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A NOTE FROM BLAKE
HERE AT THE PLAYHOUSE SPRING MEANS ENJOYING THE FLOWERS
and greenery of Eden Park as they bloom around us while we simultaneously say goodbye to one season as we gear up for the next. We are happy to have you with us for the final two productions of our 2025-26 season and invite you to learn more about the exciting line-up we have planned for 2026-27.
August Wilson’s The Piano Lesson is a powerful exploration of African American history and identity, set against the backdrop of 1930s Pittsburgh. As part of Wilson’s acclaimed American Century Cycle, which chronicles the Black experience across each decade of the 20th century, the play focuses on the story of the Charles family and their prized piano. At the center of the play is a conflict between siblings Berniece and Boy Willie, who disagree over what should be done with the family heirloom. For Berniece, the piano is a sacred object, carved with images of their enslaved ancestors and marked by generations of family history. Boy Willie, however, sees the piano as a means to economic independence. He wants to sell it to buy land in the South, believing ownership and progress are the true paths to freedom. This debate is brought to life vividly in the hands of guest director, Lou Bellamy, one of our country’s most celebrated interpreters of Wilson’s work.
Tenderly: The Rosemary Clooney Musical is a warm, intimate tribute to one of America’s most beloved vocalists, offering a bio-portrait that reveals the woman behind the music. The musical traces her journey from a young girl in Maysville, Kentucky, to an international star whose voice defined an era of jazz and popular song. By blending storytelling with timeless songs, the musical invites audiences to see Rosie not just as a star, but as a complex, human artist whose legacy continues to resonate. We are thrilled to produce an all-new production of this beloved musical by local favorites Mark Friedman and Janet Yates Vogt which the Playhouse produced previously in 2014.
Thank you for joining us this season. It remains an honor and privilege to serve this community through meaningful live theatre and arts education – as we’ve done for the past 65 years. Please join us for the 2026-27 Season! The full line-up is listed in the center spread of this program. We promise you more of the same and a few new surprises along the way.
Cheers!
Blake Robison Osborn Family Producing Artistic Director
CINCINNATI
PLAYHOUSE IN THE PARK
OSBORN FAMILY PRODUCING ARTISTIC DIRECTOR
Blake Robison
MANAGING DIRECTOR Abby Marcus
ELLEN AND RAY van der HORST PRESENT
TENDERLY: THE ROSEMARY CLOONEY MUSICAL BASED ON THE LIFE OF ROSEMARY CLOONEY
BY
JANET YATES VOGT AND MARK FRIEDMAN
DIRECTOR/CHOREOGRAPHER
Michael Marotta
MUSIC DIRECTOR Matthew Umphreys
SET DESIGNER Tamara L. Honesty
COSTUME DESIGNER Gordon DeVinney
LIGHTING DESIGNER Amber Whatley
SOUND DESIGNER Amoirie Perteet
MARCH 21 – MAY 17, 2026
ROSENTHAL SHELTERHOUSE THEATRE
Production Sponsors
Honorary Producers In honor of Jan Denton
Charles and Joann Mead
Artist Sponsors
Artist Sponsor of Michael Marotta
Dr. Susan R. Strick
Design Sponsor Kelly Dehan and Rick Staudigel
Betsy and Jerry Shroat Kathryn Merchant
Season presented by The Vontz Family
Developed and Premiered by The Human Race Theatre Company, Kevin Moore, Producing Artistic Director
Subsequently produced by the Cincinnati Playhouse in the Park, Blake Robison, Artistic Director and Buzz Ward, Managing Director
Tenderly: The Rosemary Clooney Musical is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide 1180 Avenue of the Americas, Suite 640, New York, NY 10036.www.theatricalrights.com
TENDERLY: THE ROSEMARY CLOONEY MUSICAL
CAST
(in speaking order)
Rosemary Clooney Mollie Vogt-Welch*
The Doctor/Others Michael Marotta*
MUSICIANS
Piano Matthew Umphreys
Bass Nick Greenberg
Drums (March 21 – May 2)
Stage Manager
Stage Manager (April 9–15)
Brian Malone
Brooke Redler*
Carolyn Fast*
Production Assistant Tessa Killen
Time: 1968 — before, during and after.
Setting: Various locales including Reno, a Doctor’s Office, Maysville, Cincinnati, and Hollywood.
TENDERLY: THE ROSEMARY CLOONEY MUSICAL WILL BE PERFORMED WITH AN INTERMISSION.
This production is made possible in part by a generous gift from the Greater Cincinnati Foundation.
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and with the International Alliance of Theatrical Stage Employees-Local No. 5.
The scenic, costume, lighting and sound designers in LORT Theatres are represented by United Scenic Artists, Local USA-829 of the IATSE.
by Irving Berlin / used by permission of Rodgers & Hammerstein: an Imagem Company, on behalf of the estate of Irving Berlin, www.irvingberlin.com. All Rights Reserved.
COUNT YOUR BLESSINGS INSTEAD OF SHEEP
by Irving Berlin / used by permission of Rodgers & Hammerstein: an Imagem Company, on behalf of the estate of Irving Berlin, www.irvingberlin.com. All Rights Reserved.
Written by Walter Gross and Jack Lawrence / Used by Permission of Range Road Music, Inc. / Courtesy of EDWIN H. MORRIS & COMPANY, A DIVISION OF MPL MUSIC PUBLISHING, INC. (ASCAP)
by Stuart Hamblen / Used with Permission of ClearBox Rights, LLC on behalf of Hamblen Music Co. Inc
PRETTY LITTLE PILLS
Music and Lyrics by Janet Yates Vogt and Mark Friedman
Your situation is unique and your personalized plan should reflect that. We learn your goals so that we can build solutions customized to you and your family. Whether you’re a business owner, a working professional, or building generational wealth our team will work with you to help you accomplish your financial goals.
MOLLIE VOGT-WELCH– ROSEMARY CLOONEY
BROADWAY: A Tale of Two Cities. NATIONAL TOUR: Guenevere in Camelot and Wendy in Peter Pan. OFF-BROADWAY: Wuthering Heights (Mint Theater), Smile (Barrow Street Theatre), and Mother Wife (Signature Theatre). REGIONAL THEATRE (favorites): Margaret in Light in the Piazza (Coachella Valley Repertory); Nellie in South Pacific and Evelyn Nesbit in Ragtime (Weathervane Theatre); The Baker’s Wife in Into the Woods, Corky in Meteor Shower, and Gloria in Boeing Boeing (Theatre Workshop of Nantucket); Kim in Show Boat (Goodspeed Musicals); and Lily in The Secret Garden (Capital Repertory Theatre). OPERA: Die Zauberflote, Barbiere Di Siviglia, and Parsifal (Metropolitan Opera House). FILM/TELEVISION: The Night Agent, Law & Order: Organized Crime, The Village (NBC Pilot), and Amazon Galaxy. AWARDS: Winner at the Lotte Lenya International Singing Competition. WEBSITE: MollieVogtWelch.com. INSTAGRAM: @mollievogtwelch.
MICHAEL MAROTTA – DOCTOR/OTHERS/DIRECTOR/ CHOREOGRAPHER
CINCINNATI PLAYHOUSE IN THE PARK: Tenderly: The Rosemary Clooney Musical (where he originated the role of the Doctor twelve years ago!) and Herr Schutz in Cabaret. OFF-BROADWAY (recent): Romeo & Bernadette (New York Times Critics Pick). NEW YORK (currently): FOMO: Formerly Mormon. REGIONAL THEATRE (Tenderly performances): Alabama Shakespeare Company, Florida Repertory Theatre, North Coast Rep, Ivoryton Playhouse, and Southeastern Summer Theater Institute. CINCINNATI: The Music Man (Cincinnati POPS). DIRECTING CREDITS: The Rat Pack Lounge; Forever Plaid; Beguiled Again: The Rodgers and Hart Songbook; An Inspector Calls; I Loved, I Lost, I Made Spaghetti; At Wit’s End; and A Grand Night for Singing! (Florida Repertory Theatre). Also, Left on Tenth (GableStage); The Game’s Afoot (Gulfshore Playhouse); The Fox on the Fairway, The Mousetrap, and Say Goodnight, Gracie (Flat Rock Playhouse); I Loved, I Lost, I Made Spaghetti and The Fabulous Lipitones (Penobscot Theatre) TELEVISION: The Marvelous Mrs. Maisel and several commercials. AFFILIATIONS/AWARDS: Artistic Director of The Theater Barn in the Berkshires (eight seasons) and is twice the recipient of both the Manhattan Association of Cabaret Award and the Backstage Bistro Award.
ROSEMARY CLOONEY
Born on May 23, 1928, in Maysville, Kentucky, Rosemary and her younger sister, Betty, and brother, Nick, grew up with all the benefits and drawbacks of small-town life. When Rosemary was 16, the Clooney Sisters landed a job singing on WLW radio in Cincinnati. A year later, they signed up to join the Tony Pastor Band and at 21, Rosemary went to New York City and signed a recording contract with Columbia Records as a solo artist. Two years later, record producer Mitch Miller convinced her to record the novelty song Come On-A My House, starting a whirlwind love affair with the American public. Radio shows, movies (including White Christmas in 1954), numerous hit singles and albums, and TV appearances (including two series of her own) followed and, in 1951, Rosemary married actor José Ferrer, thereafter giving birth to five children. She went through a very public divorce in 1967 and an even more public mental breakdown the following year. It wasn’t until 1976, when Bing Crosby asked her to join him on his 50th anniversary tour, that things started to turn. Following that came more successful recordings, this time for Concord Records, a small jazz label. Rosemary recorded and performed for the next few decades until her death in 2002, still able to mesmerize audiences with her warmth, depth of feeling, honesty, and unsurpassed craft.
Grantee Spotlight: INSPIRATION STUDIOS, INC.
Inspiration Studios, Inc., and Sonny Spot Too are two Southwest Ohio organizations serving people with developmental disabilities. In 2023, they collaborated to create a new mural for Sonny Spot’s computer and technology room. Image courtesy of the organization
Investing state and federal dollars, the Ohio Arts Council funds and supports quality arts experiences for all Ohioans to strengthen communities culturally, educationally, and economically.
Learn more about our grant programs and resources, find your next arts experience, or connect: OAC.OHIO.GOV.
TENDERLY: THE ROSEMARY CLOONEY MUSICAL
JANET YATES VOGT – PLAYWRIGHT/COMPOSER/LYRICIST
Janet is thrilled that Rosie’s story has come back to the Playhouse along with the beautiful songs that have inspired her musical career. Janet fell in love with the Great American Songbook as a teenager, accompanying her father singing songs to her mother. Janet, along with her writing partner Mark, are the creators of several musicals represented by Theatrical Rights Worldwide and Concord Theatricals with worldwide performances in England, Italy, China, Denmark, Australia, including Philippines Repertory with their recent 100 performances of Mark and Janet’s Alice in Wonderland. Their family musicals have enjoyed two national tours of How I Became a Pirate and Rapunzel! Rapunzel! A Very Hairy Fairy Tale. Notable Equity theatres producing their musicals include Santa Barbara Ensemble Theatre, Music Theatre of Connecticut, New Wimbledon Studio Theatre (UK), Phoenix Theatre, Georgia Ensemble Theatre, Florida Repertory Theatre, Hartford Playhouse, Weston Playhouse, Victoria Theatre, and Human Race Theatre (Dayton). Currently in collaboration with local playwright, Joseph McDonough, is their newest musical, Bootleg Empire: The Rise and Fall of the Great George Remus – the infamous story of the Cincinnati legend. A graduate of University of Cincinnati CCM in Piano Performance, Janet is also the composer of numerous piano teaching methods for children and adults. Janet is represented by Paradigm Talent Agency in New York City.
MARK FRIEDMAN – PLAYWRIGHT/COMPOSER/LYRICIST
Mark’s passion for musical theatre began in his childhood basement, where he and his brothers built their own theatre complete with lighting and sound, performing for family. Today, he is a prolific playwright, composer, and lyricist of numerous musicals. Holding a Master of the Arts, Mark is a sought-after speaker and educator and has taught college level Master Classes in theatre. He was recognized as one of the 100 most influential artists in Cincinnati. Alongside long-time collaborator, Janet Yates Vogt, their musicals including Tenderly, How I Became a Pirate, Snow White & the Prince, Alice in Wonderland, and Rapunzel! Rapunzel! A Very Hairy Fairy Tale are licensed by Theatrical Rights Worldwide and Concord Theatricals. Performed throughout the U.S., their work also enjoys vast international success, playing in Canada, the UK, Denmark, Brazil, Australia, China, Thailand, Philippines, and Italy, among others. Translations include Alice and Snow White in Italian, and Rapunzel in Mandarin. Their latest project is a new musical based on the life of the infamous bootlegger George Remus. A cornerstone of the regional arts scene, Mark co-founded Cincinnati’s first free Shakespeare Festival, the enduring ArtReach Touring Theatre, and also co-created the popular Peanut Butter Theatre. As a performer, he has appeared in regional productions of Godspell, Guys and Dolls, A Day in Hollywood, and Jesus Christ Superstar. Mark is represented by Paradigm Talent Agency in New York City. He is delighted and most grateful to have Tenderly back at his hometown Playhouse.
