces where our clients’ visions are brought to life with care, integrity, and expert craftsmanship.
For a free, no-obligation quote or to discuss your project, get in touch with us today.
South Gippsland & Bass Coast, VIC 0428 875 359 | info@arc-build.com.au | www.arc-build.com.au arcbuild_ Arc Build
KORUMBURRA
Merchants Korumburra showcases curated secondhand contemporary clothing, alongside homewares and books. The collection focuses on effortless, wearable pieces with a select range of timeless finds. Upstairs, a fabulous record shop adds to the experience. With a relaxed, welcoming feel, it’s a destination to browse, discover, and enjoy something a little different in South Gippsland.
61 Commercial St, Korumburra VIC 3950 0417 142 478
Open Hours: 10am-4pm | Closed Tuesday @merchantskorumburra | Merchants
Giving you peace of mind
Family-operated and trusted across Bass Coast and Gippsland communities providing friendly, professional Pool & Spa Safety Barrier Compliance services. Fully licensed, insured, and experienced, we make compliance simple, e cient, and a ordable — with same-day certi cates.
Book online for a reliable, helpful service you can trust.
VBA Reg: IN-PS 69817
Bass Coast Pool Inspections
0418 888 713 | basscoastpoolinspections@gmail.com basscoastpoolinspections.com.au
@basscoastpoolinspections | Bass Coast Pool Inspections
Trusted for over 75 years, the Co-op connects you to the freshest local catch.
Visit our Fresh Fish Shop right by the San Remo Jetty and discover premium, locally caught seafood - sustainable, traceable and the true taste of the ocean.
Caught by Locals - Loved by Locals - Since 1948
170 Marine Parade, San Remo VIC 3925 5678 5206| srfco.com.au
@sanremo shermanscoop | San Remo Fishermans Co-op
‘Native’s because they’re beautiful.’
Melaleuca Nursery has been supplying quality indigenous & native plants to West & South Gippsland for over 40 years. Whether it’s a few plants for the backyard or thousands for a revegetation project; we provide excellent advice on what’s best for your area.
50 Pearsalls Road, Inverloch VIC 3996 03 5674 1014 info@melaleucanursery.com.au | melaleucanursery.com.au
Summer hours Mon - Sat 9-5pm | Winter hours Mon - Fri 9-5pm, Sat 10-2pm @melaleucanursery | Melaleuca Nursery
Immerse yourself in the colour and beauty of Town & Country Gallery, Yarragon. Wander among exquisite paintings, ceramics, sculpture, and jewellery. An inspiring, ever-changing collection, celebrating Australian artists, ne craftsmanship and the joy of beautiful things.
A must-visit destination for those seeking to explore Gippsland’s vibrant creative soul.
111 Princes Hwy, Yarragon VIC 3823 03 5634 2229 | info@townandcountrygallery.com.au townandcountrygallery.com.au | Open everyday 10am-4pm @townandcountrygallery | Town & Country Gallery
Located just a stones throw from the beach, and featuring a large heated outdoor pool, heated spa and BBQ area, these 1, 2 & 3 bedroom self-contained apartments feature open plan living and dining areas, outdoor spaces, equipped kitchens, your own laundry facilities, luxury pillow top beds and crisp white linen. We are now recognised as a Quality Tourism & Sustainable Tourism Accredited Business.
9-11 Bass Avenue, Cowes 3922 03 5952 2644 | admin@phillipislandgroup.com | stayonphillipisland.com.au @stayonphillipisland_apartments | @stayonphillipisland.apartments
At 1st Avenue Constructions, we build unique, sustainable homes with a strong focus on quality, value, and personalised service. We ensure every project is delivered to high standards, on budget, with care.
Passive Homes | Extensions | Insurance Repairs | Commercial Fitouts
Built Locally • Built Sustainably • Built To Last
Gippsland Victoria 0403 287 810 | 1stavenueconstructions@gmail.com 1stavenueconstructions.com.au
You deserve to travel in style. We’re excited to introduce our designer luggage range – from the chic Pierre Cardin and sporty Reebok Wanderer to the ever-trending GAP collection. Free local delivery or in-store pick-up.
Coast readers save 10% with promo code COAST10. thedepartureloungetravelandcruise.com.au | Berwick
Ceramic artist Anne-Marie Gentile’s work is like a bright, sunny day – vibrant and energising. This humble artist describes herself as a “Maker of stuff that will bring you joy!” – and it does.
Explore the creative, quirky and whimsical world of Anne-Marie @amusingclay on Instagram.
