Music for Bosch People
for 2 Saxophones, 2 Trombone, 2 Guitars, Drum-Kit (and Loud-Speakers)
2018-2019
Full Score
“Music for Bosch People” was commissioned by Dream-Musics Ensemble & recorded at Resident Studious London July 2019.
INSTRUMENTATION
Live TRIO 1:
Baritone Saxophone (doubling Soprano,)
Trombone (Pixie mute, plunger, harmon mute and metal practice mute)
Electric Guitar (FX: Distortion, Chorus, Octave pedal, Dynamics pedal)
Live Percussion
Drum-kit
Live (or pre-recorded) TRIO 2:
Baritone Saxophone (doubling Alto)
Trombone (Pixie mute, plunger, harmon mute and metal practice mute)
Electric Guitar (FX: Distortion, Chorus, Octave pedal, Dynamics pedal)
Loud-Speakers
(pre-recorded material: infinite midi-synthesisers, field recordings, electronic sounds)
Version 29.09.2022, Sy. 9109/01, ISMN 979-0-2042-9109-0
Copyright © 2022 by G. Ricordi & Co. Bühnen- und Musikverlag GmbH, Berlin Alle Rechte vorbehalten / All rights reserved / Tutti i diritti riservati
PERFORMANCE NOTES
- Improvisations should be individualistic in character. Improvisers should reflect their own authentic artistic/compositional voice, as well as giving concern to the dramatical arch of Music for Bosch People.
- Music for Bosch People maybe performed:
1.) with all players on a click track and no conductor. 2.) with conductor and a click track for the conductor. 3.) with no conductor and a drummer on the click track.
Program NOTES
Its kind of like this;
Like minimal but loads more notes like video-games but with more song like jazz but much more gay like old music but more current like yummy sweet but more stick like paint but more scratch like tapestry but filthily like prayer but more loud like loud groove and more rude like fingers and faces too but somehow more smelly like smelly things cooking with more chew and change like louder prayers that groove with like stinking-hot-pink in poo-brown but even more desperate-like than that like drums and Dream Musics
Exploring the interaction / catalysation/ enhancement / oppression that is exhibited in the existence between of our sense of individuality in the analogue world, and how, through our choice to use/ engage with artificial intelligence/social-media/ online characters, we are able to augment our sense of self, and in so doing we inadvertently display tropes of hive / mega structures.
Duration: 16 minutes
Expressive solo. 7/10 intenisty. sporadic moments of "time".
Mainly on drums.
Drum and bass - programmed drums feel. (Venetian snares)
Expressive solo. 7/10 intenisty. sporadic moments of "time".
Mainly on drums.
Drum and bass - programmed drums feel. (Venetian snares)
dadudutdadadudweahdadududu. Da dadudutdadadudweahdadududu. Da
dadudutdadadudweahdadududu. Da dadudutdadadudweahdadududu. Da
dadudutdadadudweahdadududu. Da dadudutdadadudweahdadududu. Da
dadudutdadadudweahdadududu. Da dadudutdadadudweahdadududu. Da
dadudutdadadudweahdadududu. Da dadudutdadadudweahdadududu.
dadudutdadadudweahdadududu. Da dadudutdadadudweahdadududu.
dadudutdadadudweahdadududu. Da dadudutdadadudweahdadududu.
dadudutdadadudweahdadududu. Da dadudutdadadudweahdadududu.
shout-sing through megaphone.
Detach slide mechanism from bell. Shout through bell
DISTORTION
Expressive. Busy. Wild. Play with and against the cued melody. Climactic
Detach slide mechanism from bell. Shout through bell