y lo nl sa pe ru or
&
C o.
/F
für Ensemble und Live-Elektronik 2021
C
op
yr
ig
ht
by
G
.R
ic
or
di
Partitur
y lo nl sa pe ru or /F C o. & di or ic .R G by ht ig yr op
C Version: 23/05/2023 Sy. 5952/01 ISMN 979-0-2042-5952-6 Copyright © 2022 by G. Ricordi & Co. Bühnen- und Musikverlag GmbH, Berlin Alle Rechte vorbehalten All rights reserved / Tutti i diritti riservati
ht
ig
yr
op
C by di
or
ic
.R
G & C o. /F
or
lo nl
sa
pe ru
Auftrag der Ostrava Days 2021
y
ht
ig
yr
op
C by di
or
ic
.R
G & C o. /F
or
lo nl
sa
pe ru
y
pe ru s
al on ly
BESETZUNG / INSTRUMENTATION
/F or
Flöte / Flute Oboe / Oboe Klarinette in B / Clarinet in Bb Fagott / Bassoon Horn in F / Horn in F Trompete in B / Trumpet in Bb Posaune / Trombone
C o.
Perkussion 1 / Percussion 1
Vibraphon / Snare Drum / Große Trommel / Tamtam / Grosser Gong (F) / Kleiner Gong (es) / Hängebecken Vibraphone / Snare Drum / Bass Drum / Tam-Tam / large Gong (F2) / small Gong (E♭3)
Perkussion 2 / Percussion 2
di
&
Vibraphon / Große Trommel Vibraphone / Bass Drum
ic .R
C
op
yr
ig h
tb
y
G
Violine 1 / Violin 1 Violine 2 / Violin 2 Viola / Viola Violoncello / Violoncello Kontrabass / Double bass
or
Klavier (Flügel) / Grand piano
Die Partitur ist in C notiert / Score in C Dauer: ca. 17 Minuten / Duration: ca. 17 minutes
v
ZEICHENERKLÄRUNG / EXPLANATION OF SIGNS
pe ru s
Vierteltonvorzeichen (Tonhöhe um ca. 50 Cent erniedrigt/erhöht) quartertone accidentals (pitch ca. 50 cents lower/higher)
Holz- und Blechbläser / Woodwinds and Brass
/F or
Flatterzunge / flutter-tongue
C o.
Flöte: slap gegen Zähne / slap against teeth Klarinette: Slap tone Doppelrohrblattinstrumente: slapartiges, geräuschhaftes staccato double reed instruments: slap-like noisy staccato
&
Multiphonic; wenn kein spezieller Griff angegeben, ein freier Überblasklang, von der angegebenen Tonhöhe ausgehend. Multiphonic; free, with audible fundamental (unless a specific fingering is given).
ic
or
di
mit Stimme (die untere rautenförmige Note bezeichnet den zu singenden, die obere den gespielten Ton) with voice (the lower diamond-shaped note is to be sung, the upper to be played)
mit der Bogenstange gestrichen, mit Haar wood, bowed, with hair
G
c.l.t. + crini
y
mit der Bogenstange gestrichen, ohne Haar, non vibrato wood, bowed, no hair
tb
c.l.t. senza crini
.R
Streicher / Strings
mit der Bogenstange geschlagen, ohne Haar hit with the wood of the bow
n.v.
non vibrato
flaut.
flautando
s.p.
sul Ponticello
s.t.
sul Tasto
ord.
normale Spielposition (oder auch normale Spielweise, wenn nicht anders angegeben) normal position, also normal playing technique
yr
ig h
c.l.b. senza crini
op
C
al on ly
Vorzeichen gelten, den traditionellen Gepflogenheiten entsprechend, jeweils für den ganzen Takt in der jeweiligen Oktave. Diese Regel gilt auch für Mikrotöne. Warnvorzeichen werden durchweg gegeben und bedeuten keine Aufhebung dieser Regel. Following common practice, accidentals apply for the whole measure in that particular octave. This rule applies also to microtones. Cautionary accidentals are given frequently and do not cancel this rule.
vi
ELECTRONIC SETUP
GAME 12 uses a PD-Patch, „Dreammachines KOTIK Version 008.pd“.
al on ly
It is fed by 4 inputs, corresponding to the mix groups:
Group 1 goes into input 1 adc 1 Group 2 goes into input 2 adc 2 Group 3 goes into input 3 adc 3 Group 4 goes into input 4 adc 4 There are 4 outputs, rooted to 4 speakers (or more) placed in the 4 corners of the hall.
pe ru s
Group 1: Woodwind Group 2: Brass Group 3: Percussions + Piano Group 4: Strings
ic
or
di
&
C o.
/F or
At the beginning of each section the corresponding DM1-4 button on the main page of the patch must be clicked (even if the DM-number stays the same, it has to be re-clicked!).
