Issuu

al o

nl y or pe r

Dai Fujikura Abandoned Time

C op

yr ig

ic or di Be r

lin

-F

for rock guitar and ensemble 2004 (rev. Oct. 2007)

Partitur Sy. 4693/01 ISMN 979-0-2042-4693-9

RICORDI

nl y al o

or pe r

1 Rock Guitar : Heavy Rock sound like les Paul guitar through Marshall valve amplifier. Flute (doubling Piccolo) Clarinet (in B-flat) Piano

-F

Percussion:

ic or di Be r

lin

4 wood blocks 4 Tom toms 2 suspended cymbals 1 Pedal Bass Drum 1 Gran Cassa 1 Vibraphone (need 2 bows) 1 Tam tam 1 Lion's Loar

1 Violin 1 Viola 1 Cello 1 Double Bass

All the instruments must be amplified. (all the dynamics must be balanced by the mixer. i.e. fff on flute = fff on percussion)

yr ig

Commissioned by KANAGAWA ARTS FOUNDATION Written for ensemble “Nomad” for the 30th anniversary of the Kanagawa concert hall.

C op

The Score is in C Instruments:

"Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written. All grace notes must be played before the beat."

          fff

  Percussion  

 

  

       

 Vibraphone   

motor is always OFF

fff

4 tomtoms

fff

 



fff

  heavy distortion  Electric Guitar        Violin  

Violoncello

   5

    

fff

 

 Double Bass  



4 wood Blocks



       sffffz

   

  

 



  

    





  

 

  

    



  

 

  

      





     

  

sffffz secco

  

 

 

  

 

 







fff





 



pizz.

  

pizz.

 



 



  

    

    

      





 



  

    

   

     



 



   



   

 



  

 

  

 

 Gran Cassa          

 

   

  

2 Suspended Cymbals

       



  







arco        



   

     



     



    



        

   

   

                 sffffz

 

  

 

sffffz

      sffffz

      sffffz

with vib. S.T.

  p

 

  

  

arco



with vib. S.T.

    p

   p

 



 



  

    



 



  

   







  

 



Sy. 4693/01

pizz. trem.

       



(solo)

S.T.  

  





pizz. trem.



with vib.

arco





with vib. S.T.

 

 

 

Dai Fujikura



 



          

  



  





   

   

pppp



  

hard sticks very fast tremolo

 

  





       

 

 



        

          fff





C op

Viola



 

tremolo at this rhythm 

Guitar: Heavy Rock sound like les Paul guitar through Marshall valve amplifier.

 



  



fff

sfz



sffffz







suspended cymbal

                 

Piano

 

  



Percussion



pedal bass drum



4 wood Blocks





yr ig

Clarinet in Bb

  



non vib.

al o

fff



q=72

q=54

with vib.



q=47

or pe r

 

      

-F

    

q=54

Flute



ic or di Be r

  

q=90

lin

All the instruments must be amplified. (all the dynamics must be balanced by the mixer. i.e. fff on flute = fff on percussion)

nl y

to ensemble nomad

Abandoned Time for rock guitar and ensemble (revised 2007 Oct)

pizz. trem.

   mf

   

pizz. trem.

    gliss.   f

     

   

gliss.

   

gliss.

    

gliss.

non vib.

 arco   p

non vib.

  arco    p

non vib. arco

     p

non vib.

  arco    p

    

   



   

 

   

       sub.

S.P.

    



sub. f

            

S.P.

f S.P.



     

  

sub. f



medium sticks



 

 



(2 Suspended Cymbals)

   3











 









 







 

   

  



Vla.











   



 

 



    



      

fff



    



        

 

 





 



  



 



 



 

 



          fff    P.O.    

heavy distortion

     



P.O.



fff

   



  



fff

 

P.O.

fff

P.O.

     

fff

4 Wood Blocks hard sticks very fast tremolo



    



    



 

     

   

pppp



sfffz



    

                      sfffz

   



 



 



 



 

      

sub. sub. f ppp

    

  

 



                  fff



    fff

                   

 

              

 

 

fff

       fff



 

   





sfffz

     sfffz



             



            

sfffz

fff

RICL 172 Sy. 4693/01

sfffz

 

 

 



 

 

very fast tremolo

    



 



    



 



    



pizz.        p

 pizz.     

 

 pizz.       

 

         pizz.

 

 

  = not to be plucked/played



 



sfffz

    

 

2 suspended cymbal

pppp

fff

 



sfffz

    

nl y



                   fff 



yr ig

              

C op

Db.



