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Autumn 2026

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Autumn 2026 Welcome to the Autumn 2026 edition of The Professional Painter and Decorator magazine. This issue brings industry news, expert advice, and inspiring project highlights to support professionals in the painting and decorating sector.

26 Connecting the dots – Dealing with woodworm

Leading ladder brand Werner are celebrating the success of their first year as official partner of the Professional Darts Corporation and has renewed this commitment for the year ahead. We also spotlight the Painting & Decorating Show’s successful move to the NEC, Birmingham, where the trade show created new opportunities for networking, learning, and collaboration across the trades. We take a look at colour trends with the Dulux Colour of the Year 2027, Soulful Sage, chosen through AkzoNobel’s annual ColourFutures trend forecast, which brings together international colour experts to identify the shades people are likely to want in their homes. For 2027, the research points towards lighter, more uplifting environments, resulting in a versatile green that can serve as the starting point for calm, warming, or uplifting colour schemes. In the business section, there's advice on protecting profitability, emphasising the need for accurate time tracking and robust job costing.

28 False economy 32 Showpiece staircase – Cheap isn’t cheerful – By Quality Finishing

We’ve got practical guidance on surface preparation, product selection, and the latest techniques, including advice on fillers and tapes and a step-by-step guide to applying Ilumitex. Brewers have launched a new Decorator Academy in Guildford offering hands-on courses in spraying, wallpapering, and preparation, led by expert trainers and supported by leading product brands, and finally, discover the latest product innovations, from award-winning paints to advanced spraying systems and tools designed to help you work smarter, deliver superior results, and grow your business. We would also love to hear from you, our readers! So don’t hesitate to get in touch and share your own experiences and

Catherine Saint, Editor

4 Trade news

34 Museum has Heritage 36 In the limelight 38 Pint of the usual? – Dulux on display

projects with us at ppdeditorial@saintpublicity.co.uk

– Little Greene on stage

– Updates for the sector

16 Plugging profit leaks 20 How to: 24 Boost your P&D skills – Don’t undersell yourself!

– Valspar head to the pub

– Fillers, tapes and patches – New Academy opens

40 Flaky paint by design 44 The gear guide – Applying Ilumitex

14 Colour of the Year – Dulux gets soulful.

– Tools, products and services

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The magazine’s contents are put together with good faith, care and attention; however, the publisher cannot be held responsible for any inaccuracy of the information provided by contributors in the publication.

News

Werner doubles down on PDC partnership WERNER, THE LEADING manufacturer of access solutions for working at height, is celebrating the success of its first year as official partner of the Professional Darts Corporation (PDC), as the brand confirms its commitment to a second year of partnership with one of the UK’s fastest-growing and most widely followed sports.

Since joining forces with the PDC, Werner has successfully brought its brand closer to darts fans across the UK through high-profile visibility at major tournaments, digital engagement opportunities with some of darts leading players, and interactive fan experiences. Under the partnership, the prestigious PDC world rankings was rebranded as the Werner Rankings Ladder, giving the brand a strong visibility across PDC platforms. Werner branding has also appeared at major events, including on-stage signage at iconic venues such as Ally Pally and the Blackpool Winter Gardens, alongside player shirt sleeve branding at the Grand Slam of Darts. The partnership has also enabled Werner to connect directly with fans through engaging activations, including the return of the much-loved Gravity Darts game. Most recently, Werner brought the experience to the Betfred World Matchplay at the Winter Gardens, where fans were able to test their skills and compete in the unique darts challenge. The activation proved a major crowd favourite, with Werner-branded bucket hats also proving highly popular among attendees. Justin White, Managing Director at Werner UK, commented, “Our partnership with the PDC has been a fantastic opportunity for Werner to connect with a passionate and engaged audience while bringing our brand to life in a completely different environment. “Over the past year, we have seen first-hand the enthusiasm that surrounds darts and the incredible reach that the PDC provides. From the Werner Rankings Ladder to our fan favourite Gravity Darts tournaments, we have been delighted with the response from supporters and are proud of the role we have played in enhancing the event experience for fans. “The second year of our partnership got underway in style at the World Matchplay in Blackpool, with our Gravity Darts fan challenge attracting plenty of attention and the Werner bucket hats becoming a real favourite with attendees. We are excited to continue developing the partnership over the next year and finding new ways to engage with the darts community.” The PDC partnership forms part of Werner’s wider commitment to engaging directly with trade professionals and helping people work safely, efficiently and confidently at height. www.wernerco.co.uk n

Crafted to stand the test of time.

Hale Navy HC-154, Regal® Select, Matte Colour accuracy is ensured only when tinted in quality Benjamin Moore® paints. Colour representations may differ slightly from actual paint. ©2026 Benjamin Moore & Co. Benjamin Moore and the triangle “M” symbol are trademarks registered in the United States and various other countries around the world. Benjamin Moore & Co. uses these marks under licence in the United States. 2/26

News

New guide promotes a ‘Career in Colour’ A DEFINITIVE GUIDE to training and employment opportunities in the P&D sector has been issued to UK colleges. The Painting and Decorating Association’s (PDA) Careers in Colour brochure sets out routes into the industry, key skills and progression, and provides detailed information for school-leavers and career-changers considering their options in the industry.

Available for free, the Careers in Colour guide is available as a PDF that anyone can feature on their own websites or social media channels to aid recruitment. PDA Chief Executive Neil Ogilvie said, “The PDA is on hand to help its members develop and grow their businesses, and training, skills, apprenticeships and recruitment all have a key role to play. Our Careers in Colour guide will help support the talent pipeline by reaching young people across the country and can be used to offer insight into the trade when recruiting apprentices and trainees.” The guide was issued ahead of the expected publication of the Milburn Young People and Work report, which will set out recommendations to reverse the high rates of young people who are classed as NEET (Not in Education, Employment or Training). Neil Ogilvie added, “As the only UK trade body dedicated to the sector, we represent professional painters and decorators who support apprenticeships, training and skills.

Download or read the Careers in Colour guide at tinyurl.com/CareersInColour “The interim Milburn report highlighted the challenges young people across the UK are facing in finding training or employment opportunities. The PDA Careers in Colour guide is designed to provide useful information and meaningful insight into the options available in the painting and decorating sector for young people who are considering their future.” https://tinyurl.com/ThePDA n

News The Painting & Decorating Show (PDS) is back next year, running from 22 to 24 June at the NEC in Birmingham This year was the first show to take place at its new home, alongside Professional Woodworking Expo and InstallerSHOW at the NEC, as part of a major new meeting point for the trades that finish, fit out and service the built environment. PDS welcomed 5,789 visitors and over 85 exhibitors, while Professional Woodworking Expo attracted 3,916 visitors and 95+ exhibitors. Together with InstallerSHOW’s record-breaking 38,523 visitors, the

co-located events created one of the UK’s most comprehensive trade gatherings. For PDS, the move marked a powerful first chapter: retaining the focus and identity of an established specialist event while opening it up to a wider trade audience and a broader range of connected sectors. The Demo Zone saw brushes, rollers, sprayers and paints go head-to-head in live, hands-on demonstrations. The Innovation Area showcased the

Learning A big focus was on education, which will return for 2027... But what did the apprentice visitors think? “We don’t always get to spend much time with other decorators and people as passionate as ourselves. So it’s exciting. You can feel the excitement in everyone around, and you’re all passionate about the same thing, so it’s great fun.” – Romilly Oliver, Apprentice “I definitely recommend other apprentices coming to this show because it makes you realise that you are actually appreciated as a young person coming up to a trade.” – Courtney Irwin, Apprentice.

