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Hannah Kendall Tuxedo:
/F or
Between Carnival and Lent
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for Voice and Ensemble 2022/2023
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Partitur
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Version 08.09.2023 Sy. 9176/01 ISMN 979-0-2042-9176-2 Copyright © 2023 by G. Ricordi & Co. Bühnen- und Musikverlag GmbH, Berlin Alle Rechte vorbehalten All rights reserved / Tutti i diritti riservati
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or
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Harmonica in C Harmonica in D (+ Pachelbel's Canon in D wind-up music box) Wind-up Music box 1 (Für Elise) Wind-up Music box 2 (The Blue Danube) Mezzo-soprano (+ Jesus Loves Me hand-cranked music box) Cuffed Violin 1 (+ Voice and Ode to Joy wind-up music box) Cuffed Violin 2 (+ Amazing Grace wind-up music box)
sa l
Instrumentation
on ly
Commissioned by Wigmore Hall for Elaine Mitchener First performed on Tuesday 8 March 2022 at Wigmore Hall, London
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Duration
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c. 7'30
Performance Directions
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sa l
on ly
The performing set-up is as follows:
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The piece may be performed with or without a conductor. The mezzo-soprano and the harmonica and music box players should read from the full score.
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Dreadlock cuffs, the pre-programmed wind-up and hand-cranked music boxes, and suitable harmonicas can be sourced from online platforms, including Amazon. Scan the QR code to see examples:
di &
C
Harmonicas Music for the harmonicas is notated at sounding pitch. They are likely to be tuned to A=440. The violinists should not adjust their tuning to accommodate the harmonicas.
ic or
If a breath is required when playing the harmonicas, diminuendo to silence before doing so, and re-enter with a crescendo from silence afterwards. Breaths should be staggered between the harmonica players when playing together.
G .R
Music boxes Music boxes are to be placed on low tables beside the players who wind them up, or on the ground if suitable tables are unavailable. The lids should remain closed throughout. The Jesus Loves Me music box should be placed on a low table beside the mezzo-soprano (or the floor if a table is unavailable) until it needs to be cranked.
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Mezzo-soprano Cupped mouth: cover mouth with hand, ensuring there are no gaps between fingers. The sound should be noticeably restricted. = cupped = uncupped Cross noteheads ( ) denote unvoiced vocalisation, always to be clearly emphasised.
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Violins The violinists should not adjust their tuning to the harmonicas or the music boxes.
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Violin 1 Prepare the violin by binding the A & D strings together with a malleable metallic dreadlock cuff folded around both strings at the end of the fingerboard (see diagram below). If additional stability is necessary, wrap a second cuff around the first. Notes played on the cuffed strings are shown with square note heads, to indicate that the pitches produced may not sound as notated. The pitches show notes to be fingered as usual: the unpredictability of pitch is the desired effect.
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Violin 2 Prepare the violin by using malleable metallic dreadlock cuffs to bind pairs of adjacent strings together (see diagram below): • Cuff 1: bind the A & D strings together with a cuff folded around both strings at the end of the fingerboard. • Cuff 2: bind the E & A strings together with a cuff folded around both strings over the fingerboard, behind and against Cuff 1. • Cuff 3: bind the D & G strings together with a cuff folded around both strings, placed over the fingerboard approximately 2cm from Cuff 1. For all three cuffs, if additional stability is necessary, wrap a second cuff around the first.
di &
Notes played on the cuffed strings are shown with square noteheads, to indicate that the pitches are unlikely to sound as notated: the unpredictability of pitch production is the desired effect. Notes played with the bow directly on the cuffs are shown with x noteheads.
ic or
= gradual and smooth change of bow position. Changes of string should be made as smoothly as possible.
G .R
Violin 2 may at any time ‘pause’ (continuing tremolo at a single bow position), moving on when desired. It is also acceptable during such a pause to move the bow in the opposite direction to the one given, returning to the notated position before moving on.