.R
In section VI-VIII all delays must be turned off, starting again with DM3 in Round IX.
ABSCHNITT
00:01:20 00:01:20 00:01:20 00:01:20 00:01:20 00:01:20 00:01:20 00:01:20 00:01:20 00:01:20 00:01:20 00:01:20
Dreammachine Button#
00:01:20 00:02:40 00:04:00 00:05:20 00:06:40 00:08:00 00:09:20 00:10:40 00:12:00 00:13:20 00:14:40 00:16:00
DM1 DM1 DM2 DM2 DM2 Delays OFF Delays OFF Delays OFF DM3 DM3 DM4 DM4
C
op
yr
ig h
tb
y
G
I II III IV V VI VII VIII IX X XI XII
DAUER
During the whole performance the 4 delays have to be balanced with the live instruments; the level of the Delays should be about -2Db below the live-level; the instruments should be slightly amplified, save in very small rooms. The optional sample-input is only for testing the delays in setting up the equipment and it can be erased. Made for PD51. Bernhard Lang, Vienna 10.05.23
vii
PURE DATA PATCH FOR LIVE ELECTRONICS
ic
or
di
&
C o.
/F or
pe ru s
al on ly
PD main
C
op
yr
ig h
tb
y
G
.R
Params
viii
yr
op
C y
tb
ig h G di
or
ic
.R & C o.
Output
/F or
al on ly
pe ru s
Delays
VU meter
ix
Bernhard Lang
GAME 12 for Petr Kotík
lo nl
y
für Ensemble und Live-Elektronik (2021)
ROUND 1
sa
Ruleset
q = 80 Asynchronie
A
4x
Violine 1
B
3x
arco s.t. flaut. n.v.
C o.
arco s.t. flaut. n.v.
/F
or
pe ru
All players start about simultaneously, choosing one of the 4 models A–D and repeat it the for the number of times indicated (e.g. 4x means play four times), then switch to another model, resulting in any permutation, till all 4 models have been played. As soon as all players are finished, start next round immediately, without any gap. This section should not last longer than 80 seconds. “Asynchronie” means that each player has his/her own metrum MM = 80, don’t try to synchronize!
c
c
&
I
3x
c.l.t. + crini
I
c b
Cb
c
G
.R
ic
I
5x
c.l.t. senza crini
or
Vl. 1
D
di
C
by
q = 80 Asynchronie
A
ht
B
3x arco s.t. flaut. n.v.
10
a
C
10
CI
c
c
C
op
yr
ig
Violine 2
3x
arco s.t. flaut. n.v.
Vl. 2
C
3x c.l.t. + crini
GI
10
D
4x
c.l.t. senza crini 10
c
G
Sy. 5952/01
G
3
A
B
3x
arco s.t. flaut. n.v.
arco s.t. flaut. n.v.
c
I
Viola
c.l.t. + crini
I
c
D
c.l.t. senza crini
c
a
2x
5
C
A
arco s.t. flaut. n.v.
C
c
.R
Violoncello
c
by c
b
11
I
11
2x
14
D
yr op
C
Sy. 5952/01
2x
14
c.l.t. senza crini
C
I
11
ig
ht
Vc.
c.l.t. + crini
B arcoC s.t. flaut. n.v. I
14
G
11
C
3x
a
ic
q = 80 Asynchronie
or
di
&
C o.
Vla.
3x
5
/F
C
3x
I
or
5
5
pe ru
q = 80 Asynchronie
sa
lo nl
y
Round 1
14
2x
4
lo nl
y
ROUND 2 Ruleset
q = 80 Asynchronie
7
(Berio-Tremolo)
a
a
I
5
2x
I
Fg.
a
b
2x
(Berio-Tremolo)
D
G
di
b
5
7
G
.R
ic
or
7
5
2x
I
&
(Berio-Tremolo)
a
7
C o.
Fagott
C
5
B (Berio-Tremolo)
3x
/F
A
or
pe ru
sa
Same rules as in the previous Round. Bassoon is emerging a little above the strings.
q = 80 Asynchronie
4x
by
A Violine 1
c.l.t. senza crini
4x c.l.t. senza crini
a
a
a
a
C
op
yr
ig
ht
I
B
C
3x
c.l.t. senza crini
Vl. 1
G
aa
D
Ia
Sy. 5952/01
4x
c.l.t. senza crini
I
b
5
Round 2
7
I
5
D
pizz.
c.l.t. senza crini 5
3x pizz.
I
c.l.t. senza crini
a
7
pizz.
4x
q = 80 Asynchronie c.l.t. senza crini
I
Viola
3x
pizz.
B
5
a
c
D
5
a
c
2x
c.l.t. senza crini
pizz.