newest products and sustainable materials, while the TradesTalk theatre delivered sessions from leading decorators, brands and industry bodies. Nick James, who you might know as @nickthedecorator on Instagram, had this to say, “I’m always on site, I’m always grafting, I’m always working, so being able to network with all of the brands that I talk to on social media is perfect. For anybody looking to come down here, I would definitely recommend it because it’s a good day and there’s just so many stalls. You can’t quite get your head around how many different companies are down here and how helpful everybody is. Everybody wants to help you with their product.” The show’s David Ventris-Field said, “PDS felt right at home alongside InstallerSHOW. Painters and decorators, joiners, carpenters, installers and the wider trade all share the same spaces, challenges and customers, so bringing them together made real sense. Plus, the energy on the show floor showed there is real appetite for this approach, and we’re excited to build on it for 2027.” n

So get that date in the calendar for 2027 – 22 to 24 June at the NEC in Birmingham! 8

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News

Bradite serves up a refreshing mural MURAL SPECIALISTS, MANY Hands Studio recently transformed MOMO Kombucha’s new South London brewery with a large-scale mural and bespoke exterior signage using Bradite One Can, with an impactful and durable design celebrating MOMO’s brand ethos. Award-winning designer Luke James launched Many Hands in 2022 after more than a decade of designing and creating murals and installations. Bradite was delighted to partner on the project, supplying One Can in a palette of nature-inspired RAL shades, chosen to reflect the brand’s organic ingredients. The brewery transformation was undertaken by a team of highly skilled designers and creatives who applied One Can using a combination of brushes, rollers and an airless sprayer.

“One Can is the perfect product for this type of project in an industrial environment,” says Luke, “It’s water-based but covers really well. It’s great to be able to use just one product despite having several different environments to work in.” Offered in both Matt and Eggshell, One Can provides outstanding durability and adhesion to almost all interior and exterior substrates, from woods and metals to building plastics, without requiring a separate primer. Bradite One Can is touch dry in just 30 minutes, with recoats possible after 1 hour, making it ideal for exterior painting where speed is an essential consideration, along with durability and weatherproofing. Luke adds, “The external work will last almost indefinitely but the paint still possesses a nice quality which means it could also be used on the interior mural. We’ve used this product on several projects, and it hasn’t disappointed.”

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Design

Dulux has named Soulful Sage™ its Colour of the Year 2027, giving decorators a practical starting point for colour conversations. The soft, silvery green and its three complementary palettes can help professionals tackle common colour questions, from which shades work well together to pairings that will suit the use and mood of the space.

Simplifying colour conversations For decorators, great service often goes beyond achieving a high-quality finish. Customers may also look to them for guidance when they are struggling to narrow down options or turn an idea into a workable colour scheme. Soulful Sage™ and its supporting palettes provide a simple framework to help decorators guide those conversations while keeping the final choice with the customer.

The Dulux Colour of the Year 2027, Soulful Sage, was chosen through AkzoNobel’s annual ColourFutures™ trend forecast which brings together international colour experts to identify the shades people are likely to want in their homes. For 2027, the research pointed towards lighter, more uplifting environments, resulting in a versatile green that can be used as the starting point for calm, warming or uplifting schemes depending on the customer’s brief. To make Soulful Sage straightforward to use on real jobs, Dulux has created three complementary palettes that provide a ready-made set of colour combinations. Decorators can use these to narrow down options with customers according to the room and the atmosphere they want to achieve. Nicola Holmes, Dulux Academy Colour Expert at AkzoNobel, said, “When a customer isn’t sure where to start with colour, decorators can use the Colour of the Year 2027 palettes to help steer the conversation. A good place to start is by asking how the room is used and how the customer wants it to feel. From there, the Glow, Light and Lift palettes can help narrow down the options before moving on to individual shades. “For example, if the living room is their space to wind down at the end of the day, the Glow palette can help to create a cosy and warming colour scheme.

Design

COLOURFUTURES 2027 ™

Human expertise lies at the heart of the colour selection process. Hand-

picked international experts help spot upcoming trends and discuss their insights in person to establish what people will need from their homes over the coming years. It’s then down to the expert in-house colourists to select

Glow Colours Warm reds and earthy browns combine with Soulful Sage™ to create a comfortable, welcoming scheme. Ideal for living rooms, dining rooms and other spaces where customers want a warm, familiar feel.

colours that will resonate emotionally with consumers across the globe. With over 30 years of experience, the team at the Global Aesthetic Center has an innate understanding of how different colours can affect mood so they are perfectly placed to choose shades that are just right for now.

Alternatively, if the bathroom is their place to get up and go in the morning, Lift colours can be used to create a more energetic feel. “The Dulux Colour of the Year gives decorators a straightforward way to turn an uncertain brief into a clearer colour direction, while still leaving the customer in control of the final choice.”

Light Colours Soft browns, blues and cleansing neutrals sit alongside Soulful Sage™ for a calmer, visually uncluttered scheme. Well suited to bedrooms, bathrooms and home offices for a quieter vibe.

The Dulux Colour of the Year 2027: Soulful Sage and colours from the accompanying palettes can be mixed at Dulux colour mixing retailers. Soulful Sage is also available as a Peel & Stick Sample.

Visit www.dulux.co.uk/en/dulux-colour-of-the-year-2027 and follow #CF27 on social media.

Lift Colours Yellows, pinks and greens pair with Soulful Sage™ to create a brighter, more energetic scheme. A good fit for kitchens, playrooms and other spaces that call for more personality and uplift.

Business Advice

Painting and decorating firms in the UK spend an enormous amount of energy on improving profits. Pricing gets debated in Facebook groups every week... Paint markup, dust sheet costs, whether to charge for masking. Meanwhile the actual leak sits in unlogged travel, second-coat returns, and touch-up visits, and gets written off as ‘just part of job’. Bhargavi Halthore at Field Promax explains that it isn't. It's a measurement failure, and it's fixable.

Are you leaking profit? Last month I was on a call with a decorating firm in the Midlands. They had quoted a three-storey Victorian repaint at £14,200, expected around 12% net, but finished the job at just under 3%. Materials came in on budget. The client paid on time. All good but looking through the timesheets, the team had logged 118 hours against a 92-hour estimate, a 28% overrun that nobody flagged until invoicing. That gap is, in my view, the single most under-discussed profitability killer in the trade.

The job that was fine on paper The repaint was quoted at 92 hours with two workers over roughly two weeks: sanding, filling, priming, two coats on walls, satinwood on woodwork, cutting-in around fifteen sash windows. Materials at £3,800. Labour costed at £4,600 based on a fully-burdened hourly rate. Overheads and profit built in on top.

• The second coat on the stairwell needed a third pass because of poor coverage on a deep colour – Four hours over estimate.

What to measure Most decorating firms track hours weekly for payroll. That’s fine for HMRC and fine for paying the team. It’s useless for margin. Weekly hours tell you what you owe your staff. Job-tagged hours tell you what each job actually cost you.

Profitability swings most on time keeping accuracy: workers that log by job code consistently pick-up on margin issues sooner.

• The team made three trips to the merchant for extra filler and one specific tint that came out wrong the first time – Six unlogged hours across two people.

• One sash window needed a return visit after the sealant failed to cure properly in damp weather – Half a day.

That’s roughly 26 extra hours. At a fully-loaded cost of about £38 per hour, that’s £988 of labour that didn’t appear anywhere in the invoicing conversation. The job billed at quoted price. The overrun ate the profit.

1. Clock-in by job code, not by day.

Here’s what actually happened, none of it was unusual:

• The client asked for a ‘quick look’ at a hallway ceiling on day four – Two hours, never priced, never logged as variation.

• End-of-job touch-ups after the client walked round with a torch – Another five hours.

If a day is logged as ‘8 hours’, you learn nothing. If it’s logged as ‘3.5h Job 214 / 2h Job 217 / 1h travel / 1.5h Job 220 touch-up,’ you have a costing tool. 2. Capture travel and merchant runs separately. Workers should tag every labour hour to a job when it happens, not reconstruct it later from memory. Merchant runs are a classic invisible cost... Log them! 3. Track variance at job close, not at month end. Live cost data helps spot labour overages in days instead of weeks. A five-minute review at job close, quoted hours versus actual, is worth more than a full quarterly profit-and-loss review after the fact. You can’t fix what happened three months ago. >

Key reasons decorating is vulnerable to lost profit Iterative work Client presence Painters return to the same wall multiple times for prep, prime, coats, and touch-ups, allowing unlogged time to slip in.