MATTHEW UMPHREYS (HE/HIM) – MUSIC DIRECTOR
CINCINNATI PLAYHOUSE IN THE PARK: A Christmas Carol. CINCINNATI: Tick, Tick... Boom! and Grease (The Carnegie); Mrs. Dalloway (Cincinnati Shakespeare Company); Carmen, Fierce, The Knock, Ave A to Broadway, and Sleepers Awake (Cincinnati Opera); Santa Claus, Casper, and Annie (The Children ’ s Theatre); You’ll Never Know: A Tribute to Rosemary Clooney, Perfectly Marvelous, I Put a Spell on You, A Cozy Christmas, and Cincinnati Rocktails (Queen City Cabaret).
EDUCATION: Master of Music from the University of Cincinnati College-Conservatory of Music. WEBSITE: www.matthewumphreys.com. INSTAGRAM: @matthewumphreys.
TAMARA L. HONESTY (SHE/HER) — SET DESIGNER
CINCINNATI PLAYHOUSE IN THE PARK: An Evening with Groucho. Outreach tours: River Rat and Cat, Lilly’s Plastic Purse, The Garden of Rikki Tikki Tavi, Noonie’s Masterpiece in Purple, Into the West, Tomato Plant Girl, Thaddeus and ‘Tila, Twelfth Night, Lives Worth Living, and The Amazing Adventures of the Marvelous Monkey King. OFF-BROADWAY: The Memory Exam (59E59 Theatres and Oberon Theatre Ensemble) and Ghosts (Oberon Theatre Ensemble). REGIONAL THEATRE: The Black Rep, The Human Race Theatre Company, The Contemporary Theatre of Ohio, Cleveland Play House, West Virginia Public Theatre, Lexington Children’s Theatre, Hope Summer Repertory Theatre, Utah Festival Opera & Musical Theatre, and Kitchen Theatre Company. FILM/TELEVISION: An Evening with Groucho. EDUCATION: MFA from West Virginia University and a BA from Wilmington College. AFFILIATIONS/AWARDS: Treasurer of USITT, Behind the Scenes Mental Health Initiative Steering Committee, USA 829, Society of Props Managers, Resident Artist at The Human Race Theatre Company, recipient of the Mabel DeVries Tanner Endowed Professorship, co-author of The Fake Food Cookbook: Props You Can’t Eat and The Fake Food Cookbook Volume 2: Props You Can Eat. WEBSITE: tammyhonesty.com. INSTAGRAM: @tammyhonesty.
TENDERLY: THE ROSEMARY CLOONEY MUSICAL
GORDON DeVINNEY (HE/HIM) – COSTUME DESIGNER
CINCINNATI PLAYHOUSE IN THE PARK (selected): The Turn of the Screw, Nixon’s Nixon, Coyote on a Fence, The Woman in Black, Wit, Shakespeare’s R&J, God’s Man in Texas, Proof, Hiding Behind Comets, Sing Hallelujah!, A Picasso, The Clean House, This Wonderful Life, Reckless, Murderers, Love Song, Marry Me a Little, Victoria Musica, The Understudy, The Piano Teacher, The Pavilion, Always… Patsy Cline (League of Cincinnati Theatres Award), Hank Williams: Lost Highway, The Book Club Play, The North Pool, Chapatti, Circle Mirror Transformation, Low Down Dirty Blues, Mothers and Sons, Disgraced, Be Here Now, The Last Wide Open, Rooted, and Sanctuary City. INTERNATIONAL: Edinburgh Festival Fringe and Harold Pinter Theater (London’s West End). REGIONAL THEATRE: Repertory Theatre of St. Louis and Merrimack Repertory Theatre.
AMBER WHATLEY (SHE/HER) – LIGHTING DESIGNER
CINCINNATI PLAYHOUSE IN THE PARK: Need Your Love, Becoming Dr. Ruth, Incident at Our Lady of Perpetual Help, and Stew. REGIONAL THEATRE: The Mountaintop and Fat Ham (Nashville Repertory Theatre); The Agitators (Pacific Conservatory Theatre); Wolves, 9 to 5, and The Worries of Wesley (The Contemporary Theatre of Ohio); Kindling Arts Festival, Brave New Works Festival, and Festival of Ghouls (Oz Arts Nashville); The Last Five Years, Dotty, Memphis, Next to Normal, Black Do Crack, and the Fuse Box Festival (the Ground Floor Theater); Natural Shocks (Hope Repertory Theatre); Duke Ellington’s Nutcracker (Ballet Afrique); HERE US (Denison University); Hamlet, The Play That Goes Wrong, Tom Jones, and A Year with Frog and Toad (Belmont University); and Violet and The Seagull (Ohio State University). EDUCATION: BFA from Savannah College of Art and Design and an MFA from the University of Texas at Austin. PhD Candidate at Belmont University. AFFILIATIONS/AWARDS: Professor at Belmont University; Founder of Blackout, a lighting design and technology workshop focused on access for BIPOC youth. WEBSITE: www.awhatleylighting.com. INSTAGRAM: @amberwhatleylighting.
AMOIRIE PERTEET – SOUND DESIGNER
CINCINNATI PLAYHOUSE IN THE PARK: The Book Club Play. REGIONAL THEATRE: Clarence Brown Theatre and Assistant Sound Design credit with the American Players Theatre. EDUCATION: MFA in Sound & Media Design at the University of Tennessee. AFFILIATIONS/AWARDS: Sound and Projection Engineer at Temple University, proud member of TSDCA, and 2025 USITT Robert E. Cohen Sound Achievement Award. WEBSITE: amoirie.com.
BROOKE REDLER (SHE/HER) – STAGE MANAGER
CINCINNATI PLAYHOUSE IN THE PARK: Mr. Parent, The Chosen, A Christmas Carol, Frida...A Self Portrait, Destiny of Desire, 2 Pianos 4 Hands, Once on This Island, In the Heights, Million Dollar Quartet, and Native Gardens. CINCINNATI: Cincinnati Opera. OFF-BROADWAY: Breathing Time, The Faire, and From White Plains (Fault Line Theatre). REGIONAL THEATRE: Cat on a Hot Tin Roof (Denver Center); Hair: Retrospection, Stillwater, The Whipping Man, August: Osage County, Cabaret and five seasons of A Christmas Carol (Kansas City Repertory Theatre); Peter and the Starcatcher (Utah Shakespeare Festival); Vanya and Sonya and Masha and Spike (Center Stage Baltimore); The Drowsy Chaperone and Is He Dead? (Creede Repertory Theatre); Hairspray and The Sound of Music (Starlight Theatre); Stages St. Louis and Heart of America Shakespeare Festival. OTHER OPERA: Opera Long Beach and Santa Fe Opera. AFFILIATIONS: Lead Producer of The Over-The-Rhine International Film Festival.
CAROLYN FAST (SHE/HER) – STAGE MANAGER
CINCINNATI PLAYHOUSE IN THE PARK: Louisa May Alcott’s Little Women, The Book Club Play, Dial M for Murder (Assistant Stage Manager), Rutka (Props Crew), and A Christmas Carol (Props and Wardrobe crews). CINCINNATI: Cincinnati Shakespeare Company (Resident Stage Manager for 35 productions). REGIONAL THEATRE: Creede Repertory Theatre, Shakespeare Theatre of New Jersey, The Human Race Theatre Company, Northern Stage, Peterborough Players, Utah Shakespeare Festival, Alabama Shakespeare Festival, Quintessence Theatre Group, and Hope Repertory Theatre. AFFILIATIONS: Central Region At Large Councilor for Actors’ Equity Association.
ADDITIONAL PRODUCTION STAFF
Dance Captain Sam Simahk
Assistant Lighting Designer Amanda Hackney
Q&A WITH PLAYWRIGHTS JANET YATES VOGT AND MARK FRIEDMAN
In your estimation what made Rosemary Clooney a singular artist and a fascinating subject to be musicalized?
MARK: As a kid growing up, I loved the old movies and every holiday season we would watch White Christmas. I was fascinated with Rosemary Clooney’s performance, not just as an actor, but as a vocalist as well. Her easy style of performing in that movie and on the radio and television clips I watched online intrigued me. She was so natural and believable. The more I learned about the struggles she had in her life, the more I was impressed with how she was able to face those problems and rise above them. Rosemary’s life is the ultimate success story, one that is so worthy of telling, and one that audiences find exhilarating to watch.
JANET: There were so many things that appealed to us about bringing Rosie’s story to the stage. So much of her story unfolded on our doorstep here in Cincinnati and also closely by in Maysville and Augusta, Kentucky. It truly is the story of a small-town girl with very humble beginnings who makes it big, and, in many ways, we feel proud that she is our own “girl next door” and member of the Clooney family — all of whom we admire so much.
When you set out to write Tenderly, what were your chief goals?
MARK: Our first goal was to read and watch everything we could related to Rosie. We talked to family members, friends, and visited places that she loved in Maysville,
Janet Yates Vogt and Mark Friedman
Augusta, and Cincinnati. We talked to her professional contacts and others in the business. We wanted to be as accurate and as true to her life as we possibly could be, pouring over her two autobiographies. Her music, her relationships, her successes, and yes — her lowest moments — all gave way to a huge rebirth — resulting in her reinventing her career and her popularity as a performer.
“Rosie really wrote the show for us by so candidly revealing the details of her life in her two autobiographies and many interviews.”
JANET: Our goal as writers was to tell a story that captures the audience from beginning to end — gradually adding moments and clues that ultimately reveal the depth and the arc of the piece. Rosie really wrote the show for us by so candidly revealing the details of her life in her two autobiographies and many interviews. Together we then decided which truly pivotal moments we would intertwine into the play. There is an old saying when writing for the theatre —“Show, don’t tell”— and Mark suggested that the Doctor assume all the roles of the different people in Rosie’s life — from her mother to Jose Ferrer and everyone in between — rather than Rosie just describing life moments to the Doctor. With that concept in place, the conversations — very real ones that Rosie experienced — formed the basis of the script.
Do you have a favorite moment or song in Tenderly that speaks to you in a special way?
MARK: I have a special fondness for several of the songs in Tenderly. When I was a kid, I found a box of old 45 records and in it was “Botcha Me” and I played it many times, and it brings back even now memories of my growing up. I love “Hey There” from the musical Pajama Game by Richard Adler and Jerry Ross — in fact, when we were in the process of obtaining rights for the songs in the show, we had a delightful lunch in New York with Jeannie Ross Coulter, Jerry Ross’ daughter who had some amazing stories about the show and her father. That’s one of the perks of writing a show like this — talking to so many wonderful people. Finally, I love “Paper Moon.” Growing up, my brothers and I built a stage in the basement of our house, and “Paper Moon” was one of the songs featured in our shows we would perform for the family. It made me think about how great it would be to put on a show with a muslin tree, a canvas sky, and a paper moon!
JANET: I happen to love “I Remember You.” It’s elegant, simple, touching, and beautiful. It fell into place in our musical in a way that heightens the true emotion of the song. We added a few original songs to the show, and it’s a joy to hear them in “Rosie’s” voice alongside so many of her signature songs.
What do you hope people take away from the Tenderly experience?
MARK: We want people to appreciate Rosemary Clooney for the great performer and person she was — and to leave the theatre celebrating her ability to overcome the challenges she faced, knowing that the obstacles we face can also be overcome through hard work and perseverance.
JANET: Like Rosie, don’t give up. And, like Rosie, add a little humor along the way.
DISABLED: Dial 711 to connect to the Box Office via Ohio Relay Services
ACCESSIBILITY WITH DIGNITY PROGRAM
The Playhouse is pleased to offer a variety of services to patrons with special needs.
Audio Described and Signed Performances
Live audio description for patrons who are sight-impaired is offered in both theatres and signed performances for those with hearing impairments are offered in Moe and Jack’s Place – The Rouse Theatre. These services are for designated performances only. ASL Interpreters are Dawn Caudill and Montez Greer. Audio Describers are Mark DeWitt, Bekka Eaton, Shayne Kennedy and Joe Sackenheim
Hearing Enhancement
Moe and Jack’s Place – The Rouse Theatre and the Rosenthal Shelterhouse Theatre both have a hearing loop system which works with existing T-Coil or Telecoil enabled hearing aids or cochlear implants. For assistance, please see a member of our house staff.
Large Print Program
Large print programs for those with visual impairments are available upon request at every performance.
CAMERAS AND RECORDING DEVICES
Actors’ Equity Association strictly prohibits the use of cameras or recording devices in the theatre during the performance.
CHILDREN
Children under the age of 6 will not be admitted to Playhouse productions unless otherwise advertised. Parents with disruptive children will be asked to leave the theatre.
CONCESSIONS
Al’s Bar serves drinks in two locations – one bar on the main level in the Schueler Lobby and one bar on the upper floor. Casual dining fare and snacks from The Delish Dish are available for purchase on the upper floor. Drinks are allowed in the theatres, however food is not.
FACILITY ACCESSIBILITY
Patrons who are mobility-impaired may be dropped off outside the Playhouse’s main entrance. The walk from the top level of the parking garage to the entrance into the Schueler Lobby to the main level of the Rouse Theatre can be made without having to take any stairs. An elevator is available for access to the balcony level and first rows of the Rouse Theatre and the Rosenthal Shelterhouse Theatre. Accessible seating for wheelchairs is subject to availability and should be requested at the time of ticket reservation.
GIFT CERTIFICATES
Need the perfect gift? The Playhouse offers gift certificates redeemable for single tickets or season ticket packages. Call the Box Office or stop by at intermission for more information.
PATRON INFORMATION
GROUP DISCOUNTS
Bring your group of eight or more to the Playhouse and receive great benefits and discounts, including special rates for students and seniors. Our popular corporate web discount program allows your employees to book tickets online at a discount whenever they want. Contact the Box Office for more details.
