2025 – 26 SEASON
presents
LOUISA MAY ALCOTT’S LITTLE E WOMEN Adapted by LAUREN M. GUNDERSON From the novel by LOUISA MAY ALCOTT
Moe and Jack’s Place – The Rouse Theatre
MARY’S WEDDING By STEPHEN MASSICOTTE
Rosenthal Shelterhouse Theatre
Season presented by
SCHUELER GROUP and THE VONTZ FAMILY
INDEX 7 8 10 12 14 27 28 30 32 33
LOUISA MAY ALCOTT’S LITTLE WOMEN Cast Information Little Women by the Numbers Louisa May Alcott and her Family Artist Biographies MARY’S WEDDING Cast Information The Final Charge of the Canadian Cavalry The Charge of the Light Brigade Artist Biographies
ALSO INSIDE 4 A Note from Blake 24 Coming Next 22 Patron Information 36 Board of Trustees 47 Staff Listing ILLUSTRATIONS ON THE COVER AND ABOVE BY KENTON BRETT. PHOTO OF BLAKE ROBISON ON PAGE 4 BY TONY ARRASMITH/ARRASMITH AND ASSOCIATES.
STAY CONNECTED! WEBSITE: cincyplay.com @cincinnatiplayhouse @cincyplay
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A NOTE FROM BLAKE WE KICK OFF 2026 WITH TWO HEARTFELT PLAYS. The first is a new take on a beloved classic, while the second will be a lovely surprise. In Moe and Jack’s Place – The Rouse Theatre, Lauren Gunderson’s vibrant new stage adaptation of Little Women breathes fresh life into Louisa May Alcott’s cherished story. It honors the original text while exploring the creative spirit behind it. At the center of Gunderson’s version are the familiar, beloved sisters Jo, Meg, Beth, and Amy along with their mother Marmee and next-door friend Laurie. Their world — rich with sibling love, frustration, hope, and loss — remains fully intact. What distinguishes this version is Gunderson’s decision to place Louisa May Alcott on stage, transforming the story into a dual narrative: the tale of the March sisters themselves, and the work of their creator struggling to give them life. This Little Women is a tribute to storytelling itself. In the Rosenthal Shelterhouse, I’m thrilled to direct one of my favorite chamber plays — Stephen Massicotte’s Mary’s Wedding — a poetic romance that blurs the boundaries between history, memory, and dreams. The play is a love story — but not a conventional one. It follows Mary Chalmers, an English immigrant living in rural Canada, and Charlie Edwards, an earnest young man whose love for her is as pure as it is transformative. Their courtship, filled with the innocence and awkwardness of first love, unfolds against the looming backdrop of the First World War. The play moves fluidly between the prairie and the battlefield — capturing both the sweetness of young romance and the harsh realities of war. Ultimately, Mary’s Wedding is a meditation on love’s endurance and the bittersweet process of letting go. I hope you’ll join us soon for Mrs. Christie — a delightful new mystery about the real-life disappearance of Agatha Christie that runs February 28 – March 29 in the Rouse Theatre. Along the way, we will announce the upcoming 2026-27 Season too. Stay tuned! Cheers!
Blake Robison Osborn Family Producing Artistic Director 4 | 2025–2026
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CINCINNATI PLAYHOUSE IN THE PARK Blake Robison Abby Marcus
OSBORN FAMILY PRODUCING ARTISTIC DIRECTOR MANAGING DIRECTOR PRESENTS
LOUISA MAY ALCOTT’S LITTLE WOMEN LAUREN M. GUNDERSON FROM THE NOVEL BY LOUISA MAY ALCOTT ADAPTED BY
Joanie Schultz
DIRECTOR SET DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER/COMPOSER MOVEMENT DIRECTOR/INTIMACY COACH DRAMATURG
Chelsea M. Warren Lucy Wells Sarah Hughey T. Carlis Roberts Vanessa Severo Kamilah Bush
JAN. 17 – FEB. 15, 2026 MOE AND JACK’S PLACE — THE ROUSE THEATRE CO-PRODUCED WITH
PORTLAND CENTER STAGE Marissa Wolf, Artistic Director Production Sponsors
Honorary Producers
Artist Sponsor
Eddie and Pat Sheppard
Thomas J. Breed
Season presented by
Season Design Sponsor
Louisa May Alcott’s Little Women was commissioned and originally produced by City Theatre, Pittsburgh, PA; Northlight Theatre, Chicago, IL; People’s Light, Malvern, PA; and TheatreWorks, Palo Alto, CA. Louisa May Alcott’s Little Women is produced by special arrangement with THE GERSH AGENCY, 9465 WILSHIRE BLVD., SUITE 600, BEVERLY HILLS, CA 90212.
LOUISA MAY ALCOTT’S LITTLE WOMEN CAST (in speaking order) Louisa/Jo Meg Amy Beth Marmee/Aunt March Laurie John/Mr. Laurence/Mr. March/Friedrich Stage Manager Assistant Stage Managers
Beasley* Hannah Fawcett* Sammy Rat Rios* Brianna Woods* Connan Morrissey* Rocco Weyer* Kieran Cronin* Brooke Redler* Carolyn Fast*, Andrea L. Shell *
LITTLE WOMEN WILL BE PERFORMED WITH AN INTERMISSION.
This production is made possible in part by a generous gift from the Greater Cincinnati Foundation. *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and with the International Alliance of Theatrical Stage Employees-Local No. 5. The scenic, costume, lighting and sound designers in LORT Theatres are represented by United Scenic Artists, Local USA-829 of the IATSE.
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MEDIA SPONSORS
Louisa May Alcott’s Little Women
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LOUISA MAY ALCOTT’S LITTLE WOMEN LITTLE WOMEN BY THE NUMBERS
2 VOLUMES 1 PHENOMENON The original Little Women is what we now know as the first half of the book, published in 1868. Part two, originally titled Good Wives, was published in 1869 and printed separately until they were combined in 1880.
39 CHAPTERS
2,000 COPIES
6-10 WEEKS How long Alcott took to write the first volume. (The number differs by source.)
10,000 MORE
Total in most modern combined editions.
The size of the very first print run. It vanished from shelves in two weeks.
The second printing — gone almost instantly.
87,000
$6,078
$7
Sold in the first year. The sisters were officially celebrities.
Alcott’s earnings from Part I in that first year (equivalent to about $125,000 today).
COPIES
100+ PRINT EDITIONS
LANGUAGES
The March sisters speak to readers around the world — from Korea to Turkey to Brazil.
Louisa’s total earnings from the book in her lifetime, estimated in today’s dollars.
22 FILM AND TV ADAPTATIONS
A book that keeps reinventing its look, century after century.
50+
MILLION
From silent films to anime to Greta Gerwig — this story keeps getting retold.
1,000 COPIES A MONTH For over a century, Little Women has sold an average of 1,000 copies every month — a steady heartbeat of readers discovering (or rediscovering) the March sisters.
157 YEARS
IN PRINT
Since 1868, the book has never gone out of print. Not once. Not for a day. Jo March stays booked and busy.
10+ MILLION
Estimated copies of the book that have been sold since publication!
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cshco.com
LOUISA MAY ALCOTT’S LITTLE WOMEN ABOUT LOUISA MAY ALCOTT AND HER FAMILY BY KAMILAH BUSH
LOUISA MAY Born November 29, 1832, in Germantown, PA, to Amos Bronson and Abigail May Alcott, Louisa May Alcott was the second of the four Alcott daughters. She spent the majority of her life between Boston and Concord Massachusetts. Her father, a visionary educator, ran Temple School in Boston and educated his daughters, and others, in progressive ways for the time. His friends and Louisa’s teachers were notable writers like Ralph Waldo Emerson, Theodore Parker, and Henry David Thoreau. Because of Mr. Alcott’s desire to innovate, he often found himself with impractical or unreliable sources of income. For example, he founded the failed Fruitlands — a utopian community — losing a large portion of the family’s money with it. Louisa felt responsible for caring for the family in ways she thought her father incapable. At 15 she wrote: “I will do something by and by. Don’t care what, teach, sew, act, write, anything to help the family; and I’ll be rich, famous, and happy before I die, see if I won’t!” And she did — she worked several jobs as a teacher, a governess, a seamstress, and a domestic for many years before she found writing. Alcott’s early stories were penned under pseudonyms including A.M. Barnard, an intentionally genderless offering which would lead readers and publishers alike to believe that she was a man. Those stories were often lewd and violent but lucrative for the young writer. Her first book of short stories, Flower Fables, was published under her own name in 1854. In 1861, Alcott desired to join the war effort. The Alcotts were staunch abolitionists. Louisa later recounted that one of her early childhood
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memories was of a ‘Contraband’ slave, hiding in their home on their way to Canada. If she’d had her way, she’d have enlisted and fought for The Union. Instead, she sewed uniforms until she was old enough to join the Army Nurse Corps. In 1862, she joined famed nurse Dorothea Dix’s U.S. Sanitary Commission and worked in the Union Hotel Hospital in Georgetown. Alcott’s duties included cleaning wounds, feeding men, assisting with amputations, and organizing patient wards. She’d intended to serve for three months in the post but six weeks in, she contracted typhoid and was sent home. Upon her return, she wrote and published the novel Hospital Sketches based on her time with the Union Army and the letters she’d sent home to her family. Of Hospital Sketches Louisa wrote “the Sketches never made much money, but showed me ‘my style,’ and taking the hint, I went where glory awaited me.” This style — loosely
LOUISA MAY ALCOTT’S LITTLE WOMEN autobiographical, full of stories and correspondence between the Alcott family — brought her glory indeed when in 1868 her publisher encouraged her to write a “girl’s story.” In three months, Alcott wrote 402 pages that resulted in Little Women, Part I. In 1869 Alcott was able to write in her journal: “Paid up all the debts… thank the Lord!” She followed Little Women’s success with two sequels, Little Men: Life at Plumfield with Jo’s Boys (1871) and Jo’s Boys and How They Turned Out (1886). Louisa May Alcott spent the majority of the 1870s and 80s in Boston and Concord caring for her niece and namesake Lulu who had been left in her care after her sister’s death, and for her ailing parents. Her mother passed away in 1877. Eleven years later, Amos also died. Louisa lived just two days after her father’s passing. She never married or had children of her own. AMOS Louisa’s father was born in November 1799 in Wolcott, Connecticut. The son of a flax farmer, he taught himself to read and eventually became an educator. As a leader in the Transcendentalist Movement, he brought music, art, nature, and physical education into the classroom — a novel idea for education at the time. From 1859-1864, Amos served as the Superintendent of Schools in Concord, Massachusetts. He also started a summer school for adult learners that lasted for nearly a decade until his death in 1888. ABIGAIL MAY Louisa’s mother was born in October 1800 to a prominent New England family. Her great aunt, Dorothy Quincy, was married to John Hancock — the first governor of Massachusetts and noted signer of the Declaration of Independence. She devoted herself to her family and to social work — working to advance such causes as abolition, women’s rights, and temperance. One of her most famous quotes to her daughters, who she encouraged to pursue their talents and desires,
was, “Hope and keep busy.” She lived until November 1877. ANNA Louisa’s sister Anna, the inspiration for Meg, was born in March 1831. Despite her being the most traditional member of the Alcott family — eventually becoming a devoted wife and mother — she was also quite devoted to theatre. She had secret longings “to shine before the world as a great actress or Prima Donna.” She and Louisa formed the Concord Dramatic Union in 1858. There she met John Bridge Pratt and the two fell in love while playing opposite of each other in The Loan of a Lover. John died in their 10th year of marriage, leaving her behind with two young sons. She lived out the rest of her days in the house she and Louisa purchased in 1877. ELIZABETH Elizabeth, the inspiration for Beth March, was born in 1835, and like her literary counterpart, died after a complication from contracting scarlet fever. She was 22 years old. She loved kittens, playing the piano, and sewing. The descriptions of Beth in Little Women are said to be an accurate portrayal of the beloved member of the Alcott family. ABBA MAY The youngest of the Alcott daughters, Abigail (Abba) was born in 1840. Like Amy in Little Women, she was a talented visual artist. She began her art studies in Boston and after the success of Louisa’s novel, she was sent to study in London, Paris, and Rome. In 1878, after several successful art exhibitions, she met and married a Swiss businessman, Ernest Nieriker. The couple lived in a suburb of Paris, Meudon, and had one daughter named after Louisa, who they called Lulu. Just seven weeks after Lulu’s birth, Abba died, and Lulu was raised by Louisa in Concord. Kamilah Bush is the Literary Manager at Portland Center Stage and Dramaturg for this production of Louisa May Alcott’s Little Women. 2025–2026 | 13
LOUISA MAY ALCOTT’S LITTLE WOMEN BEASLEY (THEY/THEM) − LOUISA/JO CINCINNATI PLAYHOUSE IN THE PARK: Alice in the Hundred Acre Wood. CINCINNATI: Jaja’s African Hair Braiding (Ensemble Theatre); Hamlet, Amen Corner, and Much Ado About Nothing (Cincinnati Shakespeare Company); and Die Hard is a Christmas Movie (Know Theatre). REGIONAL THEATRE: A Midsummer Night’s Dream (Oklahoma Shakespeare in the Park). EDUCATION: BFA in Acting from the University of Oklahoma. INSTAGRAM: @andbeas.
