Notions of Time March 14 – April 25, 2026
Heather Gaudio Fine Art is is pleased to present Notions of Time a four-person exhibition featuring new works by Jessica Drenk, Yoona Hur, Amy Kirchner and Simona Prives. The show opens March 14th and runs through April 25th.
Front Cover: Simona Prives, Noise of Dark Waters 1, detail All images are copyright of the artists unless otherwise noted
The artists featured in the exhibition possess distinct visual languages that are heavily influenced by the concept of time, permanence, impermanence, nature and the man-made. Their evocative investigations with the medium and materials will take visitors into contemplative visual journeys that allude to origins, life, stillness, and the cyclical nature of existence.
Jessica Drenk
Jessica Drenk’s works repurpose everyday materials to mimic structures and forms created by nature. In her exploration of materiality, Drenk’s process subverts the meaning and original function associated with it, cleverly referencing the life cycle of objects through time. Among the works featured in the exhibition, Drenk will present new wall-mounted sculptural works from the Aggregate series called Agates. Used paper and junk mail gets transformed to conceptually reference geology, with contrasting colors and voids that suggest complex layers of crystallized minerals and other sediments.
Taking on the appearance of geodes that have taken millennia to accumulate, form and erode, Drenk’s stunning three-dimensional objects relate to the passage of time and our role in the transformation of the Earth as participants and consumers. Drenk holds an M.F.A. from the University of Arizona and B.F.A. from Pomona College and has exhibited widely across the United States. Her works are in many notable private, institutional and corporate collections.
Right: Jessica Drenk, Agate 8, detail
Jessica Drenk
Agate 7, 2026 Junk mail and used paper 36 1/2 x 51 x 2 inches
Jessica Drenk
Agate 8, 2026 Junk mail and used paper 44 1/2 x 48 x 2 inches
Jessica Drenk
Agate 9, 2026 Junk mail and used paper 55 1/2 x 39 inches
Jessica Drenk
Aggregate Strata 5, 2025 Junk mail and used paper 72 x 72 inches
Jessica Drenk
Fault 7, 2025 Junk mail and used paper 35 x 60 inches
Jessica Drenk
Aggregate Strata 6, 2025 Junk mail and used paper 72 x 49 inches
Yoona Hur
Exhibiting at the gallery for the second time, Yoona Hur reimagines the historic Korean moon jar—a spherical porcelain vessel from the Joseon dynasty—through a broader engagement with the histories of ceramics and meditative practices. The deep, smoky strokes of cobalt blue glaze and free flowing edges reflect the resonance of sacred chants and the truth of impermanence. Hur’s approach to art-making gestures toward a slower, more contemplative rhythm of life, one that creates space for reflection and spiritual transformation.
Rooted in Eastern philosophies of timelessness and transience, the vessels embody the act of emptying oneself as both release, renewal and expansion. Hur holds a B.Arch from The Cooper Union in New York and B.F.A. from The School of Art Institute of Chicago. Her works have been widely exhibited in the United States and abroad and are in many important private and corporate collections.
Right: Yoona Hur, Moon-Eyed, I See You 8 (detail)
Yoona Hur
Sacred Echoes 6, 2026 Stoneware 14 1/2 x 13 1/2 x 13 1/2 inches
Yoona Hur
Sacred Echoes 7, 2026 Stoneware 9 1/2 x 10 x 10 inches
Yoona Hur
Sacred Echoes 8, 2026 Stoneware 8 x 9 1/2 x 9 1/2 inches
Yoona Hur
Moon-Eyed, I See You 8, 2026 Stoneware 13 1/2 x 14 x 14 inches
Yoona Hur
Moon-Eyed, I See You 7, 2026 Stoneware 15 x 17 x 17 inches
Amy Kirchner
Amy Kirchner uses graphite and acrylic on large-scale canvases to explore painting and abstraction purely for what it is. In the quietness of her studio, the artist articulates shapes, color, line and gestures that come to her, with intuition and spontaneity taking over her process. In this fast-paced world, the artist seeks to slow down time for herself and the viewer. Soft, muted palettes express expansive spaces that are not only visual respites but also allow the mind to engage more deeply with the works. Countered with larger, darker brushstrokes that give weight to the composition, the artist manages a balance between the ephemeral and the permanent
Kirchner grew up in Western Nebraska, and her works allude to the wide landscapes of the Great Plains, with sweeping skies and canyons, which she dubs “the unchanging recorders of time.” This is Kirchner’s debut exhibition at the gallery which is made possible thanks to the generous collaboration of Long-Sharp Gallery in Indianapolis.
Right: Amy Kirchner, Wing II (detail)
Amy Kirchner
Blue Field 1, 2024 Acrylic on canvas 43 x 73 inches
Amy Kirchner
Wing II, 2019 Acrylic and graphite on canvas 60 x 60 inches
Amy Kirchner
Fleeting Blue, 2024 Acrylic on linen 66 x 46 inches
Amy Kirchner
Zephyr, 2017 Acrylic and graphite on linen 60 x 48 inches
Amy Kirchner
Dark Blue Arch, 2023 Acrylic on canvas 48 x 48 in
Amy Kirchner
Impression: 1, 2025 Acrylic on canvas 30 x 48 inches
Amy Kirchner
Waterfall II, 2022 Acrylic on canvas 60 x 40 inches
Simona Prives
Simona Prives’ artistic practice includes painting, drawing and time-based media that bridge the organic and manmade. Her visual lexicon consists of amalgamations from various sources that include maps, topographical patterns and other references to current and historical locations. These intertwine and dissolve into each other to form intricate new terrains rendered in nebulous, atmospheric compositions.
For this exhibition, Prives will present dreamlike landscapes, imbued with elusive open-ended narratives she created in collaboration with pioneering master printmaker Dan Welden and print studio Brooklyn Editions. The works merge analog printmaking with innovative approaches to hybrid printing to create a dynamic dialogue between traditional and contemporary processes. Prives holds an M.F.A. from Pratt Institute and currently serves as an Associate Professor at City University of New York. The artist has also exhibited widely in the United States, and her works are in many important collections.
Right: Simona Prives, The Noise of Dark Waters detail)
Simona Prives
The Noise of Waters 1, 2025 Hybrid Print combining soft ground intaglio etching with collage, drawing and ink on Hahnemuhle Museum Etching Paper 26 x 63 inches Editions of 5, 2 AP with unique collage
Simona Prives
The Noise of Waters 2, 2025 Hybrid Print combining soft ground intaglio etching with collage, drawing and ink on Hahnemuhle Museum Etching Paper 26 x 63 inches Editions of 5, 2 AP with unique collage
Simona Prives
Echo in the Memory, 2025 Hybrid Print combining soft ground intaglio etching with monotype and drawing on Hahnemuhle Museum Etching Paper 61 1/2 x 40 inches Edition of 5, 2AP with unique collage
Simona Prives
The Light that Falls Around It, 2025 Hybrid Print combining monotype with ink painting, collage and drawing on Arches Watercolor Paper 43 x 56 inches
Simona Prives
The Noise of Dark Waters, 2025 Hybrid Print combining soft ground intaglio etching with ink painting, watercolor and collage on Hahnemuhle Museum Etching Paper 40 x 60 inches Edition of 5, 2 AP with unique collage
Artists’ CVs (Abridged)