Customers watch the work and request small, unlogged favours that accumulate into significant extra time.

Long finish tail

Loose culture

Decorators consistently underestimate nonbillable time like setup, prep, cleanup, and customer communication.

Workers are resistant to clock-in/clock-out discipline, often relying on outdated paper timesheets.

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Business Advice

The cultural change is harder than the tool change I’ll be honest about the friction here. In every conversation I’ve had with a decorating firm owner who introduced job-code time tracking, the first three weeks were painful. Painters forget to clock in. They clock into the wrong job. They resent the perceived surveillance. One owner told me his most experienced decorator, twenty years on the tools, threatened to walk out over it.

4. Use revenue per hour as your daily gut check. KPI guidance uses revenue per labour hour as a core metric and sets a target band of £52–£72 for UK operators. If you know your target, you can spot a drifting job in week one instead of week four.

5. Build labour burden into the rate you cost against. The labour burden should include payroll taxes, unemployment insurance, and fees, not just wage rates, and that annual burden inputs should be converted to hourly rates by dividing by 2,080 working hours. A decorator paid £18hr probably costs the business £26-£30hr once employers’ NI, holiday pay, sick pay, van, insurance, and pension are included. Cost the job at £18 and every hour of drift hides its true impact.

The CIS and record-keeping angle nobody talks about There’s a UK-specific reason to tighten this up that goes beyond profits. HMRC’s CIS record-keeping obligations make contemporaneous labour records operationally important for contractors, especially where subcontractors and deductions are involved. If you’re running a decorating firm with a mix of PAYE painters and CIS subcontractors, and your only labour record is a weekly total scribbled on a whiteboard, you’re carrying compliance risk on top of margin risk. The firms I see doing this well have moved to per-job time capture partly because HMRC pushed them there, and they discovered the margin visibility as a side benefit. That’s a fine way to arrive at it.

About the Author Bhargavi Halthore is a content writer at Field Promax, a field service management platform serving trades businesses across the USA and Canada. With over a decade of experience writing for business owners, she brings detailed, ground-level insight to every topic she covers. Her research draws on LinkedIn groups, Facebook communities, and Reddit forums to understand what field service business owners are actually dealing with on the ground. She speaks directly with industry professionals, understands their day-to-day challenges, and translates that into content that is practical and actionable. What you read in her articles reflects real industry patterns from those conversations. Connect with her on LinkedIn.

The way through it, is to frame the data as protection for the workers. If a job overran because the client kept adding scope, the time data proves it and gets the variation billed. If a job overran because the estimate was wrong, that’s a bidding problem the owner needs to fix, and the crew is off the hook.

The uncomfortable bottom line The decorator I mentioned at the start went back through his last six months of jobs with proper labour data. Four of the 12 jobs he’d considered ‘good jobs’ had actually come in under 5% margin. Two had lost money. He’d been telling himself the business was healthier than it was because the invoice totals looked right and the bank balance was growing on cash flow, not profit. That’s the position I think a lot of UK decorators are in right now. Cost of paint is up. Wage expectations are up. Fuel is up. Clients are more price-sensitive than they’ve been in years. The instinct is to push prices, which is fair, but pushing prices without fixing the measurement problem underneath just means you overrun on bigger numbers.

Takeaway advice If you do nothing else this quarter, pick your last five completed jobs and reconstruct the actual hours as honestly as you can, including travel, merchant runs, and touch-ups. Compare against what you quoted. If the variance on any of them is above 15%, that’s your starting point, not a one-off. The decorators who get this right are the ones who know within three days when a job is drifting and can do something about it while they are still on site. n

Advice

Stacey Booth at Okarno addresses common questions decorators ask when choosing the right products for surface preparation.

How to:

Get the best results from fillers, tapes and patches Why can a perfectly smooth finish be hard to achieve? This often comes down to product selection rather than technique. As there are many fillers, tapes, and patching products on the market, decorators commonly choose whatever is in stock at their local stockists and what they are used to using. This is not an issue in most scenarios; however, on more challenging projects, efficiency is just as important as getting a quality finish. Spending longer than necessary on sanding and repairs can eat into profits, so it is worth taking the time to identify the best products suited to the project you are working on, so you can work smarter, not harder.

When should you opt for a ready-mixed filler? Ready-mixed fillers are great for small repairs, snagging, nail holes, and minor surface irregularities. Ready-mixed fillers are all about convenience. You don’t need access to water, and you don’t need to worry about measuring and mixing onsite. They can also help reduce waste, as any unused product can, in some cases, be sealed in a tub and ready for the next project.

How about powder-based fillers? Powder fillers are still widely used, and many decorators prefer to mix their own fillers to achieve their desired consistency. When selecting a powder filler, key factors to consider are working time and setting time, ensuring you’re not left waiting too long for it to set and dry. Powder-based fillers, such as the EasiFill range, are labelled with numbers that indicate their working time. This predictability is helpful for planning a project. The numbers in the product names – 20, 45, and 60 – represent the approximate working time in minutes.

Is all ready-mixed the same? No, there are real differences, and it's worth understanding these. For example, something like Gyproc EasiFiller Finish is specifically formulated for final feathering and skim applications before painting. It gives you an exceptionally fine, flat edge that virtually eliminates visible transitions, and in most cases, requires no sanding. This is very different to Gyproc EasiFiller Light, a very lightweight formulation for holes and deep cracks that prevents slumping and causes minimal shrinkage. ®

For snagging and small repairs, a shorter working time is ideal. Gyproc® EasiFill 20 is perfect for quick touch-ups that require a rapid turnaround. EasiFill 60 provides more time to work across larger areas without waste or inconsistency. It is suitable for all three stages of jointing, making it an excellent option for decorators who also handle drywall installations and the taping and jointing phases of a project. >

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Advice

When the area to repair is large and requires extensive prep work, yet the plaster remains structurally sound and would be disruptive to replace, roller-applied coverings are worth considering as an efficient alternative to traditional fillers. Dalapro Roll Nova is designed to be rolled across an entire wall surface in a thin, even coat and then skimmed smooth with a skimming blade. Once dry, it can be lightly sanded and painted directly. It's particularly well-suited to walls with fine, distributed cracking or an uneven texture that needs levelling out without the cost and disruption of a full re-plaster. As a finishing solution, roller-applied coverings deliver a paint-ready result efficiently.

> Moving on to tapes... What should you look for when selecting jointing tape? The greatest challenge with joints and crack repairs is ensuring long-term stability, as no decorator wants to be called back to the site due to reappearing cracks. Choosing the right jointing tape can make a real difference to the quality and durability of the finish. Paper tape provides a strong, reliable bond and is particularly effective at reducing the risk of cracking where movement may occur, but it does demand a higher level of skill and a little more time to achieve a smooth result. Fibreglass mesh tape, on the other hand, is self‑adhesive, flexible and quick to apply, making it a popular choice for faster jobs or where ease of use is key, although it may not always offer the same level of reinforcement as paper in all situations.

How do I get an ultra-flat finish on critically lit areas? ®

Finer jointing tapes, such as Gyproc FibaTape Perfect Finish, have a thinner profile, thanks to a tighter weave, that allows them to sit flatter within the joint, making them ideal for achieving a high-quality, seamless finish.

What about deeper holes, such as old socket cutouts? When it comes to deep holes, or holes left from a spotlight or socket, a different approach is needed to ensure the surface is reinforced, as well as being smooth and flawless. When tackling minor holes in plasterboard, products such as EasiFiller Light are a great option, and can fill and smooth holes up to 25mm deep in one pass. Deeper holes and cracks can also be reinforced with a fine fibreglass tape to provide long-term stability and reduce the number of fills needed for these types of repairs.

