SY 4097/08 | Fujikura - Tocar y Luchar

Dai Fujikura

Tocar y Luchar for orchestra (2010/2011)

Studienpartitur

Sy. 4097/08 ISMN 979-0-2042-6348-6

RICORDI

Co-commissioned by the Friends of El Sistema, Japan and the Suntory Foundation for Arts World premiere given by Simon Bolivar Youth Orchestra of Venezuela Conducted by Gustavo Dudamel in February 2011 at the Social Action Center for Music in Caracas. Japanese premiere performed by New Japan Philharmonic, conducted by Takeshi Ooi at Suntory Hall on 28 August 2011

Inst rum ent atio n: 1 Picc olo (I) 1 Flu te dou bling Piccolo (II) 1 Alt o Flu te in G dou bling Pi ccolo (III) 2 O boe s (I & II) 1 Cor A nglai s in F do u bling O boe (III) 1 Clarin et in E-flat 1 Clarin et (I) in B-fla t 1 Ba ss Clarin et in B-flat do u bling Clarin et (II) in B-fl at 3 Ba ssoon s (I, II & III) 4 Hor ns in F (I, II, III & IV) 1 tr u mpet I in C – Ne eds Har mo n Mut e 2 Tru m pe t s (II & III) in B-fla t – bo th N ee d H ar mon Mute s 3 Tro m bon es (I, II & III) – AL L N ee d H ar mon Mu te s 1 Tu ba 1 Ti m pani pla yer 3 Pe rcu ssion pla yer s

• The score is in C

ST RIN G S

---- --- --- --- --- --- --- --- --- --- --- --- --- --- --- --- --- ---- --- ---- --- --- --- --- --- --- --- --- --- --- --- --- --Percussion 2: (needs a bow) Percussion 1: (needs a bow) Percussion 3: (needs a bow) 1 Vibraphone (I)

1 Marimba

1 Vibraphone (II)

1 Large Bass Drum

1 Tamtam

4 Bongos

1 medium Bass Drum 1 Sizzle Cymbal 6 Crotales (Sounds 2 octaves higher)

1 Smaller Bass Drum

5 Large Tomtoms

G en e ral P oint:

Accident als (i ncludi ng g race notes) onl y af fe ct the pit ch t o whi ch t he y di re ctly ref e r, not ot her o ct av es , f or t he d urati on of t he b ar i n w hi ch the accid ental is w ritten. Do NOT use vibrato on gliss. or port.

STRINGS: S.P.= sul pont. P.O.= position ordinary Make a difference between Gliss. and Port. Gliss. = start to shift the pitch immediately (and travel during the full length of the note duration). Port. = shift the pitch just before you go to next note.

Dedicated to Gustavo Dudamel and José Antonio Abreu

to Gustavo Dudamel and José Antonio Abreu

"Accidentals (including grace notes) only affect the pitch to which they directly refer, not other octaves, for the duration of the bar in which the accidental is written. All grace notes must be played before the beat."

 

 q = 52 



 



 

 

Piccolo I

Flute

Alto Flute

Oboe I

Oboe II

Cor Anglais

Clarinet in Eb

Clarinet I in Bb

 



   



 

Bassoon I



Horn I in F







 p



 

 



non vib. p

 

 



 

p

p







 

 



 

 







pp

ff



 

 





  



 

 







 







  ff







pp



ff sub. mp



 



 



pp

pp

ff sub. mp with normal vib. molto express.

pp with normal vib. molto express.

ff sub. mp

pp

 

pp



sub. mp

 

ff

pp







 



























 

 



pp

mp

 



 

ff sub. mp

pp



 



   





pp

   

mf



 



 



 

Trumpet I in C



 



 





Trumpet II in Bb



 

 





Trumpet III in Bb



 









 

Horn II in F

Horn III in F

Horn IV in F

Trombone I

Trombone III 



 Marimba 

  Violin I div.

 

Violin II div.



 Double Bass div.







 



 

 



 

 



 

  

 

     

   

         

   



   

pp



  

ff



pp



  

 

harmon mute





  



   

harmon mute pp





 









 





  





p

 



    port.  with vib. molto express. port.

   p

 p

 





ff

 ff

with vib. molto express.



ff with vib. molto express.

port.

 

   port.      p p

   

ff

. port

p p

    

ff

port.

p p

    

   ff

port.

 

p p

ff

 

molto express.   por  t.     

 

 

express.   pomolto  rt.     

p

p

     

 

ff with vib.

  

ff with vib.

ff with vib. molto express. port.



p

ff

 

with vib. molto express. port.

p

ff



 



 



port.

p p

ff



p p

  

 

ff

port.

p p

  

 

p p

 ff

port.

 ff

 

Sy. 4097/08







  

pp

  

pp

p



f f f f f f

 



  

 port.    p

 port.    p

port.    p

 port.  

  

  p



p

p

 

 port.   



 port.   

  

p

p

p

 

 port.   



p

p

p

  p





 



  

p

p



  

p





 

fff



ff

p





p





p

ff







   













  



















   





f

pp

   

pp

p

ff

p

p

ff

p



p

   

ff

p



    f      





senza sord.