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Violin 1
Violin 2
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Tuxedo: Between Carnival and Lent for Elaine
Words from newspaper headlines, Jean-Michel Basquiat's Tuxedo, and The Bible.
Nobody knows the trouble I see, Lord! q = c. 60
Wind-up music box Canon in D
U ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
¿
¿
¿
° 4 wind in rhythm &4 ¿ ¿ ¿
¿
¿
¿
pe
¿
or
Harmonica 2
set box down take harmonica in D
di &
4¿ & ¢ 4
wind in rhythm
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Für Elise
U ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
o.
set box down
C
Wind-up Music box 1
U ∑
∑
sa l
∑
c.30"
ru
° 4 Harmonica 1 & 4
on ly
Hannah Kendall
The Blue Danube
4¿ & ¢ 4
¿
¿
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4 &4
∑
∑
U ∑
c.30"
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Mezzosoprano
U ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
set box down
¿
ic or
wind in rhythm
Wind-up Music box 2
Nobody knows the trouble I see, Lord! q = c. 60
¿
¿
wind in rhythm
¿
¿
set box down take violin
U ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ c.30"
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ig
° 4 Violin 1 & 4 ¿
Wind-up music box Ode to Joy
Wind-up music box Amazing Grace
4¿ & ¢ 4
¿
¿
wind in rhythm
Violin 2
¿
¿
(music box continues)
U ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
set box down take violin
SY 9176/ 01
2
° Harm. & 1 4
∑
∑
on ly
¢& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
sa l
Harm. 2
∑
pe
ru
° & ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
or
Box 1
/F
¢& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
° Vn 1 & ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó
y
(music box continues)
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∑
ic or
∑
&
G .R
M-s.
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C
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Box 2
˙
‰ œj
senza vib.
IV
>
fp
˙
highly energised
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Cuffed Violin if time allows, repeat in similar or varied ways
Vn 2
œ bœ œ œ œ œ œ œ œ
Then
Cuffed Violin
Œ
f highly energised
¢&
SY 9176/ 01
(nn)
œ
f
œ
>
fp
3 p ° Harm. & ‰ ¿™ 1 Voice
Y™
Y
7
stage whisper
f
¿
¿ J
5 4
Ó
5 ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ & 4 ¢
ru
sa l
Harm. 2
Œ
on ly
sh
‰
pe
° 5 & ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 4
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or
Box 1
o.
5 ¢& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 4
˙
sh - all
Y
sh
-
ht b
ig
(Violin)
& œ f
C
op
yr
Vn 1
Vn 2
wa
y
° ‰ p™ ¿ & Voice
p
>
fp
The
-
-
˙
3
5 4
eyes
e as in thee
stage whisper
Y™
s. pont.
œ ˙
j ‰ œ bœ œ
œ bœ œ œ œ œ œ œ œ œ ™
j ¿ ‰ œ
ic or
>
stage whisper
G .R
M-s. & ‰ ¿™
di &
C
Box 2
f
¿ -
-
-
œ
>
fp
-
Ϫ
>
fp
-
-
6æ
II
f
¿ J
ah
‰
Œ
Ó
senza vib. arco ord.
666≈ æ æ æ >œ
IV
fp
˙
5 4 5 4 5 4
¢& SY 9176/ 01
4
˙
Œ
(music box continues)
~~~~~~~~~~~~ # œœœ ˙˙˙ Œ ‰ J
œ R ≈‰ Œ
on ly
mp
5 4 ¢& 4ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 4
sa l
draw * vib.
∑
mp
* vib. = rapidly but gently move harmonica side to side against mouth
pe
Harm. 2
Harmonica in C
ru
° 5 Harm. &4 Ó 1 10
“œ œ w 4 J ‰ 4 (blow)
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or
° 5 4 & 4ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 4
C
o.