KIERAN CRONIN (HE/HIM) – JOHN/MR. LAURENCE/MR. MARCH/
FRIEDRICH CINCINNATI PLAYHOUSE IN THE PARK: A Christmas Carol. CINCINNATI: King James (Know Theatre); and One Gay Wedding and Absolutely No Funerals and Strong Bear (Cincinnati Fringe Festival). REGIONAL THEATRE: Dial M for Murder, Around the World in 80 Days, Great Expectations, and Good People (TheatreSquared); and B-Side Myself (Arkansas New Play Festival). FILM/TELEVISION: Kaishaku, El Barlito, A Bad Romance, and 360 Seconds. EDUCATION: MFA from the University of Arkansas. WEBSITE: kierancronin.com. INSTAGRAM: @kcronin89.
HANNAH FAWCETT (SHE/THEY) – MEG CINCINNATI PLAYHOUSE IN THE PARK: Debut. REGIONAL THEATRE: Oregon Shakespeare Festival and Portland Center Stage. EDUCATION: BFA from Southern Oregon University. WEBSITE: hannahfawcett.com. INSTAGRAM: @hannfaw.
CONNAN MORRISSEY (SHE/HER) – MARMEE/AUNT MARCH CINCINNATI PLAYHOUSE IN THE PARK: Debut. CINCINNATI: What the Constitution Means To Me, Pipeline, and A Doll’s House, Part 2 (Ensemble Theatre). REGIONAL THEATRE: Peterborough Players, Arena Stage, Folger Shakespeare, Alabama Shakespeare Festival, Actors Theatre of Louisville, Asolo Repertory Theatre, Round House Theatre, Olney Theatre Center, Clarence Brown Theatre, PlayMakers Repertory Company, Virginia Stage Company, Capital Repertory Theatre, North Carolina Stage Company, and Vermont Stage. FILM/TELEVISION: The Mastermind. EDUCATION: MFA from the University of North Carolina at Chapel Hill. INSTAGRAM: @ Connan_Morrissey.
SAMMY RAT RIOS (THEY/SHE) – AMY CINCINNATI PLAYHOUSE IN THE PARK: Debut. REGIONAL THEATRE: Portland Center Stage, Portland Playhouse, Shaking the Tree Theatre, Pittsburgh Public Theater, River and Rail Theatre, Dallas Theater Center, and Kitchen Dog Theater. EDUCATION: BFA from Southern Methodist University, and graduate of British American Drama Academy. WEBSITE: ratrios.com. INSTAGRAM @ratrios.
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LOUISA MAY ALCOTT’S LITTLE WOMEN ROCCO WEYER (HE/HIM) – LAURIE CINCINNATI PLAYHOUSE IN THE PARK: Debut. REGIONAL THEATRE: Antipodes and Blood Wedding (Shaking the Tree Theatre), Spear (Corrib Theatre), Adopt a Sailor (21ten Theatre), and Faena (PETE presents). FILM/TELEVISION: Concorde, Cottontail, and And Then I Knew ‘Twas Wind. EDUCATION: BA from Lewis and Clark College. WEBSITE: roccoweyer.com. INSTAGRAM: @rocco_weyer.
BRIANNA WOODS (SHE/HER) – BETH/FIGHT AND DANCE CAPTAIN CINCINNATI PLAYHOUSE IN THE PARK: Debut. REGIONAL THEATRE: Godspell (Starlight Theatre Kansas City); Waitress and A Christmas Carol (Dallas Theater Center); The Color Purple, Mary’s Wedding, A Christmas Carol, A Raisin in the Sun, School Girls; Or, the African Mean Girls Play, Welcome to Fear City, and Between the Lines (KCRep); Who’s Your Baghdaddy (Unicorn Theatre); Lefty and Crabbe (The Living Room Theatre); Garfield: A Musical with Cattitude (The Coterie Theatre); Harvey and Angel Street (Kansas Classical Repertory); Spring Awakening (The Watering Hole); and Floyd Collins (Lenfest Center for the Arts). UNIVERSITY PRODUCTIONS: The Winter’s Tale, No Child, An Octoroon, and The Seagull (Southern Methodist University). EDUCATION: Master of Fine Arts in Acting from Southern Methodist University and a Bachelor of Arts from University of Kansas. AFFILIATIONS: Company member for Dallas Theater Center 2025–2026 Season. UPCOMING: Ragtime at Dallas Theater Center (as Sarah). SOCIAL MEDIA: @bri_woods21 (Instagram) and @h_bri_o (TikTok). LAUREN M. GUNDERSON (SHE/HER) – PLAYWRIGHT Lauren is one of the most produced playwrights in America since 2015, topping the list four times including 2025/26. She is a two-time winner of the Steinberg/ ATCA New Play Award for I and You and The Book of Will, the William Inge Distinguished Achievement in Theater Award, the Lanford Wilson Award, and the Otis Guernsey New Voices Award. She studied Southern Literature and Drama at Emory University, and Dramatic Writing at NYU’s Tisch School where she was a Reynolds Fellow in Social Entrepreneurship. She co-authored the Miss Bennet Trilogy with Margot Melcon. She is the book writer for musicals with Dave Stewart and Joss Stone (The Time Traveler’s Wife), Ari Afsar (Jeannette and I and You), Joriah Kwamé (Lady M), Kira Stone (Built for This) and Kait Kerrigan and Bree Lowdermilk (Justice and Earthrise). She is a former board member of The Playwrights Foundation, and a member of the Aspen Institute Science and Society cohort, and hosts the podcast How to Playwright. LaurenGunderson.com.
JOANIE SCHULTZ (SHE/HER) – DIRECTOR CINCINNATI PLAYHOUSE IN THE PARK: Associate Artistic Director and directed Birthday Candles, Dracula (co-directed), Origin Story, Frida…A Self Portrait, and Vietgone. REGIONAL THEATRE: Quantum Theatre, Everyman Theatre, GEVA Theatre Center, Kansas City Repertory Theatre, Studio Theatre, Portland Center Stage, Cleveland Play House, Goodman Theatre, Steppenwolf Theatre Company, and Philadelphia Theatre Company. AFFILIATIONS/AWARDS: Previously Artistic Director of WaterTower Theatre in Texas and Associate Artistic Producer at Victory Gardens Theater, as part of the Leadership U One-on-One Fellowship funded by The Andrew W. Mellon 16 | 2025–2026
LOUISA MAY ALCOTT’S LITTLE WOMEN Foundation administered through the Theatre Communications Group; Drama League Fellow; Goodman Theatre Michael Maggio Director Fellow; SDSF Denham Fellow; and a member of the Lincoln Center Theatre Directors Lab. EDUCATION: Northwestern University (MFA in Directing) and Columbia College Chicago (BA in Directing). WEBSITE: joanieschultz.com.
CHELSEA M. WARREN (SHE/HER) – SET DESIGNER CINCINNATI PLAYHOUSE IN THE PARK: Vietgone and Origin Story. REGIONAL THEATRE: Steppenwolf Theatre Company, Pittsburgh Public Theater, Everyman Theatre, Studio Theatre, Cleveland Play House, Steep Theatre, City Theatre, Victory Gardens Theater, Philadelphia Theatre Company, Jungle Theater, Quantum Theatre, and Penumbra Theatre. AFFILIATIONS: Co-Chair of the USA 829 Scenic Design Category Committee and Ensemble Member at Steep Theatre. EDUCATION/TEACHING: MFA from Northwestern University and Associate Professor of Scenic Design at Carnegie Mellon University. WEBSITE: chelseamwarren.com. INSTAGRAM: @chelseamwarren.
LUCY WELLS (THEY/SHE) – COSTUME DESIGNER CINCINNATI PLAYHOUSE IN THE PARK: Debut. REGIONAL THEATRE: Louisa May Alcott’s Little Women, Primary Trust, Chris Grace: As Scarlett Johansson, Mrs. Harrison, Sweeney Todd: The Demon Barber of Fleet Street, HAIR, and tick, tick... BOOM! (Portland Center Stage); She Persisted, The Musical (Oregon Children’s Theatre); I’m Black When I’m Singing, I’m Blue When I Ain’t and Middletown Mall (Third Rail Repertory Theatre). OPERA: Dark Sisters (OrpheusPDX). EDUCATION: BFA from the University of Southern Mississippi. AFFILIATIONS: Member of IATSE Local 154. WEBSITE: lucywellscostumes.com. INSTAGRAM: @pantyraidpunk.
SARAH HUGHEY – LIGHTING DESIGNER CINCINNATI PLAYHOUSE IN THE PARK: Debut. REGIONAL THEATRE: Portland Center Stage, Oregon Shakespeare Festival, PlayMakers Repertory Company, Repertory Theatre of St. Louis, Asolo Repertory Theatre, Guthrie Theater, City Theatre Company, KC Rep, Lookingglass Theatre, Steppenwolf Theatre, Writers Theatre, Northlight Theatre, and Court Theatre. EDUCATION: MFA from Northwestern University. T. CARLIS ROBERTS (HE/HIM) – SOUND DESIGNER/COMPOSER CINCINNATI PLAYHOUSE IN THE PARK: Origin Story. REGIONAL THEATRE: Steppenwolf Theatre Company, La Jolla Playhouse, Oregon Shakespeare Festival, Woolly Mammoth Theatre Company, Denver Center, Portland Center Stage, Repertory Theatre of St. Louis, California Shakespeare Theater, Ragged Wing Ensemble, San Jose Repertory Theatre, Everyman Theatre, Teatro Luna, Next Theatre Company, Steep Theatre, About Face Theatre, Chicago Dramatists, LaMicro Theater, Cape Fear Regional Theatre, TimeLine Theatre, and American Theater Company. FILM/TELEVISION: Vida (Starz/Lionsgate) and The Cymbeline Project (O! Digital Stage). EDUCATION/TEACHING: PhD from Northwestern University; former Associate Professor at University of California, Berkeley; and current faculty member at University of Denver. AFFILIATIONS: BMI, Dramatists Guild of America, Society of Composers and Lyricists, and 2025–2026 | 17
LOUISA MAY ALCOTT’S LITTLE WOMEN Spiritual Technologies Project. AWARDS/FELLOWSHIPS: Grammy nomination, Young-Howze Theatre Award, New Harmony Project, FORGE NYC, Orchard Project, UNTITLED Musical Writers Group, Ford Foundation, Nathan Cummings Foundation, and Surdna Foundation. WEBSITE: tcarlisroberts.com. INSTAGRAM: @bamtamerson.
VANESSA SEVERO– MOVEMENT DIRECTOR/INTIMACY COACH CINCINNATI PLAYHOUSE IN THE PARK: Frida…A Self Portrait, Shane, and Dracula. REGIONAL THEATRE: A Christmas Carol, Once, and Dracula (KCRep); Shane (Guthrie Theater, Dallas Theater Center, Oregon Shakespeare Festival); Frida...A Self Portrait (Writer’s Theatre, Indiana Repertory Theatre, Pittsburgh Public Theater, GEVA Theatre, Portland Center Stage, KC Rep); Equus, Milking Christmas, and The Death of Cupid (The Living Room Theater); Rubik, Children of Eden, and Icarus Flew (Spinning Tree Theatre); and What’s Your Warrior (US ARMY National). PLAYWRIGHT: Dracula, Rubik, and Frida...A Self Portrait. AFFILIATIONS/AWARDS: Recipient of the 11th Round of the Fox Foundation Resident Actor Fellowships 2017; 2025 Joseph Jefferson Nomination for Best Solo Play; 2024 NEA New Work Grant Recipient for Rubik; 2020 Kilroys List for Frida...A Self Portrait; 2021 Artist in Residence for City of Carlsbad, California; and 2025 Artist in Residence city of Peoria, Ariz. Certified in Suzuki Method and Viewpoints under the instruction of Ellen Lauren of the SITI company. AEA Member. SDC member. WEBSITE: VanessaSevero.com.
