The title of August 30, 2023 edition

Terri Winston Vice

Darnell Pulphus

Art

Editors

Donna Hodge

Food Editor

Dr. Mila K. Marshall

Cannabis Corner Editor

Staff Writers

Dr. Sharice Braford

Liz Lampkin

Marti Worell

Wanda Wright

Contributors

NNPA Newswire

Mare Evans

Melanie Mainor

Eric Grant Marketing Consultant

Truthtellers, Liars & NarraTiVes

Tyler Perry will not be buying BET,

because the double minded Paramount decided to keep it. What???? Perhaps you heard. The above statement is true and was released last week . But weeks ago it was reported that Tyler Perry had indeed closed the deal and was the new owner of BET. The outright lie did not stop there but went on to say that the business mogul had also acquired VH1. Lies on top of lies. They were believable. So much so that celebrities began to congratulate the superstar who is no stranger to such success. After all he does own his own studio on land that was previously a plantation. This fact is often spoken as a point of reference by Mr. Perry because it points to the irony of it all. Anyway, it was easy to believe the bold-faced lies by irresponsible con artists posing as journalists.

They even published set-up quotes, that Mr. Perry had stated while in the process of pursuit of the purchase such as, “Earlier this year, the renowned actor and filmmaker expressed optimism about purchasing BET, stating his keen interest if it were a possibility. Perry, who had already enjoyed tremendous success in collaboration with BET, partnering with his Tyler Perry Studios banner to create the popular streaming service BET+, was no stranger to the network.”

He acknowledged the unexpected nature of the acquisition, stating, “I’ve been there for four years now and had tremendous success… If that is possible, I’m very, very interested in taking as much of it as I can.” However, the tell-tale sign was in the financial reporting. We should have caught it, but we had already been hoodwinked and were accepting of the lies because they were so well interwoven between the truths. The line that revealed everything, “The exact financial details of the deal have not been disclosed, but experts on this sort of transaction have placed a significant value on the acquisition of the two networks. With the purchase, Perry assumes control over BET Media Group, which includes other networks such as VH1. Since its launch, the BET+ streaming service has experienced remarkable success. In 2021 alone, BET+ was responsible for half of the subscribers and nearly all revenue growth for the channel.”

There it is. Then they finished us off with the details about the BET platform to redirect our focus from the cost, the sale.

The platform features a wide range of original films and series from the extensive BET program library, captivating audiences with diverse and engaging content blah, blah , blah! But here’s the killer, “The acquisition of BET and VH1 marks a significant milestone in the representation and ownership of the entertainment industry. Perry’s success as an African American entrepreneur and his commitment to showcasing diverse stories and voices have paved the way for increased opportunities and inclusivity in the media landscape.”

Finally, they went in for the kill, “As the new owner of these influential networks, Perry is poised to leave an indelible mark on the future of Black-owned media and further amplify underrepresented narratives? And how do they stay in business at a global scale?”

THEY DO

Fox 5 Atlanta reported, “Congratulations are pouring in for Tyler Perry after news reports that the media mogul successfully acquired BET and VH1, making him the first African American to own two major television networks…except, no one knows if it happened.

“Many celebrities, social media influencers and blogs have taken a since-deleted article making the bold claim on Monday and have run with it throughout the week.”

Who writes this stuff? And how do they stay in business? They flat out lied.

THE REAL

Some of us knew that, alongside the prominent entertainment mogul Tyler Perry was a cohort of prominent contenders including Sean “Diddy” Combs, businessman Byron Allen, Shaquille O’Neal, 50 Cent and Kenya Barris. What we didn’t know is that they’d all be disappointment in their pursuit to acquire the BET Network. This outcome transpired after Paramount resolved not to proceed with the sale. My position is that they could not be satisfied until they broke a brother down,

basically letting you know that they’re still ‘the man.’

That moment right there when you come prepared to win and ‘the man’ says, “No not today because I don’t want you in this game with me.”

This is so reminiscent of the Bill Cosby attempt to buy NBC and our Chicago Nation of Islam’s attempt to purchase the prime lakefront South Shore Country Club on the Southside where Blacks have resided for some time now. Neither succeeded with money in hand.

But last week the owner, Paramount Global through CBS Entertainment Group, the company at the center of this decision, reportedly communicated their verdict to the bidders.

The BET Network initially founded by the Black businessman Robert Louis Johnson has served as a crucial platform for Black representation and storytelling for decades. Its significance in promoting diversity and inclusion within the entertainment landscape is widely acknowledged. The decision to not proceed with the sale, while disappointing for those involved, reflects the intricate intentions surrounding the network’s future primarily the opportunity to continue controlling our narrative. For the record Johnson went on to become the first African American majority owner of a major professional sports team in the United States.

The point is, that you just can’t trust the media unless you have done your homework and know that the platforms you rely on are reputable media outlets that live by the journalists’ code of ethics to report the news as the facts tell the stories. And the liars . . . you must hold accountable. Period. Hold them accountable.

Labor Day 2023: Celebrating the Union Difference and Building Tomorrow’s Public Service Workforce

As we prepare to celebrate Labor Day, it’s as exciting a time as any in recent memory to be a part of a union. Working people are seeing what the union difference is all about, and they want to be a part of it.

Unions are overwhelmingly popular as the newest Gallup poll on attitudes toward labor unions shows.

Across the country, there is a bold surge of worker activism, as more people raise their voice on the job and claim their seat at the table. Workers are organizing with renewed vigor and winning some of our best contracts in decades. In the cultural sector, for example, 6,000 workers at museums, libraries, zoos and other cultural institutions have joined AFSCME since 2019. Municipal workers in New Orleans – a part of the country that hasn’t historically been labor-friendly – won collective bargaining rights this summer.

In city after city, we are seeing that same energy and enthusiasm during local job fairs that AFSCME is sponsoring as part of “Staff the Front Lines” – our new ini-

tiative to recruit qualified people for vacancies in public service. Job seekers are flocking to these hiring events in droves – nearly 200 people showed up in Philadelphia on a recent Monday afternoon.

