for madeline
© 2009 by Universal Music Corp. (ASCAP) International Copyright Secured. All Rights Reserved. RNY 1274
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CopyrightbyRicordiNewYork
Commissioned by Lincoln Center for Alice Tully Hall Opening Nights Festival
FOR MADELINE
Heavy distortion, compression and delay (wired post-volume pedal). Use a bottleneck to achieve the glissando, and a volume pedal ad lib. to hide the attack and decay of each entrance, sustain and exit.
Michael Gordon
*) Two separate but coordinated click tracks are used in the metric relationship of 16 to 9.
Expressive but sudbued. Follow the contour of the line - match cello.
CopyrightbyRicordiNewYork
Expressive but sudbued. Follow the contour of the line - match guitar.