G
I
G
.R
ic
Vla.
3x
5
c.l.t. senza crini
or
C
di
&
5
3x
c.l.t. senza crini
pizz.
C o.
A
/F
or
a
7
I
3x
c.l.t. senza crini
Vl. 2
a
a
G C
5
pizz.
y
7
Violine 2
B
3x pizz.
lo nl
c.l.t. senza crini
pe ru
A
sa
q = 80 Asynchronie
q = 80 Asynchronie pizz.
C
ht
Violoncello
by
A
c.l.t. senza crini
a
a b
3x
pizz.
I
I
2x
7
C
op
yr
ig
7
B
C
c.l.t. senza crini pizz.
a
Vc.
2x
c.l.t. senza crini
a
7
D c.l.t. senza crini pizz. I 7
Sy. 5952/01
2x
6
ROUND 3 Ruleset
A
B
3x
a
M
a
M
pe ru
Fagott
2x
sa
q = 80 Asynchronie
lo nl
y
Same rules as in the previous Round. Basson is emerging a little above the other instruments.
5
Fg.
b
7
aM
2x
B
aM
con sord.
2x
di
con sord.
I
7
&
A
b
2x
c
C
C o.
7
q = 80 Asynchronie
c
c
or
C
I
7
D
2x
/F
C
con sord. wah zu
C
G
2x
I
con sord. wah zu
D
a
G
G
Pos.
.R
ic
or
Posaune
a
a
2x
7
ht
by
7
I
ig
q = 80 Asynchronie
yr
A
Ia
C
op
Violine 1
C Vl. 1
4x
c.l.t. + crini misurato
c.l.t. senza crini
aa
ba
B
a
3x
D
c.l.t. + crini misurato
c C
I
Sy. 5952/01
G
b a
I C
c.l.t. + crini misurato
4x
c.l.t. + crini misurato
c.l.t. senza crini
G I
4x
7
Round 3
C
10
a
b
D
3x c.l.t. senza crini
C b
c.l.t. + crini
10
a
misurato 10
a
a a
b
4x
a
q = 80 Asynchronie c.l.t. senza crini
Viola
B
3x
Ic
c.l.t. + crini misurato
a
C
aC
b
aa
I
ba
D
c.l.t. + crini misurato
2x
c.l.t. senza crini
G
G I
ic
Vla.
3x
c.l.t. + crini misurato
c.l.t. senza crini
or
C
di
&
5
3x
5
c.l.t. senza crini
C o.
A
/F
or
Vl. 2
10
C
lo nl
aa
Violine 2
3x
arco s.t. flaut. n.v. misurato
y
c.l.t. senza crini
B
3x
c.l.t. + crini misurato
sa
A
pe ru
q = 80 Asynchronie
5
G
.R
5
by
q = 80 Asynchronie
c.l.t. senza crini
A
aa
ht
a
ig
Violoncello
B I C
c.l.t. senza crini
C
b
I
b
11
14
2x
13
C
op
yr
11
3x
c.l.t. + crini misurato
Vc.
C
c.l.t. senza crini
I
j œ
11
c.l.t. + crini misurato
c.l.t. senza crini
a I
2x
D
14
c.l.t. senza crini
a b
G 11
Sy. 5952/01
c.l.t. + crini misurato
G
a
14
2x
8
ROUND 4 Ruleset
A
B
4x 5
C
4x
D
7
Kl. (B)
C o.
q = 80 Asynchronie
B
3x
C
di
I
&
j cœ
M
j œ
c
misurato
C c
I
j œc
D
2x
c
2x
c
ht
by
G
Fg.
.R
C
2x
I
ic
or
Fagott
10
a
/F
a
A
4x
or
a
G
G
c
pe ru
Klarinette in B
4x
sa
q = 80 Asynchronie
lo nl
y
Same rules as in the previous Round.
ig
q = 80 Asynchronie
A
j Cœ
yr
con sord.
j 2x Cœ
C
op
Posaune
Pos.
B
10
con C sord. c b
M
+ voice
C
M
2x
D
con sord.
c
10
con sord. M
I
Bc
+ voice
10
j cœ
+ voice
+ voice
Sy. 5952/01
j œ
2x
2x
9
Round 4
Violine 1
D
3x
4x
arco s.t. flaut. n.v.
jc cœ I
Ib
Violine 2
B
j œ
arco ord.
3x
cC
.R
3x
D
3x
B
arco ord.
2x
c
c
ht
by
C b
G
arco ord.
b
3x
ic
C
Viola
c
&
arco ord.
or
di
q = 80 Asynchronie
A
4x
c
c
b
arco s.t. flaut. n.v.
C o.
cc
Vla.
D
3x
Vl. 2
C
cc
arco s.t. flaut. n.v.
3x
arco s.t. flaut. n.v.