LATECOMERS AND READMITTANCE
Latecomers are seated at the discretion of the house manager, which may be as late as intermission. Latecomers may be denied admission depending on the demands or structure of a particular production. Please allow yourself adequate time to arrive, park and be seated. Should you need to leave the theatre during a performance, readmittance and seating will be at the discretion of the house manager so as not to disturb the audience and actors.
PARKING
The Park Board reminds you that Eden Park officially closes at 10 p.m. As a grace period to the Playhouse, the police will not ticket vehicles until one half hour following the end of a performance. The Playhouse assumes no responsibility for anyone receiving a ticket for illegal parking. Convenient parking is available in the Playhouse garage. Purchase parking in advance to secure a space. Parking can also be purchased from our parking attendant immediately before the performance if available.
Accessible parking for those with disabilities is located in the Playhouse parking garage. Parking for persons with disabilities is limited and must be reserved and paid for in advance. All vehicles using these spaces must display a valid disability placard.
PROHIBITION OF WEAPONS
The Ohio Revised Code (R.C. 2923.126) has established the privilege of carrying a concealed handgun to Ohio citizens who have obtained the proper license. The same law explicitly grants private employers in the state the right to prohibit their employees and visitors from possessing firearms on the employer’s premises. With this notification the Cincinnati Playhouse in the Park is informing
you that it prohibits weapons of any kind on its premises, and reserves the right to search persons, parcels and vehicles on the same. This policy applies to all employees, patrons and visitors to the facility.
RESTROOMS
There are four types of restrooms: women’s, men’s, all-gender and family. One of each type is available on each level. Restrooms are all wheelchair-accessible.
SMOKING/VAPING
Smoking/vaping is prohibited in the entire theatre complex.
Cincinnati Playhouse in the Park acknowledges the following Partners and their employees who generously participate in the annual ArtsWave Community Campaign at the $100,000+ level.
altafiber
Cincinnati Children's Hospital Medical Center
The Cincinnati Insurance Companies
Cincinnati Reds
Dinsmore & Shohl LLP
The E.W. Scripps Company and Scripps Howard Foundation
The Enquirer | Cincinnati.com
Fifth Third Bank and Fifth Third Foundation
GE Aerospace
Great American Insurance Group
Greater Cincinnati Foundation
The H.B., E.W. and F.R. Luther Charitable Foundation, Fifth Third Bank, N.A., Trustee
The Kroger Co.
Messer Construction Co.
P&G
PNC
Western & Southern Financial Group
BOARD OF TRUSTEES
OFFICERS
James C. Leonard President Nirvani Head Vice President
TRUSTEES
Steve Bestard
MC Brennan
Julie A. Broadwell
Lucy Lane Broderick
Ron Bunt
Maurice E. Coffey, II
Virginia Copley
Mark Dawes
Timothy Douglas
LEGACY TRUSTEES
Victoria Buyniski Gluckman
Linda Greenberg+
Thomas M. Keckeis
Jennifer Dorsey Powell
EMERITUS
Otto M. Budig, Jr.
Chuck Carothers+
David Herriman+
Andrew MacAoidh Jergens
Judy Ellis
James P. Conway, Jr. Treasurer
Vitaly Goldfeder
Ken Goldhoff
Chandra Gravely
Bernita McCann
Hightower
Susan Ingmire
Alina Khan
Bet Koeninger
Jack Rouse
Margo K. Ross Secretary
Terry Lemmerman
Jacqueline M. Mack
Danute Miskinis
Samuel Moore Jr.
Dean A. Moulas
Patti Myers
Audra Rance
Robert Reifsnyder
KJ Sanchez
Digi F. Schueler
Chair
Jerry Thomas Shroat
Ellen G. van der Horst
Larry Vignola
Morse Johnson+
Lois Rosenthal+
Jack Rouse
Howard Tomb+
Julia Wesselkamper
Susan Whitman
Ronna K. Willis
Marcie Wright
Brian Yangyuen
Albert Vontz, III
Barbara M. Weyand
Susan Zaunbrecher
Albert Vontz, Jr.+
Albert Vontz, III
+In Memorium
LAND ACKNOWLEDGEMENT
Ohio, whose name originates from the Iroquoian word ohi-yo, meaning good rivers, is a testament to the deep connection between the land and the Indigenous peoples who have inhabited it for centuries. The Cincinnati region is ancestral land of many Nations, and Indigenous people are still here today. As a step toward honoring the truth and achieving healing and reconciliation with Indigenous peoples, we recognize and honor the enduring connection these Nations have to this territory. May we reflect on our commitment to understanding, preserving, and celebrating the rich culture of Native Indigenous communities who have shaped and continue to contribute to these lands.
WHAT IS A LAND ACKNOWLEDGMENT?
It is the recognition of the Native Americans/First Nations/Indigenous Peoples who cared for these lands prior to removal. Our statement was created with guidance from our partners at the Urban Native Collective For more information, visit urbannativecollective.org.
THE MORSE JOHNSON SOCIETY
Thanks to your vision and commitment, we can set a bold course to secure the future of the Playhouse for generations to come. We are grateful to you for including the Playhouse in your estate plans. This list recognizes members of the Morse Johnson Society as of February 12, 2026.
Anonymous
Romola N. Allen
Roderick and Barbara Barr
Miss Martha L. Bell
David and Elaine Billmire
Thomas J. Breed
Charlin Briggs
Rosemarie Brown
John and Peg Bruggeman
Susan and Burton Closson
Carol C. Cole
Jim Conway and Rick Robertson
Scott and Susan Cruse
Richard and Teddie Curry
Kelly M. Dehan and Richard J. Staudigel
Marilyn Derfus
Jackie Dieckman and Mike Camery
Mrs. James M. Edwards
Barbara Fitch
In memory of Phyllis A. Followell, my heart
Allison Gerrety
Victoria Buyniski Gluckman
Madeleine H. (Mady)
Gordon
J. Frederick and Cynthia Gossman
Carol Green
Gary Greenberg
Jan and Herman Groshoff
Mrs. Robert J. Hasl
Robert and Judith Heaton
Betsy Hendy
Andrea and Dr. Edward Herzig
Karlee L. Hilliard
Susan M. Ingmire
Ellen and Garrett Jackson
Andrew MacAoidh Jergens
Judith E. Johnson
M. J. Johnson
Jan and Jay Kalagayan
Winifred B. Kessler
David and Janice Klocke
Mike and Marilyn Kremzar
Randolph and Patricia Krumm
Ms. Abby E. Langdon
Donald W. Leedy
Terry Lemmerman
James C. Leonard
Mary V. Lierl
Cheryl Harden Love
Barbara Lyons
Jacqueline M. Mack
Dick and Sandy Manteuffel
David L. Martin
David Mason
Ron Matson and Daniel Young
Barbara and Kim McCracken
Charles and Joann Mead
Barbara N. Meyer
Becky Miars
Lauren Miller
David and Diane Moccia
William J. and Mary G. Moran
Patti Myers and Alan Flaherty
Ronald and Debi Nash
Julia Okenfuss
Charlotte and Robert Otto
Carolyn Parker
Charles and Tara Pease
Jenny and David Powell
Betty L. Prince
Rob and Gretchen Reifsnyder
Pamela Reising
Ellen Rieveschl
Richard Rosenthal
Jack and Moe Rouse
Robert and Dell Ann Sathe
Mark and Rosemary Schlachter
Carol J. Schroeder
Digi France Schueler
John L. Shields
Jerry and Betsy Shroat
Ann M. Simsic
Mrs. Paul G. Sittenfeld
Adrienne Angst Smith
Francis and Susan Stanton
Nancy M. Steman
Sidney Thomas
Diane D. Todd
Marty C. Tomb
Ellen and Ray van der Horst
Margaret and Albert Vontz III
Daniel G. Walker
JoAnn and Paul Ward
Dr. and Mrs. Nelson B. Watts
Jim and Jo Ann Weber
Irwin and Barbara Weinberg
Barbara M. Weyand
Ronna and Dr. James B. Willis
Susan and Don Zaunbrecher
POSTHUMOUSLY REMEMBERED
Anonymous
Mrs. Thomas Adler
Robert H. Allen
Henrietta Barlag
Peggy Barrett
Karen H. Bell
Frank and Rosemary Bloom
Peter Briggs
Jack G. Brown
Leland M. Cole
Eva Jane Romaine Coombe
John V. Crable
John F. Curley
Jan Denton
Anne Elkins Didrichsen
Mrs. Elizabeth Easley
James M. Edwards
Felix and Weta Mae Elkins
Margaret M. Embshoff
Jerome A. Fey and Robert J. Schlafle
Stona Fitch
Have you included Cincinnati Playhouse in the Park in your estate plans? We would love to hear from you. Please reach out to Director of Individual Giving Kendra Struthers at kendra.struthers@cincyplay.com or (513) 977-2024 so we can properly recognize you for your gift and welcome you into the Morse Johnson Society.
William A. and Susan S. Friedlander
Oliver M. Gale
Charles and Caroline Goering
Linda Greenberg
Peter and Mary Hainline
Carlyn G. Hamilton
Dr. Robert J. Hasl
Dave Hendy
Mrs. Morse Johnson
Stanley M. Kaplan, M.D.
Minor and Dan LeBlond
Keith Lemmerman
Ron Lyons
James A. Markley, Jr.
Manuel D. and Rhoda Mayerson
James A. Miller
Mr. and Mrs. Arnold Morelli
Richard Okenfuss
Jack and Marilyn Osborn
Maurice E. Oshry
Dr. George Rieveschl
Launcey Roder
Lois Rosenthal
Gene F. Santoro
Mr. and Mrs. Robert C. Schiff, Sr.
Karl and Roberta Schlachter
Mary Louise Schroth
Marsha Shields
Paul G. Sittenfeld
Louise W. Spiegel
Rick Steiner
Jane K. Steinfirst
Thurza R. Sternberg
Charles and Sue Straus
Charles L. and Joan Thomas, Jr.
Lynda A. Thomas
Dr. Thomas Todd
Howard Tomb
Albert Vontz, Jr.
Mr. and Mrs. Dick Waite
Stuart and Gladys C. Warshauer
Monte Witte
RECOGNITION GIFTS
With heartfelt gratitude, we recognize the following friends who have honored loved ones through a tribute gift to the Playhouse. These meaningful contributions were received between January 1, 2025, and February 10, 2026.
IN HONOR OF SARA AND DAVE BUTLER
Germaine Jarvis and John Znamierowski
IN HONOR OF JAN DENTON
Stephanie Denton
IN HONOR OF SUSAN INGMIRE AND LYNN HAILEY
Kristin and John Burbank
IN HONOR OF BLAKE ROBISON
Jim Friedman
IN HONOR OF JOHN AND AMY ROSENBERG
Anonymous
IN HONOR OF MOE AND JACK ROUSE
Daniel J. Hoffheimer
MEMORIAL GIFTS
We are grateful to the following friends who have chosen to remember a loved one through a memorial gift to the Playhouse. The following memorial gifts were received between January 1, 2025, and February 10, 2026.
IN MEMORY OF KAREN BELL
Edward Lanzit
IN MEMORY OF MARLENE ELIZABETH CRABTREE
Judith Van Ginkel
Leigh M. Primack
IN MEMORY OF BRUCE E. COYLE
Rebecca J. Graham
IN MEMORY OF LINDA HELDMAN GREENBERG
Anonymous
Stephanie Albert
Elizabeth C. Armitage
Mark and Marsha Barsman
Alexandra Belzley
Erica and Matt Biscotti
Randal and Peter Bloch
Annette and John Bloomstrom
Nancy B. Carrothers
Edwina Cornelius
Amy Diamond and Eddie Wolf
Barry and Nancy Gibberman
Dr. and Mrs. Glenn S. Gollobin
The Greater Cincinnati Foundation
Shelley and Bill Greggs
Beth Hammerman
Zack and Ali Hardoon
Gwenn and Mark Heintzelman
Fred and Patti Heldman
Andrea and Edward Herzig
Daniel J. Hoffheimer
David and Karen Hoguet
Jenna Harris and Dillon Teske
Susan Ingmire and Lynn Hailey
Diane and Carl Iseman
Donald and Franchelle Jones
Margo and Elliott Kirstein
Laura Hoguet Leonard
Emily Marrero
Cheryl and Scott Mattis
Karen Meyer and Rick Michelman
Patti Myers and Alan Flaherty
Judy and Thomas Oxman
Dianne and J. David Rosenberg
Moe and Jack Rouse
Linda and Douglas Sawan
Digi and Mike Schueler
Linda and Tom Senter
Matthew Senter and Rukmini Das
Jeffrey and Cindy Standley
Sneja H. Tomassian
The Townsend Family
Linda Trebbi
Ellen and Ray van der Horst
Lawrence and Maureen Vignola
Ronna and Jim Willis
The Crew of the Felix Locus
IN MEMORY OF CHRISTINE KINNAMAN
Jeanne Bauer
IN MEMORY OF JUDGE ROBERT S. MARX
Daniel J. Hoffheimer
IN MEMORY OF JIMMY MILLER
Lawrence and Maureen Vignola
IN MEMORY OF HOWARD TOMB
Burton and Susan+ Closson
IN MEMORY OF SCOT WOOLLEY
Anonymous
2026-27 SEASON
MOE AND JACK’S PLACE — THE ROUSE THEATRE
Season presented by SCHUELER GROUP
MC and Tom Brennan present
HEIST
By ARUN LAKRA
SEP. 12 – OCT. 11, 2026
Inspired by movies like Ocean’s Eleven, this high-tech mystery takes you on a fun and heart-pounding thrill ride.