The multi-talented artist Leigh Rowles is a pixie-like ballerina, choreographer, abstract artist and animal lover. Her eyes sparkle, her hands dance, and she almost glides across the floor. Her dynamic, abstract artworks are to be seen to be believed.
artspacewonthaggi.com.au
Local author Dick Wettenhall is back on the shelves with a new title – The Ecology of Native Orchids and their Pollinators. This impressive book follows miniature life within orchid ecosystems in The Gurdies Nature Conservation Reserve. With stunning macro photography, this body of work gives an intimate window into this fragile ecosystem. Available at Turn the Page bookshop in Cowes and Bunurong Environment Centre in Inverloch.
by Emma Trotman Nice Stack of Books
by M. L. Stedman
A tragedy befalls the MacBride family in the Australian outback, causing a domino effect in 1958.
A decade after her bestselling novel The Light Between Oceans, M.L. Stedman has finally returned with an epic story of loss, shame, resilience and forgiveness. A truly unforgettable novel set in the unforgiving WA outback that packs a real emotional punch.
Natasha Lester
Step back in time inside the notorious Chateau Marmont on Sunset Boulevard as we follow the story of young Aria, who is sent to live with her reclusive aunt. As the years go by, Aria befriends movie stars and sees all the behind-the-scenes secrets and dramas whilst falling for the handsome new owner. Natasha Lester masterfully blends the beloved Jane Eyre story with the rich and colourful history of the entertainment industry from the 1950s to the 1970s.
by Sheila Knaggs
There’s nothing more delightful than to sleep beneath the stars and wake up in the morning to the screech of the galahs.
An ode to camping in the Australian bush with stunning illustrations by Michelle Conn.
Ali Lowe
Succession meets The White Lotus in this gripping thriller. The Fairchild family board an opulent cruise liner, not knowing that a succession plan is to be announced by patriarch, Irving. You will love to hate these absurdly wealthy characters and cheer for the lowly staff who must deal with them. With twists you won’t see coming, this book will hook you from beginning to end.
Matt Haig
Return to the world of The Midnight Library, where, upon his elderly death, Wilbur gets the chance to look back on his life and re-live moments that have shaped who he has become. Matt Haig has done it again! This book will have you looking back at your own life and ultimately coming out of it a better version of yourself.
For Kasey Wilson and Aimee Le Page, the journey to higher education hasn’t been a straight line – but it’s one that’s brought them full circle, back to where it all began.
Both 20, both in their final year of study, and both proud products of South Gippsland, their story is one of friendship, persistence and finding opportunity close to home.
“We’ve kind of followed the same path without planning to,” Aimee laughs. From their school days together to sharing life in Geelong, and now returning home to continue their studies, the pair have remained constant supports in each other’s lives.
Kasey, who grew up surrounded by the ocean, is completing a degree in marine science, specialising in aquatic fisheries and oceanography. Her passion is deeply rooted in place.
“Nothing compares to the Prom,” she says. “The vastness, the mountains, the ocean – you can hike and then swim. Why wouldn’t you want to study that?”
But pursuing that passion hasn’t been easy. Long drives to campus, unreliable rural internet, and the isolation of online learning took their toll. “It was killing me,” she admits. “I needed face-to-face connection.”
Her friend Aimee understood that feeling all too well. After starting a degree in commerce, she quickly realised it wasn’t the right fit. “I was on the phone to Dad saying, ‘I don’t want to do this,’” she recalls. A shift to a communications degree, majoring in journalism, changed everything. “I’ve always loved writing – the creative side, the depth. That’s where I feel like myself.”
Her instincts paid off. Aimee has already completed an impressive run of internships, from national media to local newsrooms, and is now setting her sights on feature writing.
Their return home, however, was driven by more than just clarity – it was necessity. The cost of living in Geelong became unsustainable, pushing both women back to their rural roots. What they found there changed everything.
A local study hub at the (CUC) Country Universities Centre at Bass Coast offered them not just reliable internet and quiet workspaces, but something they hadn’t realised they were missing: community.
“It’s saved me,” Kasey says simply.
“It feels like a proper place to study,” Aimee adds. “You walk in, see other people working, and it puts you in the right mindset.”
More than that, it’s opened doors – networking opportunities, local connections, and pathways into real-world experience.
CUC’s motto is “Dream Big – Study Local,” and for two young women who once left home to chase opportunity, coming back has proven just as powerful.
“It feels like we’ve come full circle,” Aimee reflects.
And this time, they’re exactly where they’re meant to be.
celebrating 20 years and looking forward to many more
FOUNDERS/EDITOR & PHOTOGRAPHER
Over 20 years ago, Aissa (Maria) and Warren Reed created Coast Magazine to celebrate the beautiful region they call home. 55 editions later, they are back on the Coast team. What do they love about Coast? “The incredible people we meet.”
Artist and fellow creative, Annette Spinks took on Coast Magazine in 2024 - navigating new and uncharted waters. Here’s her favourite part of Coast? “The stories about real people.”
DESIGNER
For several years, Amelie has worked closely with advertisers and the editorial team, giving Coast its distinctive look. Congratulations to Amelie & Darren on the arrival of their new baby boy, Jago.