Is there an approach that ties all this together? A system-based approach is key to working more efficiently on site, helping decorators overcome common challenges such as repeat cracking, uneven finishes, and time lost on sanding and rework. By selecting fillers, tapes and patches that are designed to work together, you can streamline each stage of the job, reducing application time, minimising remedial work and improving firsttime results.

If you have any additional questions to ask Okarno not covered in this article, please email okarno@saint-gobain.com For more guidance and step-by-step how-to content, visit the Okarno How-To hub at www.okarno.com/how 22

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Advice Projects

A brand-new Decorator Academy in Guildford is now open, offering hands-on training in a purpose-built learning environment designed to help decorators build confidence, master new techniques and grow their careers.

Boost your skills! A purpose-built academy

Use industry-leading brands

The indoor training space is sectioned into open-plan practical training rooms with space for 10 decorators to master professional decorating techniques on walls, doors, windows and trims.

Brewers provide all the tools you’ll need to take part in the training courses. You’ll get hands-on practice with top-of-the-range products from our suppliers including Graco and Mirka.

You'll also find specialist features, including spindles, cills and fireplaces, giving you the opportunity to perfect your techniques in a realistic setting.

Since the Academy is located right above the Brewers Guildford store, you’ll also have access to an extensive range of products so you can be confident recommending the best products for the job.

There is a training classroom too to help you build a solid understanding of the theory behind the job and expand your product expertise before you get hands-on.

A wide range of courses

Refreshments included

Brewers Decorator Academy offers a range of painting and decorating courses including:

The Decorators Academy has an on-site kitchen where lunch and refreshments are provided as part of your course. n

• Introduction To Spray • Airless Spray • Paint Systems • Wallpapering • Preparation Skills

Learn from expert trainers Sessions are led by dedicated and experienced trainers who will help you sharpen your skills and grow your confidence so you can provide exceptional results for your customers. The Academy team can also deliver bespoke training sessions. Get in touch to find out how courses can be designed to suit your individual company needs. 24

Sign up for a course Whether you’re starting out, looking to expand your skillset or keen to perfect a new technique, Brewers Decorator Academy is the ideal place to take your skills to the next level. Email decoratoracademy@brewers.co.uk or visit https://tinyurl.com/BrewersAcademy to find out more and sign up for a course.

Advice

Woodworm refers to insects that feed on and destroy wood in the built environment, but while the trademark ‘dart board’ holes in wood are widely recognised, understanding whether an infestation is active or historic will dictate whether action is needed or not.

With a preference for certain partially decayed hardwoods, mainly oak, the Deathwatch beetle is most

Surveyor of Timber and Damp in Buildings (CSTDB) PCA member, will establish if an infestation is active, what the causes may be, the scope of the problem and the most effective strategy for monitoring, control and eradication.

often found in historic buildings such as churches and while it’s distinctive ‘variegated’ appearance and frass make identification easier, treatment can be particularly troublesome.

Paul Walker is Technical Manager at the PCA, he said, “Under COSHH, UK biocides and pesticides controls, timber treatment chemicals should not be used as a routine or precautionary measure without a clearly justified need. The need should be evidenced by assessment, such as evidence of active infestation or a justified preventive treatment requirement.

Paul added, “PCA contractors can offer treatment services with the benefit of a long-term guarantee and peace of mind that any remediation plan is in compliance with relevant legislation.

“Wood boring insects need a certain level of moisture in the timber to thrive, so it’s important that any sources of damp or moisture are taken into consideration and correct identification of the species is also crucial in determining how to tackle an active infestation.” The common furniture beetle (Anobium punctatum, pictured top right) is the most abundant of the wood destroying insects found in buildings in the UK and, in the right conditions, it can infest a wide variety of timber products including structural building timbers and furniture.

Almost as abundant as the common furniture beetle, the wood boring weevil restricts its activities to damp and partially decayed timber and is often found behind skirting boards and wall plates where fungal decay is present.

A specialist survey, carried out by a Certificated

“Where there is no evidence of active infestation or justified preventive need, chemical treatment should not be recommended.

www.property-care.org

t mar nto ©e

Painters and decorators, joiners, roofers and builders facing problems with woodworm can call in specialist members of national trade body PCA to carry out diagnostic investigations and ensure compliance.

It is sometimes confused with the bark borer beetle, which will usually only attack any bark left on structural timbers, and powderpost beetles, which are found in unseasoned or recently dried hardwood.

“Where a woodworm attack is so severe that the strength of the timber is affected, it may be necessary to replace the infested parts with new timber, which should be treated before use.”

PCA has a range of guidance on woodworm and timber preservation at www.property-care.org n

F O R A F L A W L E S S F I N I S H , F A S T. E xc e pt i ona l O p a c it y – E as y To Apply – C l a s s 1 S cr ub R at i ng Discover the perfect paint for professionals. Discover Dead Flat. farrow-ball.com

Going Green

As the industry's focus on sustainability grows, it's time to take a harder look at one of the most overlooked contributors to waste on the job – the throwaway brush.

The hidden cost of disposable brushes Walk into most decorating suppliers and you’ll find shelves stacked with low-cost brushes at price points that make them feel almost expendable. For many painters and decorators, especially those working across high-volume projects, the temptation to buy cheap and replace often is understandable. But when you add up what that approach actually costs, financially, professionally, and environmentally, the calculation looks very different. The manufacturing of a paintbrush, even a basic one, draws on a range of materials and resources: synthetic or natural filaments, ferrules, handles, adhesives, and the energy required to produce and ship them. When a brush is used for a handful of jobs and discarded, all those components go with it. Multiply that by the thousands of brushes disposed of across the industry each week, and the environmental footprint becomes difficult to ignore. The sustainability case for investing in quality tools is simple: a well-made brush used and maintained properly can last for years rather than months. The environmental cost of one premium brush across its lifespan, is a fraction of that generated by repeated disposable replacements. Manufacturers like Purdy have long built their ranges around this principle, engineering brushes to perform consistently over time, rather than to a price point that leads to early replacement.

Of course, longevity isn’t simply a function of price. A quality brush needs proper care to deliver on its promise, thorough cleaning after every use, correct storage to protect the filaments, and a level of day-to-day handling that many professionals already apply intuitively. The brush needs to be a tool, not a consumable. There’s also a performance dimension worth considering. Lower-quality brushes often shed filaments into the paint film, leave a rougher finish, and struggle under the demands of daily professional use. The time spent picking bristles from a surface, or revisiting a finish that hasn’t met the client’s expectations, represents a hidden cost of its own, one that rarely appears in the initial price comparison. For a trade that prides itself on precision and finish quality, there’s an argument that the tools you choose to work with say something about your standards. Clients are also asking questions about sustainability, about the materials being used. A decorator who can speak to the quality and longevity of their tools is in a stronger position than one who can’t. The shift away from disposable brushes won’t happen overnight, but the evidence is clear. For manufacturers like Purdy, that shift is already built into the philosophy, tools engineered to last, to perform, and to justify the investment every time they’re picked up. For those who use them, the calculation is becoming harder to ignore – better for the environment, better for the finish, and, over time, better for the bottom line. n

www.purdy.co.uk 28

STOP MOULD TAKING HOL H D

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WE'VE E GOT YOU CO C VERED WITH W AF1 ' '& &%" %& " %&" &! " & &" " " &%& " '" " % " % # " % &" ! " ' &#" "!" " ! & &" " %" %& ' " ! " &"! & " # "!"# %! " ! ' & " % #'" %"% &% ! ! &" " " ' & " " ' & "! " "( &

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MAKE THA T T CHANGE.

Projects

Showpiece s tair c a se I

t’s all in the preparation when it comes to achieving a quality finish, and that was certainly the case with this residential staircase transformation, as Mark Andrews of award-winning company Quality Finishing Painting and Decorating explains...