They have heard our message that public service jobs are good jobs that can support a family and provide a career path. These are very often union jobs that come with strong protections, plus a unique sense of solidarity and fellowship with your co-workers. You get excellent benefits, including a pension so you can one day retire with dignity. These are also jobs with a purpose that allow you to make a difference in the lives of your neighbors.

Our strategy is working. After a huge drop in public sector employment during the pandemic, we are seeing a bounce back, especially in places where we enjoy strong partnerships with employers. Those best-in-decades contracts we’re negotiating are helping retain valued public service workers. And many employers are making steady progress bringing in new people who want to do work that strengthens their communities, while enjoying the rights and

Three Black People Murdered in Jacksonville at the Hands of a White Supremacist with an AK-47

Three Black People Murdered in Jacksonville at the Hands of a White Supremacist with an AK-47

A white racist named Ryan Palmeter, 21, shot and killed three Black people at a Dollar Store in Jacksonville, Florida on August 26. The incident is the latest mass murder by a white supremacist in the U.S. Police told the public at an August 26 press conference that Palmeter used a Glock and an AR-15.

A white racist named Ryan Palmeter, 21, shot and killed three Black people at a Dollar Store in Jacksonville, Florida on August 26. The incident is the latest mass murder by a white supremacist in the U.S. Police told the public at an August 26 press conference that Palmeter used a Glock and an AR-15. At least one of the weapons had swastikas on it and, like several other white racist murderers, Palmeter wrote several messages about his racist ideology and sent

freedoms of union membership. Nationwide, July was the 16th consecutive month of growth in state and local government jobs, with a total of 315,000 added since the beginning of this year.

But there are still many positions to fill, and so we are casting a wide net.

In many places, we are doing grassroots outreach to young people, to communities of color and to populations that are underrepresented in these jobs. That means, for example, working with faith leaders, asking them to spread the word in their churches and mosques that public service employers are looking for new talent – for nurses, corrections officers, sanitation workers, school bus drivers and more. We will do what it takes, because it’s critical that the public service workforce look like our communities. Diversity in the public service has a rich history. Jobs in state and local government have been an economic lifeline for generations of Black people, especially when other doors of opportunity were slammed shut. This is my family’s story, so this is personal for me. My father drove a city bus in Cleveland, Ohio – a good union job that gave us some

them to the authorities and his parents before the murders.

In May this year, the NAACP issued a travel advisory warning Black Americans about Florida under Governor Ron DeSantis. DeSantis, who has said Florida is “where woke goes to die,” has repeatedly branded himself to anti-Black policies and has used the word “woke” as a substitute for Black agenda policy. The modern use of the word “woke” became popular in the Black community after the 2014 murder of Michael Brown in Ferguson, Missouri by Police Officer Darren Wilson.

The NAACP advisory warned Black Americans that, “Florida is openly hostile toward African Americans… Before traveling to Florida, please understand that the state of Florida devalues and marginalizes the contributions of, and the challenges faced by African Americans and other communities of color.” At a congressional hearing in March 2021, FBI Director Chris Wray confirmed that racist extremists are a steadily growing problem in the U.S., saying, “domestic violent extremism, domestic terrorism, that number is now — has grown steadily on my watch.”

The triple homicide at the Dollar Store is near Edward Waters University, a Historically Black College, in Jacksonville. The school was founded in 1866 by the AME Church. Several news organizations report that the shooter visited Edward Waters University before the shooting and was asked to leave the campus. “This shooting was racially motivated and he hated Black people,” Jacksonville Sheriff T.K. Waters said during a press conference on the night of August 26. Palmeter shot himself before police could apprehend him. “The shooter offered several manifestos,” Sheriff Waters also stated.

Last year, in May 2022, a white racist 18-year-old named Payton Gendron murdered ten Black people in a Tops

modest security and stability. We weren’t living on Easy Street for sure, but there was food on the table for dinner and a roof over my head at night. We want to give more people of all races that chance – the chance to be one of the everyday heroes of public service, the chance to be a part of something bigger than yourself by joining a union. This Labor Day, we honor the sacrifice of all working people. And we affirm that life is better in a union. In the months and years to come, through “Staff the Front Lines” and other campaigns, we will keep fighting to help more people discover the union difference.

Friendly supermarket in Buffalo, New York. Gendron wrote a manifesto that focused on the “great replacement” conspiracy theory that white people were being outnumbered by minorities. Gendron drove from Conklin, New York to Buffalo and live-streamed the murders live on Twitch. Ryan Palmeter drove from Oakleaf, Florida to Jacksonville and reportedly has a history of mental illness but was still able to purchase an AK-47.

“The rhetoric of hate by those in the public eye & on public platforms has consequences. At this point, escalating that rhetoric while loosening gun protections is a setup that targets our communities for violence,” wrote attorney Sherrilyn Iffill on August 26 hours after the shooting. “Ron DeSantis has been leading a hate-motivated war against Black people and all marginalized communities in Florida. It’s been vicious, racist, and contemptible. So, no one should be surprised that violence and death follows in the wake of his state-sanctioned bigotry. The @gop has let the rabid dogs off the leash, with neither the ability nor desire to get it back on.” wrote journalist Dave Zirin on social media.

In 2015, a white 21-year-old racist named Dylan Roof entered a bible study at Emanuel African Methodist Episcopal Church in Charleston, South Carolina, and murdered nine African Americans including the church’s senior pastor, State Senator Clementa C. Pinckney. Roof also wrote a “manifesto” before the shooting. In 2017, a white racist named James Alex Fields Jr. deliberately rammed a car into a group of people protesting thousands of racists who gathered in Charlottesville, Virginia as part of the Unite the Right rally. Fields murdered 32-year-old Charlottesville resident Heather Heyer. In 2018, a white racist named Robert Gregory Bowers, 46, murdered 11 people at the Tree of Life synagogue during Shabbat morning services in Pittsburgh.