Casey is our brand-new designer, taking the magazine to fresh and exciting places. She comes to Coast with an Honours degree in Communication Design.
photo marie-louise skibbe
Andrew Harrison is an award-winning photographer who joined the Coast team in 2024. Alongside his wedding business Passion8, he makes our advertisers shine.
PRINT MANAGER
Nigel Quirk has been with us since the beginning in 2006. “Working with Coast for over 20 years has been an absolute privilege — a magazine that consistently sets the standard with its beautiful design, stunning photography, and thoughtful storytelling, all while staying deeply connected to its community.”
ADVERTISING MANAGER
Trudy is the queen of creating business partnerships that make our advertisers stand out in the crowd and their businesses thrive.
WRITER/EDITOR
Sally began writing for Coast in 2007 and took on the role of editor for a time. She reflects, “I remember how we all stood in the office listening to Kevin Rudd’s apology to the Stolen Generations – it was a big moment. I have loved writing each and every Coast story.”
Christina is a wordsmith from way back, sharing engaging stories of people by the Coast. A seasoned, open water swimmer, she loves the ocean.
Katie joined the Coast team in 2010 and has written for The Age, Women’s Health, New Idea, Woman’s Day, and a Dogs Life. She says, “I get a little buzz every time I see the magazine out in the wild.” Her favourite interview? Amina Hart. “She fell in love with her sperm donor - it was a beautiful love story in reverse.”
1st Avenue Constructions
A Taste of Avon
Andrew Harrison
Annette Spinks
Arc Build
Artspace
Aspire Designer Homes
Base Cabin
Bass Coast Pool Inspection
Bendigo Bank
Burra Brewing
Burra Garden Supplies
Cardinia Cultural Centre
Coast to Coast Conveyancing
DB Design
Edney’s Leongatha
Elsie’s Florist
Flo Alchemy
Foodies on Phillip Island
Gippsland Wine Company
Glenmaggie Wines
Harris Build
Hitched Magazine
Hotel Phillip Island
Indigo Design
Inverloch 3996 @ Realty
Island Green Gully Brewing
JG King Homes
Kongwak Butter Factory
Lacy Jewellery
Leongatha Kitchens & Bathrooms
Loch Food & Wine festival
Maru Koala Park
Melaleuca Nursery
Merchants Korumburra
Metricon
MSR Ceramics
Nice Stack of Books
Organature
Phillip Island Apartments
Quirky Bar
Reach Rock Art
Relish Mama
Resolve Finance
Rhizome Building
San Remo Fishermans Co-op
Sister Lu
Smokehouse 81
Society 301
SB Interiors
Studio 44
Style Mantra Inverloch
Teekay Constructions
The Beach House people
The Burra Pantry & Larder
The Clubhouse
The Criterion Hotel
The Departure lounge
The Gap retreat
The Grove
The Middle of Everywhere
The Wonthaggi Club
Town & Country Gallery
Tsuko Japan
Tucka at Maffco brewery
Wanderer Adventures
Wattle Bank Farm
WGCMA
Wildlife Coast Cruises
Wild Fox
Wonthaggi Country Club
Zeal & Flow
Anchorage Store, Ventnor
Anerie Silverleaves
Anglesea Newsagency
Aspendale News Express
Balnarring Newsagency
Beaconsfield Newsagency
Berwick Newsagency
Cape Woolamai Food &
Liquor Express
Corinella General Store
Coronet bay General Store
Cowes IGA
Cowes Newsagency
Cranbourne Park Lotto
Dromana Newsagency
Drouin Newspower
Drysdale Newsagency
Frankston Lotto
Fish Creek BP
Fish Creek General Store
Flinders General Store
Foster Foodworks
Gippsland Art Gallery Sale
Grantville Newsagency
Inverloch Foodworks
Inverloch Paper Play
Korumburra Michaels IGA
Langwarrin South General Store
Leongatha Michaels IGA
Leongatha Newsagency
Meeniyan IGA
Mentone Newsagency
Moe Nextra
Mirboo North BP
Mornington Peninsula Newsagency
Mt Eliza Newsagency
Newhaven Newsagency
Ocean Grove Newsxpress
Pakenham Newsagency
Pearcedale Newsagency
Port Melbourne Extra
Rhyll General Store
Rosebud Newsagency
Ruperts Mirboo North
Rye Newsagency
San Remo IGA
San Remo Newsagency
Sandy Point General store
Seaford News
Sorrento News and Books
St Kilda The Loft
Tarwin Lower IGA
Tidal River General Store
Tooradin Newsagency
Traralgon Newsagency
Venus Bay Store
Wonthaggi IGA Ritches
Warragul Newsagency
Yanakie Foodworks
Yarram IGA
Zeal and Flow, Cape Paterson
© Published by Coast Media Pty Ltd. The publisher is not responsible or liable for any omissions or human error in this publication. Material in this publication cannot be published or reproduced without the publisher’s written consent. All material contained in this publication is protected by Australian copyright regulations. All rights reserved.
THINKING
THINKING
