Rolf Hind - Horse Sacrifice

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Rolf Hind

The Horse Sacrifice for six players

Order Number: RICL 104

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Published by G. Ricordi & Co (London) Limited.

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Unauthorised reproduction of any part of this publication by any means including photocopying is an infringement of copyright.

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Edited and typeset by Derrick Coonghe and Peter Readman

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1 26 36 49

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Movement I Movement II Movement III Movement IV

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Excerpt from KA by Robert Calasso Instrumentation Performance notes Layout

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Contents

ii

The Horse Sacrifice for Six Players

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When the sun rose, and sun was the horse, they were ready to greet it with twenty-one formulas. . .Each homage was a phrase, a musical articulation. Behind every composition lies the sequence of these formulas. . .

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The Narrative wandered around like the horse. The secret thought of the narrative is the horse. The secret thought of the horse is the narrative. And what did the pariplava recount, every ten days of the horse's absence? “This cyclical legend recounts all realms, all regions, all the Vedas, all the gods, every being. . .”

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There is a horse's head rolling along the surface of the sky: it is the sun.

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There is a horse's head rolling across the earth: it is the receptacle of sweetness.

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There is a man's head rolling across the earth: it is the person who hasn't evolved the enigma of the horse's severed head.

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Like everything, the asvamedha, which is everything, began and ended with water. There was a bath at the beginning. There was a bath at the end. After the final bath “those who do good and those who do evil return to their village together hand in hand.”

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taken from KA, by Roberto Calasso

The Horse Sacrifice was commissioned by the Brighton Festival for performance by the New Music Players

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Instrumentation Bass Flute / Piccolo / Treble Recorder / Triangle / Water Gong E flat Clarinet / B flat Clarinet / Bass Clarinet / Treble Recorder / Triangle / Water Gong Violin / Triangle

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Violoncello

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Piano / Ratchet / Triangle

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Percussion: tubular bells marimba water gong on G below middle C three different wood blocks anvil whip suspended metal plate log drum three different motor horns bicycle bell triangle two different small stones police whistle bass drum smashing glass (either sampled on a drum pad or a sampler or use a biscuit tin filled with broken glass, sealed and hung in a string bag.)

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Notation of Piano Part depress silently engage third pedal lift third pedal

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strum strings; notes indicated resonate

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strike string with thumbnail

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strike string at harmonic with fingernail

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inclusive cluster: black and white keys

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harmonics: in 1st movement at third partial; elsewhere at ninth (these harmonics are just in front of the dampers)

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SLAP - use left hand to slap under the piano for maximum resonance from the notes held in the middle pedal

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Slam - upwards, against the instrument, for better control Lid

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The following strings are prepared with Blu-tac at the near end throughout the piece:

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in bar 627 remove the Blu-tac from G above middle C

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an E-bow is used for the final pages

Other notes

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In the second movement, some players hum. This should be very subtle and quiet and with the mouth closed.

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Players who walk (clarinet, flute, violin) should not hurry, pose or clatter

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Layout In the first movement, the instruments that play in unison should be paired up, even, if possible, playing from the same part. The percussion layout should allow the paired instruments to be as close together as possible (eg. wood blocks and E flat clarinet, marimba and bass flute).

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The ‘cello, piano and percussion do not move in the piece.

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Percussion Violin

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Piccolo ‘Cello

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Position Three

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For the final movement, clarinet and flute go slowly to the water gong which they play until the end. One strikes, one lowers. . .

1 to Ray

The Horse Sacrifice (2001) Rolf Hind

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18 The Horse Sacrifice

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27 The Horse Sacrifice

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32 The Horse Sacrifice

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33 The Horse Sacrifice

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40 The Horse Sacrifice

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