L.V.

         Vln.     

Vc.



 



 



 

                      

   





tremolo at this rhythm

No distortion.

E. Gtr.

 

          



Pno.

 

 



    fff  

fff



fff

  

 

al o

Tamtam



 



     

 



hard sticks

Vib.



 

Perc.





or pe r

  Perc.  Cl.



 

lin



Fl.

 

ic or di Be r

  13

-F

tremolo: off

 

"fender stratocaster", medium valve distortion with heavy compression Long sustain but not too distorted

 6 6 6                    ff fff 5  5 5                



fff



 



 



 



    

   





 

   

fff            



 

   5

 

 

fff



 

  Perc.   Perc.



     



    

Pno.



 



with vibrato



 



bend チョーキング

  E. Gtr.    



 

        

  Vln.  

   glis  s.  

  

 

 



       gliss.           

molto vibrato espressivo

C op



yr ig

            gliss.    

 Db.  





      









 



 



 

 



 



 



 



 



 





     



  



 



 



 



  



 



 



 

sffffz

     

 

 



bend チョーキング

molto vibrato espressivo

arco

Vc.





hard sticks

 

 

 





    



 



            ffff        ffff

  

 

       gliss.      

S.P. arco

4 Tomtoms

 

S.P.

Vla.

 

  



molto vibrato espressivo

        sffffz

sffffz

  

sffffz

arco S.P.



Gran Cassa

 

bend チョーキング



 

nl y

           

    

al o



 

   

  

-F

Cl.

 

lin

    

q=47

ic or di Be r

  Fl.   

q=54

or pe r

q=36





 



  

       

gliss.

 

gliss.



  

sffffz

  

P.O. non vib.        

sffffz

       sffffz  



  P.O.     

gliss.

  

heavy distortion Fingertapping

   

arco

sffffz

non vib. P.O.





P.O. non vib.

   p

RICL 172 Sy. 4693/01

 

   ff

        

             

         

     



6 3                                           6

   

  

  



   

  

   



   gliss.

sfffzmp

ff

 



 gliss. 



   gliss.



sfffzmp



 ff



 ffff

sfffzmp



 gliss.



 



  

   

    



  

    5



 



 



 



 



 

 Vib.   

 

 

         



 



 



 





   Vln.          

   Db.  

    ffff    

ffff

       

   

   

  

   

 

ffff





fff





fff

        fff

        fff

 



    

  

hard sticks

    



    







    





     

 



    

 

ffmf



        ffmf pp

non vib.

  

non vib.

   

   









 



 



 

 



 



 

 

 



 



 

sfffz

      sfffz 

   

                  fff pp

        

    

 

non vib.



 

with vib.

S.T.

    p

            

   

 

    

  

 p

S.T.

 p

with vib.

3 mf

S.T.

 p



       

 with vib. S.T.

    p mp

   p

with vib.



 

 

  



   p





P.O.

sfffz P.O.

        sfffz

         P.O.

sfffz

       P.O.

fff

   

 



        sub.      mf      

   

 

 



   

sub. mf

"fender stratocaster", medium valve distortion with heavy compression Long sustain but not too distorted

   

      

RICL 172 Sy. 4693/01



 

    

 



 

3 pp



pppp

    

 

  



    3



hard sticks very fast tremolo

4 wood blocks

        

   p

           

  

 

     ffmf

 ffmf



    

   

non vib.

 

 

nl y

    

 



fff

      

   





                    ff           fff



    



          fff  tremolo at this rhythm





        

 



fff

C op

Vc.

mf 2 susended cymbals

 

             E. Gtr.     

Vla.

sfz

 



 



         pedal bass drum



   ffmf      ffmf pp

q=47

     

or pe r

    

 





q=54

-F

fff on the rim of Tamtam

   



with vib.

lin

  

 



ic or di Be r

   



 Perc.   

Pno.

fff

  

Perc.

  

 

q=36 non vib.

Cl.



  

Fl.

   

yr ig

   32

al o

 

  



pizz. trem.

bend チョーキング

  

 

   

       

          

   

     

      

    

   

      

mf pizz. trem.

   mf

 

 

      3

 

       3

2 sus. cymbals

     







 



 

   glis

     



 



 



 

   ff

 Db.  



 





 P.O. S.P.     gliss.            arco          p

P.O.  S.P.         arco     

 

 3



arco



 



  



 

  

 



 

  

 

  







 



       



   

 



 



   

 



 



   

 



 



          

 secco 

     

fff



  

 

Tamtam arco

No distortion (natural harmonics)

(natural harmonics)

 3 L.V.                      pp

sffffz

L.V.