Production Sponsor: Johnson Investment Counsel
Ellen and Ray van der Horst present
GET HAPPY: ANGELA INGERSOLL SINGS JUDY GARLAND
AN ARTISTS LOUNGE LIVE PRODUCTION
OCT. 17 – NOV. 7, 2026
In a vibrant, Emmy-nominated performance seen on PBS, award-winning actress Angela Ingersoll sings the works of Judy Garland in this special concert event.
Production Sponsor: The Hendy Family, in loving memory of David G. Hendy
Fifth Third Bank presents
CINCINNATI KING
By KJ SANCHEZ
JAN. 30 – FEB. 28, 2027
Celebrate Cincinnati’s rich music history with the return of the hit musical about King Records.
Production Sponsors: The Greenberg Family, in loving memory of Linda Greenberg, and The Markley Family
Moe and Jack Rouse and Randolph Wadsworth present
PURPOSE
By BRANDEN JACOBS-JENKINS
MARCH 13 – APRIL 4, 2027
Winner of the Tony Award and the Pulitzer Prize, this riveting and hilarious drama lays bare the long-simmering tensions and secrets of one influential family.
Leading Ladies presents
ROPE
Adapted by JEFFREY HATCHER
Based on the play “Rope’s End” by PATRICK HAMILTON
APRIL 24 – MAY 23, 2027
The gripping psychological thriller that inspired the Alfred Hitchcock film of the same name gets a tantalizing new adaptation.
SEASON EXTRAS!
First Financial Bank presents
A CHRISTMA S CAROL
By CHARLES DICKENS
Adapted by BLAKE ROBISON
NOV. 20 – DEC. 27, 2026
The holiday story you love unfolds with dazzling set, costume and lighting designs to create a magical experience for your family!
Our 2026-27 season offers a variety that showcases the best of American theatre to entertain and inspire you. The lineup celebrates our differences and lifts up our shared humanity. Make live theatre a regular part of your life with season tickets. Packages start with as few as three shows.
ROSENTHAL SHELTERHOUSE THEATRE
Season presented by THE VONTZ FAMILY
Digi and Mike Schueler present
TALK
WORLD PREMIERE
By THERESA REBECK
SEP. 26 – OCT. 25, 2026
A razor-sharp and funny world premiere that shines a satirical spotlight on the current media environment.
Production Sponsor: The Roy Cockrum Foundation Season Sponsor of New Work: Nancy and Mark Dawes
THE TWELVE DATES OF CHRISTMAS
By GINNA HOBEN
NOV. 7 – DEC. 27, 2026
This heartfelt one-woman comedy about dating misadventures brings a fresh, modern spirit to the holiday season.
Season ticket holders get discounts and first access to tickets before the general public!
MIND READER
Created and performed by VINNY DEPONTO
JAN. 26 – FEB. 7, 2027
Join acclaimed theatre-maker and mentalist Vinny DePonto for an evening of mind reading, psychic experiments and unexplained phenomena.
I AM MY OWN WIFE
By DOUG WRIGHT
FEB. 20 – MARCH 21, 2027
This Pulitzer Prize-winning play recounts the fascinating and true tale of an eccentric German trans woman who survived World War II and its aftermath.
TABLE 17
By DOUGLAS LYONS
APRIL 3 – MAY 16, 2027
Romance, regrets and second chances play out in this witty rom-com.
Your Season, Your Way with Season Tickets.
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We also want to honor Cincinnati Animal CARE, which operates Hamilton County’s animal shelter. CAC works tirelessly every day to save and better the lives of so many less fortunate dogs, cats and sundry other homeless animals throughout our community.
That’s why we’re proud to support CAC in those efforts, and hope you’ll join us in lending your support as well. Please scan the QR code below to make a donation.
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CINCINNATI PLAYHOUSE IN THE PARK
OSBORN FAMILY PRODUCING ARTISTIC DIRECTOR Blake Robison
MANAGING DIRECTOR Abby Marcus
MOE AND JACK ROUSE AND RANDOLPH WADSWORTH PRESENT
AUGUST WILSON’S THE PIANO LESSON
DIRECTOR Lou Bellamy
SET DESIGNER Vicki Smith
COSTUME DESIGNER
Mathew J. LeFebvre
LIGHTING DESIGNER Don Darnutzer
SOUND DESIGNER Scott W. Edwards
ASSOCIATE DIRECTOR Dennis W. Spears
CASTING DIRECTOR
Jonathan Hetler, CSA
APRIL 11 – MAY 3, 2026
MOE AND JACK’S PLACE – THE ROUSE THEATRE
CO-PRODUCED WITH MILWAUKEE REPERTORY THEATER
Mark Clements, Artistic Director
Chad Bauman, Ellen & Joe Checota Executive Director
Samuel Moore Jr.
Audra Rance
Season presented by
Artist Sponsors
Marty C. Tomb
Mark and Rosemary Schlachter
Season Design Sponsor
August Wilson’s The Piano Lesson is presented by agreement with Concord Theatricals on behalf of Samuel French, In. www.concordtheatricals.com
Originally Produced on Broadway by Yale Repertory Theatre (Lloyd Richards, Artistic Director; Benjamin Mordecai, Managing Director), Center Theatre Group/Ahmanson Theatre (Gordon Davidson, Artistic/Producing Director), Gordon Davidson and Jujamcyn Theaters (James H. Binger, Chairman; Rocco Landesman, President); produced in association with the Eugene O’Neill Theatre Center, Huntington Theatre Company (Peter Altman, Producing Director; Michael Maso, Man- aging Director), Goodman Theatre, Old Globe Theatre (Jack O’Brien, Artistic Director; Thomas Hall, Managing Director) and Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Managing Director); associate producer, Stephen J. Albert.
Originally mounted in 1987 by Yale Repertory Theatre (Lloyd Richards, Artistic Director; Benjamin Mordecai, Managing Director) and Huntington Theatre Company (Peter Altman, Producing Director; Michael Maso, Managing Director)
Originally presented at National Playwright’s Conference of The Eugene O’Neill Theater Center.
AUGUST WILSON’S THE PIANO LESSON
CAST
(in speaking order)
Boy Willie James T. Alfred *
Doaker Charles James Craven*
Lymon
La’Tevin Alexander*
Berniece Nubia Monks*
Maretha
Mackenzie Garry, Tuula Hicks
Avery Anthony Irons*
Wining Boy Lester Purry*
Grace Ny’ajai Ellison*
Stage Manager
Second Stage Manager
Youth Actor Coordinator
Brandon T. Holmes*
Andrea L. Shell*
Madison Stone
Setting: The kitchen and parlor of the house where Doaker Charles lives with his niece, Berniece, and her eleven-year-old daughter, Maretha.
THE PIANO LESSON WILL BE PERFORMED WITH AN INTERMISSION.
PLEASE NOTE:
Tuula Hicks will perform the role of Maretha on April 14, 16, 18 (evening), 21, 23, 28, 29 (evening) - May 2.
Mackenzie Garry will perform the role of Maretha on April 15, 17, 18 (matinee),19, 22, 24-26, 29 (matinee), and May 3.
This production is made possible in part by a generous gift from the Greater Cincinnati Foundation.
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
August Wilson’s The Piano Lesson This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and with the International Alliance of Theatrical Stage Employees-Local No. 5.
The scenic, costume, lighting and sound designers in LORT Theatres are represented by United Scenic Artists, Local USA-829 of the IATSE.
MEDIA SPONSOR
Setting the Stage for a Strong Community
We believe the arts have the power to connect people and enrich lives. That’s why we’re helping our communities create and share the unique stories that uplift the hearts and spirits of everyone around them.
AUGUST WILSON’S THE PIANO LESSON
DIRECTOR LOU BELLAMY ON AUGUST WILSON AND THE PIANO LESSON
Can you describe your own history with this play, as a director, actor, and friend of August Wilson?
Bellamy: I knew August Wilson. I produced his first professional production, a play called Black Bart and the Sacred Hills. I’ve heard many of the stories that buoy this production and many of his other shows before, from when he’s actually told them. We used to laugh about all of these stories and enjoy them, shared them and so forth. I came to artistic maturity doing his work.
The Piano Lesson is a play that I have directed before and acted in. In fact, the production that I acted in, August Wilson felt was the definitive production of this work. I’m proud of that. I know the work; I almost breathe it. It feels good to be doing it. It’s like coming home after being away for a minute or two.
What do you love about The Piano Lesson? What questions does it pose for the audience? What role does the piano play in the story?
Bellamy: The Piano Lesson is a very interesting play because the piano plays a pivotal role in the family’s history. It raises questions about institutional wealth, familial wealth, passing on legacy. Who will control it? Who will interpret it?
It’s based on Black labor and Black skill, and so it brings all these points of view together. They hinge on what happens with this piano, which is symbolic of many other things that become evident in the play.
The piano represents history. It is something that was actually touched and passed on from generation to generation. It starts back in
Lou Bellamy
August Wilson
AUGUST WILSON’S THE PIANO LESSON
slavery, where it tells the story of the piano being bought for, what August Wilson says in the text, as “one and a half people.” One and a half people — a grown person and a child. That was the currency that purchased this piano.
So, it’s a very special relationship between the history which is contained in the carvings and markings of the family, as well as the actual flesh and blood that went into buying the piano.
What role does music play in The Piano Lesson?
Bellamy: Music serves as a very important part of the Black ethos. Music is important; it informs the way one walks, the way one talks, perhaps the way one thinks. And in this play, August Wilson uses music almost as a healing tool.
The music and the music played on the piano represent a healing force that cleanses the household and heals the family. Along with that possibility, there’s also the possibility of danger because there’s a supernatural aspect of the play and it’s centered in the piano. The piano, the music, and the people are all intertwined and necessary to each other for survival.
The piano is performed in a number of ways. The little girl is being taught to play it. The mother is afraid to play it. There’s a recording star — one of the uncles — who has used it for his livelihood. A traveling blues man. It was bought with the cost of selling their ancestors, so all of these things come together.
And there’s a pivotal place where that piano is used to full effect and I don’t know whether I want to give that away. It’s a beautiful moment and I think it’s something that you have to come to see.
Has your relationship to Wilson’s work changed over time? Why is it important for these plays to be seen and heard today?
Bellamy: August Wilson is a man of letters. He took the time, did the research to chronicle Black life in the 20th century. He wrote a play
for every decade inside the 20th century. And in so doing, he gave us as audience, us as actors, artists, a vehicle to understand ourselves. And our place in the world.
Plays provide for us almost a recipe for being because they’re live and they show individuals struggling with issues that, fortunately or unfortunately, haven’t changed for many, many years. All of these plays will have different relevance at different times, as it resonates with ourselves and our history. There’s a scholar who said: history may not repeat itself, but it rhymes.
And these plays are a tuning fork for you to rhyme with.
What do you hope audiences take away from The Piano Lesson?
Bellamy: The Piano Lesson is, first of all, entertaining. It is hilarious at times, and that entertainment and jocular nature of the play doesn’t come at the expense of reality.
August Wilson is a skilled poet and playwright, so his jokes are subtle, but they build. He’s a master of dialogue and rhythm. You’ll feel as though you actually know these people — almost like a voyeur peeking through a hole in a fence at a family that you recognize as your own.
I want them to have a good evening, have some laughs, find out that there’s a connection between us humans that only stories can bridge. And August Wilson is a master storyteller.
Interview excerpts used with the permission of Milwaukee Repertory Theater. Lightly edited for clarity.
AUGUST WILSON’S THE PIANO LESSON
LA’TEVIN ALEXANDER – LYMON / FIGHT CAPTAIN
CINCINNATI PLAYHOUSE IN THE PARK: Debut. REGIONAL THEATRE: The Light as Rashad (Portland Center Stage); Joe Turner’s Come and Gone as Herald Loomis (Portland Playhouse); The Piano Lesson as Lymon (Milwaukee Rep); A Christmas Carol as Scrooge (Portland Playhouse); and Wine in the Wilderness as Bill Jameson (Penumbra Theatre). FILM/TELEVISION: Outdoor School (2025); Test Screening (2024); The Paper Tigers (2020); Marry, Fuck, Kill (2024); Dearest Eva (2022); CHAD (TBS); The Wonderland Murders (ID); Portlandia (IFC); and Grimm (NBC). EDUCATION: BA from Florida A&M University. INSTAGRAM: @latevinalexander.
JAMES T. ALFRED – BOY WILLIE
CINCINNATI PLAYHOUSE IN THE PARK: Debut. BROADWAY: Jitney (Manhattan Theatre Club, National Tour). OFF-BROADWAY: Black Odyssey (Classic Stage Company). REGIONAL THEATRE: Mark Taper Forum, Baltimore Center Stage, Alliance Theatre, Huntington Theatre, Guthrie Theater, Steppenwolf Theatre, Indiana Repertory Theatre, Congo Square, South Coast Repertory, Milwaukee Rep, American Repertory Theater, Penumbra Theatre, and Court Theatre. FILM/TELEVISION: Matlock, FBI, The Blacklist, Law & Order: Organized Crime, Chicago P.D., Blindspot, Prison Break, Empire, BOSS, Kold and Windy, and Power Book II: Ghost. EDUCATION: MFA from Harvard University/Moscow Art Theater School. AFFILIATIONS/AWARDS: Penumbra Theatre Company Member, SAG-AFTRA member, AEA, Omega Psi Phi Fraternity Incorporated, African American Arts Alliance Award, and Black Theatre Alliance’s Ira Aldridge Award.