 

senza sord. f



senza sord.





pp

senza sord.





pp

senza sord.









p

          



                



 

 port.  



fff

port.

 

p

 port

.







port.

 

p

 por

t.

fff

  port.  

 port.

  port.   



fff



fff

port.

 





port.

 



fff



port.



port.

 



t. por

 

  fff

fff

fff

  





p

















pp

f

pp

f

pp

         



         



    





p





fff

p

fff



p

fff

p

fff



p

fff

p

fff

p

fff

p

  

     

  

  







  

  

  

p

p

p

          

 

ff

p



  



  port.  





ff

p

ff

p

ff

 













   





   

p

  p

p

p

   port.



ff

  

p

 

   

  

    





  



   







p



f

   







pp



p



f







   



p



pp



p



   

p





pp





p

 

f









    



p

pp

pp

  





f

very soft sticks

p



f

senza sord.

port.

p

fff







pp



 











  

  

ff

p







 

pp













p



p

fff



pp



   p

p





fff



p

p

    p

pp



p







p

ff



fff





pp

p

 por  t. 

  



fff







p

  

p

 



ff





 

   

p

p

 







f

 



pp





ff







p

p



 f









pp harmon mute



very soft sticks, vibraphone: scarcely audible

with vib. molto express.

 

 

 

pp



 

 

pp harmon mute







p







p

harmon mute

 



ff







 

ff





  

p

ff







p

pp

pp

Double Bass: all pitches sound an octave lower than written (including the harmonics) Copyright 2010 by G. Ricordi & Co Bühnen- und Musikverlag GmbH München

p

harmon mute

p

 



very soft sticks, vibraphone: scarcely audible

p

    pp

mf

      p   motor is always OFF  

motor is always OFF



Meno mosso (q = 104) q = 52

molto accel. (extreme accel.) q = 52  



ff





pp



 







p

rt. po



div.



 

 

 

pp



p

ff







rt. po

Violoncello





p



ff

rt.





ff



pp

mf

pp







p

po



div.







 

 

pp



p

ff









  



ff

rt.

Viola



pp



ff

 





p



   p    





po





 



 

Vibraphone I   Vibraphone II  



mf



Trombone II

 





pp



p

 





p

ff





p

 



pp

   sub.

 



ff

pp

ff sub. mp

 



pp

ff sub. mp with normal vib. molto express.

ff sub. mp with normal vib. molto express.



Dai Fujikura



  



with normal vib. molto express.

ff sub. pp mp with normal vib. molto express.

p



ff p with normal vib. molto express.



 

 

 



with normal vib. molto express.



 

 

 

 

non vib.

 











 



non vib.

p



 

p



(2010, corrected 12/09/2012)

Conductor: molto espressivo, a full, juicier sound, think of this passage as one arc of melody.

 

 

 



Bassoon III 

 

non vib.



Bass Clarinet in Bb

Bassoon II

 

Tocar y Luchar for orchestra  q = 52   

(q = 104) Meno mosso

molto accel. (extreme accel.)

p

p

p

  p

p

p

    













 









ff

ff

ff

ff

port.

p



ff

port.

port.

p

 

port.

p

  

port.

p

   

port.

p

p

por

t.

 port. 

p

 

2

  11

Picc. I



A. Fl.







p

ff

C. A.

Eb Cl.

Bb Cl. I

p

 





Bass Cl.

Bsn. II Bsn. III 



p

ff

p

 



p

ff



 



p

ff

pp



  

pp

pp

   

Hn. IV



 



Tpt. I

 



Tpt. II



Tpt. III

pp

pp



pp





p

f

p

f

f

pp

Tba. 



 

Mar. 

  Vln. I





ff

   ff

Vln. II

   ff





ff

Vla.





 



ff

pp

 

pp

  



ff

  

pp

ff

  

pp

ff

pp

 















p

 



 

 ff

 

ff

      







   

 

p

 p

 

ff

p

p

 ff

ff

 



  

p

ff

ff



   



p

 



ff

ff

 

p

 

    ff     ff

 

   

 

  

 

ff

  

 

ff

    ff

     ff







p

p





p

p

p

 



p

 

ff

 

ff

 

sub. ff

  

 

  

 

sub. ff

ff

ff

 

 

  

 

 ff

 



p





p

fff

p





p

p

fff

p

 

p

fff



fff

p



















p

fff

p



fff

p

fff



p









p

fff

p







p







































p



































  

 

p

 









  

 













  

 













 

 













 

 

  



  





 



p

p

 

 

 

   

  

 





     ff

      ff

     ff       

ff

  

ff

ff

    ff









p



ff

p

ff

p











   

   



  

 







 

 



  



 



 



 





 





   









p

p

p

p

 p











p

 

  port.

 

   

port.

 fff



port.



port.



port.



fff



fff

  

port.



   

 





 

 

p



ff

 

 

    

fff

fff



fff

port.



fff

 

port.

p







 

 



 fff



 



p

  











ff



 

p





 

p

  





p

ff



  

  







   ff

  







  

  



  



 

  



   





p

p



 

 



 

 

  



 

 









ff



fff

 

  

fff

 

fff

ff



p



p

p

ff

  

 

p



 

 

port.

port.

p



  

port.

p

 

   p

port.

p



  

port.

p



  

port.

p



   p



p

ff

p



  

      

p

ff

p

fff

 p   ort. 

ff

ff

p

fff

 port.    p fff  po rt.   

ff

port.

p



   p

p

port.