“This staircase and hallway decorating project required careful preparation and finishing to restore worn timberwork and deliver a clean, durable painted finish. We used detailed sanding pads and hand sanding around the spindles, mouldings and harder-to-reach areas, with dust extraction used wherever possible. We then made good the timberwork throughout, using decorators’ caulk, fine surface filler, Ronseal wood filler and a two-part resin repair system where stronger repairs were needed. Surfaces were rubbed down between coats as required to achieve a smooth, consistent finish. The stair treads required particular attention because a carpet runner was due to be fitted through the centre of the staircase, leaving the painted edges visible on either side. These areas were carefully sanded, filled and caulked so the finished white edges would appear clean, sharp and consistent once the runner was installed.

The spindle work was the most time-intensive stage, with each face, edge and angle requiring close attention to achieve an even, high-quality finish. Materials were mainly supplied through Leyland SDM and Brewers Decorator Centres. The specification included Dulux Eggshell in an off-white RAL colour, along with fine surface filler, Ronseal wood filler, decorators’ caulk, two-part resin repair materials and a range of sanding abrasives. The staircase and hallway works were completed over approximately three weekends, equating to around seven to eight working days in total. The project was completed within the agreed programme and budget, and the client was very pleased with the final result. The client later left a verified review, describing Quality Finishing as their go-to company for interior decorating projects and continuing to rely on us throughout the wider refurbishment because of the excellent results achieved. n

Quality Finishing Painting & Decorating received the Painting and Decorating Company of the Year 2026/27 in the South of England Prestige Awards for professional workmanship, attention to detail, reliability and commitment to achieving a high-quality finish. With many years in the decorating sector Mark Edwards was delighted to receive the accolade, saying, “We take real pride in our preparation, workmanship and attention to detail, and I’d like to thank all of our customers and everyone who has supported Quality Finishing.”

www.qualityfinishing.co.uk Quality Finishing specialises in high-quality residential and commercial painting and decorating, including interior and exterior decoration, specialist preparation, wallpapering, woodwork and property maintenance,

Witth you u to fin nd yourr custom custom mer’’s mers mer perfect e match. Accurately mix thousands off colours, including popular designer pa p int collections into Dulux Trade, ade Heritage & Armstead quality productss.

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Projects

Worthing Museum & Art Gallery has been transformed with the help of Dulux Heritage. Nodding to the building’s Edwardian beginnings, Dulux Heritage has created a timeless backdrop for the museum’s collections and helped to improve user experience for years to come.

A timeless refresh for Museum & Art Gallery https://wtm.uk/

The seaside town of Worthing in West Sussex is undergoing a major transformation. Buildings in the community are being connected to the Worthing Heat Network, which uses waste heat from the local area to warm nearby homes and businesses. To become connected, Worthing Museum & Art Gallery was faced with a mandatory closure which posed an opportunity to make further upgrades to the space.

The team at Worthing Museum & Art Gallery wanted to improve customer flow and create a versatile aesthetic to complement current and future collections. Having worked with Dulux before, they once again turned to the iconic brand to support them with an upgrade that would make the museum re-opening one to remember. Dulux’s Senior Colour Designer, Dawn Scott, was brought onto the project to help inspire the colour scheme, “My focus was on ensuring each colour connected to the next and provided the visual contrast visitors need to move through the space with ease. “The Dulux Heritage range was the perfect solution. With durable shades that offer a blend of classic colours and contemporary trends, I was able to nod to the Edwardian history of the building and create a long-lasting finish to showcase the collections and inspire visitors to stop and admire all the Museum has to offer.” The final colour palette gave each space its own character and created a cohesive journey through the building. Quartz Grey, a warm, mid-tone taupe, provided a versatile neutral backdrop in the Studio Gallery and Main Gallery, pairing easily with the surrounding colours. >

Projects

In the Downland and Archaeology galleries, Mallard Green was used for a rich, immersive colour-drench effect. Its connection to the natural landscape was particularly fitting for Archaeology, reflecting the local downs that inspire the collection there. The link to nature continued in the Garden Gallery, where the soft avocado tones of Veranda Green were introduced alongside Chiltern White. Deeper teals introduced contrast and drama elsewhere. Midnight Teal added a sense of grandeur to the New Historic Dress & Worthing Area display, working beautifully with Quartz Grey - while the softer, more uplifting Maritime Teal introduced a subtle reference to open skies and calm seas in the Costume Gallery. On the staircase, DH Indigo completed the Dulux Heritage palette with a relaxed mid-blue. Throughout these spaces, Dulux Heritage Velvet Matt was used on the walls to create a luxurious, durable finish that is also washable, so everyday knocks and scuffs can be easily removed. For the woodwork and metal, Dulux Heritage Eggshell was used to provide a consistent, hard-wearing result that will remain beautiful for years to come. In the Fine Art Gallery and selected casings throughout the museum, Dulux Trade Diamond Matt in Black Opal was also used to create contrast and dramatic impact. Gerry Connolly, Head of Museum and Exhibitions, said, “Designing the museum’s colour scheme was an exciting challenge. Each shade needed to complement each other and the existing collections, while remaining versatile enough to work with future exhibitions too.

“We also had to consider how the colours would respond to the building’s natural and artificial light. As part of the refurbishment, new double-glazed windows were installed, so the scheme had to be carefully adapted to suit the changing light conditions. “Working with Dawn and the Dulux team gave us the inspiration we needed to bring our vision for the museum to life. We are so pleased with the results and the public’s reaction has been phenomenal. As well as creating a more welcoming atmosphere, the redecoration has also helped to increase visitor dwell time – we couldn’t be happier.” n

www.duluxheritage.co.uk

Projects Little Greene paint has been used in the ongoing restoration of one of London’s most celebrated theatres, with Intelligent Matt Emulsion selected for the refurbishment of the auditorium and dome ceiling at the Grade II-listed Shaftesbury Theatre.

All images © MCD Heritage 2026

Little Greene in the limelight Shaftesbury Theatre in London is currently in the latest phase of its long-term £25 million refurbishment programme. As part of the works, the auditorium along with its magnificent dome is being restored and repainted, in a project set to continue until early 2027. Specialist contractors, MCD Heritage, have been supporting the refurbishment programme at Shaftesbury Theatre since 2021. Site Manager, Ian Fernie, said, “On this project, we

approximately two hours to dry, the second coat was

Ian concluded, “We found coverage with Little Greene to be excellent. We’ve worked with their products before, so it was an obvious choice to use here at Shaftesbury Theatre. We have always received excellent

applied after this to give us a consistent finish.”

feedback from our tradespeople when using them!” n

have been using Little Greene’s Intelligent Matt Emulsion on the Graco Airless paint sprayer. We thinned the first coat by about 5%, which took

Related blue-green paint shades, Aquamarine and Ambleside, were chosen from the Little Greene colour card to complement the historic Grade II listed building. An authentic National Trust colour, Ambleside is a historic shade originally used in Beatrix Potter’s Edwardian bedroom at Hill Top Farm, meaning it felt particularly suitable for this West End theatre, which opened in 1911. Ian Fernie added, “We have used these colours in previous phases for the Bertie Crew Bar and the Ray Cooney Suite, and we will continue using them for the www.littlegreene.com

This notable project called for the use of the highest quality paint finishes that would provide the required level of durability and ease of application. Little Greene’s manufacturing pedigree, environmentally friendly formulations and historic colour palette meant their paints could be used with confidence in the iconic commercial heritage setting. Their range of Intelligent paints are up to 15 times more hardwearing than ordinary household finishes.

remaining feature walls and ceilings in the auditorium.”

