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Sy. 4705 - Liza Lim - City of Falling Angels (2006)

Page 1


Liza Lim

City of Falling Angels

It is requested that markings are made in light pencil (HB) only. All markings should be removed from the score before the material is returned.

Photocopying, or any other form of duplication, is strictly prohibited.

City of Falling Angels

For 12 Percussionists by Liza Lim

Commissioned by Lucerne Festival for the Lucerne Festival Academy.

Premiere: 5 September 2007, Luzerner Saal, Lucerne Festival Sommer 2007, Lucerne Festival Percussion Group of the Lucerne Festival Academy, directed by Michel Cerutti.

Total duration 17' (approx.) Part I Miranda Visione Part II The Winged One

Typesetting and Music Preparation by Peter Readman

This material remains the property of G.Ricordi & Co. (London) Ltd. All requests for performance should be directed to the publisher.

+44 (0)20 7835 5382 www.ricordi.co.uk

City of Falling Angels (2006)

For 12 Percussionists

Instrumentation

Distribution and Instrument Ranges

1

Vibraphone 2 1 2 3 4 6 5 7 8 9 10 11 12

Notes:

2

* F bell is detached and dipped in water

* E bell is detached and dipped in water

Temple Blocks need to be the hollow contemporary type allowing for stick trill inside the block

There are six crash cymbals in total, descending in size (1 to 6)

There are five ride cymbals in total, descending in size (1 to 6)

There are four Chinese cymbals in total, descending in size (1 to 4)

Vibraphone
Marimba 1
High Chinese Wood Block
Xylorimba
Marimba

Distribution of instruments and beaters

(not all beaters are specified as the performer will choose the most appropriate beater for the dynamic context and overall balance)

Player I: Vibraphone (4 ruths, vibraphone beaters, 2 bows)

Player II: Marimba, High Chinese Opera Wood Block (woodblock stick, 2 rasp sticks, marimba beaters, bow)

Player III: Xylorimba (2 rasp sticks, marimba beaters, bow)

Player IV: Marimba (2 ruths, vibraphone beaters, bow)

Player V: Vibraphone ( 2 ruths , vibraphone beaters, 2 bows)

Player VI: high crash cymbal (no.1)

5 temple blocks crotales 1 steel drum (beaters, hard metal beaters (crotales), hard mallets (steel drum), 2 rasp sticks, 2 ruth�s, 2 bows)

Player VII: medium ride cymbal (no.3)

5 temple blocks crotales 2 cowbells

[beaters, 2 ruth�s, 2 rasp sticks, 2 bows]

Player VIII: high Chinese cymbal (no.1)

medium-high ride cymbal (2)

medium crash cymbal (no.4)

low sizzle cymbal snare drum

2 bongos

4 tom-toms [2 brushes, 2 rasp sticks, 2 drum sticks, beaters]

Player IX: medium-high Chinese cymbal (no.2) high ride cymbal (no.1)

medium crash cymbal (no.2)

medium sizzle cymbal

snare drum

pair of bongos

4 tom-toms 2 bass tom-toms

bass drum

[2 brushes, 2 rasp sticks, 2 drum sticks, beaters]

Player X: medium Chinese cymbal (no.3) low ride cymbal (no.5)

medium crash cymbal (no.3)

tubular bells (F bell is dipped in water) gong plates high tam-tam

high Temple Gong

[beaters, superball, bucket of water]

Player XI: 4 timpani low crash cymbal (no.6), placed on timpani bass drum low tam-tam

[beaters, superball, 2 brushes, 2 rasp sticks, 2 drum sticks, timpani mallets, triangle & triangle beater]

Player XII: low Chinese cymbal (no. 4)

medium-low ride cymbal (no. 4)

medium low crash cymbal (no.5)

temple gong (medium)

tubular bells (E bell is dipped in water) tuned gongs

medium tam-tam

[beaters, superball, bucket of water]

City of Falling Angels is a work in two parts or two 'visions' set in Venice.

The first part is a glimpse through a chink in time and the second part, a momentary veiling of space.

Part 1

Chasm in the flow of time quivering Miranda Visione at her marriage to the sea

Part 2

An angel gazes over The island of the dead wings pinned back eyes flicker in vertigo

Dedicated to Miranda Jackson (Part 1) and Pete Readman (Part 2)

This is how one pictures the Angel of Hist ory. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing in from Paradise; it has got caught in his wings with such a violence that the angel can no longer close them. The storm irrepressibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward.

Walter Benjamin, “Theses on the Philosophy of History,” IX

City of Falling Angels (2006)

I Miranda Visione

5 Temple Blocks

5

Bongos
Bongos
Tom-t.
Bongos
Tom-t. 2 Bass Tom-t. B. D.
G.P.
G.P.

2

4 Tom-t.

Med. H. Ch. Cym. H. Ride Cym. Med. Crash Cym. Med. Siz. Cym.

S.D.

2

Bongos
Bongos 4 Tom-t.
2 Bass Tom-t.
Gong Plates
Gongs
Mar.
Xylor.
Mar. 2
Vib. 2
Crot. 1
Cowb. Gong Plates
Xylor.
Cowb.
H.
Bongos
Tom-t.
Bongos
Tom-t.

2 Bongos

4 Tom-t. 2

4

Bongos
Tom-t. 2 Bass Tom-t. B. D.
Tub. B.
Gong Plates Timp.
Tub. B.
Bongos
Tom-t. 2 Bass Tom-t. B. D.
Timp.
Gongs
Bongos
Bongos Tub.
Bongos
Tom-t.
Tom-t.
Bass Tom-t.
Bongos
Tom-t.
Bongos
Tom-t.
(subtle accent to mark grouping into three)
Mar. 1
Xylor.
Mar. 2
Vib. 2
Sop. Steel D.
Cowb.
Tub. B. Timp.
Tub. B.
Tub.
Tub.

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