 



    

ff

p



 





   



ff

p

    

 





p

p

  ff 



   

ff

  

ff

  

ff





   



 

   



sfffz

      

sfffz

  



 



    sfffz  





  

ff

p

p

ff

p

    

p

ff

p









   











Sy. 4097/08

f

sfffz



ff

  

 

    ff

f

sfffz



ff

p

  

sfffz

 

p

    



p

p

    

f

    ff

 



p

ff

    



p

     p







ff





   



  

ff



ff

f





p

  

    ff     

  

ff

f



ff

   

 port.     p fff   port.   

p

  

f

  

p

ff

 

 

p



   

 port.  

p

p

f

p

 



fff

p

 

  

p



fff



  port.     







p





 port.  p

ff

  



p

 









p





ff



 



p





  fff

f

p

fff



p







p

f

p

 

fff

  

p

fff



  

p



 

f

p



fff



  

ff

ff



 





       



  

p



fff





fff

p







 

p





  



  

ff

p









p

p





 





   ff     

  

p

   

 

p

ff

fff

p

p





p

p

 ff







f

p

fff



p

p







 

 

p







  

p

fff

p

p









p





 





ff

p

p



p

fff

p





 

 







p





p

ff





p

p



ff



 

p

ff

ff

p



ff

ff





 













p



p





p







fff

 ff



 

p

 



fff





 

ff

p



p





p



p

fff

p



p

p





p









p

  p   





p

sub. ff

 



ff



 







 



ff

p



ff

 

p

  







p

ff

ff

ff





p

 





  

p

p

ff



  



 

 





 

ff

p





 

p







 

ff



 



 

p

 





  

p

ff

ff



p

 



p

p

 

ff



   

 

 p 

     ff p



ff



 

  

ff



 

p

p

p





 

 

p





   

 

 

      sub.  p ff   ff      

     

ff





  

ff

pp





p

pp

pp

ff







p

pp



   Vc.



  

 

ff

p



pp





p

f

ff





f





p

f







f





p

f



Vib. II  





f





p

f

Vib. I   





f



p

 

ff

      pp



p

     

Tbn. III

ff

 



p

     

Tbn. II



p

    

Tbn. I

p





     pp



p

      pp



p



ff

p

     pp

Db.

 

    

Hn. III

 







 ff 



p

p



ff







      

Hn. II



p

  

Bsn. I

Hn. I



p



ff

 





ff



 

p

p

 

 

p





p

 







Ob. II



  

Ob. I



 

p

 

Fl.

 

sfffz

sfffz

    19

Picc. I



Fl.



Picc. II



A. Fl.



Ob. I



Ob. II

 





Eb Cl.



Bb Cl. I



Bass Cl.

p

p

 p

 

C. A.

p

p

 

   

 

Bsn. I

Hn. I

sub. sfz



sub. sfz



sub. sfz

 

p   sub. sfz

  sub.

p

sfz

p

p

Bsn. III 





 

  

Tpt. II

Tbn. II

Tbn. III Tba. 







pp



pp



pp

pp

mf

  Vln. II

   





  

pp

  

 

mf

mf

 



p

 

p



 p















  p



  p











p



 





    









  

 



 

ff

ff

  

   ff        

 

      

ff

  sfz   sfz

 



 

    

 

 

p



p

 

   

 

 

p



p

 

   

 

  

     

p

 

 

p



 



3

p

3



p

ff

p





p



p



 





p

 

     

sub. sfz



p





sub. sfffz

 

pp

    p     

 

pp

    

sub. sfz

pp

pp

pp

f

p

f

 



pp

  

p

  

f

3

f

  

3 3

3



pp

 

  

   mf sub. mp    

pp

pp









3 3

 3

   

3



p

3

3

  

p

 

 

p





p





p



p





p

p

3







  3

p

 3

p

 3

p

 3 p

 3 p



3 p

 3 p



3 p

 

 

 

      

 

  

sfffz

  

sfffz

  

sfffz

  

sfffz

    



   



p

 

  

sub. sfffz



  

p

sub. sfffz



 

p

sub. sfffz





  

p

sub. sfffz





   

  



p



sub. sfffz

  

p

 

sub. sfffz



sfffz

sfffz

  

sfffz

 



 p

 p

 

Sy. 4097/08



 

  

sub. sfffz











pp

sub. mp

pp

 









 

ff





ff

ppp

ppp

ff

ppp



ff

ff

ppp



ppp



ff

ppp

ff



ppp

 

ppp

 



 







 



 







 







 





 

 







 

All strings, change bows as many times as you need.

 

port.

 

fff

port.

 

fff

port.