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Projects

www.valspartrade.co.uk

The brand of choice for bar refurb When transforming a former pub into a new contemporary sports lounge in Birkenhead, Valspar Trade was the paint of choice for the finished look, chosen in part due to the quality of the on-the-ground support offered by its local TSS team. Having previously worked together on another project in 2022, David Blanchard and his partner Steven employed Alty Decorating Services to carry out the interior painting and decorating on their new venue, Blowers Sports Lounge.

introduction to Chloe, my region’s Trade Sales Specialist. After having had a great experience with the Valspar Trade team, it was an easy decision to reach out to Chloe again for this project, particularly for support on calculating paint quantities.”

Speaking about the project, Andy Alty said, “I’ve used Valspar Trade paint on previous jobs, which led to an

As well as attending site and helping to calculate the amount of paint required, based on site measurements,

WORK FASTER?

YES YE YES ES

Projects the Valspar Trade representative supported with finalising a colour palette that suited the interior space and the design brief. Andy continued, “David and I had already known that we wanted to use a dark brown on the woodwork, alongside a mustard yellow to bring some brightness into the space. However, we were unsure of which colour would accent this well. Chloe went through the Valspar Trade fan deck with us, which really helped us to visualise our ideas and ultimately, we landed on a cheerful turquoise shade.”

With time of the essence, Valspar Trade’s Direct2Site delivery service was invaluable, as Andy explained: “Chloe promptly arranged the Direct2Site service and had the paint delivered straight to the job site, which saved me the job of travelling and collecting it myself. This really helped to speed up the project, making my work both quicker and easier to complete. Valspar Trade has a dedicated team of Trade Sales Specialists (TSS) across the UK, you can find yours at www.valsparpaint.co.uk/valspar-trade/contact-us n

Thanks to T To ou ugh Matt’s superior cove ering power.

valspartrade.co.uk

Technique

Ilumitex is a high-performance, multi-colour dry flake wall covering system for interior walls. Manufactured in the UK by Pittaway Special Coatings since 1978, the low odour, water-based paint system is spray applied, delivering a seamless finish that is highly resistant to heavy wear and tear. If you’ve never used Ilumitex before, this step-by-step guide to its application explains the process.

Ilumitex Dry flake paint system for interior walls Ilumitex should be applied in an environment where the temperatures are above 10°C (50°F) and the relative humidity does not exceed 90%. Good ventilation is recommended.

The gun head has a 1/4” B.P.S. connector in the base of the handle for connection to a suitable compressor, capable of supplying a constant 2.8 - 3.5 bar, with a minimum displacement of 0.125m³ per minute.

Before applying Ilumitex, prepare the interior surface according to standard paint preparation guidelines, and ensure the interior surface is clean, dry and free from contamination. Repair all rough or badly cracked walls until they are smooth and solid. Any porous wall surfaces must be sealed with a high-quality primer sealer to prevent the base coat from drying too quickly.

Each Ilumitex Pack covers 25m2 and contains: • 5ltr Ilumitex Base Coat • 5kg Ilumitex Flakes • 2.5ltr Ilumitex Lacquer

Add lining paper flat on the floor to catch falling flakes. There is no need for masking tape or masking paper to be applied.

Step 2 Cut in with Ilumitex Base Coat

Step 1 Fill the Ilumitex Spray Gun Fill the air-compressor Ilumitex Gun with the flakes by pouring your chosen lumitex dry flake blend into the empty spray container. Securely fasten the canister back onto the gun.

Using a paint brush, apply the Ilumitex base coat around any boundary areas, approximately 15 cm from the edge.

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Step 3

Technique

Applying the Ilumitex Base Coat Using a brush or roller, apply the Ilumitex Base Coat to the remaining area, as a thick, even coating. Limit your working area to about one square metre at a time.

> Step 4 Spaying Ilumitex Flakes Using the Ilumitex Gun, spray an even covering of the flakes in a circular motion, holding the nozzle approximately 20cm away from the wet base coat, until the required surface area is fully covered. Divide the application into manageable sections to ensure even application and coverage of the flakes. Spray up to 10cm away from the wet edge. In the second square metre area, roll the fresh base coat gently overlapping the old base coat. Repeat by applying the Ilumitex flakes into the next area, until the wall is completed. At regular intervals, collect the fallen flakes from the liner paper and return these to a polythene bag for reuse.

Step 5 Applying Ilumitex Lacquer When the Ilumitex Base Coat and Ilumitex Flake Coat are completely dry, gently remove any loose flake with a clean stiff brush, prior to applying the Ilumitex Lacquer. Ilumitex Lacquer finish is available in three different varieties, including standard spirit-based, water-based and two pack water-based.

Pittaway SPECIAL COATINGS LIMITED

The completed Ilumitex flake application provides you with a seamless, slightly raised wall texture that transforms the wall space and remains highly resistant to wear and tear. Unlike traditional paint, the Ilumitex system eliminates the need for frequent and costly redecoration, providing you with long-term, cost-saving benefits.

For more information call 01482 329007, email info@ilumitex.co.uk or visit www.ilumitex.co.uk

PACK CONTAINING:

Marketplace

Albany AF1 now in handy pack Whether you're refreshing a single room or tackling multiple decorating projects, Albany AF1 delivers the same dependable ceiling finish in a convenient new 5-litre size. The new, practical size is suitable for smaller projects, touch-ups and jobs where less paint is needed. Water-based Albany AF1 Ceiling Paint contains matting agents to help hide imperfections as well as brush and roller marks. Offering a brand-new formulation for 2026, with lighter weight, lower odour, and decreased spatter, it also offers better coverage with reduced recoat time of 2-4 hours. The new 5-litre pack size is easier to carry up ladders and stairs, and leaves less leftover paint after smaller jobs making it ideal for single room decorating.

www.brewers.co.uk

Makita DC18SJ battery charger The Makita DC18SJ is designed to give users greater flexibility and mobility when powering cordless tools. Compatible with Makita’s 14.4V and 18V LXT batteries, the DC18SJ utilises USB-C Power Delivery (USB-PD) technology, allowing charging to be performed from a wide range of suitable sources. The new battery charger provides a convenient solution for keeping batteries charged whilst on the move, in cars, vans, or on site and when using portable power banks. The charger is compatible with the full range of Makita 18V LXT batteries and uses a three-stage charging process when powered by either an AC or 12 volt DC in vehicle power supply. Thanks to the charger’s smart charging control, estimated charging time range from 27 minutes for the 1.5Ah batteries and up to 280 minutes for high capacity 12.0Ah batteries, depending on the available power.

www.makitauk.com.

Polyvine 2K-POLY86 Varnish System Designed specifically for high-traffic and high-impact areas, 2K-POLY86 combines professional grade polyurethane varnish with a dedicated hardener to create an exeptionally durable finish capable of withstanding intensive commercial use. The system is ideal for internal wooden floors, bartops, sports halls, village halls, schools, restaurants, hotels, shops and much more. Unlike many traditional two-pack systems, 2K-POLY86 is water-based, delivering a low-odour solution without compromising on performance. The clear finish enhances the natural beauty of the timber while providing excellent resistance to impact, abrasion, chemicals, scuffing and commercial wear. Available in Gloss, Satin and Dead Flat, the product offers contractors the flexibility to achieve a subtle natural finish or a traditional high-gloss look.

www.polyvine.com

E D I U G R A GE

Marketplace

Fleetwood has officially brought its Glide-Pro brush range to the UK market, following a hugely successful launch in Ireland where it has quickly become one of the country’s favourite trade brushes.

Fleetwood

Glide-Pro Built for decorators who need speed, control and a consistently smooth finish, Glide-Pro has earned its reputation by delivering professional quality at excellent value. Over the past couple of years, Irish painters and decorators have adopted the range in large numbers, praising its performance for everyday site work, detailed cutting-in and finishing jobs. Now, UK decorators are getting the chance to put it to the test. Many visitors to Fleetwood’s stand at the recent Painting & Decorating Show received a Glide-Pro trade sample, and the early feedback has been outstanding. Decorators have been particularly impressed by the brush’s balance, paint pick-up and clean cutting edge, with many commenting that it feels like a premium trade tool without the premium price tag.