   

 

S.P. pp

            

  S.P. P.O. pizz.     arco                    sffffz fff

   

sffffz

fff

 pizz.                    sffffz S.P.

P.O.

fff

 



 

fff



             

 S.P. 3    P.O.                          

  

 

    

                

fff

RICL 172 Sy. 4693/01

sffffz ppp

tremolo at this speed    



    

    

 

heavy distortion

f 5

  

   

sffffz

 

fff



 





 

gliss.

 P.O.      gliss.              p mf

   

glis 

C op

 

 

S.P. arco





5 5              



Vc.

 





  

Lion's Roar



Vla.



 



  gl iss.     E. Gtr.   

Vln.

 

Pno.



fff

-F



Perc.

  

yr ig

Perc.

fff

                    sffffz



al o

 

    5                  



lin

 Cl.    

                  

or pe r



 

ic or di Be r

  Fl.   

q=54

nl y

q=72

accel.

                   

tremolo on the bridge

arco



       pp

    p

nl y

q=54

al o

q=42

   

   

    

 

       

 

 

  

  

   



      

 

 

 

 

 

 Perc. Perc.











arco

Vib.



 





   





 



 

 

 



 





  

 

lin

 

 port.  

     

 

port.

  

  

 

  gliss. 

  



      RICL 172 Sy. 4693/01



  

 

 



 

 



     5

 



     

 

 



 



 

fff

 3





4 wood Blocks



3                   fff

      fff               fff

         

fff

 

4 tomtoms

        fff



 



 

    



 



 

 

     



 



       

      



 

   

  

  

 

  

fff

 

 

fff

                

    



   

         

gliss.

fff



 

 







q=90

  gliss.  liss.    g 3

     

   

   gliss.        





 

 



   

    

 

    

          

port.

 





  



HARD STICKS





S.P.





 

 



                 

   

 with rvib. t.      po  pp mf

 

        gliss.         

yr ig

Vc.

Db.



   

Vla.



 



bend チョーキング

           

   

 

ic or di Be r

"fender stratocaster", medium valve distortion with heavy compression Long sustain but not too distorted bend チョーキング rock vibrato

 E. Gtr.   

Vln.



 







 

C op

Pno.



 

or pe r



-F

Cl.

  Fl.   48

 

 



 

    



  

 



   



  

 



  

 



  

                 fff 



sfz suspended cymbal

Vib.

  

fff

 

      

Pno.







              

 

     tremolo: off   

          

     

  



  



fff

with hard stick 



            

  

senza sord.

  

sffffz



  

  

  

pizz.





pizz.





fff

 



sffffz

 pizz.          

sffffz









  

 

sfffz

 

sfffz

 

 

heavy distortion

 





 



      sfffz   

hard sticks

    

sfffz







 

  sfffz 

fingertapping

                                                

                         

 

fff

sfz



 pizz.            fff

Gran Casa

hard sticks very fast tremolo on the rim of Tamtam

 

sffffz

       non vib.







fff

yr ig



non vib.

C op

       



              

fff

Db.

 

 



Vc.



 secco 

non vib.      



sffffz

heavy distortion

Vla.

Tamtam

  

non vib.         Vln.  

 

violently

        fff 

tremolo at this 3 rhythm

E. Gtr.

fff

Perc.



            sffffz



ic or di Be r

pedal bass drum

   Perc.  

nl y

 



al o



  

sffffz

 Cl.   

fff



            

or pe r



  

lin

 56      Fl.  

q=47

-F

q=54

non vib.



fff

          3

         3

RICL 172 Sy. 4693/01



              



 



 



 



 



  3



 



 

 3

 

nl y

q=42

  Piccolo                   fff ff pp                          fff  pp fff              







Cl.









Perc.





Perc.





Vib.











6 6 6                                           6



Vla.



Vc.

Db.





   



  



 





 

arco



 



 



S.P.

 

 

gliss.



  arco    arco S.P.

arco S.P.





 

 

yr ig

Vln.

 

C op

E. Gtr.



gliss.



 



or pe r

  6

 

 

  

fff

  

fff

RICL 172 Sy. 4693/01

 

sfffzp

 



 



 

     

 



 



 

 



S.P.

      

 

       fff

 



 

        fff

 



 

            

sfffzp



 

sfffzp

  

fff

 gliss.

sub. pp

                                         

fff



                  



 

              f                  sub.   