 

 













port.

p

 

fff



p

fff

fff

 

p

p



p







 

 

fff

 

fff

p

p

fff



 

port.

p

 

fff

 

p





port.

p

p

fff



p





 

p

ppp

 ff

p



 

p



 

 

port.

p

ppp

ff

 



 

 

 

  





ff



ff

p

 

sub. sfffz



ppp



 











p

   



pp



 ff   



p

 

sfffz







pp







sub. mp

 



  

pp

  





sub. mp

  





pp

sub. mp

   

sub. mp

  

mf







ff

p

p

fff











  







p



fff



mf





p

fff

   



 



p



f





fff





p





p

f

p

   

pp

 

p





f

3





       sub. sfz      



fff



sub. sfffz

p











fff



sub. sfffz







p

 



p



fff







p

p





fff

 

p



p



sub. sfz

sub. sfz





p



sfffz

fff

sub. sfz

fff

  

       sub. sfz      









ff

    sub.

p



sfffz sub. p





f

3

 

sfffz







 



3





fff

 









fff

fff







p



sub. sfffz





    sub.

   sub.

sfffz sub. p



 

  

 



sfffz

sfffz





    sub.

   sub.

sfffz   

  

 

 



sub. sfffz

sfffz

sub.



sub. sfffz

   sub.

sfffz sub. p

  

3



 

 

 





 

 

sub. sfffz

sfffz sub. sfffz p change to clarinet (B-flat)



3

ff

p

3





p

 

  

ff

f



 ff

sfffz









ff

   sub. p

ff

f





ff

sub. sfffz p

f

3

 



 



 

ff

sub. sfffz



 



ff

sfffz sub. p

f



 



 

ff



ff

ff





p



 

3



 





p3

3

sub. sfffz





  



ff



f

 



 

sub. sfffz

sfffz

sub. sfffz





p3

  

  sub.

sfffz sub. p

ff

3

 





 





3

p



ff





p

sub. p



f

p

p

sfffz

ff

p

f

ff





p







 

3

3

 



ff

 



 

p

3

3

p





p3

p



3

p

p





3



p





ff

 



p

ff

Vc.

p

p

   





ff

Vla.

 



pp

p



ff









 

 



  p  

ff

   

Mar. 

Vln. I



sfz

 

  

ff

     sfz     sfz   







    sfz

 

Vib. II  

 







 ff 





 

sfffz sub. p change to piccolo



3

p

 

 

ff





p

ff

 

Vib. I  



   ff     



 

Tbn. I

Db.





 

Tpt. III





p

     ff



pp

  





p

p

ff



   

Tpt. I

  





3



p

ff

sub. sfz

 



 

   





sub. sfz







p

ff



  

Hn. IV







 

Hn. III

    ff

 

   

Hn. II



sub. sfz

sub. sfz

 

ff

sub. sfz



 

Bsn. II



sub. p sfz

p

Bb Cl. II

    



 

   

 p

 

p

p



p

 

4

  24

Picc. I



Picc. II



A. Fl.



Ob. I

Ob. II

C. A.

sub. ff

sub. ff



sub. ff

 sub. ff









Bsn. I



Bsn. II Bsn. III 

sub. ff sub. ff









sub. ff



sub. ff





    

fff

fff

   



fff

    



Hn. IV

fff

    



Tpt. I

     fff



Tpt. II

     fff



Tpt. III

fff

    



Tbn. I

     fff



Tbn. II

fff

Tba. 



 Timp. 

 Vla.



 

molto S.P.

sub. ff molto S.P.

 

fff

sub. p

 

(p) with normal vib.

fff

sub. p

 

(p)

fff

sub. p

(p)

fff

fff

 

 



(p)

sub. p non-vib.

(p)

 

sub. p



with normal vib.



   



 





 





 



 











ppp

ppp





 



 





 



   



ppp



  



ppp



 



ppp



 



ppp

 

 



ppp

 







 



ppp



 



 

ppp







ppp

 



 



   

 



sub. ff molto S.P.





sub. ff molto S.P.





sub. ff molto S.P.



gliss

  

 

fff

 

with normal vib.



(p) with normal vib.



sub. p P.O. non-vib.

(p)

sub. p

(p)

   

P.O. non-vib.

sub. p

 

P.O. non-vib.

sub. p

with normal vib.



with normal vib.



   ff

ppp

ff

 

ff

  

 



(p)

 



p

(p)

 



p

(p)

non-vib.

    

    ppp     

   ff   

 

 

ff

ppp

   

(no flz.)

  fff       

f

  

pp

 

f

   

 



 



  p





  

p











 





 





 





 





 





 





 





 





 





 





 



 

 



  



 

soft sticks

mp



 

 

 









(fff)

 

molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")









sub. molto trem. p molto S.P. (scratchy, heavy bow pressure on "fff")

 

fff no dim.

(fff)

 

 

fff no dim.

(fff)









     ffff

 

   ffff

molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")

with normal vib.   

  

 

  

       ffff











sub. p

 



sub. (fff) molto trem. p molto S.P. (scratchy, heavy bow pressure on "fff")

       ffff

sub. p molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")

Sy. 4097/08





sub. p molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")

 

sub. p

sub. molto trem. p molto S.P. (scratchy, heavy bow pressure on "fff")

sub. molto trem. p molto S.P. (scratchy, heavy bow pressure on "fff")

 





(fff)

 







(fff)

 

(fff)

fff no dim.