Box 1
di &
5 4 4 ¢& 4ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
*
3
gradually cup one hand over mouth*
2 œ œ bœ ˙ of the blind
:
4 œ bœ œ œ ˙ 4 J
˙
3
be o - pened
±
˙ (nn)
ht b
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5 M-s. & 4 <b>œ
G .R
ic or
Box 2
* exhale and then inhale audibly
op
yr
ig
° 5 Vn 1 & 4 œ œ ˙ >
s. pont.
fp
(s. pont.)
fp
œ œ
C
fp
˙
>
4 œj œ ™ 4 >
Vn 2
5 & 4 ¢
4 4
* cover mouth with hand, ensuring there are no gaps between fingers; the sound should be noticeably restricted SY 9176/ 01
>
f
˙
p
˙
>
fp
œ™ J ≈ Œ
˙ #˙˙˙ ™™™ vib.
Œ
œ
˙
~~~~~~~~~~~~~~~~~~~~~~~~~~ œœœ ™™™
‰ Ó
3
pe
ru
~~~~~~~~~~~~~~~~~~~~ ˙˙˙ œœœ Harm. J ‰ Œ 2 ¢&
œ
‰
on ly
˙
sa l
:“; œ œ ° J Harm. & ‰ 1 13
5
or
° & ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
o.
/F
Box 1
C
¢& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
M-s.
& œ
G .R
ic or
di &
Box 2
œ ‰ Ó J
ht b
y
(d)
˙
f
*
Scorn has broken my heart and has left me helpless; I looked for sympathy, but there was none, for comforters, but I found none.
˙
>
fp
˙
f
j œ ‰ Œ o
Ó
C
op
yr
ig
° Vn 1 & ˙
(keep mouth cupped) f frantic stage whisper
Vn 2
¢& * spoken text, if followed by rests, can last longer than the notated duration SY 9176/ 01
6
Ó
˙ ˙
5 4 Ó™
A
w 4w 4
draw
mp
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #ww ˙˙˙™™™ œœœ w 5 Harm. J ‰ Œ 4 2 ¢&
w w
on ly
16 :“; œ ° Harm. & R ≈‰ Œ 1
vib.
4 4
∑
pe
ru
sa l
∑
or
° 5 4 & ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 4ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 4
o.
/F
Box 1
di &
C
5 4 4 ¢& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 4ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
&
∑
5 4
slowly uncup mouth
∑
4 4
∑
ht b
op
yr
ig
° Vn 1 &
∑
5 4
∑
(s. pont.)
4Œ ‰ j 4 œ ˙ IV
p
¢&
:
Ϫ
A
C Vn 2
mp
j œ ˙
Wa - ter
y
M-s.
G .R
ic or
Box 2
5 4
4 4 SY 9176/ 01
ord.
w)ã ã
III
mp
20 w w ° Harm. & 1
¢&
œ œ ‰ Œ J
∑
∑
∑
sa l
∑
ru
Harm. 2
˙ ˙
on ly
7
pe
° & ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
/F
or
Box 1
o.
¢& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
& œ b œj œ Y
Y
bœ
G .R
M-s.
ic or
f
3
di &
C
Box 2
will gush
(Voice)
ig
C
op
yr
Vn 1
Vn 2
forth
y
ht b
° &
(sh)
& b wã)ã
∑
whisper
Y
p
sh
-
œ:#œ; ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿J ™ ≈ ‰ nœJ œ œ stage whisper
in - to the wil - der - ne - ss
¿™ ¿ ¿ ¿ ¿ ¿ ¿ J ai - ya da - da - da - daí - da
wã)ã
œ6
¢& SY 9176/ 01
‰
The burn - ing
Œ
Ó
>
œ œ
>œ ™
>
fp
fp
f
IV s. pont.
œ J
8
° &
*yoi-yoi-yoi-yoi…
23
Harm. 1
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ w w w
∑
on ly
mp
*yoi-yoi-yoi-yoi…
sa l
¢&
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ w #w w
∑
mp
pe
ru
Harm. 2
or
° & ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
o.
/F
Box 1
œ œ œ œ
˙
will be - come a
pool.