Nurturing Leaders: The Crucial Role of Self-Care for Women in the Nonprofit Realm – Part 2

Self-care emerges as an essential foundation for women of color in leadership positions. The responsibilities and pressures accompanying leadership can be overwhelming, making it crucial to carve out moments for self-nurturing, using personal lenses, and reflecting on an alarming health scare. I now ensure to include self-care as a priority after an unexpected illness resulting in

me not caring for ME. I quickly learned from that day the importance and value of caring for myself.

Consequently, self-care becomes vital for sustaining our energy, clarifying our vision, and ensuring we don’t lose ourselves amid our professional aspirations. Self-care should is not a sign of weakness or self-indulgence. When prioritizing our well-being, especially for women of color in leadership, we must demonstrate to others who may doubt our abilities that we deserve respect, consideration, and resources required to thrive. As a result, self-care becomes a visible declaration of our worthiness, strengthening our positions as nonprofit leaders and helping to

pave the way for a more inclusive leadership model.

Self-care equips women of color in leadership with the emotional intelligence necessary to navigate complex interpersonal dynamics. As a woman of color who has led a nonprofit organization for over three decades, I am often tasked with managing diverse teams, addressing conflicts, and fostering an inclusive environment. Developing a foundation of self-care enhances our capacity to empathize, communicate effectively, and create spaces where individuals from all walks of life can flourish.

We also need to remember that women of color in leadership roles serve as a beacon of inspiration for future generations. Therefore, by openly advocating for selfcare, we send a powerful message that self-preservation is not just a personal endeavor but a collective one. It results in our ability to balance our well-being

with our professional responsibilities, shattering the myth of the “superwomen” and encouraging others to embrace self-care without guilt.

Here are a few tips for beginning your self-care journey:

1. Learn to Say NO! As a woman of color, you may be asked to take on additional responsibilities due to your unique perspective. While these contributions are valuable, declining when your plate is full is okay.

2. Regular Physical Activity: Engage in regular exercise, whether a walk, a dance class, or a workout routine. Physical activity has numerous benefits for both your body and mind.

3. Prioritize Your Mental Health: The emotional toll on nonprofit work can be significant. Regularly check in with your mental health and seek therapy or counseling if needed.

4. 4. Set Boundaries: Work quickly spills into personal time in nonprofits. Define clear boundaries between work and personal life to ensure you have time to recharge and enjoy activities outside of your professional responsibilities.

5. Unplug Regularly; Take a scheduled break from technology, social media, and anything connected to work demands and the world. Use this time to engage in activities that bring you joy and relaxation.

In conclusion, the intersection of being a woman of color who advocate and practice self-care while assuming leadership roles is a space of immense significance. It’s where we identify resilience, and empowerment converge to create a narrative that defies expectations and redefines what leadership looks like.

As women of color continue to ascend in leadership roles, especially in the nonprofit world, our commitment to self-care embodies strength and a way to lead with excellence and humanity. In this fusion, we can illuminate a path forward, showing that selfcare is not a journey but an integral part of the transformative leadership paradigm shift vital to sustainability.

Anniversary Commemorated with Calls for Continued Civil Rights Struggle

The original March on Washington, a cornerstone of the civil rights movement, drew approximately 250,000 participants in 1963. Its influence paved the way for significant legislative milestones, including the passage of federal civil rights and voting rights laws in the 1960s. The erosion of voting rights, recent Supreme Court rulings that impact affirmative action and abortion rights, and the rise of hate and violence against marginalized communities, however, punctuate the current commemoration.

On the anniversary of the iconic March on Washington, civil rights leaders and a diverse coalition of allies convened at the historic gathering site to honor the legacy of Dr. Martin Luther King Jr. and advocate for renewed commitment to social justice. The event, convened by the Kings’ Drum Major Institute and the National Action Network, aimed to rekindle the spirit of the 1963 march, which played a pivotal role in advancing civil rights and voting rights legislation.

The original March on Washington, a cornerstone of the civil rights movement, drew approximately 250,000 participants in 1963. Its influence paved the way for significant legislative milestones, including the passage of federal civil rights and voting rights laws in the 1960s. The erosion of voting rights, recent Supreme Court rulings that impact affirmative action and abortion rights, and the rise of hate and violence against marginalized communities, however, punctuate the current commemoration.

Martin Luther King III, the eldest son of the civil rights icon, along with his sister Bernice King, visited their father’s monument in Washington on the eve of the event. Bernice King shared her reflections, stating, “I see a man still standing in authority and saying, ‘We’ve still got to get this right.’”

Addressing the urgency of the occasion, King III emphasized, “This is not a traditional commemoration. This really is a rededication.” Among the featured speakers was Ambassador Andrew Young, a close adviser to Dr. King during the original march and a key figure in the civil rights movement. Leaders from the NAACP and the National Urban League also delivered impactful remarks.

Arndrea Waters King also addressed the tens of thousands on the mall. “We are here to liberate the soul of the nation, the soul of democracy from those forces who want to have us all go backwards and perish rather than go forward as sisters and brothers,” she stated. “We will never betray those who marched for us, fought for us, lived for us, died for us. We are the children and grandchildren of their struggles, and we will be worthy of their sacrifices.”

Several members of the Congressional Black Caucus, including House Minority Leader Hakeem Jeffries of New York also spoke during the event. “We’re here to-

day to fight for voting rights,” urged Jeffries, the first Black congressperson to lead a major political party in Congress. “We’re here today to fight for civil rights. We’re here today to fight for reproductive rights. We’re here today to fight for workers’ rights,” he said.