KAMILAH BUSH (SHE/HER) – DRAMATURG REGIONAL THEATRE: Portland Center Stage, Two River Theater, Asolo Repertory Theatre, and Triad Theater. Kamilah is a Playwright, Dramaturg, and Literary Manager.
BROOKE REDLER (SHE/HER) – STAGE MANAGER CINCINNATI PLAYHOUSE IN THE PARK: Mr. Parent, The Chosen, A Christmas Carol, Frida. . . A Self Portrait, Destiny of Desire, 2 Pianos 4 Hands, Once on This Island, In The Heights, Million Dollar Quartet, and Native Gardens. CINCINNATI: Cincinnati Opera. OFF-BROADWAY: Breathing Time, The Faire, and From White Plains (Fault Line Theatre). REGIONAL THEATRE: Cat on a Hot Tin Roof (Denver Center); Hair: Retrospection, Still- water, The Whipping Man, August: Osage County, Cabaret and five seasons of A Christmas Carol (Kansas City Repertory Theatre); Peter and the Starcatcher (Utah Shakespeare Festival); Vanya and Sonya and Masha and Spike (Center Stage Baltimore); The Drowsy Chaperone and Is He Dead? (Creede Repertory Theatre); Hairspray and The Sound Of Music (Starlight Theatre); Stages St. Louis and Heart Of America Shakespeare Festival. OTHER OPERA: Opera Long Beach and Santa Fe Opera. AFFILIATIONS: Lead Producer of The Over The Rhine International Film Festival.
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LAND ACKNOWLEDGEMENT Ohio, whose name originates from the Iroquoian word ohi-yo, meaning good rivers, is a testament to the deep connection between the land and the Indigenous peoples who have inhabited it for centuries. The Cincinnati region is ancestral land of many Nations, and Indigenous people are still here today. As a step toward honoring the truth and achieving healing and reconciliation with Indigenous peoples, we recognize and honor the enduring connection these Nations have to this territory. May we reflect on our commitment to understanding, preserving, and celebrating the rich culture of Native Indigenous communities who have shaped and continue to contribute to these lands.
WHAT IS A LAND ACKNOWLEDGMENT? It is the recognition of the Native Americans/First Nations/Indigenous Peoples who cared for these lands prior to removal. Our statement was created with guidance from our partners at the Urban Native Collective. For more information, visit urbannativecollective.org.
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LOUISA MAY ALCOTT’S LITTLE WOMEN CAROLYN FAST – ASSISTANT STAGE MANAGER CINCINNATI PLAYHOUSE IN THE PARK: The Book Club Play, Dial M for Murder (Assistant Stage Manager), Rutka (Props Crew), and A Christmas Carol (Props and Wardrobe crews). CINCINNATI: Cincinnati Shakespeare Company (Resident Stage Manager for 35 productions). REGIONAL THEATRE: Creede Repertory Theatre, Shakespeare Theatre of New Jersey, The Human Race Theatre Company, Northern Stage, Peterborough Players, Utah Shakespeare Festival, Alabama Shakespeare Festival, Quintessence Theatre Group, and Hope Repertory Theatre. AFFILIATIONS: Central Region At Large Councilor for Actors’ Equity Association.
ANDREA L. SHELL (SHE/HER) – ASSISTANT STAGE MANAGER CINCINNATI PLAYHOUSE IN THE PARK: More than 100 productions, including 25 world premieres. FAVORITES: Mythic; A Christmas Carol(2006-2021); Rutka; Dial M for Murder; Dracula; A Chorus Line; Murder on the Orient Express; School Girls; Or, The African Mean Girls Play; Rooted; Alias Grace; The Last Wide Open; Treasure Island; Mr. Joy; Jane Eyre; Bad Dates; The Revolutionists; I Loved, I Lost, I Made Spaghetti; Merrily We Roll Along; As You Like It; Behind the Eye; The Understudy; Blackbird; Durango; Around the World in 80 Days; Altar Boyz; Smoke on the Mountain Homecoming; Reckless; Ace; The Clean House; A Picasso; One; Abracadabra; The Bible … (abridged); and Dark Paradise. CINCINNATI: Ensemble Theatre and Cincinnati Ballet. REGIONAL THEATRE: The Old Globe, Dallas Theater Center, Alliance Theatre, The Second City, and Ingenuity Festival of Cleveland. AFFILIATIONS: Adjunct faculty for Xavier University’s Theatre Program, contributor for Dramatics. org, and a proud member of Actors’ Equity Association
PORTLAND CENTER STAGE – CO-PRODUCER Portland Center Stage is the largest theater company in Portland, Oregon, and our mission is to create transcendent theatrical experiences and community programs that break down the barriers separating people. Established in 1988 as a branch of the Oregon Shakespeare Festival, the company became independent in 1994. PCS’s home is at The Armory, a historic building originally constructed in 1891. After a major renovation, The Armory opened in 2006 as the first building on the National Register of Historic Places, the first performing arts venue in the country, and the first building in Portland, to achieve a LEED Platinum rating. Each season, roughly 150,000 visitors attend PCS to enjoy a mix of classical, contemporary, and world premiere productions, along with PCS’s annual JAW New Play Festival, and a variety of highquality education and community programs.
ADDITIONAL PRODUCTION STAFF Dialect Coach Fight and Dance Captain Assistant Set Designer Assistant Costume Designer Wig Designer Music Consultant
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Karl Hanover Brianna Woods Viscaya Wilson Anya Jones Jessica Car-Miller DeReau K. Farrar
Strengthening Our Community westernsouthern.com Western & Southern Financial Group, Inc. Cincinnati, Ohio. WS-40096-B 2402
REGIONAL PREMIERE COMEDY
MAR 21 – APR 12 Family. You can’t pick ‘em—even when they’re dead.
T IC K E TS START AT
$22
ensemblecincinnati.org (513) 421-3555
Learn more! OPERATING SUPPORT
SEASON FUNDER
PATRON INFORMATION Cincinnati Playhouse in the Park ADDRESS: 962 Mt. Adams Circle, Cincinnati, OH 45202 ADMINISTRATIVE OFFICES: 513-345-2242 WEBSITE: cincyplay.com BOX OFFICE: 513-421-3888 PATRONS WHO ARE DEAF, HARD-OF-HEARING, DEAF BLIND OR SPEECH DISABLED: Dial 711 to connect to the Box Office via Ohio Relay Services
ACCESSIBILITY WITH DIGNITY PROGRAM The Playhouse is pleased to offer a variety of services to patrons with special needs.
Audio Described and Signed Performances Live audio description for patrons who are sight-impaired is offered in both theatres and signed performances for those with hearing impairments are offered in Moe and Jack’s Place – The Rouse Theatre. These services are for designated performances only. ASL Interpreters are Dawn Caudill and Montez Greer. Audio Describers are Mark DeWitt, Bekka Eaton, Shayne Kennedy and Joe Sackenheim
Hearing Enhancement Moe and Jack’s Place – The Rouse Theatre and the Rosenthal Shelterhouse Theatre both have a hearing loop system which works with existing T-Coil or Telecoil enabled hearing aids or cochlear implants. For assistance, please see a member of our house staff.
Large Print Program Large print programs for those with visual impairments are available upon request at every performance. CAMERAS AND RECORDING DEVICES Actors’ Equity Association strictly prohibits the use of cameras or recording devices in the theatre during the performance.
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CHILDREN Children under the age of 6 will not be admitted to Playhouse productions unless otherwise advertised. Parents with disruptive children will be asked to leave the theatre. CONCESSIONS Al’s Bar serves drinks in two locations – one bar on the main level in the Schueler Lobby and one bar on the upper floor. Casual dining fare and snacks from The Delish Dish are available for purchase on the upper floor. Drinks are allowed in the theatres, however food is not. FACILITY ACCESSIBILITY Patrons who are mobility-impaired may be dropped off outside the Playhouse’s main entrance. The walk from the top level of the parking garage to the entrance into the Schueler Lobby to the main level of the Rouse Theatre can be made without having to take any stairs. An elevator is available for access to the balcony level and first rows of the Rouse Theatre and the Rosenthal Shelterhouse Theatre. Accessible seating for wheelchairs is subject to availability and should be requested at the time of ticket reservation. GIFT CERTIFICATES Need the perfect gift? The Playhouse offers gift certificates redeemable for single tickets or season ticket packages. Call the Box Office or stop by at intermission for more information.
PATRON INFORMATION GROUP DISCOUNTS Bring your group of eight or more to the Playhouse and receive great benefits and discounts, including special rates for students and seniors. Our popular corporate web discount program allows your employees to book tickets online at a discount whenever they want. Contact the Box Office for more details.
you that it prohibits weapons of any kind on its premises, and reserves the right to search persons, parcels and vehicles on the same. This policy applies to all employees, patrons and visitors to the facility.
LATECOMERS AND READMITTANCE Latecomers are seated at the discretion of the house manager, which may be as late as intermission. Latecomers may be denied admission depending on the demands or structure of a particular production. Please allow yourself adequate time to arrive, park and be seated. Should you need to leave the theatre during a performance, readmittance and seating will be at the discretion of the house manager so as not to disturb the audience and actors.
SMOKING/VAPING Smoking/vaping is prohibited in the entire theatre complex.
PARKING The Park Board reminds you that Eden Park officially closes at 10 p.m. As a grace period to the Playhouse, the police will not ticket vehicles until one half hour following the end of a performance. The Playhouse assumes no responsibility for anyone receiving a ticket for illegal parking. Convenient parking is available in the Playhouse garage. Purchase parking in advance to secure a space. Parking can also be purchased from our parking attendant immediately before the performance if available. Accessible parking for those with disabilities is located in the Playhouse parking garage. Parking for persons with disabilities is limited and must be reserved and paid for in advance. All vehicles using these spaces must display a valid disability placard. PROHIBITION OF WEAPONS The Ohio Revised Code (R.C. 2923.126) has established the privilege of carrying a concealed handgun to Ohio citizens who have obtained the proper license. The same law explicitly grants private employers in the state the right to prohibit their employees and visitors from possessing firearms on the employer’s premises. With this notification the Cincinnati Playhouse in the Park is informing
RESTROOMS There are four types of restrooms: women’s, men’s, all-gender and family. One of each type is available on each level. Restrooms are all wheelchair-accessible.
Cincinnati Playhouse in the Park acknowledges the following partner companies, foundations and their employees who generously participate in the annual ArtsWave Campaign at the $100,000+ level. altafiber Cincinnati Children's Hospital Medical Center Cincinnati Open The Cincinnati Insurance Companies Cincinnati Reds Dinsmore & Shohl LLP Duke Energy The E.W. Scripps Company and Scripps Howard Foundation The Enquirer | Cincinnati.com Fifth Third Bank and Fifth Third Foundation GE Aerospace Great American Insurance Group Greater Cincinnati Foundation The H.B., E.W. and F.R. Luther Charitable Foundation, Fifth Third Bank, N.A., Trustee The Kroger Co. Messer Construction Co. National Endowment for the Arts P&G Western & Southern Financial Group
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Make it your resolution to
SEE MORE THEATRE IN THE NEW YEAR!
Season tickets are affordable, flexible and guarantee you won’t miss the shows you want to see. FIFTH THIRD BANK presents
Adapted by LAUREN M. GUNDERSON From the novel by LOUISA MAY ALCOTT
JAN. 17 – FEB. 15, 2026 Experience the classic novel you adore as it’s being written in this playful and theatrical new adaptation that puts the author in the spotlight. Sponsored by JOHNSON INVESTMENT COUNSEL and CLARK SCHAEFER HACKETT
By STEPHEN MASSICOTTE
FEB. 7 – MARCH 8, 2026 In this poetic romantic drama, a young couple discovers the thrill of first love on the eve of World War I. Sponsored by DICK AND SANDY MANTEUFFEL
To build your own season ticket package, visit CINCYPLAY.COM, or call 513-421-3888.
LEADING LADIES presents By HEIDI ARMBRUSTER
FEB. 28 – MARCH 29, 2026 The curious, real-life disappearance of Agatha Christie in 1926 sets the stage for this charming mystery as a devoted superfan tries to solve the case 100 years later. ELLEN AND RAY van der HORST present
Based on the Life of ROSEMARY CLOONEY By JANET YATES VOGT AND MARK FRIEDMAN
MARCH 21 – MAY 17, 2026 This exhilarating and inspiring musical biography features many signature songs and offers a personal portrait of one of the most beloved entertainers of all time. Sponsored by HUNTINGTON BANK
MOE AND JACK ROUSE and RANDOLPH WADSWORTH present
APRIL 11 – MAY 3, 2026 A clash over the fate of a family’s heirloom piano sets the stage for this explosive Pulitzer Prize and Tony Award-winning masterpiece.