JAMES CRAVEN – DOAKER CHARLES
James has been a company member of St. Paul, Minnesota’s African-American treasured Penumbra Theatre Company for 37 years, where he has performed in more than 60 plays. Notably, he has performed all 10 of August Wilson’s bestknown plays, several times, in several roles. His stage career spans over 40 years, including acclaimed performances at the Guthrie Theater, History Theatre, and Jungle Theater. James is a member of the Ten Chimney Society and is a twice recipient of the Ivey Theater Art Award.
NY’AJAI ELLISON (SHE/HER) – GRACE
CINCINNATI PLAYHOUSE IN THE PARK: Debut. REGIONAL THEATRE: Milwaukee Rep. FILM/TELEVISION: Chicago Med and Survival Guide. EDUCATION: BS from the University of Illinois Urbana-Champaign. INSTAGRAM: @Nyajai.
ANTHONY IRONS (HE/HIM) – AVERY
CINCINNATI PLAYHOUSE IN THE PARK: Debut. NEW YORK: Stokely: The Unfinished Revolution (New York Stage and Film) and Deep Azure (Apollo Theater). REGIONAL THEATRE: A Christmas Carol, Two Trains Running, and The Notebooks of Leonardo Davinci (Goodman Theatre); The DaVinci Code (Drury Lane Theatre); Big White Fog, Waiting for Godot, and Stokely: The Unfinished Revolution (Court
AUGUST WILSON’S THE PIANO LESSON
Theatre); Treasure Island and The Steadfast Tin Soldier (Lookingglass Theatre Company); Jitney, King Headly II, and What to Send Up When It Comes Down (Congo Square Theatre Company). FILM/TELEVISION: Ghostlight, Let’s Go to Prison, Ironheart, Southside, Empire, and Chicago Med. EDUCATION: MFA from Penn State University, BA from University of Alabama at Birmingham, and Improvisation Conservatory at The Second City. AFFILIATIONS/AWARDS: Ensemble Member of Congo Square Theatre and Lookingglass Theatre, Black Theatre Alliance Award, African American Arts Alliance Award, and 3Arts Award. FACEBOOK: anthony.irons.10.
NUBIA MONKS (SHE/HER)– BERNIECE
CINCINNATI PLAYHOUSE IN THE PARK: Debut. REGIONAL THEATRE: Hairspray, How to Catch Creation, and A Midsummer Night’s Dream (Oregon Shakespeare Festival); Wild Goose Dreams (La Jolla Playhouse); A Midsummer Night’s Dream (The Old Globe and Folger Theatre); Othello (Women’s Theatre Festival); Comedy of Errors (Ten Thousand Things); A Raisin in the Sun, The Nacirema Society, and Primary Trust (Guthrie Theater); Wine in the Wilderness and Paradise Blue (Penumbra Theatre); The Color Purple (Theatre Latté Da and Geva Theatre); A Walless Church (Pillsbury House + Theatre); The Ally and Love Mikey (Mixed Blood Theatre). EDUCATION: MFA from the University of California San Diego. INSTAGRAM: _onlynubia.
LESTER PURRY – WINING BOY
CINCINNATI PLAYHOUSE IN THE PARK: Debut. REGIONAL THEATRE: Ebenezer Scrooge in A Christmas Carol, Troy Maxson in Fences, Justice Thurgood Marshall in Thurgood, and J.P. Madison in What I Learned in Paris (Portland Playhouse); the titular role in Othello, Augustus Newcastle in The Darker Face of the Earth, and Lester Mason in The Big White Fog (Guthrie Theater); Cory in Fences, Clay in Dutchman, Hambone in Two Trains Running, Lymon in The Piano Lesson, Hedley in King Hedley II, and Booster in Jitney (Penumbra Theatre); Marvell Thunder in Thunder Knocking on the Door and King of the Hill in You Can Stop On a Dime (Baltimore Center Stage); Charles in Fireflies (South Coast Repertory); Justice Thurgood Marshall in Thurgood (Geva Theatre); Aslan in The Lion, the Witch and the Wardrobe (Children’s Theatre Company); Philadelphia Theatre Company, Arizona Theatre Company, Alabama Shakespeare Festival, Illusion Theater, Mixed Blood Theatre, Chanhassen Dinner Theatres, Nebraska Shakespeare Festival, and others. FILM/TELEVISION: Trauma, House Party, The Work Wife, His Secret Family, and Gang Girl. VIDEO GAMES: Dead Space 2. INSTAGRAM: @lesterpurry.
MACKENZIE GARRY (SHE/HER) – MARETHA
CINCINNATI PLAYHOUSE IN THE PARK: Debut. THEATRE: Fairy in Shrek Jr., Kiara in The Lion King Jr., Turtle in A Year with Frog and Toad Kids, and Mad Cat in The Aristocats Kids (The Children’s Theatre of Cincinnati); Amanda Thripp in Matilda (East Side Players); Elsa in Frozen Kids and Wonka in Willy Wonka Kids (Performing Arts Inc.); Ensemble in Joseph and the Amazing Technicolor Dream Coat, Ensemble in Beetlejuice Jr., and Gary the Snail in SpongeBob the Musical (Acting Up). AWARDS: Orchid Award for Ensemble and Musical Theatre EDUCATION: Glendale Elementary (fifth grade). INSTAGRAM: @MackenzieGracePerforms.
AUGUST WILSON’S THE PIANO LESSON
TUULA HICKS (SHE/THEY) – MARETHA
CINCINNATI PLAYHOUSE IN THE PARK: Debut. THEATRE: Lioness in The Lion King Jr. (The Children’s Theatre of Cincinnati); Alex in Madagascar Jr., Lucielle in Junie B. Jones Jr., and Sour Kangaroo in Seussical Jr. (The Summit Country Day School); Jeff/Chris/Gladys in Trip to the Moon and Jessie/Officer in Bebe LeStrange (One Acts Festival at Walnut Hills High School). EDUCATION: Walnut Hills High School (eighth grade). DANCE: Gotta Dance Studios Annual Showcase.
AUGUST WILSON (APRIL 27, 1945 – OCTOBER 2, 2005) – PLAYWRIGHT
August Wilson authored Gem of the Ocean, Joe Turner’s Come and Gone, Ma
Rainey’s Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II, and Radio Golf. These works explore the heritage and experience of African Americans, decade-by-decade, over the course of the 20th century. His plays have been produced at regional theaters across the country and all over the world, as well as on Broadway. In 2003, Mr. Wilson made his professional stage debut in his one-man show, How I Learned What I Learned. Mr. Wilson’s works garnered many awards, including Pulitzer Prizes for Fences (1987) and The Piano Lesson (1990); a Tony Award for Fences; Great Britain’s Olivier Award for Jitney; as well as eight New York Drama Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and Gone, The Piano Lesson, Two Trains Running, Seven Guitars, Jitney, and Radio Golf. Additionally, the cast recording of Ma Rainey’s Black Bottom received a 1985 Grammy Award, and Mr. Wilson received a 1995 Emmy Award nomination for his screenplay adaptation of The Piano Lesson. Mr. Wilson’s early works included the one-act plays The Janitor, Recycle, The Coldest Day of the Year, Malcolm X, and The Homecoming, and the musical satire Black Bart and the Sacred Hills. Mr. Wilson received many fellowships and awards, including Rockefeller and Guggenheim Fellowships in Playwriting, the Whiting Writers’ Award, and the 2003 Heinz Award. He was awarded a 1999 National Humanities Medal by the President of the United States and received numerous honorary degrees from colleges and universities, as well as the only high school diploma ever issued by the Carnegie Library of Pittsburgh. He was an alumnus of New Dramatists, a member of the American Academy of Arts and Sciences, a 1995 inductee into the American Academy of Arts and Letters, and on October 16, 2005, Broadway renamed the theater located at 245 West 52nd Street the August Wilson Theatre. Additionally, Mr. Wilson was posthumously inducted into the Theater Hall of Fame in 2007. Mr. Wilson was born and raised in the Hill District of Pittsburgh, Pennsylvania, and lived in Seattle, Washington, at the time of his death. He is survived by his two daughters, Sakina Ansari and Azula Carmen Wilson, and his wife, costume designer Constanza Romero.
LOU BELLAMY – DIRECTOR
Lou is the founder and Artistic Director Emeritus of Penumbra Theatre Company in Saint Paul, Minnesota. During his forty-year tenure, Penumbra has evolved into one of America’s premier theaters dedicated to dramatic exploration of the African American experience. Under his leadership, Penumbra has grown to be the largest theater of its kind in America and has produced 44 world premieres, including August Wilson’s first professional production. Penumbra is proud to have produced more of Mr. Wilson’s plays than any other theater in the world. Lou is an OBIE Award-winning director, an accomplished actor, and for 38 years was appointed as Associate Professor at the University of Minnesota in the Department of Theatre Arts and Dance. Directing credits include plays at Arizona Theatre Company, Denver Center for the Performing Arts, Penumbra Theatre, Signature Theatre, Oregon Shakespeare Festival, Cleveland Play House, Indiana Repertory Theatre, Guthrie Theater, The Kennedy Center, and Hartford Stage..
AUGUST WILSON’S THE PIANO LESSON
VICKI SMITH (SHE/HER)– SET DESIGNER
CINCINNATI PLAYHOUSE IN THE PARK: Low Down Dirty Blues, Hank Williams: Lost Highway, Always… Patsy Kline, Appalachian Strings, and Rough Crossing. REGIONAL THEATRE: Denver Center (1998 Tony Award winner), Children’s Theatre Company (Minneapolis, Minn.), KC Rep, Arizona Theatre Company, Cleveland Play House, Penumbra Theatre, Seattle Rep, Actors Theatre of Louisville, Repertory Theatre of St. Louis, Geva Theatre, Milwaukee Rep, Dallas Theater Center, Alabama Shakespeare Festival, ACT Theater (Seattle), Oregon Shakespeare Festival, Pittsburgh Public Theater, Alley Theatre, and Berkeley Repertory Theatre, among others. OPERA: Minnesota Opera and Anchorage Opera. AFFILLIATIONS/AWARDS: Associate designer at ACT (San Francisco) from 1980-83. Member of United Scenic Artists Local 829, Bay Area Critics Award for Kite Runner and Execution of Justice, a Drama Logue award for Cyrano, Colorado Theatre Guild and Denver Ovation Awards for Mariela in the Desert, I’m Not Rappaport, and Pierre, which was selected for the Prague Quadrennial Design Exposition 2007.
MATHEW J. LeFEBVRE (HE/HIM) – COSTUME DESIGNER
CINCINNATI PLAYHOUSE IN THE PARK: Treasure Island and Sherlock Holmes and the Suicide Club. OFF-BROADWAY: Bach at Leipzig (New York Theatre Workshop) and Two Trains Running (Signature Theatre). REGIONAL THEATRE: Guthrie Theater (over 25 productions since 1998), Penumbra Theatre (over 25 productions since 2000), Geffen Playhouse, Indiana Repertory Theatre, Arizona Theatre Company, KC Rep, Milwaukee Rep, The Children’s Theatre Company, Asolo Repertory Theatre, Arkansas Repertory Theatre, and Mixed Blood Theatre. OPERA: Minnesota Opera and Seattle Opera. FILM/TELEVISION: The Girls at the Painted Bird and FAWK Sketch Comedy (Pilot). TEACHING: University of Minnesota Twin Cities Professor of Costume Design. AFFILIATIONS/AWARDS: 2014-2015 McKnight Theatre Artist Fellowship, 2012 TDF-Irene Sharaff Award, and a 2015 Ivey Award. WEBSITE: mathewjlefebvre.com. INSTAGRAM: @mathewj.lefebvre.
DON DARNUTZER (HE/HIM) – LIGHTING DESIGNER
CINCINNATI PLAYHOUSE IN THE PARK: Appalachian Strings, Love Janis, Hank Williams: Lost Highway, and Low Down Dirty Blues. BROADWAY: It Ain’t Nothin’ But The Blues. OFF-BROADWAY: Hank Williams: Lost Highway, The Immigrant, and Almost Heaven: John Denver’s America. REGIONAL THEATRE: Guthrie Theater, Arizona Theatre Company, Seattle Rep, Milwaukee Rep, The Shakespeare Theatre, American Conservatory Theatre, Oregon Shakespeare Festival, Penumbra Theatre, Indiana Repertory Theatre, Cleveland Play House, Actors Theatre of Louisville, Alley Theatre, Denver Center, Geva Theatre, KC Rep, Alabama Shakespeare Festival, Children’s Theatre Company, Portland Center Stage, and the Kennedy Center. OPERA: Portland Opera, Florentine Opera, Chautauqua Opera, New Orleans Opera, Palm Beach Opera, Atlanta Opera, Florida Grand Opera, Minnesota Opera, Opera Grand Rapids, Opera Omaha, Central City Opera, and Israeli Opera. AFFILIATIONS: Member of United Scenic Artists Local 829 and the International Alliance of Technical Stage Employees Local 251.