3
ht b
sand
ic or
& ˙™
G .R
M-s.
di &
C
¢& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
y
Box 2
-œ ˙ J
p
s. tasto
w
ppp
C
op
yr
ig
° ™ Vn 1 & œ
Vn 2
¢& * Keep lips in contact with the harmonica throughout, changing the mouth shape as indicated by cross noteheads. SY 9176/ 01
œ
Œ
9
B
° Y & w w w
yoi-yoi-yoi-yoi…
Y w ¢& w w
yoi-yoi-yoi-yoi…
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ w #w w
yoi
mp
pe
ru
Harm. 2
on ly
mp
sa l
Harm. 1
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ w w w
yoi
25
-
The Blue Danube music box stops by about here.
-
or
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o.
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Box 1
Für Elise music box stops by about here.
di &
C
¢& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
&
(sung)
mf normal speaking voice
fp
Plains region unfit for plow, survey shows
yoi
˙
œ
f
Œ
ht b
y
M-s.
G .R
ic or
Box 2
ig
° w Vn 1 &
Ϫ
œ J
C
op
yr
B
Vn 2
¢& SY 9176/ 01
˙
Ode to Joy music box stops by about here.
-
Amazing Grace music box stops by about here.
-
10
° Y & w w w
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ w w w
mp
Y w ¢& w w
Ẏ ˙˙
yoi
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ #˙˙˙ mp
or
∑
/F
¢&
∑
C
o.
∑
∑
&
fp
Ó
˙
Refugees from dust bowl seeking new farms in west create national problem
you
ht b
y
M-s.
spoken
G .R
ic or
Box 2
° &
di &
Box 1
pe
ru
Harm. 2
you-you-you…
˙
˙
C
op
yr
ig
° w Vn 1 &
Vn 2
on ly
Harm. 1
you-you-you…
yoi
sa l
27
¢& SY 9176/ 01
11
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ˙˙ ˙
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ Ẏ ˙˙ ¢& ˙˙˙
Y w w w
you
f
& Ϫ
C spoken
Dust Bowl by Bryant Putney The problem of reconstruction
ht b
you-you…
ig
° (IV) Vn 1 & w
op
yr
w
C Vn 2
∑
di &
r œ œ œ œ œ œ œ ≈ ‰
y
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or
∑
/F
¢&
∑
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∑
ic or
Box 2
° &
G .R
Box 1
pe
ru
Harm. 2
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ Ẏ ˙˙ ˙˙ ˙
you
on ly
Harm. 1
you-you-you…
you
sa l
° Ẏ & ˙ ˙ 29
¢& SY 9176/ 01
12
° Ẏ & ˙ ˙
yay-yay-yay-yay…
31
¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ Ẏ ˙˙ ¢& #˙˙˙
on ly
mp
Y w w w
yoi
yo - i - yo-i…
or
∑
/F
¢&
∑
C
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∑
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ic or
Box 2
° &
di &
Box 1
pe
ru
Harm. 2
¿ ¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿ w w w
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sa l
Harm. 1
& Œ
‰
f
f
p
j œ #œ œ œ œ œ œ œ œ œ œ #œ œ œ œ œ œ
˙
j œ ˙
˙
Dust
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G .R
(sung)
j œ
C
op
yr
ig
° Vn 1 & œ ™
Vn 2
¢& SY 9176/ 01
#œ ™
Y w ¢& w w
vib.
∑
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/F
∑
∑
C
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M-s.
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G .R
ic or
Box 2
° &
di &
Box 1
pe
ru
Harm. 2
~~~~~~~~~~~~~~~~~~~~ Y ¿j w œœ ‰ Œ w w œJ
Ó
on ly
° Y Harm. & w 1 w w
yay
sa l
~~~~~~~~~~~~~~~~~~~~ ¿j Y w œœ ‰ Œ w w œJ
vib.