At the heart of Glide-Pro is its distinctive PBT bristle blend with extended taper. This bristle design has been developed to give decorators a smoother application, reduced brush marks and better control across walls, woodwork and trim. The range is suitable for use with all paints, making it a versatile everyday brush for professional users and the chisel edge makes for precise cutting-in, helping decorators work quickly and confidently around edges, corners, frames and detailed areas. The bristles are designed to hold more paint for extra productivity, while still being easy to clean after use. Durability has also been carefully considered. Glide-Pro includes a ribbed stainless-steel ferrule for strength and long-term performance, along with a treated hardwood handle designed to resist water absorption. That means the brush feels solid in the hand and is built to stand up to the demands of regular trade use. The range is available in flat brush sizes from 1” to 3”, as well as angled sash options from 1.5” to 2.5”, giving decorators the flexibility to choose the right tool for each job. For Fleetwood, Glide-Pro represents exactly what professional decorators expect from a trade brush: smooth finish, maximum control, durability and real value.

www.fleetwood.co.uk n

Marketplace

After forty years in the painting and decorating industry, Gareth Thompson created Spray Dogz to solve a specific professional problem: how to hang and spray cabinet doors securely, efficiently, and without damaging the workpiece.

Spray Dogz

The trade-born innovation changing cabinet door spraying One system, endless flexibility, professional results Spray Dogz gives you the freedom to choose the best method for each door, not force every door into the same setup. Whether you’re spraying a full kitchen, a single vanity unit door, or a batch of custom panels, Spray Dogz adapts to your workflow, not the other way around. With three hanging methods built into one system, you get unmatched versatility, faster setup, and cleaner, more consistent finishes. • Hold cabinet doors securely while reducing the risk of slipping, falling, or edge damage. • Spray both sides in a smoother, more efficient workflow.

Early adopters across the UK have described Spray Dogz as simple, solid, and practical, giving professional sprayers a purpose-built alternative to improvised hooks, clips, and workarounds.

From the trade, for the trade Spray Dogz stands as a reminder that meaningful innovation often comes from those who know the job best. For decorators who want a safer, faster, and more professional way to hang doors for spraying, Spray Dogz offers a trade-led solution built around the realities of the job. >

• Work effectively in workshops, spray booths, and on-site environments. • Improve speed without forcing compromises in preparation, control, or finish quality.

• Adaptable to a wide range of cabinet doors, with options for various hinge setups and professional decorating methods.

Marketplace Projects

For more than 30 years, Gareth Thompson ran his own decorating business, with a particular focus on kitchen work and hand-painted doors, where each job demanded careful removal, labelling, sanding, priming, finishing, re-hanging, and adjustment.

However, existing hanging methods forced decorators to choose between damage risk, instability, or slower working. Cup hooks were secure but required drilling into door edges, while wire-form hooks and clips were often unstable risking doors slipping or falling.

As the industry shifted toward spraying, Gareth embraced the change. He retrained, invested in equipment, and transitioned from traditional brushwork. The results were cleaner, faster, and more consistent.

None felt like the right solution for a trade that prides itself on precision and care.

Spraying doors while hanging offered even greater efficiency, allowing both sides to be coated without having to wait for one to dry.

Three ways to hang Every kitchen is different, every door is different, and every sprayer has their own moethod. That’s why Spray Dogz is engineered with not one, not two, but three powerful hanging methods—giving you total control over how you set up each job.

Whether you’re working with modern concealed hinges, traditional butt hinges, or oversized doors that need a smarter approach, Spray Dogz adapts instantly.

Spray Dogz emerged directly from the workshop, not a design studio. Decades of experience gave Gareth a clear understanding of what decorators need: stability, efficiency, and professional results without compromising the integrity of the doors.

1 The Hinge Method

Fast, secure, and zero damage

Spray Dogz is designed to mount directly using the existing hinge screw holes or the footprint behind the hinge plate. It works perfectly with standard inset hinges, as well as traditional surface-mounted types like butt hinges. Simply remove the hinge, position the Spray Dogz and secure it using the same screw hole or within the area behind the hinge plate. The result is a rock-solid connection that keeps the door stable while hanging at the ideal angle for spraying.

3 Mixed-method hanging

Perfect for larger or awkward doors

The handle hole method Use what’s already there

Some doors are tall, heavy, or just awkwardly shaped. That’s where Spray Dogz really shines... You can combine both methods; hinge mount on one edge and handle mount on the other to create the perfect balance point.

Nearly every cabinet door already has a knob or handle hole, so why not use it?

This is especially useful when you want to hang a door from a shorter edge using the longer C-hooks supplied with the system.

Spray Dogz sets include purpose-built thumbscrews that let you mount the system directly through the existing knob or handle holes. It’s simple, clean, and incredibly effective. Just insert the thumbscrew, tighten it by hand, and you’re ready to hang. No tools, no fuss.

To learn more, request a demonstration, or discuss stocking opportunities, contact Spray Dogz and see how the system can support your next spray project.

www.spraydogz.co.uk

Marketplace

Exterior painting

No limits, no fuss, just paint Tackling exterior paint jobs may feel like a task with many obstacles... Rain, wind or low temperatures, but what are the best conditions for exterior painting, or does it just depend on what paint you opt for? Here, Steve Cotton, Senior Product Manager at Valspar Trade shares some secrets of the trade… Painters and decorators can face a battle against unpredictable weather conditions and tight deadlines when working outdoors, with some paints lacking performance in certain conditions. The question is, are all paint solutions the same and what are these effects?

What seems to be the biggest factor that affects application? There’s no single answer, as paint succumbs to several issues that all produce small nags, which combined together can then lead on to much larger complications.

Temperature Temperature makes a real difference when painting exteriors. Whether too hot or too low, it can be difficult to find that sweet spot. Hot temperatures may cause paint to dry too quickly, leading to bubbling, unaesthetic brush marks and poor

adhesion. It can also cause the paint to thicken, making it harder to work with and coverage becomes uneven, preventing a smooth, neat finish. While painting in low temperatures presents decorators with other challenges. Many paints are not equipped for application in colder weather, as low temperatures cause the paint to freeze – particularly water-based solutions. This extends the length of drying time, creates poor adhesion and increases the likeliness of cracking.

Humidity Painting during the summer months can also mean tackling the challenge of increased humidity. A humid environment means paint will be exposed to a greater amount of water vapour, causing the binding agents to take an extended amount of time to evaporate. For you, this can present itself in the form of poor adhesion onto the substrate. As such, it is always advised to check the recommended temperature and humidity levels to know when best to apply your chosen paint.

Sunlight Painting in direct sunlight may seem like the most logical solution – it will dry quicker, less time for external factors to cause issues, more time to relax? Unfortunately, that is not actually the case... paint needs time to cure and soak into the substrate. If applied in direct sunlight, the paint can ‘skin over’ dividing the formulation into a dry top layer and wet underneath. For this reason, it is important to plan your jobs around peak sunshine hours, giving your paint a better chance to stick to the surface and solidify its placing.

Wind

In intense gales, paint will dry on the top layer and remain wet underneath, making the surface more susceptible to cracking. An additional factor to keep in mind with windy conditions is the possibilities of loose debris, like dust or dirt, blowing onto the wet surface and sticking, creating an uneven surface.

What are the most successful solutions to these challenges? It is important that painters and decorators source the correct paint and materials for the job or project. Opting for a paint with features like a microporous layer, or the ability to be showerproof in 30 minutes, helps to combat the challenges at hand. This ensures a seamless application process, avoiding those common exterior red flags such as; bubbling and blistering, cracking and flaking, and poor adhesion and thickening. Having the right products to suit all conditions is of extreme value to decorators. With the ability to extend the exterior painting season and limit the amount of times you have to say ‘no’ to jobs, you can give your business that competitive edge.