AUGUST WILSON’S THE PIANO LESSON
SCOTT W. EDWARDS – SOUND DESIGNER
CINCINNATI PLAYHOUSE IN THE PARK: Debut. REGIONAL THEATRE: Guthrie Theater (Resident Sound Designer for 21 years designing over 200 productions), Mixed Blood Theatre, Children’s Theatre Company, Penumbra Theatre, The Jungle Theater, South Coast Repertory, San Jose Repertory Theatre, Seattle Rep, and Arena Stage. INTERNATIONAL: Mark Rylance’s and Louis Jenkins’ Nice Fish (London’s West End). AWARDS: 2018–19 McKnight Theater Artist Fellow; San Francisco Bay Area Theatre Critics Circle Award for The Kite Runner (San Jose Repertory Theatre); Minneapolis Star Tribune’s Outstanding Sound Designer for the Guthrie’s Pride and Prejudice and The Pirates of Penzance; and Helen Hayes Award nomination for You Can’t Take It With You (Arena Stage).
DENNIS W. SPEARS – ASSOCIATE DIRECTOR
AFFILIATIONS: Director of Legends Music Series at Capri Theater in Minneapolis and Penumbra Theatre company member. Tours nationally and internationally as jazz vocalist with vocal jazz group Moore by Four. AWARDS: Inducted into the Minnesota Music Hall of Fame as a solo artist and with Moore by Four. Ivey Award for Excellence in Acting for his portrayal of Nat King Cole.
JONATHAN HETLER – CASTING DIRECTOR
CINCINNATI PLAYHOUSE IN THE PARK: Mrs. Christie, The Chosen, and Seven Guitars. REGIONAL THEATRE: Milwaukee Rep: Artistic Producer and Resident Casting Director with over 30 productions including McNeal, The Coast Starlight, and Come From Away; with world premieres including The Craic, Prelude to a Kiss: A Musical, Parental Advisory, Run Bambi Run, and The Heart Sellers. REGIONAL THEATRE: Nina Simone: Four Women (KC Rep) and Little Women (Seattle Rep). EDUCATION: MFA in Directing from Ohio University and an MBA from Regent University. AFFILIATIONS: Casting Society (CSA) and Associate Member of Society of Directors and Choreographers (SDC). WEBSITE: hetlerj.com. INSTAGRAM: @hetlerj.
BRANDON T. HOLMES (HE/HIM) – STAGE MANAGER
CINCINNATI PLAYHOUSE IN THE PARK: Mary’s Wedding, A Christmas Carol, Mythic, Primary Trust, Stew, Clyde’s, Shane, The Chinese Lady, The Lion, Steel Magnolias,and The West End. REGIONAL THEATRE: The Hot Wing King (Denver Center), Joseph and the Amazing Technicolor Dreamcoat, 42nd Street, Jersey Boys, Fiddler on The Roof, Memphis, The Sound of Music, Chicago, Disney’s The Little Mermaid, Legally Blonde, West Side Story, Newsies (The Lexington Theatre Company); Fun Home, The Mountaintop, Hedwig and the Angry Inch, An Iliad, Grounded, Violet, Pipeline, The Humans, Skeleton Crew, and Hands on a Hardbody (Ensemble Theatre Cincinnati); Hello, Dolly!, The Drowsy Chaperone,and Side By Side by Sondheim (LOOK Musical Theatre); Golden: MTWichita at 50, Sunset Boulevard, Xanadu, Miss Saigon, Gypsy, The Producers, Big River,and Les Misérables (Music Theatre Wichita). WORKSHOPS: LET. HER. RIP. and Night of the Living Dead (Cincinnati Shakespeare Company); Teddy Bear Mountain and When We Vote (Cleveland Play House). AFFILIATIONS: Proud member of the Actors’ Equity Association.
AUGUST WILSON’S THE PIANO LESSON
ANDREA L. SHELL (SHE/HER) – SECOND STAGE MANAGER
CINCINNATI PLAYHOUSE IN THE PARK: More than 100 productions, including 25 world premieres. FAVORITES: Mrs. Christie, Mythic; A Christmas Carol (20062021); Rutka; Dial M for Murder; Dracula; A Chorus Line; Murder on the Orient Express; School Girls; Or, The African Mean Girls Play; Rooted; Alias Grace; The Last Wide Open; Treasure Island; Mr. Joy; Jane Eyre; Bad Dates; The Revolutionists; I Loved, I Lost, I Made Spaghetti; Merrily We Roll Along; As You Like It; Behind the Eye; The Understudy; Blackbird; Durango; Around the World in 80 Days; Altar Boyz; Smoke on the Mountain Homecoming; Reckless; Ace; The Clean House; A Picasso; One; Abracadabra; The Bible … (abridged); and Dark Paradise. CINCINNATI: Ensemble Theatre and Cincinnati Ballet. REGIONAL THEATRE: The Old Globe, Dallas Theater Center, Alliance Theatre, The Second City, and Ingenuity Festival of Cleveland. AFFILIATIONS: Adjunct faculty for Xavier University’s Theatre Program, contributor for Dramatics. org, and a proud member of Actors’ Equity Association.
MILWAUKEE REPERTORY THEATER – CO-PRODUCER
Milwaukee Rep is the largest performing arts organization in Wisconsin. Its new artistic home, the Associated Bank Theater Center, opened Fall 2025 with three unique performance venues. For over seven decades, Milwaukee Rep has been a centerpiece of Milwaukee’s vibrant arts and cultural scene with productions ranging from Broadway musicals to Shakespeare to American Classics and New Works that are entertaining, inclusive, and impactful. Under the leadership of Artistic Director Mark Clements and Executive Director Chad Bauman, Milwaukee Rep ignites positive change in the cultural, social, and economic vitality of its community by creating worldclass theater experiences that entertain, provoke, and inspire meaningful dialogue among an audience representative of Milwaukee’s rich diversity. Visit www.MilwaukeeRep.com.
ADDITIONAL PRODUCTION STAFF
Intimacy Greg Geffrard
Fight Captain La’Tevin Alexander
Assistant Director Genysia Brown
Casting Associate María Amenábar Farias
2025-26 LEADING LADIES
PROGRAM CO-CHAIRS
Lucy Broderick
Jenny Powell GRANDE DAMES
Mei Mei Burr
Karen Carnahan
Kelly Dehan
Vickie Buyniski Gluckman
Karlee L. Hilliard
Judy Kenniston
Kelly Lyle
Danute Miskinis
Mary Woode Morton
Linda Muth
Rosemary Schlachter
Marty Thaler
Catharina Toltzis, Ph.D.
DIVAS
Janet G. Banks
Randal Bloch
Beth Canarie
Amelia Crutcher
Denise M. EstevesHicks
Susan Cutler Harris
Louise Head
Patti Heldman
Betsy Hendy
Susan Ingmire
Arlene Katz
Molly Katz
Margo Kirstein
Madelynn Matlock
Patti Myers
Karen Neyer
Jenny Powell
Betty Prince
Digi France Schueler
Patricia J. Wagner
Jane Hooper
Welling
Ronna K. Willis
STARLETS
Shakila T. Ahmad
Janice Amatulli
Susan S. Anthony
Athena AvgoustiBauer
Molly R. Barber
Jan Bartel
Mary Ann Bell
Sue K. Blaney
Linda D. Brink
Lisa Broun
Jacklyn Bryson
Carol Campbell
Nancy B. Carrothers
Janet Castellini
Fran Christensen
Mary Ellen Cody
Virginia Copley
Susan Cranley
When amazing women come together, great things happen! Thank you to these 2025-26 season Leading Ladies. This list recognizes members as of February 13, 2026. Your Leading Ladies membership gives you a backstage pass to four exciting events. Meet the incredible professionals who bring world-class theatre to life, and attend a special dress rehearsal of a Playhouse Show next season – sponsored by the Leading Ladies!
more
Susan Cummings
Judy S. Dalambakis
April D. Davidow
Debora Del Valle
Marilyn Duke
Kay Eby
Joyce Elkus
Ora Forusz
Mary Anne Frey
Nancy J. Gaffney
Nancy Gollobin
Barbara Hahn
Margo Hall
Brenda Hausterman
Nirvani Head
Robin Henderson
Judy Tondi Herd
Meg Hilmer
Marty Humes
Dr. Linda M. Huntress
Diane Iseman
Anne Jaroszewicz
Sarah Raup
Johnson
Alina Khan
Zofeen Khan
Kimberly King
Rachel Kirley
Heather Krombholz
Patricia Krumm
Patricia Larsen
Lynn P. Larson
Terry Lemmerman
Donna Lilley
Glenda Lindsay
Nancy Lippincott
Sally A. Lloyd
Laurel Markley
Melisse May
Evi Banzhaf McCord
Kathy McCord
Maryanne McGowan
Joann Mead
Kathy Merchant
Audrey Korn Miller
Diane Moccia
Mary G. Moran
Joy S. Nadler
Jeannie Niebuhr
Debbie Pendl
Marcia Phillips
MaryAnn Pietromonaco
Jane Portman
Ildiko Pray
Audra Rance
Margie Rennie
Carol Holland Rentschler
Sara Repenning
Carol Reubel
Danielle Revelson
Buffie Rixey
Gigi Robison
Karina Rothzeid
Debra Ruehlman
Susan Brakers
Schertzer
Jeanne Schmerler
Anita Schneider
Renee Schuler
Carol Serrone
Debbie Renick Sims
Laura Skidmore
Martha Steier
Dr. Susan R. Strick
Glenda Suttman
Gretchen Thomas
Linda Trebbi
Dionn Tron
Susie Tweddell
Ellen G. van der Horst
Maureen Vignola
Lea A. Ward
Judy Wells
Susan Whitman
Jeannine Winkelmann
Marcie Wright
Laani A. Wuest
Mary Beth Young
Sue Zimmerman
INGENUES
Lucy Lane Broderick
Helene Herbert
Bold indicates
Leading Ladies Advocates
contact Individual Giving Manager Josh Senger at josh.senger@cincyplay.com or 513-977-2067 , or visit cincyplay.com/support/leadingladies.
women
COMMUNITY SUPPORT
CORPORATE PARTNERS
For companies looking to make a smaller investment in the Playhouse, the Corporate Partner Program is just the ticket. A gift of $1,000 or more is recognized in our show programs, provides invitations to exclusive events, and entitles your employees to receive a 20 percent online ticket discount throughout the season!
$1,000 - $3,499
Hixson Architecture Engineering Interiors Prolink
For more information about joining these individuals and organizations in support of the Playhouse, call Sneja Tomassian, Chief Philanthropy Officer, at 513977-2081.
IN-KIND CONTRIBUTORS
The Blind Lemon Canary Floral & Event Design eat well celebrations and feasts Emerge Managed Solutions, LLC Gallo
Heidelberg
Lightborne
Mt. Adams Bar and Grill
WGRR-FM
WKRC-TV, Local 12
WKRQ-FM
WOSL-FM
WRRM-FM
WUBE-FM
WVXU-FM
WXIX-TV, Fox 19
ARTISTIC DIRECTOR’S CIRCLE
Anonymous (2)
David and Traci Alexander
Peggy Barrett+
Ron Bates and Randy Lasley
Steven Bestard
Mark and Lindsay Bibler
David and Elaine Billmire
Ruth and Tom Bobenread
Neil Bortz
Thomas J. Breed
MC and Tom Brennan
Susan Brenner and Steven Mombach
Terri and John Byczkowski
Wayne and Fran Carlisle
Denise and Martin Chambers
Joan Cochran+
The Roy Cockrum Foundation
Maurice and Lela Coffey, II
James P. Conway, Jr. and Richard D. Robertson, Jr.
Jack and Virginia Copley
Richard and Teddie Curry
Nancy and Mark Dawes
Warren Dedich
Kelly Dehan and Richard Staudigel
In Honor of Jan Denton
Richard and Lisa Ernst
Sarah and Tommy Evans
Brooks and Beth Ewing
Victoria Buyniski Gluckman
Vitaly and Samantha Goldfeder
The Goldhoff Family
Madeleine H. Gordon
Chandra and Mel Gravely
Linda+ and Gary Greenberg*
Jeb and Nirvani Head
Louise Head
Fred and Patti Heldman*
Betsy and Dave+ Hendy
The David C. Herriman Fund*
Andrea and Dr. Edward Herzig
Karlee L. Hilliard
Karen and David Hoguet
The Artistic Director’s Circle (ADC) members provide inspirational annual support for productions, artists, and community programming. In recognition of their contributions, members receive exclusive behind-thescenes private events hosted by Blake Robison, Osborn Family Producing Artistic Director, featuring artists and behind-the-scenes topics from the art of theatre making. We extend our sincere gratitude to the ADC members for their generosity!
Susan Ingmire and Lynn Hailey
Diane and Carl Iseman
Bill and Mary Jane James
Paul Jennewine
Linda Busken Jergens and Andrew MacAoidh Jergens
Don and Frani Jones
Patti and Tom Keckeis*
Alina Khan
Marilyn Kinne
Bet and Dave Koeninger
Mr. and Mrs. Michael H. Kremzar
Mark and Karen Kremzar
John and Susie Lame
Asher and Kelsey Lanier
Terry Lemmerman
Jamie and Jenny Leonard
Jacqueline M. Mack and Dr. Edward B. Silberstein
Craig and Anne Maier
Dick and Sandy Manteuffel
The Markley Family
David L. Martin
Ron Matson and Daniel Young
Donna and Neal Mayerson
Barbara and Kim McCracken
Kevin and Frances McMurray
Charles and Joann Mead
Leon+ and Barb Meyer
Becky Miars
Lauren and James+ Miller
Danute M. Miskinis
Diane and Dave Moccia
Samuel Moore Jr.