C
C C
B
3x
arco s.t. flaut. n.v.
/F
A
or
q = 80 Asynchronie
pe ru
sa
c
C c
c b
arco s.t. flaut. n.v.
Vl. 1
4x arco s.t. flaut. n.v.
C b
cc C
B
4x
arco s.t. flaut. n.v.
y
A
lo nl
q = 80 Asynchronie
yr
ig
q = 80 Asynchronie
A
c.l.t. + crini
&
C
op
Violoncello
C Vc.
arco ord.
c
c.l.t. + crini
j œ
c.l.batt. 2x
c
c
Sy. 5952/01
D
arco ord.
c.l.t. + crini
c b
2x
arco ord.
2x
c
?
c.l.t. + crini
c
10
Ruleset
q = 80 Asynchronie
A
B
2x
fltz.
/F
c
c
2x
&
C
b c
+ voice
fltz.
D
3x
di
Fl.
2x
fltz.
C o.
Flöte
M
or
pe ru
sa
Same rules as in the previous Round. Flute is emerging a little above the other instruments.
lo nl
y
ROUND 5
G
.R
ic
or
+ voice
q = 80 Asynchronie
2x
by
A
B
I
I
M
2x
c
c
op
yr
ig
ht
Klarinette in B
I
I
M
2x
D c
C
Kl. (B)
C
Sy. 5952/01
C
I
3x
11
Round 5
c
?
Fagott
3x
fltz.
B
C
c
?
M
2x
D I
q = 80 Asynchronie
2x
B con sord.
c
2x
pe ru
Fg.
sa
+ voice
C
2x
y
A
lo nl
q = 80 Asynchronie
Horn in F
C o.
A
/F
or
c
?
con sord.
c
2x &c
&
c
C con sord. c
D con sord.
di
2x
&
or
Hr. (F)
2x
G
.R
ic
c
by
q = 80 Asynchronie
A con
M
B
2x B
?
c
C
op
yr
ig
Posaune
2x
I
ht
sord.
con sord.
C
2x
con sord.
Pos.
+ voice
Sy. 5952/01
D C
con sord.
c
2x
b
12 ROUND 6 Ruleset Same rules as in the previous Round.
c>
c
c>
B
4x
y
A
4x
c
Flöte 3
fltz.
c
c
Fl.
c>
sa
D
4x
c
4x 3
C c
&
fltz.
c>
stop tongue 3x (flap)
> 1
2x
M
c
3
3
2x
D
3x
c
c
c
3
C
op
yr
ig
ht
3
+ voice
or
G
c
by
C c
B
M
c
c
c
c
2x
.R
Klarinette in B
ic
q = 80 Asynchronie
A
4x
di
c
3
Kl. (B)
D
4x
Ob.
B c>
/F
c
Oboe
c>
M
C o.
A
3x
> c1
or
3
q = 80 Asynchronie
3
+ voice
pe ru
C
lo nl
q = 80 Asynchronie
q = 80 Asynchronie
A
Fagott
c
2x
c
B
2x
c
D
c
C c
c
2x
3x
Fg.
c
c Sy. 5952/01
13
Round 6
Horn in F
c
D
2x senza sord.
c
c 2x
csenza sord. ?
c
sa
c
2x
senza sord.
c
q = 80 Asynchronie
A
2x fltz.
c
c
3
C
2x
c
con sord.
c
Trp. (B)
+ voice
D
con sord.
c
c
c 3
>
c> > >
>
2x
5
7
con sord.
c
.R
Posaune
c
or
A
con sord.
c
2x
D
B
?
2x
con sord.
c
c> 2x
wah zu
ccon sord.
ig
ht
by
Pos.
c>
G
C
2x
ic
q = 80 Asynchronie
di
&
3
2x
con sord.
C o.
Trompete in B
B
or
con sord.
pe ru
Hr. (F)
B
/F
C
2x
c
senza sord.
y
A
lo nl
q = 80 Asynchronie
q = 80 Asynchronie
op
yr
A
C
Violine 1
3x
B
carco ord.
carco ord.
c>
4x
D
3x
c>
c C
Vl. 1
arco ord.
c>
5x arco ord.
c Sy. 5952/01
c
7
14
Round 6
q = 80 Asynchronie arco ord.
B
c
c
c>
arco ord.
c>
c D
C
3x
arco ord.
3x
y
Violine 2
c>
3x
lo nl
A
4x
arco ord.
c
q = 80 Asynchronie
A
arco ord.
c>
arco ord.
c
C
3x
/F
Viola
B
2x
c>
c
pe ru
sa
c
7
or
Vl. 2
7
c
arco ord.
c
Vla.
3x
3x
q = 80 Asynchronie
A
c
C
G
.R
Violoncello
arco ord.
c
B
2x
2x
?
c
2x
>
&
D
arco ord.
c>
c
3x
arco ord.
c ?