 

lin

 

ic or di Be r

Pno.

4 tomtoms

-F

   

 

Fl.

al o

  

fff

        

S.P.

S.P.          p

              

tremolo on the bridge

fff

        

 



  



 



 



  

                              Vib.    



Perc.

Pno.



hard sticks

      

sub. mp

4 Wood Blocks

     

 mp     

                                           sub. mf  mp                      



sub. mp



 



 

 



C op

 



molto  S.P.                   mf

   Db.  





 



 

nl y   

        



 

 



                          



                               



 



 



 



                   mf more bow pressure scratching noise

Vc.

 

yr ig

Vla.



more bow pressure scratching noise molto S.P.

 





 



          



   



 



  

P.O.

 



 



  

P.O.

 



 



 



 



  



  

RICL 172 Sy. 4693/01

 

q=52



    



    

    

     





    





    





    



 



4 Wood Blocks espressivo



hard sticks



        

arco

             sub. mp        sub. mp

 



 

q=36

sub. mp



more bow pressure scratching noise molto S.P.

            Vln.       



al o



 

 

        

or pe r





  

-F

  

 



non vib.

 

lin

Cl.



q=54

ic or di Be r

 66        Fl.   

  pp



P.O.





        

 



S.P.     p

  

        

 





  

       

 

  

       

 

 



    

   

    

  

 

S.P.





S.P.



 

        

P.O.





 

mf pp

Perc.

   

 



 Vib.   

 



  

3          pppp        hard sticks              



Vc.

Db.

     

 

     

  

     



 

  

       mf       

      trem.

         P.O.

norm.

          f

mfp

          P.O.

norm.

mfp

                trem.

    

trem.

           mfp p P.O.

norm.

        

          

mfp

              

norm. trem.

nl y







  



  

 





 

   

 

 



           3



   



   p

with vib.

   

   

(solo)



S.T.

 



with vib.

p mf with vib.

 

with vib. S.T.

   

non vib.

 

          mf 



Vla.

 

 

senza pedal

     

 

  Vln.  

 



yr ig



 

 

 



C op

Pno.

           mp          

 very fast tremolo 4 wood blocks

  

 



S.T.



S.T.



 

 



 

      

  

 

 

   

      



 

 

 



 



           

             



               

hard sticks



     

      

          

  







      



          

  

   



                    pp   mf

or pe r



with vib.

lin

  

Cl.

  

ic or di Be r



Flute                     

  Fl.  

q=40

non vib.

-F

q=47

al o



S.P.



        

S.P.



 



 



   

  



           



 

 

             



 

 

             



 

  

  

 

 

(solo)

S.P.

 

 



 

 



RICL 172 Sy. 4693/01





  



 



S.P.



 

con sord (preferably Practice Mute)

 

S.P.



  

 

nl y

qK =q

    

 





Cl.

  



 



 



Perc.

  



 



 



 



 



 



  



 



 



   

             



       



 

 

            

Vla.



   



 

  



 



 



 



       Db.    ff Vc.

           

      



Vln.

      

 





yr ig

E. Gtr.



C op

Pno.

      



 

                                       ff           

 



 



 



 



 



 



 



4 Tomtoms



fff senza pedal (together with piano)

                 



 

                   

 

                                                                                 fff

 



 



 

senza pedal (together with vibraphone)



 



 



 

 



 



 



 



 



 



 



 



 



 



 



 



 



 



 



 

 

 

                                  

lin



 



 

ic or di Be r



  Vib.   

q=60

Perc.

 



al o

  

  

or pe r



-F

    86

Fl.

RICL 172 Sy. 4693/01

senza sord.



 

   

 



 



   

sfffzp

fff

Cl.

     

          4 wood 2 suspended Blocks cymbal

           fff

  

   



sfffzp                 

Pno.



 



  

 



 



 



 



       ff

 



     

 



 



 



    

 



 



 

 



 



 

 



 



sffz



 



   



sub. sffz

        

   

   

     

   

   

sfffzp

fff

Vc.

 

P.O.    fff

 Db.  

P.O.

 

fff

sfffzp

     



  fff

 

 

  

sffzp







sffzp



    fff         

 

fff





 



 



 

  

gliss.

   



sub. sffz f molto S.P.

       sfffzp

Vla.

sfffzp



gliss.

yr ig

P.O.

  

C op

   

   

 

fff

    

  

P.O.