Notably absent from the program were several individuals who had worked closely with Dr. Martin Luther King Jr., such as Dr. Benjamin F. Chavis Jr. and the Rev. Peter Johnson, a Plaquemine, Louisiana, native and close aide to civil rights giant Andrew Young, and the Rev. Ralph Abernathy. Despite their significant contributions to the movement, they did not receive invitations to participate in the commemoration, shedding light on the challenge of preserving historical continuity and recognizing all those who played a role. However, Chavis was spotted among the crowd giving a hug to an unidentified Jewish man who had singled him out. “We were here 60 years ago, and we were both 15,” the man said to Chavis.

America’s “Black Attorney General,” civil rights lawyer Ben Crump embraced his hard-earned moniker, whipping the crowd into a frenzy by insisting that he would fight “until hell freezes over.” “As your attorney general, I declare now more than ever, that we must be unapologetic defenders of Black life, liberty, and humanity,” Crump remarked. “Just like they try to ban our Black history, we must tell them without Black history, you would not have American history. Just as the fight for the families of Trayvon Martin, Eric Garner, Tyre Nichols and so many others, Americans must now fight for Black literature and culture.”

Rev. Jesse Jackson, another prominent civil rights-era figure, wasn’t expected to attend due to ongoing health concerns. The absence of these veteran activists threw a damper on an otherwise remarkable occasion.

Ahead of the event, several organizers engaged in discussions with Attorney General Merrick Garland and Assistant Attorney General Kristen Clarke of the civil rights division. The talks encompassed crucial issues like voting rights, policing reform, and addressing redlining practices.

The commemoration served as a prelude to the upcoming 60th anniversary of the original March on Washington, which President Joe Biden and Vice President Kamala Harris plan to observe on Monday, Aug. 28. During that scheduled meeting, Biden and Harris will engage with organizers of the 1963 march as well as members of the King family, aiming to honor the legacy of the event and its enduring impact on the struggle for civil rights.

As Rev. Al Sharpton, founder of the National Action Network, reflected on the continuous observance of March on Washington anniversaries, he recalled a promise he made to Coretta Scott King, the matriarch of the King family. Twenty-three years ago, she urged him and Martin Luther King III to continue the movement’s legacy. Sharpton, who didn’t serve during the early civil rights movement like Chavis, Johnson, Young, Jackson, and others, expressed his dedication to this cause, emphasizing the need to persist despite setbacks in civil rights protections.

The challenges the civil rights movement faced weren’t confined to the past; history revealed moments of triumph and tragedy. Following Dr. King’s landmark speech in 1963, dark incidents such as the 16th Street Baptist Church bombing in Birmingham and the abduction and murder of civil rights workers in Mississippi underscored the ongoing struggle. Those tragedies spurred the passage of pivotal legislation, including the Civil Rights Act of 1964 and the Voting Rights Act of 1965.

Bernice King, CEO of the Martin Luther King Jr. Center for Nonviolent Social Change, acknowledged the weariness that can accompany the enduring fight for civil rights. She invoked her mother’s wisdom, stating, “Mother said, struggle is a never-ending process… Vigilance is the answer.”

The Chi Food Truck Taco Fest Throwdown is Coming Public to vote on best taco in town

CNW Staff Report

Do you love a good taco?

The first-ever Chi Food Truck Fest Taco Throwdown is going down on Friday, September 1, 2023. The event will include an opportunity for members of the public to vote for their favorite tacos sold by participating food trucks at Daley Plaza, 50 W. Washington Street, from 11:00 am to 2:00 pm. The winner will be announced at 2:30 pm and be recognized as the People’s Choice winner.

“When you vote for your favorite taco truck, you are actively contributing to the success of small businesses in Chicago,” said BACP Commissioner Kenneth J. Meyer. “You can eat, vote, and support the food truck industry all during your Friday lunch.”

The event combines the love of flavorful tacos with the opportunity to champion for your favorite food truck, all the while enjoying lunch outdoors against the backdrop of the iconic Chicago landmark, the Chicago Picasso sculpture. From sizzling carne asada to innovative vegetarian delights, the food trucks are sure to have something for every palate. By participating in the voting process, attendees will play a critical role in supporting the local entrepreneurs who make up an important part of our city’s culinary community.

The Chi Food Truck Fest Taco Throwdown aims to:

Empower local entrepreneurs: The event will provide small business owners, the food truck operators, with a unique and fun opportunity to showcase their culinary talents.

Support local economy: The event will provide an economic boost to food truck operators by attracting a large crowd of attendees, in helping business thrive and sustain operations.

Fostering community engagement: The event will create a space for connection and engagement through the collective experience of voting for one’s favorite food truck.

The event is part of the Chi Food Truck Fest, a weekly staple held May 19 through October 6, from 11:00 am to 3:00 pm, celebrates the diverse culinary talents of local food truck owners.

The food truck line-up and the Chi Food Truck Fest Taco Throwdown winner will be announced on BACP so-

cial media platforms using the hashtag #ChiFoodTruckFest. Follow ChicagoBACP on Twitter, Facebook, and Instagram.

BACP is the sponsor and organizer the Chi Food Truck Fest. To participate trucks must be properly licensed by the City of Chicago as a mobile food vehicle or mobile merchant. Additional information may be found by visiting Chicago.gov/FoodTruckFest.

AFRICAN FESTIVAL OF THE ARTS TIME 2023

GENESIS, GROWTH & EXPANSION

Chicago’s African American community had one the strongest and more viable Black business community in the USA than most urban cities, it made perfect sense. It also had a very large informed African American community whose consciousness transcended most and accepted Africa as the continent of its dominant ancestors. Further, Black arts and culture in Chicago is top notch so the setting made sense.