7
7
ht
by
Vc.
c>
ic
arco ord.
or
di
&
7
c
7
C o.
D
&
c>
arco ord.
A
op
yr
ig
q = 80 Asynchronie
c
C
Kontrabass
C Kb.
arco ord.
arco ord.
c
3x
c
> 2x
c>
D
t
arco ord.
c
B arco ord. c
2x 3
c>
3x
c 3
3
Sy. 5952/01
15 ROUND 7 Ruleset Same rules as in the previous Round. Piano is emerging a little above the other instruments.
A
B
4x
4x
I 7
C I
D
4x
6
Fl.
5
c
6
c
A
c
Fagott
G
5
2x
B
C 5
by
B
c
D
C
B
7
C
op
yr
ig
7
&I
C Hr. (F)
2x
con sord.
Horn in F
con sord.
c
c ?
C
2x
C b
5
q = 80 Asynchronie
A
?
3
2x
C
ht
Fg.
3x 7
or
.R
c
c
c
M
I
ic
q = 80 Asynchronie
I
c
di
I
3
3
&
C
D
2x
7
2x
C
C o.
C
5
C
/F 5
c
A
B
2x
C Kl. (B)
or
q = 80 Asynchronie
3x
C
5
Klarinette in B
7
7
pe ru
7
c
sa
I
Flöte
lo nl
y
q = 80 Asynchronie
2x
D
B con sord. I con sord.
&c
10
Sy. 5952/01
?
3x
I 7
5
2x ?
c C 10
2x
16
Round 7
con sord.
C
b
Posaune
B
2x
c
b
I 3
5
C Pos.
b
D
2x
c
con sord.
con sord.
B
I
sa aa
pe ru
A
aa a
Klavier
9
b
a bc
b
&
G
D a a
by
a a
> b>
5
bc
>
7
2x
c c
C
op
yr
ig
ht
Klav.
or
ab
.R
bc
ic
c
2x
di
C Klav.
b
9
13
cc
2x
C o.
aaa Klav.
/F
13
2x
or
b B
2x
7
q = 80 Asynchronie
a
c
3
7
5
2x
c
con sord.
C
y
A
lo nl
q = 80 Asynchronie
q = 80 Asynchronie
A
c.l.t. + crini
3x
c.l.t. + crini
B
aI
Violine 1
3x
c 5
C Vl. 1
c.l.t. + crini
5x
c
CC
D
c.l.t. + crini
c
4x
b C
7 Sy. 5952/01
17
Round 7
c.l.t. + crini
2x
aI
Violine 2
C
c.l.t. + crini
B
3x
c.l.t. + crini
c
c 3x
CC c.l.t. + crini
D
3x
c
7
c b
C
7
q = 80 Asynchronie
D
3x
c
c.l.t. + crini
5
Cc
c.l.t. + crini
aI
Vla.
2x
a
7
&
7
a
3x
C I
I
C o.
C
bC
c.l.t. + crini
or
C
Viola
B
3x
bc
c.l.t. + crini
/F
A
pe ru
sa
Vl. 2
y
A
lo nl
q = 80 Asynchronie
c.l.t. + crini
C
I
C
by
&
B
ic
c
c.l.t. + crini
?
Cc
C I
I
3x
5
2x
G
c.l.t. + crini
I
Vc.
&
2x
.R
Violoncello
or
A
di
q = 80 Asynchronie
?
D
2x
c.l.t. + crini
&I
7
op
yr
ig
ht
3
?
q = 80 Asynchronie
A
c.l.t. senza crini
I
B c.l.t. senza crini
3x
2x
C
Kontrabass 5
C Kb.
c.l.t. senza crini
I
2x
5
Sy. 5952/01
c.l.t. senza crini
D I
2x
18
lo nl
y
ROUND 8 Ruleset
q = 80 Asynchronie
A Motor ON
B Motor ON
5
/F
4x
or
pe ru
sa
Same rules as in the previous Round. Percussion is emerging a little above the other instruments.
C o.
Vibraphon
10
Motor ON
11
D Motor ON
3x
GROSSER GONG
3x
G
.R
ic
or
di
Vibr.
3x
&
C
3x
q = 80 Asynchronie
by
A TAMTAM soft felt, center
B
?
soft felt
op
yr
ig
ht
Perkussion 1
3x
c
KLEINER GONG
soft felt
3x
C
Perk. 1
C
Sy. 5952/01
D
HÄNGEBECKEN
Wirbel, mit 2 sticks
3x
19
Round 8
2x
c a ca
aa
Klavier
5
c
pe ru
b
lo nl
c c
sa
A
y
q = 80 Asynchronie
c 5
c c cb
3
di
&
b b
5
C o.