David and Judith Morgan
Arthur C. Morrissey and Janet M. Hayes
Dean and Catherine Moulas
Patti Myers and Alan Flaherty
Karen and Bill Neyer*
The Marilyn J. and Jack D. Osborn Fund
Jenny and David Powell
Audra Rance
Rob and Gretchen Reifsnyder
Amy and John Rosenberg
Dianne and J. David Rosenberg
The Rosenthal Family Foundation
Jennie Rosenthal
Richard Rosenthal and Kitty Strauss Rosenthal
Margo and Sam Ross
Moe and Jack Rouse
Susan and Jeffrey Routh
The Ruehlman Family
The Robert and Adele Schiff
Family Foundation
Austin Schiff
Dr. and Mrs. Robert C. Schiff, Jr.
Mark and Rosemary Schlachter
Digi and Mike Schueler
Rhonda and Larry Sheakley
Eddie+ and Pat Sheppard
Julie and Steven J. Shifman
Betsy and Jerry Shroat
Nancy and Tim Sparks
John and Jennifer Stein
Steve and Sarah Steinman
Jennifer and Woody Taft
Robert D. Temple and Sue E. Auerbach
Marty C. Tomb
Edward Trach
Barbara and Daman Turner
Ellen and Ray van der Horst
Lawrence and Maureen Vignola
Margaret and Albert Vontz III*
Randolph Wadsworth
Barbara and Irwin Weinberg Fund*
Barbara M. Weyand
Mr. William J. Weyand
Ronna and Dr. James B. Willis
Marcie Wright
Susan and Don Zaunbrecher
*Denotes a fund of the Greater Cincinnati Foundation
+Denotes posthumous listing
List as of February 10, 2026
As of February 5, 2026
$50,000+
ANONYMOUS
THE DAVID C. HERRIMAN FUND OF GREATER CINCINNATI FOUNDATION
ROBERT AND ADELE SCHIFF FAMILY FOUNDATION
THE HAROLD C. SCHOTT FOUNDATION
$20,000 – $49,999
$10,000 – $19,999
MERUS FOUNDATION
$5,000 – $9,999
H.B., E.W. & F.R. LUTHER CHARITABLE FOUNDATION
THE WOHLGEMUTH HERSCHEDE FOUNDATION
THE SUTPHIN FAMILY FOUNDATION
$3,500 – $4,999
ANNUAL GIFTS
Thank you for your support! This list includes all gifts given to the Playhouse from January 1, 2025 to February 10, 2026, not including Endowment and Capital Campaign gifts.
VISIONARY CIRCLE
EXECUTIVE PRODUCER
($50,000+)
Anonymous ArtsWave
Rosemary H. and Frank Bloom Special Fund*
MC and Tom Brennan
Nancy and Mark Dawes
Fifth Third Bank
First Financial Bank
Linda+ and Gary Greenberg*
The Hearst Foundations
Betsy and Dave+ Hendy
The David C. Herriman Fund*
Kerry Automotive
L&L Nippert Charitable Foundation
Ohio Arts Council
The Robert and Adele Schiff Family Foundation
The Harold C. Schott Foundation
The Schueler Group
Digi and Mike Schueler
The Louise Taft Semple Foundation
The Shubert Foundation
Nancy and Tim Sparks
Ellen and Ray van der Horst
Margaret and Albert Vontz III*
PRODUCER
($30,000 - $49,999)
Eleanora C.U. Alms Trust, Fifth Third Bank, N.A., Trustee
The Estate of Peggy Barrett
The Roy Cockrum Foundation
The Charles H. Dater Foundation
Thomas J. Emery Memorial
Sarah and Tommy Evans
Ms. Karlee L. Hilliard
Huntington Bank
Terry Lemmerman
The Markley Family
Moe and Jack Rouse
Barbara M. Weyand
ARTISTIC
DIRECTOR’S CIRCLE
DIRECTOR
($10,000 - $29,999)
Anonymous
Atkins & Pearce Inc.
Bahl & Gaynor Investment Counsel
BHDP Architecture
David and Elaine Billmire
Neil Bortz
CBRE
Clark Schaefer Hackett
Estate of Barbara (Joan) Cochran
Deloitte
In Honor of Jan Denton
Dinsmore & Shohl
eat well celebrations and feasts
Emerge Managed Solutions, LLC
Ernst & Young LLP
Frost Brown Todd
The Geiler Company
Greater Cincinnati Foundation
Jeb and Nirvani Head
Heidelberg Distributing Company
Johnson Investment Counsel
Bet and Dave Koeninger
Lightborne
Jacqueline M. Mack and Dr. Edward B. Silberstein
Craig and Anne Maier
Dick and Sandy Manteuffel
Ron Matson and Daniel Young
Mr. Kim and Mrs. Barbara McCracken
Charles and Joann Mead
Merus Foundation
Millstone Fund
Diane and Dave Moccia
Samuel Moore Jr.
David and Judith Morgan
Arthur C. Morrissey and Janet M.
Hayes
Jenny and David Powell
Amy and John Rosenberg
Jennie Rosenthal
Richard Rosenthal and Kitty Strauss
Rosenthal
Roto-Rooter
The Family of Dr. Peter Ruehlman
Eddie+ and Pat Sheppard
Betsy and Jerry Shroat
John and Jennifer Stein
The Sutphin Family Foundation
Jennifer and Woody Taft
Marty C. Tomb
Towne Properties
Edward Trach
Randolph Wadsworth
Barbara and Irwin Weinberg Fund*
Western & Southern Financial Group
PLAYWRIGHT
($5,000 - $9,999)
Anonymous (2)
25th Hour
David and Traci Alexander
Ms. Henrietta Barlag+
Steven Bestard
Mark and Lindsay Bibler
Ruth and Tom Bobenread
Thomas J. Breed
Susan Brenner and Steven Mombach
Terri and John Byczkowski
Canary Floral & Event Design
Denise and Martin Chambers
Mr. Maurice and Lela Coffey, II
James P. Conway, Jr. and Richard D. Robertson, Jr.
Richard and Teddie Curry
Warren Dedich
Kelly Dehan and Richard Staudigel
Scott X. Deters
Richard and Lisa Ernst
Brooks and Beth Ewing
Victoria Buyniski Gluckman
Vitaly and Samantha Goldfeder
The Goldhoff Family
Madeleine H. Gordon
Chandra and Mel Gravely
Louise Head
Fred and Patti Heldman*
Susan Ingmire and Lynn Hailey
Diane and Carl Iseman
Bill and Mary Jane James
Paul Jennewine
Linda Busken Jergens and Andrew MacAoidh Jergens
Don and Frani Jones
Patti and Tom Keckeis
Alina Khan
Marilyn Kinne
Mark and Karen Kremzar
Mr. and Mrs. Michael H. Kremzar
John and Susie Lame
Jamie and Jenny Leonard
H.B., E.W. & F.R. Luther Charitable Foundation
David Martin
Kevin and Frances McMurray
Becky Miars
Danute Miskinis
Dean and Catherine Moulas
Patti Myers and Alan Flaherty
Karen and Bill Neyer*
Audra Rance
Rob and Gretchen Reifsnyder
Margo and Sam Ross
Susan and Jeffrey Routh*
Mark and Rosemary Schlachter
Skidmore Sales & Distributing Co., Inc.
Steve and Sarah Steinman
Robert D. Temple and Sue E. Auerbach
Lawrence and Maureen Vignola
Ronna and Dr. James B. Willis
The Wohlgemuth Herschede Foundation
Marcie Wright | Bahl & Gaynor
YourDoctor, Concierge Medicine
Susan and Don Zaunbrecher
PLAYHOUSE INSIDER’S CIRCLE
PRINCIPAL
($2,500 - $4,999)
Anonymous (3)
1919 Investment Counsel
William P. Anderson Foundation
Patricia J. Armstrong
Mr. and Mrs. Robert O. Banks
John A. Berenberg
Jeff and Pam Bernstein
Ed and Debbie Birck
Jane and Gary Booth
Peg and John Bruggeman
The Otto M. Budig Family Foundation
Jeff and Gay Bullock
Ron Bunt and Wei Sun
Bonnie and Dick Buten
David and Sara Butler
Janet and Bruce Byrnes
Candace Carson
The essential guide to living your best life here. The city’s most respected and award-winning magazine, highlighting the region’s most interesting people, cultural issues, food, arts, fashion, and history.
ANNUAL GIFTS
Jennifer and Robert S. Castellini
Judge Jim Cissell
Dr. and Mrs. Robert H. Collins
Marjorie Compton
Kassy and Jeff Corken
The Crawford Family Foundation
Amelia and Thomas Crutcher
Marjorie Davis*
Allison and Rick Edwards
Clifford Goosmann and Andrea Wilson
Goret Family Foundation
David and Sheryl Harris
Grace and Brian Hill
Karen and David Hoguet
Ellen and Garrett Jackson*
Sylvia Johnson
Dr. Robert Keith and Kathleen Thornton-Keith
Marvin Kolodzik
Asher and Kelsey Lanier
John C. Ludy
Kay Lynch and Chuck Beckman
Ms. Margaret E. Mathile
Raymond and Madelynn Matlock
Kathryn Merchant
Kit and Jack Overbeck
Judy and Thomas Oxman
Tom and Linda Palmer
Stuart and Ildiko Pray
Betty L. Prince
Prudential - Matching Fund
Jeff and Lori Raser
Mitch and Karen Rashkin
Ladislas and Vilma Segoe Family Foundation
Kathy Shell and Joetta Prost
Julie and Steven J. Shifman
Mu Sinclaire and the Sinclaire Family Foundation
Rick and Cathy Slack
Sandra and Henry Spitz
Steiner Family Foundation
Joseph B. Steiner
Dr. Susan R. Strick
Ms. Marie H. Sweeney
Thembi Speaks LLC
Wells Fargo Advisors
Mark and Susan Whitman
Jo Ann Wieghaus
ENSEMBLE
($1,500 - $2,499)
Anonymous (3)
Ms. Kathryn Allred Al-Lamadani
Gordon Allen and Linda Baas
Americana Arts Foundation
James Anthony and Sarah Corathers
Eric and Brenda Armstrong Family Fund*
John and Kathy Bachman
Dave and Gale Beckett
Doug and Mary Ann Bell
Kenneth W. and Dawn H. Bertsche
Rick, Selena, James, and Justin
Bowling
Jacklyn and Gary Bryson
Eric Burgmann and Linda Vaccariello
Mei Mei Burr
Karen L. Carnahan
Rosalind Chaiken
Julie and Larry Chandler
Burton and Susan+ Closson
Carol C. Cole
Anne Dagenbach
Florence and Tom DeWitt
Mr. and Mrs. Robert Dorward
Tim and Tina DuMont*
Kay and Rich Eby
Ms. Judy Ellis
Matthew Feldman and Julie Baker
Mr. and Mrs. John Freeman
Paul and Nancy Gaffney
Donn Goebel and Cathy McLeod
Eleanor and Richard Goering
Peggy L. Golden and Kerry J. Klumpe
Carl and Joyce Greber
Ms. Melissa Greenberg
Chris and Janet Gunn
Irmgard and Horst Hehmann
James and Susan Herman
Sherrie and Fred Heyse
Sue and William W. Hill III
Hixson Architecture, Engineering, Interiors
Noel and Karen Hofmann
Linda R. Holthaus
Timothy and Julie Driehaus Horton
Carolyn and Michael Hoyt
Mr. and Mrs. Geoffrey Keenan
H. Arleene Keller
Robert A. and Marian K. Kennedy Charitable Trust
Judith and Ken Kenniston
Mark and Nancy Kleespies
Pat and Randy Krumm
Mark and Kymberly Kuenning
Jo Ann and George Kurz
Dr. John Larkin
Susan J. Lauf
Mr. and Mrs. Robert L. Lawrence
Dr. Carol P. Leslie
Phillip C. Long
Kelly Lyle
Dr. Thomas and Jean Macejko
Mr. Roy A. Mitchell
Terry and Jannelle Moore
Mary Woode Morton
Munich Reinsurance America, Inc.
Linda R. Muth
Carl Parrott and Molly Katz Fund*
Phillips Family Fund*
Prolink
Robert and Connie Reed
Dr. Robert Rhoad and Kitsa Tassian Rhoad
Charles Scott Riley III Foundation
Mr. Richard H. Russell
David Savage
Pat and Paul Schlecht
Roger and Glenda Schorr*
Ivan and Karen Silverman
Elizabeth C. B. and Paul G.+ Sittenfeld
Mr. and Mrs. Stephen Smith
Steven Smith and David Vanderpool
Susan and David Smith
Mary Stagaman and Ron Kull
John and Merrie Stillpass
Tom and Keri Tami
Marty Thaler and Don Helcher
Catharina Toltzis Ph.D.
Robert Trusty
Gloria Uziel and Patrick Shea, M.D.