33
13
spoken with joy
ht b
y
… bowl staging comeback
w
w
C
op
yr
ig
° Vn 1 & <#>w
Life renewed in dust bowl
Vn 2
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˙
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III
mp
14 Sisters, will you pray for me...?
Vn 1
&
∑
∑
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æ )æ
ææ ã)ã
∑
∑
æ ææææ æ 6æ b 6 6 6 6 #6 n6æ 6æ#6æ
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p
f
p
on ly
M-s.
III
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Vn 2
f
ru
fp
sa l
37
C q = c. 76
41
∑
∑
ig
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° &
G .R
&
y
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ic or
di &
C
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=
ææææ & #6 6 6 6 p
C
op
yr
Vn 1
Vn 2
j œ œ >œ ™
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f sub.
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stage whisper
(sung)
fp
f
‰ j œ ˙
hm - nn
-
‰
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na - ma
(Voice)
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f
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sh
(sung)
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fp
-
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ah
stage whisper
fp
f
‰ j œ ˙
hm - nn
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‰
¿™
fp
f
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6 6 n6 6æ æ æ æ 6æ æ ‰ s. pont. æ6 æ æ æ 6 b 6 6 6 œ
na - ma
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fp
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p
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ya
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hmm
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fp
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47
ic or
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=
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f rough
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Vn 1
Vn 2
le
f
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° Œ &
p
Ϫ
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nn
yo-yo-yo…
&
bœ
f
sa l
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ff
ru
&
f
pe
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p
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44
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yoi
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k-k k
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¿ ‰ Œ J
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yoi-yoi-yoi…
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ig
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° frough & ˙ &
C
op
yr
Vn 1
6 œ™ œ œ œ
p
Vn 2
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∑ æj vib. 6 œ œ™ œ molto
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>
>
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16
bœ ™ œ
œ bœ œ œ œ œ œ œ œ ≈ Œ
ya - ya
-
ya
° &
∑
&
6 6 6 6 6æ 6æ æ æ æ æ œ™
Vn 1
p
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˙
j 6 œ
˙
p
or
p f
o.
/F
¢&
di & ic or
& Œ
‰ bœ œ œ œ œ œ œ œ œ œ bœ œ ™ œ f
p
˙
G .R
52
ya - ya - ya - ya - ya le - le - le - le - le - le - le (e as in less)
ig
˙
6æ 6æ 6æ 6æ 6 & œ œ >
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op
yr
Vn 1
f
p sub.
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j œ
˙
nn
w
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s. pont.
fp
Vn 2
f
b œ œj œ nn
nn
y
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° &
6™ œ™
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=
M-s.
ya - ya - ya - ya - ya - ya
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Vn 2
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ya
on ly
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ru
& ˙
pe
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sa l
p
50
6™ œ™
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>
f
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° Harm. & 1
∑
∑
∑
¢&
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∑
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∑
∑
¢&
∑
∑
j œ
f
b˙
j œ
b˙
G .R
nn
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∑
C
op
yr
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j
ru pe o. ˙
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le
p
(e as in less)
j ‰ œ
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yoi
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p fp
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nn
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or
& <b>˙
p
M-s.
∑
C
Box 2
∑
di &
Box 1
ic or
Harm. 2
sa l
55
on ly
17
f
p
¢& SY 9176/ 01
f
sfz sfz
arco s. pont.
p
18 Mothers, will you pray for me...?
∑ “ # œœœ Œ œ o
draw
° Box 1 &
∑
¢&
∑
Für Elise
le
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op
C Vn 2
or /F
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di & -
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æ æ & 6 6 6 6
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Vn 1
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-
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f
¿
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ss
Mothers, will you pray for me...?
D q = c. 56
(Voice)
f
∑
p
bœ ™
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° &
∑
f
-
‰ ¿™
ic or
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Πo
slow continuous wind, ratchet-like
Ó
G .R
M-s.
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p
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Box 2
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sa l
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C
Harm. 2
ww w w
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pe
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arco ord.
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p
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19
∑
∑
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draw ord.
draw vib.
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/F
or
set box down
o.
° Box 1 &
pe
ru
Harm. 2
∑
on ly
61
sa l
° Harm. & 1
M-s.