Choose just THREE SHOWS for season tickets. Packages start at $107. Season presented by SCHUELER GROUP and THE VONTZ FAMILY
INVEST ENGAGE INNOVATE LEAD
Investing state and federal dollars, the Ohio Arts Council funds and supports quality arts experiences for all Ohioans to strengthen communities culturally, educationally, and economically. Learn more about our grant programs and resources, find your next arts experience, or connect: OAC.OHIO.GOV.
Grantee Spotlight:
INSPIRATION STUDIOS, INC.
Inspiration Studios, Inc., and Sonny Spot Too are two Southwest Ohio organizations serving people with developmental disabilities. In 2023, they collaborated to create a new mural for Sonny Spot’s computer and technology room. Image courtesy of the organization
CINCINNATI PLAYHOUSE IN THE PARK Blake Robison Abby Marcus
OSBORN FAMILY PRODUCING ARTISTIC DIRECTOR MANAGING DIRECTOR
MARY’S WEDDING BY
STEPHEN MASSICOTTE Blake Robison
DIRECTOR SET/COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER/COMPOSER
Lex Liang Michelle Habeck Matthew M. Nielson
FEB. 7 – MARCH 8, 2026 ROSENTHAL SHELTERHOUSE THEATRE
Production Sponsors
Honorary Producer
Dick and Sandy Manteuffel
The Lemmerman Family
Artist Sponsors
Betsy and Jerry Shroat Diane and Carl Iseman Season presented by
The Vontz Family The world premiere of Mary’s Wedding was presented as a part of the 2002 playRites Festival of New Canadian Plays at Alberta Theatre Projects. The playwright acknowledges the assistance of the Banff Playwrights Colony — a partnership between the Canada Council for the Arts, The Banff Centre, and Alberta Theatre Projects.
MARY’S WEDDING CAST (in speaking order) Aaron Schilling Britian Seibert*
Charlie Mary/Flowers
Brandon T. Holmes* Maggie Ballard
Stage Manager Production Assistant
Time: The night before Mary’s wedding, July 1920, two years after the Great War. Setting: Canada, France, and Mary’s dreams.
MARY’S WEDDING WILL BE PERFORMED WITHOUT AN INTERMISSION.
This production is made possible in part by a generous gift from the Greater Cincinnati Foundation. *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and with the International Alliance of Theatrical Stage Employees-Local No. 5. The scenic, costume, lighting and sound designers in LORT Theatres are represented by United Scenic Artists, Local USA-829 of the IATSE.
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MARY’S WEDDING THE FINAL CHARGE OF THE CANADIAN CAVALRY BY ETHAN M. COUDENYS
Shells were falling, machine guns were firing, and horses were whinnying as the final cavalry charge of the Great War on the Western Front took place at Moreuil Wood. The line had broken, and Field Marshal Douglas Haig called for the Canadian Cavalry Brigade — specifically the Lord Strathcona’s Horse — to charge through the gap in the line to advance further into German-controlled territory. This ill-fated charge would be the last wartime charge for the Canadians in military history. March 30, 1918, was the mid-point of the 100 Days Campaign — a campaign which saw incredible advances through German-controlled lines on the Western Front and the
beginning of the final phase of the First World War. At Moreuil Wood, the infantry and artillery attacks had, in the opinion of the generals commanding the attack, broken the German defensive line, and for the first time since 1914, the Canadian Cavalry Brigade would remount and attack. Between January 1915 and early 1918, cavalry soldiers — referred to as “troopers”— took on the role of infantry personnel. They worked in the same trenches as all the other soldiers and were required to defend and attack using the same tactics as the infantry. For all intents and purposes, they were infantry troops, however, they also had to pack their kits according to
Sir Alfred Munnings, The Charge of Flowerdew’s Squadron. Courtesy of Beaverbrook Collection of War Art, Canadian War Museum.
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MARY’S WEDDING their actual designation: cavalry troopers. They were therefore always required to carry their tack, feed and water for their mounts, rations and water for themselves, ammunition, etc. Yet, they were not given the same packs as infantry troops. They were able to hold some of these supplies in their saddlebags, but they had to transport heavy equipment without a proper way of storing it. Despite the negligible use of cavalry on the Western Front after the first months of the Great War, the cavalry remained at the forefront of the minds of those planning Allied offensives. In Great Britain, the General Planning Staff was largely composed of cavalry officers, and Douglas Haig was one of them. Cavalry was therefore considered vital to winning the war against the German Empire. Rarely used in battle as actual cavalry troopers, this final charge proved, once and for all, that in modern warfare, the cavalry was of little strategic value. On that fateful day, Lieutenant Gordon Muriel Flowerdew led the Lord Strathcona’s Horse Company C cavalry group on two charges against a myriad of German defensive positions. Three hundred German infantrymen defended their position. Using the feared MG-08 heavy machine gun and the newly invented light machine gun, they mowed down the advancing cavalry within minutes. Nevertheless, the only surviving trooper remembers Lieutenant Flowerdew shouting “It’s a charge, boys! It’s a charge!” Racing at a full gallop, the squadron met the German Army, but ultimately failed in its attempt to take the position. This earned Flowerdew the Victoria Cross, the highest award for bravery in the British Commonwealth. However, Flowerdew’s story did not end happily since his squadron lost all but one trooper in the attack. Today, at Moreuil Wood, a small memorial commemorates the sacrifice made by Company C
Lord Strathcona’s Horse in 1916, moving behind the front line. Credit: Canada. Dept. of National Defence/Library and Archives Canada.
of the Lord Strathcona’s Horse. The battlefield there is strewn with the remains of the attacking Canadian horses, their men, and the German soldiers who defended their line. This was the last charge of the Canadian Cavalry Brigade. After the Second World War, the Canadian Cavalry Brigade was largely reorganized into armoured, tank and motorized corps. All but a small number of troopers were assigned ceremonial roles in the Royal Canadian Army. Unfortunately, no wartime photographers were able to capture the final charge of Company C, led by Lieutenant Flowerdew, but the famous British painter, Sir Alfred Munnings, captured the moment and immortalized it in an oil painting completed in the 1920s. The painting is now held at the Canadian War Museum. © Government of Canada. Reproduced with the permission of Library and Archives Canada (2025). Source: Library and Archives Canada/The Final Charge of the Canadian Cavalry | Library and Archives Canada Blog Additional resources: Lieutenant Gordon Muriel Flowerdew, VC by Emily Monks-Leeson, Library and Archives Canada Blog Ethan M. Coudenys was a Genealogy Consultant at Library and Archives Canada.
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MARY’S WEDDING THE CHARGE OF THE LIGHT BRIGADE BY ALFRED, LORD TENNYSON (1809-1892) Memorializing Events in the Battle of Balaclava, October 25, 1854 Written 1854 Half a league, half a league, Half a league onward, All in the valley of Death Rode the six hundred: ‘Forward, the Light Brigade! Charge for the guns’ he said: Into the valley of Death Rode the six hundred. ‘Forward, the Light Brigade!’ Was there a man dismay’d ? Not tho’ the soldier knew Some one had blunder’d: Theirs not to make reply, Theirs not to reason why, Theirs but to do and die, Into the valley of Death Rode the six hundred. Cannon to right of them, Cannon to left of them, Cannon in front of them Volley’d and thunder’d; Storm’d at with shot and shell, Boldly they rode and well, Into the jaws of Death, Into the mouth of Hell Rode the six hundred.
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Flash’d all their sabres bare, Flash’d as they turn’d in air Sabring the gunners there, Charging an army while All the world wonder’d: Plunged in the battery-smoke Right thro’ the line they broke; Cossack and Russian Reel’d from the sabre-stroke, Shatter’d and sunder’d. Then they rode back, but not Not the six hundred. Cannon to right of them, Cannon to left of them, Cannon behind them Volley’d and thunder’d; Storm’d at with shot and shell, While horse and hero fell, They that had fought so well Came thro’ the jaws of Death, Back from the mouth of Hell, All that was left of them, Left of six hundred. When can their glory fade? O the wild charge they made! All the world wonder’d. Honour the charge they made! Honour the Light Brigade, Noble six hundred!
MARY’S WEDDING AARON SCHILLING – CHARLIE CINCINNATI PLAYHOUSE IN THE PARK: A Christmas Carol, Murder on the Orient Express, and Dracula (Understudy). CINCINNATI: Camp Siegfried (Know Theatre); Peter and the Starcatcher and The 25th Annual Putnam County Spelling Bee (Cincinnati Landmark Productions). REGIONAL THEATRE: Titanic, Ragtime, The Seagull, Shenandoah, and Sleepy Hollow (Serenbe Playhouse); A Midsummer Night’s Dream, Macbeth, Romeo and Juliet, and Journey’s End (Atlanta Shakespeare Company); The Wickhams: Christmas at Pemberley (Theatrical Outfit); La Cage Aux Folles (Out Front Theatre Company), and The Great Gatsby (Naut Human Productions). WEBSITE: aaronschilling.com. INSTAGRAM: @a.schill_.
BRITIAN SEIBERT (SHE/HER) – MARY/FLOWERS CINCINNATI PLAYHOUSE IN THE PARK: Pride and Prejudice, A Christmas Carol, Venus in Fur, and Clybourne Park. OFF-BROADWAY: The Fears (Signature Theatre), Letters to Sala (Barrow Group), and Monster (Atlantic Theater Company). REGIONAL THEATRE: Romeo and Juliet (Olney Theatre Center); Monster (Huntington Theatre Company); The Snow Queen (Portland Stage); Lend Me a Tenor, and Witness for the Prosecution (Arrow Rock Lyceum Theatre). FILM/TELEVISION: In Spite of Ourselves, The Seagull, American Rust (Amazon Prime), A Murder at the End of the World (FX/ Hulu), and The Knick (Cinemax). EDUCATION: BFA from Boston University, and an MFA from NYU Tisch Graduate Acting. INSTAGRAM: @britianseibert.
STEPHEN MASSICOTTE – PLAYWRIGHT Stephen’s most recent play, Stars on Her Shoulders, premiered at Workshop West Playwrights Theatre in Edmonton in the fall of 2024. Mary’s Wedding premiered in 2002 at the Alberta Theatre Projects’ playRites Festival and won the 2000 Alberta Playwriting Competition, 2002 Betty Mitchell Award for Best New Play, and 2003 Alberta Book Award for Drama. It has since had close to 200 productions around the world, at such theaters as American Players Theatre, Actor’s Theatre of Louisville, Delaware Theatre Center, City Theatre in Pittsburgh, Portland Center Stage, the National Arts Centre of Canada, and many others. His play The Oxford Roof Climber’s Rebellion premiered as a co-production between the Tarragon Theatre and the Great Canadian Theatre Company and was a hit off Broadway. His play The Clockmaker premiered at the Alberta Theatre Projects’ 2009 playRites Festival and won the 2009 Betty Mitchell Award for Best New Play and the 2011 inaugural Toronto Theatre Critics Award for Best English Language Play. Stephen wrote the feature films The Dark, Ginger Snaps Back: The Beginning, and How We Ended Us, the award-winning short June, and Historica Canada’s Winnipeg Falcons and Nursing Sisters Heritage Minutes.
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MARY’S WEDDING BLAKE ROBISON (HE/HIM) – DIRECTOR CINCINNATI PLAYHOUSE IN THE PARK (Osborn Family Producing Artistic Director): A Christmas Carol, Shane, The Book Club Play, A Chorus Line, Native Gardens, Alias Grace, Misery, Shakespeare in Love, A Prayer for Owen Meany, Peter and the Starcatcher, Pride and Prejudice, Treasure Island, The Three Musketeers, The Last Wide Open, 4000 Miles, Abigail/1702, and Mad River Rising. REGIONAL THEATRE: Guthrie Theater, Arena Stage, Oregon Shakespeare Festival, Baltimore Center Stage, Milwaukee Rep, Dallas Theater Center, Repertory Theatre of St. Louis, Utah Shakespeare Festival, PlayMaker’s Repertory Company, Folger Theatre, Round House Theatre, Clarence Brown Theatre, National Shakespeare Company, and Vermont Stage. INTERNATIONAL: English Theatre Berlin, and Avignon Festival. AWARDS: Finalist for the 2019 Zelda Fichandler Award from the SDC Foundation honoring extraordinary work in the regional theatre. BOARDS: American Friends of the British American Drama Academy (current) and Theatre Communications Group (alumni board). EDUCATION: Williams College, UNC-Chapel Hill and British American Drama Academy.