Ispoke with Patrick Seingbey Woodtor, CEO of Africa International House USA, Inc. and Founder of the African Festival of the Arts, which is celebrating its 34th year. As I spoke to my friend, we laughed at the time that has somehow flown by so quickly. Who knew that the first African Arts Festival held in Hyde Park’s Harper Court directly in front of Patrick’s shop, ‘Window to Africa,’ would have come this far? And yet Patrick say’s, “But of course, we had this vision in mind. You don’t establish something of great importance and significance with the idea that it will be a great one-time wonder. Whether we create such affairs to impact and make a difference in the community and the world or not.” He goes on to say that he had attended school here at Northwestern, met and married, moved back to Liberia then returned as an entrepreneur. The festival initially served several purposes. It was of course a natural marketing tool for his business endeavors but more importantly, because

Chicago’s African American community had one the strongest and more viable Black business community in the USA than most urban cities, it made perfect sense. It also had a very large informed African American community whose consciousness transcended most and accepted Africa as the continent of its dominant ancestors. Further, Black arts and culture in Chicago is top notch so the setting made sense.

Patrick shares that the festival’s humble beginnings in Harper’s Court exceeded the organizers’ expectations as well as the attendees. Those of us who were part of the planning and in attendance as participants or audience members remember how crowded it was and how exciting it was. How can we forget the Fashion presentation of Afro-centric designs accompanied by the parade of exotic animals? Yes, we modeled with lynx’, ocelots, young bobcats, parrots, and snakes. It was pageantry at its best.

The following year’s success indicated that they had outgrown the spot and from there they moved to 47th St across from the Lake. The challenge there came from the then Alderwoman Toni Preckwinkle’s constituents who complained

that the noise would be too loud. The city got involved and tests were conducted which determined that the sound from the African Arts Festival was less than the daily noise the residents experienced daily from the lake shore drive traffic.

Patrick explains. “The genesis for the Festival started Window to Africa‘s production of outdoor events in Harper’s court which took place over 4 to 5 years which included a group of entrepreneurs consisting of Hair Braiders, Vegetarian food vendors, barbers and artists. Then we formed a committee of people interested in promoting African arts and culture which functioned for another two or three years. The success of those programs emerged as the African Arts Festival which we incorporated in 1981. We had always planned from that point forward to obtain sponsorship.” Patrick says that sponsors did not come until the sixth year. “According to his recollection, “The biggest obstacle was the name.” Over and over again, he was told by Blacks and whites in corporate America to change the name, to get rid of the word African. It was the sixth year when the festival moved to the Field

Museum. From that point on, sponsorship grew, the programming grew, the audience grew, promotions expanded, and media exposure continued to grow. He pays tribute to Bank One who came on board as their first corporate sponsor because of the work that the BRR agency did to garner sponsors. Others followed making a huge difference. then a Black hair care product came on board and the sponsorship blew up and the African Arts Festival was on the map. He also acknowledges the late Dr. Margaret Burroughs for extending the olive branch to take the festival home to the DuSable Museum in the African American community. The accessibility made a major difference as did the familiarity of the environment. The idea of feeling that they would be in a more welcoming place was a game changer. The African Arts Festival was on the move.

THE UNEXPECTED

In 2008, due to the national strain of the financial crisis, The African Arts Festival hit a devastating bump in the road. “Sadly, Patrick says, “It’s never bounced back to its high point.” He says that they lost 75% to 80% of their sponsorship.

They have yet to recover. The good news is that they had that period of exposure and introduction that spanned the city, state and national to international coverage. It was a great period during which vendors traveled internationally to participate as did artists and others who traveled nationally to be a part of the AAF. That exposure has continued to serve the festival well. The planners have the vendor information as well as participants info which they continue to utilize.

Though he’s not happy about the sponsorship decline he’s excited and grateful for the accomplishment of the festival’s mission which is to increase, introduce and establish an exchange of experience and information about the various African and African American cultures, food, language, dress, music,

dance and more. This aspect of interaction has grown, and the results will continue to evolve and reveal themselves over time.

Patrick says that the pandemic may have impacted many others but from his perspective, it did not affect the outcome of the festival. According to him, “The greatest impact was the ‘Obama Effect’-- the thinking of ad and marketing agencies that Blacks no longer needed special budgets and included them in the general market which consequently limited consideration and money to be directed to those special marketing events that once garnered their support. Not only did the budgets go to the Hispanic market but so did the jobs in those agencies that once were held by Blacks. The new hires focused more on the Hispanic market

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and that has not changed. The major Black-owned agencies were also hard hit and had to adjust.”

Patrick explains that the loss in sponsorship resulted in a decrease in attendance from 100,000 daily to 40,000 or less. Over time we’ve gone up some and now we’re more like 400 to 1000 attendees down daily.

ADVERSITY BREEDS STRENGTH

Patrick asks, “So what do you do? We are the African Arts Festival, that’s who we are, and our mission is what it is. We had to rely on relationships, and return to old-school marketing, promoting, and spreading the word. We use flyers, posters, phone banks, radio, emails, and social media, for the most part, to get the word out. The good news is that the dates have not changed, and the people look for us.” However, he shared that this year there was some protest from a sector of the community, complaining that the cost has become too high. So, the festival planners listened and heard them. WVON is sponsoring Friday as ‘Free Day.

Patrick is elated about the prospect because he has always wanted people to attend for at least two days because there’s so much to experience. So, if you purchase a ticket, return on Free Friday, and indulge in the experience even more.

FESTIVAL HIGHLIGHTS &

NOTES

FRIDAY IS FREE for EVERYONE! WVON is sponsoring a FREE FEST FRIDAY, opening on Sept 1!

• We have a performance lineup that highlights the music of the African Diaspora. Featuring old-school funk-CAMEO, R&B-Freddie Jackson, Soul & Jazz-Maysa, traditional African drumming and storytelling-Mamadou Diabate and Percussion Mania (Mali), jazz impresario Dee Alexander (Chicago), Reggae-Gyptian (Jamaica), Afrofusion-Wazumbians (Ghana), Gospel-Dorothy Norwood, The Victory Travelers, & Cosmopolitan Church of Prayer Choir, Latin & Jazz sounds-Crosswind (Chicago), ILE AIYE (Brazil), HipHop-Buck-

shot (Black Moon), Dead Prez (NYCFlorida) and more!