  Vln.  

sfffzp

     

 

norm. fingertapping norm. (D and B are open strings) on grace notes        no-trill                                                                                                                                

very heavy distortion fingertapping

E. Gtr.

 

 

sffz

fff

   



ic or di Be r

Vib.

   

 

fff

  Perc.   

   

    

al o

 

  

   91

Fl.



q=72

or pe r

 

-F

q=90

lin

nl y

over blow to upper harmonics

qK =q

S.P.

III    

  



 fff

 

 

gliss.

 

  

RICL 172 Sy. 4693/01



sffzp

     

molto S.P.



 



    

   

 

 

     

 

          fff

 

  

sffzp molto S.P.

     mp

sffzp











Vib.









    

Pno.



 



fff



sffffz



    





      

fff

       



sffffz

 







        f

       f 









 

 

    

  



  

           sfffzp

 



 



           

 



 



       

 



 



     

 



 

      



   





  

 

nl y



  



sfffz

     

 







  

 



     

                           

sfffz

al o



sffffzmf

         sffffzmf mp

  



pedal Bass Drum

Perc.



          sfffzp



 

or pe r

Cl.



q=72 q=qK

-F



   

lin

ic or di Be r

  Fl.  

non vib.

q=108 qK =q

sfffz

norm.                                                                                               E. Gtr.                             ff

  Vln.   

   gliss.      sffffzmf

  



P.O.

  

     gliss. sffffzmf





P.O.

Db.



 

      gliss. sffffzmf    



sffffzmf

gliss.







  

  

  

  

  

  

           sfffzp





  

  

Vc.



yr ig

Vla.

C op

  

sub. ff sfffz





 



 

 RICL 172 Sy. 4693/01

 



 



 



 



           sfffzp  P.O.      sfffzp

 



nl y

q=108

 





qK =q







 

Pno.





        

          









by ht 

yr ig







C op

Db.

 





 



sffffzf



   

 

             





 



 



 



 



 

   

 

                    

 

  ff



                

               



sub. f



  



 3

exaggerated







pizz.

 



 

  



 

 



   fff



  

fff

      fff

RICL 172 Sy. 4693/01



pizz.

 

 

     

   

 



pizz.



pizz.



 

    

  3



   3

  



     3

  

  

fff

exaggerated



  

   

fff

exaggerated



 

     





 

 

              

    

 

 

Vc.



                       



 

Vla.





  Vln. 

   fff



 E. Gtr.                         



fff



ic or di Be r



 3      

Vib.

 

           



exaggerated

  

al o



Cl.





or pe r

Fl.





-F

  104



lin

       3

 



    



 

 

 

  

  

  



 



arco

 



 



arco

 



 



arco

 



 



arco

 



 

q=72

  

sffffz

Perc.

   







GRAN CASSA (hard sticks)

ffff





      3







 



 

  Vln.  

 

    

 

Db.

      sffffz

 

 



yr ig

sffffz



        arco

 

non vib.

  

C op

Vc.

S.P.



 

ff

ff  

 ffff



fff

espressivo            

 



 



 



 



fff

 



fff

            

 



fff



fff

 



 





  

 

f (no cresc. no dim.)



 



    

 



 



fff

      

fff

                      

  gliss.   



  

    

 



 

 

  

 



  gliss.            mp  

 



  gliss.    

 



 





sub. f

 fff

   





       





fff     

fff

RICL 172 Sy. 4693/01



fff

molto vibrato espressivo

S.P.

 

2 Suspended (hard sticks) Cymbals

fff

molto vibrato

S.P.

molto vibrato  espressivo             

 3           sffffz



fff

                    

                                                         

sffffz

Vla.



sffffz

  E. Gtr.   

 

lin

       

 

ic or di Be r





Pno.

3 3                                        

       3

sffffz

 

fff

  

           

                 3

  Vib.        

   

 



              

PEDAL BASS DRUM



 Perc.    





  



al o

        



sffffz



   

or pe r



-F

 110       Fl.   Cl.

nl y

q=qK



   

 

Perc.

Vib.

Pno.

 









 

 



   



fff

4 wood Blocks

   

 



 



         



    

     



 5

 





  

fff

  



ic or di Be r

   plucked normally                                             E. Gtr.       



    



fff

sfffz



fff

sfffz

 





4 tomtoms

fff

 



sfffz

   



  







   

or pe r

Cl.

 

-F

115

lin

 Fl. 

        

(heavy distortion)

Mute strings with left hand except for the accented notes heavy distortion

  



Vc.

Db.





