Dai Fujikura Umi (海)
for Orchestra
2014, 2017/2019
rev. 18 März 2021
Partitur
Instrumentation:
Orchestra
2 Flutes doubling Piccolos (I + II)
1 Oboe (I)
1 Oboe (II) doubling Cor Anglais
1 Clarinet (I) in B-ßat
1 Clarinet (II) in B-ßat doubling Bass Clarinet
1 Bassoon
1 Contra Bassoon
2 Horns in F (I + II)
2 Trumpets in B-ßat (I + II) - both Need Harmon Mutes + Straight Mutes
1 Trombone - Needs Harmon Mute + Straight Mute
1 Percussion player
1 Celesta
STRINGS
Percussion
1 Vibraphone
1 Bass drum
Gongs: (This gong (G-flat) can be an octave higher if this pitch is not available. )
Revised version 17.06.2022
Sy. 4821/01
ISMN 979-0-2042-4821-6
Copyright © 2018 by G. Ricordi & Co. Bühnen- und Musikverlag GmbH Berlin Alle Rechte vorbehalten - All rights reserved - Tutti i diritti riservati
The Score is in C
CopyrightbyG.Ricordi&Co./Forperusalonly
STRINGS:
S.P.= sul pont.
P.O.= position ordinary
General:
Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written.
Woodwinds:
Quarter Three quarter Quarter Three quarter sharp sharp flat flat
Every
accidental
is
notated
(and
there
are
quartertones
which
require
accidentals
in
this
piece)
but
the
basic
rule
is: "Accidentals
(including
grace
notes)
only
affect
the
pitch
to
which
they
directly
refer,
not
other
octaves,
for
the
duration
of
the
bar
in
which
the
accidental
is
written."
Make a difference between Gliss. and Port. Gliss. = shift the pitch immediately (and travel during the full length of the note duration). Port. = shift the pitch just before you go to next note. Do NOT vibrato on gliss. or port. ¡ + ¡ +
=
means
"open",
"close"
by
hand
(on
harmon
mute)
very
fast
until
the
end
of
the
bracket
unless
stated
otherwise.
S.P.= sul pont.
P.O.= position ordinary Long note/tremolo: change bows as many times as you need.
Double Bass: all pitches sound an octave lower than written (including the harmonics and their sounding pitches).
Violoncello
Double Bass
Picc. I
Fl. II
Ob. I
C. A.
Cl. I
B. Cl.
Bsn.
Cbsn.
Hn. I
Vln. 1
Vln. 2 Vla.
fppp fppp fppp fppp fppp 29 fppp fppp fppp fppp fppp
fppp fppp fppp fppp fppp
fppp fppp fppp fppp fppp
fppp fppp fppp fppp fppp fppp fppp
fppp fppp fppp
C. A.
Cl. I
B. Cl. Bsn.
Cbsn.
Hn. I
Hn. II
Tpt. I
Tpt. II
Vln. 1
fppp fppp fppp fppp fppp fppp
fppp fppp fppp fppp fppp fppp
Fl. II
Ob. I
Bsn.
Hn. I
Hn. II
Tpt. I
Tpt. II
47 fppp f ppp ffppp ffppp ffppp ffppp ffppp
fppp f ppp ffppp ffppp ffppp ffppp ffppp
fppp f ppp ffppp ffppp ffppp ffppp ffppp
fppp f ppp ffppp ffppp ffppp ffppp ffppp
fppp f ppp ffppp ffppp ffppp ffppp ffppp
fppp f ppp ffppp ffppp ffppp ffppp ffppp
fppp f ppp ffppp ffppp ffppp ffppp ffppp
C. A. Cl. I
B. Cl.
Vln. 1
= 100
change bows as many times as you need.
Cbsn.
Hn. I
C. A.
Cl. I
Cbsn.
Hn. I
Hn. II
Tpt. I
Tpt. II
Più mosso q = 100
Ob. I
Ob.II
Cl. I
Cl. II
Bsn.
Hn. I
Hn. II
Tpt. I
Tpt. II
Tbn.
Gongs
Vln. 1
Ob. I
C. A.
Cl. I
B. Cl. Bsn.
Hn. I
Hn. II
Tpt. I
Tpt. II
Ob. I
C. A.
Cl. I
B. Cl.
Bsn.
Cbsn. Hn. I
Tpt. I
Ob. I
C. A.
Cl. I
B. Cl. Bsn.
Cbsn.
Hn. I
Hn. II Tpt. I
Tpt. II
Vln. 2
Ob. I
C. A.
Cl. I
B. Cl.
Bsn.
Cbsn. Hn. I
Tpt. II
C. A.
Cl. I
B. Cl.
Bsn.
Cbsn.
Hn. I
C. A.
Cl. I
B. Cl. Bsn.
Cbsn.
Hn. I
C. A.
C. A.
Cl. I B. Cl.
pizz. (always let it ring)
rapid arpeggio with gliss.
3 4 2 4 4 4 ?
non-div.
pizz. (always let it ring) rapid arpeggio with gliss. sim.
non-div.
pizz. (always let it ring) rapid arpeggio with gliss.
non-div.
pizz. (always let it ring) rapid arpeggio with gliss.
pizz. (always let it ring) non-div.
rapid arpeggio with gliss.
C. A. Cl.
Più mosso q = 98
The ending of every crescendo must be heard clearly.
The ending of every crescendo must be heard clearly.
The ending of every crescendo must be heard clearly.
The ending of every crescendo must be heard clearly.
Cbsn.
Hn. I
Hn. II
Tpt. I
Tpt. II
Vln. 1
Vln. 2
Cbsn.
Hn. I
Hn. II
Tpt. I
Tpt. II
Hn. I