(fff)

 

fff no dim.

with normal vib.   



p

molto accel. (extreme accel.)

 

 

fff no dim.

gliss

pp

 

 

fff no dim.

gliss

pp

 



p

ppp

 

(p)

with normal vib.

ppp

    ppp     ppp

fff no dim.

sub. p P.O. non-vib.

(p)

    

   

  



 

ppp

ff

fff no dim.

sub. p P.O. non-vib.

    ppp     



p



ppp

ff



fff



 

   ff   

fff no dim.

 

non-vib.



    ppp     



fff



   

 

(p) with normal vib.



sub. ff

 

sub. p P.O. non-vib.

fff





(fff)

fff





 

 



 

 

(fff)

ff

 



fff no dim.

 



 

 



  





 

ff





 

 



  

change to oboe



ppp

ppp



fff no dim.

 

 







 

f

 

 

 

 





(fff)





sub. ff



fff no dim.

(p) with normal vib.

fff



with normal vib.

 

(fff)

sub. p P.O. non-vib.



sub. ff molto S.P.



fff no dim.

fff

fff



  

P.O. non-vib.



molto S.P.

 

(fff)

fff no dim.

  

fff no dim.

fff no dim.



 

 



fff no dim.

  

  

 

fff no dim.





change to piccolo

 



(p)

  

(fff)



ppp

 

ppp

 

fff no dim.



with normal vib.





(fff)

 







 

 





(fff)

fff no dim.





sub. p non-vib.

 

with normal vib.

fff no dim.

 







sub. ff

Db.



(p)





molto S.P.



sub. p non-vib.





 Vc.

fff







 

(p) with normal vib.

 

fff no dim.



with normal vib.

fff

non-vib.



 

molto accel. (extreme accel.)

   



 with normal vib. 



pp

Vln. I

Vln. II

 







(p)

fff



 

sub. non-vib. p







T.-t.  

(p)

 

     

large  B. D.  sizzle Cym.

 

 



sub. non-vib. p

 



fff

 



   



Tbn. III

sub. p non-vib.



sub. p

fff



    

Hn. III

fff





 Hn. I 

Hn. II

(p) with normal vib.









fff

fff



sub. ff

sub. ff

with normal vib.





sub. ff



Bb Cl. II

 

NO Gap!! non-vib.  







Bb Cl. I









Eb Cl.

 

     ffff





  

 

   ffff



 

 

 

Conductor: Grace notes must ALWAYS be played rapidly throughout the piece.

  30

Picc. I

Grace notes are always played rapidly with (subito) accents.  molto espress. 



overall dynamics:



Picc. II







p

 

 

 



p

pp









pp







 









pp

  

 



p









p









p overall dynamics:





  

p



    

   p mf

mp

 





   

 





   



pp

  





p



   

 

p

   

mf



 



mf

  









   

  

   







 

 

mf



 

mf

p

soft sticks

mf

mf



 

p

 



 

p







 

 p





  



p

  

  

 

   

 

f



p

 

 

 



f



p



f

p

   

f

f

  

  



   f

 



p

 

f







  





p

f

 



soft sticks





 

  

mf



 

 

molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")





sub. p







sub. p

      ffff





 





 ffff





 ffff

 

 

  ffff













q = 104 











P.O.





 rapid "port."   

P.O.





p





 P.O.













P.O.

 





  

rapid "port."

p rapid "port."

P.O.

  

port.   port.    sfz

    sfz

rapid "port."

 P.O.







port. port.

    p

rapid "port."

 

port port..

port.   port.   sfz

  



 

sfz





  sfz

port. port.





 

 

port. port.

p









  p

  ppoortrt..  sfz

 

rapid "port."













Sy. 4097/08

  p

 

 P.O.



 



Vc.



p

p

  

 

f





f

  

 

 



f

mf

   

  



p



p

p





f

 

f





p

 

p

    

 

f



       



   

 

mf

p



 





f

 

 





    

p



 

 

p

Db.



p

 

 

    



 

 

mf



p



p

mf

p





p





 



 

mf





p

  

 



 

p

p



p



Vla.



mf



p

mf

   

p



  



mf

   

mf

 

 

 







 

p



 



  

 



p

pp

 



mp



mp

 

p





  

 

   







 

mf

mf



molto trem. molto S.P. (scratchy, heavy bow pressure on "fff")





p

mp





   

    mf

  

  

    mf



p

 





Vln. II



pp

Vib. II  





 

pp

Vib. I  



  

p



Vln. I



p



 

   









   

pp

pp



 

 



Grace notes are always played rapidly with (subito) accents.  molto espress.  



 

p

mp

p

Grace notes are always played rapidly with (subito) accents.  molto espress. 

sizzle  Cym.  

 

   



 



pp

Grace notes are always played rapidly with (subito) accents.  molto espress.  