 

     P.O.



fff



 





      

fff

    

 



 

 

fff

 





      5



 

          



    



       P.O.

 

P.O.



 



yr ig



Vla.

 



C op

 

(D is open string)

               

fff

Vln.

al o

q=60

q=90

nl y

q=qK



 



 





  

 f



     

 

            5

   

(P.O.)

RICL 172 Sy. 4693/01

 

nl y  













-F



 

 

ffff

      ffff

   

 







sfffz

Vc.

 



   



 



 



 



 

C op

  S.P.

 



  S.P.



yr ig

Vla.

 



gliss.

 

sfffz

 



norm. very fast trem.



 



gliss.



        



gliss.



 



 

  



fff



  



           5



fff

         fff

RICL 172 Sy. 4693/01

 

 

 

Gran Casa

    

 

  

    



 



 

 



 



 



 

 

 



tremolo at this rhythm (manually  with  volume)



 

 

  

   



           

S.P.

 

               

  



 

fff 2 SUSPENDED CYMBALS





 



4 TOMTOMS

                                                                                                              E. Gtr.                    S.P.                 gliss.                             Vln.   5

q=36

               

fff



 

PEDAL BASS DRUM

lin



(B is open string) (G is open string)

Db.

non vib.

                  

ic or di Be r

Pno.

    

Perc.

Vib.

 

or pe r



   

 Cl.      Perc.

    

al o

 

   Fl.  119

  

      fff  P.O. non vib.       

    

ffff

P.O. non vib.



 

 no tremolo   

   

with Rock vibrato

         ff

 

  

 

     



  

 

     



  

 

P.O. non vib.        



  

 

ffff

P.O. non vib.

ffff

nl y

Perc.

Vib.

Pno.

 

 

 



mfp

   



mfp

 



 



 

 



 



 



 



  



 



 



 



  



 



 



 



 



 



 



 



 





   

        

        

    





 

 



 

 

    



 

 

yr ig

    f

 



 

 

      mf   

   

   



mfp mf

mf p

mfp

mf p





mfp

 

 

 

 



 



 

 







RICL 172 Sy. 4693/01







   



 

 

 

   

 



 



 



 



 



   

 



 



 



     



 



  

 





 p







 

   



 



 



 





    

  

 

tremolo at this rhythm (manually with volume) 3 







 

   



   



 

   

  

extremely slow arpeggio

      g liss.                    3 mp            

 



p mf

 





 

 



 p





  p mf

 



 mf



gliss .         gliss .           

  

 

 

 



 

   

  

  





arco

   gliss.               

 

C op

  

 



Db.





Vc.





  E. Gtr.   

Vla.



  

Freely, take your time. (until the end)

Vln.



q=60



Perc.

  

al o



 

    

 

lin

Cl.

 

or pe r



ic or di Be r

Fl.

-F

    124

qK =q

q=40

To conductor: from here, follow the guitar player.



p mf



 



p mf

 





nl y p

 





Vib.

 

Pno.

 



 









      



  





   







Vc.









  



  

  

 





   

    

Vla.

Db.



  



  

  gliss.  

 



  



 





  





  



 mf



 

 



 













   p

   p



 



  



 

   3



    gliss.        

  



 



 

  

  



 







  



 

 p



 

 p



 







 



 

extremely slow arpeggio

     3



  

  



  





 



 



 



 



RICL 172 Sy. 4693/01



  





  

 

 mf

Vln.

 





 

  

yr ig

E. Gtr.



ic or di Be r

 



Perc.



C op

Cl.





  



or pe r



-F



lin

   133

Fl.

al o

qK =q q=90



nl y

q=qK q=60







 

 



 



 



 



    



 







Vln.



no tremolo No distortion. extremely slow arpeggio

                3





 p

 



       



   

no tremolo No distortion. extremely slow arpeggio

         

   

-F



   

 



 



 



 



 



 





 





 

RICL 172 Sy. 4693/01

 

   



    



  



no tremolo No distortion. extremely slow arpeggio

         





   

  

  



 

 



 

 



 

 



          



 

 



 

 



or pe r



lin









 



 

 







   

 

Vc.

   

Lontano

   



 3    

   

Vla.

Db.



   

yr ig

E. Gtr.



   







   





Pno.

  

ic or di Be r

 



Vib.



 



Perc.



C op

Cl.

  



   138

Fl.

al o



 

jeté

  mp

      





pp sub.pizz. mf very fast trem.



 



 





 



 

  

    

 

  

    

ppppizz. very fast trem.

ppp

 