LEX LIANG – SET/COSTUME DESIGNER CINCINNATI PLAYHOUSE IN THE PARK: Once on This Island, Baskerville: A Sherlock Holmes Mystery, and Shane. OFF-BROADWAY: 50+ Productions. REGIONAL THEATRE: Actors Theatre of Louisville, Alliance Theatre, Asolo Repertory Theatre, Cleveland Play House, Dallas Theatre Center, Denver Center, Geva Theatre, Goodman Theatre, Goodspeed Opera House, Guthrie Theater, La Jolla Playhouse, Long Wharf Theatre, The Old Globe, Oregon Shakespeare Festival, Pasadena Playhouse, Pioneer Theatre Company, PlayMakers Repertory Company, Portland Stage, Portland Center Stage, and Trinity Repertory Company. WORLD PREMIERES (recent): Tiananmen; Yes, I Can Say That!; Mr. Holland’s Opus; The Tattooed Lady; and May We All. WORLD PREMIERES (upcoming): Like Father and Fires, Ohio. AFFILIATIONS: Founder/principal of LDC Design Associates, an experiential event design and production company in New York City with clients including Absolut, Gucci, Invesco, Johnson & Johnson, the Kardashians, The Tony Awards Gala, New York Fashion Week, NYWFF, and William Hill Wine. WEBSITES: www.LexLiang.com and www.LDCdesign.com. SOCIAL MEDIA: @MrLexLiang.
MICHELLE HABECK – LIGHTING DESIGNER CINCINNATI PLAYHOUSE IN THE PARK: The Last Wide Open, Shakespeare in Love, and Mothers and Sons. BROADWAY: Thoroughly Modern Millie (slide artist Broadway, in London and tour); The Boy from Oz, and King Hedley II (associate lighting designer); and Movin’ Out, Thoroughly Modern Millie and King Hedley II (assistant lighting designer). OFF-BROADWAY: Fifty Words (MCC Theatre). REGIONAL THEATRE: Lincoln Center Theater, Baltimore Center Stage, Steppenwolf Theatre Company, Goodman Theatre, Guthrie Theater, Seattle Children’s Theatre, Children’s Theatre Company, and others. OPERA: Austin Opera and Associate Lighting Designer for Julie Taymor’s Grendel. EXHIBIT AND ARCHITECTURAL: November 1963, Dallas, TX, and Farm Wisconsin Discovery Center in Manitowoc, WI. AFFILIATIONS: She holds the prestigious NEA/TCG Career Development Program for Designers Grant. Michelle is Faculty, Provost Teaching Fellow, and Area Head at UT Live Design and Production at UT Austin’s Department of Theatre and Dance. WEBSITE: www. michellehabeckstudio.live.
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MARY’S WEDDING MATTHEW M. NIELSON (HE/HIM) – SOUND DESIGNER/ COMPOSER CINCINNATI PLAYHOUSE IN THE PARK: A Christmas Carol, Shane, The Last Wide Open, Misery, Peter and The Starcatcher, Treasure Island, and A Prayer for Owen Meany. OFF-BROADWAY: Lakawanna Blues and Shakespeare’s Villains (The Public Theater), Occupied Territories (59E59), and Where Words Once Were (Lincoln Center). REGIONAL THEATRE: Kennedy Center, Arena Stage, Ford’s Theatre, Studio Theatre, Woolly Mammoth Theatre Company, Signature Theatre, Round House Theatre, Mosaic Theatre Company, The Guthrie Theatre, Denver Center Theatre Co, Portland Center Stage, Milwaukee Rep, Actors Theatre of Louisville, and Baltimore Center Stage. FILM/ TELEVISION: Stranger Things, The Adam Project, The Magicians, EPIX Drive-In, Discovery Channel, ABC Sports, NBC Sports, and FOX UFC. AFFILIATIONS/AWARDS: Helen Hayes Awards, Film Festival Awards, and founding member of Listenably (The Audible Group). WEBSITE: matthewnielson.com. BRANDON T. HOLMES (HE/HIM) – STAGE MANAGER CINCINNATI PLAYHOUSE IN THE PARK: A Christmas Carol, Mythic, Primary Trust, Stew, Clyde’s, Shane, The Chinese Lady, The Lion, Steel Magnolias, and The West End. REGIONAL THEATRE: The Hot Wing King (Denver Center), Joseph and the Amazing Technicolor Dreamcoat, 42nd Street, Jersey Boys, Fiddler on The Roof, Memphis, The Sound of Music, Chicago, Disney’s The Little Mermaid, Legally Blonde, West Side Story, Newsies (The Lexington Theatre Company); Fun Home, The Mountaintop, Hedwig and the Angry Inch, An Iliad, Grounded, Violet, Pipeline, The Humans, Skeleton Crew and Hands on a Hardbody (Ensemble Theatre Cincinnati); Hello, Dolly!, The Drowsy Chaperone and Side By Side by Sondheim (LOOK Musical Theatre); Golden: MTWichita at 50, Sunset Boulevard, Xanadu, Miss Saigon, Gypsy, The Producers, Big River, and Les Misérables (Music Theatre Wichita). WORKSHOPS: LET. HER. RIP. and Night of the Living Dead (Cincinnati Shakespeare Company); Teddy Bear Mountain and When We Vote (Cleveland Play House). AFFILIATIONS: Proud member of the Actors’ Equity Association.
ADDITIONAL PRODUCTION STAFF Dialect Coach Intimacy Coordinator
D’Arcy Smith Erin Carr
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BOARD OF TRUSTEES OFFICERS James C. Leonard President
Nirvani Head Vice President
James P. Conway, Jr. Treasurer
Margo K. Ross Secretary
Digi F. Schueler Chair
TRUSTEES Steve Bestard MC Brennan Julie A. Broadwell Lucy Lane Broderick Ron Bunt Maurice E. Coffey, II Virginia Copley Mark Dawes Timothy Douglas
Judy Ellis Vitaly Goldfeder Ken Goldhoff Chandra Gravely Bernita McCann Hightower Susan Ingmire Diane S. Jordan Alina Khan
Bet Koeninger Terry Lemmerman Jacqueline M. Mack Danute Miskinis Samuel Moore, Jr. Dean A. Moulas Patti Myers Audra Rance Robert Reifsnyder
KJ Sanchez Julia Wesselkamper Susan Whitman Ronna K. Willis Marcie Wright Brian Yangyuen
LEGACY TRUSTEES Victoria Buyniski Gluckman Linda Greenberg+ Thomas M. Keckeis Jennifer Dorsey Powell
Jack Rouse Jerry Thomas Shroat Ellen G. van der Horst Larry Vignola
Albert Vontz, III Barbara M. Weyand Susan Zaunbrecher
Morse Johnson+ Lois Rosenthal+ Jack Rouse Howard Tomb+
Albert Vontz, Jr.+ Albert Vontz, III
EMERITUS Otto M. Budig, Jr. Chuck Carothers+ David Herriman+ Andrew MacAoidh Jergens
+In Memorium
All Day Breakfast Lunch Specials Dine-In & Carry Out 1926 Dunlap St. • (513) 721-0704 Located one block from the Cincy Connector Brewery District Stop
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THE MORSE JOHNSON SOCIETY Thanks to your vision and commitment, we can set a bold course to secure the future of the Playhouse for generations to come. We are grateful to you for including the Playhouse in your estate plans. This list recognizes members of the Morse Johnson Society as of December 1, 2025. Anonymous Romola N. Allen Roderick and Barbara Barr Miss Martha L. Bell David and Elaine Billmire Thomas J. Breed Charlin Briggs Rosemarie Brown John and Peg Bruggeman Susan and Burton Closson Carol C. Cole Jim Conway and Rick Robertson Scott and Susan Cruse Richard and Teddie Curry Kelly M. Dehan and Richard J. Staudigel Jan Denton Marilyn Derfus Jackie Dieckman and Mike Camery Mrs. James M. Edwards Barbara Fitch In memory of Phyllis A. Followell, my heart Allison Gerrety Victoria Buyniski Gluckman Madeleine H. (Mady) Gordon J. Frederick and Cynthia Gossman Carol Green Gary Greenberg Jan and Herman Groshoff Mrs. Robert J. Hasl Robert and Judith Heaton Dave and Betsy Hendy Andrea and Dr. Edward Herzig Karlee L. Hilliard Susan M. Ingmire Garrett and Ellen Jackson Andrew MacAoidh Jergens Judith E. Johnson M. J. Johnson Jan and Jay Kalagayan Winifred B. Kessler David and Janice Klocke
Mike and Marilyn Kremzar Randolph and Patricia Krumm Ms. Abby E. Langdon Donald W. Leedy Terry Lemmerman James C. Leonard Mary V. Lierl Cheryl Harden Love Barbara Lyons Jacqueline M. Mack Dick and Sandy Manteuffel James A. Markley, Jr. David L. Martin David Mason Ron Matson and Daniel Young Barbara and Kim McCracken Charles and Joann Mead Barbara N. Meyer Becky Miars Lauren Miller David and Diane Moccia William J. and Mary G. Moran Patti Myers and Alan Flaherty Ronald and Debi Nash Julia Okenfuss Charlotte and Robert Otto Carolyn Parker Charles and Tara Pease Jenny and David Powell Betty L. Prince Rob and Gretchen Reifsnyder Pamela Reising Ellen Rieveschl Richard Rosenthal Jack and Moe Rouse Robert and Dell Ann Sathe Mark and Rosemary Schlachter Carol J. Schroeder Digi France Schueler John L. Shields Jerry and Betsy Shroat
Ann M. Simsic Mrs. Paul G. Sittenfeld Adrienne Angst Smith Francis and Susan Stanton Nancy M. Steman Sidney Thomas Diane D. Todd Marty C. Tomb Ellen and Ray van der Horst Margaret and Albert Vontz III Daniel G. Walker JoAnn and Paul Ward Dr. and Mrs. Nelson B. Watts Jim and Jo Ann Weber Irwin and Barbara Weinberg Barbara M. Weyand Ronna and Dr. James B. Willis Susan and Don Zaunbrecher POSTHUMOUSLY REMEMBERED Anonymous Mrs. Thomas Adler Robert H. Allen Henrietta Barlag Peggy Barrett Karen H. Bell Frank and Rosemary Bloom Peter Briggs Jack G. Brown Leland M. Cole Eva Jane Romaine Coombe John V. Crable John F. Curley Anne Elkins Didrichsen Mrs. Elizabeth Easley James M. Edwards Felix and Weta Mae Elkins Margaret M. Embshoff Jerome A. Fey and Robert J. Schlafle
Stona Fitch William A. and Susan S. Friedlander Oliver M. Gale Charles and Caroline Goering Linda Greenberg Peter and Mary Hainline Carlyn G. Hamilton Dr. Robert J. Hasl Mrs. Morse Johnson Stanley M. Kaplan, M.D. Minor and Dan LeBlond Keith Lemmerman Ron Lyons Manuel D. and Rhoda Mayerson Leon A. Meyer James A. Miller Mr. and Mrs. Arnold Morelli Richard Okenfuss Jack and Marilyn Osborn Maurice E. Oshry George Rieveschl Launcey Roder Lois Rosenthal Gene F. Santoro Mr. and Mrs. Robert C. Schiff, Sr. Karl and Roberta Schlachter Mary Louise Schroth Marsha Shields Paul G. Sittenfeld Louise W. Spiegel Rick Steiner Jane K. Steinfirst Thurza R. Sternberg Charles and Sue Straus Charles L. and Joan Thomas, Jr. Lynda A. Thomas Dr. Thomas Todd Howard Tomb Albert Vontz, Jr. Mr. and Mrs. Dick Waite Stuart and Gladys C. Warshauer Monte Witte
Have you included Cincinnati Playhouse in the Park in your estate plans? We would love to hear from you. Please reach out to Director of Individual Giving Kendra Struthers at kendra.struthers@cincyplay.com or (513) 977-2024 so we can properly recognize you for your gift and welcome you into the Morse Johnson Society. 2025–2026 | 37
2025-26 LEADING LADIES When amazing women come together, great things happen! Thank you to these 2025-26 season Leading Ladies. This list recognizes members as of November 20, 2025.