 

mp

p



pp

  

 p

 

   

pp



  

Grace notes are always played rapidly with (subito) accents. molto espress. 

overall dynamics:

Bb Cl. II 



  







mf



 

pp

  

overall dynamics:

Bb Cl. I

p

p

mp



 



     



p

 

    

 

pp

Grace notes are always played rapidly with (subito) accents. molto espress.  

overall dynamics:

Eb Cl.



p

Grace notes are always played rapidly with (subito) accents.  molto espress. 

p overall dynamics:

Ob. III





overall dynamics:

Ob. II

mp

 

 



  

  



pp

Grace notes are always played rapidly with (subito) accents. molto espress.     

p overall dynamics:

Ob. I





Grace notes are always played rapidly with (subito) accents. molto espress.     

overall dynamics:

Picc. III

   

5

q = 104

  p

p

  poportrt..   sfz

rapid "port."





 

sfz

6

  34

Picc. I

 





f

 

    

 







  

f



Ob. I

  



   

 











f



Ob. III



 





Bb Cl. I



 

 



 

 





 







    

 

p



  

f



 

  

 



 p

f

 

 

Vib. II  







   



f

   

f



  



 



  



f

p

  



p

f

p



  

  

 

 port.   port.   sfz

p



 

 

    



f

p

 

 

 











 



 









 

 

 



 

  f



  



 

f

 





  



 



p

 







  

  p

f

 



     

f

p



      





 

f

p

  



  

p

 

 

f

p



  f

    





p

p









p

f



p







  p f

f

p f



 

port.    port.   sfz

p

p

 

f

 

 

    



   

f



f

 

f

p



   

p

p



p





p









 

 

  

f



port.   port.   sfz

p

p

f

f

f

  



f

 

 

 

  

 



  

p

p

  



p

 



 



f





f

   





 

p

f

p



f



  

p

p

  







  f

p

p

 

  

    



f



  

 

  



p

 



p

f

   



arco Crotales: sounds two octaves higher

 



 

   



p

   



p f

f

p







 



f

p



  

 

 

p f





  

f



 

  





  

 

     p



Vib. I  



f

p

 Crot. 

 

 

 

 

 







f

f

f

f

Bb Cl. II 



f





 p

 

p

f

 

 

 

  

  

 

p



p

p f





 

  

 

p

 

p

f

 

 



f

 

f

 



 

p



   

f

f

p

Eb Cl.

   

   

  p



 

p





 



f

   

p



 

 

f

 

  

 

  



  



f

p





p

f

Ob. II

   p

f

Picc. III



p f





Picc. II

  



 

 



  





     



port.t. por

 

    

sfz

p

Vln. I





 

p

 

port.. port

 

sfz



p





 





 



port. port.

 

sfz

  



Vln. II







 

 

p









  



 port.   port.   sfz



  

 ppoortrt..   sfz

Vc.



   sfz

p

    

sfz

Vla. port.. port





 

p

port. port.

p

  



  sfz

port. port.



   

port.. port



port.. port



  

sfz

 



p



 pport.  ort.   sfz

 



 





p





portrt. . po

 

 

  



 ppoorrt.t.   sfz



sfz

     

sfz



 

   ppoorrt.t.   sfz



 

port. port.

sfz



p

Sy. 4097/08

   

port. port.

p



 



p

po   portrt..   sfz

  

 











p

p

    

    

sfz



sfz

p



port.. port

p



p

   



 poportrt..  sfz





  p

    p

f

 



Picc. II





Picc. III

  

 



 

p

f





 

  

 



 

 



Ob. III



f





Eb Cl.





  



Bb Cl. I



Bb Cl. II



 

 

   







  f

  



  

 



 

 









 

 



 

p

f





 



  

   

  



  



f

p



 





  

 





















  



       







Vib. I  



Vib. II  



 

 



  



 

 ppoorrt.t.  









    sfz

   

port. port.

p

Vln. II



 

       sfz

p

Vc.



 port.   por t.   sfz

port. port.

  

sfz





 

p







 





 



  

ort. pport.  sfz

p



port.. port

      

  

   

f

  

   



  





 

f

   

f

        

    

   





f

p





p

medium sticks



 

 

  f

 





 

 





port.. port

sfz

 



  



 

p

  

sfz

 ppoorrt.t.   sfz  

 

  

p







 





  

rt.   port.  po   sfz



  

 



 ppoortrt..    sfz



 

  

sfz





 

 t.   ppoorrt.  

pizz.







   

sfz

P.O.



  

  







 

 

    





       

   p





   

     sfz

  

sfz

 

f

 pizz.

port. port.

 

rapid arpeggio, let it ring non-div.

ff



p

Sy. 4097/08





pizz. trem.



sfz

  

rapid arpeggio, let it ring non-div. pizz. ff

p

    sfz

f

  

port port..

  

p





f







     

 

pizz. trem.

pizz. trem.

t. porrt. po

p









 



 

   









   





 

p

porrt.t. po



f

    sfz



 

               

 

 



p

P.O.



  

 



p



f

p

  



p



Db.



 





p



f

  





rapid arpeggio, let it ring        

non-div.







p







     

f

f

p



p

port.. port



p

        

      





p

 

   

 

 

 



  f









p

Vla.