Klav.
aca
/F
aca
2x
or
B
or
C Klav.
c
.R
a
c c cb
ic
aa
c c
7
2x
c bc
2x
7
aa
bc
c bc
yr
Klav.
ig
ht
D
by
G
13
& aa
C
op
cc
Sy. 5952/01
20
ROUND 9 Ruleset
5
b a
5
5
5
7
a
7
B
&
b
di
a
ac
a
2x
7 7
b
5
a 7
ic
or
5
2x
b
7 7
a
b
C o.
5
Klav.
cc
5
a a
a
a
&
pe ru
7
Klavier
a
or
a
/F
A
sa
q = 80 Asynchronie
lo nl
y
Same rules as in the previous Round. Piano is emerging a little above the strings.
.R
C
G
5
? 5
a
5
a
by
Klav.
2x
b 7
5
yr
ig
ht
5
op
D
C
Klav.
c c
a ac
b b
a a 3
3
a
5
a a
Sy. 5952/01
2x
3
3
a
5
a a
b b
7
a a
21
c.l.t. + crini
B
3x
3x
c.l.t. + crini
C
C
A
c.l.t. + crini
Violine 2
3x
B
3x
c.l.t. + crini
c.l.t. + crini
3x
D
c.l.t. + crini
c
B
C o.
2x
c b
C
c.l.t. + crini
3x
c.l.t. + crini
4x
D
c.l.t. + crini
3x
c
.R
q = 80 Asynchronie
ic
or
di
Viola
3x
c.l.t. + crini
&
q = 80 Asynchronie
4x
CC
/F
cc
A
C
pe ru
q = 80 Asynchronie
c.l.t. + crini
a
cC
or
Violine 1
D
5x
c.l.t. + crini
sa
A
lo nl
q = 80 Asynchronie
y
Round 9
A
c.l.t. + crini
2x
B
3x
B c c
c.l.t. + crini
3x
C
c.l.t. + crini
2x
D
c b
2x
2x
C c.l.t. + crini
2x
D arco ord.
2x
c
G
c.l.t. + crini
Violoncello
ht
by
+
yr
ig
q = 80 Asynchronie arco ord.
c
arco ord.
I
C
op
Kontrabass
A
Sy. 5952/01
a
22 ROUND 10 Ruleset Same rules as in the previous Round. Oboe is emerging a little above the other instruments.
G
Flöte
B
2x
a
2x
a
I
5
2x
a
Fl.
D
pe ru
C
a
G
a
A
/F
q = 80 Asynchronie
4x 5
7
C
4x
3
a
a
di 4x
4x
a
G by
3
4x
D
3x
7
I
I
op
yr
ig
ht
a
3x
7
I
B
.R
A
Kl. (B)
M
or ic
q = 80 Asynchronie
C
C
4x
a
D
a
3
Klarinette in B
a
M 5
5
5
&
3
B
C o.
a
a
I
Ob.
3x
or
3
Oboe
sa
A
lo nl
y
q = 80 Asynchronie
A
2x
a
B
2x
a
C
Fagott
q = 80 Asynchronie
3
C
2x
D
Fg.
3x
a Sy. 5952/01
23
Round 10
q = 80 Asynchronie
A Vibraphon
Motor ON
a
a
laissez vibrer
a
a
a
a
3x
Motor ON
a
a
a
D
3x
laissez vibrer
A GROßE TROMMEL
a
a
a
q = 80 Asynchronie
B GROßE TROMMEL
3x
3x
3x
C GROßE TROMMEL
C o.
3x
& di
q = 80 Asynchronie
c.l.t. senza crini
aa
7
bb
ic
Violine 1
B
3x
or
arco ord.
.R
G
c.l.t. senza crini
by 7
c.l.t. senza crini
5x
c.l.t. senza crini
D
aI
4x
14
c.l.t. senza crini 10
cc
C
c
3x
5
I
a
arco ord.
Vl. 1
,
D GROßE TROMMEL
3x
Perk. 2
A
/F
or
Perkussion 2
C
laissez vibrer
sa
Vibr.
Motor ON
pe ru
C
lo nl
y
a
B Motor ON
4x
laissez vibrer
ht
5
yr
ig
q = 80 Asynchronie
A
arco ord.
c.l.t. senza crini
3x
7
B
c.l.t. senza crini 5 arco ord.
C
op
Violine 2
I C
Vl. 2
arco ord.
b c.l.t. senza crini
3x c.l.t. senza crini
D
7
aa
aI 7
c.l.t. senza crini
3x
7
7
Sy. 5952/01
a 4x
c.l.t. senza crini
7
a
a
24
Round 10
C
c.l.t. senza crini
B
arco ord.