PROGRAM CO-CHAIRS Lucy Broderick Jenny Powell GRANDE DAMES Mei Mei Burr Karen Carnahan Kelly Dehan Vickie Buyniski Gluckman Karlee L. Hilliard Judy Kenniston Kelly Lyle Danute Miskinis Mary Woode Morton Linda Muth Rosemary Schlachter Catharina Toltzis, Ph.D. DIVAS Janet G. Banks Randal Bloch Beth Canarie Amelia Crutcher Denise M. EstevesHicks Susan Cutler Harris Louise Head Patti Heldman Betsy Hendy Susan Ingmire Molly Katz
Margo Kirstein Madelynn Matlock Patti Myers Karen Neyer Jennifer Dorsey Powell Betty Prince Digi France Schueler Patricia J. Wagner Jane Hooper Welling Ronna K. Willis STARLETS Shakila T. Ahmad Janice Amatulli Susan S. Anthony Athena AvgoustiBauer Molly R. Barber Jan Bartel Mary Ann Bell Sue K. Blaney Linda D. Brink Lisa Broun Jacklyn Bryson Carol Campbell Nancy B. Carrothers Janet Castellini Fran Christensen Mary Ellen Cody Virginia Copley Susan Cranley Susan Cummings Judy S. Dalambakis April D. Davidow
Debora Del Valle Marilyn Duke Kay Eby Joyce Elkus Ora Forusz Mary Anne Frey Nancy J. Gaffney Nancy Gollobin Barbara Hahn Margo Hall Brenda Hausterman Nirvani Head Robin Henderson Judy Tondi Herd Meg Hilmer Marty Humes Dr. Linda M. Huntress Diane Iseman Anne Jaroszewicz Sarah Raup Johnson Alina Khan Zofeen Khan Kimberly King Rachel Kirley Heather Krombholz Patricia Krumm Patricia Larsen Lynn P. Larson Terry Lemmerman Donna Lilley Glenda Lindsay Nancy Lippincott Sally A. Lloyd Laurel Markley Melisse May Evi Banzhaf McCord
Kathy McCord Joann Mead Kathy Merchant Audrey Korn Miller Diane Moccia Mary G. Moran Joy S. Nadler Jeannie Niebuhr Debbie Pendl MaryAnn Pietromonaco Jane Portman Ildiko Pray Audra Rance Margie Rennie Carol Holland Rentschler Sara Repenning Carol Reubel Danielle Revelson Buffie Rixey Gigi Robison Karina Rothzeid Debra Ruehlman Susan Brakers Schertzer Jeanne Schmerler Anita Schneider Renee Schuler Carol Serrone Debbie Renick Sims Laura Skidmore Martha Steier Dr. Susan R. Strick Glenda Suttman Gretchen Thomas Linda Trebbi
Dionn Tron Susie Tweddell Ellen G. van der Horst Maureen Vignola Lea A. Ward Judy Wells Susan Whitman Jeannine Winkelmann Marcie Wright Laani A. Wuest Mary Beth Young Sue Zimmerman INGENUES Lucy Lane Broderick Helene Herbet Bold indicates Leading Ladies Advocates
Join Us for Ladies’ Night Out! Your Leading Ladies membership gives you a backstage pass to four exciting events. Meet the incredible professionals who bring world-class theatre to life, and attend a dress rehearsal of Mrs. Christie — sponsored by the Leading Ladies!
For more information, contact Individual Giving Manager Josh Senger at josh.senger@cincyplay.com or 513-977-2067, or visit cincyplay.com/support/leadingladies.
See what happens when amazing women come together!
ANNUAL GIFTS Thank you for your support! This list includes all gifts given to the Playhouse from October 20, 2024 to November 20, 2025, not including Endowment and Capital Campaign gifts. VISIONARY CIRCLE EXECUTIVE PRODUCER ($50,000+) Anonymous ArtsWave Rosemary H. and Frank Bloom Special Fund* MC and Tom Brennan Fifth Third Bank First Financial Bank Nancy and Mark Dawes Linda+ and Gary Greenberg* The Hearst Foundations Betsy and Dave Hendy The David C. Herriman Fund* Kerry Automotive L.I.F.E. Foundation L&L Nippert Charitable Foundation Ohio Arts Council Moe and Jack Rouse The Robert and Adele Schiff Family Foundation The Harold C. Schott Foundation The Schueler Group Digi and Mike Schueler The Louise Taft Semple Foundation The Shubert Foundation Nancy and Tim Sparks Margaret and Albert Vontz III* PRODUCER ($30,000 - $49,999) Eleanora C.U. Alms Trust, Fifth Third Bank, N.A., Trustee The Estate of Peggy Barrett The Roy Cockrum Foundation The Charles H. Dater Foundation Thomas J. Emery Memorial Sarah and Tommy Evans Ms. Karlee L. Hilliard Huntington Bank Johnson Investment Counsel Terry Lemmerman The Markley Family Betsy and Jerry Shroat Ellen and Ray van der Horst Barbara M. Weyand
ARTISTIC DIRECTOR’S CIRCLE DIRECTOR ($10,000 - $29,999) Anonymous Atkins & Pearce Inc. BHDP Architecture David and Elaine Billmire Neil Bortz CBRE Clark Schaefer Hackett Estate of Barbara (Joan) Cochran Deloitte Dinsmore & Shohl eat well celebrations and feasts Emerge Managed Solutions, LLC Ernst & Young LLP
Frost Brown Todd The Geiler Company Greater Cincinnati Foundation Jeb and Nirvani Head Heidelberg Distributing Company Bill and Mary Jane James Mark and Karen Kremzar Lightborne Jacqueline M. Mack and Dr. Edward B. Silberstein Dick and Sandy Manteuffel Ron Matson and Daniel Young Barbara and Kim McCracken Charles and Joann Mead Becky Miars Millstone Fund Diane and Dave Moccia Mr. Samuel Moore, Jr. Arthur C. Morrissey and Janet M. Hayes Jenny and David Powell Amy and John Rosenberg Jennie Rosenthal Richard Rosenthal and Kitty Strauss Rosenthal Roto-Rooter The Family of Dr. Peter Ruehlman John A. Schroth Family Charitable Trust The Sheakley Group, Inc. Rhonda and Larry Sheakley Eddie+ and Pat Sheppard John and Jennifer Stein The Sutphin Family Foundation Jennifer and Woody Taft Marty C. Tomb Towne Properties Edward Trach Randolph Wadsworth Barbara and Irwin Weinberg Fund* Western & Southern Financial Group PLAYWRIGHT ($5,000 - $9,999) Anonymous 25th Hour David and Traci Alexander Bahl & Gaynor Investment Counsel Ms. Henrietta Barlag+ Steven Bestard Mark and Lindsay Bibler Ed and Debbie Birck Ruth and Tom Bobenread Thomas J. Breed Susan Brenner and Steven Mombach Ron Bunt and Wei Sun Terri and John Byczkowski Janet and Bruce Byrnes Canary Floral & Event Design Candace Carson Denise and Martin Chambers Maurice and Lela Coffey II James P. Conway, Jr. and Richard D. Robertson, Jr. Jack and Virginia Copley Kassy and Jeff Corken Richard and Teddie Curry
Marjorie Davis* Kelly Dehan and Richard Staudigel Richard and Lisa Ernst Brooks and Beth Ewing Victoria Buyniski Gluckman Vitaly and Samantha Goldfeder The Goldhoff Family Ms. Madeleine H. Gordon Chandra and Mel Gravely Fred and Patti Heldman* Susan Ingmire and Lynn Hailey Diane and Carl Iseman Paul Jennewine Linda Busken Jergens and Andrew MacAoidh Jergens Don and Frani Jones Patti and Tom Keckeis* Marilyn Kinne Bet and Dave Koeninger Mr. and Mrs. Michael H. Kremzar Asher and Kelsey Lanier Jamie and Jenny Leonard John C. Ludy H.B., E.W. & F.R. Luther Charitable Foundation Craig and Anne Maier Kevin and Frances McMurray Leon+ and Barb Meyer Danute Miskinis David and Judith Morgan Dean and Catherine Moulas Patti Myers and Alan Flaherty Karen and Bill Neyer* Rob and Gretchen Reifsnyder Dianne and J. David Rosenberg Margo and Sam Ross Susan and Jeffrey Routh* Mark and Rosemary Schlachter Kathy Shell and Joetta Prost Skidmore Sales & Distributing Co., Inc. Rick and Cathy Slack Steve and Sarah Steinman Robert D. Temple and Sue E. Auerbach Thembi Speaks LLC Barbara and Daman Turner Lawrence and Maureen Vignola Julia Wesselkamper and Julian Johnson Ronna and Dr. James B. Willis The Wohlgemuth Herschede Foundation Marcie Wright | Bahl & Gaynor YourDoctor, Concierge Medicine Susan and Don Zaunbrecher
PLAYHOUSE INSIDER’S CIRCLE PRINCIPAL ($2,500 - $4,999) Anonymous (3) 1919 Investment Counsel William P. Anderson Foundation Eric and Brenda Armstrong Family Fund* John and Kathy Bachman Mr. and Mrs. Robert O. Banks 2025–2026 | 39
ANNUAL GIFTS The Otto M. Budig Family Foundation Jeff and Gay Bullock David and Sara Butler Julie and Larry Chandler Judge Jim Cissell Dr. and Mrs. Robert H. Collins Marjorie Compton The Crawford Family Foundation Scott X. Deters Matthew Feldman and Julie Baker Amy and Michael Fitzgibbons Mr. and Mrs. John Freeman Paul and Nancy Gaffney Clifford Goosmann and Andrea Wilson Ellen and Garrett Jackson* Sylvia Johnson Dr. Robert Keith and Kathleen Thornton-Keith Mark and Nancy Kleespies Marvin Kolodzik Susan J. Lauf Mr. and Mrs. Stephen S. Lett Kay Lynch and Chuck Beckman David Martin Raymond and Madelynn Matlock Kathryn Merchant Stan and Mary Morton Kit and Jack Overbeck Judy and Thomas Oxman Tom and Linda Palmer Stuart and Ildiko Pray Betty L. Prince Prolink Prudential - Matching Fund Audra Rance Mitch and Karen Rashkin Robert and Connie Reed Richard Reis and Pamela Spangler Jim Rubenstein and Bernadette Unger Ladislas and Vilma Segoe Family Foundation Julie and Steven J. Shifman Mu Sinclaire and the Sinclaire Family Foundation Elizabeth C. B. and Paul G.+ Sittenfeld Steven Smith and David Vanderpool Sandra and Henry Spitz Steiner Family Foundation Joseph B. Steiner Dr. Susan R. Strick Jane Hooper Welling Mark and Susan Whitman Jo Ann Wieghaus ENSEMBLE ($1,500 - $2,499) Anonymous (4) Ms. Kathryn Allred Al-Lamadani Gordon Allen and Linda Baas Americana Arts Foundation Gale and Dave Beckett Doug and Mary Ann Bell John A. Berenberg Jane and Gary Booth Rick, Selena, James, and Justin Bowling Kyle and Lucy Broderick John and Peg Bruggeman Jacklyn and Gary Bryson
40 | 2025–2026
Eric Burgmann and Linda Vaccariello Mei Mei Burr Bonnie and Dick Buten Karen L. Carnahan Jennifer and Robert S. Castellini Rosalind Chaiken Philip Clayton Burton and Susan+ Closson Carol C. Cole The Daley Family Foundation Florence and Tom DeWitt Kathryn Dierckes Tim and Tina DuMont* Saralou and Dave Durham Kay and Rich Eby Judy Ellis Richard and Kathleen Glaser Donn Goebel and Cathy McLeod Eleanor and Richard Goering Chris and Janet Gunn David and Sheryl Harris Teri and Mike Haught Irmgard and Horst Hehmann James and Susan Herman Sherrie and Fred Heyse Sue and William W. Hill III Noel and Karen Hofmann Karen and David Hoguet Timothy and Julie Driehaus Horton Carolyn and Michael Hoyt Patti and Keith James H. Arleene Keller Judith and Ken Kenniston Larry and Kathleen Kissel Randolph and Patricia Krumm Mark +and Kymberly Kuenning Jo Ann and George Kurz Dr. Carol P. Leslie Whitney and Phillip Long Kelly Lyle Ellen and Ward Maresca Pattianne and Mark Menden Mr. Roy A. Mitchell Terry and Jannelle Moore Munich Reinsurance America, Inc. Linda R. Muth Michael Nordlund and Lisa Lee Melissa and John Panzeca Carl Parrott and Molly Katz Fund* Phillips Family Fund* Gerald D. Rape Mr. and Mrs. Gates T. Richards Louise and Gary Roselle Mr. Richard H. Russell Josie Russo Ann Saluke and Don Yelton David Savage Ivan and Karen Silverman + Mr. and Mrs. Stephen Smith Susan and David Smith Mary Stagaman and Ron Kull Carol Striker Tom and Keri Tami Catharina Toltzis, Ph.D. Robert Trusty Water Tower Fine Wines Sallie Westheimer Anthony and Sally Woodward