  



f

p



       

f







        

p









    



p

f

p



f

   

 



change to Cor Anglais

p

   port.    port.   sfz p



sfz

p

 

   ort.  pport.  sfz

p

Vln. I



 



 



 



   



     

p

f  



        



   

  

p

 p

p

 







  

 

  

p

f

Mar. 

f

f

f

 

p



p

f

    

  



p



  

f

p

 

f





p

f

p



f

Bsn. III 



     





p









 

p

f





 





f

Bsn. II

  

  

f



    

f

p



 



   

p







p



  





change to alto flute

f

p

 



 p

f

f



f

 

  

p    

change to flute









f

 

p





  

  

  

f

f

 





p

p

   

 

 



7

p

p f

f

f





   

    

  

 



f

p

p

p

 

 

 

f

  

p

  

   

p



f



f

p

 

p



    

 

f

p



p







f

p f

 



  

p

  



 

  



f

f

Bsn. I





f

 

p

p f

p   

 



f

 

   



f

 

 





p f

p   





f

 

p



p





 

p



f

p



   

f

 

p f

Ob. II

f

 

f

 

p

 



p





   





p

  





 

f

p

f

Ob. I

 

 





 





 

 



  38

Picc. I

 

ff









 



f

f



Bsn. I

Bsn. II

   

p



  







p

   





  

Bsn. III 

 

  





f



   





   

 

 

SOLO



SOLO

arco







(altri.)



   

  



 





   

   





 





 



SOLO



 

p

  

    



non-div.

p

   



f

  

(altri, pizz.)

 

   







p

 SOLO  



arco   f



 

 

  

 

  



  







  f

 



   



(altri, pizz.)



Db.







   



f

p







col legno battuto, let it ring. f col legno battuto, let it ring.



 f





p   

  



 

p









23"

 





f



p   

 p

 

 

 

f

molto espress. (no-tremolo!)



 

 

f

p

 











   f







5



 gliss 

p





 

   f

  

f pizz.

 



  



   f

 





    f



   

   

(pizz. trem.)



f







  

  



 

 



   

    

f (pizz.)















  



 

 

     ff rapid arpeggio, let it ring

moltoS.P. non-vib. 

(pizz. trem.)



p



non-div.







 





 











     

 











Sy. 4097/08

      



f









p



 

   f

  

 





    











f









 

 











  





f

     f

 







  

 



 





f



  

 











  

  



   f



  

    









   

  









  p







ff

 





   f



molto S.P. non-vib.



altri. div.





 

  



f

 













 







(altri, pizz.)





Vc.



mp

 p

p

(pizz.)

(altri, pizz.)

SOLO

 

 

 

   











altri. div.







 

(arco) SOLO (P.O.) molto espress. (with normal vib.)      f

Vla.







SOLO











SOLO



  



f

f

 

  



 

f

  

f

(P.O.) molto espress. (with normal vib.) SOLO arco   

  



(P.O.) molto espress. (with normal vib.) arco





    







  

 

  

pizz. trem.



p

  



non-div. pizz. trem.

altri. div.

 



pizz. trem.





f













     

p

f

f

 

medium  sticks 

           

f

Vln. II

 



p

     



 







f





p



   f





f





 

p



p

SOLO



p



f





p



p

  

 



   

p





f





f

p



 

  

    

 

p f





(altri.)

 

f

(P.O.) molto espress. (with normal vib.)    f

f





   

Vln. I



  



(P.O.) molto espress. (with normal vib.)   



p

p



 

arco





  

  p 



altri. div.



f

f

f

SOLO

 

p

soft sticks

Vib. II  

 

p





Mar. 

SOLO

  





  

        

  

 





f

f

 







      

p

Timp. 

f

p



f

   

p



f





   

        

f

  



p

   f

f

p

 





  



  





Bb Cl. II



         





f

p

 





       





   













   







    











 



          f

Bb Cl. I



p





Eb Cl.





f



 







  

 





 



Ob. I

 



  42



8

 





gliss f

  



  



 



  

f





  

SOLO





   

    



f

 



f





    

   

(pizz.)



 Db.





(col legno battuto)









   



  







  

  

 

 

   

 

  

  

   

 

  

 

       



  



p



  

  

  





    

 







 



      f

        



   

  



  



 

 



  



  

       

  

p

  

  

  

  



f

 

f

f

   



    



     



 



   



 



   



  

 

 

      

  

 

f



  



      

p

   



f

   

   

   



f

   

(pizz. trem.)







f

    



 



f



p













Sy. 4097/08

  

f

p (pizz. trem.)

f

 

 



(pizz. trem.)

  

  

 



   

  

 

   

     







f





f



  



 

  





f

 

  

p

  

    

f

f

  

(pizz. trem.)









p

p



 

 

  



f







f

 

(pizz. trem.)

   

 

 



   



f





 



(pizz. trem.)



(col legno battuto)



  

(pizz. trem.)

     

 

(pizz.)



f

Vc. tutti div.

  

f

p

pp

 

  









3

  



f

  



  



f

(pizz. trem.)

  

 

 





f

f

f

  







    



    

 













  

(pizz.)





p

altri. div.





    

   f





  



  

 



(arco)

(arco)

  



 

f

p



gliss

f

 p

  



f

   











(pizz.)

Vla.



  

f

 





 







  

f

 



SOLO









  



p

 

 

   







p



      















f   



 





   f

p

f

 

p

f





 



     

   

  p













  

 

p

p

f

3

  

(pizz.)