Marketplace

Similar to direct sunlight, wind can also cause your exterior paint to dry in separate layers, preventing successful adhesion. In windy conditions, the solvents or water in the paint can evaporate too quickly, meaning the process of absorption is less effective.

What does Valspar Trade’s exterior range offer to help? Masonry Smooth and Exterior Direct to Wood & Metal are both showerproof within just 30 minutes. While the Masonry Smooth also benefits from SeasonFlex Technology, formulated for use in all seasons and temperatures above 2ºC. This water-based range has the ability to prevent freezing, something that normally is only achieved by solvent-based products. The microporous layer across the masonry range means the paint is protected by a breathable coating while also allowing trapped moisture to escape as a vapour, and its UV resistance prevents sunlight from creating a top skin layer, limiting cracking. The perfect paint to keep in your tool kit for all seasons. n

www.valsparpaint.co.uk/valspar-trade/

Marketplace

Ronseal

Expanded interior range Just two years after venturing into the world of interior emulsion, Ronseal’s One Coat Everywhere has been crowned ‘best paint’ in the Living Room category of the Ideal Home Awards 2026. Ronseal identified a gap in the market for a high-performing, multi-surface interior paint that could be applied in every room of the home, including kitchens and bathrooms. They then acted quickly to develop the straight-talking range that does exactly what it says on the tin. The advanced formula combines high-quality pigmentation and resins to provide exceptional coverage in just one coat, and includes features such as being grease, mould and stain-resistant. The paint is also tough and washable, providing rich colour and long-lasting protection. With a unique combination of features like these, it’s clear to see why this product has disrupted the industry. Best of all, Ronseal One Coat Everywhere saves the average DIY-er time and money by helping to transform a room in just one can and coat. Continuing Ronseal’s reputation for making DIY jobs quicker and easier, as shown by the brand’s famous slogan ‘Does exactly what it says on the tin’.

Commenting on Ronseal’s win, Ideal Home said, “Anything that makes life easier and a job like painting quicker gets a thumbs up from us here at Ideal Home. And that’s exactly what Ronseal’s One Coat Everywhere paint does, as it can be used on everything from walls and skirting boards to radiators and more.” Jimmy Englezos, Senior Brand Manager at Ronseal, adds: “Ronseal One Coat Everywhere is ultimately about making people’s lives easier. We know that choosing the right paint for a decorating project can be a minefield, so we have simplified the process for customers while maintaining a high quality, great-looking finish. “The award is a testament to what One Coat Everywhere has to offer and the innovation of our research and development team. The fact that the product has only been on the market a couple of years confirms the need from consumers for multiuse, easy-to-use home improvement products.” The paint also comes in a palette of 21 trend-led colours in a flat matt finish, making it the ultimate paint for those consumers seeking performance, efficiency, and a premium result. Since launching, the most popular shades amongst customers have been: Charcoal Grey, Black Pepper, Olive and Evergreen.

www.ronseal.com n

One Coat Everywhere can be applied to nearly all interior surfaces, but you’ll need to use a specialist primer first if looking to paint ferrous metals, like steel or cast iron.

Tough on the job, gentle on the planet. ECOPRO Matt Emulsion proves you can have minimal impact on the environment without compromising on quality. It’s your go-to choice for walls and ceilings in domestic and commercial projects.

Easy to apply

Durable

Excellent coverage

Kinder to the planet

earthbornpaints.co.uk Available to buy direct or from your local stockist.

Marketplace

Allpack has developed a new PaintGuard™ Sample Pack, giving decorators merchants, e-commerce retailers and fulfilment operators the opportunity to evaluate the complete PaintGuard transit packaging system before implementation.

Allpack ™

New PaintGuard Sample Pack The specially designed trial pack has been created to demonstrate how the PaintGuard system protects paint tins and tubs during transportation while supporting sustainability objectives through the use of recyclable materials. PaintGuard has been developed to help reduce in-transit damage, leaks, contamination and product returns, ensuring paints and coatings arrive in optimum condition. The comprehensive sample pack includes all the core components required for a real-world product trial, including three PaintGuard moulded pulp fitments suitable for 1L, 2.5L and 5L paint containers, two corresponding PaintGuard double-wall cartons, boxbond™ 72mm reinforced paper tape with applicator, and six protective plastic bags for each tin and tub size. The kit enables customers to assess packaging performance using their own products and distribution channels. The PaintGuard system combines sustainable moulded pulp fitments with specially designed cartons to provide secure protection for multiple sizes of paint tins and tubs. The fitments are manufactured from recyclable and biodegradable materials and have been developed to offer enhanced transit protection while supporting environmental objectives. The launch of the new pack reflects increasing demand from paint manufacturers and distributors seeking practical ways to test packaging solutions before committing to full-scale implementation. By offering a complete trial system, businesses can

For more information about PaintGuard™ and Allpack’s specialist transit packaging solutions, email sales@allpack.uk.com, call 01543 396700 or visit www.allpack.uk.com/paintguard,

evaluate protection, packing efficiency and ease of use within their own operational environments. The sample pack also showcases the simplicity of the PaintGuard packing process, which incorporates protective mailing bags, moulded pulp fitments, reinforced paper tape and custom-designed cartons to help provide maximum transit protection. “We recognise that customers want confidence in packaging performance before adopting a new solution,” said Andrew Almond, Allpack’s Marketing Manager, "The PaintGuard Sample Pack provides a practical and cost-effective way for businesses to test the system using their own paint products, helping them understand the protection, sustainability and operational benefits that PaintGuard can deliver." Businesses interested in trialling the PaintGuard system can request a sample pack by completing the enquiry form at www.allpack.uk.com/paintguard n

Marketplace News

Mirka UK is expanding its extractor range with the introduction of their new 110V DEXOS 1217 M AFC dust extractor. This new system plugs into a 110V power supply, allowing users to meet site regulations while continuing to combine power and versatility to ensure users have a dust-free work environment.

Mirka

Quick and efficient dust extraction on 110v The 110V Mirka® DEXOS 1217 M AFC is still powered by a 1200 watt brushless electric motor, designed by the R&D team to be durable and to ensure dust is quickly and efficiently extracted. The new extractor is also versatile because it can handle both wet and dry applications as well as being compatible with multiple tool types. It also comes with two sockets with auto start capabilities. This feature ensures the dust extraction system activates simultaneously with the power tool, so any dust and debris is captured by the extractor as soon as the tool is in use. To ensure the DEXOS can work for long periods without a break, it has automatic filter cleaning capabilities for consistent suction. In addition, there is an integrated airflow sensor that provides users with real-time feedback on its performance via the MyMirka app, so they are aware of any deviations from the optimal flow rates of the tool. The extractor’s ergonomic design makes it easy to handle and manoeuvre around job sites and its built-in storage space accommodates the four-metre hose. It is also compatible with the Mirka case and toolbox as well as existing Mirka hoses. This enables users to have everything they require in one place. In addition, it has an easy-to-clean construction that ensures hassle-free maintenance as and when required. One of the DEXOS’ innovative features is the Bluetooth enabled remote control (sold separately)

that is strapped around the dust hose and senses tool vibrations to start the extractor and offers the user two operating modes: auto sense and manual. The bluetooth connectivity also enables it to connect to the MyMirka app. Via the app, the user will be able to access numerous insights from air flow indication to a running time display and a hot PCB alarm. These insights provide the user with comprehensive monitoring of the tool, so it can perform at optimal level and users are aware of any issues. Ryan Jones, business sector manager for Consumer Trade at Mirka UK, says, “Today’s building sites demand equipment that works as hard as the tradespeople using it and the Mirka DEXOS 1217 M AFC 110V dust extractor has been designed with this in mind. We look forward to users seeing the benefits that come with having access to a reliable, high-performance extraction solution, such as minimising airborne dust, reducing clean-up time, and generating a dust-free and more efficient working environment.” www.mirka.co.uk n

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The Professional Painter & Decorator – Autumn 2026