&
Ó
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di &
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slow continuous wind, ratchet-like
¿
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set box down
G .R
ic or
Box 2
C
The Blue Danube
∑
∑
∑
ht b
y
∑
C
op
yr
ig
° Vn 1 &
Vn 2
)
-6
f
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6
66 >
arco ord. (in front of cuff)
Ó
ã)ã
II
p
sfz
¢& SY 9176/ 01
6
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20 65
“˙
Ó
∑
w
p
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #“˙˙˙ ™™™ ˙˙˙ œœœ ™™™ ˙™ ˙ œ™ ≈ Œ J p o draw vib.
Œ
∑
sa l
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ru
Harm. 2
on ly
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or
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o.
/F
Box 1
di &
C
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∑
&
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ht b
s. tasto (behind cuff)
Vn 2
¿
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Y
-
arco ord. (in front of cuff)
) II
6
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C
op
yr
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p
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y
M-s.
G .R
ic or
Box 2
¢& SY 9176/ 01
˙
˙
˙ -
-
corn
˙ )
¢&
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∑
∑
Œ
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∑
pe
ru
Harm. 2
w
on ly
Harm. 1
:“; w
sa l
° & 68
21
or
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o.
/F
Box 1
di &
C
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ic or
Box 2
G .R
slowly cup mouth with one hand
& œ ™ œ œ œ œ #˙
M-s.
±
˙™
3
nœ
w
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has bro - ken my heart
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op
yr
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° Vn 1 & 6
>
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>
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sfz
C Vn 2
˙
¢& SY 9176/ 01
>6œ
˙ p
∑
∑
∑
¢&
∑
∑
∑
71
pe
ru
Harm. 2
sa l
° Harm. & 1
on ly
22
or
° & ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
o.
/F
Box 1
±
( )
M-s.
ic or
di &
C
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G .R
Box 2
& œ ‰ ¿ ¿ ¿ ¿ ¿ ¿¿ stage whisper
3
¿ ‰ Œ J
I
ht b
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and has left me help - less;
6 J 6™ ( III )
C
op
yr
ig
° ã)ã Vn 1 &
Vn 2
¢& SY 9176/ 01
Ϫ
œ œ
6™
looked
j j b 6 6 n6 ™
stage whisper
¿ ¿ ¿ ¿ Œ J 3
for sym - pa - thy,
)
∑
∑
∑
∑
¢&
∑
∑
∑
∑
∑
∑
74
or /F
∑
o.
Box 1
-
° & ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Für Elise music box stops by about here.
pe
ru
Harm. 2
sa l
° Harm. & 1
on ly
23
di &
C
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ic or
Box 2
f
œ J
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˙
n˙
˙
˙
there was none, (nn)
ht b
but
Ϫ
G .R
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slowly uncup mouth
op
yr
ig
° Vn 1 & )
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C Vn 2
)
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)
6 p
6
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molto vib.
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fp
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b˙
mm
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b˙
<#> œ n ˙ >
fp
‰ ‰
f
mm flaut.
-
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mp
Ó
am - ah 3
bœ œ
mf
IV
b˙
j bœ œ™
fp
fp
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C
nn
3
(ff)
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yr
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° Œ &
¢&
j ‰ Œ œ bœ œ œ œ œ 3
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Life
Vn 2
- nn
mf
3
G .R
& b˙™
81
&
-
C
¢&
Vn 1
-
b˙™
or
IV
=
M-s.
mm
-
œ
/F
(Voice)
∑
Vn 1
Vn 2
-
And help me to drive old Satan away? q = c. 72 mp
E
&
nn
o.
° &
nœ
ru
˙
pe
& ˙
∑
sa l
stops by about here.
:
M-s.