    

 





altri. div.

  

p

   f

  



   

   



 

f





    

(pizz.)

   



p







(arco)



3

 f

f



f

Vln. II

f

  

 

 

    





f



   

    f



  

p

SOLO

 

p





  



(arco)

(pizz. trem.)

altri. div.



  

(arco)

f



 

   

Vln. I





f

p

p



 

    



p

p



  

p

 

f





f

p









f



p

   

5





 

f



    

p

      





 

 



f

 



 

SOLO



   



p f

    





f

p







  



p

p    

f



f

 

   



Vib. II  



 

f

p



p

 

       



  

 





Mar. 

SOLO

 



 

f

 

 

f

f

p



p

      







  

f

p

Timp. 

 

   

p

 



Bsn. III 





 

 

f

p



Bsn. II

 

f

  







p





 

 



f





   



 

   



p

    

 

f

p



   



p



 

   f





 f

p



  

   f

 

      



f

Bsn. I

 

p

    



Bb Cl. II







p f

 





f

p

f

p

 

f

p

p



 

p

 

  



 













f

  

      



    







  



  

    f



 

f

   





f

Bb Cl. I

 





  

     

p

p



Eb Cl.



  



f

   



f

p



 



p



f

p

   

 

  



  

  

 

f



  

  

   





   







 

p

f

C. A.

f

 









Ob. II



  



p

  

 

f

  

f

  



 







p

 



f



Ob. I

  



 



f

p



     



  

 

 

9



f



A. Fl.

 

  

 







  46

Fl.

 

10

  51

Picc. I

 

 



   







f

 



A. Fl.

 



Ob. I

p

f

p



  

  

 









 

p



Bsn. II 

f

f







 

 

 

  

 

  



f

p



   

 



 



 

 





p



f

  



Vib. II  



  



 



  

 



 





  

 



 





    





f

  







      

  





 





   

 



 

f













f  

     

 

 

 





  

  

     

      







 



 

  



 



  

 



 



 





 

  



 



     



 

      

  



 

  



 



 



      



 





 

 

 





p





 



 

 

 

  











 

 



f

  

  





 











 



 



 



  

  

 

  





  



  



molto rit. (extreme rit.)

 





  

  

  

  





  

         



  

f

f

p

  

p

 

f

(arco)

 

 



 





  



(arco)   

f

   





 

 

  

 





f



 p

 

 





 



   

 

f















     



   f

   

f



p

 

 





p

p



 

  

p





    f

f

p



f

f

    

f

  

      

 



f

  

p

f

 

 



  



  

p



p





SOLO

f

 

 

  





f



Mar. 

SOLO

  

 



Bsn. I

p



p



Bb Cl. II

  

  



   



p

       





f

f

Bb Cl. I

 

p

 



 



 



 



Eb Cl.

  

f



C. A.







Ob. II

   





  

  

f

Fl.

 

molto rit. (extreme rit.)



 



 

f





SOLO



SOLO

(arco)





  

  



 

(arco)





 

 

f

arco





 



 

 



   



  f





   

 

(pizz. trem.)

 Vc.







   

   f

p





     

 



  



   



 



   











     

  

  







    

  

  







f

(pizz. trem.)



  



p

altri. div.







(pizz. trem.)



   

       f

 



p

f

 



f



 Sy. 4097/08

(P.O.) arco

  mp

(P.O.) arco

  mp





arco





arco

  mp

  mp

 



   

 







 



 







 

Vla.







f

 







     





f















    

(pizz.)

  





arco



altri. div.













    

(pizz.)



f



  





(arco)

  

  





Vln. II







SOLO

(pizz.)









altri. div.

  



  







(pizz.)







Vln. I



  55

 

 

q = 80

 

Vln. I tutti

  

(P.O.)

  



   



 



 

arco



 

arco



p

f

(P.O.)

div.



  

p

f

  





f



  



p

   



 



  



 



f

 

  





  p

f





 

    

p

p







 







p

f

 





   



    



  





  



p

f

 

     



mp





p

f

 

11

      



f

mp



p

Vln. II tutti div.

p

  



 

   

p



 ff

pp

f

 

     



p

f

  



 

    









f

p

   



mf

p

f

Vla. tutti div.





  

 

  

 

  

 

   



   



     ff



 ff

pp

  

p

     





















f

 ff

pp

  







mp



mf

p

Vc. (tutti div.)





pp



  61

  p

    



f

Vln. I





p

 

 

















p

  

 

f

    





 

f

p







 







f











p

p

   



p

  

 



 

f

 

f







 

mf

 



p





 



 





 





 

p

  

f

 

  

 

p

f

 

  







f







p

p



Vc.







 

f

   mf

 

mf



p







 









    

mf

p







p

p

f

 

  

p

f

  p

   f

Sy. 4097/08

  molto rit. (extreme rit.)









p



f

p



 

p



 

 

 

p

f



p



 p







arco







  f





  f

p

 

p









sub. f

p

 



 



 

p



p





p

p





p

Vla.



p

 

mf

 

 

 

mf

p





mf



p



 

 

p

f



 



     



p

p



f

f

Vln. II









  

 







p



p

 

sub. f

p

 









 p



sub. f