• Honorary Grand Yeye & Baba - The Honorable Ambassador Carol Moseley Braun and Father Michael Pfleger, pastor of the Faith Community of Saint Sabina

• We are developing a GREAT 50th Anniversary Hip Hop Experience featuring Buckshot and Prez that includes a call for movement members to be intentional about supporting Black Culture.

• We are also celebrating the International Decade for People of African Descent as proclaimed by the United Nations.

• The Family Friendly Festival experience has special interest pavilions with something for everyone - the popular Drum Village, where all are welcome to dance and drum, and the Children’s Pavilion, where the young have supervised interactive activities to enjoy. Check your health vitals at the Health & Wellness Pavilion and learn about African culture and spirituality in the Heritage and Ancestral Grove Pavilions. The Fine Art Pavilion, with featured Artist Stuart McClean, has collectible art for every collector. McClean is presenting his lim-

ited “Urban Warriors” series that was inspired by the Hip Hop movement.

AFF has partnered with the Brazilian Cultural Center of Chicago - Maria Drell - to present the Afro-Brazilian music and dance group Ile Aiye from Bahi, Brazil. The group will hold a pre-festival event at the South Shore

• Cultural Center and will present a series of workshops during the 4-day Festival and a performance Sept. 4

• Visual ops: In-studio and on-site that represent the Festival Pavilions and Villages: art-traditional and contemporary, cuisine, fashion, drummers, dancers, and more!

It goes without saying that the vendors will bring that international bazaar of fabulous wares, from fashion to jewelry to visual art to sculpture and so much more, the food court always delivers the best tastes from around the African diaspora form the motherland to America: Piri piri chicken, Mozambique, Jollof rice and egusi soup, Nigeria to Fried Chicken, greens macaroni & cheese, Fried green tomatoes, etc. Don’t deny yourself an international experience in your community.

Dianne Reeves

to Headline at the 2023 Chicago Jazz Festival Labor Day Weekend

The Chicago Jazz Festival returns with performances celebrating all forms of jazz in Millennium Park, at the Chicago Cultural Center and citywide. Produced by DCASE and programmed by the Jazz Institute of Chicago (JIC).

As in previous years, outside alcohol is not allowed for the Chicago Jazz Festival in Millennium Park, but alcohol at various price points may be purchased inside the venue. Plan your visit here.

American Sign Language Interpretation is provided for all concerts on the Jay Pritzker Pavilion stage. For more accessibility information about Millennium Park visit our Accessibility page.

The Chicago Jazz Festival is a Labor Day weekend tradition that promotes all forms of jazz through free, high-quality music programming. The festival showcases Chicago’s local talent alongside national and international artists to raise awareness and appreciation for one of the city’s most beloved art forms.

Chicago Jazz Festival Schedule

Thursday, August 31 Chicago Cultural Center

(schedule is subject to change)

Claudia Cassidy Theater, 2nd Floor North

11am-12pm - The Live the Spirit Residency Young Masters - Presented by Live the Spirit

12:15-1:15pm - Asian Improv, Francis Wong’s “Legends and Legacies” - Presented by Asian Improv

2-3pm - The Fred Jackson Quartet - Presented by The Elastic Arts Foundation

3:15-5:15pm - What is thing called Jazz? Presented by the

Education Committee of the Jazz Institute of Chicago

Preston Bradly Hall, 3rd Floor South

11am-12pm - Zubin Edalji Quintet - Presented by The Hyde Park Jazz Festival

12:30-1:30pm - Zack Markstet, Performing

Horace Silvers’ 1966 release “The Jody Grind”Presented by The Fulton Street Collective

2-3pm - The Natalie Scharf Quartet - Presented by Illiana Club

3:30-4:30pm - Bobbi Wilsyn - Presented by The South Side

Jazz Coalition

Friday, September 1

Millennium Park

Any entrance to the park is a direct entrance to the event. Entrance Map

Seating bowl and Great Lawn open at 2:45pm.

Von Freeman Pavilion (North Promenade)

11:30-12:25pm - Eric Hochberg String Thing

12:40-1:35pm - Alexis Lombre Quartet

1:50-2:45pm - Anthony Bruno Quartet

3-4pm - Jeb Bishop Quartet

Jay Pritzker Pavilion

Security gates open 2 hours before the event start time. The concert perimeter (Pritzker Pavilion, Stage and Great Lawn) will be closed to the public for 1 hour before the gates open.

4:15-5:05pm - Juan Pastor Chinchano

5:25 - 6:10pm - Walter Smith III Quartet

6:25 – 7:25pm - Ari Brown Quintet

7:45-9pm - Dianne Reeves

Saturday, September 2

Millennium Park

Any entrance to the park is a direct entrance to the event.

Entrance Map

Seating bowl and Great Lawn open at 2:45pm.

Harris Theater Rooftop - Young Lions Jazz (Enter on Randolph St.)

11am - Chicago High School for the Arts

11:50am - Midwest Young Artists Conservatory

12:40pm - Lane Tech College Prep High School

1:35pm- Whitney Young High School

2:25pm - New Trier High School

3:15pm - Kenwood Academy High School

Von Freeman Pavilion (North Promenade)

11:30am-12:25pm - Alvin Cobb Jr.

12:40-1:35pm - Devon Sandridge

1:50-2:45pm - Theodis Rodgers Organ Trio

3-4pm - Carmen Stokes

Jay Pritzker Pavilion

4:15-5:05pm - Tammy McCann

5:25-6:10pm - Brandee Younger

6:25-7:25pm - Nduduzo Makhathini

7:45-9pm - Makaya McCraven

Sunday, September 3

Millennium Park

Harris Theater Rooftop - Jazz: Next Gen Jazz (Enter on Randolph St.)