ANNUAL FUND BENEFACTOR ($750 - $1,499) Anonymous (5) Shakila T. Ahmad Liz and Hank Alexander James Anthony and Sarah Corathers Bruce and Helene Ault Michael and Shelia Becker Judith and Louis Belli Kit Berger John Berninger Jeff and Pam Bernstein Randal and Peter Bloch Sandra Bolek Mr. and Mrs. Ken Borisch Linda D. Brink Barbara and Neal Bronson Charlotte Brooks David and Marybeth Brothers Ms. Lisa Broun Dr. Daniel T. Brown, DDS and Mr. Mark Haggard Dr. Jane Brown and Mr. Paul Beck Beth Canarie Mr. Rick Coffey Pearl J. Compaan, M.D. Douglas and Sarah Coons The Cord Foundation Amelia Crutcher Susan Cummings Anne Dagenbach Judy S. Dalambakis Mark Dauner Michelle de la Vega Marilyn J. Derfus Jeffrey and Sharon DeRossette Michael and Kathleen Doherty William G. Dorward III Timothy Douglas Emilie and David Dressler Fund* Allison and Rick Edwards Sharon and Bill Emeigh Denise M. Esteves-Hicks George Fabe Fund of the Greater Cincinnati Foundation Michael Federle Mary and Bob Fitzpatrick Dr. and Mrs. Bernard Foster Missy and Brian J. Fox Mr. and Mrs. James A. Fraser Gregrick A. Frey Edward Gemperle Carl and Joyce Greber Mary and Phil Hagner Ham and Ellie Hamilton Jerri and Dan Hanus Susan Cutler Harris Louise Head Bertie Hertz Grace and Brian Hill Wendy Hill Hixson Architecture, Engineering, Interiors Daniel J. Hoffheimer Daniel and Marcia Holden Dr. Carol Hubbard Mr. and Mrs. William Ivers Nathan and Vanessa Jenkin Johnson & Johnson - Matching Fund Mark and Sarah Johnson James and Brenda Jones Kyle and Sue Jones
ANNUAL GIFTS Dr. Toni and Rabbi Ken Kanter Mr. and Mrs. Thomas T. Keating Mr. and Mrs. Geoffrey Keenan Peter and Sandy Keiser Rosalynd Kendall Beverly Kinney and Edward Cloughessy Margo and Elliott Kirstein Mary Kay Koehler and Heather Apple Kathleen B. Krug* Mr. and Mrs. John LaMacchia Cheryl Harden Love Ms. Margaret E. Mathile Susan Matz Mark McKillip and Amira Beer Hope Earls McSwigan Richard I. Michelman and Karen E. Meyer Jill and Bruce Mitchell Jim and Eileen Moon Andrew J. Nuckols Mr. and Mrs. Daniel Pardekooper Parsifal Kathy and Bob Pellegrino Alice W. Perlman Diane and Jeff Pfaff Mr. and Mrs. Don Popelar Leo and Sarah Pulte Alison and Rob Rice Ridgeway Foundation Pete and Debbie Rizzo Richard and Barbara Ruddy KJ Sanchez Mark and Jan Rosenbaum Sass Martha and Lee Schimberg Pat and Paul Schlecht Michael and Jeanne Schmerler Charles and Alice Schneider Roger and Glenda Schorr* Linda Sears Mr. and Mrs. Irwin Simon Mary Lee and Louie Sirkin V. Clark Sole, Jr. Elizabeth A. Stone* Sara and Gunther Storjohann Dr. Alan and Shelley Tarshis Dr. Gary A. Thompson and Dr. Lisa E. Dunlap Gordon and Mary-Anne Thompson Sneja H. Tomassian Gloria Uziel and Patrick Shea, M.D. Catherine Valentine Patricia J. Wagner Dan Walker and Lisa Capurro Carol and Rich Wilson SUPPORTER ($300 - $749) Anonymous (15) Essie Adams Marjorie and Steven Adler Admirals Cove Foundation Drs. Gordon and Dorothy Air Janice Amatulli Mrs. Patricia Anderson Susan S. Anthony Elizabeth C. Armitage Attiyah Community Team Athena Avgousti-Bauer Walter and Barbara Bailey Bank of America Kathy Barber Molly R. Barber Jan Bartel
Miss Martha L. Bell Jennifer Benton Doug and Judy Betz Mr. Thomas E. Blackburn Mr. and Mrs. Ben Blackmer Sue K. Blaney Phyllis Bossin and Robert Strauss Mark Bowen Mark and Diane Bunte Douglas and Carol Burks Jack and Marti Butz John and Diane Byrne Carol Campbell Nancy B. Carrothers In Honor of Carolyn Guild Carter Chris and Jim Cartledge Janet Castellini Jo-Ann Casuto Christine Christen Fran Christensen Mary Ellen Cody Loretta and David Cook Mr. and Mrs. Roy Cotcamp Robin Cotton and Cindi Fitton Mrs. Martha S. Crafts Susan Cranley Mr. Guy Crocetti Jean and John Croxton Mr. and Mrs. Scott Cruse April D. Davidow Mr. Frank Davis Dr. and Mrs. Howard Deckter Debora Del Valle Diamond/Wolf Family Thomas Donnelly Dr. and Mrs. Walter E. Donnelly, Jr. Marilyn Duke Bob and Kitty Dunn John and Liz Dye Leslie R. Dye, M.D. Jon and Tara Eaton Mr. Cameron Ehteshami Joyce Elkus Ron and Kathleen Emery Karla Epperson Dr. and Mrs. Michael Farrell Dr. and Mrs. William Faulkner Meloney and Gerry Feldkamp Barbara Ann Feldmann The Crew of the Felix Locus Kurt and Lynn Finch Dr. Daniella Fisher James K. and Susan A. Fitton Ora Forusz Patricia Fraley Edward Freeman Mary Anne Frey Sharon Freyhof Jim Friedman Shirley Gallagher Sharon and Dennis Geiger General Electric Mr. and Mrs. Howard Gerber Shelly Gerson and Dr. Jeff Zipkin Robert Gilmore Frank and Karen Girolami Daniel P. Goetz and Pattie Messmer Jim and Elaine Goldschmidt Nancy Gollobin Goret Family Foundation Mrs. Sharon Gorman Pank and Wendy Goulet Phillip Griggs Barbara Hahn Jan C. Hall
Margo Hall Timothy and Barbara Haller Joyce and Jim Hamberg Jeff Hanna and Peggy Eberhard Brenda Hausterman Christine Heatherman Gwenn and Mark Heintzelman Robin Henderson Jane E. Henney, M.D. and J. Robert Graham, M.D. Helene Herbert Judy Tondi Herd Bernita McCann Hightower Meg Hilmer Dale Hodges and David F. Logan Mark and Deanna Hollon Linda R. Holthaus Joseph Huber and Shelli Smith Marty Humes Dr. Linda M. Huntress Nada Huron Maite Iraolagoitia Howard and Susan Jackson Charlie and Janie James Anne Jaroszewicz Dr. Amy Johnstone Evelyn Jones MD Amy J. Katz Msgr. Kurt H. Kemo Dara M. Kendall Alina Khan Zofeen Khan Kimberly King Rachel Kirley Mr. and Mrs. John Kmet Judith A. Koch Sandford and Nancy Kopnick Heather Krombholz Michael and Paula+ Kunka Bill and Evie Landrigan Mr. Edward Lanzit Patricia Larsen Lynn P. Larson Bruce Lazarus and Phil Weintraub Mary Kay Levesay Larry and Margee Lewis Donna Lilley Glenda Lindsay Nancy Lippincott Sally A. Lloyd Kevin G. Loesch Dr. and Mrs. Louis B. Louis, IV Mr. and Mrs. Damon Lynch, Jr. Thomas and Jean Macejko Ms. Carol MacGregor Dave and Lee MacKenzie Stephanie Maher Kenneth T. Mahler Mark Mallory Lisi and Neil Marcus Charles and Jennifer Margolis Laurel Markley David Mason Melisse May Evi Banzhaf McCord Kathy McCord Mrs. Maryanne E. McGowan Jeff and Debbie McNaul Audrey Korn Miller Steven and Jacqueline Miller Family Foundation David and Martha Millett Joel Monteith and Barbara MustoeMonteith Mary G. Moran 2025–2026 | 41
ANNUAL GIFTS Scott and Barb Muhlhauser Daniel Murphy Joy S. Nadler Jeannie Niebuhr Bruce and Neda Nutley Diana Oberschmidt J. Brett Offenberger and Douglas Duckett Kelly O’Neill and Sue Aley Ms. Monika Osborn Nan Oscherwitz Terry Parsons The Patel-Curran Family Gregory Pellegrini Debbie Pendl David Piatt Fund* MaryAnn Pietromonaco Ed and Jill Plageman Jane Portman James and Linda Pretz Phil and Susan Price Nick Puncer and Stephen Ferguson Michael and Nelda Purdon Jennifer Ramage Leslie and Bernie Reiss Margie Rennie Carol Holland Rentschler Sara Repenning Carol Reubel Danielle Revelson Buffie Rixey Gigi Robison Steve Rogers Linda Rogowski Karina Rothzeid Susan Brakers Schertzer
Karen Schilling Anita Schneider Carol J. Schroeder William and Sandra Selvey Linda and Tom Senter John L. Shields Dr. Tariq Siddiqi Debbie Renick Sims Robert and Linda Singer Laura Skidmore Adrienne Angst Smith Susan and Andrew Speno John and Sarah Spiller Jeffery and Nancy Stambough Jeff and Michele Starke Tom and Dee Stegman* Martha Steier Robert L. and Christine J. Steiner* Stephanie and Joseph Stitt Gary and Nancy Strassel Kendra L. Struthers Glenda Suttman Lora Swedberg Ms. Marie H. Sweeney Carlos and Roberta Teran Gretchen Thomas George and Linda Toft Robert and Marcia Togneri Torey and Tom Torre Ann Marie Tracey and Daniel Buckley Linda Trebbi Dionn Tron James and Susan Troutt Susie Tweddell Doug and Molly Tyger
Ms. Marlena Tyre Geroge and Julia Wadih Liz and Dave Wallingford Sarella Walton JoAnn Ward Lea A. Ward Dr. and Mrs. Barry W. Webb Pann and Terry Webb Larry Weber Joyce Jones Weinkam Judy Wells Dr. Donald R. and Patricia R. Welti Steven and Heather Wesloh Steve and Patty Wilken Chris and Diane Williams Mauri J. Willis Rev. Anne Warrington Wilson Mrs. Joan R. Wilson Judy Wilson Susan and Dean Windgassen Jeannine Winkelmann Anne Marie Wolfer Daniel and Jessica Woo Laani A. Wuest Dr. Linda Wulff John M. Yacher Mary Beth Young David and Cynthia Zink Phil and Debbie Zorn Brian Yangyuen *Denotes a fund of the Greater Cincinnati Foundation +Denotes posthumous listing
WE WELCOME all races, ethnicities, religions, sexualities, gender identities, ages, abilities, countries of origin, spoken and signed languages. EVERYONE. 42 | 2025–2026
INSTITUTIONAL SUPPORTERS As of November 13, 2025
$50,000+ ANONYMOUS THE DAVID C. HERRIMAN FUND OF GREATER CINCINNATI FOUNDATION
ROBERT AND ADELE SCHIFF FAMILY FOUNDATION THE HAROLD C. SCHOTT FOUNDATION
$20,000 – $49,999
$10,000 – $19,999
THE SUTPHIN FAMILY FOUNDATION
$5,000 – $9,999 H.B., E.W. & F.R. LUTHER CHARITABLE FOUNDATION THE WOHLGEMUTH HERSCHEDE FOUNDATION
$3,500 – $4,999
2025–2026 | 43
ARTISTIC DIRECTOR’S CIRCLE The Artistic Director’s Circle (ADC) members provide inspirational annual support for productions, artists, and community programming. In recognition of their contributions, members receive exclusive behind-thescenes private events hosted by Blake Robison, Osborn Family Producing Artistic Director, featuring artists and behind-the-scenes topics from the art of theatre making. We extend our sincere gratitude to the ADC members for their generosity! Anonymous David and Traci Alexander Ron Bates and Randy Lasley Steven Bestard Mark and Lindsay Bibler David and Elaine Billmire Ruth and Tom Bobenread Neil Bortz Thomas J. Breed MC and Tom Brennan Susan Brenner and Steven Mombach Terri and John Byczkowski Wayne and Fran Carlisle Denise and Martin Chambers Joan Cochran+ The Roy Cockrum Foundation Maurice and Lela Coffey, II James P. Conway, Jr. and Richard D. Robertson, Jr. Jack and Virginia Copley Richard and Teddie Curry Nancy and Mark Dawes Kelly Dehan and Richard Staudigel Richard and Lisa Ernst Sarah and Tommy Evans Brooks and Beth Ewing Victoria Buyniski Gluckman Vitaly and Samantha Goldfeder The Goldhoff Family Madeleine H. Gordon Linda+ and Gary Greenberg* Jeb and Nirvani Head Fred and Patti Heldman* The David C. Herriman Fund* Andrea and Dr. Edward Herzig Karlee L. Hilliard Karen and David Hoguet Susan Ingmire and Lynn Hailey Diane and Carl Iseman Bill and Mary Jane James