-
° ¢& ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 78
Box 2
And help me to drive old Satan away? q = c. 72 The Blue Danube music box
on ly
24
p
/0˙
spoken
p
Renewed in dust bowl… The drought area is fertile again
‰ bœ œ œ J
the wa - ter
breathy
mp
f
‰ ‰ j ‰ j j ‰ b -œ œ œ œ œ b œ œ -œ ™ nn
j j ‰ œ ¿ bœ ˙ mm nn í - ah
j j ‰ -œ œ œ œ œ œ b œ œ b >œ ™
b˙ j ≈ j bœ™ œ œ™ >œ
3
3
nn senza vib. poco s. pont. flaut.
b >œ œ ™ œ f
sung
3
am - ah
-
mm
3
p
mp
SY 9176/ 01
fsfz
IV
p
f
25
° p & j ‰ œ
Œ
∑
Ó
)
III
IV
>
>
œ
∑
)˙
˙
)˙
#>˙
or
& œ
Showers in northeast cheer farmers of new dust bowl
writhed;
/F
¢&
C
Vn 2
and
o.
Vn 1
saw you
Œ
on ly
3
˙™
œ nœ ˙
sa l
& b œJ œ
spoken
ru
M-s.
f
pe
84
M-s. & Œ
ic or
sung
G .R
87
di &
=
3
#œ
œ
clouds
œ
poured down
#œ
3
j j ‰ /0˙ œ œ
There's no more dust in Kansas dust bowl
wa - ter,
ht b
y
The
j œ œ
spoken
° &
yr
ig
∑
C
op
Vn 1
#œ #œ #œ # œ n œ #œ æ æ & 3
Vn 2
∑ œ #œ
III IV
>
6œ
>
¢& SY 9176/ 01
)˙
#˙ fp
#˙
26
F sung
Œ #œ
Vn 1
&
#œ n œ œ
Œ
light - ning lit up the world,
You
∑
bϪ
œ #-œ # ˙
>
f
œ
Œ
∑
r≈ ‰ nœ6 œ6
œ
>j
˙ #˙
bœ
molto vib.
bœ
IV
/F
¢&
C
o.
Vn 2
<#> œ >œ
∑
œ
or
° &
j ˙ œ œ œ œ
on ly
your
#œ
f
sa l
& Ó
ff
3
ru
M-s.
3
pe
89
M-s.
your peo - ple like
yr
ig
ht b
° &
œ œ œ œ œ J
C
op
Vn 1
Vn 2
a
˙™
w
flo
-
-
-
-
>¿ >¿ >¿ -
-
-
y
led
ic or
&
Ϫ
G .R
92
di &
=
& <b>œ ™
∑
Ó
(Voice) f
˙
flashed
j j œ™ bœ œ > >
˙ IV
b >˙
¢& SY 9176/ 01
>˙
w
Y
(sh)
ck - ck - ck
≈
27 Hand-cranked music box Jesus Loves Me
& #œ ™
∑ 6
ã)ã
III
j #œ ˙
˙
n>œ
6
)™
or
¢&
∑
C
o.
Vn 2
(d) vib. ord.
∑
Ó
/F
Vn 1
Ó
∑
on ly
° & j ‰ Œ ¿
∑
sa l
∑
&
ru
take music box
pe
M-s.
ÍÍÍÍÍÍÍÍÍÍÍ
Very slow turn of crank.
95
di &
=
&
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ spoken U Despair, you farmers, wail you vine growers; grieve for the wheat and the barley, because the harvest of the field is destroyed. The vine is dried up and the fig tree is withered; the pomegranate, the palm and the apple tree — all the trees of the field — are dried up. Surely the people's joy is withered away?
ht b
y
M-s.
Turn the last chord even more slowly, so that its arpeggiation is heard clearly.
G .R
99
ic or
Complete the text within one cycle of the tune: aim to end just before the final music box chord.
yr
ig
° &
C
op
Vn 1
Vn 2
& ã)ã
¢&
∑
o
U ∑
∑
U ∑
∑
U
*
≤
* Continue tremolo in a single position for approximately 5 seconds after the Jesus Loves Me music box finishes, ending on an up-bow SY 9176/ 01