11-11:40am - Saucedo Alumni Latin Jazz Collective

12-12:40pm - Urban Horizons

1-1:40pm - Charlie Reichert Powell & New River

2-2:40pm - Neon Wilderness

3-3:40pm - Mxmrys

Von Freeman Pavilion (North Promenade)

11:30-12:25pm - Herbsaint

12:40-1:35pm - Tim Fitzgerald Wes Montgomery Project

1:50-2:45pm - Christian Dillingham Quartet

3-4pm - Petra’s Recession Seven

Jay Pritzker Pavilion

4:15-5:05pm - The Pharez Whitted Quintet

5:25-6:10pm - Chicago Soul Jazz Collective with Dee Alexander

6:25-7:25pm - Billy Valentine

7:45-9pm - Juan de Marcos and the Afro-Cuban All Stars

Boys & Girls Clubs of Chicago

Celebrates New Club on the West Side

The new Rusu-McCartin Boys & Girls Club was built with significant community input; offers expansive programming and opportunity for West Side youth.

Boys & Girls Clubs of Chicago (BGCC) held a ribbon-cutting ceremony this morning, officially opening the organization’s first newly-built Club in a generation, the Rusu-McCartin Boys & Girls Club.

This brand-new, three-story, 27,000+ square foot facility will offer programming to youth in the Austin, West Garfield Park, West Humboldt Park, and surrounding communities. The Rusu-McCartin Club sits on a campus that also includes Chicago’s new Joint Public Safety Training Academy and several restaurants. The Club offers a safe space for West Side youth, ages five to 18+, to foster friendships and explore programming in the state-of-the-art facility that includes a Technology Center of Excellence, a commercial teaching kitchen, a teen center, an outdoor play area, an NBA-sized basketball court, and more.

“We know how important it is for Chicago’s youth to have access to safe and enriching environments in their neighborhood. The new Rusu-McCartin Club was made possible by our incredibly generous donors and supporters, and it was built by and for the community.

Through collaborations with community members, young people, and local leaders across Austin, West Garfield Park, and West Humboldt Park, we have come together to create a truly transformational space for our children and teens,” said BGCC President and CEO Michael Crowley.

The Rusu-McCartin Boys & Girls Club is also home to:

The Nikki Allen Learning Center, which gives Club members a space for hands-on educational enrichment and academic support, as well as leadership and civic engagement opportunities.

The Christopher Family Teaching Kitchen, where youth will develop their knowledge of nutrition and learn new recipes from culinary experts.

“Mimi’s Meadow,” a rooftop garden and programming space named after former BGCC President and CEO Mimi LeClair.

“Not only does the Rusu-McCartin Boys & Girls Club provide a safe and educational space for West Side youth, but it is also a place for relationship-building, listening and collaboration. We are

deliberately choosing to no longer be bound by the barriers that divide us. This Club is a shining example of how bold ideas can shape our shared future,” said 37th Ward Alderwoman Emma Mitts.

From inception to launch, community youth voices have been integral in the development of the Rusu-McCartin Club. In 2022, the Rusu-McCartin Club Youth Council was launched to integrate youth perspectives into planning and design, programming, and partnerships. With more than 20 members aged 12 to 24, the Youth Council collaborated with BGCC staff, volunteers, and community representatives to prioritize the desires and requirements of Chicago’s youth, making them central to the Club’s identity and offerings.

Tevin Haynes serves as the inaugural Club Director for the Rusu-McCartin Club. Prior to joining BGCC, Tevin worked as a dean for a local school and an assistant site director at a youth-serving organization. He has more than 10 years of experience in mentoring young people and was raised in the Austin community.

The Club opened its doors for a soft launch of programming this summer, providing Summer Camp for more than 100 young people during those all-important months when school is not in session. In addition to field trips to the Garfield Park Conservatory, Field Museum, The Chicago Theatre, and Brookfield Zoo, campers played competitive games in the gym, collaborated on STEM projects, participated in dance sessions, practiced academic skills, and enjoyed the scenic views of the Chicago skyline from the rooftop. Thanks to the incredible generosity and leadership gifts from George and Cindy Rusu, and Bart McCartin and Katie Sakach, this new Club will serve thousands of kids with high-quality programming and be a reliable community resource for generations. McCartin began his involvement with BGCC over 20 years ago as a Club volunteer and is currently the Chairman Emeritus of the Board of Directors for Boys & Girls Clubs of Chicago. The Rusus have strong ties in Chicago and have been major supporters of BGCC’s mission for years.

Loretto Hospital to Provide Screening Services Event

Loretto Hospital is taking its summer screening series to the streets with a free community health and wellness event from 11 a.m. to 3 p.m. on Saturday, Sept. 9, outside Gus Uncle Remus and Guilty Pleasurez Bakery, 4731 W. Madison St., Chicago. Austin neighbors are invited to take advantage of a range of free health screenings, including STI and HIV testing. There’ll also be on-site opportunities to speak with hospital staff, col lect health education resources and giveaways, visit community vendors, and register for prizes.

Participating partners in Loretto’s Summer Screening Series include Loretto Hospital Foundation, Illinois Senate Majority Leader Kimberly A. Lightford, Fathers Who Care, Black Men United, Chicago House, Women of Self Love, Inc., University of Illinois Cancer Center, Gift of Hope Organ & Tissue Do nor Network, Habilitative Systems, Inc., Westside Community Stakeholders, and Bobby E. Wright Comprehensive Behavioral Health Center. For more information, visit www.lorettohospital.org/summerscreening.

Cannabis Corner

Benzinga Capital Conference Supporting Social Equity with Scholarships to Attend Fall Convening in Chicago

shared Danielle Blanchette, Director of Event Marketing for Benzinga. The company is the leading media platform in the industry and is committed to social equity.