I
Ba
D
3x
c.l.t. senza crini 3
I
aI
c.l.t. senza crini
c.l.t. senza crini
a
aG
3x
y
a
5
7
2x
a
A Violoncello
arco ord.
c.l.t. senza crini
a I
I
c.l.t. senza crini
arco ord.
a
&
3x c.l.t. senza crini
a
c.l.t. senza crini
Vc.
2x
D
c.l. batt.
arco ord.
I
I
c.l.t. senza crini
2x
aI 7
7
G
.R
3
aI
or
Ia
ic
C
di
&
a
B
2x
C o.
q = 80 Asynchronie
/F
or
Vla.
7
lo nl
B
&
Viola
3x
c.l.t. senza crini
sa
arco ord.
A
pe ru
q = 80 Asynchronie
by
q = 80 Asynchronie pizz.
3x
B
Kontrabass
2x
pizz.
a
ht
A
a
C
op
yr
ig
5
Kb.
C
2x
c.l.t. senza crini
a
D c.l.t. senza crini a
5
Sy. 5952/01
2x
ht
ig
yr
op
C by di
or
ic
.R
G & C o. /F
or
lo nl
sa
pe ru
y
25
[blank page]
Sy. 5952/01
26 ROUND 11 Ruleset
M
Flöte
c
C
5
7
5
C
B c
b
I
2x
5
7
7
I
2x
5
D M
C
3x
5
7
c
I
A M
4x
B
4x
aM
4x
M
D M a
3x
Klarinette in B
c
c
4x
C
3
5
C
c
3x 5
Ifl 5
b
b 5
D c
5
I
3
C
op
yr
ig
ht
cfl
c˘1
4x
5
I
by
Kl. (B)
B
b
G
C
4x
.R
I
or
A
ic
q = 80 Asynchronie
di
&
Oboe
C
C o.
q = 80 Asynchronie
/F
or
Fl.
2x
c
pe ru
A
sa
q = 80 Asynchronie
lo nl
y
Same rules as in the previous Round. Trumpet and Piano are emerging a little above the other instruments.
q = 80 Asynchronie
A
c
Fagott
2x
b
I
B
2x M
c 10
C Fg.
2x M
C
D
B
Sy. 5952/01
c
3x
c
27
Round 11
q = 80 Asynchronie
A Horn in F
2x
B
2x
C
I
D
2x
c
y
C
2x
A
D Trp. (B)
c
c con sord.
I
A
B
2x
C
I 2x
C
ic
2x
or
q = 80 Asynchronie
.R
c
D
2x
I
G
c
2x
di
&
c
Posaune
2x
or
b
C
b
2x
/F
c˚
con sord.
C
c
I
c
sa
con sord.
C Trp. (B)
pe ru
I
C o.
Trp. (B)
2x
con sord.
Trompete in B
B
lo nl
q = 80 Asynchronie
by
q = 80 Asynchronie
A
B a
b c
c c
ht c
C
op
yr
ig
Klavier
2x
b
c a
b
5 5
2x
a
a 5
Klav.
a a
aa
5
b 5
&
5
a
?
Sy. 5952/01
c
28
Round 11
b
3
Klav.
c
5
sa
>
5
5
&
or ic
C
.R
pizz.
I
ca
>
c
D
b
I
C
c
3x
3x
pizz.
4x
pizz.
c
I
C
by
G
C
B
di
I
C
c
/F 3x
pizz.
Violine 1
b
a
c
q = 80 Asynchronie
A
7
c
b
2x
c
a
C o.
a
a
a
or
a
pe ru
D
Vl. 1
c c
5
3
Klav.
5
?
&a
c
c
y
c cc
2x
5
lo nl
C
q = 80 Asynchronie
ht
A
3x
ig
pizz.
I
C
C
op
yr
Violine 2
Vl. 2
C
I 3x
I
b
3x pizz.
c
pizz.
c
B
C
Sy. 5952/01
D
C
c 4x
pizz.
c
I
b
C
29
I C
D
I
C
c
I
C
c
3x
pizz.
pizz.
2x
I
C
A
pizz.
C
2x
c
I
Ipizz.
C
C
3x
c
I
&
Violoncello
B
C o.
q = 80 Asynchronie
/F
or
Vla.
C
c
3x
pizz.
sa
Viola
B
3x
pizz.
pe ru
A
lo nl
q = 80 Asynchronie
y
Round 11
D
di
pizz.
2x
I
C
c
2x
I
C
c
G
.R
ic
Vc.
pizz.
or
C
q = 80 Asynchronie
3x
by
A Kontrabass
pizz.
C
ig op
yr
C
c
2x
C
D V
c
C
Kb.
