

ZHANG CLAIRE
2022 - 2025 SELECTED WORKS

CLAIRE ZHANG
ARCHITECTURE STUDENT
SUMMARY
Claire is currently a thirtd-year B.Arch student at Cornell University with interests in architecture and art, and sustainability recently. Characterized by her curious and observant nature, she think beauty exists in between the balance of rationality in the physical world and sensibility of the abstract and intangible. With a passion for design, she is ready to embrace challenges, collaborate with teams, and absorb insights.
REPRESENTATION
• Model Fabrication (hand craft, laser cut, 3D print, CNC routing, rokite casting, wood works, metal works)
• Drawing and Painting (acrylic, oil, watercolor, charcoal, pastel, colored pencils)
• Manual Drafting/Mapping
WORK EXPERIENCE
ARCHITECT/INTERIOR DESIGNER APPRENTICE
Ornare Dumbo, Brooklyn, NY
August 2022 - September 2022
• Assisted in the drawings of four project plans and presentation PPT
• Assisted in Albert Hotel’s renovation design with lead designer Jonas Valle
• Participated in indoor site visits/measurements and online meetings
• Daily responsible for receiving the office's visiting and record guest needs
ASSISTANT
KC Investment, Bergen County, NJ
August 2023 - October2023
• Family’s small business
CONTACT
845-6891991
cz392@cornell.edu
ARCHITECT/INTERIOR DESIGNER INTERNSHIP
GUANCE Design, Wuxi, China
June 2024 August 2024
• Assisted in the drawings and presentation PPT
• Assisted in developing company’s website and submitting projects to Archdaily
• Participated in indoor site visits/measurements and meetings
• Participated in competition design
ENGLISH (NATIVE)
MANDARIN CHINESE (NATIVE)
SPANISH (LIMITED) LANGUAGES
EDUCATION
CORNELL UNIVERSITY
August 2023 May 2028 (Expected)
CORNELL UNIVERSITY
SUMMER SESSION - INTRO TO ARCHITECTURE BACHELOR OF ARCHITECTURE | GAME DESIGN MINOR
June 2022 - Aug 2022
RIVER DELL REGIONAL HIGHSCHOOL
August 2019 May 2023
COMMUNITY TECTONIC
SHARED EDGES
ACADEMIC WORK, SEMESTER-LONG
SPATIAL . .
REFLECTIONS IN GREEN
ACADEMIC WORK, SEMESTER-LONG
FORGED LAYERS
ACADEMIC WORK, SEMESTER-LONG
CIRCULATED GROUNDS
ACADEMIC WORK, SEMESTER-LONG
MOVEABLE FEAST
ACADEMIC WORK, SEMESTER-LONG
UNTITLED
ACADEMIC WORK, SEMESTER-LONG
Location: Ithaca | Type: Individual Project | Time: 2025 Fall

SHARED EDGES
Neighborhood Pool
The site is situated at a dense residential area, accompanied by a slowly vanishing hiking trail near water that was hidden behind the lot. Inspired by Ithaca’s suburban, non-densified nature, the project trys to introduce a new facilities to the surrounding environment while preserving and blending into its pre-existing rituals - the three very distinct user groups: local residents, atheles, trail users.
Through a comprehensive integrative studio project, the proj -
ect is led by the design question: How can a natatorium act as a civic common that connects swimmers, neighborhoods, and trail users? This transforms the natatorium froms simply a sport facility into a civic common. The project synthesizes structural systems, envelope design, environmental performance, accessibility, and life-safety into a timber-based building embedded in the Fall Creek landscape, emphasizing layered public zones and environmental responsiveness.



Zoning Compliance



View from West




South Elevation

Detailed Wall Section



Vertical timber screens enclose the pool hall, mediating between privacy and openness, preserving seasonal views - lush vegetation or snow-covered ground, while allowing ample sunlight into the space. The screened facade makes the project within visible to the community, drawing residents to walk over to the entrance walkway..
View of Pool Hall from Changing Room Hallway

View of Entrance Walkway
The walkway extends through a garden, forming a transitional edge between the neighborhood and the building. Timber columns and vertical screens create a filtered threshold, framing views toward the vegetations while guiding movement inward, hence connecting the building to Fall Creek and the adjacent trail, integrating the center into the larger public realm.

View of the Social Deck for Community
The second-floor social deck arcs toward the neighborhood street, establishing another transitional edge between building and neighborhood. Framed by timber columns and glazing, the space offers a sheltered platform for gathering while maintaining visual connection to the surrounding community, transforming the building perimeter into a social threshold.
Location: Ithaca | Type: Individual Project | Time: 2025 Spring
CIRCULATED GROUNDS
Local Food Pantry
The project addresses food access as both a spatial and social condition. Rather than conceiving the pantry as a purely service-driven facility, the proposal positions it as a civic anchor embedded within everyday life. The design is guided by the question: How can a food pantry operate not only as a site of distribution, but as a shared ground for gathering, dignity, and community exchange?
Organized through a series of layered thresholds, the build -
ing negotiates between public engagement and operational efficiency. Louder, high-traffic functions align with the street edge, while quieter spaces open toward gardens and interior courtyards. Circulation paths for visitors and staff remain distinct yet interwoven, allowing the pantry to function as both infrastructure and social space. Through sectional variation, budget restraint, and environmental responsiveness, the project reframes food support as part of the neighborhood fabric rather than a hidden service.