“We seek to understand, support, and enable organizations whose missions are to provide unobstructed access to the cannabis industry for wrongfully-incarcerated individuals and minority populations affected by cannabis prohibition,’ said Blanchette.One way Benzinga is showing their commitment is through providing a complimentary General Admission pass as a scholarship award for; social equity cannabis license holders or pending applicants from any state to attend the all 2023 Capital Conference being hosted in Chicago this coming September 27th and 28th.“Complimentary access includes access to all sessions, networking opportunities, access to the exhibit hall and most meals,” shared Blanchette. Recipients also get full access to the Social Equity or Invest in Her lounges, spaces that facilitate more personal conversations with peers and allies. Cannabis conferences and events can be expensive and far away. High conference costs can be prohibitive and leave brilliant business minds out of the mix. Through partnerships with other organizations like BIPOCann scholarship recipients are further connected to diverse industry professionals and supported to take full advantage of the conference experience In April, Benzinga hosted their spring Cannabis Capital Conference in Miami, FL. Through partnerships with Women Grow and BIPOCann, over 100 women, minority, and social equity entrepreneurs were granted scholarships (valued at $999) to attend the multiday event. Women Grow and BIPOCann curated and moderated four panel conversations through the scholarship program, giving platforms to entrepreneurs from their communities to share their insights on stage. Panels encouraged attendees to “Invest in Her” and to “Invest in Emerging BI-

POC Cannabis Brands.” Benzinga also provided dedicated lounges to the partner organizations to encourage networking and relationship-building with the scholarship attendees. Benzinga’s social equity scholarships and resources are generously supported by sponsors UCS Advisors, Trulieve, Grasshopper Farms and Green Check Verified Inc.The value of a conference experience is indeed in the content and connection, “the most common feedback we’ve heard from scholarship attendees and attendees in general is how powerful the networking experience has been. Businesses have found new partners, licensing oppor-

tunities, ideal service providers, and even access to capital to fund their next steps. The networking opportunities are unparalleled here at Benzinga,” Danielle said proudly. “We host a number of networking events across the conference. One of the key features of our event is a robust networking app. It’s available to all attendees and connects you in specified meeting spaces at the event. There are even AI-generated recommendations for those meetings based on specific discussion topics that each attendee chooses when they set up their profile,” she shared. Applications close for scholarships that provide a fully complimentary pass on September 9th. Applicants can still apply after that date, but there will be a fee of $197 ($1,000 less than our full rate passes) for anyone who is approved between Sept. 10 - Sept 27. Previous awardees of complimentary passes are ineligible for a second full scholarship. However they can attend Benzinga events at a deep discounted rate. “If applicants applied previously were approved and attended a Benzinga event, they aren’t eligible for another full scholarship. However Benzinga offers large discounts to scholar alumni who wish to return to future Benzinga events after verification,” shared Danielle. This years’ event features an awards celebration and networking reception on the night of Sept 27, and the official Greenhouse Afterparty hosted at Tunnel starting at 8PM on Sept 28th. There is a small fee for the Afterparty, more details can be found on the conference website.

“As cannabis continues to be legalized throughout the United States, it’s important as an industry that we support & propel social equity initiatives that aim to undo the damage done to minority communities throughout the War on Drugs,”

Food & Wine

Parmesan Crusted Pork

Mare Evans Contributing Wriiter

ou know that some of your fondest food memories centered around cheese, especially macaroni and cheese. You also remember the brand of cheese often used. Yep, that trustworthy Kraft cheese. Today we’re going to go back in time with a new spend on the Cheese. Before your mouth begins to water let’s look at what the ingredients are.

YWhat You Need

• 1 cup seasoned bread crumbs

• 6 Tbsp. KRAFT Grated Parmesan Cheese

• 1/2 tsp. black pepper

• 4 Tbsp. olive oil, divided.

• 1 pork tenderloin (1-1/2 lb.) sliced into 1-inch medallions

Let’s Make It

1. Combine first 3 ingredients in a large resealable bag; seal and shake well to combine.

2. Add pork; shake to evenly coat.

3. Heat oil in a large nonstick skillet on medium heat. In batches, add pork; cook 4 min. on each side or until done (145°F). Drain on paper towel lined plate. Repeat with remaining pork.

4. Serve immediately.

No kidding that’s it, quick, fast and easy. A great meal for a relaxing summer dinner. Of course, the dish is good. To complete the meal, select the vegetable of your choice, and or add your fries, and don’t forget a light salad. Now you’re good to go. Serve with your favorite choice of bread.

Don’t take my word for it. Try it! and while you’re at it . . pour yourself a glass of wine.

Reasons Why Denim Is the Greatest Creative

Few things especially fabrics are as timeless and versatile as denim. It can be worn in a million plus different ways for most any occasion whether it’s presented in its original introduction to the world as jeans, to a dress, a jacket, a purse, an evening gown or tux. There’s just something about denim that has natural swag when worn by a confident woman or man, especially when they know they look good. Look I love me a pair of blue jeans with a white shirt and a blazer, or simply a white T-shirt. I also love them with a sexy blouse and heels. I can go on and on about my love affair with jeans whether they’re the Wrangler blue, or that classic Levi’s blue, or the washed out blue, I love ‘em all skinny, stove-pipe, flair, boot leg, or baggy!

I can’t imagine that you don’t own any denim, but you should definitely have denim in your wardrobe. If you’re still on the fence or want to feel better about the pair of jeans you just splurged on, think of yourself as a fashion smart here individual count the reasons why denim is the best:

1. It’s iconic. Denim has had its moment for every generation.

3. It’s comfortable for casual days. And more socially acceptable than sweatpants.

4. It can go from Casual to formal

5. It still looks amazing when distressed. It looks great ripped & tattered.

6. It’s quintessentially American.

7. Designers love it

8. The world loves it too.

9. It’s a classic. You can never go wrong with jeans and a white shirt.

10. You can wear it head to toe. There’s even a name for it: Canadian Tuxedo (which further proves point No. 7).

11. It doesn’t need to be washed that often. And by that often I mean almost never. But if you do decide to wash your jeans, be careful when putting them in the dryer because they WILL shrink.

12. It’s durable and last for a very long time.