C>
pizz.
pizz.
c
ht
c
B
Sy. 5952/01
pizz.
c
C
I>
b>
2x
2x
30 ROUND 12 Ruleset Same rules as in the previous Round. Piano is emerging a little above the other instruments; this is dynamically the peak section.
c
Flöte
B M
2x
M
lo nl
A
y
q = 80 Asynchronie
2x
c
I
b
or 4x
M
M
c
5 M
di
Ob.
by
B
4x
b
C
4x
5
c
4x
M 7 M
D
b
3x
M
M
7
7
C
3
C
op
yr
ig
ht
3x
or
.R
G
I
I
D fltz. + voice
7
7
Kl. (B)
4x
I
ic
q = 80 Asynchronie
c
3
5
3
7
4x
c
C o. &
M
A
B
I
Oboe
C M
3x
14
q = 80 Asynchronie
A M
M
c
I
3
5
Klarinette in B
pe ru
c
I
Fl.
C
D
2x
M
/F
C
sa
5
q = 80 Asynchronie
A
M
Fagott
c C
Fg.
2x
C
C
2x
C
M
b
C 2x
M
B c
D
fltz.
I
C
C + voice
Sy. 5952/01
c
7
3x
31
Round 12
C
C
3
fltz.
2x
C
Hr. (F)
7
3
7
con sord.
2x
c
Trompete in B
C
C o. 2x
con sord.
B
or
c
5
D
ic
2x
c
5
7
2x
C
con sord.
.R
Pos.
2x
C
con sord.
di
Posaune
con sord.
2x
con sord.
&
A
D
b
q = 80 Asynchronie
C
+ voice
7
5
2x
/F
c
I
con sord. fltz.
b
C
2x
Trp. (B)
B
7
I
con sord.
C
2x
senza sord.
or
fltz.
D
&I
q = 80 Asynchronie
A
7
3
senza sord.
2x
lo nl
C
fltz.
B senza sord. C
2x
sa
Horn in F
senza sord.
fltz.
pe ru
A
y
q = 80 Asynchronie
C
G
7
by
q = 80 Asynchronie
a
ig
ht
A
C
op
yr
ca
2x
5
7
cc
7
Klavier
B
b c 5
a
10
c c
15
a
5
c
cc
bc
5
Klav.
c
c ˚
6
5
5
Sy. 5952/01
c 7
>
2x
cc b
ca
7
c
cc
c
c 7
>
Round 12
5
5
c Klav.
c c
c
c
c
5
5
bc
cc ab
c a
D 5
c
5
cc
q = 80 Asynchronie DRUM A SNARE snare OFF > > >
10
11 DRUM C SNARE snare OFF
>
> 11
> >
Perk. 1
>
>
pe ru >
>
>
3x
>
> > 11
ic
> > >
B GROßE TROMMEL
3x
.R
A GROßE TROMMEL
> >
G
>
7
5
>
>
>
by
5
>
5
>
D GROßE TROMMEL
3x
>
> 3x 7
5
>
> >
>
>
>
>
op
yr
ig
ht
3x
3
5
C GROßE TROMMEL Perk. 2
>
> 11
11
DRUM D SNARE snare OFF
3x
>
7
q = 80 Asynchronie
> >
10
11
>
3x
or
7
Perkussion 2
>
11
DRUM B SNARE snare OFF > > >
4x
di
Perkussion 1
c a
or
cc
/F
6
b ab
C o.
c c
sa
5
c c
2x
7
&
5
a˚
b
7
7
c Klav.
2x
7
b
a˚
b
7
lo nl
C
y
32
q = 80 Asynchronie arco
A
3x
c
C
Violine 1 7
C Vl. 1
arco
I
B
3x pizz.
5
C
7
3x
D
4x pizz.
I 10
Sy. 5952/01
c
b
C
33
Round 12
q = 80 Asynchronie
A
pizz.
Violine 2
B
3x
c
b
3x
I b
C
pizz.
I
D
3x 3
q = 80 Asynchronie pizz.
&
3x
D
5
C o.
C
arco
c
/F
13
I
3x
arco
or
C
Viola
B
3x
I
pe ru
sa
C
A
4x
arco
5
Vl. 2
lo nl
y
C
I
arco
pizz.
7
Vla.
2x
c
I 5
&
C
>
C
Violoncello
3x
C
arco
.R
C
pizz.
C
5
2x
G
C Vc.
B
ic
arco
2x
or
A
di
q = 80 Asynchronie
D
5
C
pizz.
>
B
ht
by
c
2x
yr
ig
q = 80 Asynchronie
C
op
Kontrabass
C Kb.
A
pizz.
c c arco
Carco
3x
b
C
B
Carco pizz.
C
c C
2x
pizz.
C
c
c
Sy. 5952/01
D
arco
2x
b
c C pizz.
c
2x
C c
ht
ig
yr
op
C by di
or
ic
.R
G & C o. /F
or
lo nl
sa
pe ru
y