PLANTING
Nourishing the inventory.
LEARNING
Nourishing the mind.

GATHERING
Nourishing the community.
FEEDING
Nourishing the stomach.

The building acts as a sequence of interconnected volumes organized around courtyards and layered thresholds. Distinct programs are articulated through shifts in massing and roof height, clarifying circulation while maintaining spatial continuity with covered walkways, semi-open corridors, and planted courtyards—mediate between interior functions and the surrounding neighborhood. The parking area is designed as flexible ground, capable of supporting markets and community events beyond daily use.









Location: Ithaca | Type: Individual Project | Time: 2024 Fall

REFLECTIONS IN GREEN
Botanic Center
Situated within the humid forest reserve of Aguadilla, Puerto Rico, the project operates as a living laboratory for botanists, students, and visitors, investigating how architecture can amplify the atmospheric qualities of the forest, humidity, vegetation, filtered light.
Organized around an expansive unconditioned garden core, the building dissolves into its environment through curved glass enclosures and layered circulation. Conditioned in -
terior programs, like library, exhibition spaces, dining hall, laboratories, and residential suites, transition fluidly into experimental gardens, moss walkways, and courtyards. The unconditioned green zones act as the connective tissue of the community, blurring distinctions between interior and exterior while maintaining environmental responsiveness.
Circulation unfolds as a gradual revelation, where spaces are glimpsed, then discovered.

The Chair Inspiration: Jacques Famery, Kaleidoscope, 1968
Arch 2101: Architectural Interfaces
This project begins with a study of the Kaleidoscope Chair, a structure composed entirely of transparent acrylic sheets shaped through folding, bending, and hinge connections. Rather than relying on conventional framing, the chair achieves stability through curvature and tension, transforming thin planar surfaces into load-bearing volumes, simultaneously defining its interior cavity & exterior form. The concave curves carve out the inhabitable core, while the convex surfaces establish the outer boundary.
Arch 2101: Architectural Interfaces
Analysis Drawings and Diagrams revised independently by Claire Zhang, cz392, after the Pinup for Problem I.a.)
Chair Documentation Drawing (collaborate work with Jay Pae, jjp292) CHAIR DOCUMENTATION DRAWING
Claire Zhang
Instructor: Iroha Ito
Kaleidoscope Chair, Jaques Famery, 1968


Arch 2101: Architectural Interfaces
10
Model Photo: Form III
Claire Zhang
Instructor: Iroha Ito
Model Photo: Form II
CONCEPT MODEL: Form I
CONCEPT MODEL: Form II









Claire Zhang Arch 2101: Architectural Interfaces
Instructor: Iroha Ito
Model Details - Button Hinging Connections
Study Model Photos
Zhang Arch 2101: Architectural Interfaces
Instructor: Iroha Ito
Model Details - Button Hinging Connections
Study Model Photos
MODEL DETAILS: Button Hinging Connections
STUDY MODELS



Laundry

1. Library/Reading Area
2. Dining Hall 3. Show Kitchen 4. Cafe
5. Visitors’ Suites
6. Experimental Gardens
7. Garden Courtyard SECTION 1

Scale: 1/8” = 1’-0”




Arch 2101: Architectural Interfaces


Location: Ithaca | Type: Individual Project | Time: 2024 Spring
MOVEABLE FEAST
The House of Food Courses
The project reimagines the cookhouse as a spatial choreography of preparation and consumption. Structured around a five-course tasting menu, the project organizes circulation as a sequential journey, allowing diners to move through the stages of food production as part of the dining experience itself.
Open kitchens and circular island stations position cooking as a visible and performative act. Each course corresponds
to a distinct spatial condition: Soup - near an open kitchen where aromas gather and rise; Appetizer - a central island where chefs prepare dishes in full view; Salad - along semi-exposed pathways that weave toward natural elements. Rather than separating back-of-house and frontof-house, the design integrates production into the public realm. Through calibrated sightlines, controlled openings, and shifts in enclosure, the architecture engages taste, smell, and movement simultaneously.






Models
A series of models that tries to capture the spatial sequence of the two researched precedents:





1. Machu Picchu
2. CAA Museum, Kengo Kuma




Exploded Axonometric View
Upper Floorplan





Material: Concrete/Rokite, chipboards


1/32” SCALE MODEL
Location: Ithaca | Type: Individual Project | Time: 2023 Fall

FORGED LAYERS
The House of Food Courses
The project explores steel as a process of transformation rather than a fixed material. Beginning with research into extraction, the project translates the shift from solid to molten and back into abstract drawings that capture fluidity, compression, and accumulation.
Through cutting, folding, and interlocking layered paper, these drawings evolve into a three-dimensional material system based on insertion and overlap. The final phase ex-
tends this logic into a steel folly sited within an iron quarry, where identical units are stacked and interlocked to generate structure, circulation, and framed views.
Across scales, the project investigates how layering and transformation can become spatial and architectural strategies.





















Location: Ithaca | Type: Individual Project | Time: 2025 Fall
“UNTITLED”
A Structural Model Study of
Meiken Lamwood Corp Head Office, NKS2 Architects