Paul Jennewine Linda Busken Jergens and Andrew MacAoidh Jergens Don and Frani Jones Patti and Tom Keckeis* Marilyn Kinne Bet and Dave Koeninger Marilyn and Michael Kremzar Asher and Kelsey Lanier Terry Lemmerman Jamie and Jenny Leonard Jacqueline M. Mack and Dr. Edward B. Silberstein Craig and Anne Maier Dick and Sandy Manteuffel The Markley Family Ron Matson and Daniel Young Donna and Neal Mayerson Barbara and Kim McCracken Kevin and Frances McMurray Charles and Joann Mead Leon+ and Barb Meyer Becky Miars Lauren and James+ Miller Danute M. Miskinis Diane and Dave Moccia Samuel Moore, Jr. David and Judith Morgan Arthur C. Morrissey and Janet M. Hayes Dean and Catherine Moulas Patti Myers and Alan Flaherty Karen and Bill Neyer* The Marilyn J. and Jack D. Osborn Fund Jenny and David Powell Rob and Gretchen Reifsnyder Amy and John Rosenberg Dianne and J. David Rosenberg The Rosenthal Family Foundation Jennie Rosenthal
Richard Rosenthal and Kitty Strauss Rosenthal Margo and Sam Ross Moe and Jack Rouse Susan and Jeffrey Routh The Ruehlman Family The Robert and Adele Schiff Family Foundation Austin Schiff Dr. and Mrs. Robert C. Schiff, Jr. Mark and Rosemary Schlachter Digi and Mike Schueler Rhonda and Larry Sheakley Eddie+ and Pat Sheppard Julie and Steven J. Shifman Betsy and Jerry Shroat Nancy and Tim Sparks John and Jennifer Stein Steve and Sarah Steinman Jennifer and Woody Taft Robert D. Temple and Sue E. Auerbach Marty C. Tomb Edward Trach Barbara and Daman Turner Ellen and Ray van der Horst Lawrence and Maureen Vignola Margaret and Albert Vontz III* Randolph Wadsworth Barbara and Irwin Weinberg Fund* Barbara M. Weyand Mr. William J. Weyand Ronna and Dr. James B. Willis Marcie Wright Susan and Don Zaunbrecher *Denotes a fund of the Greater Cincinnati Foundation +Denotes posthumous listing List as of November 20, 2025
For more information, please contact Sneja H. Tomassian at 513-977-2081 or email at sneja.tomassian@cincyplay.com. 44 | 2025–2026
RECOGNITION GIFTS With heartfelt gratitude, we recognize the following friends who have honored loved ones through a tribute gift to the Playhouse. These meaningful contributions were received between October 20, 2024, and November 20, 2025. IN HONOR OF ABBY MARCUS Lisi and Neil Marcus IN HONOR OF BLAKE ROBISON Jim Friedman
IN HONOR OF JOHN AND AMY ROSENBERG Anonymous
IN HONOR OF THOMAS W. AND JENNIFER TAFT Kenneth T. Mahler
IN HONOR OF MOE AND JACK ROUSE Daniel J. Hoffheimer
MEMORIAL GIFTS We are grateful to the following friends who have chosen to remember a loved one through a memorial gift to the Playhouse. The following memorial gifts were received between October 20, 2024, and November 20, 2025. IN MEMORY OF KAREN BELL Edward Lanzit IN MEMORY OF MARLENE ELIZABETH CRABTREE Judith Van Ginkel Leigh M. Primack IN MEMORY OF BRUCE E. COYLE Rebecca J. Graham IN MEMORY OF LINDA HELDMAN GREENBERG Stephanie Albert Elizabeth C. Armitage Mark and Marsha Barsman Alexandra Belzley Erica and Matt Biscotti Randal and Peter Bloch Annette and John Bloomstrom Nancy B. Carrothers Edwina Cornelius Amy Diamond and Eddie Wolf Barry and Nancy Gibberman The Greater Cincinnati Foundation Shelley and Bill Greggs Beth Hammerman
Zack and Ali Hardoon Gwenn and Mark Heintzelman Fred and Patti Heldman Andrea and Edward Herzig Daniel J. Hoffheimer David and Karen Hoguet Jenna Harris and Dillon Teske Susan Ingmire and Lynn Hailey Diane and Carl Iseman Donald and Franchelle Jones Margo and Elliott Kirstein Laura Hoguet Leonard Emily Marrero Cheryl and Scott Mattis Karen Meyer and Rick Michelman Patti Myers and Alan Flaherty Dianne and J. David Rosenberg Moe and Jack Rouse Linda and Douglas Sawan Digi and Mike Schueler Linda and Tom Senter Matthew Senter and Rukmini Das Jeffrey and Cindy Standley Sneja H. Tomassian The Townsend Family Linda Trebbi Ellen and Ray van der Horst Lawrence and Maureen Vignola Ronna and Jim Willis The Crew of the Felix Locus
IN MEMORY OF CHRISTINE KINNAMAN Jeanne Bauer IN MEMORY OF BEVERLY KINNEY Edward Cloughessy IN MEMORY OF JUDGE ROBERT S. MARX Daniel J. Hoffheimer IN MEMORY OF JIMMY MILLER Lawrence and Maureen Vignola IN MEMORY OF HOWARD TOMB Burton and Susan+ Closson
2025–2026 | 45
COMMUNITY SUPPORT CORPORATE PARTNERS
IN-KIND CONTRIBUTORS
For companies looking to make a smaller investment in the Playhouse, the Corporate Partner Program is just the ticket. A gift of $1,000 or more is recognized in our show programs, provides invitations to exclusive events, and entitles your employees to receive a 20 percent online ticket discount throughout the season!
The Blind Lemon Canary Floral & Event Design eat well celebrations and feasts Emerge Managed Solutions, LLC Gallo Heidelberg Lightborne Mt. Adams Bar and Grill WGRR-FM WKRC-TV, Local 12 WKRQ-FM WOSL-FM WRRM-FM WUBE-FM WVXU-FM WXIX-TV, Fox 19
$1,000 - $3,499 Hixson Architecture Engineering Interiors Prolink For more information about joining these individuals and organizations in support of the Playhouse, call Mary Kay Koehler, Director of Institutional Giving, at 513-977-2026.
Art
inspires,
community grows Deloitte is proud to support the Cincinnati Playhouse in the Park’s commitment to artistic excellence and community collaboration. Our sponsorship helps encourage ongoing discovery, engagement, and growth within the Cincinnati art community. www.deloitte.com Copyright © 2025 Deloitte Development, LLC. All rights reserved.
46 | 2024–2025
ADMINISTRATIVE AND PRODUCTION STAFF DIRECTORS
ARTISTIC
Osborn Family Producing Artistic Director Blake Robison Managing Director Abby Marcus
Associate Artistic Director Joanie Schultz Literary Manager Tatiana Godfrey Associate Artists Wendy C. Goldberg, Karen Zacarías
ADMINISTRATION Executive Assistant/Board Liaison Marta Hyland Associate Producer Suann Pollock Company Manager A.J. Ford Assistant Company Manager/Management Associate
Remy Elton-Alexander
Director of HR, Equity and Inclusion Dawn Mundy Finance Associate Brian Anderson Accounting Services Clark Schaefer Hackett Receptionist Kara Neumann
OPERATIONS Director of Operations Bridget Siedlecki IT Applications Specialist Scott Youger Facilities Manager Brian Smith
DEVELOPMENT Chief Philanthropy Officer Sneja H. Tomassian Director of Institutional Giving Mary Kay Koehler Director of Individual Giving Kendra L. Struthers, CFRE Individual Giving Manager Josh Senger Grants Manager Camryn Morrow Events Manager Brianna Meinecke Development Data Manager Jennifer Radisch Development Assistant Lisa Malsom
MARKETING/COMMUNICATIONS Director of Marketing and Communications Kathy Neus Audience Engagement Manager Piper N. Davis Multimedia Designer Sean Martin Digital Marketing Associate Tessa D’Errico Marketing Data and Website Manager Jacob Krismanick Content Marketing Producer Deja A. Shanks Marketing Intern Mya Gibson Photographer Mikki Schaffner PATRON SERVICES Patron Services Director Don Wong Assistant Patron Services Manager Julia Hasl Miller House Managers Joellyn Goos, Kayden Hauke, Ethan Mann Patron Services Associate Olivia Cremisio Patron Services Staff Haseeb Ahmad, Andrew Berninger,
Tommy Berninger, EJ Busby, Grace Caccavari, James Dooley, Jenny French, Michelle LaMantia, Whitney Menser, Jermia Munroe, Cyrus Newitt, Sarah O’Haver, Alexis Pinto, James Racster, Theresa Richmond, Gina Serger, Jacqueline Smith, LaCheryl Steele, Janis Tibbs, Catherine Trichell, Monica Williams-Mitchell, Ryan Wagner, Lauren Wyatt, Kendall Young
Bar Manager Darren Cox Bartenders Kathy Burr, Clint Collins, Justin Eckstein,
Rachel Ellis, Julia Migliara, Lisa Porter, John Simpson, Niki Sherwood, Kathleen Thorman
EDUCATION/ENGAGEMENT Education Director Ariana Moses Artistic Engagement Manager Katie Gifford-Baskerville Education Associate John Llewellyn Education and Engagement Coordinator Tess Wyrick
STAGE MANAGEMENT Production Stage Manager Andrea L. Shell Stage Management Staff Carolyn Fast, Brandon T.
Holmes, Tenley Pitonzo, Brooke Redler, Shelby Scaffidi, Madison Stone Artistic Engagement Stage Manager Erin Speno-Stout Production Assistants Maggie Ballard, Tessa Killen, Sparrow Mansfield PRODUCTION Director of Production Joshua Escajeda Technical Director Sam Thompson Assistant Production Manager Valerie Perez Assistant Technical Director Ethan Ruhl Scene Shop Administrative Assistant Quinn Morgan
SCENERY Staff Carpenters Valerie Bramer, Timothy Fowler, Michael
Lyons, Brandon Smith, Patrick Wellman
Charge Scenic Artist Jennifer Rhodus Assistant Scenic Artist Carly Huff Scenic Artist Payton Epperson Rouse Run Crew Christopher Albaugh, Sam Devlin
PROPERTIES Properties Manager Liz Lyons Assistant Properties Manager Katie Kim Properties Benjamin Adams, Ashley Merkle, Alicia Rhodus Rosenthal Shelterhouse Properties Running Crew Lead
Debra Hildebrand
Rouse Theatre Properties Running Crew Lead Kara Trusty
COSTUMES/WARDROBE Costume Shop Manager Gordon DeVinney Costume and Design Administrative Assistant Joe Kovacs Cutter/Draper Eileen Thoma First Hand Bridget Kline Wig and Makeup Artist Amy Whitaker Wardrobe Lead Amira Rowe Wardrobe Assistants Grace Hazlett, Lilly Levine
LIGHTING/SOUND House Audio/Projection Supervisor Josh Brinkman Lead Electrician Samuel Wilson Rouse Theatre Audio Engineer M. Adam Jacob Rosenthal Shelterhouse Light Board Operator Jonathan
Armstrong
Rosenthal Shelterhouse Sound Engineer Samuel Sadler
EMERITI Managing Director Emeritus Buzz Ward
2025–2026 | 47