Christopher and Nancy Virgulak
Mary Ann and Ted Weiss
Jane Hooper Welling
Willow Hill Foundation
Anthony and Sally Woodward
Brian Yangyuen and Shawn Tubb
ANNUAL FUND
BENEFACTOR
($750 - $1,499)
Anonymous (6)
Liz and Hank Alexander
Alpaugh Foundation
Mr. and Mrs. Peter A. Alpaugh
Bruce and Helene Ault
Bank of America
Michael and Shelia Becker
Miss Martha L. Bell
Judith and Louis Belli
Kit Berger
John Berninger
Randal and Peter Bloch
Sandra Bolek
Mr. and Mrs. Ken Borisch
Linda D. Brink
Charlotte Brooks
David and Marybeth Brothers
Ms. Lisa Broun
Dr. Jane Brown and Mr. Paul Beck
Beth Canarie
Mr. Rick Coffey
Mr. and Mrs. Scott Cruse
Judy S. Dalambakis
The Daley Family Foundation
Mark Dauner
Michelle de la Vega
Kathryn Dierckes
Michael and Kathleen Doherty
Thomas Donnelly
William G. Dorward III
Timothy Douglas
Emilie and David Dressler Fund*
Saralou and Dave Durham
Sharon and Bill Emeigh
Ron and Kathleen Emery
Denise M. Esteves-Hicks
Michael Federle
Grayson and Sarah Fitzhugh
Mary and Bob Fitzpatrick
Dr. and Mrs. Bernard Foster
Missy and Brian J. Fox
Gregrick A. Frey
Sharon Freyhof
Edward Gemperle
Mr. and Mrs. Howard Gerber
Richard and Kathleen Glaser
Ham and Ellie Hamilton
Susan Cutler Harris
Teri and Mike Haught
Wendy Hill
Dr. Carol Hubbard
Maite Iraolagoitia
Nathan and Vanessa Jenkin
Mark and Sarah Johnson
James and Brenda Jones
Peter and Sandy Keiser
Rosalynd Kendall
Margo and Elliott Kirstein
Larry and Kathleen Kissel
Mary Kay Koehler and Heather Apple
Kathleen B. Krug*
Mr. and Mrs. John LaMacchia
Cheryl Harden Love
ANNUAL GIFTS
Mark K. Mandell-Brown MD
Ellen and Ward Maresca
Hope Earls McSwigan
Richard I. Michelman and Karen E. Meyer
Jill and Bruce Mitchell
Jim and Eileen Moon
Janet Mott
Michael Nordlund and Lisa Lee
Melissa and John Panzeca
Parsifal
Diane and Jeff Pfaff
Mr. and Mrs. Don Popelar
Leo and Sarah Pulte
Gerald D. Rape
Alison and Rob Rice
Mr. and Mrs. Gates T. Richards
Ridgeway Foundation
Ellen Rieveschl
Jim Rubenstein and Bernadette Unger
Josie Russo
Ann Saluke and Don Yelton
Mark and Jan Rosenbaum Sass
Glenn and Kitty Schaaf
Martha and Lee Schimberg*
Michael and Jeanne Schmerler
Charles and Alice Schneider
Carol J. Schroeder
Linda Sears
Ms. Connie Sheets
John L. Shields
Mr. and Mrs. Irwin Simon
Adrienne Angst Smith
Jeffery and Nancy Stambough
Steelcase Foundation - Matching Fund
Stephanie and Joseph Stitt
Elizabeth A. Stone*
Logan and Donna Stone
Sara and Gunther Storjohann
Carol Striker
Gordon and Mary-Anne Thompson
Sneja H. Tomassian
Susan and James Troutt
UBS Financial Services Inc.
Catherine Valentine
Patricia J. Wagner
Dan Walker and Lisa Capurro
Julia Wesselkamper and Julian Johnson
Steve and Patty Wilken
Carol and Rich Wilson
Jeannine and John Winkelmann
SUPPORTER ($300 - $749)
Anonymous (20)
James Abend
Marjorie and Steven Adler
Shakila T. Ahmad
Janice Amatulli
Susan S. Anthony
Elizabeth C. Armitage
Attiyah Community Team
Athena Avgousti-Bauer
Molly R. Barber
Jan Bartel
Bradley R. Bevington
Mr. Thomas E. Blackburn
Sue K. Blaney
Katy Bodenburg
Lisa and Richard Boehne
Phyllis Bossin and Robert Strauss
Mark Bowen
David Brashear
Lucy Lane Broderick
Barbara and Neal Bronson
Dr. Daniel T. Brown, DDS and Mr.
Mark Haggard
Douglas and Carol Burks
Jack and Marti Butz
John and Diane Byrne
Carol Campbell
Nancy B. Carrothers
Janet Castellini
Jo-Ann Casuto
Deborah Chamberlain
Christine Christen
Fran Christensen
Mary Ellen Cody
Douglas and Sarah Coons
Mr. and Mrs. Roy Cotcamp
Robin Cotton and Cindi Fitton
Mrs. Martha S. Crafts
Susan Cranley
Mr. Guy Crocetti
David Crotty and Joan Von Handorf
Jean and John Croxton
Susan Cummings
April D. Davidow
Mr. Frank Davis
Debora Del Valle
Marilyn J. Derfus
Jeffrey and Sharon DeRossette
Diamond/Wolf Family
Dr. and Mrs. Walter E. Donnelly, Jr.
Marilyn Duke
Diane and Steve Dumbauld
Bob and Kitty Dunn
John and Liz Dye
Leslie R. Dye, M.D.
Jon and Tara Eaton
Joyce Elkus
Dr. and Mrs. Michael Farrell
Dr. and Mrs. William Faulkner
Barbara Ann Feldmann
The Crew of the Felix Locus
Dr. Daniella Fisher
David Fleming
Ora Forusz
Patricia Fraley
Mr. and Mrs. James A. Fraser
Mary Anne Frey
Jim Friedman
General Electric
Robert Gilmore
Frank and Karen Girolami
Daniel P. Goetz and Pattie Messmer
Jim and Elaine Goldschmidt
Dr. and Mrs. Glenn S. Gollobin
Mrs. Sharon Gorman
Pank and Wendy Goulet
Philip Griggs
Marla and Gary Gross
Margaret E. Hagar
Mary and Phil Hagner
Barbara Hahn
Jan C. Hall
Margo Hall
Timothy and Barbara Haller
Joyce and Jim Hamberg
Jeff Hanna and Peggy Eberhard
Jerri and Dan Hanus
Brenda Hausterman
Christine Heatherman
Dave and Sheryl Heeter
Robin Henderson
Helene Herbert
Judy Tondi Herd
Bertie Hertz
Bernita McCann Hightower
Meg Hilmer
Dale Hodges and David F. Logan
Daniel J. Hoffheimer
Daniel and Marcia Holden
Mark and Deanna Hollon
Patricia L. Holman
Marty Humes
Dr. Linda M. Huntress
Nada Huron
Idit Isaacsohn
Charlie and Janie James
Patti and Keith James
Johnson & Johnson - Matching Fund
Marilyn S. and Robert C. Johnson
Dr. Amy Johnstone
Evelyn Jones MD
Kotagal Kant and Uma Kotagal
Dr. Toni and Rabbi Ken Kanter
Amy J. Katz
Arlene Katz
Mr. and Mrs. Thomas T. Keating
Msgr. Kurt H. Kemo
Dara M. Kendall
Zofeen Khan
Kimberly King
Rachel Kirley
Mr. and Mrs. John Kmet
Judith A. Koch
Mrs. John Krieg
Heather Krombholz
Michael and Paula+ Kunka
Mr. Edward Lanzit
Patricia Larsen
Lynn P. Larson
Bruce Lazarus and Phil Weintraub
Mary Kay Levesay
Mary Lierl
Donna Lilley
Glenda Lindsay
Nancy Lippincott
Sally A. Lloyd
Dr. and Mrs. Louis B. Louis, IV
Al Lusher
Dave and Lee MacKenzie
Mark Mallory
Charles and Jennifer Margolis
Laurel Markley
Patricia Mascaritolo
David Mason
Susan Matz
Melisse May
Evi Banzhaf McCord
Kathy McCord
Maryanne E. McGowan
Mark McKillip and Amira Beer
Mr. and Mrs. Jeffrey A. McNaul
Audrey Korn Miller
Steven and Jacqueline Miller Family Foundation
David and Martha Millett
Joel Monteith and Barbara MustoeMonteith
Jeremy and Amy Moore
Judith A. Moorman+
Mary G. Moran
Nora E. Moushey
Mark and Gayle Mueller
Scott and Barb Muhlhauser
Mr. and Mrs. W. K. Mullins
Daniel Murphy
Linnea B. Woodward Nadel
Joy S. Nadler
Jeannie Niebuhr
Andrew J. Nuckols
Bruce and Neda Nutley
Diana Oberschmidt
J. Brett Offenberger and Douglas Duckett
Ms. Monika Osborn
L. Oury
The Patel-Curran Family
Mr. and Mrs. Donald Peairs
Debbie Pendl
Alice W. Perlman
Marcia C. Philipps
David Piatt Fund*
MaryAnn Pietromonaco
Ed and Jill Plageman
Jane Portman
Phil and Susan Price
Nick Puncer and Stephen Ferguson
Michael and Nelda Purdon
Margie Rennie
Carol Holland Rentschler
Sara Repenning
Carol Reubel
Danielle Revelson
Buffie Rixey
Gigi Robison
Linda Rogowski
Linda Roomann and William Slutz
Louise and Gary Roselle
Bruce and Tina Ross
Karina Rothzeid
Jack and Mary Bob Rubenstein
Richard and Barbara Ruddy
KJ Sanchez
Susan Brakers Schertzer
Anita Schneider
Bill and Kathy Schnier
William and Sandra Selvey
Linda and Tom Senter
Ms. Janice Seymour
Debbie Renick Sims
Robert and Linda Singer
Mary Lee and Louie Sirkin
Mr. and Mrs. Doug Skidmore
Nathan and Karen Smith
Glynis and George Smulian
V. Clark Sole, Jr.
Susan and Andrew Speno
Martha Steier
Robert L. and Christine J. Steiner*
Gary and Nancy Strassel
Kendra L. Struthers
Glenda Suttman
Lora Swedberg
Dr. Alan and Shelley Tarshis
Carlos and Roberta Teran
Gretchen Thomas
Dr. Gary A. Thompson and Dr. Lisa E. Dunlap
George and Linda Toft
Torey and Tom Torre
Linda Trebbi
Dionn Tron
Susie Tweddell
Doug and Molly Tyger
Ms. Marlena Tyre
Liz and Dave Wallingford
Sarella Walton
JoAnn Ward
Lea A. Ward
Dr. and Mrs. Nelson B. Watts
Dr. and Mrs. Barry W. Webb
Pann and Terry Webb
Joyce Jones Weinkam
Judy Wells
Dr. Donald R. and Patricia R. Welti
Derek J. Wendelken
Steven and Heather Wesloh
Brendan and Julie White
Mauri J. Willis
Rev. Anne Warrington Wilson
Judy Wilson
Susan and Dean Windgassen
Anne Marie Wolfer
Daniel and Jessica Woo
Laani A. Wuest
Dr. Linda Wulff
John M. Yacher
Mary Beth Young
David and Cynthia Zink
Phil and Debbie Zorn *Denotes a fund of the Greater Cincinnati Foundation
Denotes posthumous listing
ADMINISTRATIVE AND PRODUCTION STAFF
DIRECTORS
Osborn Family Producing Artistic Director Blake Robison
Managing Director Abby Marcus
ADMINISTRATION
Executive Assistant/Board Liaison Marta Hyland
Associate Producer Suann Pollock
Company Manager A.J. Ford
Assistant Company Manager/Management Associate Remy Elton-Alexander
Director of HR, Equity and Inclusion Dawn Mundy
Finance Associate Brian Anderson
Accounting Services Clark Schaefer Hackett
Receptionist Kara Neumann
OPERATIONS
Director of Operations Bridget Siedlecki
IT Applications Specialist Scott Youger
Facilities Manager Brian Smith
DEVELOPMENT
Chief Philanthropy Officer Sneja H. Tomassian
Director of Individual Giving Kendra L. Struthers, CFRE
Individual Giving Manager Josh Senger
Grants Manager Camryn Morrow
Events Manager Brianna Meinecke
Development Data Manager Jennifer Radisch
Development Assistant Lisa Malsom
MARKETING/COMMUNICATIONS
Director of Marketing and Communications Kathy Neus
Audience Engagement Manager Piper N. Davis
Multimedia Designer Sean Martin
Digital Marketing Associate Tessa D’Errico
Marketing Data and Website Manager Jacob Krismanick
Content Marketing Producer Deja A. Shanks
Marketing Intern Mya Gibson
Photographer Mikki Schaffner
PATRON SERVICES
Patron Services Director Don Wong
Assistant Patron Services Manager Julia Hasl Miller
House Managers Joellyn Goos, Kayden Hauke, Ethan Mann
Patron Services Associate Olivia Cremisio
Patron Services Staff Haseeb Ahmad, Andrew Berninger, EJ Busby, Grace Caccavari, James Dooley, Jenny French, Michelle LaMantia, Whitney Menser, Jermia Munroe, Cyrus Newitt, Sarah O’Haver, Alexis Pinto, James Racster, Theresa Richmond, Charlie Rusk, Gina Serger, Jacqueline Smith, LaCheryl Steele, Janis Tibbs, Catherine Trichell, Monica Williams-Mitchell, Ryan Wagner, Lauren Wyatt, Kendall Young
Bar Manager Darren Cox
Bartenders Kathy Burr, Clint Collins, Justin Eckstein, Rachel Ellis, Julia Migliara, Lisa Porter, John Simpson, Niki Sherwood, Kathleen Thorman
ARTISTIC
Associate Artistic Director Joanie Schultz
Literary Manager Tatiana Godfrey
Associate Artists Wendy C. Goldberg, Karen Zacarías
